View allAll Photos Tagged existential
As it says on the Photographer's Gallery site:
In the period following World War I, a curious attraction appeared at fairgrounds: the photographic shooting gallery. If the punter’s bullet hit the centre of the target, this triggered a camera. Instead of winning a balloon or toy, the participant would win a snapshot of him or herself in the act of shooting.
The exhibition included a replica of this fairground setup where - for an additional fiver - you got a print inserted into the target you'd shot at (if you hit the bull's eye with one of your four pellets). Took me two goes, one lunchtime in December. A worryingly satisfying thing to be able to do.
(Not sure why I've had a hiatus in posting stuff, but I hope to start wading through the backlog any day now.)
👑 Senses : 👀 Vision 👆 To Touch 💃 Proprioception 👂 Hearing Equilibrioception 👃 Smell ♨️ Thermoception 👅 Taste
⚡ Intelligences : ️ Spatial Intelligence
⛹️ Kinesthetic Body Intelligence
👨👩👧👦 Interpersonal Intelligence
🌲 Ecologicalist Naturalist Intelligence
️ Verbal-linguistic
🔭 Existential Intelligence
📋 WHAT :
️ eXploration / Corsica - Corse (South)
🌟 Corsica - Corse (South)
💫 United States of America/America World
🌌 City/Nature Galaxy
✨ eXploration Universe (️)
📝 Type : Ground eXploration
🎨 Style : eXploration Corsica - Corse (South)
🔊 Language : International (🇬🇧 description in English, but comprehensible by the whole world)
️ You can use your playlists as filters, to find what you're looking for exactly : www.youtube.com/channel/UCpvj7oecmX3AsJT6R0JP2pQ/playlists?
⚠ The items are sorted by the most appropriate categories. But can not be completely exhaustive on social networks. You can use our site or our application. If you want total exhaustiveness and much more.
📏 HOW MUCH :
👑 8 Senses
⚡ 6 Intelligences
WHO :
️ Picture by LG
📡 Posted by LG
📼 Video made by LG (Windows Movie Maker 2017)
© Etoile Copyright
⚠ The description may no longer be up to date. Due to human discoveries and improvements. Pay attention to the date of publication and creation. Even works of art suffer the outrages of time
❓ WHY : eXplore South Corsica (Le sud de la Corse)
📍 WHERE : South Corsica (Le sud de la Corse) (🇫🇷France)
🕓 WHEN : July 2017
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👑 Senses : 👀 Vision 👆 To Touch 💃 Proprioception 👂 Hearing Equilibrioception 👃 Smell ♨️ Thermoception 👅 Taste
⚡ Intelligences : ️ Spatial Intelligence
⛹️ Kinesthetic Body Intelligence
👨👩👧👦 Interpersonal Intelligence
🌲 Ecologicalist Naturalist Intelligence
️ Verbal-linguistic
🔭 Existential Intelligence
📋 WHAT :
️ eXploration (1) West Coast {USA}
🌟 West Coast {USA}
💫 United States of America/America World
🌌 City/Nature Galaxy
✨ eXploration Universe (️)
📝 Type : Ground eXploration
🎨 Style : eXploration of the west coast of the united states
🔊 Language : International (🇬🇧 description in English, but comprehensible by the whole world)
️ You can use your playlists as filters, to find what you're looking for exactly : www.youtube.com/channel/UCpvj7oecmX3AsJT6R0JP2pQ/playlists?
⚠ The items are sorted by the most appropriate categories. But can not be completely exhaustive on social networks. You can use our site or our application. If you want total exhaustiveness and much more.
📏 HOW MUCH :
👑 8 Senses
⚡ 6 Intelligences
WHO :
🎥 Filmed by LG
📡 Posted by LG
📼 Video made by LG (Windows Movie Maker 2017)
© Etoile Copyright
⚠ The description may no longer be up to date. Due to human discoveries and improvements. Pay attention to the date of publication and creation. Even works of art suffer the outrages of time
❓ WHY : To eXplore the west coast of the united states
📍 WHERE : West Coast (🇺🇸 United States of America)
🕓 WHEN : 12 June 2011
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A book that I bought from the discarded stack of the library. Someone had torn out several pages and I got it for a euro.
= = = = =
Who am land where do I come from? And how
do people construct and transform their identity.
Igor Sevcuk's films try to answer these and similar
existential questions. Ten years ago he fled to the
Netherlands from Bosnia. He may be a stranger
here, but even in his homeland, Sevcuk feit alien.
His forebears we re from the Ukraine. Sevcuk's
grandmother was imbued in the culture of her
parents and although none of his family has even
been to the Ukraine, everyone knew what it
means to be Ukrainian.
During the period spent working for the Prix de
Rome, Sevcuk returned to his birthplace in Bosnia.
He filmed his parents' house and the environment
he grew up in. In the film, we meet his grandmother,
singing a song in an unknown language in the living
room. "Language is all to do with identity", says
Sevcuk. "My film is about a language that is almost
never used and that symbolises a distant, elusive
originality. The film shows how the language
gradually loses its meaning."
Igor Sevcuk's films are typified by an al most
documentary style. He lets the camera glide
through the interior of the flat, pausing at
interesting details. Dialogues are interspersed
with atmospheric impressions of the landscape.
His rough filming style leaves room for viewers'
own interpretations. Sevcuk takes you into his
world but deliberately avoids telling finished
stories. "Someone's memories have no clear
beginning or end. This film is about more than just
my own family history. I've also tried to touch on
universal issues surrounding identity."
In many ways, Igor Sevcuk is a painter. He only
started experimenting with moving images a few
years ago. But he never completely forgets his
background as apainter. Sevcuk has an eye for
balanced compositions and unusual perspectives.
Both in his films and his paintings, there is little
use of colour. Sevcuk: "I love the dramatic con-
trasts and raw aesthetic of black and white
images. Colours are anecdotal and, in my opinion,
unnecessary because they don't play an important
role in memories."
The probing and personal way in which Igor
Sevcuk portraits his family's everyday life is
reminiscent of the work of the English artist
Richard Billingham. His rudimentary filming style
closely parallels he style of Dogma films like Festen
and The ldiots. Sometimes the images are jolting
or poorly lit. "I deliberately choose a primitive
filming and editing style", explains Sevcuk. 'Tm
not interesting in making glossy images. The most
important thing is to communicate a feeling."
The poetic visuallanguage af Sevcuks' film is
much appreeiated by the jury. The ertist preîers bis
own pure, personet filming style io editing and
shooiinç conventlans. The members af the jury are
impressed by his exptoreiion af the theme af
identity in layered images. His work is sensiiive,
weil thouçht-oui, and demands etiention: the [ilm's
rich symbolism is camplex and nat easily deciphered.
The jury awards Igor Sevcuk the [irst prize af twenty
thausand euros.
👑 Senses : 👀 Vision 👆 To Touch 💃 Proprioception 👂 Hearing Equilibrioception 👃 Smell ♨️ Thermoception 👅 Taste
⚡ Intelligences : ️ Spatial Intelligence
⛹️ Kinesthetic Body Intelligence
👨👩👧👦 Interpersonal Intelligence
🌲 Ecologicalist Naturalist Intelligence
️ Verbal-linguistic
🔭 Existential Intelligence
📋 WHAT :
️ eXploration / Corsica - Corse (South)
🌟 Corsica - Corse (South)
💫 United States of America/America World
🌌 City/Nature Galaxy
✨ eXploration Universe (️)
📝 Type : Ground eXploration
🎨 Style : eXploration Corsica - Corse (South)
🔊 Language : International (🇬🇧 description in English, but comprehensible by the whole world)
️ You can use your playlists as filters, to find what you're looking for exactly : www.youtube.com/channel/UCpvj7oecmX3AsJT6R0JP2pQ/playlists?
⚠ The items are sorted by the most appropriate categories. But can not be completely exhaustive on social networks. You can use our site or our application. If you want total exhaustiveness and much more.
📏 HOW MUCH :
👑 8 Senses
⚡ 6 Intelligences
WHO :
️ Picture by LG
📡 Posted by LG
📼 Video made by LG (Windows Movie Maker 2017)
© Etoile Copyright
⚠ The description may no longer be up to date. Due to human discoveries and improvements. Pay attention to the date of publication and creation. Even works of art suffer the outrages of time
❓ WHY : eXplore South Corsica (Le sud de la Corse)
📍 WHERE : South Corsica (Le sud de la Corse) (🇫🇷France)
🕓 WHEN : July 2017
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A cactus wren considers the meaning of his existence in a harsh desert environment. Is it only about survival?
Check out my book. There's a preview available.
Helling Mill a... Desert Views in the... By Jack Haskell Book Preview
APRIL 13, 2023 WASHINGTON DC. WORLD BANK GROUP/ INTERNATIONAL MONETARY FUND 2023 SPRING MEETINGS.
