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Sprites schools, Ipswich
Johns, Slater Haward for Ipswich Borough Council, 1960.
Sculpture reliefs by Bernard Reynolds.
In the 1960s, the Borough Council planned for an expansion of Ipswich to three times its size. This never happened, but there was a considerable and largely unnecessary rebuilding of the town centre to give it a metropolitan character, many of the buildings designed to line an aborted urban motorway.
Not many of these new buildings were good. Perhaps the most notorious was the Greyfriars complex by Vine & Vine (1964-66, largely demolished apart from the towers in the early 1990s).
However, local architectural practice Johns, Slater Haward were responsible for some excellent structures that survive today to adorn the Borough. At a time when brutalism and modernism were fashionable, the firm of Johns, Slater Haward designed buildings of real character, with a jauntiness that looked back to the Festival of Britain, and forward towards the post-modernism of Norman Foster and Richard Rogers.
Their major buildings in the Borough included Ipswich Civic College (now Suffolk College), Castle Hill United Reformed Church, Harvest House (HQ building fo Fisons, now a business centre), Suffolk House (now AXA Insurance), Colchester Road fire station, and the East Anglian Daily Times building.
They also designed a number of schools for Ipswich Borough Council, which had responsibility for education in the Borough before 1974. The best of these, and a building of national significance, was the group known as Sprites Schools, today converted into a single primary school.
Sprites Schools was designed as a sequence of linked glass pavilions set in a field. The roofs are hyperbolic, curving to low and high points at the corners. Low, structural brick walls do not intrude. Wooden framing for the windows divides the glass walls into pleasing rectangles. Paths and grassed areas were arranged in parallel to walls to create another layer of lines leading to secluded courtyards. The sculptor Bernard Reynolds, responsible for a number of public artworks in the Borough, created reliefs that give a lively feel to the structural walls. When lit up at light, the pavilions were intended to appear like a caravan in the desert.
Unusually for buildings of the time, the schools were intended to mature, with trees growing to surround the pavilions and create a woodland effect. Sir Niklaus Pevsner, in The Buildings of England, admired Sprites Schools greatly, and they are the only post-war school in the county to appear in his Suffolk volume. The overall design has withstood the test of time, although, as with many late 1950s and early 1960s buildings, the schools were created for a low-fuel-price economy, and the lower and upper parts of most of the glass walls have now been filled in to save costs on heating and ventilation.
Addition of a nursery in 1995 celebrated and enhanced the original architecture, but conversion to a single school by Suffolk County Council in 2004 created an uneasy linkage that spoils the openness the main inner courtyard. Even so, the sheer exuberance of the original buildings survives. They are best seen from Hawthorn Drive across the playing fields, especially when lit up on a late winter afternoon.
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Sprites schools, Ipswich
Johns, Slater Haward for Ipswich Borough Council, 1960.
Sculpture reliefs by Bernard Reynolds.
In the 1960s, the Borough Council planned for an expansion of Ipswich to three times its size. This never happened, but there was a considerable and largely unnecessary rebuilding of the town centre to give it a metropolitan character, many of the buildings designed to line an aborted urban motorway.
Not many of these new buildings were good. Perhaps the most notorious was the Greyfriars complex by Vine & Vine (1964-66, largely demolished apart from the towers in the early 1990s).
However, local architectural practice Johns, Slater Haward were responsible for some excellent structures that survive today to adorn the Borough. At a time when brutalism and modernism were fashionable, the firm of Johns, Slater Haward designed buildings of real character, with a jauntiness that looked back to the Festival of Britain, and forward towards the post-modernism of Norman Foster and Richard Rogers.
Their major buildings in the Borough included Ipswich Civic College (now Suffolk College), Castle Hill United Reformed Church, Harvest House (HQ building fo Fisons, now a business centre), Suffolk House (now AXA Insurance), Colchester Road fire station, and the East Anglian Daily Times building.
They also designed a number of schools for Ipswich Borough Council, which had responsibility for education in the Borough before 1974. The best of these, and a building of national significance, was the group known as Sprites Schools, today converted into a single primary school.
Sprites Schools was designed as a sequence of linked glass pavilions set in a field. The roofs are hyperbolic, curving to low and high points at the corners. Low, structural brick walls do not intrude. Wooden framing for the windows divides the glass walls into pleasing rectangles. Paths and grassed areas were arranged in parallel to walls to create another layer of lines leading to secluded courtyards. The sculptor Bernard Reynolds, responsible for a number of public artworks in the Borough, created reliefs that give a lively feel to the structural walls. When lit up at light, the pavilions were intended to appear like a caravan in the desert.
Unusually for buildings of the time, the schools were intended to mature, with trees growing to surround the pavilions and create a woodland effect. Sir Niklaus Pevsner, in The Buildings of England, admired Sprites Schools greatly, and they are the only post-war school in the county to appear in his Suffolk volume. The overall design has withstood the test of time, although, as with many late 1950s and early 1960s buildings, the schools were created for a low-fuel-price economy, and the lower and upper parts of most of the glass walls have now been filled in to save costs on heating and ventilation.
Addition of a nursery in 1995 celebrated and enhanced the original architecture, but conversion to a single school by Suffolk County Council in 2004 created an uneasy linkage that spoils the openness the main inner courtyard. Even so, the sheer exuberance of the original buildings survives. They are best seen from Hawthorn Drive across the playing fields, especially when lit up on a late winter afternoon.
Sprites schools, Ipswich
Johns, Slater Haward for Ipswich Borough Council, 1960.
Sculpture reliefs by Bernard Reynolds.
In the 1960s, the Borough Council planned for an expansion of Ipswich to three times its size. This never happened, but there was a considerable and largely unnecessary rebuilding of the town centre to give it a metropolitan character, many of the buildings designed to line an aborted urban motorway.
Not many of these new buildings were good. Perhaps the most notorious was the Greyfriars complex by Vine & Vine (1964-66, largely demolished apart from the towers in the early 1990s).
However, local architectural practice Johns, Slater Haward were responsible for some excellent structures that survive today to adorn the Borough. At a time when brutalism and modernism were fashionable, the firm of Johns, Slater Haward designed buildings of real character, with a jauntiness that looked back to the Festival of Britain, and forward towards the post-modernism of Norman Foster and Richard Rogers.
