View allAll Photos Tagged existentialism
Concord's Old Manse the home of the First Church minister, Deacon Emerson, witnessed the Battle of Concord Bridge in 1775 April 19th
More historical alliteration than any modern existentialism.
Have we lost you there?
2 colours
A3 size screen print
with logo back print on nape
on ROYAL Gildan Soft Style shirt
Per Wikipedia:
Luigi Pirandello (Italian: 1867 – 1936) was an Italian dramatist, novelist, poet, and short story writer whose greatest contributions were his plays.
He was awarded the 1934 Nobel Prize in Literature "for his bold and ingenious revival of dramatic and scenic art".
Pirandello's works include novels, hundreds of short stories, and about 40 plays, some of which are written in Sicilian. Pirandello's tragic farces are often seen as forerunners of the Theatre of the Absurd.
In the context of playwriting during the early and mid-1900s, Pirandello's impact is notable.
Pirandello inspired playwrights such as Samuel Beckett and Harold Pinter to write plays that echo the themes of existential exploration and metaphysical questioning that he focused on in his works.
His influence goes beyond playwrights; French philosopher Jean-Paul Sartre was also inspired by Pirandello's ideas to explore one of the main pillars of his philosophy: 'existentialism'.
The playwright's portrayal of fractured identities and the ambiguity of existence in his plays served as inspiration for Sartre's concepts of freedom, authenticity, and existential angst.
Pirandello's character narratives and metaphysical themes not only aligned with but also enriched Sartre's philosophical discourses, creating a link between existential thought in theater and philosophy, where each medium deepened and reflected upon the complexities and theories of the other.
The dialogues between self and other, freedom and responsibility, authenticity and bad faith, found meaning in the intersection of their respective domains. His legacy pushes further reflection into the complexities of characters, human consciousness, and identity.
IMG_9201
His Holiness Younus AlGohar, CEO of MFI, recently visited Toronto, Canada, where he gave an interview with ThatChannel.com. There, he spoke on a variety of topics including going beyond religion and becoming the character/image of God. Man receives attributes of God, which is how we become compassionate and kind. He also spoke on the concept of the awaited one in all religions.
#GoharShahi #TheReligionofGod#DivineLove #Iran #Messiah #SaudiArabia #soul #spirituality #God#philosophy #Godly #divine #YounusAlGohar #endtimes #YouTube#religion #interfaith #evolution #greaterpurpose #existentialism#contemplation #Toronto #Canada #thatchannel #RiazAhmedGoharShahi #enlightenment#LordRaRiaz #Messiah
Sylvia Plath’s Fear of Womanhood & The Meaning of Life | The Bell Jar Explained
Sylvia Plath’s Fear of Womanhood & The Meaning of Life | The Bell Jar Explained #sylviaplath #thebelljar #literaryanalysis
What did Sylvia Plath truly fear? In this deep analysis, we explore her views on womanhood, identity, depression, and the painful choice between creative ambition and traditional motherhood as shown in her writings and journals.
You’ll hear quotes from The Bell Jar, her diaries, and poetry to understand:
🔹 Why Sylvia Plath feared becoming a “perfect 1950s housewife”
🔹 How societal expectations clashed with her creative identity
🔹 Her metaphor of the “fig tree” a powerful symbol of paralysis
🔹 Her longing for presence, childlike wonder, and artistic freedom
🔹 The tension between motherhood and writing
🔹 Her views on death, purpose, and the beauty of small things
If you’re a lover of literature, poetry, or feminist philosophy, this video will leave you thinking long after it ends.
Subscribe for more thoughtful essays and timeless literary stories.
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#sylviaplath #thebelljar #literaryanalysis #feministliterature #mentalhealth #existentialism
Sylvia Plath’s Fear of Womanhood & The Meaning of Life | The Bell Jar Explained
www.youtube.com/watch?v=5jlDa3lujwk
via Shcherbakov
www.youtube.com/channel/UCfcFBdM7uayu4U5H1PBr5UA
November 22, 2025 at 05:30AM
via Shcherbakov ift.tt/BOUmaME
"Huis Clos" Play Rehearsal In Progress. Follow us www.mesmeriseme.co.uk/what-is-hell, twitter.com/#!/HuisClos_2011, www.facebook.com/pages/Huis-Clos-MesmeriseMe-2011/1212970...
Comics Exhibition: "From TELEOS to the Beyond”
Dithers Humor with the Existential and the Mundane
SILVER SPRING, MD— DWIGHTMESS Cartooning & Comic Arts, a new gallery devoted to experimental and cutting-edge independent comics and illustration, is proud to announce its next exhibition, From Telos to the Beyond, a conceptual group show exploring material spirituality and existentialism through comics, featuring the original comics art of Sam Sharpe, Everett Bass, Bob Kubbers and Peach S. Goodrich.