Accelerating Development in an Age of Global Crisis
The existential threat of climate change, impacts of the COVID-19 pandemic, the Russian invasion of Ukraine, persistent high inflation and increased fragility have injected volatility and uncertainty into the global economy – a reality that may continue for a while. The panel of speakers explore central questions around what it will take to address some of the most critical issues of our time including climate change, food insecurity, pandemics, and increasing fragility and poverty.
Axel van Trotsenburg, Senior Managing Director, Development Policy and Partnerships, World Bank Group; Amina Mohammed, Deputy Secretary-General, United Nations; José Antonio Ocampo, Minister of Finance and Public Credit, Colombia; Leila Benali, Minister of Energy Transition and Sustainable Development, Morocco; Ahmed Ogwell Ouma, Acting Director, Africa Centres for Disease Control and Prevention (CDC); Daniel Zelikow, Chair of the Governing Board, Development Finance Institution, J.P. Morgan. Photo: World Bank / Simone D. McCourtie
👑 Senses : 👀 Vision 👆 To Touch 💃 Proprioception 👂 Hearing Equilibrioception 👃 Smell ♨️ Thermoception 👅 Taste
⚡ Intelligences : ️ Spatial Intelligence
⛹️ Kinesthetic Body Intelligence
👨👩👧👦 Interpersonal Intelligence
🌲 Ecologicalist Naturalist Intelligence
️ Verbal-linguistic
🔭 Existential Intelligence
📋 WHAT :
️ eXploration / Corsica - Corse (South)
🌟 Corsica - Corse (South)
💫 United States of America/America World
🌌 City/Nature Galaxy
✨ eXploration Universe (️)
📝 Type : Ground eXploration
🎨 Style : eXploration Corsica - Corse (South)
🔊 Language : International (🇬🇧 description in English, but comprehensible by the whole world)
️ You can use your playlists as filters, to find what you're looking for exactly : www.youtube.com/channel/UCpvj7oecmX3AsJT6R0JP2pQ/playlists?
⚠ The items are sorted by the most appropriate categories. But can not be completely exhaustive on social networks. You can use our site or our application. If you want total exhaustiveness and much more.
📏 HOW MUCH :
👑 8 Senses
⚡ 6 Intelligences
WHO :
️ Picture by LG
📡 Posted by LG
📼 Video made by LG (Windows Movie Maker 2017)
© Etoile Copyright
⚠ The description may no longer be up to date. Due to human discoveries and improvements. Pay attention to the date of publication and creation. Even works of art suffer the outrages of time
❓ WHY : eXplore South Corsica (Le sud de la Corse)
📍 WHERE : South Corsica (Le sud de la Corse) (🇫🇷France)
🕓 WHEN : July 2017
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Pride and Prejudice: on Raphael Perez's Artwork
Raphael Perez, born in 1965, studied art at the College of Visual Arts in Beer Sheva, and from 1995 has been living and working in his studio in Tel Aviv. Today Perez plays an important role in actively promoting the LGBT (lesbian, gay, bisexual and transsexual) art and culture in Tel Aviv, and the internet portal he set up helps artists from the community reach large audiences in Israel and abroad. Hundreds of his artworks are part of private collections in Israel and abroad, and his artworks were shown in several group exhibitions: in Tel Aviv Museum of Art, "Zman Le'Omanut" art gallery, Camera Obscura, The Open House in Jerusalem, Ophir Gallery, The Haifa Forum and other private businesses and galleries.
In 2003-4 his paintings and studio appeared in a full-length movie, three student films and two graduation films.
Raphael Perez is the first Israeli artist to express his lifestyle as a Gay. His life and the life of the LGBT community are connected and unfold over hundreds of artwork pieces. His art creation is rare and extraordinary by every Israeli and international artistic standard. His sources of inspiration are first and foremost life events intertwined in Jewish and Israeli locality as well as influences and quotes from art history (David Hockney, Matisse). This uniqueness has crossed international borders and has succeeded in moving the LGBT and art communities around the world.
This is the first time we meet an Israeli artist who expresses all of his emotions in a previously unknown strength. The subjects of the paintings are the everyday life of couples in everyday places and situations, along with the aspiration to a homosexual relationship and family, equality and public recognition. Perez's works bring forward to the cultural space and to the public discourse the truth about living as LGBT and about relationships, with all of their aspects – casual relationships and sex, the yearning for love, the everyday life and the mundane activities that exist in every romantic relationship – whether by describing two men in an intimate scene in the bathroom, the bedroom or the toilet, a male couple raising a baby or the homosexual version of the Garden of Eden, family dinners, relationship ups and downs, the complexity in sharing a life as well as mundane, everyday life competing with the aspiration to self realization – through Perez's life.
Perez's first artworks are personal diaries, which he creates at 14 years of age. He makes sure to hide these diaries, as in them he keeps a personal journal describing his life events in the most genuine way. In these journals he draws thousands of drawings and sketches, next to which he alternately writes and erases his so-called "problematic texts", texts describing his struggle with his sexual orientation. His diaries are filled with obsessive cataloging of details, daily actions, friends and work, as well as repeating themes, such as thoughts, exhibits he has seen, movies, television, books and review of his work.
When he is done writing, Perez draws on his diaries. Each layer is done from beginning to end all along the journal. In fact, the work on the diaries never ends.
This struggle never ends, and when the emotion is passed on to paper, and it ends its role and becomes meaningless in a way, the visual-graphic side becomes dominant, due to the need to hide the written text, according to Perez. In books and diaries this stands out even more – when he chooses to draw in a style influenced by children's drawings, the characters are cheerful, happy, naïve and do not portray any sexuality, and when he tries drawing as an adult the sketches became more depressed and somber. During these years Perez works with preschool children, teaching them drawing and movement games. Perez says that during this period he completely abandoned the search for a relationship, either with a woman or a man, and working with children has given him existential meaning. This creation continues over 10 years, and Perez creates about 60 books-personal journals in various sizes (notepads, old notebooks, atlases and even old art books).
In his early paintings (1998-1999) the transition from relationships with women to relationships with men can be seen, from restraint to emotional outburst in color, lines and composition. Some characters display strong emotional expression. The women are usually drawn in restraint and passiveness, while a happy and loving emotional outburst is expressed in the colors and style of the male paintings.
"I fantasized that in a relationship with a woman I could fly in the sky, love, fly. However, I felt I was hiding something; I was choked up, hidden behind a mask, as if there was an internal scream wanting to come out. I was frustrated, I felt threatened…"
His first romance with a man in 1999 has drawn out a series of naïve paintings dealing with love and the excitement of performing everyday actions together in the intimate domestic environment.
"The excitement from each everyday experience of doing things together and the togetherness was great, so I painted every possible thing I liked doing with him."
From the moment the self-oppression and repression stopped, Perez started the process of healing, which was expressed in a burst of artworks, enormous in their size, amount, content and vivid colors – red, pink and white.
In 2000 Perez starts painting the huge artworks describing the hangouts of the LGBT community (The Lake, The Pool) and the Tel Avivian balcony paintings describing the masculine world, which, according to him, becomes existent thanks to the painting. Perez has dedicated this year to many series of drawings and paintings of the experience of love, in which he describes his first love for his new partner, and during these months he paints from morning to night. These paintings are the fruit of a long dialogue with David Hockney, and the similarity can be seen both in subjects and in different gestures.
In 2001 Perez creates a series of artworks, "Portraits from The Community". Perez describes in large, photorealistic paintings over 20 portraits of active and well-known members of the LGBT community. The emphasis is on the achievements that reflect the community's strong standing in Tel Aviv.
As a Tel-Avivian painter, in the past two years Perez has been painting urban landscapes of central locations in his city. Perez wanders around the city and chooses familiar architectural and geographical landmarks, commerce and recreation, and historical sites, and paints them from a homosexual point of view, decorated with the rainbow flag, which provide a sense of belonging to the place. His artworks are characterized by a cheerful joie de vivre and colors, and they also describe encounters and meetings. The touristic nature of his paintings makes them a declaration of Tel Aviv's image as a place where cultural freedom prevails.
Perez's Tel Aviv is a city where young families and couples live and fill the streets, the parks, the beach, the houses and the balconies – all the city's spaces. The characters in his paintings are similar, which helps reinforcing the belonging to the LGBT community in Tel Aviv. The collective theme in Perez's artwork interacts with the work of the Israeli artist Yohanan Simon, who dealt with the social aspects of the Kibbutz. Simon, who lived and worked in a Kibbutz, expressed the human model of the Kibbutznik (member of a Kibbutz) and the uniqueness of the Kibbutz members as part of a group where all are equal. Simon's works, and now Perez's, have contributed to the Israeli society what is has been looking for endlessly, which is a sense of identity and belonging.
