View allAll Photos Tagged existentialism

I realise that I resemble an existentialist wanker in this upload. Here I go merrily contemplating death, meaningless, and utter nothingness.

Notes from my sketchbook with a film still of Last Year at Marienbad (1961).

Grave of Henry David Thoreau in Concord's Sleepy Hollow Cemetery on Author's Ridge

Self-portrait/devART id

 

The blur on the red part of the scarf was unintentional, but I like the way it came out.

 

Edits: colours, slight sharpening on the jacket, noise reduction on the background.

 

This photo can also be found here...

 

This image is not to be used without my permission.

Comics Exhibition: "From TELEOS to the Beyond”

Dithers Humor with the Existential and the Mundane

   

SILVER SPRING, MD— DWIGHTMESS Cartooning & Comic Arts, a new gallery devoted to experimental and cutting-edge independent comics and illustration, is proud to announce its next exhibition, From Telos to the Beyond, a conceptual group show exploring material spirituality and existentialism through comics, featuring the original comics art of Sam Sharpe, Everett Bass, Bob Kubbers and Peach S. Goodrich.

   

Combining the uncanny and the profane, the arcane and the contemporary, From Telos to Beyond represents a cartoonists' inclination for testing out possible habitable cosmic systems through the particularized and unshared realities of their art. Humanity's inclination to obsessively name its purpose through art is a feature of popular Western cosmogony, and is put into illuminatingly weird action by these artists through the language of sequential storytelling.

   

Sam Sharpe and Peach S. Goodrich are collaborators on Viewotron, an anthology of recurring stories that match comedic riffs with philosophical narrative rhymes that could only happen in comics. Populated with talking animal college students, goal-less explorers, space monsters, debunked deities, and unexamined consciences, the publication's weird humor reminds us that no one is safe from the stresses in our lives that can embolden one to self-sabotage.

   

Combined with Sharpe and Goodrich, the perfect draftsmanship and storytelling of comics artist Bob Lubbers (1922-2017) reveals a mastery of and seamless relationship to the comics medium that would seem, to contemporary eyes, eerie to maintain and distinctive in its compositions. His bold creativity, on display in comic strips such as 'Lil Abner, Tarzan, The Saint, and Secret Agent X9 should have afforded him more recognition. According to comics journalist Paul Gravett, Lubbers is 'not the celebrated cartoonist he should be.' Additionally, in these strange & obscure, possibly unpublished comic strips titled Buck Danes, Everett Bass, an artist surmised to have worked in the 1940's, engages a singular, running commentary about making ends meet through its characters that mirrors the political realism of Harold Gray's renowned and long-running comic strip, Little Orphan Annie. That the comic may well represent a failed attempt to capitalize on Gray's success by featuring familiar working-class themes and a relatable drawing style, it ultimately still succeeds at replicating Gray's comic universe, but for purposes too fascinatingly odd to be understood.

Sing me something soft,sad and delicate,or loud and out of key.sing me anything...---straylight run

Comics Exhibition: "From TELEOS to the Beyond”

Dithers Humor with the Existential and the Mundane

   

SILVER SPRING, MD— DWIGHTMESS Cartooning & Comic Arts, a new gallery devoted to experimental and cutting-edge independent comics and illustration, is proud to announce its next exhibition, From Telos to the Beyond, a conceptual group show exploring material spirituality and existentialism through comics, featuring the original comics art of Sam Sharpe, Everett Bass, Bob Kubbers and Peach S. Goodrich.

   

Combining the uncanny and the profane, the arcane and the contemporary, From Telos to Beyond represents a cartoonists' inclination for testing out possible habitable cosmic systems through the particularized and unshared realities of their art. Humanity's inclination to obsessively name its purpose through art is a feature of popular Western cosmogony, and is put into illuminatingly weird action by these artists through the language of sequential storytelling.

   

Sam Sharpe and Peach S. Goodrich are collaborators on Viewotron, an anthology of recurring stories that match comedic riffs with philosophical narrative rhymes that could only happen in comics. Populated with talking animal college students, goal-less explorers, space monsters, debunked deities, and unexamined consciences, the publication's weird humor reminds us that no one is safe from the stresses in our lives that can embolden one to self-sabotage.

   

Combined with Sharpe and Goodrich, the perfect draftsmanship and storytelling of comics artist Bob Lubbers (1922-2017) reveals a mastery of and seamless relationship to the comics medium that would seem, to contemporary eyes, eerie to maintain and distinctive in its compositions. His bold creativity, on display in comic strips such as 'Lil Abner, Tarzan, The Saint, and Secret Agent X9 should have afforded him more recognition. According to comics journalist Paul Gravett, Lubbers is 'not the celebrated cartoonist he should be.' Additionally, in these strange & obscure, possibly unpublished comic strips titled Buck Danes, Everett Bass, an artist surmised to have worked in the 1940's, engages a singular, running commentary about making ends meet through its characters that mirrors the political realism of Harold Gray's renowned and long-running comic strip, Little Orphan Annie. That the comic may well represent a failed attempt to capitalize on Gray's success by featuring familiar working-class themes and a relatable drawing style, it ultimately still succeeds at replicating Gray's comic universe, but for purposes too fascinatingly odd to be understood.

