View allAll Photos Tagged explainer
Ok here it is. I took one image of the model using the strobes . I had the camera on Auto bracket mode , so the dark frame was taken immediately after that, before the flashes could recharge. The dark frame is for the outside detail coming in through the cracks in the door and the first shot is for the model only. LAter.. I had the model walk out and took a bunch of different exposures of the barn by itself. I used photomatix Image blending to compile them. Strobes were used in that image as well but were moved to different places for each frame to ensure an even distribution. later in photoshop I used the pen tool to vector out the model and created a mask ( Bottom Right) since the hair was really difficult, I chopped it off with the pen tool mask and duplicated the original (1) picture, placed it on top and set the blend mode to either overlay or multiply... whatever one leaves lighter (hair) detail and makes darker areas transparent. Thats how I got the hair edges so finite. A separate mask was also used to get the outside detail from the second image and place it on top of layer 3 so that it appears that My camera has that kind of dynamic range. :) YEah.. I cheated :) other than that, I used the basic retouching like skin smoothing and some toning using curves. whole thing took about an hour and a half.
Link to final img
www.flickr.com/photos/40889933@N07/4879681429/in/photostr...
The legend for this exhibit explained that the ancient Greeks sometimes ritually "killed" a helmet by bending its cheek flanges outward.
"It was the custom for victorious Greek cities to dedicate tropaia, ‘trophies’ of armour from the defeated, in the sanctuary of one of the gods. When the trophy collapsed from age or when the sanctuary became too full the armour was buried, but first it was ‘killed’ as part of the process of offering it to the gods: the cheekpieces were bent
back and the noseguard turned up to render the helmet useless in this world." - Walters Art Museum
Photographed at the Walters Art Museum, Baltimore, Maryland.
Pardoes Promenade 24/06/2020 11h10
Movable matrix information boards once again explain how 'social distancing' works in the waiting areas in Efteling. The signs do not benefit the fairytale atmosphere everywhere, but COVID-19 is therefore far from a fairy tale in 2020.
De Efteling
The Efteling is a fantasy-themed amusement park in Kaatsheuvel in the Netherlands. The attractions are based on elements from ancient myths and legends, fairy tales, fables, and folklore.
The park was opened in 1952. It has since evolved from a nature park with a playground and a Fairytale Forest into a full-sized theme park. It now caters to both children and adults with its cultural, romantic, and nostalgic themes, in addition to its wide array of amusement rides.
It is the largest theme park in the Netherlands and one of the oldest theme parks in the world. It is twice as large as the original Disneyland park in California and antedates it by three years. Annually, the park has nearly 5 million visitors. In 2016, it was the third most visited theme park in Europe, behind Disneyland Paris and Europa-Park. Over the years, it has received over 125 million visitors.
Location: Kaatsheuvel, North Brabant, Netherlands
Opened: 1952
Operating season: Year-round
Visitors per annum: 4.76 million in 2016
Area: 72 ha the park; 276 ha the resort
Rides: Total 35
Roller coasters 6
Water rides 4
[ Source and much more Info: Wikipedia - De Efteling [2019] ]
Washington, D.C. civil liberties attorney David Rein (right) explains the court martial verdict to defendant Roger Priest’s parents April 27, 1970 at the Washington Navy Yard in a case that stemmed from Priest’s publication of an alternative GI newsletter.
From left to right: stepmother Dorothy Priest; father Roger A. Priest, mother Pauline Priest and Rein.
Priest received probably the lowest penalty short of not guilty when he was convicted of two minor charges, given reprimand, reduction in rank and a bad conduct discharge for his newsletter activities.
Priest worked in the Navy’s Office of Information at the Pentagon when he published his mimeographed alternative GI newsletter and faced charges of up to six years hard labor, forfeiture of pay and grade and a dishonorable discharge.
OM had a print run of 1000 and featured anti-Vietnam War articles and information as well as acting as a “gripe” forum for armed service members.
The court martial at the Washington Navy Yard included charges of soliciting fellow soldiers to desert, urging insubordination and making statements disloyal to the United States
The Navy charges were all based around the issue of free speech in the military and would become nationally publicized at a time when GIs were increasingly resisting the Vietnam War, including refusal of orders to go to Vietnam and refusal of orders to fight for those who shipped out.
Upon appeal, the conviction was reversed and he was granted an honorable discharge.
The following excerpts of Roger Priest’s anti-Vietnam War activities and subsequent court martial are from “His crime was speech” by Dale M. Brumfield posted on the Lessons from History site:
The Defense Department reported that in 1970, almost 245 underground presses published at least one anti-Vietnam edition on America’s military bases.
But it was one fearless sailor working inside the Pentagon, Journalist Seaman Apprentice Roger L. Priest, that pushed hardest against military boundaries and caused the Defense Department the biggest headaches.
Roger Priest entered the Navy in October 1967 and was transferred to the Pentagon’s office of Navy Information in January 1968.
“I was anti-Vietnam before I got into the service,” Priest told Washington Post writer Nicholas von Hoffman. “I thought I could live this lie … and I’m not even killing, I’m just shuffling papers.”
Throughout 1968, Priest became more disgusted with America’s role in Southeast Asia, leading him to create the only underground paper published by someone who actually worked inside the Pentagon. It was published on his own time and with his own funds and was one of the few such papers to use the creator’s real name instead of a pseudonym.
“How many more women and children must be burned before the people of the United States realize the horrendous crime they are committing against a peasant people?” he wrote in his paper he called OM — the Servicemen’s Newsletter before later changing it to Om — the Liberation Newsletter.
1,000 copies of the first mimeographed issue of OM appeared on April 1, 1969. The next morning, within 90 minutes of arriving at his desk, he was abruptly reassigned to the Navy and Marines Exhibit Center at the Washington Navy Yard. “I don’t care if they send me to the North Pole,” Priest told the Washington Post, “I’ll write my stuff on ice cubes if I have to.”
Exercising his First Amendment rights while knowing full well he was placing himself in the U.S. Navy’s crosshairs, Priest published a second edition of OM on May 1, then a third one on June 1, each with a press run of 1,000 copies.
Priest also raised the ire of the Navy when he made an antiwar group the beneficiary of his service life insurance and urged other soldiers to do the same. In his case, if he was killed by the Viet Cong in Southeast Asia, the War Resistor’s League would receive his $10,000 payout.
OM was unapologetically blunt. “Today’s Pigs are tomorrow’s bacon” stated one headline in issue two that described Joint Chiefs Chairman General Earl Wheeler. OM called Secretary of Defense Melvin Laird “People’s enemy no. 1” and “a practicing prostitute and a pimp.”
Other statements appearing in the paper that crossed the Navy included “Our goal is liberation … by any means necessary,” and “Shoot a pig!” A headline in another issue read “Be Free Go Canada,” then listed the addresses of groups in Canada aiding military deserters. The article also explained that “landed immigrant status” was available in Canada to deserters.
On June 12, 1969 Priest was interrogated about OM by the Office of Naval Intelligence (ONI). Three days later, fourteen official charges were lodged against him, including soliciting fellow soldiers to desert, urging insubordination, making statements disloyal to the United States, using “contemptuous words” against South Carolina Representative L. Mendel Rivers, and worse, not stating in the paper that his statements were his own opinions, and not those of the U.S. Navy.
Von Hoffmann wrote on June 25, 1969, that Priest was accused of “everything that’s happened to the Navy except perhaps stealing the [U.S.S.] Pueblo.” Priest also noticed at this time that he was being followed around by civilians in Ford Fairlanes and Plymouth Valiants.
“… This whole thing hinges on free speech, freedom of the press,” Priest told von Hoffman. “They’re not talking about my military behavior … they’re talking about what I do on my own free time, outside of the Navy, in my own apartment … in other words my rights as an American citizen.”
In July, Priest published a special “Best & Worst” issue of OM in conjunction with a defense fund called LINK, “The Servicemen’s Link to Peace.” On July 21, Priest — holding a sign that read “My crime is speech” — led a demonstration of about 100 people in front of the National Archives building. The next day an article 32 pre-court martial investigation convened at the Naval Air Station in Anacostia.
Just over 100 members of the Navy Ceremonial Guard armed with M-1 rifles, live ammo and gas masks stood watch as Navy aviator Commander Norman Mills conducted the proceedings. Priest was represented pro-Bono by Washington Attorney David Rein.
