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Countdown 2011, Monday, December 12-Day 42
It's fairly new and replaced one that just fell apart. Yes, they are cheaply made ...I know.
I've barely used it and getting an occasional error message but my return date has already passed. Maybe just needs contacts cleaned...we'll see. I still love it though!
SOOC| Just toyin with manual focus on the Tamron 90mm and catching up on my Countdown 2011=)
Whitley Bay goalkeeper Tom Flynn holds his head in his hands as Andre Bennett sidefoots Bishop Auckland into a 29th-minute lead at Hillheads Park. Flynn had completely miscued when attempting to boot clear a back pass from a team-mate. His embarrassing blunder gave Bennett a simple strike into an unguarded net. The hosts spared Flynn's blushes, however, by coming from behind to win 2-1 a First Division encounter in the Northern League.
Match statistics:
Admission: £6. Programme: £1.50 (36 pages). Attendance: 283. Scoring sequence: 0-1 (Andre Bennett, 29mins); 1-1 (Andy Robertson, 32mins); 2-1 (Alex Kempster, 67mins). Referee: Lucy Oliver (Darlington).
Whitley Bay FC were founded, as Whitley Bay Athletic, in 1950. The Athletic suffix was dropped eight years later when a limited company was formed. They progressed from the Northern Alliance to the Northern League. As one of the country's best amateur clubs, the Seahorses won the Northern League title in 1965 and 1966, the League Cup in 1965 and the Northumberland Senior Cup six times in the Sixties. In the FA Amateur Cup, they reached the semi-finals twice and the quarter-finals on four occasions. The 1965 last-eight tie drew a record crowd of 7,301 to Hillheads Park. The demise of amateur football saw Bay's fortunes decline. In 1980, they had to apply for re-election to the Northern League, the first and only time they have suffered the indignity. In 1988, the club joined the Northern Premier League. Bay won promotion to the Premier Division in 1991, a year after reaching the FA Cup third round for the first time. Rochdale beat them 1-0 at Spotland. In 2000, they were relegated to the Northern League, where they have remained. Bay have, however, enjoyed tremendous success in the prestigious FA Vase, winning the Final in 2002, 2009, 2010 and 2011. They topped the Northern League for a third time in 2007.
Photo: Dhivya Ravilla.
Published in the Community Eye Health Journal Vol. 20 No. 63 SEPTEMBER 2007 www.cehjournal.org
© Brien Holden/Vision Institute
Published in: Community Eye Health Journal Vol. 29 No. 93 2016 www.cehjournal.org
Helpful Facebook validation error error message: A validation error occurred.
From the error message writers of "Emergency, there is an emergency going on", "Ooops" and "Error everybody peeps". Serving developer messages to front end users since 1992.
See what's wrong in this image? I had heard the new D800 suffered from lock-up problems, but now my D7000 seems to have similar problems. Anyone else have this also?
Update: Even though I have not been able to reproduce the problem, I suspect it is related to the SD cards. Removing and reinserting the battery did not help. Removing the memory cards did! I have since reset the shooting settings and the problem has not presented itself again.
Update2: I was able to switch the LCD light on and off when the D7000 was locked-up. Also, information in the viewfinder was still visible. When half-pressing the shutter button, the AF-point lighted red as usual, but the image did not focus. Strange!
(...)
Vajont è il nome del torrente che scorre nella valle di Erto e Casso per confluire nel Piave, davanti a Longarone e a Castellavazzo, in provincia di Belluno (Italia).
La storia di queste comunità venne sconvolta dalla costruzione della diga del Vajont, che determinò la frana del monte Toc nel lago artificiale. La sera del 9 ottobre 1963 si elevò un immane ondata, che seminò ovunque morte e desolazione.
La stima più attendibile è, a tutt'oggi, di 1910 vittime.
Sono stati commessi tre fondamentali errori umani che hanno portato alla strage: l'aver costruito la diga in una valle non idonea sotto il profilo geologico; l'aver innalzato la quota del lago artificiale oltre i margini di sicurezza; il non aver dato l'allarme la sera del 9 ottobre per attivare l'evacuazione in massa delle popolazioni residenti nelle zone a rischio di inondazione.
Fu aperta un'inchiesta giudiziaria. Il processo venne celebrato nelle sue tre fasi dal 25 novembre 1968 al 25 marzo 1971 e si concluse con il riconoscimento di responsabilità penale per la previdibilità di inondazione e di frana e per gli omicidi colposi plurimi.
Ora Longarone ed i paesi colpiti sono stati ricostruiti.
La zona in cui si è verificato l'evento catastrofico continua a parlare alla coscienza di quanti la visitano attraverso la lezione, quanto mai attuale, che da esso si può apprendere. (...)
FONTE: www.vajont.net/
ASP error message on an iPLUS kiosk outside the Tate Modern (Bankside, London, UK).
This is my second most viewed photo. (The closeup is first).
I've always wanted to take pictures of crashed public computers as I have seen so many of them, but didn't have a digital camera. Now that I do, I hope I get just as many chances to capture them.
Some interesting errors encountered while trying to understand the stereographic projection equations
El muro
Verónica Vides, 1970
Escultura es cultura
VIII Festival Internacional
El Salvador Centroamérica 2011
DIALOGOS ENTRE EL PASADO Y EL PRESENTE ESCULTURA PARA EL BICENTENARIO
Curador: Jorge Palomo
8 de noviembre de 2011 – 15 de enero de 2012
El arte escultórico, desde el punto de vista estético, ha jugado un papel preponderante en la historia en lo que compete a la formulación de imaginarios y la consolidación de conceptos culturales y simbólicos en general.