Their major buildings in the Borough included Ipswich Civic College (now Suffolk College), Castle Hill United Reformed Church, Harvest House (HQ building fo Fisons, now a business centre), Suffolk House (now AXA Insurance), Colchester Road fire station, and the East Anglian Daily Times building.
They also designed a number of schools for Ipswich Borough Council, which had responsibility for education in the Borough before 1974. The best of these, and a building of national significance, was the group known as Sprites Schools, today converted into a single primary school.
Sprites Schools was designed as a sequence of linked glass pavilions set in a field. The roofs are hyperbolic, curving to low and high points at the corners. Low, structural brick walls do not intrude. Wooden framing for the windows divides the glass walls into pleasing rectangles. Paths and grassed areas were arranged in parallel to walls to create another layer of lines leading to secluded courtyards. The sculptor Bernard Reynolds, responsible for a number of public artworks in the Borough, created reliefs that give a lively feel to the structural walls. When lit up at light, the pavilions were intended to appear like a caravan in the desert.
Unusually for buildings of the time, the schools were intended to mature, with trees growing to surround the pavilions and create a woodland effect. Sir Niklaus Pevsner, in The Buildings of England, admired Sprites Schools greatly, and they are the only post-war school in the county to appear in his Suffolk volume. The overall design has withstood the test of time, although, as with many late 1950s and early 1960s buildings, the schools were created for a low-fuel-price economy, and the lower and upper parts of most of the glass walls have now been filled in to save costs on heating and ventilation.
Addition of a nursery in 1995 celebrated and enhanced the original architecture, but conversion to a single school by Suffolk County Council in 2004 created an uneasy linkage that spoils the openness the main inner courtyard. Even so, the sheer exuberance of the original buildings survives. They are best seen from Hawthorn Drive across the playing fields, especially when lit up on a late winter afternoon.
Sprites schools, Ipswich
Johns, Slater Haward for Ipswich Borough Council, 1960.
Sculpture reliefs by Bernard Reynolds.
In the 1960s, the Borough Council planned for an expansion of Ipswich to three times its size. This never happened, but there was a considerable and largely unnecessary rebuilding of the town centre to give it a metropolitan character, many of the buildings designed to line an aborted urban motorway.
Not many of these new buildings were good. Perhaps the most notorious was the Greyfriars complex by Vine & Vine (1964-66, largely demolished apart from the towers in the early 1990s).
However, local architectural practice Johns, Slater Haward were responsible for some excellent structures that survive today to adorn the Borough. At a time when brutalism and modernism were fashionable, the firm of Johns, Slater Haward designed buildings of real character, with a jauntiness that looked back to the Festival of Britain, and forward towards the post-modernism of Norman Foster and Richard Rogers.
Their major buildings in the Borough included Ipswich Civic College (now Suffolk College), Castle Hill United Reformed Church, Harvest House (HQ building fo Fisons, now a business centre), Suffolk House (now AXA Insurance), Colchester Road fire station, and the East Anglian Daily Times building.
They also designed a number of schools for Ipswich Borough Council, which had responsibility for education in the Borough before 1974. The best of these, and a building of national significance, was the group known as Sprites Schools, today converted into a single primary school.
Sprites Schools was designed as a sequence of linked glass pavilions set in a field. The roofs are hyperbolic, curving to low and high points at the corners. Low, structural brick walls do not intrude. Wooden framing for the windows divides the glass walls into pleasing rectangles. Paths and grassed areas were arranged in parallel to walls to create another layer of lines leading to secluded courtyards. The sculptor Bernard Reynolds, responsible for a number of public artworks in the Borough, created reliefs that give a lively feel to the structural walls. When lit up at light, the pavilions were intended to appear like a caravan in the desert.
Unusually for buildings of the time, the schools were intended to mature, with trees growing to surround the pavilions and create a woodland effect. Sir Niklaus Pevsner, in The Buildings of England, admired Sprites Schools greatly, and they are the only post-war school in the county to appear in his Suffolk volume. The overall design has withstood the test of time, although, as with many late 1950s and early 1960s buildings, the schools were created for a low-fuel-price economy, and the lower and upper parts of most of the glass walls have now been filled in to save costs on heating and ventilation.
Addition of a nursery in 1995 celebrated and enhanced the original architecture, but conversion to a single school by Suffolk County Council in 2004 created an uneasy linkage that spoils the openness the main inner courtyard. Even so, the sheer exuberance of the original buildings survives. They are best seen from Hawthorn Drive across the playing fields, especially when lit up on a late winter afternoon.
Sprites schools, Ipswich
Johns, Slater Haward for Ipswich Borough Council, 1960.
Sculpture reliefs by Bernard Reynolds.
In the 1960s, the Borough Council planned for an expansion of Ipswich to three times its size. This never happened, but there was a considerable and largely unnecessary rebuilding of the town centre to give it a metropolitan character, many of the buildings designed to line an aborted urban motorway.
Not many of these new buildings were good. Perhaps the most notorious was the Greyfriars complex by Vine & Vine (1964-66, largely demolished apart from the towers in the early 1990s).
However, local architectural practice Johns, Slater Haward were responsible for some excellent structures that survive today to adorn the Borough. At a time when brutalism and modernism were fashionable, the firm of Johns, Slater Haward designed buildings of real character, with a jauntiness that looked back to the Festival of Britain, and forward towards the post-modernism of Norman Foster and Richard Rogers.
Their major buildings in the Borough included Ipswich Civic College (now Suffolk College), Castle Hill United Reformed Church, Harvest House (HQ building fo Fisons, now a business centre), Suffolk House (now AXA Insurance), Colchester Road fire station, and the East Anglian Daily Times building.
They also designed a number of schools for Ipswich Borough Council, which had responsibility for education in the Borough before 1974. The best of these, and a building of national significance, was the group known as Sprites Schools, today converted into a single primary school.