Perez maps his territory and marks his boundaries, and does not forget the historical sites. Unlike other Tel Avivian artists, Perez wishes to present the lives of the residents of the city and the great love in their hearts. By choosing the historical sites in Tel Aviv, he also pays tribute to the artist Nachum Gutman, who loved the city and lived in it his whole life. In his childhood Gutman experienced historical moments (lighting the first oil lamp, first concert, first pavement), and as an adult he recreated the uniqueness of those events while keeping the city's magic.
Like Gutman, Perez has also turned the city into an object of love, and it has started adorning itself in rich colors and supplying the energy of a city that wishes to be "the city that never sleeps", combining old and new. Perez meticulously describes the uniqueness and style of the Bauhaus houses and balconies along the modern glass and steel buildings, all from unusual angles in a rectangular format that wishes to imitate the panorama of a diverse city in its centennial celebrations.
Daniel Cahana-Levensohn, curator.
Interview with the painter Raphael Perez about his family artist book
An interview with the painter Raphael Perez about an artist's book he created about his family, the Peretz family from 6 Nissan St. Kiryat Yuval Jerusalem
Question: Raphael Perez, tell me about the family artist book you created
Answer: I created close to 40 artist books, notebooks, diaries, sketch books and huge books. I dedicated one of the books to my dear family, a book in which I took a childhood photograph of my family, my parents and brothers and sisters.. I pasted the photographs inside a book (the photograph is 10 percent of the total painting) and I drew with acrylic paints, markers and ink on the book and the photograph, so that the image of the photograph was an inspiration to me Build the story that includes page by page..
Question: Tell me when you were born, where, and a little about your family
Answer: I was born on March 4, 1965 in the Kiryat Yuval neighborhood in Jerusalem
I have a twin brother named Miki Peretz and we are seven brothers and sisters, five boys and two girls
Question: Tell us a little about your parents
Answer: My parents were new immigrants from Morocco, both immigrated young.
My mother's name before the wedding was Alice - Aliza ben Yair and my father's name was Shimon Peretz,
My mother was born in the Atlas Mountains and was orphaned at a young age and was later adopted by my father's family at the age of 10, so that my mother and father spent childhood and adolescence together....
They had a beautiful and happy relationship but sometimes when they argued my mother would say "even when she was a child she was like that..." This means that their acquaintance and relationship dates back to childhood..
Question: What did your parents Shimon and Aliza Peretz work for?
Answer: My father, Shimon Perez, born in 1928 - worked in a building in his youth and then for thirty years worked as a receptionist at Hadassah Ein Kerem Hospital in Jerusalem... My father's great love was actually art, he loved to draw as a hobby, write, read, solve crossword puzzles and research Regarding the issue of medicinal plants, as a breadwinner he could not fulfill his dream of becoming an artist, in order to support and feed seven children. But we are the next generation, his children are engaged in the world of creativity and education, a field in which both of my parents were engaged during their lives. My father died at the age of 69
My mother, Alice Aliza Perez, born in 1934, worked as an assistant to a kindergarten teacher, and later took care of a baby at home. She is a woman of wholehearted giving and caring for children and people, a warm, generous and humble woman.. and took care of us in our childhood for every emotional and physical deficiency.. My mother is right For the year 2023, the 89-year-old is partly happy and happy despite the difficulties of age.. May you have a long life..
My mother really loved gardening and nature and both of them together created a magnificent garden, my parents have a relatively large garden so they could grow many types of special and rare medicinal plants and my father even wrote a catalog (unpublished) of medicinal plants and we even had botany students come to us who were interested in the field... today they They also grow ornamental plants, and fruit trees...
Question: A book about the brothers and sisters
Answer: My elder brother David Perez repented in his mid-twenties.. He was a very sharp, opinionated, curious and very charismatic guy who brought many people back to repentance, and also helped people with problems through the yeshiva and the synagogue to return to the normal path of life, he died young at the age of 56
Hana Peretz: My lovely sister, raised eight children, worked in the field of education, a kindergarten teacher, and child care.
She has a very large extended family of grandchildren, great-grandchildren and great-great-grandchildren...
My brother Avi (Abraham) Peretz studied in Israel at the University of Philosophy and Judaism, he married a wonderful woman named Mira Drumi, a nurse by profession, and together they had three wonderful children, when they moved to the United States in their mid-twenties, where my brother Avi Peretz completed his master's degree in education, worked in the field Education and for the last twenty years is A conservative rabbi
The fourth brother is Asher Peretz - a great man of the world, very fond of traveling and has been to magical places all over the world, engaged in the creation of jewelry with two children.
I am Rafi Peretz english raphael perez the fifth and after fifteen minutes my twin brother was born
My mother still gets confused and can't remember who was born first :-)
My twin brother Miki micky - Michael Peretz, a beloved brother (everyone is beloved), a talented industrial designer, he has three children, his wife Revital Peretz Ben, who is a well-known art curator, active and responsible for the art field in Tel Aviv, they are a dynamic and talented couple, full of talents and action
The lovely little sister Shlomit Peretz - has been involved in the Bezeq telephone company for almost three decades, and is there in management positions, raising her lovely and beloved child.
The art book I dedicated to my family is colorful, rich in details, shows a very intense childhood, happy, cheerful, colorful, ... We were taught to be diligent and to be happy in our part and to see the glass half full in life, to have emotional intelligence and to put the relationship and love at the center with self-fulfillment in work that will interest you us and you will give us satisfaction.
Each of us is different in our life decisions and my family is actually a mosaic of the State of Israel that includes both religious and secular people from the entire political spectrum who understand that the secret to unity is mutual respect for each other... when my mother these days is also the family glue in everyone's gatherings on Shabbat and holidays..
The personification of the flower couple paintings by the Israeli painter Raphael Perez
Raphael Perez, also known as Rafi Peretz, is an Israeli painter who
explores his personal and sexual identity through his flower paintings. He created a series of flower paintings from 1995 to 1998, when he was in his early thirties and still in relationships with women, despite feeling gay. His flower paintings reflect his emotional turmoil and his struggle with his sexual orientation. He painted two flowers, one blooming and one wilting, to represent the contrast and conflict between his heterosexual relationships and his true self. He also painted single flowers or two flowers in their prime, to express his longing for a harmonious relationship that matches his nature. He chose sunflowers, white lilies, and red lilies as symbols of expression, purity, and joy, respectively. He painted from real flowers, using different styles and light to create drama and mood. Perez’s paintings of the flower couples are minimalist and focused on the theme of the complex relationship. He omitted any background or context, leaving only the canvas and the drawing of the flower couples. In some of the paintings, he added a very airy abstract surface with thin oil paints that give an atmosphere of watercolors. He also made drawings of flowers in ink, markers and gouache on paper. Later on, he created large acrylic paintings of flowers and still life. Perez’s flower paintings are not mere illustrations or decorations. They are autobiographical and psychological expressions of his inner state and his struggle with his sexuality. He wanted to reveal his loneliness, distress and concealment through these paintings, and to connect with people who are in a similar situation. He deliberately chose only two flowers and no more to intensify the engagement in the charged and complex relationship. Perez also painted and drew couples of men and women with charged psychological states, as well as states of desire for connection and realization of a heterosexual relationship that did not succeed. He used hyperrealism and expressive styles to convey his frozen and calculated state, as well as his mental stress. He used harsh lighting to create contrast and drama, with one side very bright and the other side darker. Perez was influenced by some of the famous artists who painted flowers, such as Van Gogh, who also used sunflowers as a symbol of expression. He also used white lilies and red lilies to convey freshness, cleanliness, purity, color, joy, movement, eruption, and splendor. Perez also painted some single flowers or two flowers in their prime, to show his aspiration for a future where he will have a harmonious relationship. Today, he is 58 years old and in a happy relationship for 10 years with his partner Assaf Henigsberg. He is surrounded by female friends and soulmates and not conflicted with heterosexual relationships as he used to be. He occasionally paints flowers in pots to symbolize home, stability, and peace. Sometimes I paint flowers in pots, which represent home, stability, and solid ground for me. I don’t paint just a couple of flowers, but pots full of flowers that overflow with life. This means that we also have a supportive network of family, friends, and peers around us. We live in a rich, supportive, and protective world. These paintings are a personification of my psychological state, when I had no words to express my feelings to myself. The painting began In 35 years of my creation (starting in 1998), you can read more about how my art and style evolved over time. Perez’s flower paintings are a unique and extraordinary artistic creation that reveals his personal journey and his sexual identity. His work is honest, expressive, and emotional, as well as beautiful and vibrant.
