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I was watching traffic during Cruising the Coast.
Never had this problem with film... hrm
Biloxi Welcome Center
wehostweb.com/wordpress/super-creative-custom-error-pages
You can easily create your own creative custom error page, and upload it to your server instead of what ever page is there right now take a look all these images below to get a seance out of these websites.
By the way these Creative custom error pages are now on the internet you can check some of their domains to be sure.
November 10, 2018 at 2:00pm- 3:30pm at Centrespace Gallery, VRC
Taking this idea as a starting point, we would like you to interpret this principle
Sustain your errors, is a series of workshops and events re-interpreting a set of ideas by artist and musician David Cunningham first used for his 1976 album Grey Scale.
In an introduction to the project taking place during NEoN, writer Cicely Farrer invites artist Katie Hare to together explore the ‘error system’ in the algorithmic age, through dialogue, sound, projection and human movement, extending Cunningham’s album in a new performative encounter.
Katie Hare is an artist whose work examines the effects of the increasing rapidity of technological progress, particularly with regards to memory and obsolescence and the way narrative and storytelling is shifting as a result of this development.
Introduction to David Cunningham’s Error System
David Cunningham’s art work evades visual description as it is mostly real-time sound based and site specific. His installations and performances are experienced across sound, music, light, movement and the architectures of space. He frequently uses a systems approach. This systems approach could be through a sound loop, overlapping cycles, a set of instructions, collaborative conditions or the space the work inhabits.
Sustain your errors draws on an early work of David’s, Grey Scale, for which he set up scores/instructions in the production of his sound work in the late 70s. In its original form, Grey Scale is an album that was originally released as a vinyl record in a grey card sleeve in 1976. The album features tracks which are played across a range of instruments, percussion, tape recorders, synthesisers and water.
The project is based on conversations between Cicely Farrer and David Cunningham around ways of interpreting the scores and their guiding principles. Cicely has received mentorship from artist Pernille Spence.
Supported by the National Lottery through Creative Scotland.
Image Credit: Kathryn Rattray Photography
A driver heading westbound on King was past the point at which it is closed for construction and got themselves stuck in fresh asphalt. They were stuck for over an hour until finally being freed by a very amused CAA tow-truck driver.
Location: King near Beaty
August 19, 2011
Gotta love Shaw's math here. Two identical items in size & price, yet the price per pound is 34 cents different for one of them.
K3B kept throwing an error about not having permission to access the device. After several iterations of erasing and re-burning (it was, after all, a pristine disc when I put it in there), I decided to check the disc out after k3B failed to successfully *erase* the disc.
Turned out there was some junk across the disc that the burner couldn't write through. I was able to wipe the junk off, and now you can see where the laser couldn't get through. That smudge-looking hole is actually the hole in the data.
Using a new (non-junky) CD-RW worked fine.
There is nothing cryptic or encoded now about how Adobe feels about the lack of Flash on the iPhone.
I got this error going to Adobe.com and clicking "Get Flash Player".
Obviously, as an Adobe Solution Provider, Webworld would love to be able to provide Flash solutions to users of the iPhone - myself included!
no se si es un error o es premeditado pero en agosto tuve una lluvia de ceniza por que el monte ardía, A veces los errores se pagan muy caros...