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Het Valerius Ensemble gaf zondagmiddag een uniek concert in de Arke Zaal van het Muziekcentrum in Enschede. Het ensemble speelde, in verschillende samenstellingen van blazers en strijkers, zowel bekende als onbekende composities.
Fotograaf: Susan Oosterlaar.
TARANG ENSEMBLE
Indian Classical Music
With Saraswati Rajagopalan, one of the leading Veena artists of Carnatic music in the world.
On 29 Jan 2019 at the Shoe Factory in Nicosia, Cyprus
Saraswati Rajagopalan / Veena & Leader of the Ensemble
Kailash Chand Sharma / Flute
Biju Paulose / Keyboard
Aditya Chaitanya Kalyanpur / Tabla
Shamdath Pranavdath / Rhythm Pad & Morsing
Varun Rajasekharan / Ghatam & Khanjira
Back-to-School: Character on BlackBoard, by »Dater«, spotted in an abandoned School-Building at night. – 25. October 2013.
Photos taken the night before Exhibition-Opening, late October 2013. The building of Paulus-Canisius School in Recklinghausen, Germany went out of service in summer 2012. It will be demolished in the forthcoming future.
Back-to-School Exhibition of contemporary Graffiti-Art, was initiated by REspect4you in collaboration with Altstadtschmiede. Organized by Mr. Orm and supported by the City of Recklinghausen. – Special thanks to Mr. Orm for support, hospitality, beer and patience.
Parc de la Colombière à Dijon (21 - Côte d'Or)
Website : www.fluidr.com/photos/pat21
picssr.com/photos/pat21?ref=user
Slideshow "Parc de la Colombière" : www.flickr.com/photos/pat21/sets/72157633526817451/show/
"Copyright © – Patrick Bouchenard
The reproduction, publication, modification, transmission or exploitation of any work contained here in for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved."
Title: Jazz Ensemble
Creator: Valdosta State University
Date: September 1983
Description: Jazz Ensemble group pictures
Source: Spectator Negatives, 1980-1985. Valdosta State University Archives and Special Collections.
Subject: Jazz musicians; Jazz ensemble with band;
Identifier:
Format: image/jpeg
Gloria Nowack, Reiner Bursche, Detlef Nier, Wolfgang Schaller, Brigitte Heinrich, Birgit Schaller, Michael Rümmler, Erik Lehmann
Members of Task Force Tomahawk (TFTH) participate in Exercise RUGGED BEAR at the Canadian Manoeuvre Training Centre in Wainwright, Alberta on April 20, 2017.
Photo: Master Corporal Malcolm Byers, Wainwright Garrison Imaging
WT01-2017-0038-035
Cristóbal Balenciaga
Ensemble, 1955–56
White silk taffeta hand-painted with polychrome floral motifs
Taken in the 'China: Through the Looking Glass' exhibition (May-September 2015).
This exhibition explores the impact of Chinese aesthetics on Western fashion and how China has fueled the fashionable imagination for centuries. In this collaboration between The Costume Institute and the Department of Asian Art, high fashion is juxtaposed with Chinese costumes, paintings, porcelains, and other art, including films, to reveal enchanting reflections of Chinese imagery.
From the earliest period of European contact with China in the sixteenth century, the West has been enchanted with enigmatic objects and imagery from the East, providing inspiration for fashion designers from Paul Poiret to Yves Saint Laurent, whose fashions are infused at every turn with romance, nostalgia, and make-believe. Through the looking glass of fashion, designers conjoin disparate stylistic references into a pastiche of Chinese aesthetic and cultural traditions.
The exhibition features more than 140 examples of haute couture and avant-garde ready-to-wear alongside Chinese art. Filmic representations of China are incorporated throughout to reveal how our visions of China are framed by narratives that draw upon popular culture, and also to recognize the importance of cinema as a medium through which to understand the richness of Chinese history.
[Exhibition description]
In the Metropolitan Museum of Art, 5th Avenue, New York
The Korea National University of Arts Korean Music Ensemble. From left to right: Yu Kyung-hwa (voice), Kim Hae-suk (gayageum), Shin Hyeon-sik (ajaeng), Chung Su-nyeon (haegeum), Park Yong-ho (daegeum), and Kim Jin-hyeok (janggu). Photo taken at the Kent Stage in Kent, Ohio, United States, at a concert on November 11, 2008.
This piece was the encore of the concert, with the ensemble singing and playing "Arirang" and "Jindo Arirang."
Disco Ensemble @ the Drake, Toronto
March 9, 2007
I had no idea who this zany punk band from Helsinki was, I simply happened upon them during "Finnish Moosic Night" at the Drake (as part of Canadian Music Week). Apparantly they're a pretty big deal in Finland. Awesome Finnish bands during Canadian music week... go figure!
Chicago: A Musical Vaudeville
Director: John C. Mcilwee
Musical Director: Julie A. Florin
Choreographer: Viki Atkinson
Stage Manger: Mette Schladweiler
Scenic Designer: Jayme Mellema
Costume and Hair Designer: Em Rossi
Lighting and Sound Designer: Joshua Reaves
Technical Director: David Jensen
Photography: Aaron Bridgman
Title: Jazz Ensemble
Creator: Valdosta State University
Date: September 1983
Description: Jazz Ensemble group pictures
Source: Spectator Negatives, 1980-1985. Valdosta State University Archives and Special Collections.