The characteristics of the naive painting of the painter Raphael Perez
A full interview with the Israeli painter Raphael Perez (Hebrew name: Rafi Peretz) about the ideas behind the naive painting, resume, personal biography and curriculum vitae Question: Raphael Perez Tell us about your work process as a naive painter? Answer: I choose the most iconic and famous buildings in every city and town that are architecturally interesting and have a special shape and place the iconic buildings on boulevards full of trees, bushes, vegetation, flowers. Question: How do you give depth in your naive paintings? Answer: To give depth to the painting, I build the painting with layers of vegetation, after those low famous buildings, followed by a tall avenue of trees, and behind them towers and skyscrapers, in the sky I sometimes put innocent signs of balloons, kites. A recurring motif in some of my paintings is the figure of the painter who is in the center of the boulevard and paints the entire scene unfolding in front of him, also there are two kindergarten teachers who are walking with the kindergarten children with the state flags that I paint, and loving couples hugging and kissing and family paintings of mother, father and child walking in harmony on the boulevard. Question: Raphael Perez, what characterizes your naive painting? Answer: Most naive paintings have the same characteristics (Definition as it appears in Wikipedia) • Tells a simple story to absorb from everyday life, usually with humans. • The representation of the painter's idealization to reality - the mapping of reality. • Failure to maintain perspective - especially details even in distant details. • Extensive use of repeating patterns - many details. • Warm and bright colors. • Sometimes the emphasis is on outlines. • Most of the characters are flat, lack volume • No interest in texture, expression, correct proportions • No interest in anatomy. • There is not much use of light and shade, the colors create a three-dimensional effect. I find these definitions to be valid for all my naive paintings Question: Raphael Perez, why do you choose the city of Tel Aviv? Answer: I was born in Jerusalem, the capital city which I love very much and also paint, I love the special Bauhaus buildings in Tel Aviv, the ornamental buildings that were built a century ago in the 1920s and 1930s, the beautiful boulevards, towers and modern skyscrapers give you the feeling of the hustle and bustle of a large metropolis and there are quite a few low and tall buildings that are architecturally fascinating in their form the special one Also, the move to Tel Aviv, which is the capital of culture, freedom, and secularism, allowed me to live my life as I chose, to live in a relationship with a man, Jerusalem, which is a traditional city, it is more complicated to live a homosexual life, also, the art world takes place mainly in the city of Tel Aviv, and it is possible that from a professional point of view, this allows I can support myself better in Tel Aviv than in any other city in Israel. Question: Raphael Perez, are the paintings of the city of Tel Aviv different from the paintings of the city of Jerusalem? Answer: Most of the paintings of Jerusalem have an emphasis on the color yellow, gold, the color of the old city walls, the subjects I painted in Jerusalem are mainly a type of idealization of a peaceful life between Jews and Arabs and paintings that deal with the Jewish religious world, a number of paintings depict all shades of the currents of Judaism today In contrast, the Tel Aviv paintings are more colorful, with skyscrapers, the sea, balloons and more secular motifs Question: Raphael Perez, tell me about which buildings and their architects you usually choose in your drawings of cities Answer: My favorite buildings are those that have a special shape that anyone can recognize and are the symbols of the city and you will give several examples: In the city of Tel Aviv, my favorite buildings are: the opera building with its unusual geometric shape, the Yisrotel tower with its special head, the Hail Bo Shalom tower that for years was the symbol of the tallest building in Tel Aviv, the Levin house that looks like a Japanese pagoda, the burgundy-colored Nordeau hotel with the special dome at the end of the building, A pair of Alon towers with the special structure of the sea, Bauhaus buildings typical of Tel Aviv with the special balconies and the special staircase, the Yaakov Agam fountain in Dizengoff square appears in a large part of the paintings, many towers that are in the stock exchange complex, the Aviv towers and other tall buildings on Ayalon, in some of the paintings I took plans An outline of future buildings that need to be built in the city and I drew them even before they were built in reality, In the paintings of Jerusalem, I mainly chose the area of the Old City and East Jerusalem, a painting of the walls of the Old City, the Western Wall, the Church of the Holy Sepulcher, the El Akchea Mosque, the Tower of David, most of the famous churches in the city, the right hand of Moses, in most of the paintings the Jew is wearing a blue shirt with a red male cord I was in the youth movement and the Arab with a galabia, and in the paintings of the religious public then, Jews with black suits and white shirts, tallitas, kippahs, special hats, synagogues and more I also created three paintings of the city of Haifa and one painting of Safed In the Haifa paintings I drew the university, the Technion, the famous Egged Tower, the Sail Tower, well-known hotels, of course the Baha'i Gardens and the Baha'i Temple, Haifa Port and the boats and other famous buildings in the city Question: Raphael Perez, have you created series of other cities from around the world? Answer: I created series of New York City with all the iconic and famous buildings such as: the Guggenheim Museum, the famous skyscrapers - the Chrysler Building, the Empire State Building, Lincoln Center, the famous synagogue in the city, the Statue of Liberty, the flags of the United States and other famous buildings Two paintings of London and all its famous sites, Big Ben, famous monuments, the Ferris wheel, Queen Elizabeth and her family, the double bus, the famous public telephone, palaces, famous churches, well-known monuments I created 4 naive paintings of cities in China, a painting of Shanghai, two paintings of the city of Suzhou and a painting of the World Park in the city of Beijing... I chose the famous skyline of Shanghai with all the famous towers, the famous promenade, temples and old buildings, two Paintings of the city of Suzhou with the famous canals, bridges, special gardens, towers and skyscrapers of the city Question: Raphael Perez What is the general idea that accompanies your paintings Answer: To create a good, beautiful, naive, innocent world in which we will see the innovation of the modern city through the skyscrapers in front of small and low buildings that bring the history and past of each country, all with an abundance of vegetation, boulevards, trees Resume, biography, CV of the painter Rafi Peretz and his family Question: When was Raphael Perez born in hebrew his name rafi peretz? Answer: Raphael Perez in Hebrew his name Rafi Peretz was born on March 4, 1965 Question: Where was Raphael Perez born? Answer: Raphael Perez was born in Jerusalem, Israel Question: What is the full name of Raphael Perez? Answer: His full name is Raphael Perez Question: Which art institution did Raphael Perez graduate from? Answer: Raphael Perez graduated from the Visual Arts Center in Be'er Sheva Question: When did Raphael Perez start painting? Answer: Raphael Perez started painting in 1989 Question: When did you start making a living selling art? Answer: Raphael Perez started making a living selling art in 1999 Question: Where does Raphael Perez live and work? Answer: Since 1995, Raphael Perez has been living and working from his studio in Tel Aviv Question: In which military framework did Raphael Perez serve in the IDF? Answer: Raphael Perez served in the artillery corps Question: Raphael Perez, what jobs did he work after his military service? Answer: Raphael Perez worked for 15 years in education in therapeutic settings for children and taught arts and movement Question: How many brothers and sisters does Raphael Perez, the Israeli painter, have? Answer: There are seven children in total, with the painter 5 sons and two daughters, that means the painter Raphael Perez has 4 more brothers and two sisters Question: What do the brothers and sisters of the painter Raphael Perez do? Answer: The elder brother David Peretz Perez was involved in the field of religious studies, the sister Hana Peretz Perez is involved in the field of education, a kindergarten teacher and child care, the brother Avi Peretz Perez who is in the United States today is a conservative rabbi but in the past was involved in education and therapy, the brother Asher Peretz Perez is involved in the fields of creativity and jewelry The twin brother Mickey Peretz Perez is a well-known industrial designer and seller. The younger sister Shlomit Peretz Perez works in a managerial position at Bezeq. Question: Tell me about the parents of the painter Raphael PerezAnswer: The painter Raphael Perez's parents are Shimon Perez Peretz and Eliza Alice Ben Yair, they were married in 1950 in Jerusalem, both were born in Morocco and immigrated to Israel in 1949, Shimon Peretz worked in a building in his youth and later as a receptionist at the Hadassah Ein Kerem Hospital, Eliza Alice Peretz dealt in child care Kindergarten, working in kindergartens and of course taking care of and raising her seven children
Some images are locked in your head the first time you see them. They appear in dreams again. Then when you visit the actual place, you wonder are you still in a dream.
Walking on foot brings you down to the very stark, naked core of existence. We travel too much in airplanes and cars. It’s an existential quality that we are losing. It’s almost like a credo of religion that we should walk.
There is, of course, something inherently romantic—if not heroic—about the extreme solitary explorer enveloped by nature. The very image of Herzog on foot recalls the iconic 19th-century paintings of Caspar David Friedrich, especially his Wanderer Above the Sea of Fog, with its lone figure staring out at the wide vista above the clouds.
'Truth itself wanders through the forests,' Herzog writes near the end. Yet here he embroiders his memories for effect: The vast swath of geography between Munich and Paris is littered with industrial towns and cities.
