View allAll Photos Tagged existential
CLONELY
Tuesday 25 July and Wednesday 26 July at 9pm, £5.
King’s Arms Studio, 11 Bloom Street, Salford M3 6AN.
CLONELY is an adventure in existential sci-fi crisis. A blend of bullsh*t arthouse theatre with the best of sci-fi cinema, but on stage and with DIY props. Expect lo-fi aesthetics, an awkward five minute docking scene, and long monologues about how dark and bleak space life is. Are you scared of dying aclone?
Presented by Charlie Hammond and Jasmine Chatfield.
Sci-fi, performance, art, theatre.
Book tickets via www.greatermanchesterfringe.co.uk
Interview with Charlie by Andrew Riley and Aleksandra Todorova: youtu.be/xwumviEnCEw
Photograph Shay Rowan
June 29, 2017 - Aspen, Colorado, USA: Aspen Institute Ideas Festival:
438 - Pandemics and the Existential Threat to Global Security (Priority)
Ron Klain, Lisa Monaco, Nancy Sullivan
Moderator: Tommy Vietor
St. Regis Hotel Ballroom
5:30 - 6:30 pm
Photo by Ian Wagreich
An experimental surrealist film which explores the themes of sexuality, identity, psychology and existence. Following a young man's metamorphoses from complete lack of personality through a phase of gender confusion and a burst of mental activity and the settling of the mind which forms into something completely different from the exterior self only to witter.
With this project I was inspired both by the possibility of challenging myself technically with the task of connecting different images and forms (animation, acting and still images) with symbolic meaning and by a conjunction of modern popular culture (queer cinema, art cinema, sexual liberation, etc) with psychological and existential issues (how do we become who we are and who are we really).
A set inspired by Sartre's existential conclusion that the consequence of God's nonexistence leads to an ongoing experience of anguish, forlornness, and despair.
Panasonic Lumix DMC-GF1
Panasonic Lumix G Vario 20mm/1.7
1/1600 sec. at f/1.7, ISO 100
April 2011
Photography by Shay Rowan at the first performance.
Come for the music, stay for the existential crisis.
"As irreverent as it is poignant" (Australian Arts Review), this classical cello recital plays out like a piece of performance art run by a masterly jester blurring artistry, humanity, and insanity. Featuring Suite Number One in G Major by JS Bach and personal comedic pieces crafted in Idiot classes, Karen fuses in a healthy dose of pathos tackling identity, expectations, and success through the eyes of a fool.
Winner - Tour Ready Award San Diego Fringe
Winner - Best of the Broadwater encore at Hollywood Fringe
Winner - Weekly Judges Pick in Spoken Word and Storytelling at Sydney Fringe
Nominee - Best Overall in Spoken Word and Storytelling at Sydney Fringe
Top Ten Theatre pick by Stage Raw Los Angeles
★★★★ - Sydney Arts Guide
★★★★ "comic timing as impeccable as her playing" Everything Theatre UK, London
★★★★ - The Alternative Gig Guide, Melbourne
SOLD OUT Run at Vancouver Fringe
Tickets greatermanchesterfringe.co.uk/events/delusions-and-grandeur/
June 29, 2017 - Aspen, Colorado, USA: Aspen Institute Ideas Festival:
438 - Pandemics and the Existential Threat to Global Security (Priority)
Ron Klain, Lisa Monaco, Nancy Sullivan
Moderator: Tommy Vietor
St. Regis Hotel Ballroom
5:30 - 6:30 pm
Photo by Ian Wagreich
June 29, 2017 - Aspen, Colorado, USA: Aspen Institute Ideas Festival:
438 - Pandemics and the Existential Threat to Global Security (Priority)
Ron Klain, Lisa Monaco, Nancy Sullivan
Moderator: Tommy Vietor
St. Regis Hotel Ballroom
5:30 - 6:30 pm
Photo by Ian Wagreich
this colour of christmas light makes my eyes blur in specific fashion-- everything else stays in focus, while tiny holes of confusion are created. is it related to colourblindness ? is this faulty wiring inside me ? no, the fact of the matter is it's the colour of infinity and my brain can simply not allow itself to comprehend the awestriking beauty directly. thanks be to the small mercies. i dreamed once that i was dying under a tree with a number of these lights hanging from it while the music on my headphones started to wind down like when your batteries start running out in your walkman... you kids probably don't even know what a walkman is though. i wrote this when i woke up
The world spun with the force of the blow
And my retinal memory contained only
Blue Christmas lights on a thick wire
hanging lazy and low like a pig over a fire
My mind grants one final betrayal
With a thick slur of dying:
A smeared memory of beauty
Lit by Christmas lights hanging like leaves in July
I will spend forever dwelling in history
As life and death blur by.