Subject: Jazz musicians; Jazz ensemble with band;
Identifier:
Format: image/jpeg
Porque hoje e o seu aniversario, porque depois desse tempo juntos, continuo apaixonado, porque minhas manhas nao teriam sentido sem ela.
Michelle
MICHELLE MA BELLE
THESE ARE WORDS THAT GO TOGETHER WELL
MY MICHELLE
MICHELLE MA BELLE
SONT DES MOTS QUI VONT
TRES BIEN ENSEMBLE
TRES BIEN ENSEMBLE
I LOVE YOU, I LOVE YOU, I LOVE YOU
THAT´S ALL I WANT TO SAY
UNTIL I FIND A WAY
I WILL SAY THE ONLY WORDS I KNOW
THAT YOU´LL UNDERSTAND
MICHELLE MA BELLE
SONT DES MOTS QUI VONT...
I NEED YOU, I NEED YOU, I NEED YOU
I NEED TO MAKE YOU SEE
OH, WHAT YOU MEAN TO ME
UNTIL I DO
I´M HOPING YOU WILL KNOW WHAT I MEAN
I LOVE YOU
I WANT YOU, I WANT YOU, I WANT YOU
I THINK YOU KNOW BY NOW
I´LL GET TO YOU SOMEHOW
UNTIL I DO
I´M TELLING YOU SO YOU´LL UNDERSTAND
MICHELLE MA BELLE
SONT DES MOTS QUI VONT...
The Beatles
German postcard in the Moderne Künstler series by MMB, no. 457. Photo: F.J. Wesselsky.
German actress Hanni Weisse (1892-1967) belonged to the great film divas of the early German silent film. She was able to maintain her stardom till the 1920s.
Hanni Klara Therese Weisse was born in Chemnitz, Germany in 1892. She studied to play the cello but started her musical career in 1910 as a chorister at the Thalia-Theater in Berlin. In 1912 she was an ensemble member of the Royal Belvedere Dresden, which made a national tour through Germany. In Berlin, she had a chance meeting with film director Max Mack, who engaged her for the production company Vitascope. She made her film debut in his short Der Zigeunerin/The Gypsy (Max Mack, 1912) with Ernst Pittschau. One of her first successes was Der Andere/The Other (Max Mack, 1913), starring Albert Bassermann, which according to critics belonged to the first art films. In the following years she appeared in many great productions like Das Eiserne Kreuz/The Iron Cross (Richard Oswald, 1914), Anita Jo (Dimitri Buchowetzki, 1919), Die Apachen/The Apaches (Ewald André Dupont, 1919), Alkohol/Alcohol (Ewald André Dupont, Alfred Lind, 1920) and the horror film Der Graf von Cagliostro/The Count of Cagliostro (Reinhold Schünzel, 1920) starring Anita Berber and Conrad Veidt. She was also playing in the very popular Sherlock Holmes films such as Der Hund von Baskerville/The Hound of the Baskervilles (Rudolf Meinert, 1914) and Das dunkle Schloß/The Dark Castle (Willy Zeyn, 1915).
In the 1920s Hanni Weisse was a very busy actress and played in films like Die Insel der Verschollenen/The Island of the Lost (Urban Gad, 1921), Nanon (Hanns Schwarz, 1924), Die Drei Portiermädel/The Three Porter Girls (Carl Boese, 1925), Le train sans yeux/Train Without Eyes (Alberto Cavalcanti, 1927), Männer vor der Ehe/Men Before Marriage (Constantin J. David, 1927) and Kaczmarek (Carl Wilhelm, 1928) with Ernst Verebes. Her engagements in the 1930s became rarer, new faces were in demand. She had roles in short comedies and played small parts in Die Heilige und ihr Narr/The Saint and Her Fool (Hans Deppe, Paul May, 1935), Krach im Hinterhaus/Trouble Backstairs (Veit Harlan, 1936), and Sergeant Berry (Herbert Selpin, 1939) starring Hans Albers. In 1942 she made her last film Vom Schicksal verweht/Blown Away By Fate (1942, Nunzio Malasomma) featuring Sybille Schmitz. After 127 films Hanni Weisse retired from show business. In her later years she and her second husband managed hotel restaurants and bars, first in Aussig and Dresden, and from 1948 on in Frankfurt a.M. Her hotel-restaurant Zum Heidelberger became a popular meeting place there for artists. Hanni Weisse died in 1967 in Bad Liebenzell, Germany. Her first marriage was to scriptwriter Bobby E. Lüthge, who wrote the scripts for her films Mater dolorosa (1924), Der Kavalier vom Wedding (1927), and Kaczmarek (1928).
Sources: Thomas Staedeli (Cyranos), Filmportal.de, Wikipedia (German), and IMDb.
And, please check out our blog European Film Star Postcards.