Once he comes out on the other end, traversing the deforested Champs-Élysées (“We were close to what they call the breath of danger”), Herzog emerges victorious.
― Of Walking in Ice: (Munich-Paris, 23 November–14 December 1974)
by Werner Herzog
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🕛 When the time has stopped 1 (Corsica/Corse)
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Selected photos and materials from the studio of Francis Bacon.
Exhibition view "Francis Bacon and Existential Condition in Contemporary Art", CCC Strozzina, Palazzo Strozzi, Firenze
© photo Martino Margheri
Part of the Death Is A Car Wash set. Please take time to view the set sequentially, as this is how it was intended to be viewed.
Among his most notable film roles was the Washington attorney Bennett Holiday in Stephen Gaghan's Syriana (2005), where he was the co-lead along with George Clooney and Matt Damon. The same year he played Bill Murray's eccentric Ethiopian neighbor Winston in Jim Jarmusch's existential road movie, Broken Flowers.
In 2005, he starred in the play This Is How It Goes, alongside Ben Stiller and Amanda Peet. He also appeared as one of the tenants in M. Night Shyamalan's Lady in the Water.
In 2006, Jeffrey Wright featured as Felix Leiter in the 21st James Bond movie, Casino Royale. This makes him the first African-American man to play the character in an official Bond film (Bernie Casey played Leiter in the unofficial Never Say Never Again). He reprised the role in Quantum of Solace, making him only the second actor to appear as Leiter twice since David Hedison played the character in Live and Let Die and Licence to Kill.
In 2007, Jeffrey was re-united with his Casino Royale co-star, Daniel Craig, for the alien invasion suspense thriller, The Invasion, with Nicole Kidman.
In 2008, Wright portrayed Bush's former Secretary of State General Colin Powell in Oliver Stone's biographical epic W. Also, Wright portrays Muddy Waters in Cadillac Records which is the biopic about the rise and fall of Chess Records .
Filmography
* Presumed Innocent (1990)
* Jumpin at the Boneyard (1992)
* Faithful (1996)
* Basquiat (1996)
* Critical Care (1997)
* Celebrity (1998)
* Too Tired To Die (1998)
* Cement (1999)
* Ride with the Devil (1999)
* Meschugge (2000)
* Hamlet (2000)
* Shaft (2000)
* Crime and Punishment in Suburbia (2000)
* Boycott (2001)
* Ali (2001)
* D-Tox (2002)
* Angels in America (2003)
* The Manchurian Candidate (2004)
* The Topdog Diaries (2004)
* Syriana (2005)
* Lackawanna Blues (2005)
* Broken Flowers (2005)
* Lady in the Water (2006)
* Casino Royale (2006)
* The Invasion (2007)
* Blackout (2007)
* W. (2008)
* Quantum of Solace (2008)
* Cadillac Records (2008)
[edit] Awards and nominations
* Toronto Film Critics Association
2000 Best Supporting Actor: Shaft
* American Film Institute
2001 Best Male Actor in a Television Movie or Mini-Series - Boycott
* Golden Globe
2003 Best Supporting Actor - Angels in America
* Emmy Awards
2003 Outstanding Supporting Actor in a Miniseries or a Movie - Angels in America
Nominations
* Independent Spirit Award
1996 Best Debut Performance - Basquiat
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🌟 Corsica - Corse (South)
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👑 8 Senses
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I new period of my life started on Tuesday. i passed my second state examination. Now, i've the license to earn much money. Yeah. But it means too, i'm in an existential crisis. So I need a new hairdo. But I don't know, what to do! I need help! Blonde or brown, short, long, really short, really long, red, or just being bald? Argh.
APRIL 13, 2023 WASHINGTON DC. WORLD BANK GROUP/ INTERNATIONAL MONETARY FUND 2023 SPRING MEETINGS.
Accelerating Development in an Age of Global Crisis
The existential threat of climate change, impacts of the COVID-19 pandemic, the Russian invasion of Ukraine, persistent high inflation and increased fragility have injected volatility and uncertainty into the global economy – a reality that may continue for a while. The panel of speakers explore central questions around what it will take to address some of the most critical issues of our time including climate change, food insecurity, pandemics, and increasing fragility and poverty.
Axel van Trotsenburg, Senior Managing Director, Development Policy and Partnerships, World Bank Group; Amina Mohammed, Deputy Secretary-General, United Nations; José Antonio Ocampo, Minister of Finance and Public Credit, Colombia; Leila Benali, Minister of Energy Transition and Sustainable Development, Morocco; Ahmed Ogwell Ouma, Acting Director, Africa Centres for Disease Control and Prevention (CDC); Daniel Zelikow, Chair of the Governing Board, Development Finance Institution, J.P. Morgan. Photo: World Bank / Simone D. McCourtie
This captive gorilla was in a pensive mood behind the glass; can no longer survive in the wild, but maybe thinks of it often.
APRIL 13, 2023 WASHINGTON DC. WORLD BANK GROUP/ INTERNATIONAL MONETARY FUND 2023 SPRING MEETINGS.
Accelerating Development in an Age of Global Crisis
The existential threat of climate change, impacts of the COVID-19 pandemic, the Russian invasion of Ukraine, persistent high inflation and increased fragility have injected volatility and uncertainty into the global economy – a reality that may continue for a while. The panel of speakers explore central questions around what it will take to address some of the most critical issues of our time including climate change, food insecurity, pandemics, and increasing fragility and poverty.
Axel van Trotsenburg, Senior Managing Director, Development Policy and Partnerships, World Bank Group; Amina Mohammed, Deputy Secretary-General, United Nations; José Antonio Ocampo, Minister of Finance and Public Credit, Colombia; Leila Benali, Minister of Energy Transition and Sustainable Development, Morocco; Ahmed Ogwell Ouma, Acting Director, Africa Centres for Disease Control and Prevention (CDC); Daniel Zelikow, Chair of the Governing Board, Development Finance Institution, J.P. Morgan. Photo: World Bank / Simone D. McCourtie
👑 Senses : 👀 Vision 👆 To Touch 💃 Proprioception 👂 Hearing Equilibrioception 👃 Smell ♨️ Thermoception 👅 Taste
⚡ Intelligences : ️ Spatial Intelligence
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🌟 Corsica - Corse (South)
💫 United States of America/America World
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✨ eXploration Universe (️)
📝 Type : Ground eXploration
🎨 Style : eXploration Corsica - Corse (South)
🔊 Language : International (🇬🇧 description in English, but comprehensible by the whole world)
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👑 8 Senses
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020
FORTUNE Brainstorm Health 2022
Los Angeles, CA
Wednesday, May 11th, 2022
9:15 AM
EXISTENTIAL THREATS: PREPARING FOR THE NEXT GLOBAL HEALTH CRISIS
In a hyperconnected world rife with virulent pathogens, preparedness is our best defense. After Ebola roared through West Africa and the novel coronavirus brought the world to its knees, the most pressing question for the safety of the global population is this: What have we learned—and how can we better prepare for the next hyper-contagious disease?
Dr. Sandro Galea, Dean and Robert A. Knox Professor, Boston University School of Public Health
Dr. Angela Rasmussen, Virologist, Department of Vaccine and Infectious Disease, University of Saskatchewan
Moderator: Clifton Leaf, Former FORTUNE Editor-in-Chief and Founder, Fortune Brainstorm Health
Photograph by Stuart Isett/Fortune
Canary Wharf is an area of London, England, located near the Isle of Dogs in the London Borough of Tower Hamlets. Canary Wharf is defined by the Greater London Authority as being part of London's central business district, alongside Central London. With the City of London, it constitutes one of the main financial centres in the United Kingdom and the world, containing many high-rise buildings including the third-tallest in the UK, One Canada Square, which opened on 26 August 1991.
Developed on the site of the former West India Docks, Canary Wharf contains around 16,000,000 sq ft (1,500,000 m2) of office and retail space. It has many open areas, including Canada Square, Cabot Square and Westferry Circus. Together with Heron Quays and Wood Wharf, it forms the Canary Wharf Estate, around 97 acres (39 ha) in area.
Canary Wharf is located on the West India Docks on the Isle of Dogs.
From 1802 to the late 1980s, what would become the Canary Wharf Estate was a part of the Isle of Dogs (Millwall), Limehouse, and Poplar and was one of the busiest docks in the world. West India Docks was primarily developed by Robert Milligan (c. 1746–1809) who set up the West India Dock Company.
The Port of London Authority was established in 1909 and took control of West India Dock. Canary Wharf itself takes its name from No. 32 berth of the West Wood Quay of the Import Dock. This was built in 1936 for Fruit Lines Ltd, a subsidiary of Fred Olsen Lines for the Mediterranean and Canary Islands fruit trade. It is located on the Isle of Dogs, the quay and warehouse were given the name Canary Wharf.
