View allAll Photos Tagged execution,
"Get away from her, you bitch!"
Imagine the impact of killing a doctor in a world like this. Murdering a walking compendium of science and knowledge. It would be like killing a world.
"My dear Brother, when you receive this letter, I shall be dead by then. Tomorrow at 7, I shall be shot; but I am innocent of the crime of rebellion... "
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Jose Rizal's final letter to friend Fernando Blumentrit)
A very interesting read is the Encyclopaedia of Executions that covers each execution in Britian in the Twentieth Century.
Title / Titre :
Making a fill in /
Execution d'un remblai
Creator(s) / Créateur(s) : Unknown / Inconnu
Date(s) : Unknown / Inconnu
Reference No. / Numéro de référence : MIKAN 4359693
collectionscanada.gc.ca/ourl/res.php?url_ver=Z39.88-2004&...
collectionscanada.gc.ca/ourl/res.php?url_ver=Z39.88-2004&...
Location / Lieu : Canada
Credit / Mention de source :
Canadian Baptist Archives. Library and Archives Canada, e010952639 /
Canadian Baptist Archives. Bibliothèque et Archives Canada, e010952639
Den of Imagination - Your Miniature Painting Service
We are a registered studio in Torun, Poland. We have been in line of work since 2008. Our still growing staff of painters and sculptors is ready to work on any project you can imagine!
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Den of Imagination - Your Miniature Painting Service
We are a registered studio in Torun, Poland. We have been in line of work since 2008. Our still growing staff of painters and sculptors is ready to work on any project you can imagine!
We are credible, solid and reliable. We work best with large commissions and we guarantee fast service.
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Den of Imagination - Your Miniature Painting Service
We are a registered studio in Torun, Poland. We have been in line of work since 2008. Our still growing staff of painters and sculptors is ready to work on any project you can imagine!
We are credible, solid and reliable. We work best with large commissions and we guarantee fast service.
------------------------------------------------------------------------------------------
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Den of Imagination - Your Miniature Painting Service
We are a registered studio in Torun, Poland. We have been in line of work since 2008. Our still growing staff of painters and sculptors is ready to work on any project you can imagine!
We are credible, solid and reliable. We work best with large commissions and we guarantee fast service.
------------------------------------------------------------------------------------------
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This is an old gas station
in downtown L.A. that I passed during
a somewhat lonely, desolate walk around
the mostly abandoned streets. I walked down
one long boulevard, empty of any noticeable
life forms, that crossed underneath a freeway
overpass, where a hooded man solitarily
was going through cardboard boxed filled with
clothes and other items. I thought about asking
for his photo, as is my usual inclination,
but sensed that he needed to be left alone,
and I walked on, drawn by the
burnt orange light of
this Shell Station on Santa Fe Street
in the distance
like a beacon of potential,
a sign of life,
beaming to me
across the sad, dark sea.
Then I went to a party.
Lisa Schilling, RN, MPH, vice president, Healthcare Performance Improvement and Execution at Kaiser Permanente gives closing remarks during the forum. All photographs by Nicka Smith, Kaiser Permanente Institute for Health Policy
Den of Imagination - Your Miniature Painting Service
We are a registered studio in Torun, Poland. We have been in line of work since 2008. Our still growing staff of painters and sculptors is ready to work on any project you can imagine!
We are credible, solid and reliable. We work best with large commissions and we guarantee fast service.
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Photo #2 from the series
the shoot was actually to depict on how does a wet market looks like after everyone gone (about 5-6pm) and to get some dramatic shadows for the photos. it was an overcasted day so i didn't get the shadows i want.
however, the first thing that nabbed my attention as i entered the market was was there were chickens being locked up in tiny cages for waiting to be executed, which i am pretty sure, not by choice. (what you see on the first photograph). the cage was so small, there's barely room for them to move or stand properly.
then as i walked around, i came across a section where various meats were hung about for sale. (photograph number two) this is the place were buy/sell takes place in the morning.
last but not least, (photograph number 3) is where the remains/leftovers of the slaughtered chicken were dumped. it was actually right next to the cages of chicken. the place looks like a holocaust for animals that we actually feed on. the whole place has a disconcerting stench of blood as well.
like i said, i'm not much of a PETA person like pamela anderson or neither am i a vegetarian, but somehow, i do think that we could make some kind of changes can be made to treat them better. at the current rate that we're going, it's a suprise that there's no major plaque breakout from the the way we handle the poultry and farm animals.
