View allAll Photos Tagged existentialism
This was a test shot. I printed this and then hung it above the sink and then reshot it with a picture of itself in it. The final photograph is the vertorama in this photostream.
Widely acclaimed as one of the most important sculptors of the 20th century, Alberto Giacometti (1901-1966) reasserted the validity of the figure and figural representation at a time when abstract art had become dominant in the international art world. This exhibition looks deeply at this central, animating aspect of his work-his extraordinary, singular concern for the human figure. It focuses on his achievements of the postwar period (1945-66), when he developed his signature style featuring thin, elongated bodies animated by vigorously modeled surfaces. The exploration of an elemental body, its placement in space, and its relationship with the plinth are among the issues he confronted in trying to solve essential questions for modern sculpture. The exhibition also explores how many of the greatest photographers of the day contributed to Giacometti's growing reputation and the mythical status he achieved during his lifetime.
Giacometti's works became associated with existentialism, a philosophy that questions the nature of the human condition. To many, his emaciated figures pervaded by feelings of alienation, loneliness, fear, insignificance, and uncertainty embodied the psychological climate that followed in the wake of World War II. This somber narrative, however, is not the only perspective from which to view his work. At times, Giacometti used his wit to introduce a lighter note, especially when portraying the people in his immediate circle. Above all, the rugged surfaces of his sculptures express resilience, and his soaring figures, somehow outside of time, are universal emblems of courage and hope.
Les Deux Magots
Camus, Sartre and Hemingway used to frequent this cafe! Now it's a little hard to imagine an artist feeling comfortable enough to create in such a calculated atmosphere... nevertheless, I went in honour of Camus, my favourite writer.
St.Germain-des-Pres, Paris
deuxmagots_20071201_19xsm
Created by Duncan Rawlinson, this abstract study explores the visual and psychological weight of form. A somber, silhouetted figure is framed by imposing blocks of deep blue and a sharp red cross, creating a sense of atmospheric density and structural containment. The high-contrast composition and expressive digital brushwork emphasize a narrative of endurance and the silent gravity inherent in the human experience.
I HAVE been shooting trees for a few years now, probably taken a thousnd pics. now.
Have you read the book The Road by Cormac McCarthy? He has a special brand of existentialism, i rekon. My trees are partially inspired by his descriptions in it.
The photos are also inspired by:
something dark and foreboding
Rothko
Morandi
El Greco
Alfred Steiglitz
Daguerreotypes
Hasegawa, who introduced poet Gary Snyder to the treatment of landscape painting as a meditative practice.
and macular degeneration.
and, the end of the ecological environment as we know it.
Working show title:
COSMICISM AND CONTEMPORARY FORESTRY
It will have the machines and robots, photographs and video i hope.
During my last body of work I closely examined various philosophies surrounding existentialism, humanism and the absurd. Initially upon finding Existentialism it stirred a whole range of feelings and a curiosity for life. the more I knew, the more I desire to know. Which led to my first body of work: "A Personal Introduction into Existentialism" I feel this body of work may continue for the rest of my days, but this painting was completled in the following weeks.
if you find me,
if you find me,
won't you tell me
what you find
if you find me,
if you find me,
won't you tell me
where i am
The name of this painting is Madonna Dreaming about Existentialism and it is by Peter Reynosa and it deals with existentialism.
abandonment. A rhetorical term used by existentialist philosophers such as Heidegger and Sartre to describe the absence of any sources of ethical authority external to oneself. It suggests that one might have expected to find such an authority, either in religion or from an understanding of the natural world, and that the discovery that ther is none leads one to feel 'abandoned'. For existentialists such as Sartre, however, this sense of abandonment is only a prelude to the recognition that ethical values can be grounded from within a reflective understanding of the conditions under which individuals can attain *authenticity in their lives. Thus the conception of abandonment is essentially an existentialist dramatization of Kant's rejection of the heteronomous conceptions of value in favour of the *autonomy of the good will.
*Existentialism; despair.
I ended up having to partially change my original concept to make it a bit broader and more subjective to the viewer. I had to do this party because my original plan of making each photo a demonstration of a different philosophy was too difficult for me to capture and I didn't have the resources or technical skill to complete the ideas that I initially had in mind. So, my concept still has a lot to do with existentialism and searching for meaning, but I've put a darker spin on it than I had originally planned. Each photo demonstrates very broadly the idea of being alive on a planet without completely understanding the meaning or purpose of life. My first photo evokes a sense of wonder that comes with looking to the stars/moon and wondering what more is out there. My second photo is the reflection of trees in water, which represents something that seems one way, but upon greater consideration is actually different. (The photo seems to be only trees but with upon further contemplation it is realized that it's actually the reflection of those trees.) My third photo shows a cross illuminated against a dark background, which demonstrates the questioning of a higher power in times of turmoil or hardship. My fourth photo again represents the wonder and questioning that comes with looking up at the sky and trying to understand what lies beyond our planet. The sky is dark and brooding, representing similar emotions that come with tempestuous thoughts of adolescent life and trying to find meaning. My fifth photo represents the idea of constantly traveling down a path that seemingly has no purposeful end- one that cannot be seen or predicted. All of these photos together effectively portray the idea of existentialism/nihilism and wondering what matters and what more exists beyond our planet.
Søren Kierkegaard's quote, "Life is not a problem to be solved, but a reality to be experienced", presents an alternative view of life, challenging the perspective that life is just about solving problems.