After the 1960s, when cargo became containerized, port industry began to decline, leading to all the docks being closed by 1980. After the docks closed in 1980, the British Government adopted policies to stimulate redevelopment of the area, including the creation of the London Docklands Development Corporation (LDDC) in 1981 and the granting of Urban Enterprise Zone status to the Isle of Dogs in 1982.
The Canary Wharf of today began when Michael von Clemm, former chairman of Credit Suisse First Boston (CSFB), came up with the idea to convert Canary Wharf into a back office. Further discussions with G Ware Travelstead led to proposals for a new business district and included the LDDC developing an inexpensive light metro scheme, the Docklands Light Railway, to make use of a large amount of redundant railway infrastructure and to improve access.
The project was sold to the Canadian company Olympia & York and construction began in 1988, master-planned by Skidmore, Owings & Merrill with Yorke Rosenberg Mardall as their UK advisors, and subsequently by Koetter Kim. The first buildings were completed in 1991, including One Canada Square, which became the UK's tallest building at the time and a symbol of the regeneration of Docklands. By the time it opened, the London commercial property market had collapsed, and Olympia and York Canary Wharf Limited filed for bankruptcy in May 1992.
Initially, the City of London saw Canary Wharf as an existential threat. It modified its planning laws to expand the provision of new offices in the City of London, for example, creating offices above railway stations (Blackfriars) and roads (Alban Gate). The resulting oversupply of office space contributed to the failure of the Canary Wharf project.
In October 1995, an international consortium that included investors such as Alwaleed, bought control for $1.2 billion. Paul Reichmann, of Olympia & York, was named chairman, and Canary Wharf went public in 1999. The new company was called Canary Wharf Limited, and later became Canary Wharf Group.
In 1997, some residents living on the Isle of Dogs launched a lawsuit against Canary Wharf Ltd for private nuisance because the tower interfered with TV signals. The residents lost the case.
Recovery in the property market generally, coupled with continuing demand for large floorplate Grade A office space, slowly improved the level of interest. A critical event in the recovery was the much-delayed start of work on the Jubilee Line Extension, which the government wanted ready for the Millennium celebrations.
In March 2004, Canary Wharf Group plc. was taken over by a consortium of investors, backed by its largest shareholder Glick Family Investments and led by Morgan Stanley using a vehicle named Songbird Estates plc.
In addition to being a leading global financial district in the United Kingdom, Canary Wharf is famous for a cluster of the tallest modern commercial complexes and residential high-rise buildings. Building from scratch in early 1990s, the district is home to the first tallest iconic skyscraper, One Canada Square, in the United Kingdom. In twenty years, Charf Wharf’s new rapid grown skyscraper cluster has dramatically transformed the skyline of London with modern architectures.
As of 2023, Canary Wharf has five out of the top ten tallest buildings in the United Kingdom.
One Canada Square (235 m) and Landmark Pinnacle (233 m) are the third and fourth tallest buildings in the United Kingdom. The seventh to ninth tallest buildings in the United Kingdom are: Newfoundland (220 m), South Quay Plaza (215 m), and One Park Drive (205 m).
The 75-storey Landmark Pinnacle is the tallest residential tower in the United Kingdom and the whole of western Europe.
Newfoundland is the tallest build-to-rent building in the United Kingdom.
Novotel London Canary Wharf is the tallest all-hotel building in the United Kingdom, and the tallest Novotel in the world.
One Canada Square, at 235 metres (771 ft), achieved a 21-year record of the tallest building in the United Kingdom from 1991 to 2012. With its distinctive pyramid pinnacle, the building is recognised as a London landmark, and has been featured in many films and television shows.
As at 12 February 2023, there are 16 listed buildings in Canary Wharf of which 2 are Grade I and 14 in Grade II.
Grade I Listed Buildings
Quay Walls, Copings and Buttresses to Import Dock and Export Dock: The original West India Docks consists of three docks. The Import Dock, the earliest, was opened in 1800–02, and followed to south by the Export Dock of 1803–06.
Warehouses and General Offices at Western End of North Quay: originally a range of nine warehouses was built 1800–04 at the western end of North Quay, West India Dock Road. Only two warehouses survived the bombing raid in World War II.
These docks with Nos 1 and 2 warehouses are now the only surviving examples of the first intensive period of London Docklands construction: 1800–10.
Grade II Listed Buildings
Most of the Grade II Listed buildings in Canary Wharf sit to the north-west of West India Dock North, and are located within the West India Dock Conservation Area. In addition to architectural values, “these buildings and structures are of significance due to their association with the development of the docks and the community that grew up around them”.
Corporations and agencies
Canary Wharf contains around 16,000,000 sq ft (1,500,000 m2) of office and retail space, of which around 7,900,000 sq ft (730,000 m2) (about 49%) is owned by Canary Wharf Group. Around 105,000 people work in Canary Wharf, and it is home to the world or European headquarters of numerous major banks, professional services firms, and media organisations, including Barclays, Citigroup, Clifford Chance, Credit Suisse, Ernst & Young, Fitch Ratings, HSBC, Infosys, JPMorgan Chase, KPMG, MetLife, Moody's, Morgan Stanley, Royal Bank of Canada, Deutsche Bank, S&P Global, Skadden, Arps, Slate, Meagher & Flom, State Street, The Economist Group and Thomson Reuters. Until 2018, Canary Wharf also hosted two European Union agencies, European Medicines Agency and European Banking Authority, that moved to Amsterdam and Paris respectively due to Brexit.
Leisure
Marina
West India Quays and Poplar Dock are two marinas that are used as moorings for barges and private leisure river craft and is owned by the Canal & River Trust.
Library
A local public library, called Idea Store Canary Wharf, is in Churchill Place shopping mall and run by Tower Hamlets Council which opened on Thursday 16 March 2006 as part of the Idea Store project and is the borough fourth Idea Store.
Cinema
Canary Wharf hosts two multiplexes (cinemas), one on West India Quay run by Cineworld. and another at Crossrail Place called Everyman Cinema.
Squares and Public Areas
Canada Square is one of the central squares at Canary Wharf. It is a large open space with grass, except during the winter when it is converted into an ice rink. The square is named after Canada, because the original developers of modern Canary Wharf, Olympia & York, wanted to reflect their heritage. Underneath the square is Canada Place shopping mall.
Westferry Circus
Westferry Circus is on the west side of Canary Wharf. It is a garden at ground level, and below is a roundabout allowing traffic to flow through. The garden is enclosed by bespoke hand-crafted ornamental railings and entrance gates by artist Giuseppe Lund. The area has a long history, dating back to 1812, when the Poplar and Greenwich Roads Company operated a horse ferry between Greenwich and the Isle of Dogs. It operated on the West Ferry and East Ferry Roads, which the names survived. Westferry Circus was chosen as the name for the roundabout and park by virtue of its proximity to Westferry Road.
Cabot Square
Cabot Square is one of the biggest squares at Canary Wharf, with a large fountain at the centre. The inner perimeter has additional fountains covered by trees. The square has large circular glass ventilation holes to allow gases to escape from the underground car park. The square is named after John Cabot and his son Sebastian, who were Italian explorers who settled in England in 1484.
Churchill Place
Churchill Place is an area on the east side of Canary Wharf. It is named after Winston Churchill.
Columbus Courtyard
A small square on the west side of Canary Wharf named after Christopher Columbus. The first phase of Canary Wharf was completed in 1992, 500 years after Columbus arrived in America.
Chancellor Passage
A passageway south of Cabot Square. Named after Richard Chancellor who sailed with Sir John Willoughby from Greenwich on their voyage through the White Sea to Moscow.
Wren Landing
Small area north of Cabot Square. Leads to North Dock footbridge towards Port East. Named after British architect Christopher Wren.
Montgomery Square
Located at the east end of Jubilee Park, Montgomery Square is a buzzy outdoor spot that’s made for socialising. With a regular roster of events from street food markets, beach volleyball tournaments, padel tennis competition, to free minigolf course, there’s always something happening in this convivial open space.
Parks and Green Spaces
Canary Wharf Group is enthusiastic about adding more green spaces and gardens to the dense urban environment. A total of 20 acres of landscaped parks, gardens and verdant squares complete with 1,000 trees, 4,000 shrubs and 70,000 seasonal plants are added each year. Visitors are welcome to explore these parks and green spaces, which are ideal places for relaxation, social gatherings, performances, viewing outdoor public art, as well as hosting outdoor events and festivities.
