View allAll Photos Tagged enmesh
Rina Banerjee ‘Viola, from New Orleans-ah, an African Woman, was the 19th century’s rescue worker, a global business goods raker, combed, tilled the land of Commerce, giving America a certain extra extra excess culture, to cultivate it, making home for aliens not registered, made business of the finer, finer, had occupations, darning thread not leisure with reason and with luster, in ‘peek a book’ racial disguises preoccupied in circulating commerce, entertaining white folks, pulling and punching holes in barriers, place that where was once barren, without them, white banks made of mustard and made friendly folks feel home, welcomed and married immigrants from far noted how they been also starved, fled from servitude and colonial dangers, ships like dungeons, pushing coal in termite wholes, churning fire, but always learning, folding, washing, welcomed as aliens. She wandering, hosting, raising children connected to new mobilities and most unusual these movements in Treme’, New Orleans was a incubating, enmeshed embedded in this silken cocoon when she land, she’s came to be parachute mender, landed those blank immigrant peddlers from Hoogali network of newcomers’, exhibition ‘Make Me a Summary of the World’, San Jose Museum of Art, 2019, San Jose, California
Schweber on working with Eugene Wigner and J. Robert Oppenheimer and seminars they participated in:
“The two dominant theoretical physicists during the time that I was there and was some rivalry, and you could tell was Wigner and Oppenheimer . . . The first time they really interact was in Princeton in fall of '47 when Oppenheimer comes there. So when I come in '49, it's clear there is tension. Because on the one hand, Wigner is always a penologist. Wigner never rode in the quantum field theory. He stood aside from that; was not terribly interested, or if he said that he was interested, didn't partake in it. Whereas Oppenheimer was deeply enmeshed in it. Oppenheimer was certainly at the institute a dominant figure, and then almost always knew what the speaker was going to say. Often very critical of what was being said. He set the tone.”
Listen to the full clip here, and find this photo here in our archives.
Credit: AIP Emilio Segre Visual Archives
Find more oral histories here.
The soft sun and the baked rosettes churned out a visual delight. An arsonist, it has set the summer forest ablaze with its shining pelt. One of the finest examples of its breed-the male leopard at the zenith of its rule rested peacefully.
As the age old trunk enmeshed its way up, the spots lent the forest its characteristic milieu. It changed sides on the branch like a dancer on her ballet shoes and breathed in the morning warmth.
Such is the story of one usual summer in one of the finest forests of our country-Kabini.
April 2015
Twin cocoons have strands so enmeshed that they cannot be used for weaving into fabric. However they can be stretched to create a layer of batting for the comforters.
The Silk Spinning Mill in Suzhou, China
Leanne Tobin is a descendant of the Boorooberongal, a Richmond clan of the Darug, the traditional Aboriginal people of Greater Western Sydney.
Her storytelling and paintings revolve around a loyalty to and responsibility for the ‘place of her ancestors’. Leanne tells the stories of her Darug people and their land. She explores the subjects of environmental care and social fairness. Her painted stories convey the gentle beauty and wisdom of the land and its original people.
People, plants and environments are prominent in this exhibition. Landscapes convey the vital spiritual connection of the Darug people to the land, often concealed beneath the concrete of urban modernity. Leanne uncovers these hidden stories from the past and restores meanings to silent landmarks of her ancestral country. Plants and flowers are part of this narrative; although fragile and fleeting they are powerful symbols of love and belonging. Aboriginal people are often depicted, yet stories reflect on broader questions of human life, in traditional and contemporary contexts.
Past anecdotes and personal experience are enmeshed within her stories. With her mixed-ancestry, Leanne has a larger and more inclusive story to tell. She connects people through the portrayal of common human feelings shared by all. Her artwork is universal, inviting not only her people, but all of us to the circle of storytelling. We are welcomed to relish her visual narratives.
© Stan Florek
The Cristo Blanco is a sculpture of Jesus Christ located on the Pukamoqo hill (red hill), a place considered sacred by the Incas.
The sculpture was a gift from the Arab-Palestinian colony in 1945.
The work was created by the Cusco sculptor Francisco Olazo. The materials used were granite, cedar, clay as well as iron and wire.
The sculpture is white and measures up to 8 meters. The open arms represent the Catholic protection over the city of Cusco.
The laying of the first stone was carried out during the Inti Raymi (Sun Festival) festival in 1944. Later, in 1973 and 1974, the statue was enmeshed.
It is currently one of the most visited modern monuments in Cusco. The main reason is that from there you have a privileged view of the entire city.
First 2008 Trip to Ice Age Floods Country, this time Quincy Wildlife Refuge, The Burke Lake Entrance, and the first time I've seen snow residue as deep as a foot, especially 6 weeks into the new year. This place inspires me with many metaphors of beauty and science, philosophy and art. Only 65 miles from home, it is an inspiring change from the snow and ice clinging to us back in Leavenworth
Katharina Fritsch
1993
Plaster, iron, pigment
In Knot, Katharina Fritsch applies the neutral elements of symmetry, precision, and scale to a decidedly disturbing vision. The horizontal ridges that line the swelling strands of the form hint at the original identity of this piece: a knot formed by a tangle of long rats' tails, a nightmarish phenomenon known in northern European folklore as a Rat-King. As the rats enmeshed in the Rat-King struggle to pull away to escape, they only tighten the knot that spells communal death. Knot's elegant form commands the space around it with uncanny authority, yet at the same time remains freighted with the eeriness of its origins.
Raymond and Ruth Perelman Building
Philadelphia Museum of Art
'Creation Mystic Marble' by Jeri Holt, 2009; 14 " x 14", pigment print on fine art paper.
