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I think I came across something pretty interesting here. The background is my television on lol. Need to work on my focal points more, but I was going crazy when I saw how the tv makes for some wild colors in my background. I think the show, Two And A Half Men was on lol.
Experimental photography. Shooting through the bottom of a lumpy, smudged glass container for a blurry effect.
This was done with a white paper drop behind the water jar thing. I aimed a flash directly at that and then had snooted flashes at 45s aimed at the orange cube.
Model: Alexis Miller
Lighting: Bare Alien Bee 800 outside the building to to camera right shooting through vertical slats, natural light through a large door to camera right and behind the camera. That same door light reflecting off of a concrete floor.
The memory of you emerges from the night around me.
The river mingles its stubborn lament with the sea.
Deserted like the dwarves at dawn.
It is the hour of departure, oh deserted one!
Cold flower heads are raining over my heart.
Oh pit of debris, fierce cave of the shipwrecked.
In you the wars and the flights accumulated.
From you the wings of the song birds rose.
You swallowed everything, like distance.
Like the sea, like time. In you everything sank!
It was the happy hour of assault and the kiss.
The hour of the spell that blazed like a lighthouse.
Pilot's dread, fury of blind driver,
turbulent drunkenness of love, in you everything sank!
In the childhood of mist my soul, winged and wounded.
Lost discoverer, in you everything sank!
You girdled sorrow, you clung to desire,
sadness stunned you, in you everything sank!
I made the wall of shadow draw back,
beyond desire and act, I walked on.
Oh flesh, my own flesh, woman whom I loved and lost,
I summon you in the moist hour, I raise my song to you.
Like a jar you housed infinite tenderness.
and the infinite oblivion shattered you like a jar.
There was the black solitude of the islands,
and there, woman of love, your arms took me in.
There was thirst and hunger, and you were the fruit.
There were grief and ruins, and you were the miracle.
Ah woman, I do not know how you could contain me
in the earth of your soul, in the cross of your arms!
How terrible and brief my desire was to you!
How difficult and drunken, how tensed and avid.
Cemetery of kisses, there is still fire in your tombs,
still the fruited boughs burn, pecked at by birds.
Oh the bitten mouth, oh the kissed limbs,
oh the hungering teeth, oh the entwined bodies.
Oh the mad coupling of hope and force
in which we merged and despaired.
And the tenderness, light as water and as flour.
And the word scarcely begun on the lips.
This was my destiny and in it was my voyage of my longing,
and in it my longing fell, in you everything sank!
Oh pit of debris, everything fell into you,
what sorrow did you not express, in what sorrow are you not drowned!
From billow to billow you still called and sang.
Standing like a sailor in the prow of a vessel.
You still flowered in songs, you still brike the currents.
Oh pit of debris, open and bitter well.
Pale blind diver, luckless slinger,
lost discoverer, in you everything sank!
It is the hour of departure, the hard cold hour
which the night fastens to all the timetables.
The rustling belt of the sea girdles the shore.
Cold stars heave up, black birds migrate.
Deserted like the wharves at dawn.
Only tremulous shadow twists in my hands.
Oh farther than everything. Oh farther than everything.
It is the hour of departure. Oh abandoned one!
Pablo Neruda
Art experiment by Eve.
This started out as an experiment in stacking focus but I gave up and took only 1 shot. The experiment will be attempted again in the near future.
The reflective surface is my stove top.
#4
All my photos are copyrighted. Please do not use them for any purpose, including on blogs, without my express permission.
_______________________________________________
Tutte le mie foto sono protetti da copyright. Si prega di non utilizzare per qualsiasi scopo, compreso il blog, senza il mio consenso.
P.S. If you want the image to the maximum resolution contact me to simone_savo@libero.it
Experimenting with backlighting the new Lastolite backdrops, they are very versatile.... (is it obvious I really like them?)
