View allAll Photos Tagged existential
If one of these fall will they make a sound?
This is the view out of the back of my house so if they fall I guess I would hear them!
Well, as long as they don’t crash into my house they can do what they flippin well like :-)
For we’re here visiting existential shots
Walking on foot brings you down to the very stark, naked core of existence. We travel too much in airplanes and cars. It’s an existential quality that we are losing. It’s almost like a credo of religion that we should walk.
There is, of course, something inherently romantic—if not heroic—about the extreme solitary explorer enveloped by nature. The very image of Herzog on foot recalls the iconic 19th-century paintings of Caspar David Friedrich, especially his Wanderer Above the Sea of Fog, with its lone figure staring out at the wide vista above the clouds.
'Truth itself wanders through the forests,' Herzog writes near the end. Yet here he embroiders his memories for effect: The vast swath of geography between Munich and Paris is littered with industrial towns and cities.
Once he comes out on the other end, traversing the deforested Champs-Élysées (“We were close to what they call the breath of danger”), Herzog emerges victorious.
― Of Walking in Ice: (Munich-Paris, 23 November–14 December 1974)
by Werner Herzog
Trip to Chicago History Museum and Lincoln Park Zoo with dad, armed with cameras. Absolutely beautiful day.
"Fearfully" means that we are so exquisitely fragile and delicate and vulnerable that if you really thought about it, you'd quake with existential anxiety. It can all be taken from us--our babies, our dogs, our books and imaginations, our ability to see whatever shards of Light we might notice today amidst the noise and the haste...
And WONDERFULLY made, perfect, all evidence and bad self esteem to the contrary, gorgeous as children and poems in the eyes of God. Not made to starve ourselves. Made for radical self-care, so that we can fill up and give from a place of crazy generosity because we have been so freely given delicious food and outrageous friendships.
So yeah, I just started out to share this one possible insight--that this will be my body the whole time I am here! This one! Yikes, how awful. No, wait wait, this exact one, that is STILL HERE, against all odds. Thank you thank you thank you God. We have lost so many precious friends who would have done anything do have some more time in this joint, with our Mother outdoors, with those they love most. Anything!
So that is how I am going to spend today, pretty much-sort of more-or-less believing that this is it. This body, this biography, this exact family, this everything. And it is wonderfully made, of love and energy, for love and energy, for giving, forgiving, for--as Wiiliam Blake said--learning to endure the beams of love. And joy will always be the best make up."
[With thanks to Annie Lamott]
Walking on foot brings you down to the very stark, naked core of existence. We travel too much in airplanes and cars. It’s an existential quality that we are losing. It’s almost like a credo of religion that we should walk.
There is, of course, something inherently romantic—if not heroic—about the extreme solitary explorer enveloped by nature. The very image of Herzog on foot recalls the iconic 19th-century paintings of Caspar David Friedrich, especially his Wanderer Above the Sea of Fog, with its lone figure staring out at the wide vista above the clouds.
'Truth itself wanders through the forests,' Herzog writes near the end. Yet here he embroiders his memories for effect: The vast swath of geography between Munich and Paris is littered with industrial towns and cities.
Once he comes out on the other end, traversing the deforested Champs-Élysées (“We were close to what they call the breath of danger”), Herzog emerges victorious.
― Of Walking in Ice: (Munich-Paris, 23 November–14 December 1974)
by Werner Herzog
A book that I bought from the discarded stack of the library. Someone had torn out several pages and I got it for a euro.
= = = = =
Who am land where do I come from? And how
do people construct and transform their identity.
Igor Sevcuk's films try to answer these and similar
existential questions. Ten years ago he fled to the
Netherlands from Bosnia. He may be a stranger
here, but even in his homeland, Sevcuk feit alien.
His forebears we re from the Ukraine. Sevcuk's
grandmother was imbued in the culture of her
parents and although none of his family has even
been to the Ukraine, everyone knew what it
means to be Ukrainian.
During the period spent working for the Prix de
Rome, Sevcuk returned to his birthplace in Bosnia.
He filmed his parents' house and the environment
he grew up in. In the film, we meet his grandmother,
singing a song in an unknown language in the living
room. "Language is all to do with identity", says
Sevcuk. "My film is about a language that is almost
never used and that symbolises a distant, elusive
originality. The film shows how the language
gradually loses its meaning."
