View allAll Photos Tagged existentialism

.

 

comments and constructive criticism much appreciated!

 

.

There are a lot of permanently closed windows in abandoned properties in Athens' city center .

Most of them from the neoclassical era

I thought to add life to them reinstituting their relation to the urban environment

Nothing could make me grin more than a sign like this on a dark, clear, warm night in the desert.

'A house and a human body in which God is remembered constantly remains under the merciful sight of God.' - His Divine Eminence RA Gohar Shahi

 

Philosopher, poet, musician, teacher and board game player Phil Newton finding the answer to the Universe outside Poco Coffee Prescot

Pen, paper and lines by David Shanks 2008

It must have been about the time I was turning 16. We were assigned it in sophomore French Class, because the book was written in such simple language (and probably because the assignment of sucha-highfalutin author would seem impressive to our parents, who were not only paying tuition but also sending us down to an historic but then ghetto-ish neighborhood every morning to attend the school).

 

Our French teacher, a very nice older French Canadian guy (there were many Canadians, both English & French, in Cleveland in those years), appeared to have no clue what the book was actually about. (He explained to us that Meursault's habit of eating his eggs right from the frying pan was the evidence of his "existentialism".) Well, even at 16, with absolutely no prior exposure to any history of philosophy, I knew that somehow this just didn't sound quite right....

 

Nevertheless, I felt a very strong identification with Meursault, understanding all too well his moral preference for refusing the ridiculous and self-negating task of explaining himself to people who could only misinterpret him.

 

It wasn't until I was in my late thirties that I even learned about "The Stranger" being the first part of a trilogy, an extremely significant intentional aspect of the story. Had I also been exposed to the other two books in the trilogy, in which Camus deals with the resulting dilemma, I just might have figured out some stuff that, um, I'm now probably still working on at the age of 58.

 

As it happened, I basked in the understanding and approval regarding my own response to my life situation that Camus seemed to be offering to me, and I have always been grateful for the strength that this gave me at a critical time in my life.

 

[from the set: "books that changed my life"]

Pen, paper and lines by David Shanks 2008

Great questions.....made me think.

 

1. ~~~~~~~~ Existentialism ~~~~~~~~, 2. Untitled, 3. Tractor in the Fields of the Palouse, 4. Depression, 5. Birdsong, 6. Jaz, 7. Super-size me love, 8. The Bookshelf, 9. Untitled, 10. magically miraculous, 11. Bliss, 12. November

  

1. What is your favorite word? Existentialism

2. What is your least favorite word? Intolerence

3. What turns you on creatively, spiritually or emotionally? Almost everything

4. What turns you off creatively, spiritually or emotionally? Depression ( I suffered from depression and it kills every good thing inside you)

5. What sound or noise do you love? Bird Song

6. What sound or noise do you hate? Alarm clock

7. What is your favorite curse word? Fanny (because in Australia it has a different meaning to America and it makes for some very rude sentances)

8. What profession other than your own would you like to attempt? Author

9. What profession would you not like to do? Nurse (Nurses are hardworking saints who should be paid ten times what they are)

10. If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates? Heaven is on Earth

11. What is your favorite emotion? Happiness

12. What is your zodiac sign? Scorpio

    

Created with fd's Flickr Toys.

Mixed Media Polaroid Art

Daily Deals on Books = www.bookzio.com/the-ethics-of-ambiguity/

From the groundbreaking author of The Second Sex comes a radical argument for ethical responsibility and freedom. In this classic introduction to existentialist thought, French philosopher Simone de Beauvoir’s The Ethics of Ambiguity simultaneously pays homage to and grapples with her French contemporaries, philosophers Jean-Paul Sartre and Maurice Merleau-Ponty, by arguing that the freedoms in existentialism carry with […]

 

#books #booklover #freebooks #bookgiveaway #kindle #LGBT

LOOK CLOSELY.

long exposure with a flash

 

Inspired by: Zombies of the Haitian Voodoo variety represent a loss of cognition/consciousness and also a loss of free will. What is it except these things, after all, that separates us from animals.

 

By "controlling" another person and eliminating that persons ability to make choices, let alone engage in conscious thought, the "controller" has reduced that person to the level of an animal and has robbed him of his humanity.

 

zombies.monstrous.com/exploitation.htm

4th of April until 27nd of June 2009 at BuroDijkstra ArtGallery.

 

Installation Persuasion - Idea, attitude, or action By Edwin Stolk

 

Also visit me at:

http:​/​/​www.​edwinstolk.​nl/​

Part of a project series.