Jubilee Park
Jubilee Park is a 10,000m² roof garden located above Jubilee Place, a shopping mall, and Canary Wharf Jubilee Station, an underground railway station. The park, opened in 2002 and was named in honour of the Golden Jubilee of Elizabeth II. Jubilee Park is located in the financial district of Canary Wharf. The park’s central feature is a raised serpentine water channel with rough stone walls. The curvilinear design of the water channel is intended to contrast to the scale and straightness of the surrounding buildings. In 2023, Jubilee Park won the Green Flag Award, recognising Jubilee Park as one of the United Kingdom's best parks
Crossrail Place Roof Garden
A 4,160m² roof garden, one of London's largest, houses on the top of seven-storey Crossrail Place structure, which contains the Elizabeth line Canary Wharf station. Opened to public in 2015, it lies almost exactly on the Meridian line splitting eastern and western hemispheres. The plants originating from the eastern hemisphere are planted to the East of the Meridian line in the garden, with those from the Western hemisphere on the opposite side. The design and development of Crossrail Place Roof Garden was honored by winning numerous prestigious international and United Kingdom awards. Selected notable awards include: “Best Urban Regeneration Project” at 2016 MIPIM awards in France, the first prize for the best “Innovative Design of a Contemporary Garden” at the 2017 European Garden Awards in Berlin, and a Highly Commended accolade at the 2016 Landscape Institute Awards in the category ‘Design for a Small-Scale Development’.
Harbour Quay Garden
A newly opened garden, located at the strand of Wood Wharf, features a boardwalk for waterside wandering. The garden also offers family-friendly picnic spots and outdoor fitness equipment on the green lawn, where visitors can relax, view outdoor public art, and watch the water. Just around the corner, it has access to a new garden square, Harbord Square Park.
Harbord Square Park
Harbord Square Park, the newest garden square in Wood Wharf, continues the great London tradition of garden squares. It is open 24/7 and offers green space available for mindfulness activities and to support nearby residents’ general wellbeing.
Shopping Center
Canary Wharf shopping center, ranked as one of the best in London, has five interconnected shopping malls: Canada Place, Cabot Place, Jubilee Place, Crossrail Place and Churchill Place. The malls provide over 102,193m² (1.1 million sq ft) of retail space, more than 310 shops from beauty, fashion, lifestyle, luxurious brands, health, and homeware, as well as 70 cafés, bars, and restaurants, 8 grocery stores, 5 health clubs and 1 cinema. There are also numerous bars, restaurants, and food halls at street level, alongside plenty of outdoor seating enabling visitors to see the stunning wharf and riverside views.
Culture
Opened in a Grade I listed Georgian warehouse by Queen Elizabeth II in June 2003, the Museum of London Docklands is one of the main attractions in the area. It is dedicated to the history of London’s river, port, and people from Roman settlement to the present day. The museum offers a range of activities for children and families, including interactive displays and immersive activities.
Canary Wharf has been reported since 2017 as part of the Pokémon Go augmented reality game to being the home for the most wanted Pokémon gyms in London including Canary Wharf DLR station and Montgomery Square.
Canary Wharf Group published an official Pokémon map for PokéStop's and Pokémon Gyms, the managing director for retail Camille Waxer said in 2016 that Pokémon Go has serious potential to attract new audiences to the area, particularly food and drink outlets are seeing an increase in footfall.
Canary Wharf features in both the Doctor Who and Torchwood franchises as the fictional base of the Torchwood Institute, an organisation created by Queen Victoria to combat extraterrestrial threats. Canary Wharf features heavily as the staging post for the 2007 Cyberman invasion of Earth and is heavily damaged during a resulting battle between the Cybermen and the Daleks.
Thom Yorke of Radiohead, during their concert Live at the Astoria in May 1994, explained their song Fake Plastic Trees is about Canary Wharf.
Events and Festivals
Incepted in 2014, the Canary Wharf Winter Lights Festival turns on January of the year. Public are free to visit a range of outdoor light art and interactive installations created by artists from around the world. The festival has awarded the Best Creative Lighting Event award by the [d]arc awards in 2017 and 2019. The 2023 Canary Wharf Winter Lights Festival is described as the largest light art festival in London.
WaterAid Dragon Boat Race
It is an annual fundraising event organized by WaterAid, an international charity, in collaboration with the Canary Wharf Group. The funds raised through this event are used to combat the escalating water crisis that leaves people globally unable to access clean water and without a basic toilet. The Dragon Boat Race, based on a Chinese tradition dating back over 2,000 years, takes place in South Dock of Canary Wharf on summer, and is open to corporate teams of between 11 and 17 participants. In 2022, 15 teams participated the race, and the event raised £26,000. With 19 teams taking place in the 2023 race, the raised funds was increased to £31,744.
Festival14
Hosted by the Canary Wharf Group, the festival was a four-day event from Thursday 21st to Sunday 24 July 2022. It hosted over 60 live acts including music, theatre, dance, poetry, comedy, family funs and children’s activities throughout the estate. The majority of acts were free to attend, and the event transformed the Estate’s numerous parks, plazas, and open spaces as they hosted a stunning line-up of artists and performers from across the world. The second year of Festival14 is extended to a five day event from Wednesday 26th to Sunday 30 July 2023.
Open Water Swimming
Canary Wharf has partnered with Love Open Water to launch its first outdoor swimming since summer 2022. The venue, located in the 220-year-old Middle Dock, offers 600 square meters of open water swimming. Residents, workers and visitors can enjoy a unique experience of outdoor swimming in the heart of the London commercial district whilst taking in the stunning views of the iconic One Canada Square and Newfoundland residential skycrapper.
Outdoor Public Art
The Canary Wharf Art Trail is the largest outdoor public art collection in London. People are free to visit more than 100 pieces of stand-alone sculptures, integrated architectural works, and outdoor art exhibiting outside buildings around the Canary Wharf area. Two printed maps are regularly updated by the Canary Wharf Group for visitors to discover and identify artworks permanently on display all over the estate.
Canary Wharf Art Map: over 100 pieces of artworks, with a brief description, are numbered sequentially as to their exhibition locations at Canary Wharf.
Children's Art Trail: a smaller trail of 12 sculptures and artworks for children.
The Canary Wharf website provides information about Raise Your Art Rate, an ongoing event that allows visitors to explore the outdoor public art collection while exercising. The event offers 1, 3, and 5 km walking, jogging or running routes that traverse the artworks. The routes are tailored to showcase the over 100 artworks on display throughout the estate. The event is free and open to all visitors.
London Docklands is the riverfront and former docks in London. It is located in inner east and southeast London, in the boroughs of Southwark, Tower Hamlets, Lewisham, Newham and Greenwich. The docks were formerly part of the Port of London, at one time the world's largest port. After the docks closed, the area had become derelict and poverty-ridden by the 1980s. The Docklands' regeneration began later that decade; it has been redeveloped principally for commercial and residential use. The name "London Docklands" was used for the first time in a government report on redevelopment plans in 1971 and has since been almost universally adopted. The redevelopment created wealth, but also led to some conflict between the new and old communities in the area.
Establishment
In Roman and medieval times, ships arriving in the River Thames tended to dock at small quays in the present-day City of London or Southwark, an area known as the Pool of London. However, these gave no protection against the elements, were vulnerable to thieves and suffered from a lack of space at the quayside. The Howland Great Dock in Rotherhithe (built in 1696, and later to form the core of the Surrey Commercial Docks) was designed to address these problems, providing a large, secure and sheltered anchorage with room for 120 large vessels. It was a major commercial success, and provided for two phases of expansion during the Georgian and Victorian eras.
The first of the Georgian docks was the West India (opened in 1802), followed by the London (1805), the East India (also 1805), the Surrey (1807), the Regent's Canal Dock (1820), St Katharine (1828) and the West India South (1829). The Victorian docks were mostly further east, comprising the Royal Victoria (1855), Millwall (1868) and Royal Albert (1880). The King George V Dock (1921) was a late addition.
Development
Three principal kinds of docks existed. Wet docks were where ships were laid up at anchor and loaded or unloaded. Dry docks, which were far smaller, took individual ships for repairing. Ships were built at dockyards along the riverside. In addition, the river was lined with innumerable warehouses, piers, jetties and dolphins (mooring points). The various docks tended to specialise in different forms of produce. The Surrey Docks concentrated on timber, for instance; Millwall took grain; St Katharine took wool, sugar and rubber; and so on.
The docks required an army of workers, chiefly lightermen (who carried loads between ships and quays aboard small barges called lighters) and quayside workers, who dealt with the goods once they were ashore. Some of the workers were highly skilled: the lightermen had their own livery company or guild, while the deal porters (workers who carried timber) were famous for their acrobatic skills. Most were unskilled and worked as casual labourers. They assembled at certain points, such as pubs, each morning, where they were selected more or less at random by foremen. For these workers, it was effectively a lottery whether they would get work on any particular day. This arrangement continued until as late as 1965, although it was somewhat regularised after the creation of the National Dock Labour Scheme in 1947.