“If I can be put away for a number of years in prison for the mere writing of words — an act so basic to the founding of this country that it finds its basis in the First Amendment of the Constitution — then my crime is speech,” Priest said in his opening statement. “But let me tell you this: OM will go on, for others will take up the pen where I leave off.”
During this trial, the prosecution admitted that approximately 25 naval intelligence agents were assigned to follow and harass Priest (hence the Fairlanes and Valiants). Furthermore, when a letter found in Priest’s trash was introduced as evidence, ONI special agent Robert Howard testified that the Washington DC department of sanitation provided a truck exclusively for trash pickup at Priest’s apartment building.
Attorney Rein said that this activity alone “brought more discredit on the armed services than anything Roger Priest has done.”
A furious DC Mayor Walter Washington promised a “full and complete investigation” of the sanitation department when director, William Roeder was quoted as saying “If the police ask us to do this, we cooperate with them.” He later denied making the statement.
“City Denies Trash Spying” trumpeted the Washington Post in embarrassing contradiction to the testimony of ONI Agent Howard.
Despite the disorganization of the proceedings, Priest was ordered to appear before a general court-martial on charges that he solicited members of the military to desert and commit sedition, and that he published statements “urging insubordination, disloyalty, and refusal of duty by members of the military and naval forces with intent to impair loyalty, morale and discipline.”
The combined charges carried a maximum sentence of 39 years in prison and a dishonorable discharge.
During this time Priest kept a low profile at his Navy job, obeying orders and being careful to not break a single regulation. His strategy was to force the Navy to court-martial him only for OM’s contents, which he created on his own time, and not on some extraneous charge that disguised the political nature of his battle.
Not to be held down, Priest published “The Court-Martial Edition” of OM in October 1969.
In it, OM bestowed the “Green Weenie” award to the “25+” people “assigned to gather information, interrogate, follow and harass” him.
“ONI left no stone unturned or garbage can unmolested, nor did they mind to stoop to entrapment in trying to deny the constitutional rights of free speech and free press to Seaman Roger Priest,” OM declared.
By April, Priest had become a hero to other like-minded servicemen across the country. LINK Director Carl Rogers estimated his organization spent over $17,000 in buttons, posters, postage and travel expenses for Priest’s speaking engagements.
“No group like ours,” Rogers warned, “can begin to counter the resources and the manpower of the Pentagon … to harass and oppress dissenters.” Rogers also reported, however, that the court-martial had backfired on the Pentagon, resulting in about 10,000 reprints of OM (far more than the original press run of 1,000) and 10,000 “OM” buttons distributed in a little over two months.
Priest gained support from the infamous Chicago 7 — Abbie Hoffman, Jerry Rubin, David Dellinger, Tom Hayden, Rennie Davis, John Froines, and Lee Weiner
Priest also gained an unlikely ally when New York Senator Charles Goodell issued a statement September 5 that said in part, “When Roger Priest enlisted in the Navy, he accepted certain well-defined responsibilities as a soldier. He did not, however, forfeit his constitutional rights as a citizen of the United States.”
The court-martial board convicted Priest only on two minor counts of promoting “disloyalty and disaffection among members of the armed forces.” They recommended Priest be reprimanded, reduced to the lowest pay grade and receive a bad conduct discharge, but no jail time.
Thrilled with the outcome, Attorney Rein said he would nonetheless appeal the bad conduct discharge.
On February 11, 1971, a panel of Navy appeals judges reversed that conviction and awarded Priest an honorable discharge, citing the grounds of reversal on a “technical error” by Judge Raymond Perkins where he failed to explain to the court-martial that disloyalty to the Navy or a superior officer was not the same as disloyalty to the United States.
Also, upon review of the case, the reprimand was dropped by Rear Admiral George Koch, commandant of the Washington Naval District.
Priest’s case presented a conundrum regarding military dissent: How does a country impress young men into the army to fight a war they ideologically oppose or even outright despise? Are men so profoundly disaffected reliable soldiers?
An anonymous columnist proposed a somewhat cynical solution off-record to von Hoffman: “You can’t fight imperialist wars [anymore] with conscript armies. You have to use mercenaries.”
For more information and related images, see flic.kr/s/aHsmLuExUi
Photo by Ray Lustig. The image is courtesy of the D.C. Public Library Washington Star Collection © Washington Post.
Diagram showing the different elements of the Jabulani ball, learn about the technology behind this ball here - www.shine2010.co.za/Community/blogs/goodnews/archive/2009...
A docent explains the family lifestyle.
"The Ulster American Folk Park is an open-air museum just outside Omagh, in County Tyrone, Northern Ireland.
Within the museum there are many restored, original buildings with connections to local families. The park was developed around the Mellon House, the birthplace of Irish-American banker and lawyer Thomas Mellon, founding father of the Mellon banking dynasty. This house and its outbuildings remain in their original location. Visitors can taste samples of traditional Irish and pioneer American foods including freshly baked soda bread and pumpkin pie all made on the hearths and griddles of the exhibit buildings. The museum also includes agricultural displays and an array of farm animals."
Explainer: While I wish I could fully dress, wig-up and make-up regularly, those days are rare. So I post these AI renderings. FYI: the photos are AI generated, from actual photos of me, enhanced slightly with FaceApp and then dressed from outfits I see and love on the interweb. Enjoy them or not! I do, that's all that matters! Love, Crystal
how long "Little Guy" was when he was rescued in 1997 and really was a "little guy" only about 10 inches long. "Little Guy" is a Great Basin rattlesnake (Crotalus oreganus lutosus). Photo of Frank and "Little Guy" at Boise State University Reptile and Amphibian Workshop September 17 - 18, 2016 by Scott..
Jon Magnuson, Executive Director of the nonprofit Cedar Tree Institute in Marquette, Michigan
906-2285494
magnusonx2@charter.net
EarthKeepers II (EK II) Project Coordinator Kyra Fillmore Ziomkowski explains creating 30 interfaith community gardens (2013-2014) across the Upper Peninsula of Michigan that include vegetables and native species plants that encourage and help pollinators like bees and butterflies.
The video was shot on April 5, 2013 at the Big Bay Point Lighthouse Bed and Breakfast in Big Bay, MI during a meeting of EK II representatives.
An Interfaith Energy Conservation and Community Garden Initiative Across the Upper Peninsula of Michigan to Restore Native Plants and Protect the Great Lakes from Toxins like Airborne Mercury in cooperation with the EPA Great Lakes Restoration Initiative, U.S. Forest Service, 10 faith traditions and Native American tribes such as Keweenaw Bay Indian Community
10 faiths: Roman Catholic" "Episcopal" "Jewish" "Lutheran" "Presbyterian" "United Methodist" "Bahá'í" "Unitarian Universalist" "American Friends" "Quaker" "Zen Buddhist" "
EK II website
Nonprofit Cedar Tree Institute
Marquette, MI
Great Lakes Restoration Initiative
Deborah Lamberty
Program Analyst
U.S. Environmental Protection Agency
Great Lakes National Program Office
Chicago, IL
Lamberty.Deborah@epa.gov
312-886-6681
Pastor Albert Valentine II
Manistique, MI
Manistique Presbyterian Church of the Redeemer
Gould City Community Presbyterian Church
Presbytery of Mackinac
Rev. Christine Bergquist
Bark River United Methodist Church
First UMC of Hermansville
United Methodist Church Marquette District
Rev. Elisabeth Zant
Eden Evangelical Lutheran Church
Munising, MI
Evangelical Lutheran Church in America (ELCA) Northern Great Lakes Synod
Heidi Gould
Marquette, MI
Marquette Unitarian Universalist Congregation
Rev. Pete Andersen
Marquette, MI
ELCA
Helen Grossman
Temple Beth Sholom
Jewish Synagogue
Rev. Stephen Gauger
Calvary Lutheran Church
Rapid River, MI
ELCA
Jan Schultz, Botanist
U.S. Forest Service (USFS)
Eastern Region 9
EK II Technical Advisor for Community Gardens
Milwaukee, WI
USFS
www.fs.fed.us/wildflowers/nativegardening
Pollinator photos by Nancy Parker Hill
Rev. David Van Kley, Senior Pastor
Rev. Amanda Kossow, Associate Pastor
Messiah Lutheran Church
Evangelical Lutheran Church in America
Marquette, Michigan
Rev. David Van Kley, Senior Pastor
Rev. Amanda Kossow, Associate Pastor
NMU EK II Student Team
Katelin Bingner
Tom Merkel
Adam Magnuson
EK II social sites
www.youtube.com/EarthKeepersII
www.facebook.com/EarthKeepersII
www.twitter.com/EarthKeeperTeam
pinterest.com/EarthKeepersII/Great-Lakes-Restoration-Init...
pinterest.com/EarthKeepersII/EarthKeepers-II-and-the-EPA-...
