View allAll Photos Tagged existential
Irresitible attraction between Mr. and Mrs. Dinaz! (Sorry, inside joke with Mr. Mole. See the dancing skeletons.)
Neal Kharawala
Finally, it’s October! My favorite month for busting out some thick turtlenecks, wool socks, scary movies!!, and for having epic existential meltdowns over almost everything.
I’ve been really looking forward to this fall because the next season of Stranger Things is being... - #Stories
quotesstory.com/stories/the-spookiest-thing-coming-out-th...
la tristeza existencial del androide
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existential sadness android¡¡
Oh my God!!! (An existential moment).
It looks isolated here, but it is actually mid-morning and there were cabins and houses all over the place. About a dozen people drove by and ignored me. lol
I am sorry that I did not think to take a picture of myself in the scene- I guess I have not matured that much.
Progetto Arcevia 2.0/12
In 1972, Italo Bartoletti initiated Progetto Arcevia, a vision of an existential community which simultaneously enriched the local community of Palazzo d’Arcevia (Italy) while at the same time providing a site for creatives – artists, philosophers, architects – to come together and collaborate.
40 years later, Bartoletti’s vision has been embraced by a group of young London-based designers, Unit +. In September 2012, five members of Unit + journeyed to Riserva Privata San Settimio, the very site that Bartoletti first cultivated for Progetto Arcevia, and which is still owned by his family today. Using experiential and live mapping techniques across a range of different media (conceptual documentaries, sketches, models and a fairy tale inspired comic book), Unit + explored, documented and analysed their impressions of the site.
Through their dynamic engagement with all aspects of the Riserva, they experimented with colour-coded navigation systems, a proposal for a ‘floating’ meditation room and a towering sundial. Through the support and enthusiasm of Bartoletti’s family and the Riserva, Unit + will return in Spring 2013 to initiate these projects.
Crucial to Progetto Arcevia 2.0/12 is the fact that the fundamental ideals remain the same; Unit + are committed to operating as “a thought factory and creativity lab”, a team that values collaboration and cooperation. Their work at the Riserva in 2013 represents not only a continuation of one man’s vision, but the revitalisation of concepts that are intrinsic to collaborative design.
we all face such existential dilemmas, no?
why are we here on this earth?
beyond everything. beyond your dreams, hopes and romantic aspirations, why are we all striving up and away from the valley of ashes?
there is no answer.
June 29, 2017 - Aspen, Colorado, USA: Aspen Institute Ideas Festival:
438 - Pandemics and the Existential Threat to Global Security (Priority)
Ron Klain, Lisa Monaco, Nancy Sullivan
Moderator: Tommy Vietor
St. Regis Hotel Ballroom
5:30 - 6:30 pm
Photo by Ian Wagreich
June 29, 2017 - Aspen, Colorado, USA: Aspen Institute Ideas Festival:
438 - Pandemics and the Existential Threat to Global Security (Priority)
Ron Klain, Lisa Monaco, Nancy Sullivan
Moderator: Tommy Vietor
St. Regis Hotel Ballroom
5:30 - 6:30 pm
Photo by Ian Wagreich
Walking on foot brings you down to the very stark, naked core of existence. We travel too much in airplanes and cars. It’s an existential quality that we are losing. It’s almost like a credo of religion that we should walk.
There is, of course, something inherently romantic—if not heroic—about the extreme solitary explorer enveloped by nature. The very image of Herzog on foot recalls the iconic 19th-century paintings of Caspar David Friedrich, especially his Wanderer Above the Sea of Fog, with its lone figure staring out at the wide vista above the clouds.
'Truth itself wanders through the forests,' Herzog writes near the end. Yet here he embroiders his memories for effect: The vast swath of geography between Munich and Paris is littered with industrial towns and cities.
Once he comes out on the other end, traversing the deforested Champs-Élysées (“We were close to what they call the breath of danger”), Herzog emerges victorious.
― Of Walking in Ice: (Munich-Paris, 23 November–14 December 1974)
by Werner Herzog
Early 21st century angst is troubling Olly's consciousness. Deep in his Trauffaut phase, Olly contemplates sparse minimalism and his own debilitating self-awareness of rejection. What is good in the world? Rawhide? A soft bed? Cat shit on a city sidewalk? Nothing, nothing.