 

©Arielle Somberg 2011

Pen, paper and lines by David Shanks 2008

Pen, paper and lines by David Shanks 2008

The Truth about the Big Bang Theory: What Scientists Can’t Tell You! www.theawaitedone.com/…/the-truth-about-the-big-bang…

 

An excerpt:

 

'All these planets were once part of the sun. This system, galaxy, rocks and every single planet – everything was fragmented from the Sun. Everything came from the Sun, including the Moon.'

 

‪#‎TheBigBangTheory‬ ‪#‎BigBangTheory‬ ‪#‎BigBang‬ ‪#‎creationism‬ ‪#‎creation‬ ‪#‎existence‬ ‪#‎existentialism‬ ‪#‎universe‬ ‪#‎physics‬ ‪#‎secretsofGod‬ ‪#‎divine‬ ‪#‎creationofman‬ ‪#‎creationofearth‬ ‪#‎higherconsciousness‬ ‪#‎theSun‬ ‪#‎theMoon‬ ‪#‎spirituality‬ ‪#‎spiritualsciences‬ ‪#‎theoryofeverything‬ ‪#‎galaxy‬ ‪#‎atheism‬ ‪#‎Quran‬ ‪#‎Bible‬ ‪#‎agnosticism‬ ‪#‎YounusAlGohar‬ ‪#‎GoharShahi‬ ‪#‎RiazAhmedGoharShahi‬ ‪#‎higherpurpose‬ ‪#‎solarsystem‬ ‪#‎evolution‬ 

Capitalism Careerism

Consumerism Darwinism Deconstructionism Dogmatism Economism Egoism Ethnocentrism Existentialism Fascism Free marketism Globalism Materialism Merchantilism Moral absolutism Nihilsim Personalism Physicalism Postmodernism Profitism Randianism Scientism Social darwinism Totalitarianism Transhumanism with black typewriter fonts printed.

 

dye-free 100 % cotton eco-friendly light weight tote bag.

He who thinks he knows does not know. He who thinks he does not know, knows.

 

Old Chinese Proverb

www.owtff.com

"Open World Toronto Film Festival"

 

Synopsis:

 

A normal everyday guy (Donald) wakes up late for work and goes through an unfortunate series of events. After finally arriving to work he quickly realizes – what he has gone through is unlike anything his first client (a homeless man named Charlie) has gone through within the last 24hrs. Here we see the existentialism slowly emerge as Charlie lays his life on the table. How will Charlies fate be left; in the hands of a disgruntled social worker or his own?

 

Genres:

Drama

Runtime:

11 minutes 42 seconds

Completion Date:

December 2, 2014

Country of Origin:

Canada

Country of Filming:

Canada

Film Language:

English

 

Director, Writer, Producer & Key Cast:

 

Tyler Lionel Parr

Pergaminu - Graxa, piche, verniz e lápis dermatográfico sobre páginas de livro de anatomia do sec.XIX. ... Ao fundo xilogravura sobre tecido de algodão.

  

Le Cimetière du Montparnasse, Paris, France

 

I headed south to le Cimetière Montparnasse. After the Paris churchyards closed in the 18th century, a full three quarters of a century before the English closed their urban churchyards, four great cemeteries were laid out to the north, east, south and west of the city. Pere Lachaise is the most famous, Montmartre the most aesthetically pleasing, but Montparnasse probably the most interesting. I spent about three hours and three hundred photographs pottering about. Some of the famous graves are easy to find because they are well documented, and visitors have placed tributes on them. For example, the first grave I went in search of, Samuel Beckett's, has metro tickets placed on it by visitors as a mark of having waited for something.

 

I already knew where Beckett's grave was, but two others in the same section were more difficult, as I did not have exact locations. I eventually found the grave of Phillipe Noiret, an actor I very much admired particularly for his role in my favourite film, Cinema Paradiso, but also for his role in Le Cop, which has criminally never had a DVD release with English subtitles. There were no public tributes on it, merely a plaque from his wife saying 'pour mon Cher Philippe' and a picture of a horse. While I was photographing it, four gendarmes, two men and two women, passed behind me and came across to see why I was photographing it. "Noiret!" exclaimed one of the men, and then "mais pourquoi le cheval?" wondered one of the women. But they didn't stop for me to explain, for I had read an article about Noiret about fifteen years previously in a copy of La Nouvelle Observateur while staying in a hotel in Boulogne, and I knew that he had bred horses in his spare time.