Igor Sevcuk's films are typified by an al most
documentary style. He lets the camera glide
through the interior of the flat, pausing at
interesting details. Dialogues are interspersed
with atmospheric impressions of the landscape.
His rough filming style leaves room for viewers'
own interpretations. Sevcuk takes you into his
world but deliberately avoids telling finished
stories. "Someone's memories have no clear
beginning or end. This film is about more than just
my own family history. I've also tried to touch on
universal issues surrounding identity."
In many ways, Igor Sevcuk is a painter. He only
started experimenting with moving images a few
years ago. But he never completely forgets his
background as apainter. Sevcuk has an eye for
balanced compositions and unusual perspectives.
Both in his films and his paintings, there is little
use of colour. Sevcuk: "I love the dramatic con-
trasts and raw aesthetic of black and white
images. Colours are anecdotal and, in my opinion,
unnecessary because they don't play an important
role in memories."
The probing and personal way in which Igor
Sevcuk portraits his family's everyday life is
reminiscent of the work of the English artist
Richard Billingham. His rudimentary filming style
closely parallels he style of Dogma films like Festen
and The ldiots. Sometimes the images are jolting
or poorly lit. "I deliberately choose a primitive
filming and editing style", explains Sevcuk. 'Tm
not interesting in making glossy images. The most
important thing is to communicate a feeling."
The poetic visuallanguage af Sevcuks' film is
much appreeiated by the jury. The ertist preîers bis
own pure, personet filming style io editing and
shooiinç conventlans. The members af the jury are
impressed by his exptoreiion af the theme af
identity in layered images. His work is sensiiive,
weil thouçht-oui, and demands etiention: the [ilm's
rich symbolism is camplex and nat easily deciphered.
The jury awards Igor Sevcuk the [irst prize af twenty
thausand euros.
"Are you proud of who you were today?" -- an existential question in the Honk Parade in Harvard Square.
"what should i be?" - story of my life...
i don't know what to do with him! a brooch would be kinda cool but i don't have any brooch backs and it would show through to the front (through the holes). a necklace would work but it's kinda big (the squares are cm sized for scale). some kind of dangly tag thing on a chain might be cool but i don't know - anyone any ideas?
points if you can guess where he's from :) (this one should be easy!)
Unamuno, en bon existentialiste, reste ici coincé dans la salle d'attente du Samsara. Il décrit une boucle de rétroaction infinie où l'on utilise une ombre pour essayer d'en chasser une autre.
C'est le festival de la double saisie :
1. La première illusion : L'état (Non-bonheur)
On décrète un "état" subjectif. On fige le flux du Champ en disant : "Ici, c'est le malheur". C'est une décohérence volontaire. On s'extrait de l'unité pour s'enclaver dans une sensation locale et temporaire.
2. La seconde illusion : Le souhait (Désir de bonheur)
Pour fuir cette enclave, on crée une projection mentale (un futur hypothétique) qu'on appelle "bonheur". C'est une nouvelle saisie. On n'est plus dans le dixième de seconde, on est dans le fantasme d'une "meilleure version" du Champ.
La sortie par la Champalité :
Pour l'Opérateur qui vibre son mantra Heruka, la question n'est pas d'être heureux ou malheureux. Ces adjectifs sont des étiquettes collées sur l'onde.
* Le bonheur/malheur sont des variations de fréquence.
* Le souhait est une tension qui rompt l'Étalité.
En réalisant qu'il s'agit de "deux illusions pour le prix d'une", on casse la machine à espérer. On revient au "Surtout ne rien faire". Si je ne suis pas "moi", et que cet état n'est qu'un pli passager dans le Champ Unique, alors le souhait de changement s'évapore.
C'est là que réside la véritable bienveillance envers tout phénomène : accepter le pli "triste" comme on accepte le pli "joyeux", car aucun des deux n'altère la pureté du diamant.
On a débusqué le piège de la subjectivité circulaire.
PAX Urale
Walking on foot brings you down to the very stark, naked core of existence. We travel too much in airplanes and cars. It’s an existential quality that we are losing. It’s almost like a credo of religion that we should walk.