Medium: T-Max Film (film border is left purposedly for my own reference)
Julian Assange supports NSA whistleblower Ed Snowden in speech transcript - London 22.06.2013
Wikileaks founder Julian Assange released a transcript of a scheduled speech - cancelled suddenly for security reasons - to members of the press and the crowd of Assange and Bradley (now Chelsea) Manning supporters outside the Ecuadorean embassy, in which Assange called for global support for fugitive ex-NSA whistleblower Ed Snowden whose whistleblowing document leaks have shocked the world as it discovered the unimaginably vast scale of illegal eavesdropping and surveillance carried out on ordinary citizens, politicians and businesses by the National Security Agency in tandem with GCHQ in the UK and national security agencies all over Europe and with Mossad in Israel.
All photos © 2013 Pete Riches
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The work of Hrair Sarkissian (SY) "Execution Squares" is being hosted in the Teaching Room of the prison within the frame of the 21st Photobiennale.
Thessaloniki, May 2010
People (criminals) were executed in this edifice in ancient Tripura. It is situated in Kailash shahar, Tripura, on top of a mountain. Earlier, there were no roads leading to the place. There was a small bridge to cross a river. Now there is a bridge, wide enough to let cars pass.
This edifice is also known as the Bhubaneswari temple, and was built by Maharaja Govinda Manikya in 1660 AD.
Hanging is actually probably the least painful method of execution-- but we prefer to inject these days.
Den of Imagination - Your Miniature Painting Service
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The automation via robotic solutions like warehouse execution software and warehouse robots is becoming trendy as they are proving to be an excellent way to boost productivity and efficiency within the fulfillment and distribution centers.
I wrote software that creates delaunay triangulation behind the mouse. I printed it out on an inkjet and used a lightbox to trace it with pen.
Title: The Arnold Residence Project
Architect: Raiford Stripling Associates Inc. Architects
Document Type: Drawing
Format: Pencil on Vellum
Physical Description: 92 x 62 cm
Digitization Date: 2009-06
Project Name: Revised Preliminary Plans for a Toledo Bend Lakeside Residence for Dr. and Mrs. H.P. Arnold
Building Location: Please contact the Cushing Library for further information
Drawing Execution Date: 1983
Descriptive Notes: 2 sheets of of blueprints, 1 sheet of architectural drawing, 5 sheets of construction drawings
Repository: Cushing Memorial Library and Archives, Texas A& M University, College Station, Texas
Repository Collection: The Raiford Leak Stripling Architecture Collection
Order Number: 25/6
Inventory Correspondence: 12-4a, 12-4b
Contact Information: Email: cushing-library@tamu.edu Phone: 979-845-1951.
Copyright: It is the users responsibility to secure permission from the copyright holders for publication of any materials. Permission must be obtained in writing prior to publication. Please contact the Cushing Memorial Library for further information.
ift.tt/2gcJ4q2 #Execution of Maximilian I of Mexico, and Generals Miramón and Mejía, 19 June 1867 [1476 × 1026 px] #history #retro #vintage #dh #HistoryPorn ift.tt/2fmjk9L via Histolines
DAWN Special report: Darkly, through a decade of disquiet
Ghazi Salahuddin, January 07, 2018
A few weeks after Zulfikar Ali Bhutto’s execution, I drove to his grave with my family. In Larkana, Benazir was receiving people who were coming for condolences. A Sindhi-language journalist led us into her presence. When informed that I was in Dawn, she apparently was not very pleased and said the meeting was not to be reported.
But when I told her my name and said that I wrote ‘Karachi Diary’, everything suddenly changed. She called a friend rather excitedly: “Come, come”. And I felt extremely flattered when she quoted some sentences from my recent columns.
This was an exceptional instance of the kind of feedback that Karachi Diary would occasionally provoke during those days of pain and anxiety. Almost the entire nation was in a state of bereavement. Readers of Dawn, drawn from more literate and more enlightened segments of society, were particularly irked by that drift towards militant obscurantism.
Since those days of the long night of Ziaul Haq’s Martial Law are now slipping out of living memory, I sometimes try to awaken the interest of the present generation of our youth in the historical significance of that period. A valid point of reference is the role of the media in its abiding pursuit of freedom and the ability to portray the pulsating reality of the moment.
But the media itself is the mirror of how things have changed. It has risen to new depths of depravity. Besides, because of our pathological disdain for history, we do not much care about the choices we have made as a nation. Hence, when I reminisce about the weekly column that I wrote in Dawn for just over a decade, until I left to be part of a great journalistic adventure of the launching of The News, I feel the passing of a world that has been lost forever.
Dawn in those days was the predominant English newspaper and one would assume that it had considerable influence on policy as well as the thinking of the intelligentsia. That is why I see that opportunity of writing a column as the pride of my very long stint as a journalist. But it was the timing of it that mattered.