Combining the uncanny and the profane, the arcane and the contemporary, From Telos to Beyond represents a cartoonists' inclination for testing out possible habitable cosmic systems through the particularized and unshared realities of their art. Humanity's inclination to obsessively name its purpose through art is a feature of popular Western cosmogony, and is put into illuminatingly weird action by these artists through the language of sequential storytelling.
Sam Sharpe and Peach S. Goodrich are collaborators on Viewotron, an anthology of recurring stories that match comedic riffs with philosophical narrative rhymes that could only happen in comics. Populated with talking animal college students, goal-less explorers, space monsters, debunked deities, and unexamined consciences, the publication's weird humor reminds us that no one is safe from the stresses in our lives that can embolden one to self-sabotage.
Combined with Sharpe and Goodrich, the perfect draftsmanship and storytelling of comics artist Bob Lubbers (1922-2017) reveals a mastery of and seamless relationship to the comics medium that would seem, to contemporary eyes, eerie to maintain and distinctive in its compositions. His bold creativity, on display in comic strips such as 'Lil Abner, Tarzan, The Saint, and Secret Agent X9 should have afforded him more recognition. According to comics journalist Paul Gravett, Lubbers is 'not the celebrated cartoonist he should be.' Additionally, in these strange & obscure, possibly unpublished comic strips titled Buck Danes, Everett Bass, an artist surmised to have worked in the 1940's, engages a singular, running commentary about making ends meet through its characters that mirrors the political realism of Harold Gray's renowned and long-running comic strip, Little Orphan Annie. That the comic may well represent a failed attempt to capitalize on Gray's success by featuring familiar working-class themes and a relatable drawing style, it ultimately still succeeds at replicating Gray's comic universe, but for purposes too fascinatingly odd to be understood.
Comics Exhibition: "From TELEOS to the Beyond”
Dithers Humor with the Existential and the Mundane
SILVER SPRING, MD— DWIGHTMESS Cartooning & Comic Arts, a new gallery devoted to experimental and cutting-edge independent comics and illustration, is proud to announce its next exhibition, From Telos to the Beyond, a conceptual group show exploring material spirituality and existentialism through comics, featuring the original comics art of Sam Sharpe, Everett Bass, Bob Kubbers and Peach S. Goodrich.
Combining the uncanny and the profane, the arcane and the contemporary, From Telos to Beyond represents a cartoonists' inclination for testing out possible habitable cosmic systems through the particularized and unshared realities of their art. Humanity's inclination to obsessively name its purpose through art is a feature of popular Western cosmogony, and is put into illuminatingly weird action by these artists through the language of sequential storytelling.
Sam Sharpe and Peach S. Goodrich are collaborators on Viewotron, an anthology of recurring stories that match comedic riffs with philosophical narrative rhymes that could only happen in comics. Populated with talking animal college students, goal-less explorers, space monsters, debunked deities, and unexamined consciences, the publication's weird humor reminds us that no one is safe from the stresses in our lives that can embolden one to self-sabotage.
Combined with Sharpe and Goodrich, the perfect draftsmanship and storytelling of comics artist Bob Lubbers (1922-2017) reveals a mastery of and seamless relationship to the comics medium that would seem, to contemporary eyes, eerie to maintain and distinctive in its compositions. His bold creativity, on display in comic strips such as 'Lil Abner, Tarzan, The Saint, and Secret Agent X9 should have afforded him more recognition. According to comics journalist Paul Gravett, Lubbers is 'not the celebrated cartoonist he should be.' Additionally, in these strange & obscure, possibly unpublished comic strips titled Buck Danes, Everett Bass, an artist surmised to have worked in the 1940's, engages a singular, running commentary about making ends meet through its characters that mirrors the political realism of Harold Gray's renowned and long-running comic strip, Little Orphan Annie. That the comic may well represent a failed attempt to capitalize on Gray's success by featuring familiar working-class themes and a relatable drawing style, it ultimately still succeeds at replicating Gray's comic universe, but for purposes too fascinatingly odd to be understood.
Comics Exhibition: "From TELEOS to the Beyond”
Dithers Humor with the Existential and the Mundane
SILVER SPRING, MD— DWIGHTMESS Cartooning & Comic Arts, a new gallery devoted to experimental and cutting-edge independent comics and illustration, is proud to announce its next exhibition, From Telos to the Beyond, a conceptual group show exploring material spirituality and existentialism through comics, featuring the original comics art of Sam Sharpe, Everett Bass, Bob Kubbers and Peach S. Goodrich.