 

The other grave I had hoped to find in this section was that of Susan Sontag, but I couldn't track it down.

 

The joint headstone of Jean-Paul Sartre and Simone de Beauvoir is easily found by the main entrance, and I thought it rather sweet that they were remembered together. Despite all their efforts for existentialism and feminism, it was like a headstone in a quiet English churchyard which might have 'reunited' or 'together in eternity' inscribed on it. I think he wasn't pleasant company, and while she was certainly more intelligent than he was she made intellectual arrogance respectable. I photographed their headstone more out of interest than admiration.

 

Admiration was at the heart of my search for a gravestone lost in sections 6 and 7 which I think is not found often. It is for the surrealist photographer Man Ray. I was delighted to find it after barely 20 minutes searching. He designed it himself, and in his own handwriting into the cement it says 'unconcerned, but not indifferent', which could be taken as rebuff to Satre and his circle I suppose. Charmingly, beside it like the other half of a book is a photograph of him with his wife and the inscription 'Juliet Man Ray 1911-1991, together again'. Enough to leave De Beauvoir spluttering into her Pernod.

 

You can read my account of my travels at pariswander.blogspot.co.uk.

is it an affliction? I met a husky at my vet's... it was named Zoloft... so cool!

"The existentialist…finds it extremely embarrassing that God does not exist, for there disappears with Him all possibility of finding values in an intelligible heaven. There can no longer be any good a priori, since there is no infinite and perfect consciousness to think it. It is nowhere written that “the good” exists, that one must be honest or must not lie, since we are now upon the plane where there are only men. Dostoevsky once wrote "if God did not exist, everything would be permitted"; and that, for existentialism, is the starting point. Everything is indeed permitted if God does not exist, and man is in consequence forlorn, for he cannot find anything to depend upon either within or outside himself. He discovers forthwith, that he is without excuse. For if indeed existence precedes essence, one will never be able to explain one’s action by reference to a given and specific human nature; in other words, there is no determinism — man is free, man is freedom. Nor, on the other hand, if God does not exist, are we provided with any values or commands that could legitimise our behaviour. Thus we have neither behind us, nor before us in a luminous realm of values, any means of justification or excuse. — We are left alone, without excuse. That is what I mean when I say that man is condemned to be free. Condemned, because he did not create himself, yet is nevertheless at liberty, and from the moment that he is thrown into this world he is responsible for everything he does."

Jean-Paul Sartre

I don't think that religious groups should get pedantic, after all, the future being orange is probably far more likely than a bloke walking on water and feeding thousands with one fish sandwich.

This was just the usual 'we're all going to die/save your soul/jesus loves you' rubbish. If the future isn't bright then I should like to spend what little time there is left not being harrassed and told I'm going to burn in Hell for the Eternity. Frankly, after a while, it gets boring.

   

Rant over.

  

Blackberries have no essence before their existence because there is no Creator. Thus: "existence precedes essence". The juice from existentialist blackberries on dirty hands.

 

Apologies to Jean Paul Sartre.

Kierkegaard once said "Show me the money! Show me the money!" And then he did a little dance. I think what he meant was this: Existence has no meaning except what we imbue it with. Chain link fences are the same way. So are cheese doodles. Cell phones and currency. Bow ties and measuring tape. This lack of intrinsic value is best illustrated by a crumb cake made with cinnamon and carob. Wait. That wasn't Kierkegaard at all. I'm thinking of Sartre. And now I'm thinking of crumb cake.

The quote is popularly attributed to French-Algerian Philosopher, Albert Camus.

In a coffee shop bathroom in Tempe.

On July 23rd, we will cease to be. (Spotted at Brookline & Putnam, Cambridgeport.)

Artist name - Jung-Yong Lee

Height (cm) - 122.1

Width (cm) - 145.5

Medium - Acrylic on canvas

Date artwork created – 2010

Article No - 32028

Other information - Although my work begins with a photographic image, the intention is not to idealize the mechanical hand. Rather, I wish to surpass the limitations of the visual phenomenon and elicit a viewer’s response to the illusionistic quality of the painting. My work consists of various portraits of human faces, through which I try to investigate existentialism. A face not only represents a subject by reflecting one’s personality and characteristic but also embodies various meanings. The doll-like faces rendered in a manner that lies on the boundary between reality and illusion delivers a certain impact. Such discrepancy in the relationship between image and illusion gives a room for infinite possibilities in the imaginative mind of the viewer.

   

1 2 ••• 39 40 42 44 45 ••• 79 80