Lake Superior Zendo
Zen Buddhist Temple
Marquette, Michigan
Rev. Tesshin Paul Lehmberg
906 226-6407
plehmber@nmu.edu
Dr. Michael Grossman, representing Jewish Temple Beth Sholom in Ishpeming, MI
Helen Grossman, representing Jewish Temple Beth Sholom in Ishpeming, MI
906-475-4009 (hm)
906-475-4127 (wk)
www.templebethsholom-ishpeming.org
www.templebethsholom-ishpeming.org/tikkun
www.templebethsholom-ishpeming.org/aboutus
Wild Rice: 8 videos
www.learningfromtheearth.org/video-interviews/wild-rice-m...
Birch – 2 videos
www.learningfromtheearth.org/video-interviews/paper-birch...
Photos (click on each name or topic to see the respective photo galleries):
www.learningfromtheearth.org/photo-gallery
www.picasaweb.google.com/Yoopernewsman/JonReport?authuser...
www.picasaweb.google.com/100329402090002004302/JonReport?...
“Albert Einstein speculated once that if bees disappeared off the surface of the earth, then humans would have only four years of life left.”
the late Todd Warner, KBIC Natural Resource Director
Links:
Zaagkii Wings and Seeds Project website:
Cedar Tree Institute: Zaagkii Project
www.cedartreeinstitute.org/2010/07/wings-seeds-zaagkii-pr...
www.cedartreeinstitute.org/2009/01/wings-seeds-the-zaagki...
Zaagkii Project Videos on youtube (also uploaded to dozens of internet sites):
KBIC Pollinator Preservation
www.indiancountrytodaymedianetwork.com/ictarchives/2008/0...
Zaagkii Project Indigenous Plants Help Give New Face to Sand Point on Keweenaw Bay www.indiancountrytodaymedianetwork.com/ictarchives/2008/0...
Zaagkii Project 2010: U.S. Forest Service & Keweenaw Bay Indian Community Native Plants Greenhouse
www.youtube.com/watch?v=Hoq5xXHDF4E
United States Forest Service sponsored Zaagkii Project featured on Pollinator Live
www.youtube.com/watch?v=8P3DPfxx7Jw
2009 Zaagkii Project Vid #9: Teens Painting Mason Bee Houses in Northern Michigan
www.youtube.com/watch?v=QIIV6jrlT20
2009 Zaagkii Project Vid #8: Marquette, Michigan Teens Build Mason Bee Houses
www.youtube.com/watch?v=c3MBfV7ION8
Zaagkii Project Butterfly Houses: Keweenaw Bay Indian Community, U.S. Forest Service
www.youtube.com/watch?v=hGQScEI9x7Q
2009 Zaagkii Project Vid #6: "The Butterfly Lady" Susan Payant teaches teens about Monarchs
www.youtube.com/watch?v=JlIgsuTFSuM
2009 Zaagkii Project Vid #5: Terracotta half-life, Marquette, MI band supports environment projects
www.youtube.com/watch?v=JqlFCHwW30o
2009 Zaagkii Video #4: Michigan teens meet 150,000 swarming honeybees with beekeeper Jim Hayward
www.youtube.com/watch?v=U2B4MEzM7w4
2009 Zaagkii Video #3: Michigan teens give away mason bee houses, honor supporters
www.youtube.com/watch?v=dqfWeEgDxTY
2009 Zaagkii Project #2: Historic KBIC native plants greenhouse, USFS protects pollinators
www.youtube.com/watch?v=vg8H5nhvzzc
2009 Zaagkii Project #1: Students make bee houses, plant native species plants
www.youtube.com/watch?v=E8jqJAQyXwE
Zaagkii Project Butterfly Houses: Keweenaw Bay Indian Community, U.S. Forest Service:
www.youtube.com/watch?v=hGQScEI9x7Q
Zaagkii Wings & Seeds Project: Northern Michigan teens, KBIC tribal youth protect pollinators
www.youtube.com/watch?v=VoPJOXHt7pI
Zaagkii Project – Northern Michigan University:
www.webb.nmu.edu/Centers/NativeAmericanStudies/SiteSectio...
Native Village stories: Beautiful Layout by Owner Gina Boltz:
Zaagkii Wings and Seeds Project: A Project by Ojibwe Students from the Keweenah Bay Indian Community
www.nativevillage.org/Messages%20from%20the%20People/KBIC...
NMU Students Join Pollinator Protection Initiative
www.nativevillage.org/Messages%20from%20the%20People/KBIC...
KBIC Tribal youth protect pollinators
www.nativevillage.org/Messages%20from%20the%20People/KBIC...
Teens Help with Sweet Nature Project
www.nativevillage.org/Messages%20from%20the%20People/KBIC...
USFS Success Stories:
Restoring Native Plants on the Enchanted Island
www.fs.fed.us/r9/ssrs/story?id=6274
Keweenaw Bay Indian Community Native Plant Greenhouse & Workshop
www.fs.fed.us/r9/ssrs/story?id=5499
Intertribal Nursery Council Annual Meeting a Success
www.fs.fed.us/r9/ssrs/story?id=6276
New Greenhouse for KBIC Restoration
www.fs.fed.us/r9/ssrs/story?id=5336
Zaagkii Wings & Seeds - An Update
www.fs.fed.us/r9/ssrs/story?id=5076
Zaagkii Wings & Seeds Project
www.fs.fed.us/r9/ssrs/story?id=4025
News Stories:
U.P. teens build butterfly houses, grow 26,000 indigenous plants
www.miningjournal.net/page/content.detail/id/519835.html?...
Effort to protect pollinators launched
www.miningjournal.net/page/content.detail/id/512810.html
Marquette Monthly (Sept. 2009):
www.mmnow.com/mm_archive_folder/09/0909/feature.html
As bees die, Keweena Bay Indian Community adults, teens actively protect pollinators
www.nativetimes.com/index.php?option=com_content&view...
Michigan Teens Build Butterfly Houses and Plant 26,000 Native Plants through the Zaagkii Wings and Seeds Project
www.treehugger.com/culture/michigan-teens-build-butterfly...
Examples of numerous Gather.com articles with lots of photos/videos:
Zaagkii Wings and Seeds Project: Northern Michigan teens and KBIC tribal youth are protecting pollinators by building butterfly houses and planting native plants
www.gather.com/viewArticle.action?articleId=281474977550233
Zaagkii Wings & Seeds Project: Protecting Pollinators
www.gather.com/viewArticle.action?articleId=281474977428640
2009 Zaagkii Project #2: Keweenaw Bay Indian Community in 2010 to build first Native American native species plants greenhouse on tribal property in U.S.
www.gather.com/viewArticle.action?articleId=281474978040745
2009 Zaagkii Project #1: Northern Michigan Teens Protect Pollinators with U.S. Forest Service, Keweenaw Bay Indian Community, NMU Center for Native American Studies: Build mason bee houses, butterfly houses, distribute thousands of native species plants
www.gather.com/viewArticle.action?articleId=281474978040729
Zaagkii Project Internet sites – blogs, photos, videos etc.:
ZaagkiiProject on flickr
www.flickr.com/photos/zaagkiiproject
www.flickr.com/people/zaagkiiproject
Zaagkii on youtube:
Zaagkii on bliptv:
Zaagkii on word press:
www.zaagkiiproject.wordpress.com
Zaagkii on Blogger:
www.zaagkiiproject.blogspot.com
Zaagkii on Photobucket:
www.photobucket.com/ZaagkiiProjectWingsSeeds
www.photobucket.com/ZaagkiiProjectWingsSeeds/?start=all
Zaagkii Wings and Seeds Project website:
Cedar Tree Institute: Zaagkii Project
cedartreeinstitute.org/2010/07/wings-seeds-zaagkii-project
cedartreeinstitute.org/2009/01/wings-seeds-the-zaagkii-pr...
Zaagkii Project Videos on youtube (also uploaded to dozens of internet sites):
KBIC Pollinator Preservation
indiancountrytodaymedianetwork.com/ictarchives/2008/08/15...
Zaagkii Project Indigenous Plants Help Give New Face to Sand Point on Keweenaw Bay indiancountrytodaymedianetwork.com/ictarchives/2008/09/03...