There is, of course, something inherently romantic—if not heroic—about the extreme solitary explorer enveloped by nature. The very image of Herzog on foot recalls the iconic 19th-century paintings of Caspar David Friedrich, especially his Wanderer Above the Sea of Fog, with its lone figure staring out at the wide vista above the clouds.
'Truth itself wanders through the forests,' Herzog writes near the end. Yet here he embroiders his memories for effect: The vast swath of geography between Munich and Paris is littered with industrial towns and cities.
Once he comes out on the other end, traversing the deforested Champs-Élysées (“We were close to what they call the breath of danger”), Herzog emerges victorious.
― Of Walking in Ice: (Munich-Paris, 23 November–14 December 1974)
by Werner Herzog
Walking on foot brings you down to the very stark, naked core of existence. We travel too much in airplanes and cars. It’s an existential quality that we are losing. It’s almost like a credo of religion that we should walk.
There is, of course, something inherently romantic—if not heroic—about the extreme solitary explorer enveloped by nature. The very image of Herzog on foot recalls the iconic 19th-century paintings of Caspar David Friedrich, especially his Wanderer Above the Sea of Fog, with its lone figure staring out at the wide vista above the clouds.
'Truth itself wanders through the forests,' Herzog writes near the end. Yet here he embroiders his memories for effect: The vast swath of geography between Munich and Paris is littered with industrial towns and cities.
Once he comes out on the other end, traversing the deforested Champs-Élysées (“We were close to what they call the breath of danger”), Herzog emerges victorious.
― Of Walking in Ice: (Munich-Paris, 23 November–14 December 1974)
by Werner Herzog
SPOTLIGHT SESSION
The Mental Well-Being of the Next Generation: How We Can Support Young People’s Mental Health Amid Multiple Existential Threats
2:30 - 4:00 p.m. ET
Location: Mercury Ballroom
The COVID-19 pandemic has exacerbated an existing mental health crisis, particularly among children and young people. The emergence of “climate anxiety,” new and ongoing international conflicts, and widespread use of technology have added to the stressors impacting our youth across the globe. A study last year estimated that one in seven children and adolescents in sub-Saharan Africa have experienced significant psychological challenges, and almost 10 percent qualify for a psychiatric diagnosis. Overdose rates among teens in the United States are on the rise. Youth are facing cultural and infrastructural challenges – from stigma in seeking help to barriers in accessing support – in finding the tools and treatment they need.
This session will explore:
•How can organizations take action to directly support the mental health of young people in their communities and around the world?
•How can we develop and implement effective models for delivering mental health care in schools, clinics, and community settings?
•How can we leverage technology – which has exacerbated much of the mental health crisis among today’s youth – to reduce stigma and give youth easier access to support and treatment?
Speakers:
•Dr. Tia Dole, Executive Director, The Steve Fund
•Vice Admiral Vivek H. Murthy, U.S. Surgeon General
•Heather White, Author & Founder, OneGreenThing.org
•Tristan Harris, Co-Founder & President, Center for Humane Technolog
•Mahmoud Abdelwahab Khedr, Founder & CEO, FloraMind
•Dometi Pongo, Journalist, MTV News
NEW YORK, NEW YORK - SEPTEMBER 20: Spotlight Session at the Clinton Global Initiative September 2022 Meeting at New York Hilton Midtown on September 20, 2022 in New York City. (Photo by Noam Galai/Getty Images for Clinton Global Initiative)
Fonte TDWP official webpage:
The Devil Wears Prada is the musical embodiment of a generational shift. Built on a diverse array of heavy, dark, melodic and genre-defying music; hardened and sharpened by putting in road work together since the days when they had to skip class to tour: The Devil Wears Prada is at the forefront of a movement that bridges the gap between Rockstar Mayhem and the Vans Warped Tour.