Combining the uncanny and the profane, the arcane and the contemporary, From Telos to Beyond represents a cartoonists' inclination for testing out possible habitable cosmic systems through the particularized and unshared realities of their art. Humanity's inclination to obsessively name its purpose through art is a feature of popular Western cosmogony, and is put into illuminatingly weird action by these artists through the language of sequential storytelling.
Sam Sharpe and Peach S. Goodrich are collaborators on Viewotron, an anthology of recurring stories that match comedic riffs with philosophical narrative rhymes that could only happen in comics. Populated with talking animal college students, goal-less explorers, space monsters, debunked deities, and unexamined consciences, the publication's weird humor reminds us that no one is safe from the stresses in our lives that can embolden one to self-sabotage.
Combined with Sharpe and Goodrich, the perfect draftsmanship and storytelling of comics artist Bob Lubbers (1922-2017) reveals a mastery of and seamless relationship to the comics medium that would seem, to contemporary eyes, eerie to maintain and distinctive in its compositions. His bold creativity, on display in comic strips such as 'Lil Abner, Tarzan, The Saint, and Secret Agent X9 should have afforded him more recognition. According to comics journalist Paul Gravett, Lubbers is 'not the celebrated cartoonist he should be.' Additionally, in these strange & obscure, possibly unpublished comic strips titled Buck Danes, Everett Bass, an artist surmised to have worked in the 1940's, engages a singular, running commentary about making ends meet through its characters that mirrors the political realism of Harold Gray's renowned and long-running comic strip, Little Orphan Annie. That the comic may well represent a failed attempt to capitalize on Gray's success by featuring familiar working-class themes and a relatable drawing style, it ultimately still succeeds at replicating Gray's comic universe, but for purposes too fascinatingly odd to be understood.
Lord Ra Riaz Gohar Shahi said, ‘There is a hidden treasure in you, but you are not aware of it. Your illness is within you and its remedy also is within you, but you are not aware of it.’ medium.com/messiah-foundation-international/the-hidden-tr...
Comics Exhibition: "From TELEOS to the Beyond”
Dithers Humor with the Existential and the Mundane
SILVER SPRING, MD— DWIGHTMESS Cartooning & Comic Arts, a new gallery devoted to experimental and cutting-edge independent comics and illustration, is proud to announce its next exhibition, From Telos to the Beyond, a conceptual group show exploring material spirituality and existentialism through comics, featuring the original comics art of Sam Sharpe, Everett Bass, Bob Kubbers and Peach S. Goodrich.
Combining the uncanny and the profane, the arcane and the contemporary, From Telos to Beyond represents a cartoonists' inclination for testing out possible habitable cosmic systems through the particularized and unshared realities of their art. Humanity's inclination to obsessively name its purpose through art is a feature of popular Western cosmogony, and is put into illuminatingly weird action by these artists through the language of sequential storytelling.
Sam Sharpe and Peach S. Goodrich are collaborators on Viewotron, an anthology of recurring stories that match comedic riffs with philosophical narrative rhymes that could only happen in comics. Populated with talking animal college students, goal-less explorers, space monsters, debunked deities, and unexamined consciences, the publication's weird humor reminds us that no one is safe from the stresses in our lives that can embolden one to self-sabotage.
Combined with Sharpe and Goodrich, the perfect draftsmanship and storytelling of comics artist Bob Lubbers (1922-2017) reveals a mastery of and seamless relationship to the comics medium that would seem, to contemporary eyes, eerie to maintain and distinctive in its compositions. His bold creativity, on display in comic strips such as 'Lil Abner, Tarzan, The Saint, and Secret Agent X9 should have afforded him more recognition. According to comics journalist Paul Gravett, Lubbers is 'not the celebrated cartoonist he should be.' Additionally, in these strange & obscure, possibly unpublished comic strips titled Buck Danes, Everett Bass, an artist surmised to have worked in the 1940's, engages a singular, running commentary about making ends meet through its characters that mirrors the political realism of Harold Gray's renowned and long-running comic strip, Little Orphan Annie. That the comic may well represent a failed attempt to capitalize on Gray's success by featuring familiar working-class themes and a relatable drawing style, it ultimately still succeeds at replicating Gray's comic universe, but for purposes too fascinatingly odd to be understood.
Comics Exhibition: "From TELEOS to the Beyond”
Dithers Humor with the Existential and the Mundane
SILVER SPRING, MD— DWIGHTMESS Cartooning & Comic Arts, a new gallery devoted to experimental and cutting-edge independent comics and illustration, is proud to announce its next exhibition, From Telos to the Beyond, a conceptual group show exploring material spirituality and existentialism through comics, featuring the original comics art of Sam Sharpe, Everett Bass, Bob Kubbers and Peach S. Goodrich.