Zaagkii Project 2010: U.S. Forest Service & Keweenaw Bay Indian Community Native Plants Greenhouse
www.youtube.com/watch?v=Hoq5xXHDF4E
United States Forest Service sponsored Zaagkii Project featured on Pollinator Live
www.youtube.com/watch?v=8P3DPfxx7Jw
2009 Zaagkii Project Vid #9: Teens Painting Mason Bee Houses in Northern Michigan
www.youtube.com/watch?v=QIIV6jrlT20
2009 Zaagkii Project Vid #8: Marquette, Michigan Teens Build Mason Bee Houses
www.youtube.com/watch?v=c3MBfV7ION8
Zaagkii Project Butterfly Houses: Keweenaw Bay Indian Community, U.S. Forest Service
www.youtube.com/watch?v=hGQScEI9x7Q
2009 Zaagkii Project Vid #6: "The Butterfly Lady" Susan Payant teaches teens about Monarchs
www.youtube.com/watch?v=JlIgsuTFSuM
2009 Zaagkii Project Vid #5: Terracotta half-life, Marquette, MI band supports environment projects
www.youtube.com/watch?v=JqlFCHwW30o
2009 Zaagkii Video #4: Michigan teens meet 150,000 swarming honeybees with beekeeper Jim Hayward
www.youtube.com/watch?v=U2B4MEzM7w4
2009 Zaagkii Video #3: Michigan teens give away mason bee houses, honor supporters
www.youtube.com/watch?v=dqfWeEgDxTY
2009 Zaagkii Project #2: Historic KBIC native plants greenhouse, USFS protects pollinators
www.youtube.com/watch?v=vg8H5nhvzzc
2009 Zaagkii Project #1: Students make bee houses, plant native species plants
www.youtube.com/watch?v=E8jqJAQyXwE
Zaagkii Project Butterfly Houses: Keweenaw Bay Indian Community, U.S. Forest Service:
www.youtube.com/watch?v=hGQScEI9x7Q
Zaagkii Wings & Seeds Project: Northern Michigan teens, KBIC tribal youth protect pollinators
www.youtube.com/watch?v=VoPJOXHt7pI
Zaagkii Project – Northern Michigan University:
webb.nmu.edu/Centers/NativeAmericanStudies/SiteSections/A...
Native Village stories: Beautiful Layout by Owner Gina Boltz:
Zaagkii Wings and Seeds Project: A Project by Ojibwe Students from the Keweenah Bay Indian Community
www.nativevillage.org/Messages%20from%20the%20People/KBIC...
NMU Students Join Pollinator Protection Initiative
www.nativevillage.org/Messages%20from%20the%20People/KBIC...
KBIC Tribal youth protect pollinators
www.nativevillage.org/Messages%20from%20the%20People/KBIC...
Teens Help with Sweet Nature Project
www.nativevillage.org/Messages%20from%20the%20People/KBIC...
USFS Success Stories:
Restoring Native Plants on the Enchanted Island
www.fs.fed.us/r9/ssrs/story?id=6274
Keweenaw Bay Indian Community Native Plant Greenhouse & Workshop
www.fs.fed.us/r9/ssrs/story?id=5499
Intertribal Nursery Council Annual Meeting a Success
www.fs.fed.us/r9/ssrs/story?id=6276
New Greenhouse for KBIC Restoration
www.fs.fed.us/r9/ssrs/story?id=5336
Zaagkii Wings & Seeds - An Update
www.fs.fed.us/r9/ssrs/story?id=5076
Zaagkii Wings & Seeds Project
www.fs.fed.us/r9/ssrs/story?id=4025
News Stories:
U.P. teens build butterfly houses, grow 26,000 indigenous plants
www.miningjournal.net/page/content.detail/id/519835.html?...
Effort to protect pollinators launched
www.miningjournal.net/page/content.detail/id/512810.html
Marquette Monthly (Sept. 2009):
mmnow.com/mm_archive_folder/09/0909/feature.html
As bees die, Keweena Bay Indian Community adults, teens actively protect pollinators
nativetimes.com/index.php?option=com_content&view=art...
Michigan Teens Build Butterfly Houses and Plant 26,000 Native Plants through the Zaagkii Wings and Seeds Project
www.treehugger.com/culture/michigan-teens-build-butterfly...
Examples of numerous Gather.com articles with lots of photos/videos:
Zaagkii Wings and Seeds Project: Northern Michigan teens and KBIC tribal youth are protecting pollinators by building butterfly houses and planting native plants
www.gather.com/viewArticle.action?articleId=281474977550233
Zaagkii Wings & Seeds Project: Protecting Pollinators
www.gather.com/viewArticle.action?articleId=281474977428640
2009 Zaagkii Project #2: Keweenaw Bay Indian Community in 2010 to build first Native American native species plants greenhouse on tribal property in U.S.
www.gather.com/viewArticle.action?articleId=281474978040745
2009 Zaagkii Project #1: Northern Michigan Teens Protect Pollinators with U.S. Forest Service, Keweenaw Bay Indian Community, NMU Center for Native American Studies: Build mason bee houses, butterfly houses, distribute thousands of native species plants
www.gather.com/viewArticle.action?articleId=281474978040729
Zaagkii Project Internet sites – blogs, photos, videos etc.:
ZaagkiiProject on flickr
www.flickr.com/photos/zaagkiiproject
www.flickr.com/people/zaagkiiproject
Zaagkii on youtube:
Zaagkii on bliptv:
Zaagkii on word press:
Zaagkii on Blogger:
Zaagkii on Photobucket:
This is what Mud Lake looked like back in 1932. Back then the area covered by water was so small it would have better been called Mud Pond! Present day Mud Lake is twice the size it once was and I was told that beavers were what led to the lake becoming its present day size. This explains the numerous stumps that can be seen poking up out of the water along the south end of present day Mud Lake. Another significant difference between Mud Lake in 1932 and today is the length of the ridge. Notice how the ridge extends all the way to where the boat launch is behind the present day water purification plant. Absent from the present day scene around Mud Lake is the Canadian Pacific Railway line, which was removed in 1967 (the first prominent straight line below Mud Lake in the photo above) and the Ottawa Electric Railway streetcar line (below the CPR line), which was removed in 1959. Some present day visitors to Mud Lake have told me stories of taking the streetcar to Mud Lake back in the day. Today the CPR line is a paved recreational pathway, which I use very often to access Mud Lake and other points along the Ottawa River.
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Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person ―Shonda Rhimes, 2015
“There is no list of rules. There is one rule. The rule is: there are no rules. Happiness comes from living as you need to, as you want to. As your inner voice tells you to. Happiness comes from being who you actually are instead of who you think you are supposed to be. Being traditional is not traditional anymore. It’s funny that we still think of it that way. Normalize your lives, people. You don’t want a baby? Don’t have one. I don’t want to get married? I won’t. You want to live alone? Enjoy it. You want to love someone? Love someone. Don’t apologize. Don’t explain. Don’t ever feel less than. When you feel the need to apologize or explain who you are, it means the voice in your head is telling you the wrong story. Wipe the slate clean. And rewrite it. No fairy tales. Be your own narrator. And go for a happy ending. One foot in front of the other. You will make it.”
Dr Stuart Clark performing at the Universe Explained at Gorilla, Manchester, on Saturday 20th July 2013
Ahhhh, yes, the PC crashed. Really. 4 weeks ago during my week of house-sitting with no internet. Then, I set off on more trips, gatherings, then work again, and finally... I am back at the odd post. Now Elements has been reinstalled, yahoo passwords recovered... may the posting continue now.
This was from shortly after the crash... reuinion with my friends Natascha and Juergen in Berlin. A great day, topped off with a faboulous concert at the Komische Oper - but of course no photos of that.
I create a new diary/blog for explain a bit my life through photography, and interesting people.
At moment is in spanish (but there's not much text ;) ), my english is not good... :(
I hope you enjoy it
_
He creado un nuevo diario/blog para contar un poco mi vida a través de fotografias y postear enlaces interesantes.
Espero que os guste :)
from wikipedia
Street photography is photography that features the human condition within public places and does not necessitate the presence of a street or even the urban environment. The subject of the photograph might be absent of people and can be an object or environment where the image projects a decidedly human character in facsimile or aesthetic.