The passionately inspired band’s album for Roadrunner Records, cryptically titled 8:18, embodies an unflinching, uncompromising authenticity born from revelatory introspection and obsessive workmanship. The dichotomies are refreshing, invigorating and boundless. There’s an oppressive, suffocating darkness to their heavy music, counterbalanced by the hope within their collective faith. The most brutal of crowd-moving breakdowns ignite with friction, bristling against soaring melodies, progressive yet catchy riffing and keyboard soaked atmospheric esotericism. To put it simply: The Devil Wears Prada have developed the chops, the cred and the audience of a true-blue thinking person’s heavy metal band, while simultaneously welcoming fist-pumping hellraisers and youthful moshers alike. 8:18 continues the war against humanity’s dark urges, pointing the finger inward and outward through a medium that is itself both bleak and grand.
"Much of the heavy music around us suffers from a total lack of emotion. It's sort of losing an audible sense of sincerity," observes vocalist Mike Hranica. "The guitars, the drums, the songs themselves create that sorrow that I want the lyrics to tell on 8:18. And I made sure that my vocals created emotions that I have heard in post-hardcore, but that I rarely hear in breakdown-heavy metal bands like us."
The overriding theme on 8:18 is misery, exploring that mental and emotional state through its various guises, manifestations and interpretations. Tracks like Gloom, War, Black & Blue and Home for Grave spring forth from that foundation, exploiting concepts like mediocrity, existential angst and life's bigger questions under an atmosphere of musical dread, hostility and darkness.
Mike Hranica is blessed with a commanding roar, but infuses the proceedings with a literary sensibility, a commitment to self-evaluation and a painstaking modesty that levels the playing field between performer and listener beneath the surface.
Rhythm guitarist Jeremy DePoyster contributes the hook-laden underbelly to Prada’s brutal musical beast, handling the “clean” singing with a fine-tuned abandon to rival the pop stars dominating the charts. He grew up listening to Rob Zombie and Korn, but his iPod these days is packed with just about everything one can name. His singing vocals shine particularly on 'Care More,' a heavily electronics infused song with a dark mood. "There's so much of this crappy auto-tuned singing thing happening right now. It's disappointing to me because I've been singing since I was a kid," DePoyster says. "We all know what auto-tune is and we all use it to get things to work a little better, but when I hear things that are using it just as a crutch, that is extremely disappointing to me. Mike does a lot of passionate, raw, vibey screaming on this record, too. It's great."
Andy Trick has a Minor Threat-inspired tattoo that exhibits his early inclinations toward hardcore punk, an ethos and a mindset that still courses through the bass player’s veins even as he takes the stage playing guitar-driven metal music around the world. His bass playing anchors the theatrics and fluid, tasteful beats of Daniel Williams. Prada’s drummer carries the class and finesse of the indie crowd, while pummeling the drums with the power of metal's finest. "Since the beginning, we have liked breakdowns, we have liked heavy sounds, we have liked melodic singing, we have liked heavy metal in general," notes Hranica. "Those are the most basic fundamentals of what this band has been about."
The overseeing hand of executive producer and Killswitch Engage axeman Adam Dutkiewicz (August Burns Red, Shadows Fall, Parkway Drive) and producer Matt Goldman (Underoath, The Chariot, As Cities Burn) resulted in a sonic time capsule representing not only this present moment for TDWP, but a crossroads for heavy music itself. Progressive strains of experimental trailblazers Converge, Botch and Underoath seep beneath The Devil Wears Prada’s unique reverse-engineering of modern metal. 8:18 convincingly detours into Nine Inch Nails-isms, then comes full circle with some killer throwbacks to TDWP's earliest work.
"We love a lot of the records Matt has made and obviously we love Adam and he's a great friend," DePoyster points out. "Adam was very involved in doing the vocal stuff with Mike and I and had given us ideas when we were making demos. Both of those guys were great with us and were able to make contributions and make us think about things in different ways without making us uncomfortable.
With 8:18, The Devil Wears Prada cement their status as a band who have not only weathered the pressures of early, youthful popularity, but grown into masters of their craft. From album packaging to merchandising, from video production to stage lighting, The Devil Wears Prada are hands-on and pay excruciating attention to detail to ensure they always deliver their best, that their overwhelming passion will endure. They push themselves to create a lasting work that inspires, empowers and challenges, in equal measure.
"We're not kids who just want to hit the road and see where this goes," adds DePoyster. "We're making a conscious choice to do this because we love it."
