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Taken using a Vela flash with a 5 flash burst and the Camera Axe with the projectile sensor.
ISO 3200, F 7.1
I zoomed out (or did I zoom in?) during a 15 second long exposure. It seems impossible to get the lights straight..
Delicious, Refreshing…
View blog: bryanlawler.com/bl/exploding-coke
Photo by: Bryan S. Lawler
Web site: www.bryanlawler.com
[56/365] 3..2..1..
No, I didn’t explode. Well, not into pieces but I did explode into laughter when l later looked at the pictures. O boy what a sick mind … hahaha.
Had a ton of fun during this shot and I can’t remember the last time I had so much fun going through my pictures. I made a little collection of some of the pictures from this shot for you to enjoy here.
Strobist info:
SB800 @ 1/128, 24mm, 4 ND, Just over camera pointing at me
Camera on pillow on the floor pointing at funky lamp in the ceiling
I stood and bended over the camera making silly faces
White balance set to flash to get that warm light
60W incandescent in funky lamp
Triggered with Skyports
Camera tethered to laptop using DSLR Camera Remote Server and iPhone
Strobist setup shot.
Please, no links to your stream, pictures or other things in the comments - I will remove those. Make a normal comment and I will look at your stream. Thank you!
Taken using a Vela flash with a 5 flash burst and the Camera Axe with the projectile sensor.
ISO 3200, F 7.1
307/365 - Remember those little pots that you use to get a roll of film in? Ever wondered what to do with them? Today was Science in Norwich at The Forum so we had a family day out to have a look.
One demonstration involved putting a dollop of water colour paint into a film pot along with half an Alka Seltzer. Put the lid on and shake before placing down on its lid onto a sheet of paper. Wait a few moments and BANG!! the pot bursts and the paint splats.
Repeat many times with different colours an you have a work of art. Our children loved this.
Explode by Sarah L. Spencer, 2009. Oil on canvas. 36” x 48”
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The work that I have created questions the relationship that humans have with technology. Does human dependency derived from technology make us less and less human as the current technological trends become more advanced? How can we hold onto our human nature while we are being forced to stay current in our modern world? What are we turning into? Is this infatuation with technology just another logical step in our evolution and the advancement of our kind–or is it bringing us harm? By gaining technology, are we losing ourselves?
I choose to explore these questions within my paintings. The relationship between humans and technology is represented through the form of the female figure. This figure is represented as part human and part machine. The two parts form a visual struggle, fighting for dominance over the figure. The balance between the two parts is essential. However, it is important for the figure to retain a certain amount of her humanity in order to show the viewer what is being lost.
Holding on to what makes us human is important. It is what makes us unique and gives us compassion for others. Through my work, I hope that people can see that the human side of us is more important than the technology that we oftentimes become obsessed with.
This time around I used a dart gun to make the balloons. This was my first time trying out a new color.
rapidlly expanding mentos and soda fountain. The red blur at the top of the stream is the unsecured deploy mechanism which we then realized needed to be firmly twisted onto the threads of the soda bottle.
the ability to choose and arrange the rainbow's spectrum can be transformed into an intellectual motif -- the rainbow of consciousness and the explosion of the individual within the whole.
all of us are born into this social contract of humanity. we don't have any choice about this. we are raised and reared within the boundaries of these social contracts.
currently, in this part of the world, there is a loosening of the moral and religious hold on sexuality and the range of the human heart's ability to be bigger than the limited and challenging gender roles of the past.
both sexes, men and women, are starting to understand themselves inside a much greater context and understanding than we think the past afforded.
it is just one of the outgrowths of a materialized capitalistic system of social contracting.
with moving imagery and invisible worlds now firmly entrenched across the country, the powerful syndrome of "the emperor who wore no clothes" can take full effect.
in the original tale, the narrative stops short on the exclamation of a small girl child who says, "but, mommy, he's not wearing any clothes!"
and of course, the moral right and the rigid uptight sexual judgers all come down on the period with their verdict -- which really is that the emperor has been cheated and defrauded in front of everyone.
but we already know of this lesson.
so perhaps we really should be asking where our true naked leaders are -- not the one who got cheated and defrauded and paraded in front of his subjects by clever tailors. we should be asking where our naked leaders of greatness and awesomeness and full human glory might be.
we really should be considering the idea that our leaders shouldn't need to be covered up in metaphorical or physical buffers and boundaries.
but our leaders are weapons manufacturers and drug dealers and pornographers.
our leaders spread disease and pestilence and cause wars in other countries.
our leaders are not rainbow warriors. they are gold and diamond collectors. they use time and drugs to rule and reign. they use entertainment and news to delight and bemuse.
we are the fire children.
we love our energy.
but we don't worship the sun like we used to in the alleged past.
we worship ourselves.
and this worship of the self is the exploding dahlia.
we are these dahlias floating through space. and each of us explode one day.
Taken using a Vela flash with a 5 flash burst and the Camera Axe with the projectile sensor.
ISO 3200, F 7.1
© Mark Watson.
Taken with a make highspeed kit and a panasonic FZ50.
DONT TRY THIS AT HOME BECAUSE OF THE DANGEROUS MERCURY that is contained inside of the bulbs.
shot with a .22 airgun pellet.
see all sizes
The tempered glass door suddenly exploded in the office. Amazingly it kept cracking for hours after that. This is a detail of the glass.
05/03 - Schack (Dinamarca)
12/03 - Felício Marmitex
19/03 - Goos / Kurc
26/03 - Lucas Santtana
DJ residente: Dago
Neu Club
Rua Dona Germaine Burchard, 421 - Água Branca
poster por Silvia Rodrigues www.flickr.com/photos/silvix/
Last year during a trip up to San Francisco we stopped up at Cambria a fun little tourist town.
I picked up a package of rubber lizards.
I have a ridiculous amount of unused targets around the garage. I'd estimate the volume at about four cubic meters of stuff.
And shooting these lizards won't help at all because they heal up ready for another try...
No .gif uploads because Picasion isn't working any more.
Cheers.