View allAll Photos Tagged experiment
Outfits:
toksik - Charming Dress
toksik - Charming Collar
toksik - Charming Hat
* book & hourglass not included
Decor:
:uzu x 700: Love or Hate gacha - RARE2 photo booth (box)
available at:
The Crystal Heart Festival
maps.secondlife.com/secondlife/Crystal%20Heart%20Kingdom/...
Event Closing Date: August 27, 2021
Wanted to see if I could get some action with camera and lens. To show card movement, that is. Need a card shark and a whole lot more practice to show movement at this table. And to set up a better light or two.
Just for fun.
and so here I am again, foisting my experiments on unsuspecting flickr'ers
;~)
Edit one
just could not make up my mind which one I liked better
not even sure I like either .....
LOL
Be back later!
My first upload to Flickr/SmugMug in two weeks since all of my problems began. My laptop still unavailable to me since they aren’t recognizing and approving any new PW’s. I was finally successful in uploading from my mobile device :)
A pair of sharply painted AVR GP40-3's lead job AVR-3 past the former US Bureau of Mines power plant south of Bruceton, PA on the ex B&O "Pike." This location was historically known as Experiment after the Bureau's experimental coal mine once located here.
Ein kleiner Plastiklöffel und eine Platikmurmel zwischen zwei Polarisationsfiltern fotografiert. Dadurch werden Spannungen im Material durch bunte Farben sichtbar.
A small plastic spoon and a plastic marble photographed between two polarizing filters. This makes tensions in the material visible through bright colors.
Generated By Midjourney V6
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**Prompt :**
Deux sphères de verre parfaitement transparentes, posées sur une surface liquide miroir dans un laboratoire futuriste baigné de lumière froide bleu-cyan. À l’intérieur de chaque sphère, un micro-écosystème hyperréaliste : un arbre solitaire aux branches tortueuses, enraciné dans un sol de galets humides, partiellement submergé sous une eau cristalline. La ligne de flottaison coupe l’arbre en deux mondes — au-dessus, l’air immobile chargé de particules lumineuses ; en dessous, une eau calme où la lumière se fracture en reflets liquides.
Entre les deux sphères, des gouttes d’eau en suspension chutent lentement en apesanteur, capturées en ultra slow motion, chacune reflétant l’univers environnant comme des lentilles vivantes. Des ondulations concentriques se propagent à la surface de l’eau sous les sphères, créant un jeu de symétrie hypnotique.
Ambiance visuelle inspirée du cinéma de science-fiction contemplatif, mélange de **macro-photographie**, **optique cinématographique 85mm**, profondeur de champ extrêmement réduite (bokeh crémeux en arrière-plan), rendu **8K hyperréaliste**, textures ultra détaillées (verre, eau, bois, pierre). Éclairage volumétrique avec faisceaux lumineux diffus et particules flottantes visibles, créant une atmosphère presque sacrée.
Palette de couleurs dominée par des bleus profonds, argent métallisé et reflets blancs éclatants. Reflets complexes sur les surfaces vitrées, distorsions optiques subtiles. Composition parfaitement symétrique, centrée, avec une sensation de calme suspendu et de tension silencieuse.
Thématique implicite : dualité, expérimentation, équilibre fragile entre nature et technologie, microcosmes enfermés, illusion de contrôle.
Style visuel : fusion entre **Blade Runner 2049**, **Interstellar** et **photographie scientifique haut de gamme**, avec une touche artistique minimaliste.
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**Prompt:**
Two perfectly transparent glass spheres resting on a mirror-like liquid surface inside a futuristic laboratory bathed in cold cyan-blue light. Inside each sphere lies a hyperrealistic micro-ecosystem: a solitary tree with twisted, sculptural branches rooted in a bed of wet pebbles, partially submerged in crystal-clear water. The waterline slices the tree into two distinct worlds — above, still air filled with suspended luminous particles; below, calm water where light fractures into fluid reflections.
Between the two spheres, droplets of water hover and fall in slow motion, captured in ultra-high-speed detail, each droplet acting like a tiny lens reflecting the surrounding environment. Gentle concentric ripples spread across the liquid surface beneath the spheres, creating a hypnotic symmetry.
Visual atmosphere inspired by contemplative science fiction cinema, blending **macro photography**, **85mm cinematic lens**, extremely shallow depth of field (creamy bokeh background), **8K hyperrealistic rendering**, ultra-detailed textures (glass, water, wood, stone). Volumetric lighting with soft light beams and visible floating particles, evoking a sacred, almost otherworldly ambiance.
Color palette dominated by deep blues, metallic silver, and bright white highlights. Complex reflections across glass surfaces, subtle optical distortions. Perfectly centered, symmetrical composition, conveying a sense of suspended calm and silent tension.
Underlying themes: duality, experimentation, fragile balance between nature and technology, enclosed microcosms, illusion of control.
Visual style: a fusion of **Blade Runner 2049**, **Interstellar**, and high-end scientific photography, with a minimalist artistic touch.
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--v 6 --ar 16:9 --style raw --q 2 --s 750 --chaos 8 --seed 1234
I've not shot into the evening sun so directly before, but I did want to see if I could capture the hay and dust stirred up by our neighbor's tractor.
My husband walked down the lane after I began, and weighed in today: he would have shot a more perpendicular angle with fewer or no sun flares, yet still capturing the light. I mention this so that you'll know I'm open to suggestions. (Previous photo link in first comment.)
Nikon D810, Nikkor 70-200mm f/2.8 (130mm)
1/320 sec; f/16; ISO 250
manual exposure, monopod
Thanks for looking and for your fun comments. I think Flickr tagged this one well: "surreal" ;)
panasonic lumix tz70
this morning i continued to experiment with my new camera. i used the panoramic scene setting for this photo. it's a lovely camera to hold and the weight all ok ... but practise, practise, practise
i had been waiting for a panasonic lumix tz90 but there is a global shortage of point and shoot cameras petapixel.com/2021/10/15/the-camera-industry-is-trapped-d... i was on various waiting lists but no stockist had any idea when it would be available. a panasonic lumix tz70 was in stock last week www.lcegroup.co.uk/New-Equipment-Home/ i bought it rather than have a possible prolonged frustrating wait for the tz90
for many years my garden was a shrubbery flic.kr/p/Lhv9ag which i loved. a picket fence covered in an ivy hedge coming down in a storm meant that over time changes had to happen flic.kr/p/2mn2x8a i'll be glad when the trellis is covered in honeysuckle and jasmine. that's the plan ...
www.flickr.com/groups/gardening_is_my_hobby/ helpful for ideas. thank you for sharing
In the boundless landscape of pixel world, magic thrives, unconstrained by the limitations of reality. It is a realm where the impossible becomes possible. Aardvark always sprinkle a little bit of that magic into our world, coloring the experiences with wonder and possibility.
Owls and bears seem to have intertwined their destinies, a glimpse into a world where nature’s experiments might lead to the emergence of these charming, fantastical creations...
Aardvark: Owlbear
Available at Midnight Order
Aardvark: Polar Bear Necessities
Aardvark: Dreadwood Tree (Gift)
Aardvark Mainstore
K&S: Magic-go-round. Backdrop
Back in time again for another experiment in Mono....
It's Mid Afternoon on Monday 11th December 2017. The previous day we'd had an usually heavy snow fall - so simply had to go out walking with the camera. Looking through my older images thought it would look better using this medium.
I'd very much welcome your opinion too. Thanks.