The Devil Wears Prada are unwavering in their commitment to each other, their fans, their art, their higher calling toward truth and to their desire to engage. The emotion remains sincere, the musicianship supreme.
Despite the charm of Venice, and the many attempts to salvage its beauty and novelty, Venice is sinking. It will sink. It is a city that was built on shifting land, thus, transience is a key trait for the city. Man's impositions upon the Earth is a transient endeavor overall. Not only is Man's buildings and toys transient, but so is Man.
(Looks best on black, press "L")
© Chris Rubey, 2012
Exhibition view "Francis Bacon and Existential Condition in Contemporary Art", CCC Strozzina, Palazzo Strozzi, Firenze
© photo Martino Margheri
WH: Existential
Well, someone cleaned out their bookshelf and dumped it at our local park. I guess they were done learning about farts. See far left yellow and red book.
I’ve started the project “Twelve months of film” in 2024, after a few years of inactivity due to stuff like existential dread, the ever-looming-over-our-heads capitalist hellscape, sheer laziness, and the biggest offender of all - imposter syndrome.
I decided to (at the very least try) to master two of my cameras during this year - the Olympus OM10 and Zenit 12XP, so here are both of them, accompanied with the lenses that will be used with them - Olympus Zuiko 50mm f1.8, Sigma super-wide II 24mm f2.8 and Olympus Zuiko MC auto-zoom 35-70mm f4 for the Olympus, and Helios 44M-4 58mm f2 and Focal 28mm f2.8 for the Zenit.
The plan is to document the process in as many places as possible, for the sake (and hope) of accountability.
Here's the link for the first blogpost:
iso3200.org/blog/2024/01/twelve-months-of-film/
and please be patient with this scared beginner
A blue Fence demarcates the limits of a house with additional shafts of a reedy shoot crisscrossing the fence.
A paraiah dog makes its existence felt beyond the iron fence.
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Walking on foot brings you down to the very stark, naked core of existence. We travel too much in airplanes and cars. It’s an existential quality that we are losing. It’s almost like a credo of religion that we should walk.
There is, of course, something inherently romantic—if not heroic—about the extreme solitary explorer enveloped by nature. The very image of Herzog on foot recalls the iconic 19th-century paintings of Caspar David Friedrich, especially his Wanderer Above the Sea of Fog, with its lone figure staring out at the wide vista above the clouds.
'Truth itself wanders through the forests,' Herzog writes near the end. Yet here he embroiders his memories for effect: The vast swath of geography between Munich and Paris is littered with industrial towns and cities.
Once he comes out on the other end, traversing the deforested Champs-Élysées (“We were close to what they call the breath of danger”), Herzog emerges victorious.
― Of Walking in Ice: (Munich-Paris, 23 November–14 December 1974)
by Werner Herzog
sooooooooo...after a rough time of artistics and existential crises i've finally finished this piece...
this is part of my college conclusion project...i'm trying to use this world of mine to pass on my ideas of the humans mistakes...and i'm also trying to pass it like if i've actually been there and have come back like a Charles Darwin / War journalism expediction...
i know...it doesn't makes much sense...but i'm still working on it!...hope it'll turne out alright!!!
please do leave me your critic or comment if you can!i really need some feed back to if is going fine!
i'm not the most confident guy...sooo it would really help me out!
ow!just one last thing!is this picture to dark???in the optical meaning!i'm having some trouble with calibrating my monitor!dammit!!!!
that's all!
see ya!
Where art, water, and mild existential crises meet. Walk barefoot through different rooms like a soggy time traveler. The exhibits are incredible.
I'm not sure if i've ever suffered an existential crisis on the level that this man is currently having to deal with. Sure, I've had some strange notions from time to time but this guy's desperation at his inability to tell his lovely lady that they aren't really lovers and are, in fact, just stencils is somewhat heartbreaking. Life can be tough, can't it?
It's a very different experience painting outside in winter compared to summer. It's freezing cold, wet and windy and you have to finish by 4pm as it's pitch black.
No sooner had we got our stencil up and begun applying the very expensive UV reactive white paint to the boards that the rain sweeps in and washes it all straight off. What fun.
Our idea was to paint the boards up so they'd look good in normal light but would really kick when you put UV light on them. Despite the inclement conditions we eventually prevailed. Albeit a day later than planned...