Sprites Schools was designed as a sequence of linked glass pavilions set in a field. The roofs are hyperbolic, curving to low and high points at the corners. Low, structural brick walls do not intrude. Wooden framing for the windows divides the glass walls into pleasing rectangles. Paths and grassed areas were arranged in parallel to walls to create another layer of lines leading to secluded courtyards. The sculptor Bernard Reynolds, responsible for a number of public artworks in the Borough, created reliefs that give a lively feel to the structural walls. When lit up at light, the pavilions were intended to appear like a caravan in the desert.
Unusually for buildings of the time, the schools were intended to mature, with trees growing to surround the pavilions and create a woodland effect. Sir Niklaus Pevsner, in The Buildings of England, admired Sprites Schools greatly, and they are the only post-war school in the county to appear in his Suffolk volume. The overall design has withstood the test of time, although, as with many late 1950s and early 1960s buildings, the schools were created for a low-fuel-price economy, and the lower and upper parts of most of the glass walls have now been filled in to save costs on heating and ventilation.
Addition of a nursery in 1995 celebrated and enhanced the original architecture, but conversion to a single school by Suffolk County Council in 2004 created an uneasy linkage that spoils the openness the main inner courtyard. Even so, the sheer exuberance of the original buildings survives. They are best seen from Hawthorn Drive across the playing fields, especially when lit up on a late winter afternoon.
Sprites schools, Ipswich
Johns, Slater Haward for Ipswich Borough Council, 1960.
Sculpture reliefs by Bernard Reynolds.
In the 1960s, the Borough Council planned for an expansion of Ipswich to three times its size. This never happened, but there was a considerable and largely unnecessary rebuilding of the town centre to give it a metropolitan character, many of the buildings designed to line an aborted urban motorway.
Not many of these new buildings were good. Perhaps the most notorious was the Greyfriars complex by Vine & Vine (1964-66, largely demolished apart from the towers in the early 1990s).
However, local architectural practice Johns, Slater Haward were responsible for some excellent structures that survive today to adorn the Borough. At a time when brutalism and modernism were fashionable, the firm of Johns, Slater Haward designed buildings of real character, with a jauntiness that looked back to the Festival of Britain, and forward towards the post-modernism of Norman Foster and Richard Rogers.
Their major buildings in the Borough included Ipswich Civic College (now Suffolk College), Castle Hill United Reformed Church, Harvest House (HQ building fo Fisons, now a business centre), Suffolk House (now AXA Insurance), Colchester Road fire station, and the East Anglian Daily Times building.
They also designed a number of schools for Ipswich Borough Council, which had responsibility for education in the Borough before 1974. The best of these, and a building of national significance, was the group known as Sprites Schools, today converted into a single primary school.
Sprites Schools was designed as a sequence of linked glass pavilions set in a field. The roofs are hyperbolic, curving to low and high points at the corners. Low, structural brick walls do not intrude. Wooden framing for the windows divides the glass walls into pleasing rectangles. Paths and grassed areas were arranged in parallel to walls to create another layer of lines leading to secluded courtyards. The sculptor Bernard Reynolds, responsible for a number of public artworks in the Borough, created reliefs that give a lively feel to the structural walls. When lit up at light, the pavilions were intended to appear like a caravan in the desert.
Unusually for buildings of the time, the schools were intended to mature, with trees growing to surround the pavilions and create a woodland effect. Sir Niklaus Pevsner, in The Buildings of England, admired Sprites Schools greatly, and they are the only post-war school in the county to appear in his Suffolk volume. The overall design has withstood the test of time, although, as with many late 1950s and early 1960s buildings, the schools were created for a low-fuel-price economy, and the lower and upper parts of most of the glass walls have now been filled in to save costs on heating and ventilation.
Addition of a nursery in 1995 celebrated and enhanced the original architecture, but conversion to a single school by Suffolk County Council in 2004 created an uneasy linkage that spoils the openness the main inner courtyard. Even so, the sheer exuberance of the original buildings survives. They are best seen from Hawthorn Drive across the playing fields, especially when lit up on a late winter afternoon.
Sprites schools, Ipswich
Johns, Slater Haward for Ipswich Borough Council, 1960.
Sculpture reliefs by Bernard Reynolds.
In the 1960s, the Borough Council planned for an expansion of Ipswich to three times its size. This never happened, but there was a considerable and largely unnecessary rebuilding of the town centre to give it a metropolitan character, many of the buildings designed to line an aborted urban motorway.
Not many of these new buildings were good. Perhaps the most notorious was the Greyfriars complex by Vine & Vine (1964-66, largely demolished apart from the towers in the early 1990s).
However, local architectural practice Johns, Slater Haward were responsible for some excellent structures that survive today to adorn the Borough. At a time when brutalism and modernism were fashionable, the firm of Johns, Slater Haward designed buildings of real character, with a jauntiness that looked back to the Festival of Britain, and forward towards the post-modernism of Norman Foster and Richard Rogers.
Their major buildings in the Borough included Ipswich Civic College (now Suffolk College), Castle Hill United Reformed Church, Harvest House (HQ building fo Fisons, now a business centre), Suffolk House (now AXA Insurance), Colchester Road fire station, and the East Anglian Daily Times building.
They also designed a number of schools for Ipswich Borough Council, which had responsibility for education in the Borough before 1974. The best of these, and a building of national significance, was the group known as Sprites Schools, today converted into a single primary school.
Sprites Schools was designed as a sequence of linked glass pavilions set in a field. The roofs are hyperbolic, curving to low and high points at the corners. Low, structural brick walls do not intrude. Wooden framing for the windows divides the glass walls into pleasing rectangles. Paths and grassed areas were arranged in parallel to walls to create another layer of lines leading to secluded courtyards. The sculptor Bernard Reynolds, responsible for a number of public artworks in the Borough, created reliefs that give a lively feel to the structural walls. When lit up at light, the pavilions were intended to appear like a caravan in the desert.
Unusually for buildings of the time, the schools were intended to mature, with trees growing to surround the pavilions and create a woodland effect. Sir Niklaus Pevsner, in The Buildings of England, admired Sprites Schools greatly, and they are the only post-war school in the county to appear in his Suffolk volume. The overall design has withstood the test of time, although, as with many late 1950s and early 1960s buildings, the schools were created for a low-fuel-price economy, and the lower and upper parts of most of the glass walls have now been filled in to save costs on heating and ventilation.