Thank you, Liz! Our beautiful cranes came finally -- truly snail mail. sometimes it takes a little longer for things to get to certain parts of Montana. I love them both. it was difficult to tell which one was for me and which was Tim's -- but we settled on the orange for me, the red for Tim.
Here, my crane is contemplating the idea of Peace ... contemplating how peace might have manifested in it's own life, now that it has landed in Montana ... in the Rocky Mountains, where snow muffles loud jarring sounds, even in March .... contemplating how peace might show up in the near future, now that it has landed right smack dab in the middle of the migratory flyway - amidst snow geese, sandhill cranes, raptors and songbirds -- a huge highway of song, lust, deep color and wide, ribbon-like peace.
She -- this orange creature of angles and flexibility -- believes in peace. Believes peace is possible. Very possible. Even likely. Maybe that makes her an idealist. Maybe that makes her a dreamer. She has heard of dreams coming true ...
This series of paper crane images are for Liz's (Eshu's) amazing Paper Crane Project. Please check it out -- it's going to be something even more wonderful as more and more people receive their cranes, made by Liz, and share what their cranes are doing once out of the package!
Mysticism is a perceptional enquiry of experiencing that which is existentially true. Intellectual enquiry is a psychological exercise, could be unrelated to the existential. -Sg #MysticEye
@HuluTheaterMSG
Puscifer
at The Greek Theatre
Los Angeles, CA
June 12, 2022
All photos © Kaley Nelson Photography - www.KaleyNelson.com
When I am in a bad mood, all I see is crap... what is this??
How could that ever be even remotely funny?
Or is it all in my head? ;p
East 4th and Lafayette (old Tower Records building)
Three Peacocks -- God on the Ground
By: Stephen W. Simpson, Ph.D.
www.divinecaroline.com/article/22196/48183-peacocks--god-...
I freak out three or four times a year. It’s so consistent that I refer to it as my Quarterly Early Midlife Existential Panic Attack (QEMEPA). I wake up one morning and think, “Where is my life going? Why am I not making more money by now? How am I going to put quadruplets through college? My work makes me happy, but is this what I’m supposed to be doing? Can I make more money and still be happy? Have my pants shrunk or is it me?” These episodes last for about a week, leading to reckless behavior. I start exploring new career opportunities with wild abandon. I listen to get-rich-quick infomercials for a full thirty seconds before changing the channel. I eat and drink too much and sleep too little. I have grandiose visions of wealth and success one minute, then see portents of poverty and despair the next. My latest QEMEPA was more resilient than most. It lasted over two weeks with no end in sight. It was so bad that I hit the Prayer Panic Button.
While I was driving to work, I begged God to do something that would make me feel better right away. Of course, I don’t think God really works that way. I believe that God does stuff on God’s time, and it’s usually not a good idea to rush him. “God,” I said. “I really don’t need much. Just—”
I saw something blocking my path. It was so out of place that it took my brain a few seconds to figure out what my eyes were seeing. In the middle of the sidewalk stood three peacocks, standing in a line across my path, about six inches apart from each other.
I slowed to a walk. They remained still as I approached, watching me in all their green and blue glory. I stepped aside and passed them on the grass. Their heads pivoted in unison me, observing me as I passed. They didn’t seem frightened or even curious. It was as if they were saying, “You see us and we see you. Satisfied?”
I started running again as a smile spread across my face. Then it turned into a chuckle. Then I was laughing so hard that I had to stop running. I felt both overjoyed and silly for forgetting something very important: God is an artist.
If you’re like me, you want direct answers from God. You want problems solved fast. Sometimes that’s what we need and God is gracious enough provide it. But I think he prefers to paint us a picture. He shows off just a little bit of his love and power to calm us down. By sending those three peacocks into my path, God gave me all the reassurance that I needed. He told me, “I’m here. I love you. That’s all you need to know.”
Nowadays, trusting God is more important than ever. A lot of scary things are happening in the world. In times like these, it’s easy to get annoyed with God. “Are you asleep at the wheel, Lord?” we want to shout. “How about a little help down here?” That’s when we have to start looking for peacocks. We have to work harder to find God’s artistry in the world and trust that he’s in charge and he has a plan. And when we don’t get our peacocks, maybe God’s waiting for us to take responsibility and work harder for change.