Combining the uncanny and the profane, the arcane and the contemporary, From Telos to Beyond represents a cartoonists' inclination for testing out possible habitable cosmic systems through the particularized and unshared realities of their art. Humanity's inclination to obsessively name its purpose through art is a feature of popular Western cosmogony, and is put into illuminatingly weird action by these artists through the language of sequential storytelling.
Sam Sharpe and Peach S. Goodrich are collaborators on Viewotron, an anthology of recurring stories that match comedic riffs with philosophical narrative rhymes that could only happen in comics. Populated with talking animal college students, goal-less explorers, space monsters, debunked deities, and unexamined consciences, the publication's weird humor reminds us that no one is safe from the stresses in our lives that can embolden one to self-sabotage.
Combined with Sharpe and Goodrich, the perfect draftsmanship and storytelling of comics artist Bob Lubbers (1922-2017) reveals a mastery of and seamless relationship to the comics medium that would seem, to contemporary eyes, eerie to maintain and distinctive in its compositions. His bold creativity, on display in comic strips such as 'Lil Abner, Tarzan, The Saint, and Secret Agent X9 should have afforded him more recognition. According to comics journalist Paul Gravett, Lubbers is 'not the celebrated cartoonist he should be.' Additionally, in these strange & obscure, possibly unpublished comic strips titled Buck Danes, Everett Bass, an artist surmised to have worked in the 1940's, engages a singular, running commentary about making ends meet through its characters that mirrors the political realism of Harold Gray's renowned and long-running comic strip, Little Orphan Annie. That the comic may well represent a failed attempt to capitalize on Gray's success by featuring familiar working-class themes and a relatable drawing style, it ultimately still succeeds at replicating Gray's comic universe, but for purposes too fascinatingly odd to be understood.
This photograph was created by Sorin Cerin as the original author and is dedicated to the public domain under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
This image comes from this album:
archive.org/details/POZESorindana/page/n41/mode/2up
I, Sorin Cerin, hereby declare that I am the sole author and copyright owner of this photograph. The photograph was personally taken by me using a self-timer mechanism.
I hereby dedicate this work to the public domain and waive, to the fullest extent permitted by law, all copyright and related rights that I hold in the work worldwide under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
Accordingly, anyone may copy, reproduce, distribute, modify, adapt, publish, transmit, or otherwise use this work for any purpose, including commercial and non-commercial purposes, without requesting permission or providing attribution, to the extent permitted by applicable law.
For identity confirmation and official author correspondence, the authorized email address of Sorin Cerin is:
sorincerin [at] gmail.com
"Huis Clos" Play Rehearsal In Progress. Follow us www.mesmeriseme.co.uk/what-is-hell, twitter.com/#!/HuisClos_2011, www.facebook.com/pages/Huis-Clos-MesmeriseMe-2011/1212970...
‘There is no physical evidence that may imply to show that God exists. However, there is spiritual evidence and this evidence can be served within you.’
medium.com/messiah-foundation-international/where-is-the-...
Comics Exhibition: "From TELEOS to the Beyond”
Dithers Humor with the Existential and the Mundane
SILVER SPRING, MD— DWIGHTMESS Cartooning & Comic Arts, a new gallery devoted to experimental and cutting-edge independent comics and illustration, is proud to announce its next exhibition, From Telos to the Beyond, a conceptual group show exploring material spirituality and existentialism through comics, featuring the original comics art of Sam Sharpe, Everett Bass, Bob Kubbers and Peach S. Goodrich.
Combining the uncanny and the profane, the arcane and the contemporary, From Telos to Beyond represents a cartoonists' inclination for testing out possible habitable cosmic systems through the particularized and unshared realities of their art. Humanity's inclination to obsessively name its purpose through art is a feature of popular Western cosmogony, and is put into illuminatingly weird action by these artists through the language of sequential storytelling.
Sam Sharpe and Peach S. Goodrich are collaborators on Viewotron, an anthology of recurring stories that match comedic riffs with philosophical narrative rhymes that could only happen in comics. Populated with talking animal college students, goal-less explorers, space monsters, debunked deities, and unexamined consciences, the publication's weird humor reminds us that no one is safe from the stresses in our lives that can embolden one to self-sabotage.