Sin embargo, ir hacia él, analizarlo y verlo en perspectiva debe develarnos una serie de planteamientos que no solo pasan por lo estético, sino que afirman la necesidad de reflexionar que elementos de la historia oficial han sido consolidados desde este tipo de arte. Nos encaminamos en ello a un ejercicio cruento de construcción y deconstrucción de lo que hemos sido, porque accedemos a la escultura pero con una visión de análisis y no de mera apreciación.
Si bien de esto, del arte en general, no solo deben decirse cosas negativas –Y hay que tomar en cuenta que el Gobierno en el Bicentenario quiere hacer énfasis en que la historia posee vida, no es estática y no solo tienen momentos positivos–, es importante analizar como la escultura ha generado una serie de símbolos que ofrecen una representación de la realidad o una representación de lo que el oficialismo siempre quiso que se entendiera por realidad.
“Diálogos entre el pasado y el presente: escultura para el Bicentenario” es un proyecto abarcados, que abona a la historia, pero también fomenta estudios y análisis, y debe poner en perspectiva el hecho mismo de aquello que consolida un país. En eso radica la importancia de este proyecto.
Durante este 2011, el Gobierno de la Republica ha desarrollado una serie de actividades que conmemoran los 200 años de lo que la tradición conoce como Primer Grito de Independencia. Y es el arte como formador y como parte indispensable del crecimiento humano un elemento que transforma y que puede iluminar mejores formas de abordar nuestros contextos contemporáneos.
No todo lo que ha vivido el país es bueno. No debemos festejar y alzar festejos por lo que nos ha pasado durante estas dos centurias. Hay muchas cosas que como salvadoreños debemos mirar para no repetir errores e injusticias.
Esta exposición no debe plantearnos la idea de la mera apreciación estética. Queremos que la población esté consciente de que nos interesa legar criterios críticos, recorrer la historia, pero no solo desde la contemplación, sino desde la práctica misma y desde la eterna construcción de nuestras esencias y de nuestra condición de seres humanos y ciudadanos.
Es una gran labor la del grupo TEA, pues nos muestra como durante diversas etapas de nuestra historia, quienes hacen arte desde la escultura han valorado y reflejado momentos de nuestro pasado. Esto, en efecto, es una forma de documentar nuestras realidades y de apreciar aquello que nos ha hecho ser lo que ahora somos como país.
Dr. Héctor Samour
Secretario de Cultura de la Presidencia
Catálogo de la exposición «Diálogos entre el pasado y el presente · Escultura para el Bicentenario»
Sala Nacional de Exposiciones Salarrué
Costado norte del Parque Cuscatlán, San Salvador El Salvador, Centroamérica.
Teléfono:(503) 2222-4959
Abierto de martes a domingo
9.00 a.m a 12 m - 2.00 p.m a 5.00 p.m
Lunes cerrado al público
Salanacionaldeexposiciones.sv@gmail.com
Entrada gratuita.
Be cool. We will be right back.
However I would assume they would be back at least a 101% after maintenance.
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Graffiti Error, opening October 13th at FB Gallery. In his first U.S. exhibit, renowned Brazilian artist Antonio Bokel presents an eclectic mix of recent works. His bold, cryptic, expressive mixed media paintings evoke the idea of weathered graffiti walls typically found in the urban landscape. Bokel translates what he calls “small gestures of rebel power” into alluringly vivid works of distinct complexity.
It happens when we try to visit some web sites then suddenly we get this message "Error 404 Page Not Found!!!".
How about this message in Africa? They are also having the same message!
The color errors in the upper left corner could have been corrected in RAW to JPEG conversion, I guess. But the A330 does not give me access to RAW, so we'll never know.
Место отправки - Ковров - maps.google.com/?q=56.3667,41.3333&z=16 от rrr_error оригинал - www.instagram.com/p/BFZlCN7GcVI/
This is not correct sign for US-50, El Dorado Freeway at Watt Ave.
Shield could shows an Interstate 50 that say US-50.
One more New York City picture, taken as I was trying to navigate myself out of the city along the most reasonable path I could come up with pointing to our eventual destination on Long Island. At this point, I was impressing Robin with my navigational abilities, as I'd managed to make my way across the Harlem River into the Bronx and toward Interstate 87, the Major Deegan Expressway. I found 87 just fine, and took the appropriate ramp heading south toward the intersection I wanted to make with I-278 so I could cross the Robert Kennedy Bridge over a piece of the East River called the Hell's Gate, which I don't think I've ever crossed. But then I blew all the good will by misreading a sign I caught for about a half-second and heading north on 278 instead of south. I knew I was making the mistake almost as I made it, but there was nothing to do about it except kick myself in the head mentally. There's a signage issue I could blame -- 278 is technically considered an east-west highway, but at this point it's running north-south, and both directions curve off to the east, and the east I wanted was labelled west -- but I should have known better anyway.
New York's unnecessarily repetitive excessive redundancy made this easy to fix -- though it also dropped me into a bunch of construction I'd have enjoyed avoiding. All I had to do was continue north ... er, east along 278 until I intersected roads taking me across either the Whitestone or Throgs Neck Bridges -- dealer's choice there -- but still. I'd been hoping to show off.
We'd have a similar moment later in the trip at Buffalo.
Incidentally, the day after this, the New York City area was hit by one of those not-as-freaky-as-they-used-to-be climate change rainstorms that dumped more than 3 inches of rain on northern parts of the city in a half-hour or so, flooding a lot of the path we'd taken today and would take toward the end of the week. The Major Deegan Expressway (I-87), for instance, wound up drowned in 14 inches of standing water. If we'd made this pass through the city just 24 hours later, we'd have been -- as my first wife used to say -- screwed with a capital 'F'. As it was, the rain mostly skipped us where we were on eastern Long Island.
That's where we're going next: Eastern Long Island.