Now, Dawn has had a long and illustrious list of regular columnists and I was hoping to make an honourable mention of a number of them. However, I gave up when the names flickered on my mind’s screen because there are so many of them. My thoughts about them also made me realise that my own contribution was not of much consequence. Which, in an inverted sense, is the reason I want to recall that experience.
Opinion pieces in a newspaper, ideally, are meant to inspire sober reflection with their analyses of certified ground realities. But Karachi Diary was more emotional and more subjective. There were restrictions on the media and the overall social environment was oppressive. So I resorted to writing between the lines, frequently leaning on poetry. The first column I wrote after press censorship was imposed on October 16, 1979, had an entire poem of Faraz – published in Urdu without translation.
Yes, Karachi Diary was not an appropriate title for a column devoted to larger national issues. It was intended to cover the cultural and literary activities of the city. But with the advent of Martial Law, I gradually and surreptitiously shifted its focus and was encouraged by its response. It became so personal and passionate in its setting that the birth of my younger daughter during the unrest before the imposition of Martial Law became an allegory of hope as well as apprehension about the future.
At one level, my column became the requiem for the hanging of Zulfikar Ali Bhuttto. A national trauma was reduced to private grief for the readers. This was followed by a long struggle for democracy. Then, there was Karachi and the initiation of its unending depredation. All across, there was a loss of hope and I was somehow able to render the popular distress in a defiant tone.
In the wake of press censorship, there was a time when writing about Bhutto was not allowed. I realised that Martin Luther King was assassinated on the 4th of April, the date on which Bhutto was hanged. So I would write about King and the personification was perfect, with quotations (‘I have a dream’) that fully illustrated the Pakistani situation. I also did not forget to mention that King was a Capricorn – as was Bhutto.
There were other similar allusions. This was the time when Faiz spent his final years in Pakistan and he died during Zia’s reign – in late 1984. So, I wrote about what it meant to have a Faiz in our lives. It is strange how his poetry has provided captions to our political experiences, also quoted endlessly by his ideological adversaries.
One reason why I had a good following was that Karachi Diary, along with other columns, was a regular feature of Dawn Overseas Weekly, published mainly for our diplomatic missions abroad.
I remember that there were many suggestions, including from some distinguished individuals, that I do a book of selected columns. My excuse was that there were so many hints and covert references to the week’s developments that every column would need footnotes.
I have not quoted from my columns but, to conclude, here is something that should give you some idea of what it was. In February 1979, five days before the Supreme Court judgment on Bhutto’s case, I had met his minister of external affairs Aziz Ahmad. This was the last paragraph of a column I wrote after Bhutto’s hanging:
“Anyhow, I wondered why Mr Bhutto had to suddenly leave for a tour of some Muslim countries in June 1977, leaving the signing of the accord with the PNA. Mr Aziz Ahmad said he had asked Mr Bhutto the same question and added that Mr Bhutto had given an enigmatic answer. What was that answer? He told Mr Aziz Ahmad: ‘I went to say goodbye’.”
Courtesy: The Dawn
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Commander's log, date 05.03.2735:
My execution came and went. I had been 'cuffed again, and a hood had been put over my head. I was ready to die. I figured I could at least die with the satisfactory knowledge that I hadn't given away any DDF secrets. But then I heard some screams. They were the screams of the guards, as Jim was decapitating them. He rescued me, and I was quite astounded to see him. After all, I had believed him to be dead. But he explained the situation to me. He had actually come across a DM underwater patrol in the pond. It was the DM underwater patrol's blood I had seen, not Jim's. But he had gotten caught on a rock down there, so it was a while before he surfaced. He found a lone DM soldier and killed him to get weapons. Then he gathered intel and found me. And what a relief that was! Now, Jim and I shall return to base to resume our normal activities.
Jeremy Croup, Commander of the DDF, signing out.
Isolated inside its own fenced courtyard, the small building is known simply enough as the execution chamber. Between the years of 1937 and 1989, 39 or 40 (depending on the source) inmates were put to death inside the structure. All of the executions, save one, were conducted in the state's gas chamber where the sealed unit was filled with cyanide gas. The sole exception was the prison's last execution on January 26, 1989.
Missouri State Penitentiary
Jefferson City Missouri
Cole County
CCM presents Emily Mann's EXECUTION OF JUSTICE April 18 – 20 in UC's Cohen Family Studio Theater. This chilling examination of the trial of Dan White for the murder of Harvey Milk and George Moscone features (left to right) CCM Drama students Jaclyn Chantel, Sarah Vargo, Bailie Breaux, Mary Malloy, Carli Rhoades and Cait Penson. Michael Burnham directs.
Admission to EXECUTION OF JUSTICE is free, but reservations are required. Tickets become available at noon on Monday, April 15 – visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order. This production contains mature subject matter.
Photo by senior Lighting Designer major Nikolas Robalino