Combined with Sharpe and Goodrich, the perfect draftsmanship and storytelling of comics artist Bob Lubbers (1922-2017) reveals a mastery of and seamless relationship to the comics medium that would seem, to contemporary eyes, eerie to maintain and distinctive in its compositions. His bold creativity, on display in comic strips such as 'Lil Abner, Tarzan, The Saint, and Secret Agent X9 should have afforded him more recognition. According to comics journalist Paul Gravett, Lubbers is 'not the celebrated cartoonist he should be.' Additionally, in these strange & obscure, possibly unpublished comic strips titled Buck Danes, Everett Bass, an artist surmised to have worked in the 1940's, engages a singular, running commentary about making ends meet through its characters that mirrors the political realism of Harold Gray's renowned and long-running comic strip, Little Orphan Annie. That the comic may well represent a failed attempt to capitalize on Gray's success by featuring familiar working-class themes and a relatable drawing style, it ultimately still succeeds at replicating Gray's comic universe, but for purposes too fascinatingly odd to be understood.
The sea remembers the freedom we once knew as children—
when play had no purpose, time had no weight,
and the horizon belonged to our imagination.
Perhaps freedom is simply returning to that untouched place within us.
Comics Exhibition: "From TELEOS to the Beyond”
Dithers Humor with the Existential and the Mundane
SILVER SPRING, MD— DWIGHTMESS Cartooning & Comic Arts, a new gallery devoted to experimental and cutting-edge independent comics and illustration, is proud to announce its next exhibition, From Telos to the Beyond, a conceptual group show exploring material spirituality and existentialism through comics, featuring the original comics art of Sam Sharpe, Everett Bass, Bob Kubbers and Peach S. Goodrich.
Combining the uncanny and the profane, the arcane and the contemporary, From Telos to Beyond represents a cartoonists' inclination for testing out possible habitable cosmic systems through the particularized and unshared realities of their art. Humanity's inclination to obsessively name its purpose through art is a feature of popular Western cosmogony, and is put into illuminatingly weird action by these artists through the language of sequential storytelling.
Sam Sharpe and Peach S. Goodrich are collaborators on Viewotron, an anthology of recurring stories that match comedic riffs with philosophical narrative rhymes that could only happen in comics. Populated with talking animal college students, goal-less explorers, space monsters, debunked deities, and unexamined consciences, the publication's weird humor reminds us that no one is safe from the stresses in our lives that can embolden one to self-sabotage.
Combined with Sharpe and Goodrich, the perfect draftsmanship and storytelling of comics artist Bob Lubbers (1922-2017) reveals a mastery of and seamless relationship to the comics medium that would seem, to contemporary eyes, eerie to maintain and distinctive in its compositions. His bold creativity, on display in comic strips such as 'Lil Abner, Tarzan, The Saint, and Secret Agent X9 should have afforded him more recognition. According to comics journalist Paul Gravett, Lubbers is 'not the celebrated cartoonist he should be.' Additionally, in these strange & obscure, possibly unpublished comic strips titled Buck Danes, Everett Bass, an artist surmised to have worked in the 1940's, engages a singular, running commentary about making ends meet through its characters that mirrors the political realism of Harold Gray's renowned and long-running comic strip, Little Orphan Annie. That the comic may well represent a failed attempt to capitalize on Gray's success by featuring familiar working-class themes and a relatable drawing style, it ultimately still succeeds at replicating Gray's comic universe, but for purposes too fascinatingly odd to be understood.
This photograph was created by Sorin Cerin as the original author and is dedicated to the public domain under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
This image comes from this album:
archive.org/details/POZESorindana/page/n41/mode/2up
I, Sorin Cerin, hereby declare that I am the sole author and copyright owner of this photograph. The photograph was personally taken by me using a self-timer mechanism.
I hereby dedicate this work to the public domain and waive, to the fullest extent permitted by law, all copyright and related rights that I hold in the work worldwide under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
Accordingly, anyone may copy, reproduce, distribute, modify, adapt, publish, transmit, or otherwise use this work for any purpose, including commercial and non-commercial purposes, without requesting permission or providing attribution, to the extent permitted by applicable law.
For identity confirmation and official author correspondence, the authorized email address of Sorin Cerin is:
sorincerin [at] gmail.com
🌌 What does it truly mean to be free? Existentialism tells us freedom isn't just escaping constraints—it's the power to choose, create your own meaning, and own your decisions, even when it's tough. From Kierkegaard to Sartre, thinkers have wrestled with this radical freedom and what it demands of us. 🌿 Dive into this philosophical journey where freedom means responsibility and authenticity in an often absurd world. How do you embrace your freedom? Share your thoughts below! 👇 #PhilosophyDiscussion
dillonstips.info/existentialism-and-the-philosophy-of-fre...