#lastolite #sonyimaging #xrite #benQ #adobe #wacom
Check out www.frankdoorhof.com/site/tours/ultimateweekend/ for our upcoming Ultimate weekend workshop (In English) so you can also learn how to shoot images like this
Connectivity and readymade.
Experimenting, manipulating and combining daily life objects in order to attempt, to force or to mystify a workable connection between them, at least to make it visible and/or possible. This exercise is to be considered as a warm-up, a first step towards a further installation or project.
Erg (École de Recherche Graphique), Brussels, Arts Numériques-Atelier (New media art), 2016-2017.
Professors : Marc Wathieu.
I used Bauhaus profile on the DXO Filmpack (time machine presets). Looks quite crazy but got something that I like...
An experiment in moving camera from a moving vehicle. Taken from Caltrain from San Jose to San Francisco.
unglazed porcelain
Sadly my lamp experiment has not been a total success...it has warped quite a bit. Two of the corners stuck to the kiln shelf...that's by the by as that can happen to any piece, but I need to rectify the warping. It may be ok to just make the walls thicker, but I think what it really needs is a change of material...a wooden box with a porcelain tile in front. Shame I'm no carpenter!
The LEDs are a little bright too...maybe a different brand of spotlight, or a deeper box.
In principle it works....but needs a little tweeking.
Voigtländer Avus 6x9
Fomapan 100 Rollfilm
Caffenol R-S 12min
Experiment die Voigtländer Avus 6x9 als "point& shoot" Kamera zu nutzen. Diese wurde im Prospekt von 1921 ja als "Handkamera" beworben. Entfernung immer geschätzt, hier gab die Hundeleine von 5m eine Orientierung. Belichtung per smartphone gemessen.
Experiment the Voigtlander Avus 6x9 to use as a "point & shoot" camera. This was indeed advertised as "Handheld" in the prospectus of 1921. Distance always appreciated here was the leash 5m orientation. Exposure measured by smartphone.
Can someone try and upload a Photo or Video to this link?
I'm trying to set up a Private Sharing area, but need material coming from random places.. No idea if it'll work though...
Thanks Very Much!
or Here
Still experimenting with light, this time at Barrow Hill with Timeline Events.
The North Midland Railway reached Staveley by 1841 when the original Barrow Hill station opened on April 6th. It closed on November 15th 1888 and with the opening of the Clowne and Mansfield branch the new station opened the same date. The station was renamed "Barrow Hill & Staveley Works". An engine shed was built near the station in 1865 with a capacity for four engines.
In 1866 the Midland Railway signed an agreement with Staveley Works whereby they purchased and would operate the works internal private railway for 100 years. The vast increase in traffic created a need for more locomotives and a much larger shed. The result was the present Roundhouse.
The former steam roundhouse located at Barrow Hill near Chesterfield, is a unique example of 19th century railway architecture. It is the last surviving operational roundhouse engine shed in Great Britain.
Construction commenced in July 1869 and it was completed in November 1870. The Midland Railway Company contracted I.E. Hall to build the depot. The final cost being £16,445 4s 9d. It comprises 24 roads of which the longest is 80 feet and the shortest 60 feet. Following the opening in 1870 it was in continuous use until it finally closed its doors in 1991 after a working life of 121 years.
When the Midland Railway introduced their system of shed codes in 1898, Barrow Hill was given the code M24. This was later changed by the LMS to 18D in 1935. In February 1958 it changed again to 41E when the area was taken over by the Eastern region of British Railways. On October 4th 1965 after the depot closed its doors to steam it was given the code letters BH.
By doing this capillary flow experiment in space we discovered several surprising mechanisms of fluid behaviour. Important for 1000s of industrial processes.
Bei diesem Kapillarexperiment haben wir sehr überraschende Verhaltensweisen von Flüssigkeiten entdeckt. Wichtig für tausende Industrieprozesse auf der Erde!
Credits: ESA/NASA
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