Addition of a nursery in 1995 celebrated and enhanced the original architecture, but conversion to a single school by Suffolk County Council in 2004 created an uneasy linkage that spoils the openness the main inner courtyard. Even so, the sheer exuberance of the original buildings survives. They are best seen from Hawthorn Drive across the playing fields, especially when lit up on a late winter afternoon.
Sprites schools, Ipswich
Johns, Slater Haward for Ipswich Borough Council, 1960.
Sculpture reliefs by Bernard Reynolds.
In the 1960s, the Borough Council planned for an expansion of Ipswich to three times its size. This never happened, but there was a considerable and largely unnecessary rebuilding of the town centre to give it a metropolitan character, many of the buildings designed to line an aborted urban motorway.
Not many of these new buildings were good. Perhaps the most notorious was the Greyfriars complex by Vine & Vine (1964-66, largely demolished apart from the towers in the early 1990s).
However, local architectural practice Johns, Slater Haward were responsible for some excellent structures that survive today to adorn the Borough. At a time when brutalism and modernism were fashionable, the firm of Johns, Slater Haward designed buildings of real character, with a jauntiness that looked back to the Festival of Britain, and forward towards the post-modernism of Norman Foster and Richard Rogers.
Their major buildings in the Borough included Ipswich Civic College (now Suffolk College), Castle Hill United Reformed Church, Harvest House (HQ building fo Fisons, now a business centre), Suffolk House (now AXA Insurance), Colchester Road fire station, and the East Anglian Daily Times building.
They also designed a number of schools for Ipswich Borough Council, which had responsibility for education in the Borough before 1974. The best of these, and a building of national significance, was the group known as Sprites Schools, today converted into a single primary school.
Sprites Schools was designed as a sequence of linked glass pavilions set in a field. The roofs are hyperbolic, curving to low and high points at the corners. Low, structural brick walls do not intrude. Wooden framing for the windows divides the glass walls into pleasing rectangles. Paths and grassed areas were arranged in parallel to walls to create another layer of lines leading to secluded courtyards. The sculptor Bernard Reynolds, responsible for a number of public artworks in the Borough, created reliefs that give a lively feel to the structural walls. When lit up at light, the pavilions were intended to appear like a caravan in the desert.
Unusually for buildings of the time, the schools were intended to mature, with trees growing to surround the pavilions and create a woodland effect. Sir Niklaus Pevsner, in The Buildings of England, admired Sprites Schools greatly, and they are the only post-war school in the county to appear in his Suffolk volume. The overall design has withstood the test of time, although, as with many late 1950s and early 1960s buildings, the schools were created for a low-fuel-price economy, and the lower and upper parts of most of the glass walls have now been filled in to save costs on heating and ventilation.
Addition of a nursery in 1995 celebrated and enhanced the original architecture, but conversion to a single school by Suffolk County Council in 2004 created an uneasy linkage that spoils the openness the main inner courtyard. Even so, the sheer exuberance of the original buildings survives. They are best seen from Hawthorn Drive across the playing fields, especially when lit up on a late winter afternoon.
Sprites schools, Ipswich
Johns, Slater Haward for Ipswich Borough Council, 1960.
Sculpture reliefs by Bernard Reynolds.
In the 1960s, the Borough Council planned for an expansion of Ipswich to three times its size. This never happened, but there was a considerable and largely unnecessary rebuilding of the town centre to give it a metropolitan character, many of the buildings designed to line an aborted urban motorway.
Not many of these new buildings were good. Perhaps the most notorious was the Greyfriars complex by Vine & Vine (1964-66, largely demolished apart from the towers in the early 1990s).
However, local architectural practice Johns, Slater Haward were responsible for some excellent structures that survive today to adorn the Borough. At a time when brutalism and modernism were fashionable, the firm of Johns, Slater Haward designed buildings of real character, with a jauntiness that looked back to the Festival of Britain, and forward towards the post-modernism of Norman Foster and Richard Rogers.
Their major buildings in the Borough included Ipswich Civic College (now Suffolk College), Castle Hill United Reformed Church, Harvest House (HQ building fo Fisons, now a business centre), Suffolk House (now AXA Insurance), Colchester Road fire station, and the East Anglian Daily Times building.
They also designed a number of schools for Ipswich Borough Council, which had responsibility for education in the Borough before 1974. The best of these, and a building of national significance, was the group known as Sprites Schools, today converted into a single primary school.
Sprites Schools was designed as a sequence of linked glass pavilions set in a field. The roofs are hyperbolic, curving to low and high points at the corners. Low, structural brick walls do not intrude. Wooden framing for the windows divides the glass walls into pleasing rectangles. Paths and grassed areas were arranged in parallel to walls to create another layer of lines leading to secluded courtyards. The sculptor Bernard Reynolds, responsible for a number of public artworks in the Borough, created reliefs that give a lively feel to the structural walls. When lit up at light, the pavilions were intended to appear like a caravan in the desert.
Unusually for buildings of the time, the schools were intended to mature, with trees growing to surround the pavilions and create a woodland effect. Sir Niklaus Pevsner, in The Buildings of England, admired Sprites Schools greatly, and they are the only post-war school in the county to appear in his Suffolk volume. The overall design has withstood the test of time, although, as with many late 1950s and early 1960s buildings, the schools were created for a low-fuel-price economy, and the lower and upper parts of most of the glass walls have now been filled in to save costs on heating and ventilation.
Addition of a nursery in 1995 celebrated and enhanced the original architecture, but conversion to a single school by Suffolk County Council in 2004 created an uneasy linkage that spoils the openness of the main inner courtyard. Even so, the sheer exuberance of the original buildings survives. They are best seen from Hawthorn Drive across the playing fields, especially when lit up on a late winter afternoon.
Sprites schools, Ipswich
Johns, Slater Haward for Ipswich Borough Council, 1960.
Sculpture reliefs by Bernard Reynolds.
In the 1960s, the Borough Council planned for an expansion of Ipswich to three times its size. This never happened, but there was a considerable and largely unnecessary rebuilding of the town centre to give it a metropolitan character, many of the buildings designed to line an aborted urban motorway.