Comics Exhibition: "From TELEOS to the Beyond”

Dithers Humor with the Existential and the Mundane

   

SILVER SPRING, MD— DWIGHTMESS Cartooning & Comic Arts, a new gallery devoted to experimental and cutting-edge independent comics and illustration, is proud to announce its next exhibition, From Telos to the Beyond, a conceptual group show exploring material spirituality and existentialism through comics, featuring the original comics art of Sam Sharpe, Everett Bass, Bob Kubbers and Peach S. Goodrich.

   

Combining the uncanny and the profane, the arcane and the contemporary, From Telos to Beyond represents a cartoonists' inclination for testing out possible habitable cosmic systems through the particularized and unshared realities of their art. Humanity's inclination to obsessively name its purpose through art is a feature of popular Western cosmogony, and is put into illuminatingly weird action by these artists through the language of sequential storytelling.

   

Sam Sharpe and Peach S. Goodrich are collaborators on Viewotron, an anthology of recurring stories that match comedic riffs with philosophical narrative rhymes that could only happen in comics. Populated with talking animal college students, goal-less explorers, space monsters, debunked deities, and unexamined consciences, the publication's weird humor reminds us that no one is safe from the stresses in our lives that can embolden one to self-sabotage.

   

Combined with Sharpe and Goodrich, the perfect draftsmanship and storytelling of comics artist Bob Lubbers (1922-2017) reveals a mastery of and seamless relationship to the comics medium that would seem, to contemporary eyes, eerie to maintain and distinctive in its compositions. His bold creativity, on display in comic strips such as 'Lil Abner, Tarzan, The Saint, and Secret Agent X9 should have afforded him more recognition. According to comics journalist Paul Gravett, Lubbers is 'not the celebrated cartoonist he should be.' Additionally, in these strange & obscure, possibly unpublished comic strips titled Buck Danes, Everett Bass, an artist surmised to have worked in the 1940's, engages a singular, running commentary about making ends meet through its characters that mirrors the political realism of Harold Gray's renowned and long-running comic strip, Little Orphan Annie. That the comic may well represent a failed attempt to capitalize on Gray's success by featuring familiar working-class themes and a relatable drawing style, it ultimately still succeeds at replicating Gray's comic universe, but for purposes too fascinatingly odd to be understood.

We can't experience in a vacuum.

For more, follow The Existentialist on Facebook. Tags: #existentialist, #existentialism, #existential, #existence, #life, #lifequotes, #lifelessons, #wisdom, #meaningoflife, #purpose, #passion, #quotes, #quoteoftheday, #qotd, #original, #choice, #freedom, #destiny, #willpower, #will, #lifepurpose, #inspiration, #inspirationalquotes, #motivationalquotes, #motivation, #dailyquotes, #fate, #determination.. Check out this post on Instagram! ift.tt/2pPUmVP.

Christina joined in the fun, but couldn't quite capture the same sense of alienated and fragmented existentialism...just kidding. We admit to fooling around.

Existentialism: you haven't lived until you think about death all the time ;-)

 

Concord's Old Manse the home of the First Church minister, Deacon Emerson, witnessed the Battle of Concord Bridge in 1775 April 19th

More historical alliteration than any modern existentialism.

Have we lost you there?

 

2 colours

A3 size screen print

with logo back print on nape

on ROYAL Gildan Soft Style shirt

 

www.lighthouseindustries.co.uk

His Holiness Younus AlGohar, CEO of MFI, recently visited Toronto, Canada, where he gave an interview with ThatChannel.com. There, he spoke on a variety of topics including going beyond religion and becoming the character/image of God. Man receives attributes of God, which is how we become compassionate and kind. He also spoke on the concept of the awaited one in all religions.

#GoharShahi #TheReligionofGod#DivineLove #Iran #Messiah #SaudiArabia #soul #spirituality #God#philosophy #Godly #divine #YounusAlGohar #endtimes #YouTube#religion #interfaith #evolution #greaterpurpose #existentialism#contemplation #Toronto #Canada #thatchannel #RiazAhmedGoharShahi #enlightenment#LordRaRiaz #Messiah

 

  

Sylvia Plath’s Fear of Womanhood & The Meaning of Life | The Bell Jar Explained

 

Sylvia Plath’s Fear of Womanhood & The Meaning of Life | The Bell Jar Explained #sylviaplath #thebelljar #literaryanalysis

 

What did Sylvia Plath truly fear? In this deep analysis, we explore her views on womanhood, identity, depression, and the painful choice between creative ambition and traditional motherhood as shown in her writings and journals.

