View allAll Photos Tagged existential
The existential zoo is a retreat for those who believe that it is time to abandon LA. They have a fear of traffic lights always looking to the left and the right. Look at that man trapped in his car on a journey to some distant star. Look at that man falling out of the sky. Maybe he thinks that he can fly. There's a candle in front of wilted flowers and a picture of a dead Mexican kid. Let us use this dim light to disciver all the tragedies that have been hid. Walking alone under empty blue skies I don't like the way the land seems to lie. It's tilted a little to one side.
Tales of Amnesia - an American comic book playing out existential Indian drama. A series of 21 prints.
the photograph shows just a detail of the full image.
- my photographs are far from perfect. I could not avoid the reflections in the framed images... still, it is a miracle that Saatchi allows freely to photograph the exhibits. I love this place. It's very hip, free, there are no silly attendants harassing you, no ropes in front of exhibits, no bariers (the walls have no skirtings too) and they are not afraid of submerging one of the rooms with the used sump oil!
A set inspired by Sartre's existential conclusion that the consequence of God's nonexistence leads to an ongoing experience of anguish, forlornness, and despair.
Panasonic Lumix DMC-GF1
Panasonic Lumix G Vario 20mm/1.7
1/50 sec. at f/13, ISO 160
April 2011
Puscifer
at The Greek Theatre
Los Angeles, CA
June 12, 2022
All photos © Kaley Nelson Photography - www.KaleyNelson.com
Not the greatest photo I've ever taken, but not the worst. It was a struggle to produce something today, I had a bad night last night and I don't feel that great today.
I think I might have had enough of Derby, it's feeling less and less like home, and more like a place just full of bad memories.
Thanks to you lovely people that were attempting to cheer me up last night, you did and you're awesome. You know who you are x
"This painting represents the existential clamor of a creature that sits in the middle of the picture. In that world three eclipses are curiously manifested in a chaotic environment, where the biodiversity of strange creatures abounds, coexisting in disorder, thus unleashing a violent scenario for the main character of the work. He exclaims to heaven by opening his six fingers, as an existential gesture. That expression also symbolizes the absolute horror of that reality that surrounds him. But unaware, beneath that creature, a giant animal emerges from the depths of the ocean to devour it completely. The artist was inspired to see at dawn the stars and the horizon of the sea."
Title: The Existentialist
Artist: Giancarlo Ponce
"Since the business of living has so many barbs in it, and since so many of our friends are liars or fools or inarticulate or emotionally blunt or are sucking on us for what they imagine we can give though we can't, it is pure joy to read the poems of the truth-sayers, the simple singers, the masters of prayer and devotion, and the crazed, wise, babblers of Ecstasy, the High-Mind Singers to no end."
- Lew Welch
Language Is Speech
Lew Welch: How I Work As a Poet & Other Essays
Torturing Nurse: noise heroes from Shanghai, submitted “Jata Freak,” an eight-minute track that finds them… shit, I dunno, flushing a toilet? Watching fireworks? Bowling? Riding bumper cars? Playing air hockey? Can’t really tell, but it does eventually explode into harsh noise and tape manipulation. D//Cereghini just owns. The first of many D//Cereghini releases on EXISTENTIAL DREAD, I hope.
For ordering/trading information, please email hamburgertapes [at] gmail.com.
Another shot from the flickr walk I took in the library with my friends jerkytourniquet and kelchatorsch.
Taken by Cory Funk.
Art and Technology Exhibition, Updating World... May 31 - June 1, Hopkins Hall, Ohio State University.
12:00 pm - 12:50 pm
Hotel Jerome Ballroom
Tristan Harris
Interviewer: Charles Duhigg
Property of the Aspen Institute / Photo Credit: Ian Wagreich
12:00 pm - 12:50 pm
Hotel Jerome Ballroom
Tristan Harris
Interviewer: Charles Duhigg
Property of the Aspen Institute / Photo Credit: Ian Wagreich