Not many of these new buildings were good. Perhaps the most notorious was the Greyfriars complex by Vine & Vine (1964-66, largely demolished apart from the towers in the early 1990s).
However, local architectural practice Johns, Slater Haward were responsible for some excellent structures that survive today to adorn the Borough. At a time when brutalism and modernism were fashionable, the firm of Johns, Slater Haward designed buildings of real character, with a jauntiness that looked back to the Festival of Britain, and forward towards the post-modernism of Norman Foster and Richard Rogers.
Their major buildings in the Borough included Ipswich Civic College (now Suffolk College), Castle Hill United Reformed Church, Harvest House (HQ building fo Fisons, now a business centre), Suffolk House (now AXA Insurance), Colchester Road fire station, and the East Anglian Daily Times building.
They also designed a number of schools for Ipswich Borough Council, which had responsibility for education in the Borough before 1974. The best of these, and a building of national significance, was the group known as Sprites Schools, today converted into a single primary school.
Sprites Schools was designed as a sequence of linked glass pavilions set in a field. The roofs are hyperbolic, curving to low and high points at the corners. Low, structural brick walls do not intrude. Wooden framing for the windows divides the glass walls into pleasing rectangles. Paths and grassed areas were arranged in parallel to walls to create another layer of lines leading to secluded courtyards. The sculptor Bernard Reynolds, responsible for a number of public artworks in the Borough, created reliefs that give a lively feel to the structural walls. When lit up at light, the pavilions were intended to appear like a caravan in the desert.
Unusually for buildings of the time, the schools were intended to mature, with trees growing to surround the pavilions and create a woodland effect. Sir Niklaus Pevsner, in The Buildings of England, admired Sprites Schools greatly, and they are the only post-war school in the county to appear in his Suffolk volume. The overall design has withstood the test of time, although, as with many late 1950s and early 1960s buildings, the schools were created for a low-fuel-price economy, and the lower and upper parts of most of the glass walls have now been filled in to save costs on heating and ventilation.
Addition of a nursery in 1995 celebrated and enhanced the original architecture, but conversion to a single school by Suffolk County Council in 2004 created an uneasy linkage that spoils the openness the main inner courtyard. Even so, the sheer exuberance of the original buildings survives. They are best seen from Hawthorn Drive across the playing fields, especially when lit up on a late winter afternoon.
Sprites schools, Ipswich
Johns, Slater Haward for Ipswich Borough Council, 1960.
Sculpture reliefs by Bernard Reynolds.
In the 1960s, the Borough Council planned for an expansion of Ipswich to three times its size. This never happened, but there was a considerable and largely unnecessary rebuilding of the town centre to give it a metropolitan character, many of the buildings designed to line an aborted urban motorway.
Not many of these new buildings were good. Perhaps the most notorious was the Greyfriars complex by Vine & Vine (1964-66, largely demolished apart from the towers in the early 1990s).
However, local architectural practice Johns, Slater Haward were responsible for some excellent structures that survive today to adorn the Borough. At a time when brutalism and modernism were fashionable, the firm of Johns, Slater Haward designed buildings of real character, with a jauntiness that looked back to the Festival of Britain, and forward towards the post-modernism of Norman Foster and Richard Rogers.
Their major buildings in the Borough included Ipswich Civic College (now Suffolk College), Castle Hill United Reformed Church, Harvest House (HQ building fo Fisons, now a business centre), Suffolk House (now AXA Insurance), Colchester Road fire station, and the East Anglian Daily Times building.
They also designed a number of schools for Ipswich Borough Council, which had responsibility for education in the Borough before 1974. The best of these, and a building of national significance, was the group known as Sprites Schools, today converted into a single primary school.
Sprites Schools was designed as a sequence of linked glass pavilions set in a field. The roofs are hyperbolic, curving to low and high points at the corners. Low, structural brick walls do not intrude. Wooden framing for the windows divides the glass walls into pleasing rectangles. Paths and grassed areas were arranged in parallel to walls to create another layer of lines leading to secluded courtyards. The sculptor Bernard Reynolds, responsible for a number of public artworks in the Borough, created reliefs that give a lively feel to the structural walls. When lit up at light, the pavilions were intended to appear like a caravan in the desert.
Unusually for buildings of the time, the schools were intended to mature, with trees growing to surround the pavilions and create a woodland effect. Sir Niklaus Pevsner, in The Buildings of England, admired Sprites Schools greatly, and they are the only post-war school in the county to appear in his Suffolk volume. The overall design has withstood the test of time, although, as with many late 1950s and early 1960s buildings, the schools were created for a low-fuel-price economy, and the lower and upper parts of most of the glass walls have now been filled in to save costs on heating and ventilation.
Addition of a nursery in 1995 celebrated and enhanced the original architecture, but conversion to a single school by Suffolk County Council in 2004 created an uneasy linkage that spoils the openness the main inner courtyard. Even so, the sheer exuberance of the original buildings survives. They are best seen from Hawthorn Drive across the playing fields, especially when lit up on a late winter afternoon.
#ic_architecture #icu_architecture #jj_architecture #creative_architecture #arkiromantix #tv_architectural #lookingup_architecture #unlimitedcities #arquitecturamx #excellent_structure #sky_high_architecture #architecture_greatshots #minimal_lookup #diagonal_symmetry #art_chitecture_ #tv_leadinglines #rustlord_archdesign #srs_buildings #ptk_architecture #archi_features #visitspain #icu_spain #ok_spain #spain2017 #instaspain #espana #sonyimages #sonyalpha #sonyalphasclub #sonyphotogallery #focalmarked
Sprites schools, Ipswich
Johns, Slater Haward for Ipswich Borough Council, 1960.
Sculpture reliefs by Bernard Reynolds.
In the 1960s, the Borough Council planned for an expansion of Ipswich to three times its size. This never happened, but there was a considerable and largely unnecessary rebuilding of the town centre to give it a metropolitan character, many of the buildings designed to line an aborted urban motorway.
Not many of these new buildings were good. Perhaps the most notorious was the Greyfriars complex by Vine & Vine (1964-66, largely demolished apart from the towers in the early 1990s).