Life as Experience:
Instead of focusing on obstacles and challenges, the phrase invites us to experience life in its entirety, appreciating the good and bad moments, the joys and sadness, the discoveries and the challenges.
It is an invitation to delve into the experience of life with all our senses, opening ourselves to the nuances and complexities it offers.
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Existentialist Approach:
This perspective is rooted in Existentialism, a philosophy that emphasizes the importance of individual freedom, responsibility and creating meaning in life.
Kierkegaard, one of the main existentialist philosophers, argues that life does not have a pre-defined script or universal meaning.
It is up to each individual to build their own story, making decisions and assuming the consequences of their actions.
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Experimentation and Learning:
Instead of seeking definitive solutions to life's "problems", the phrase encourages us to view each experience as an opportunity for learning and growth.
Every situation, no matter how challenging, can teach us something about ourselves and the world around us.
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The Joy of Discovery:
By embracing life as an experience to be explored, we pave the way for the discovery of new horizons and possibilities.
We abandon the rigidity of searching for solutions and allow ourselves to be surprised by the beauty and unpredictability of life.
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Connection with the World:
Experiencing life to its fullest also means connecting with the world around us.
Through our senses, emotions and thoughts, we can establish a deep relationship with nature, with other people and with existence itself.
Image Interpretation:
The selected digital art image complements the phrase in an interesting way.
Vibrant colors and abstract shapes evoke a feeling of movement, energy and vitality.
The fluidity of the image contrasts with the rigidity of the perspective that sees life as a problem to be solved.
Together, the phrase and the image invite us to abandon the passive stance of those looking for ready-made solutions and embrace life as an adventure to be experienced with passion, enthusiasm and total dedication.
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Conclusion:
Kierkegaard's phrase invites us to transcend the view of life as a problem to be solved and to embrace it as a reality to be experienced with all our senses.
It is an invitation to freedom, responsibility and the creation of meaning through individual experience.
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Text and Illustration (AI): ©MárioSilva
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The AI-generated image presents a richly ornate, golden Baroque-style picture frame set against a dramatically dark, textured wall and floor. The frame is empty, holding only the shadowy, uneven texture of the background wall, which seems to recede into a deep, velvety black. A single, focused spotlight illuminates the frame, creating a striking contrast between the opulent, gilded border and the stark, vacant space it encloses. This dramatic chiaroscuro lighting highlights the frame's intricate details - the scrolls, foliage, and carvings - while casting deep shadows that emphasize the profound emptiness within and around it. The image is a study in material contrast: the solid, historical wealth of the frame against the ephemeral, immaterial concept of the void.
The central interpretation of this piece, titled "Nothingness," hinges on the tension between presentation and content. The empty frame is a powerful symbol of the limits of art and representation itself. Traditionally, the frame elevates and sanctifies whatever it contains; here, the frame's historical and material richness (Baroque opulence suggesting a masterwork) is deployed to showcase a deliberate absence. This paradox invites the viewer to fill the void, turning the act of viewing into an act of creation or contemplation. The "nothingness" is not merely blankness but a pregnant void - a space of unlimited potential or, conversely, a profound reflection on loss, transience, and the ultimate futility of material wealth to contain or define true meaning.
Furthermore, as an AI-generated piece of art, "Nothingness" offers a contemporary critique of the very medium. The AI, an entity designed to generate content based on vast amounts of data, has produced an image whose primary subject is the absence of content. This acts as a conceptual mirror, asking if the machine's "soul" or "intention" is the empty space, or if the opulence of the frame represents the machine's own elaborate computational power used to create... nothing. The piece challenges the viewer's expectations about what an AI should create, embracing the philosophical concepts of the void (Sunyata in Buddhism, the "Nothing" in existentialism) within a meticulously rendered digital space. It is a visually arresting meditation on absence, value, and the boundary between what is defined as "art" and what is merely a container.
had some fun, trying to strum my rhythm guitar to that Gypsy swing quartet - I met them in the railway before - they had in their repertoire for example BONNIE & CLYDE - like me too ...
Screenshot of the existential tragi-comedy Woodpecker. Directed by Alex Karpovsky and starring Jon Hyrns.
behind the curtain lurked the rest of the music schwag bags. I'm guessing there were at least 8000 of them.
020502 Something unrelated occurred that changed my life.
020512 I completed something that will change my life.
Thank you Irvine.
Thank you Mortal Kombat. (That won't even make sense to ___)
Thank you Existentialism.
42.
She told me "A bit of madness is key To give us new colors to see Who knows where it will lead us? And that's why they need us" So bring on the rebels The ripples from pebbles The painters, and poets, and plays And here's to the fools who dream Crazy as they may seem Here's to the hearts that break Here's to the mess we make - The Fools Who Dream (from La La Land) For more, follow The Existentialist on Facebook. Tags: #existential, #existentialist, #existentialism, #life, #lifelessons, #lifehacks, #poetsofinstagram, #poet, #dream, #dreams, #dreamer, #poetry, #lalaland, #ryangosling, #emmastone, #poetrycommunity, #artist, #madness, #crazy, #wordporn, #wordgasm, #writer, #writerscommunity, #writersofinstagram, #writers, #poem, #poems, #poemsporn, #lifequotes, #rebel.. Check out this post on Instagram! ift.tt/2tWWA5P.