Framing and timing are key aspects of the craft, with the aim of creating images at a decisive or poignant moment. Much of what is now widely regarded, stylistically and subjectively, as definitive street photography was made in the era spanning the end of the 19th Century through to the late 1970s; a period which saw the emergence of portable cameras. The portable camera enabled candid photography in public places became an issue of discussion. Street photographers create fine art photography (including street portraits) by capturing people in public places, often with a focus on emotions displayed, thereby also recording people's history from an emotional point of view. Social documentary photographers operate in public places documenting people and their behavior in public places for recording people's history and other purposes. Services like Google Street View also record the public place at a massive scale. Photojournalists work in public places, capturing newsworthy events, which may include people and private property visible from public places.
Origins[edit]
Europe[edit]
Paris is widely accepted as the birthplace of street photography.[citation needed] The cosmopolitan city helped to define street photography as a genre.[citation needed]
Eugene Atget is regarded as the father of the genre, not because he was the first of his kind, but as a result of his popularity as a Parisian photographer.[citation needed] As the city developed, Atget helped to promote the city streets as a worthy subject for photography. He worked in the city of Paris from the 1890s to the 1920s. His subject matter consisted mainly of architecture; stairs, gardens, and windows. He did photograph some workers but it is clear that people were not his main focus.
John Thomson, a Scotsman, photographed the street prior to Atget and had more of a social subject style than Atget. Though he does not receive the same amount of recognition, Thomson was vital in the transition from portrait and pictorial photography to capturing everyday life on the streets.[1]
Henri Cartier-Bresson, who has a reputation comparable to Atget, was a 20th-century photographer whose poetic style focused on the actions of people. He was responsible for the idea of taking a picture at the ideal moment. He was influenced by his interest in traditional art, as his ambition was to be a painter. This influence is revealed through his skill in combining timing and technique.[2]
United States[edit]
The beginnings of street photography in the United States can be linked to that of jazz in the music domain, both emerging as outspoken depictions of everyday life. This connection is visible in the work of the New York School of Photography. The New York School was not a formal institution, but rather comprised groups of photographers in the mid-20th century based in New York City. One of its most notable and influential photographers, Robert Frank, was a part of the beat movement interested in Black-American and counter cultures. Frank's 1958 book, The Americans, was significant. Raw and often out of focus,[3] Frank's images questioned mainstream photography of the time, such as Ansel Adams's landscapes, "challenged all the formal rules laid down by Henri Cartier-Bresson and Walker Evans" and "flew in the face of the wholesome pictorialism and heartfelt photojournalism of American magazines like Life and Time."[3] The mainstream photography community in America fiercely rejected Frank’s work, but the book later "changed the nature of photography, what it could say and how it could say it".[3] It was a stepping stone for fresh photographers looking to break away from the restrictions of the old style[1] and "remains perhaps the most influential photography book of the 20th century."[3]
Inspired by Frank, in the 1960s Garry Winogrand, Lee Friedlander and Joel Meyerowitz began photographing on the streets of New York. Phil Coomes, writing for BBC News in 2013, said "For those of us interested in street photography there are a few names that stand out and one of those is Garry Winogrand";[4] critic Sean O'Hagan, writing in The Guardian in 2014, said "In the 1960s and 70s, he defined street photography as an attitude as well as a style – and it has laboured in his shadow ever since, so definitive are his photographs of New York."[5]
Technique[edit]
Eddie Wexler: East Village, New York City, 1998
Most kinds of portable camera are used for street photography; for example rangefinders, digital and film SLRs, and point-and-shoot cameras. A commonly used focusing technique is zone focusing — setting a fixed focal distance and shooting from that distance — as an alternative to manual-focus and autofocus. The traditional (but not exclusive) focal lengths of 28 to 50 mm (in 35 mm terms), are used particularly for their angle of view and increased depth of field, but there are no exclusions to what might be used. Zone focusing also facilitates shooting "from the hip" i.e. without bringing the camera up to the eye. Alternatively waist-level finders and the tiltable LCD screens of digital cameras allow for composing or adjusting focus without bringing unwanted attention to the photographer.
Street photography versus documentary photography[edit]
Street photography and documentary photography can be very similar genres of photography that often overlap while having distinct individual qualities.
Documentary style is defined by its premeditated message and intention to record particular events in history. The documentary approach includes aspects of journalism, art, education, sociology and history. In documentary's social investigation, often the images are intended to pave way to social change. Street photography is disinterested in its nature, allowing it to deliver a true depiction of the world.[6] Street photographs are mirror images of society, displaying "unmanipulated" scenes, with usually unaware subjects.[2]
Legalities[edit]
Several legal cases in the United States and other countries, for example the Nussenzweig v. DiCorcia case, have established that taking, publishing and selling street photography (including street portraits) is legal without any need for the consent of those whose image appears in the photos, because photography is protected as free speech and artistic expression by the First Amendment in the US and Article 10 of the European Convention on Human Rights in the European Union.[7]
The issue of street photographers taking photos of strangers in public places without their consent (which is the definition of candid photography) for fine art purposes has been controversial in some countries, notably France,[8] even though France was the home of several well-known street photographers in past and present, for example Cartier-Bresson.[9]
While individuals may complain of privacy or civil inattention violations when they become the subject of candid photography, the work of photographers cannot be done in any other way and if candid photography were restricted then society and the future generations would lose works of art, educational images, newsworthy images, and images of people's history.[citation needed]
In France, a legal case between a street photographer and a woman appearing on a photo published in the photographer's book decreed that street photography without the consent of the subject is an important freedom in a democracy: "the right to control one’s image must yield when a photograph contributes to the exchange of ideas and opinions, deemed “indispensable” to a democratic society."[8]
From 15 March 2014 anyone taking photographs in Hungary is technically breaking the law if someone wanders into shot, under a new civil code that outlaws taking pictures without the permission of everyone in the photograph. This expands the law on consent to include the taking of photographs, in addition to their publication.[10]
Subscribe for fun family videos: bit.ly/TheFunnyrats Yesterday's Vlog: www.youtube.com/watch?v=RCCvLUZmwWo&list=UUd3jVOqiNsH... Like, Comment and Subscribe to show your Shiggity Shankness! In today's fun family daily vlog, I took the kids outside because they didn't want to take a nap, so I played with them in the truck outside so that my wife could nap. While I was playing in the truck with the kids, my toddler explains how a truck works. Our family has a few things coming up including Festival International, a birthday party and eating a guava. While the kids and I were playing in the truck, I went live on Periscope and the kids and I had a lot of fun chatting with you guys. Also while the kids and I were playing in the truck I started wondering what the future of music storage will be. We started with 8-tracks and records and now it's all online. What is the future? Brain implants? For our family dinner tonight, my wife cooked a delicious pork roast in the crock pot. My son was really tired because he didn't take a nap, but it's been raining all afternoon so hopefully he sleeps good tonight. We actually have a flash flood watch. This week it's back to the bump and grind... I mean the old grind. Spring Break is over. If you enjoyed today's video, make sure to click that Thumbs up button, and if you want more of our videos, click the subscribe button. If you read all of this, put "I'm grinding" in the comments below! Members Only Facebook Group: www.facebook.com/groups/2412655535/ Mystery Video: www.youtube.com/watch?v=BfrJ1c00YdE&list=UUd3jVOqiNsH... Year 1: www.youtube.com/watch?v=Dq-4yuo18SE&list=UUvCcu2CeK8f... Year 2: www.youtube.com/watch?v=6lmzOpz_RTg&list=UUd3jVOqiNsH... Year 3: www.youtube.com/watch?v=3xjwGXQQyds&list=UUd3jVOqiNsH... Year 4: www.youtube.com/watch?v=_XYWlw_yULk&list=UUd3jVOqiNsH... Year 5: www.youtube.com/watch?v=_pxtuqT36QA&list=UUd3jVOqiNsH... New Videos are uploaded to TheFunnyrats everyday at 3:00pm CST. Subscribe so that never miss one! GET TO KNOW US: - Birth of Our Kids: www.youtube.com/watch?v=Znzrq95mAnw&index=1&list=... - Proposal, Wedding, and Anniversaries: www.youtube.com/watch?v=9tL_dh8ghtk&index=1&list=... - A Few of my Favorite Videos: www.youtube.com/watch?v=P7DQj9bvPsg&list=PLr15H0y-sbv... TheFunnyrats is a family of four based out of Lafayette, LA, who make brand new videos on YouTube every day at 3:00pm CST. We love to take our two kids, Amelia and Jacques, on adventures as a family. My wife, Krista, and I have a goal to sell everything we own (including our house), buy an Airstream Travel Trailer, and explore this beautiful Earth living full-time in the RV! We guarantee that you will love our videos. Subscribe now to join our journey and discover the the world with us! It's easy and free, just click that red button! Also we love when you follow and interact with us on our social media links above. Our Favorite Products: Shot on a Canon G7X: amzn.to/1MckI59 Join The Shiggity Shank List for extra content, contests, announcements, coupon codes and more: LaneVids.com/email You guys are AWESOMELY SHIGGITY SHANK! SOCIAL LINKS --------------------- SnapChat: TheFunnyrats Instagram: instagram.com/LaneVids Facebook: facebook.com/LaneVids Twitter (Lane): twitter.com/Lanevids Twitter (Lane): twitter.com/TheFunnyrats Twitter (Krista): twitter.com/mrsfofo Pinterest: pinterest.com/lanevids/ Google Plus: plus.google.com/+lanevids/posts LANEVIDS SHIRTS: lanevids.spreadshirt.com WEBSITE: www.LaneVids.com
before i explain this funny little video....let me first say..