The main dockland areas were originally low-lying marshes, mostly unsuitable for agriculture and lightly populated. With the establishment of the docks, the dock workers formed a number of tight-knit local communities with their own distinctive cultures and slang. Due to poor communications with other parts of London, they tended to develop in some isolation. Road access to the Isle of Dogs, for example, was only via two swing bridges. Local sentiment there was so strong that Ted Johns, a local community campaigner, and his supporters, in protest at the lack of social provision from the state, unilaterally declared independence for the area, set up a so-called "Island Council" with Johns himself as its elected leader, and blocked off the two access roads.
20th century
The docks were originally built and managed by a number of competing private companies. From 1909, they were managed by the Port of London Authority (PLA) which amalgamated the companies in a bid to make the docks more efficient and improve labour relations. The PLA constructed the last of the docks, the King George V, in 1921, as well as greatly expanding the Tilbury docks.
German bombing during the Second World War caused massive damage to the docks, with 380,000 tons of timber destroyed in the Surrey Docks in a single night. Nonetheless, following post-war rebuilding they experienced a resurgence of prosperity in the 1950s. The end came suddenly, between approximately 1960 and 1970, when the shipping industry adopted the newly invented container system of cargo transportation. London's docks were unable to accommodate the much larger vessels needed by containerization, and the shipping industry moved to deep-water ports such as Tilbury and Felixstowe. Between 1960 and 1980, all of London's docks were closed, leaving around eight square miles (21 km2) of derelict land in East London.
Redevelopment
Efforts to redevelop the docks began almost as soon as they were closed, although it took a decade for most plans to move beyond the drawing board and another decade for redevelopment to take full effect. The situation was greatly complicated by the large number of landowners involved: the PLA, the Greater London Council (GLC), the British Gas Corporation, five borough councils, British Rail and the Central Electricity Generating Board.
To address this problem, in 1981 the Secretary of State for the Environment, Michael Heseltine, formed the London Docklands Development Corporation (LDDC) to redevelop the area. This was a statutory body appointed and funded by central government (a quango), with wide powers to acquire and dispose of land in the Docklands. It also served as the development planning authority for the area.
Another important government intervention was the designation in 1982 of an enterprise zone, an area in which businesses were exempt from property taxes and had other incentives, including simplified planning and capital allowances. This made investing in the Docklands a significantly more attractive proposition and was instrumental in starting a property boom in the area.
The LDDC was controversial; it was accused of favouring elitist luxury developments rather than affordable housing, and it was unpopular with the local communities, who felt that their needs were not being addressed. Nonetheless, the LDDC was central to a remarkable transformation in the area, although how far it was in control of events is debatable. It was wound up in 1998 when control of the Docklands area was handed back to the respective local authorities.
The massive development programme managed by the LDDC during the 1980s and 1990s saw a huge area of the Docklands converted into a mixture of residential, commercial and light industrial space. The clearest symbol of the whole effort was the ambitious Canary Wharf project that constructed Britain's tallest building at the time and established a second business district (CBD) in London. However, there is no evidence that the LDDC foresaw this scale of development; nearby Heron Quays had already been developed as low-density offices when Canary Wharf was proposed, and similar development was already underway on Canary Wharf itself, Limehouse Studios being the most famous occupant.
Canary Wharf was far from trouble-free; the property slump of the early 1990s halted further development for several years. Developers found themselves, for a time, saddled with property that they were unable to sell or let.
Transport
The Docklands historically had poor transport connections. This was addressed by the LDDC with the construction of the Docklands Light Railway (DLR), which connected the Docklands with the city. According to Transport for London, the owner of the project, it was a remarkably inexpensive development, costing only £77 million in its first phase, as it relied on reusing disused railway infrastructure and derelict land for much of its length. The LDDC originally requested a full London Underground line, but the Government refused to fund it.
The LDDC also built the Limehouse Link tunnel, a cut and cover road tunnel linking the Isle of Dogs to The Highway (the A1203 road) at a cost of over £150 million per kilometre, one of the most expensive stretches of road ever built.
The LDDC also contributed to the development of London City Airport (IATA airport code LCY), opened in October 1987 on the spine of the Royal Docks.
The London Underground's Jubilee line was extended eastwards in 1999; it now serves Rotherhithe/Surrey Quays at Canada Water station, the Isle of Dogs at Canary Wharf tube station, Greenwich at North Greenwich tube station and the nearby Royal Docks at Canning Town station. The DLR was extended in 1994 to serve much of the Royal Docks area when the Beckton branch was opened. The Isle of Dogs branch was extended further south, and in 1999 it began serving Greenwich town centre—including the Cutty Sark museum—Deptford and finally Lewisham. In 2005, a new branch of the DLR opened from Canning Town to serve what used to be the eastern terminus of the North London Line, including a station at London City Airport. It was then further extended to Woolwich Arsenal in 2009.
Future developments
Further development projects are being proposed and put into practice within the London Dockland area, such as:
Extensions of the DLR, possibly to Dagenham.
Further development of Canada Water.
Redevelopment of Blackwall Basin and Wood Wharf, east of Canary Wharf.
New skyscrapers to be built at Canary Wharf, including the Riverside South towers, the Heron Quays West double-skyscraper development and the North Quay project, consisting of three towers.
In the early 21st century, redevelopment is spreading into the more suburban parts of east and southeast London, and into the parts of the counties of Kent and Essex that abut the Thames Estuary. See Thames Gateway and Lower Lea Valley for further information on this trend.
History
The numbers of several London Buses routes are prefixed D for Docklands; all run on the north bank of the River Thames as part of the London bus network, and act as feeder buses to the DLR. The D network was developed in the early stages of Docklands redevelopment; it was originally much larger, but as transport rapidly improved across east London, the need for the D routes reduced. Today only four remain, running primarily in Tower Hamlets and briefly into Newham and Hackney. Stagecoach London operate routes D6, D7 and D8, and Blue Triangle operate route D3.
21st century
The population of the Docklands has more than doubled during the last 30 years, and the area has become a major business centre. Canary Wharf has emerged as one of Europe's biggest clusters of skyscrapers and a major extension to the financial services district of the City of London.
Although most of the old wharfs and warehouses have been demolished, some have been restored and converted into flats. Many of the docks themselves have survived and are now used as marinas or watersports centres; a major exception is the Surrey Commercial Docks, which are now largely filled in. Although large ships can—and occasionally still do—visit the old docks, all of the commercial traffic has moved downriver further east.
The revival of the Docklands has had major effects in other run-down surrounding areas. Greenwich and Deptford are undergoing large-scale redevelopment, chiefly as a result of the improved transport links making them more attractive to commuters.
The Docklands' redevelopment has, however, had some less beneficial aspects. The massive property boom and consequent rise in house prices has led to friction between the new arrivals and the old Docklands communities, who have complained of being squeezed out. It has also made for some of the most striking disparities to be seen anywhere in Britain: luxury executive flats constructed alongside run-down public housing estates.
The Docklands' status as a symbol of Margaret Thatcher's Britain has also made it a target for terrorists. After a failed attempt to bomb Canary Wharf in 1992, a large IRA bomb exploded at South Quay on 9 February 1996. Two people died in the explosion, forty people were injured and an estimated £150 million of damage was caused. This bombing ended an IRA ceasefire. James McArdle was sentenced to 25 years of jail time but released in 2000 under the terms of the Good Friday Agreement and royal prerogative of mercy officially signed by Queen Elizabeth II.
In a further sign of regeneration in the area, the Docklands now has its own symphony orchestra, Docklands Sinfonia; which was formed in January 2009 and is based at St Anne's Limehouse.
Economy
The offices of The Independent group of publications were at one time situated in the Docklands. In 2008, Independent News & Media announced that The Independent would be moving its offices to Northcliffe House in Kensington.
London's Docklands has become one of the world's leading global internet hubs since the opening in 1990 of the carrier-neutral Telehouse campus, which hosts the vast majority of LINX's internet peering traffic, occupying over 73,000 square metres. In August 2016, Telehouse Europe opened the $177 million North Two data centre of 24,000 square metres that became the only UK data centre to own a 132 kV on-campus grid substation that is directly connected to the National Grid, reducing transmission losses and improving power density and service continuity.
Contemplating the bleak winter of existential angst that is modern urban life. (North loop rooftop deck)
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️ eXploration (3) Church Saint Jean Baptiste {Porto Vecchio} (Corsica - Corse)
🌟 Church Saint Jean Baptiste {Porto Vecchio}
💫 (Corsica - Corse) France/Europe World
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⛪ Saint Jean Baptiste (Porto Vecchio)
📝 Type : Ground eXploration
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❓ WHY : To eXplore the Church Saint Jean Baptiste
📍 WHERE : Porto Vecchio (Corsica - Corse) (🇫🇷France)
🕓 WHEN : 17 July 2017
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