Cheers
id-iom
👑 Senses : 👀 Vision 👆 To Touch 💃 Proprioception 👂 Hearing Equilibrioception 👃 Smell ♨️ Thermoception 👅 Taste
⚡ Intelligences : ️ Spatial Intelligence
⛹️ Kinesthetic Body Intelligence
👨👩👧👦 Interpersonal Intelligence
🌲 Ecologicalist Naturalist Intelligence
️ Verbal-linguistic
🔭 Existential Intelligence
📋 WHAT :
️ eXploration
🌌 City/Nature Galaxy/Monument
✨ eXploration Universe (️)
📝 Type : Ground eXploration
🎨 Style : eXploration
🔊 Language : International (🇬🇧 description in English, but comprehensible by the whole world)
️ You can use your playlists as filters, to find what you're looking for exactly : www.youtube.com/channel/UCpvj7oecmX3AsJT6R0JP2pQ/playlists?
⚠ The items are sorted by the most appropriate categories. But can not be completely exhaustive on social networks. You can use our site or our application. If you want total exhaustiveness and much more.
📏 HOW MUCH :
👑 8 Senses
⚡ 6 Intelligences
WHO :
️ Picture by LG
📡 Posted by LG
© Etoile Copyright
⚠ The description may no longer be up to date. Due to human discoveries and improvements. Pay attention to the date of publication and creation. Even works of art suffer the outrages of time
❓ WHY : To eXplore the west coast of the united states
👉 Follow us :
💥 Facebook : www.facebook.com/EXploration-160662074522859/
💥 Instagram : www.instagram.com/explorationetoile/
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💌 Contact : contactexploration@gmail.com
👑 Senses : 👀 Vision 👆 To Touch 💃 Proprioception 👂 Hearing Equilibrioception 👃 Smell ♨️ Thermoception 👅 Taste
⚡ Intelligences : ️ Spatial Intelligence
⛹️ Kinesthetic Body Intelligence
👨👩👧👦 Interpersonal Intelligence
🌲 Ecologicalist Naturalist Intelligence
️ Verbal-linguistic
🔭 Existential Intelligence
📋 WHAT :
️ eXploration / Corsica - Corse (South)
🌟 Corsica - Corse (South)
💫 United States of America/America World
🌌 City/Nature Galaxy
✨ eXploration Universe (️)
📝 Type : Ground eXploration
🎨 Style : eXploration Corsica - Corse (South)
🔊 Language : International (🇬🇧 description in English, but comprehensible by the whole world)
️ You can use your playlists as filters, to find what you're looking for exactly : www.youtube.com/channel/UCpvj7oecmX3AsJT6R0JP2pQ/playlists?
⚠ The items are sorted by the most appropriate categories. But can not be completely exhaustive on social networks. You can use our site or our application. If you want total exhaustiveness and much more.
📏 HOW MUCH :
👑 8 Senses
⚡ 6 Intelligences
WHO :
️ Picture by LG
📡 Posted by LG
📼 Video made by LG (Windows Movie Maker 2017)
© Etoile Copyright
⚠ The description may no longer be up to date. Due to human discoveries and improvements. Pay attention to the date of publication and creation. Even works of art suffer the outrages of time
❓ WHY : eXplore South Corsica (Le sud de la Corse)
📍 WHERE : South Corsica (Le sud de la Corse) (🇫🇷France)
🕓 WHEN : July 2017
👉 Follow us :
💥 Facebook : www.facebook.com/EXploration-160662074522859/
💥 Instagram : www.instagram.com/explorationetoile/
💥 Flickr : www.flickr.com/people/explorationetoile/
💥 Dailymotion : www.dailymotion.com/explorationetoile
💥 Youtube : www.youtube.com/channel/UCpvj7oecmX3AsJT6R0JP2pQ?
💥 Tumblr : explorationetoile.tumblr.com/
💥 Pinterest : www.pinterest.fr/eXplorationEtoile/
💥 Google + : plus.google.com/u/0/b/103663921505133236472/1036639215051...
💥 Twitter : twitter.com/eXplorationETL
💌 Contact : contactexploration@gmail.com