please please try (if you can) to ignore my hideous baby talking voice. i really need to stop doing that!
i shot this yesterday morning on my way to work. needless to say i pretty much live out in the woods but there is a very long and empty road that use to be dirt (recently paved) that i take and there are always critters of sorts crossing, lounging, sunning, eating, ...something along the way.
i'm pretty much always late because of these things.
i can't tell you how many times i've stopped to pick up a turtle or two...or 70 and put them on the other side of the road.
or how many deer i stop and give "the talk" to...."now you stay out of the road ok...and keep your babies away from it too and make sure that when you see men in orange that you run really far"....
this past summer i stopped and wrangled a 6ft black rat snake out of the middle of the road. it was early and he was all coiled up ...just sunning himself. having a lazy morning. i didn't want some idiot to come plowing along and pancake him. so i got out and gave him "the snake talk". but he wasn't budging. i tried to do the "shoo" thing w/my hands above him. nope. just looked at me w/one eye like "seriously lady?!?!!" so (in my heals) i run to the edge of the woods and get a stick. i gently poke him in the butt. ....then again... eventually he got the idea and very slowly slithered off the road and into the woods.
so yesterday i see the cute wild turkey family that I watched grow up. let me just tell you how freakin cute baby turkeys are!!! holy crap!!! and they make "peep peep peep" sounds.
oh and incase you're wondering what "the turkey talk" was....it went a little something like this "hi poopies...keep you're babies away from the big black snakes that i see around here...and make sure when november rolls around you stay away from all people...they might try to make you dinner".
anyway....i'll stop rambling and introduce you to turkey family :)
EXPLAIN PLEASE
After checking the mail on Sunset Road I was driving and saw this cool formation. I processed it in Snapseed... and I jist got home and checked it... and im assuming thats my eye in the center? How is that possible? I was using the back camera on my Samsung in HDR Mode. Totally freaky!
| Nellaiyappar Temple | Tirunelveli | 2014
This frame is found on the left side of the entrance to the main deity.I found it different and interesting too.Would be happy if someone could explain the history behind it :)
This is Rosa. She was kind enough to explain her job to me one late night on the streets of Santiago.
She spends all night collecting cardboard along a few streets. She then sells it for 30 Chilean pesos per kilo. That's around 6 US cents. Many people perform the humiliating task of going through the trash piles that line the streets every week-day night. I have seen everything from families, young men, and old women like Rosa going through the trash, carefully pulling out all that is cardboard and paper (14 cents per kilo) and placing it in other bags, which they then drag to the nearest intersection, where big trucks pick it up and sell it on to factories that recycle it. Plastic and glass is taken care of the same way.
Apart from being very sad, Rosa's story poses an interesting conundrum. I generally think that municipalities or some other governmental body should be taking care of recycling. In this case though, any recycling policy would actually deprive poor people of a livelihood...
Santiago, July 2008
Although I have photographed people I didn't know before, this is one of the first times that I simply walked up to someone and talked to someone, leading up to a photograph. Before I have always had some sort of reason. Since I recently discovered the 100 strangers group, I thought I'd challenge myself to do it again. It was really a fantastic experience. So: 1/100
Explainer: While I wish I could fully dress, wig-up and make-up regularly, those days are rare. So I post these AI renderings. FYI: the photos are AI generated, from actual photos of me, enhanced slightly with FaceApp and then dressed from outfits I see and love on the interweb. Enjoy them or not! I do, that's all that matters! Love, Crystal
Lt. Kamber, Croatian Volcano Battery platoon commander, explains trajectory and targeting to U.S. Army officers of the Battle Group Poland prior to the Croatian Volcano Battery Live Fire Exercise, the first outside of Croatia and with the Battle Group Poland near Bemowo Piskie Training Area, Poland, on November 29, 2017.
1. Upload a picture of your nominated doll.
2. You just have to explain why is he/she 'special' and the story behind the mold, not for his/her character but for the doll itself ;)
3. Tag 5~6 flickr contacts! And ask them for one of their dolls~ Try not to repeat a lot XD
I first met Alyssa at Resin Angel's dollmeet. My bf and I fell in love with her at first sight. Before meeting her, I've really thought of owning a Tae/Anais mold. Alyssa just had something captivating about her, I think it's her sweet faceup. It's also very rare that my bf agrees on a doll so quickly. He likes her very much! When we heard that Resin Angels might want to sell her, we decided quickly to buy her (thank you Resin Angels!).
To be honest, I can never capture good photos of Alyssa (which makes me a little sad). So this is a rare occassion ^^; We are still looking for the'perfect' image which will complete her.
Tagging:
Akihoshi - Madren
whipbogard - Sero
bubbledreams - Chiyo
CSaw - Aysa
Hammi - Mayuki
Dad was asked a lot of questions. It was a blast sharing information with the boys who listen to every word. One of the joys of being a parent.
Digital camera sbap of Sacredness
www.flickr.com/photos/psychoactivartz/4536712083/sizes/l/
www.flickr.com/photos/psychoactivartz/4275957066/sizes/l/...
It is da dedication of its use to da pursuit of da Divine ......
.......which renders it a catalyst to worship
...............~~~~~~~~~
"Da inherent imagination and spiritual receptivity is definitely influenced by dis differential chemical endowment.".
Spanish Defense Minister Margarita Robles listens to Prime Minister Pedro Sanchez (unseen) delivering a speech to explain the declaration of the 'state of alarm' issued to deal with coronavirus outbreak during a plenary session at Lower Chamber in Madrid, Spain, 18 March 2020. Sanchez addressed the measures taken to deal with the COVID-19 outbreak. EFE/Mariscal POOL
So explain to me the difference between fireworks and "pyrotechnics"? These were the "pyrotechnics" that were shot off at CitiField. There are no "bursts" or flower-type fireworks, no big booms at the end -- it was just a bunch of colored lights that rippled around the roof of the stadium -- similar to what you would see at a concert. Boring, but kinda cool at the same time. Oh well.
Explain differentiation This third module of the Teaching series we investigate the planning and design of classes. Professor Eamon Murphy of the Department of Social Sciences at Curtin University devotes an entire chapter of Lecturing at University (1998) to emphasise his view that careful planning is the most important aspect of lecturing.
Finally, I'm back. The norovirus got me. Despite a gorgeous sunny weekend, I was no good to anyone...and no where near the camera. :(
But, now that we're on the mend, Phoebe thought she should explain exactly why she needs to use lip balm. (Yep, she's three, and she likes lip balm.) Is this normal?
Normal or not, I'm glad I've documented it!
Happy Sunday...and good health to all!
this explains what my "close ups" sketch page was all about for Everyday in May 2014
Starkrusher guessed broom handle and Miz Dee guessed jewelry.....so they can go to Mars together ! The whisk broom (nothing brushes well like they do, for certain jobs) says on the handle, Made In Austria...and the necklace is Trafari marked and seems to me to look like 60's or 70's style...
with newspaper mask, hunting trophy, copper spray paint.
As an hommage to Joseph Beuys' performance "How to explain the pictures to the dead hare".
Wie man der Jagdtrophäe die Nachrichten erklärt.
mit Maske aus Zeitungspapier, Jagdtrophäe, Kupferspray.
In Anlehnung an die Performance von Joseph Beuys "Wie man dem toten Hasen die Bilder erklärt"
Photo of our TV of a scene when the dwarves were about to enter the mountain of the dragon Smaug and its gold and treasure. Some might liken carvings above the key to look somewhat like Masonic Square and Compasses.
Masonic Square and Compasses.