However, local architectural practice Johns, Slater Haward were responsible for some excellent structures that survive today to adorn the Borough. At a time when brutalism and modernism were fashionable, the firm of Johns, Slater Haward designed buildings of real character, with a jauntiness that looked back to the Festival of Britain, and forward towards the post-modernism of Norman Foster and Richard Rogers.
Their major buildings in the Borough included Ipswich Civic College (now Suffolk College), Castle Hill United Reformed Church, Harvest House (HQ building fo Fisons, now a business centre), Suffolk House (now AXA Insurance), Colchester Road fire station, and the East Anglian Daily Times building.
They also designed a number of schools for Ipswich Borough Council, which had responsibility for education in the Borough before 1974. The best of these, and a building of national significance, was the group known as Sprites Schools, today converted into a single primary school.
Sprites Schools was designed as a sequence of linked glass pavilions set in a field. The roofs are hyperbolic, curving to low and high points at the corners. Low, structural brick walls do not intrude. Wooden framing for the windows divides the glass walls into pleasing rectangles. Paths and grassed areas were arranged in parallel to walls to create another layer of lines leading to secluded courtyards. The sculptor Bernard Reynolds, responsible for a number of public artworks in the Borough, created reliefs that give a lively feel to the structural walls. When lit up at light, the pavilions were intended to appear like a caravan in the desert.
Unusually for buildings of the time, the schools were intended to mature, with trees growing to surround the pavilions and create a woodland effect. Sir Niklaus Pevsner, in The Buildings of England, admired Sprites Schools greatly, and they are the only post-war school in the county to appear in his Suffolk volume. The overall design has withstood the test of time, although, as with many late 1950s and early 1960s buildings, the schools were created for a low-fuel-price economy, and the lower and upper parts of most of the glass walls have now been filled in to save costs on heating and ventilation.
Addition of a nursery in 1995 celebrated and enhanced the original architecture, but conversion to a single school by Suffolk County Council in 2004 created an uneasy linkage that spoils the openness the main inner courtyard. Even so, the sheer exuberance of the original buildings survives. They are best seen from Hawthorn Drive across the playing fields, especially when lit up on a late winter afternoon.
Sprites schools, Ipswich
Johns, Slater Haward for Ipswich Borough Council, 1960.
Sculpture reliefs by Bernard Reynolds.
In the 1960s, the Borough Council planned for an expansion of Ipswich to three times its size. This never happened, but there was a considerable and largely unnecessary rebuilding of the town centre to give it a metropolitan character, many of the buildings designed to line an aborted urban motorway.
Not many of these new buildings were good. Perhaps the most notorious was the Greyfriars complex by Vine & Vine (1964-66, largely demolished apart from the towers in the early 1990s).
However, local architectural practice Johns, Slater Haward were responsible for some excellent structures that survive today to adorn the Borough. At a time when brutalism and modernism were fashionable, the firm of Johns, Slater Haward designed buildings of real character, with a jauntiness that looked back to the Festival of Britain, and forward towards the post-modernism of Norman Foster and Richard Rogers.
Their major buildings in the Borough included Ipswich Civic College (now Suffolk College), Castle Hill United Reformed Church, Harvest House (HQ building fo Fisons, now a business centre), Suffolk House (now AXA Insurance), Colchester Road fire station, and the East Anglian Daily Times building.
They also designed a number of schools for Ipswich Borough Council, which had responsibility for education in the Borough before 1974. The best of these, and a building of national significance, was the group known as Sprites Schools, today converted into a single primary school.
Sprites Schools was designed as a sequence of linked glass pavilions set in a field. The roofs are hyperbolic, curving to low and high points at the corners. Low, structural brick walls do not intrude. Wooden framing for the windows divides the glass walls into pleasing rectangles. Paths and grassed areas were arranged in parallel to walls to create another layer of lines leading to secluded courtyards. The sculptor Bernard Reynolds, responsible for a number of public artworks in the Borough, created reliefs that give a lively feel to the structural walls. When lit up at light, the pavilions were intended to appear like a caravan in the desert.
Unusually for buildings of the time, the schools were intended to mature, with trees growing to surround the pavilions and create a woodland effect. Sir Niklaus Pevsner, in The Buildings of England, admired Sprites Schools greatly, and they are the only post-war school in the county to appear in his Suffolk volume. The overall design has withstood the test of time, although, as with many late 1950s and early 1960s buildings, the schools were created for a low-fuel-price economy, and the lower and upper parts of most of the glass walls have now been filled in to save costs on heating and ventilation.
Addition of a nursery in 1995 celebrated and enhanced the original architecture, but conversion to a single school by Suffolk County Council in 2004 created an uneasy linkage that spoils the openness the main inner courtyard. Even so, the sheer exuberance of the original buildings survives. They are best seen from Hawthorn Drive across the playing fields, especially when lit up on a late winter afternoon.
Rear, or south facing, view
This excellent structure was built in 1928-29 by the City of Phoenix and Maricopa County.
It doesn't quite have the appearance from the outside, but it was actually built as two separate structures. The west wing was originally built as the Phoenix City Hall by a different architectural firm than the architect who designed the rest of the building. The county courthouse part was designed by Louisiana architect Edward F. Neild. The city hall portion was designed by Phoenix firm Lescher and Mahoney.
It was built in Classical Revival and Spanish Colonial Revival styles with amazing terra-cotta Art Deco detail work. I'm not certain of its present county court uses, but I know that it still functions as a county building. The west wing, however, is no longer used as Phoenix's city hall and the interior of the old city hall wing has been linked to the courthouse part. It is listed on the National Register of Historic Places.
Hardwood creates excellent structure that is colonized by algae and insects, which attract larger and larger fish, and eventually anglers. Knowing what is under the water around an attractor helps anglers understand the benefit of using weedless lures such as Carolina-rigged worms that can bounce of the branches.
This bridge is on the Pacific Highway just south of Sexton's Hill, on the NSW QLD border. Normally you would just drive over and never really take note, however if you take the Chinderah detour and go to the old wooden fishing pier you can see this excellent structure.
Completing the 360 tour of Hartland Hall . House at the main entry drive at Woodstock Road, and the NW corner of the building.
Most excellent structure and one to build hopes and dreams upon, of and by generations of students since the 1930s.