Is this too easy? It was such a perfect evening, the clouds, the temperature and the light were all cooperating.
June 29, 2017 - Aspen, Colorado, USA: Aspen Institute Ideas Festival:
438 - Pandemics and the Existential Threat to Global Security (Priority)
Ron Klain, Lisa Monaco, Nancy Sullivan
Moderator: Tommy Vietor
St. Regis Hotel Ballroom
5:30 - 6:30 pm
Photo by Ian Wagreich
The Summer 2014 issue of California strove to balance genuine existential threats against other, more far-fetched fears. The giant squid was a shoe-in to represent our less-deserving worries, and having it attack the iconic campus bell tower was perfect for the University of California, Berkeley alumni magazine. To capture the squid, Design Director Michiko Toki wanted an epic style—like a disaster movie, but still beautiful—with a hint of ukiyo-e paintings, and a style contemporary, if not downright futuristic. New Zealand-born illustrator Andrew Archer, who lives in Australia, had exactly the style she was looking for.
June 29, 2017 - Aspen, Colorado, USA: Aspen Institute Ideas Festival:
438 - Pandemics and the Existential Threat to Global Security (Priority)
Ron Klain, Lisa Monaco, Nancy Sullivan
Moderator: Tommy Vietor
St. Regis Hotel Ballroom
5:30 - 6:30 pm
Photo by Ian Wagreich
June 29, 2017 - Aspen, Colorado, USA: Aspen Institute Ideas Festival:
438 - Pandemics and the Existential Threat to Global Security (Priority)
Ron Klain, Lisa Monaco, Nancy Sullivan
Moderator: Tommy Vietor
St. Regis Hotel Ballroom
5:30 - 6:30 pm
Photo by Ian Wagreich
2012 Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York City
Irresitible attraction between Mr. and Mrs. Dinaz! (Sorry, inside joke with Mr. Mole. See the dancing skeletons.)
Neal Kharawala
Finally, it’s October! My favorite month for busting out some thick turtlenecks, wool socks, scary movies!!, and for having epic existential meltdowns over almost everything.
I’ve been really looking forward to this fall because the next season of Stranger Things is being... - #Stories
quotesstory.com/stories/the-spookiest-thing-coming-out-th...
la tristeza existencial del androide
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existential sadness android¡¡
Progetto Arcevia 2.0/12
In 1972, Italo Bartoletti initiated Progetto Arcevia, a vision of an existential community which simultaneously enriched the local community of Palazzo d’Arcevia (Italy) while at the same time providing a site for creatives – artists, philosophers, architects – to come together and collaborate.
40 years later, Bartoletti’s vision has been embraced by a group of young London-based designers, Unit +. In September 2012, five members of Unit + journeyed to Riserva Privata San Settimio, the very site that Bartoletti first cultivated for Progetto Arcevia, and which is still owned by his family today. Using experiential and live mapping techniques across a range of different media (conceptual documentaries, sketches, models and a fairy tale inspired comic book), Unit + explored, documented and analysed their impressions of the site.
Through their dynamic engagement with all aspects of the Riserva, they experimented with colour-coded navigation systems, a proposal for a ‘floating’ meditation room and a towering sundial. Through the support and enthusiasm of Bartoletti’s family and the Riserva, Unit + will return in Spring 2013 to initiate these projects.
Crucial to Progetto Arcevia 2.0/12 is the fact that the fundamental ideals remain the same; Unit + are committed to operating as “a thought factory and creativity lab”, a team that values collaboration and cooperation. Their work at the Riserva in 2013 represents not only a continuation of one man’s vision, but the revitalisation of concepts that are intrinsic to collaborative design.