The Square and Compasses (or, more correctly, a square and a set of compasses joined together) is the single most identifiable symbol of Freemasonry. Both the square and compasses are architect's tools and are used in Masonic ritual as emblems to teach symbolic lessons. Some Lodges and rituals explain these symbols as lessons in conduct: for example, Duncan's Masonic Monitor of 1866 explains them as: "The square, to square our actions; The compasses, to circumscribe and keep us within bounds with all mankind".
However, as Freemasonry is non-dogmatic, there is no general interpretation for these symbols (or any Masonic symbol) that is used by Freemasonry as a whole.
Square and Compasses:
Source: Mackey's Encyclopedia of Freemasonry
These two symbols have been so long and so universally combined — to teach us, as says an early instruction, "to square our actions and to keep them within due bounds," they are so seldom seen apart, but are so kept together, either as two Great Lights, or as a jewel worn once by the Master of the Lodge, now by the Past Master—that they have come at last to be recognized as the proper badge of a Master Mason, just as the Triple Tau is of a Royal Arch Mason or the Passion Cross of a Knight Templar.
So universally has this symbol been recognized, even by the profane world, as the peculiar characteristic of Freemasonry, that it has recently been made in the United States the subject of a legal decision. A manufacturer of flour having made, in 1873, an application to the Patent Office for permission to adopt the Square and Compasses as a trade-mark, the Commissioner of Patents, .J. M. Thatcher, refused the permission as the mark was a Masonic symbol.
If this emblem were something other than precisely what it is—either less known", less significant, or fully and universally understood—all this might readily be admitted. But, Considering its peculiar character and relation to the public, an anomalous question is presented. There can be no doubt that this device, so commonly worn and employed by Masons, has an established mystic significance, universally recognized as existing; whether comprehended by all or not, is not material to this issue. In view of the magnitude and extent of the Masonic organization, it is impossible to divest its symbols, or at least this particular symbol—perhaps the best known of all—of its ordinary signification, wherever displaced, either as an arbitrary character or otherwise.
It will be universally understood, or misunderstood, as having a Masonic significance; and, therefore, as a trade-mark, must constantly work deception. Nothing could be more mischievous than to create as a monopoly, and uphold by the poser of lacy anything so calculated. as applied to purposes of trade. to be misinterpreted, to mislead all classes, and to constantly foster suggestions of mystery in affairs of business (see Infringing upon Freemasonry, also Imitative Societies, and Clandestine).
In a religious work by John Davies, entitled Summa Totalis, or All in All and the Same Forever, printed in 1607, we find an allusion to the Square and Compasses by a profane in a really Masonic sense. The author, who proposes to describe mystically the form of the Deity, says in his dedication:
Yet I this forme of formelesse Deity,
Drewe by the Squire and Compasse of our Creed.
In Masonic symbolism the Square and Compasses refer to the Freemason's duty to the Craft and to himself; hence it is properly a symbol of brotherhood, and there significantly adopted as the badge or token of the Fraternity.
Berage, in his work on the higher Degrees, Les plus secrets Mystéres des Hauts Grades, or The Most Secret Mysteries of the High Grades, gives a new interpretation to the symbol. He says: "The Square and the Compasses represent the union of the Old and New Testaments. None of the high Degrees recognize this interpretation, although their symbolism of the two implements differs somewhat from that of Symbolic Freemasonry.
The Square is with them peculiarly appropriated to the lower Degrees, as founded on the Operative Art; while the Compasses, as an implement of higher character and uses, is attributed to the Decrees, which claim to have a more elevated and philosophical foundation. Thus they speak of the initiate, when he passes from the Blue Lodge to the Lodge of Perfection, as 'passing from the Square to the Compasses,' to indicate a progressive elevation in his studies. Yet even in the high Degrees, the square and compasses combined retain their primitive signification as a symbol of brotherhood and as a badge of the Order."
Square and Compass:
Source: The Builder October 1916
By Bro. B. C. Ward, Iowa
Worshipful Master and Brethren: Let us behold the glorious beauty that lies hidden beneath the symbolism of the Square and Compass; and first as to the Square. Geometry, the first and noblest of the sciences, is the basis on which the superstructure of Masonry has been erected. As you know, the word "Geometry" is derived from two Greek words which mean "to measure the earth," so that Geometry originated in measurement; and in those early days, when land first began to be measured, the Square, being a right angle, was the instrument used, so that in time the Square began to symbolize the Earth. And later it began to symbolize, Masonically, the earthly-in man, that is man's lower nature, and still later it began to symbolize man's duty in his earthly relations, or his moral obligations to his Fellowmen. The symbolism of the Square is as ancient as the Pyramids. The Egyptians used it in building the Pyramids. The base of every pyramid is a perfect square, and to the Egyptians the Square was their highest and most sacred emblem. Even the Chinese many, many centuries ago used the Square to represent Good, and Confucius in his writings speaks of the Square to represent a Just man.
As Masons we have adopted the 47th Problem of Euclid as the rule by which to determine or prove a perfect Square. Many of us remember with what interest we solved that problem in our school days. The Square has become our most significant Emblem. It rests upon the open Bible on this altar; it is one of the three great Lights; and it is the chief ornament of the Worshipful Master. There is a good reason why this distinction has been conferred upon the Square. There can be nothing truer than a perfect Square--a right angle. Hence the Square has become an emblem of Perfection.
Now a few words as to the Compass: Astronomy was the second great science promulgated among men. In the process of Man's evolution there came a time when he began to look up to the stars and wonder at the vaulted Heavens above him. When he began to study the stars, he found that the Square was not adapted to the measurement of the Heavens. He must have circular measure; he needed to draw a circle from a central point, and so the Compass was employed. By the use of the Compass man began to study the starry Heavens, and as the Square primarily symbolized the Earth, the Compass began to symbolize the Heavens, the celestial canopy, the study of which has led men to think of God, and adore Him as the Supreme Architect of the Universe. In later times the Compass began to symbolize the spiritual or higher nature of man, and it is a significant fact that the circumference of a circle, which is a line without end, has become an emblem of Eternity and symbolizes Divinity; so the Compass, and the circle drawn by the Compass, both point men Heavenward and Godward.
The Masonic teaching concerning the two points of the Compass is very interesting and instructive. The novitiate in Masonry, as he kneels at this altar, and asks for Light sees the Square, which symbolizes his lower nature, he may well note the position of the Compass. As he takes another step, and asks for more Light, the position of the Compass is changed somewhat, symbolizing that his spiritual nature can, in some measure, overcome his evil tendencies. As he takes another step in Masonry, and asks for further Light, and hears the significant words, "and God said let there be Light, and there was Light," he sees the Compass in new light; and for the first time he sees the meaning, thus unmistakably alluding to the sacred and eternal truth that as the Heavens are higher than the Earth, so the spiritual is higher than the material, and the spiritual in man must have its proper place, and should be above his lower nature, and dominate all his thoughts and actions. That eminent Philosopher, Edmund Burke, once said, "It is ordained that men of intemperate passions cannot be free. Their passions forge the chains which bind them, and make them slaves." Burke was right. Masonry, through the beautiful symbolism of the Compass, tells us how we can be free men, by permitting the spiritual within us to overcome our evil tendencies, and dominate all our thoughts and actions. Brethren, sometimes in the silent quiet hour, as we think of this conflict between our lower and higher natures, we sometimes say in the words of another, "Show me the way and let me bravely climb to where all conflicts with the flesh shall cease. Show me that way. Show me the way up to a higher plane where my body shall be servant of my Soul. Show me that way."
Brethren, if that prayer expresses desire of our hearts, let us take heed to the beautiful teachings of the Compass, which silently and persistently tells each one of us,
"You should not in the valley stay
While the great horizons stretch away
The very cliffs that wall you round
Are ladders up to higher ground.
And Heaven draws near as you ascend,
The Breeze invites, the Stars befriend.
All things are beckoning to the Best,
Then climb toward God and find sweet Rest.”
The secrets of Freemasonry are concerned with its traditional modes of recognition. It is not a secret society, since all members are free to acknowledge their membership and will do so in response to enquiries for respectable reasons. Its constitutions and rules are available to the public. There is no secret about any of its aims and principles. Like many other societies, it regards some of its internal affairs as private matters for its members. In history there have been times and places where promoting equality, freedom of thought or liberty of conscience was dangerous. Most importantly though is a question of perspective. Each aspect of the craft has a meaning. Freemasonry has been described as a system of morality, veiled in allegory and illustrated by symbols. Such characteristics as virtue, honour and mercy, such virtues as temperance, fortitude, prudence and justice are empty clichés and hollow words unless presented within an ordered and closed framework. The lessons are not secret but the presentation is kept private to promote a clearer understanding in good time. It is also possible to view Masonic secrecy not as secrecy in and of itself, but rather as a symbol of privacy and discretion. By not revealing Masonic secrets, or acknowledging the many published exposures, freemasons demonstrate that they are men of discretion, worthy of confidences, and that they place a high value on their word and bond.