Well done Amy G Hartland ...
Hartland College anyone? ... cheers
Sprites schools, Ipswich
Johns, Slater Haward for Ipswich Borough Council, 1960.
Sculpture reliefs by Bernard Reynolds.
In the 1960s, the Borough Council planned for an expansion of Ipswich to three times its size. This never happened, but there was a considerable and largely unnecessary rebuilding of the town centre to give it a metropolitan character, many of the buildings designed to line an aborted urban motorway.
Not many of these new buildings were good. Perhaps the most notorious was the Greyfriars complex by Vine & Vine (1964-66, largely demolished apart from the towers in the early 1990s).
However, local architectural practice Johns, Slater Haward were responsible for some excellent structures that survive today to adorn the Borough. At a time when brutalism and modernism were fashionable, the firm of Johns, Slater Haward designed buildings of real character, with a jauntiness that looked back to the Festival of Britain, and forward towards the post-modernism of Norman Foster and Richard Rogers.
Their major buildings in the Borough included Ipswich Civic College (now Suffolk College), Castle Hill United Reformed Church, Harvest House (HQ building fo Fisons, now a business centre), Suffolk House (now AXA Insurance), Colchester Road fire station, and the East Anglian Daily Times building.
They also designed a number of schools for Ipswich Borough Council, which had responsibility for education in the Borough before 1974. The best of these, and a building of national significance, was the group known as Sprites Schools, today converted into a single primary school.
Sprites Schools was designed as a sequence of linked glass pavilions set in a field. The roofs are hyperbolic, curving to low and high points at the corners. Low, structural brick walls do not intrude. Wooden framing for the windows divides the glass walls into pleasing rectangles. Paths and grassed areas were arranged in parallel to walls to create another layer of lines leading to secluded courtyards. The sculptor Bernard Reynolds, responsible for a number of public artworks in the Borough, created reliefs that give a lively feel to the structural walls. When lit up at light, the pavilions were intended to appear like a caravan in the desert.
Unusually for buildings of the time, the schools were intended to mature, with trees growing to surround the pavilions and create a woodland effect. Sir Niklaus Pevsner, in The Buildings of England, admired Sprites Schools greatly, and they are the only post-war school in the county to appear in his Suffolk volume. The overall design has withstood the test of time, although, as with many late 1950s and early 1960s buildings, the schools were created for a low-fuel-price economy, and the lower and upper parts of most of the glass walls have now been filled in to save costs on heating and ventilation.
Addition of a nursery in 1995 celebrated and enhanced the original architecture, but conversion to a single school by Suffolk County Council in 2004 created an uneasy linkage that spoils the openness the main inner courtyard. Even so, the sheer exuberance of the original buildings survives. They are best seen from Hawthorn Drive across the playing fields, especially when lit up on a late winter afternoon.
·Localización:
Alicante, España.
·Fecha: 22-06-2016
·Autor: Jose Angel DB.
·Contacto: joseangellatorrelopez@gmail.com
------------------------------------
·Localization:
Alicante, España.
·Data: 22-06-2016
·Autor: Jose Angel DB.
·Contact: joseangellatorrelopez@gmail.com
·Localización:
Rambla Mendez-Nuñez.
Alicante, España.
·Fecha: 24-05-2015
·Autor: Jose Angel DB.
·Contacto: joseangellatorrelopez@gmail.com
------------------------------------
·Localization:
Rambla Mendez-Nuñez.
Alicante, Spain.
·Data: 24-05-2015
·Autor: Jose Angel DB.
·Contact: joseangellatorrelopez@gmail.com
✰ This photo was featured on The Epic Global Showcase here: bit.ly/1NHrJMu
-------------
🔷🔶🔷 Confetti house 🔷🔶🔷 ———————————- #ArcBlu #tv_buildings #tv_leadinglines #tv_architectural #minimal_lookup #creative_architecture #srs_buildings #lookingup_architecture #skyscraping_minimal #skyscraping_architecture #skyscraping_magic #arkiromantix #fineart_architecture #archi_features #architecture_greatshots #architecture_sweden #architectonics_world #arkiminimal #epicarchitecture #rustlord_archdesign #superb_suburbs #buildingstylesgf #unlimitedcities #ptk_architecture #diagonal_symmetry #harmonyoflight #jj_geometry #loves_structures #excellent_structure #hotshotz_architecture
by @mbvee on Instagram.
Built in 1907-08, this excellent structure replaced the county's 1905 courthouse that still stands in Washburn's downtown. This one was designed by the Hancock Brothers. It is similar to the Luna County Courthouse in Deming, New Mexico.
Unfortunately it was demolished in 2013, despite the fact that it was a National Register of Historic Places property.
Washburn is a great little North Dakota town located near the center of the state between Minot and Bismarck on a series of hills overlooking the Missouri River.
This excellent structure was built in 1928-29 by the City of Phoenix and Maricopa County.
It doesn't quite have the appearance from the outside, but it was actually built as two separate structures. The west wing was originally built as the Phoenix City Hall by a different architectural firm than the architect who designed the rest of the building. The county courthouse part was designed by Louisiana architect Edward F. Neild. The city hall portion was designed by Phoenix firm Lescher and Mahoney.
It was built in Classical Revival and Spanish Colonial Revival styles with amazing terra-cotta Art Deco detail work. I'm not certain of its present county court uses, but I know that it still functions as a county building. The west wing, however, is no longer used as Phoenix's city hall and the interior of the old city hall wing has been linked to the courthouse part. It is listed on the National Register of Historic Places.
This is the front, or north facing side of this courthouse. The sky scraper across the street makes for some interesting lighting due to the reflection from its windows onto the surface of this courthouse.
This excellent structure was built in 1928-29 by the City of Phoenix and Maricopa County.
It doesn't quite have the appearance from the outside, but it was actually built as two separate structures. The west wing was originally built as the Phoenix City Hall by a different architectural firm than the architect who designed the rest of the building. The county courthouse part was designed by Louisiana architect Edward F. Neild. The city hall portion was designed by Phoenix firm Lescher and Mahoney.
