View allAll Photos Tagged expressionism
A landscape version of a square format image (flic.kr/p/2q9Qqit) that I posted on here earlier this year.
Colt House, Shoreditch, East London, Photo taken in April 2018
A new architectural painting by expressionist artist Stephen B. Whatley; commissioned by The Trustees of St Vincent's Nursing Home, Eastcote, Pinner, UK.
The artist visited St Vincent's Nursing Home on a sunny but freezing day in January and took photographs and made several graphite drawings and notes of colour sensations that inspired the painting; created in March 2022.
Whatley - whose work has been published in TIME - is noted for his contemporary architectural paintings, commissioned by The Royal Collection of Buckingham Palace, the BBC and the Tower of London - where there is a permanent walkway of his series of 30 paintings at Tower Hill, commissioned by Historic Royal Palaces in 2000.
The work of Stephen B. Whatley is in private collections worldwide and other public collections including the London Transport Museum and Westminster Cathedral.
St Vincent's Nursing Home, Eastcote. 2022
Oil on canvas
Private collection, Eastcote, UK
the Lenbachhaus gallery revisited. seeing some favouríte works of some of favourite painters of the "Blaue Reiter" (The Blue Rider) again
- Nov 2018 - Expressionism - Topaz Studio 2
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This major work of Abstract Expressionism was purchased by the Whitlam government in 1973.
The lack of recognisable symbolism in Blue Poles is deliberate. Much of Pollock’s work was about externalising his seemingly troubled internal states.
Housed at the National Gallery of Australia in Canberra.
2.1 m x 4.86 m
© All rights reserved.
Unmittelbar unparlamentarische Welt gigantische literarische Kriege temperamentvolle Kämpfe vorbereitende Zuflucht emotionale Ausdrücke Segeltiefe mutige Sensibilität,
διανοητικά οράματα κρυμμένοι κύκλοι λογικά γεγονότα συγκρατημένοι συνομιλίες φαντάσματα συνειδητή φιλοσοφία υποδηλώνουν επικριθεί ατμόσφαιρες εικονοκλασμό περιστάσεις εκδόσεις επιθυμίες,
mots apathiques de subtilité touchée d'innombrables détracteurs souffrances amères l'enterrement échappe à une instabilité fragmentaire oublie des lunettes éparses des escaliers scrupuleux,
неизвестные лирические пьесы, необычные резолюции, стимулирующие персонажей, романтические события, активные переводы, переполненные идеи, пьяные посетители, отсутствующие энтузиазмы.,
diferite intoxicații volumele uimite impresii istorice flipping experiențe duel fronturi crepuscul unghii arderea așteptărilor copaci strâmbi încordare fizică,
比類なき教訓社会的誇り無限の星変遷詩人厳格さ大胆な大気ドラマ主人公想像力適切なボヘミア磁気報告書効果的な散文邪悪な夜.
Steve.D.Hammond.
Édourd Vuillard
b.1848 Cuiseaux,France
d.1940 Baule,France
At the Revue Blanche (Portrait of Félix) Fénéon)
1901
oil on paperboard
Movement-Post Expressionism
Vuillard portrayed his friend Félix Fénéon bent over a stack of papers at his desk at the Paris office of the anarchist literary and artistic journal,La revue blanche with which Pierre Bonnard,Vuillard,and other artists were closely associated.Fénéon worked there from 1894 to 1903.Vuillard compressed the space of his office and left his subject with an expressionless visage yet determined posture.Fénéon would later serve as an art dealer,but most significantly for the Solomon R Guggenheim Foundation,he was a long time mentor to founding director Hilla Rebay.Rebay arranged for Guggenheim to purchase what she viewed as precursors to nonobjectivity from Fénéon's personal collection in the 1930s,including Vuillard painting and work by Amedeo Mogdigliani.Although Rebay decided to add Fénéon's name to the list of patrons when Guggenheim's Museum of Nonobjective Painting opened in 1939,but such acknowledgment was never realized.
"The word, the terrible life-giving word. I have snatched it from the dark powers. Now I shall call the Golem to life!"
('The Golem' by MEZCO Toys / "Silent Screamers" deluxe figure)
"Der Golem, wie er in die Welt kam"
German Expressionist silent horror film (1920)
Directed by Paul Wegener & Carl Boese
Starring: Paul Wegener (The Golem), Albert Steinrück (Rabbi Loew), Lyda Salmonova (Miriam), Ernst Deutsch (Loew's assistant) and Lothar Müthel (Knight Florian)
The script was adapted from the 1915 novel 'The Golem' by Gustav Meyrink.