Masonic Square and Compasses.
The Square and Compasses (or, more correctly, a square and a set of compasses joined together) is the single most identifiable symbol of Freemasonry. Both the square and compasses are architect's tools and are used in Masonic ritual as emblems to teach symbolic lessons. Some Lodges and rituals explain these symbols as lessons in conduct: for example, Duncan's Masonic Monitor of 1866 explains them as: "The square, to square our actions; The compasses, to circumscribe and keep us within bounds with all mankind".
However, as Freemasonry is non-dogmatic, there is no general interpretation for these symbols (or any Masonic symbol) that is used by Freemasonry as a whole.
Square and Compasses:
Source: Mackey's Encyclopedia of Freemasonry
These two symbols have been so long and so universally combined — to teach us, as says an early instruction, "to square our actions and to keep them within due bounds," they are so seldom seen apart, but are so kept together, either as two Great Lights, or as a jewel worn once by the Master of the Lodge, now by the Past Master—that they have come at last to be recognized as the proper badge of a Master Mason, just as the Triple Tau is of a Royal Arch Mason or the Passion Cross of a Knight Templar.
So universally has this symbol been recognized, even by the profane world, as the peculiar characteristic of Freemasonry, that it has recently been made in the United States the subject of a legal decision. A manufacturer of flour having made, in 1873, an application to the Patent Office for permission to adopt the Square and Compasses as a trade-mark, the Commissioner of Patents, .J. M. Thatcher, refused the permission as the mark was a Masonic symbol.
If this emblem were something other than precisely what it is—either less known", less significant, or fully and universally understood—all this might readily be admitted. But, Considering its peculiar character and relation to the public, an anomalous question is presented. There can be no doubt that this device, so commonly worn and employed by Masons, has an established mystic significance, universally recognized as existing; whether comprehended by all or not, is not material to this issue. In view of the magnitude and extent of the Masonic organization, it is impossible to divest its symbols, or at least this particular symbol—perhaps the best known of all—of its ordinary signification, wherever displaced, either as an arbitrary character or otherwise.
It will be universally understood, or misunderstood, as having a Masonic significance; and, therefore, as a trade-mark, must constantly work deception. Nothing could be more mischievous than to create as a monopoly, and uphold by the poser of lacy anything so calculated. as applied to purposes of trade. to be misinterpreted, to mislead all classes, and to constantly foster suggestions of mystery in affairs of business (see Infringing upon Freemasonry, also Imitative Societies, and Clandestine).
In a religious work by John Davies, entitled Summa Totalis, or All in All and the Same Forever, printed in 1607, we find an allusion to the Square and Compasses by a profane in a really Masonic sense. The author, who proposes to describe mystically the form of the Deity, says in his dedication:
Yet I this forme of formelesse Deity,
Drewe by the Squire and Compasse of our Creed.
In Masonic symbolism the Square and Compasses refer to the Freemason's duty to the Craft and to himself; hence it is properly a symbol of brotherhood, and there significantly adopted as the badge or token of the Fraternity.
Berage, in his work on the higher Degrees, Les plus secrets Mystéres des Hauts Grades, or The Most Secret Mysteries of the High Grades, gives a new interpretation to the symbol. He says: "The Square and the Compasses represent the union of the Old and New Testaments. None of the high Degrees recognize this interpretation, although their symbolism of the two implements differs somewhat from that of Symbolic Freemasonry.
The Square is with them peculiarly appropriated to the lower Degrees, as founded on the Operative Art; while the Compasses, as an implement of higher character and uses, is attributed to the Decrees, which claim to have a more elevated and philosophical foundation. Thus they speak of the initiate, when he passes from the Blue Lodge to the Lodge of Perfection, as 'passing from the Square to the Compasses,' to indicate a progressive elevation in his studies. Yet even in the high Degrees, the square and compasses combined retain their primitive signification as a symbol of brotherhood and as a badge of the Order."
Square and Compass:
Source: The Builder October 1916
By Bro. B. C. Ward, Iowa
Worshipful Master and Brethren: Let us behold the glorious beauty that lies hidden beneath the symbolism of the Square and Compass; and first as to the Square. Geometry, the first and noblest of the sciences, is the basis on which the superstructure of Masonry has been erected. As you know, the word "Geometry" is derived from two Greek words which mean "to measure the earth," so that Geometry originated in measurement; and in those early days, when land first began to be measured, the Square, being a right angle, was the instrument used, so that in time the Square began to symbolize the Earth. And later it began to symbolize, Masonically, the earthly-in man, that is man's lower nature, and still later it began to symbolize man's duty in his earthly relations, or his moral obligations to his Fellowmen. The symbolism of the Square is as ancient as the Pyramids. The Egyptians used it in building the Pyramids. The base of every pyramid is a perfect square, and to the Egyptians the Square was their highest and most sacred emblem. Even the Chinese many, many centuries ago used the Square to represent Good, and Confucius in his writings speaks of the Square to represent a Just man.
As Masons we have adopted the 47th Problem of Euclid as the rule by which to determine or prove a perfect Square. Many of us remember with what interest we solved that problem in our school days. The Square has become our most significant Emblem. It rests upon the open Bible on this altar; it is one of the three great Lights; and it is the chief ornament of the Worshipful Master. There is a good reason why this distinction has been conferred upon the Square. There can be nothing truer than a perfect Square--a right angle. Hence the Square has become an emblem of Perfection.
Now a few words as to the Compass: Astronomy was the second great science promulgated among men. In the process of Man's evolution there came a time when he began to look up to the stars and wonder at the vaulted Heavens above him. When he began to study the stars, he found that the Square was not adapted to the measurement of the Heavens. He must have circular measure; he needed to draw a circle from a central point, and so the Compass was employed. By the use of the Compass man began to study the starry Heavens, and as the Square primarily symbolized the Earth, the Compass began to symbolize the Heavens, the celestial canopy, the study of which has led men to think of God, and adore Him as the Supreme Architect of the Universe. In later times the Compass began to symbolize the spiritual or higher nature of man, and it is a significant fact that the circumference of a circle, which is a line without end, has become an emblem of Eternity and symbolizes Divinity; so the Compass, and the circle drawn by the Compass, both point men Heavenward and Godward.
The Masonic teaching concerning the two points of the Compass is very interesting and instructive. The novitiate in Masonry, as he kneels at this altar, and asks for Light sees the Square, which symbolizes his lower nature, he may well note the position of the Compass. As he takes another step, and asks for more Light, the position of the Compass is changed somewhat, symbolizing that his spiritual nature can, in some measure, overcome his evil tendencies. As he takes another step in Masonry, and asks for further Light, and hears the significant words, "and God said let there be Light, and there was Light," he sees the Compass in new light; and for the first time he sees the meaning, thus unmistakably alluding to the sacred and eternal truth that as the Heavens are higher than the Earth, so the spiritual is higher than the material, and the spiritual in man must have its proper place, and should be above his lower nature, and dominate all his thoughts and actions. That eminent Philosopher, Edmund Burke, once said, "It is ordained that men of intemperate passions cannot be free. Their passions forge the chains which bind them, and make them slaves." Burke was right. Masonry, through the beautiful symbolism of the Compass, tells us how we can be free men, by permitting the spiritual within us to overcome our evil tendencies, and dominate all our thoughts and actions. Brethren, sometimes in the silent quiet hour, as we think of this conflict between our lower and higher natures, we sometimes say in the words of another, "Show me the way and let me bravely climb to where all conflicts with the flesh shall cease. Show me that way. Show me the way up to a higher plane where my body shall be servant of my Soul. Show me that way."
Brethren, if that prayer expresses desire of our hearts, let us take heed to the beautiful teachings of the Compass, which silently and persistently tells each one of us,
"You should not in the valley stay
While the great horizons stretch away
The very cliffs that wall you round
Are ladders up to higher ground.
And Heaven draws near as you ascend,
The Breeze invites, the Stars befriend.
All things are beckoning to the Best,
Then climb toward God and find sweet Rest."