 

You’ll hear quotes from The Bell Jar, her diaries, and poetry to understand:

🔹 Why Sylvia Plath feared becoming a “perfect 1950s housewife”

🔹 How societal expectations clashed with her creative identity

🔹 Her metaphor of the “fig tree” a powerful symbol of paralysis

🔹 Her longing for presence, childlike wonder, and artistic freedom

🔹 The tension between motherhood and writing

🔹 Her views on death, purpose, and the beauty of small things

 

If you’re a lover of literature, poetry, or feminist philosophy, this video will leave you thinking long after it ends.

 

Subscribe for more thoughtful essays and timeless literary stories.

 

🔗 Stay Connected With Us.

 

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📩 For business inquiries: museum.of.meaning@gmail.com

 

=============================

 

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#sylviaplath #thebelljar #literaryanalysis #feministliterature #mentalhealth #existentialism

 

Sylvia Plath’s Fear of Womanhood & The Meaning of Life | The Bell Jar Explained

 

www.youtube.com/watch?v=5jlDa3lujwk

 

via Shcherbakov

www.youtube.com/channel/UCfcFBdM7uayu4U5H1PBr5UA

November 22, 2025 at 05:30AM

via Shcherbakov ift.tt/BOUmaME

Does gaining more knowledge actually make life easier—or does it quietly increase the weight we carry?

 

In this short reflective monologue, Sindy explores whether awareness brings responsibility or anxiety, and why understanding consequences doesn’t always lead to clarity. A calm, philosophical look at knowledge, moral weight, and the cost of seeing more than we used to.

 

This isn’t advice. It’s a moment of reflection on what it means to know—and what that knowledge asks of us.

 

SCRIPT:

 

The strange thing about knowing more

is that it doesn’t always make decisions clearer.

 

Sometimes it just adds weight.

 

When you understand consequences, patterns, systems—

you don’t get the comfort of simple choices anymore.

You start seeing how everything connects.

 

And that can feel less like responsibility

and more like anxiety.

 

But maybe the point of knowing more

isn’t to feel calm.

 

Maybe it’s to stop pretending we didn’t see it coming.

 

Because ignorance can be peaceful—

but awareness asks something from you.

 

Not perfection.

 

Just honesty about what you now know.

 

Join Sindy On Facebook: www.facebook.com/profile.php?id=61578923142968

 

#sindy #philosophy #ModernLife #responsibility #SelfReflection #awareness #thoughtful #quietthoughts #humanexperience #meaning #existentialism #innerdialogue #ShortMonologue #aigenerated #MadewithAI #hotgothicgirl #HotAIGirls

Comics Exhibition: "From TELEOS to the Beyond”

Dithers Humor with the Existential and the Mundane

   

SILVER SPRING, MD— DWIGHTMESS Cartooning & Comic Arts, a new gallery devoted to experimental and cutting-edge independent comics and illustration, is proud to announce its next exhibition, From Telos to the Beyond, a conceptual group show exploring material spirituality and existentialism through comics, featuring the original comics art of Sam Sharpe, Everett Bass, Bob Kubbers and Peach S. Goodrich.

   

Combining the uncanny and the profane, the arcane and the contemporary, From Telos to Beyond represents a cartoonists' inclination for testing out possible habitable cosmic systems through the particularized and unshared realities of their art. Humanity's inclination to obsessively name its purpose through art is a feature of popular Western cosmogony, and is put into illuminatingly weird action by these artists through the language of sequential storytelling.

   

Sam Sharpe and Peach S. Goodrich are collaborators on Viewotron, an anthology of recurring stories that match comedic riffs with philosophical narrative rhymes that could only happen in comics. Populated with talking animal college students, goal-less explorers, space monsters, debunked deities, and unexamined consciences, the publication's weird humor reminds us that no one is safe from the stresses in our lives that can embolden one to self-sabotage.

   

Combined with Sharpe and Goodrich, the perfect draftsmanship and storytelling of comics artist Bob Lubbers (1922-2017) reveals a mastery of and seamless relationship to the comics medium that would seem, to contemporary eyes, eerie to maintain and distinctive in its compositions. His bold creativity, on display in comic strips such as 'Lil Abner, Tarzan, The Saint, and Secret Agent X9 should have afforded him more recognition. According to comics journalist Paul Gravett, Lubbers is 'not the celebrated cartoonist he should be.' Additionally, in these strange & obscure, possibly unpublished comic strips titled Buck Danes, Everett Bass, an artist surmised to have worked in the 1940's, engages a singular, running commentary about making ends meet through its characters that mirrors the political realism of Harold Gray's renowned and long-running comic strip, Little Orphan Annie. That the comic may well represent a failed attempt to capitalize on Gray's success by featuring familiar working-class themes and a relatable drawing style, it ultimately still succeeds at replicating Gray's comic universe, but for purposes too fascinatingly odd to be understood.

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