It was built in Classical Revival and Spanish Colonial Revival styles with amazing terra-cotta Art Deco detail work. I'm not certain of its present county court uses, but I know that it still functions as a county building. The west wing, however, is no longer used as Phoenix's city hall and the interior of the old city hall wing has been linked to the courthouse part. It is listed on the National Register of Historic Places.
This is the front, or north facing side of this courthouse. The sky scraper across the street makes for some interesting lighting due to the reflection from its windows onto the surface of this courthouse.
Perhaps no other destination evokes many different responses like khajuraho does.
.
For more- www.topdestinationphotographer.com/DestinationPhotographe...
This excellent structure was built in 1928-29 by the City of Phoenix and Maricopa County.
It doesn't quite have the appearance from the outside, but it was actually built as two separate structures. The west wing was originally built as the Phoenix City Hall by a different architectural firm than the architect who designed the rest of the building. The county courthouse part was designed by Louisiana architect Edward F. Neild. The city hall portion was designed by Phoenix firm Lescher and Mahoney.
It was built in Classical Revival and Spanish Colonial Revival styles with amazing terra-cotta Art Deco detail work. I'm not certain of its present county court uses, but I know that it still functions as a county building. The west wing, however, is no longer used as Phoenix's city hall and the interior of the old city hall wing has been linked to the courthouse part. It is listed on the National Register of Historic Places.
This is the front, or north facing side of this courthouse. The sky scraper across the street makes for some interesting lighting due to the reflection from its windows onto the surface of this courthouse.
·Localización:
Alicante, España.
·Fecha: 22-06-2016
·Autor: Jose Angel DB.
·Contacto: joseangellatorrelopez@gmail.com
------------------------------------
·Localization:
Alicante, España.
·Data: 22-06-2016
·Autor: Jose Angel DB.
·Contact: joseangellatorrelopez@gmail.com
5817 Likes on Instagram
97 Comments on Instagram:
rx_vision: oh so sexxxy 👌
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macenzo: #seemycity #architecture #archilovers #contestgram #archdaily #arkiromantix #shootermag #allshots_ #insta_crew #likesmagazine #icatching #ic_architecture #archimasters2014 #ig_worldclub #archhunter #webstapick #ig_minimalist #ig_captures #jj_geometry #jj_abstract #jj_minimalism #abstractarchitecture #hot_shotz #abstractmybuilding
macenzo: #jj_forum_1107
tcampbell210: Try @excellent_structure
macenzo: #excellent_structure
This was an interesting Bulgarian wine we were given to taste - I was very pleasantly surprised.
Here is the importer's description:
"Tcherga white wine is a unique blend of Chardonnay, Aligote and Dimyat. As Tcherga, the typical Bulgarian craft made carpet, gathers the most impressive and beautiful colors of Bulgaria, so this wine combines the most exquisite tastes and aromas of those three grape varieties from the Thracian Valley in Bulgaria. The wine reveals lively lemon color with light golden tinges. The nose combines mineral and fruit aromas, reminiscent of fresh peach, melon and green apple. The rich tropical taste is complimented by light and pleasant acidity and perceptible French oak nuances. This full bodied and excellently structured wine is a white wine to remember.
Produced by Domain Menada, Stara Zagora
Thracian Valley Region"
Located on the northeast corner of the lovely 1928 Maricopa County Courthouse
This excellent structure was built in 1928-29 by the City of Phoenix and Maricopa County.
It doesn't quite have the appearance from the outside, but it was actually built as two separate structures. The west wing was originally built as the Phoenix City Hall by a different architectural firm than the architect who designed the rest of the building. The county courthouse part was designed by Louisiana architect Edward F. Neild. The city hall portion was designed by Phoenix firm Lescher and Mahoney.
It was built in Classical Revival and Spanish Colonial Revival styles with amazing terra-cotta Art Deco detail work. I'm not certain of its present county court uses, but I know that it still functions as a county building. The west wing, however, is no longer used as Phoenix's city hall and the interior of the old city hall wing has been linked to the courthouse part. It is listed on the National Register of Historic Places.
Rush began his show career at 6 months old and retired #2 owner-handle in the country at 9 months old. He is a flawless mover with a wonderful temperament and excellent structure.
Located on the front wall of the 1928 Maricopa County Courthouse
This excellent structure was built in 1928-29 by the City of Phoenix and Maricopa County.
It doesn't quite have the appearance from the outside, but it was actually built as two separate structures. The west wing was originally built as the Phoenix City Hall by a different architectural firm than the architect who designed the rest of the building. The county courthouse part was designed by Louisiana architect Edward F. Neild. The city hall portion was designed by Phoenix firm Lescher and Mahoney.
It was built in Classical Revival and Spanish Colonial Revival styles with amazing terra-cotta Art Deco detail work. I'm not certain of its present county court uses, but I know that it still functions as a county building. The west wing, however, is no longer used as Phoenix's city hall and the interior of the old city hall wing has been linked to the courthouse part. It is listed on the National Register of Historic Places.
This is the front, or north facing side of this courthouse. The sky scraper across the street makes for some interesting lighting due to the reflection from its windows onto the surface of this courthouse.
Built in 1907-08, this excellent structure replaced the county's 1905 courthouse that still stands in Washburn's downtown. This one was designed by the Hancock Brothers. It is similar to the Luna County Courthouse in Deming, New Mexico.
Unfortunately it was demolished in 2013, despite the fact that it was a National Register of Historic Places property.
Washburn is a great little North Dakota town located near the center of the state between Minot and Bismarck on a series of hills overlooking the Missouri River.
テントのフライ
Portaledge
テントのドア
BIVUAKサイト
壁のテントテント
PLATEFORME portaledge CLIMBANCORS XTY
Etat: Excellent.
STRUCTURE: semi-automatique avec un seul bord d'ouverture.
Suspension de Cintamento détachable portaledge, reliés par des mousquetons.
MADE IN COLOR ROUGE HIPSTOP
CINTAMENTO AVEC BORD INTERNE DE L'ÉCRAN EN POLIURETANADAPIFERTEX.
Peut contenir jusqu'à 2 échelles nuit.
1 MATÉRIEL ECHELLE OU PLUS.
TENTE AVEC OPTION Flay MADE IN naylon Film SOLAIRE.