This image is part of a series of Mystic Marbles. Stimulating imagination and wonder in the world around us, this series causes humans to stop and become enmeshed in the intricacies of a world they often overlook. The wonder and mystical quality of water and the spinning of the treads of life that are teaming on an ever-spinning globe. The image was created from a painting of a marble with collaged fractals.
"All images are the copyright of each artist and cannot be used "in any way" without the express consent of the artist. You can contact the artists via their websites."
Look #274: Only the Snowman Knows
Featuring hunt items from Wicked for the Advent Chase Hunt, Enmeshed Into Christmas Hunt and the Candy Cane Hunt; and hunt items from Dark Passions Koffin Nails for the Candy Cane Hunt.
Blog - shelsstyle.blogspot.com/2016/12/look-274-only-snowman-kno...
I was hungry anx looking fir cheap food at PS Kensington. The Samba Squad had just finished a rockin' rythmic recital.
I came across this veggie delight at one of the vendors on augusta avenue.
Humitas (Chilean tamales), Corn wrap = corn mesh, sauté onions and basil. $3. sweet corn flavour enmeshed with a savoury filling. topped with hot sauce and mayo. delicious!
At Kensington market.
Whoops, said the Queen Of The Moon, as she became entangled by her elaborate hairdo!
Oups, dit la reine de la lune, comme elle a été empêtré par sa coiffure élaborée!
¡Vaya, dijo la Reina de la Luna, mientras ella estaba enredado por su peinado elaborado!
The planet Earth's natural satellite, in its monthly full view, at closest approach in 19 years. It seems to have become entangled in a Washington Palm tree. I guess it didn't realize there were transplanted California palms in Arizona's Sonoran Desert...
Satellite naturel de la Terre planète, à son avis mensuel complet, le plus proche à l'approche en 19 ans. Il semble avoir s'enchevêtrent dans un arbre Washington Palm. Je suppose qu'il n'a pas réalisé qu'il y ont été transplantées palmiers de la Californie, en Arizona du désert de Sonora...
El satélite natural del planeta Tierra, en su vista mensual, más cercano en enfoque en 19 años. Parece que se han enredado en un árbol de palma de Washington. Supongo que no se dio cuenta que se trasplantaron las palmeras de California en Sonora Arizona el desierto ...
IMG_9829
Rina Banerjee ‘Viola, from New Orleans-ah, an African Woman, was the 19th century’s rescue worker, a global business goods raker, combed, tilled the land of Commerce, giving America a certain extra extra excess culture, to cultivate it, making home for aliens not registered, made business of the finer, finer, had occupations, darning thread not leisure with reason and with luster, in ‘peek a book’ racial disguises preoccupied in circulating commerce, entertaining white folks, pulling and punching holes in barriers, place that where was once barren, without them, white banks made of mustard and made friendly folks feel home, welcomed and married immigrants from far noted how they been also starved, fled from servitude and colonial dangers, ships like dungeons, pushing coal in termite wholes, churning fire, but always learning, folding, washing, welcomed as aliens. She wandering, hosting, raising children connected to new mobilities and most unusual these movements in Treme’, New Orleans was a incubating, enmeshed embedded in this silken cocoon when she land, she’s came to be parachute mender, landed those blank immigrant peddlers from Hoogali network of newcomers’, exhibition ‘Make Me a Summary of the World’, San Jose Museum of Art, 2019, San Jose, California
I always hate "VIEW LARGE"
but mesh does that crazy thing that makes it really quite a lot better if you look at it large. So if you're game.
Rina Banerjee ‘Viola, from New Orleans-ah, an African Woman, was the 19th century’s rescue worker, a global business goods raker, combed, tilled the land of Commerce, giving America a certain extra extra excess culture, to cultivate it, making home for aliens not registered, made business of the finer, finer, had occupations, darning thread not leisure with reason and with luster, in ‘peek a book’ racial disguises preoccupied in circulating commerce, entertaining white folks, pulling and punching holes in barriers, place that where was once barren, without them, white banks made of mustard and made friendly folks feel home, welcomed and married immigrants from far noted how they been also starved, fled from servitude and colonial dangers, ships like dungeons, pushing coal in termite wholes, churning fire, but always learning, folding, washing, welcomed as aliens. She wandering, hosting, raising children connected to new mobilities and most unusual these movements in Treme’, New Orleans was a incubating, enmeshed embedded in this silken cocoon when she land, she’s came to be parachute mender, landed those blank immigrant peddlers from Hoogali network of newcomers’, exhibition ‘Make Me a Summary of the World’, San Jose Museum of Art, 2019, San Jose, California
Unique Pearl's spectacular tri-pearl pendent will take your breath away. Each pearl is crowned with diamonds. In total, 48 diamonds are enmeshed in this stunning design with a total diamond weight of 0.62. The pearls are hung in steps in order to give each pearl its own space to shine. Perfect for black tie affairs and weddings. Read more:http://www.uniquepearl.com/pearl-pendants/south-sea-pearl/109.html
Curated by the UTSOA Materials Lab.
Photographed by School of Architecture Visual Resources Collection Photography TA, Panchajanya Gudigar.
By Kehinde Wiley
American, born 1977
2012
Oil on canvas
The Two Sisters is part of a pioneering body of work first exhibited in 2012 in which Wiley continued his practice of "street casting" his sitters, modeling his compositions after historical European portraits, and incorporating rich decorative motifs. But for the first time, he portrayed female subjects. He also expanded the bounds of the artistic act, drawing on fashion design and film making to embed his paintings within a web of identity creation, historical reference, and the vital present.
Wiley was inspired by Théodore Chassériau's 1843 double portrait of his sisters in the Louvre, a painting at the boundary between the restrained ideals of Neoclassicism and the more emotive expressions of the Romantic movement. Wiley identified his sitters as they went about their lives in New York. Givenchy's lead designer, Riccardo Tisci, designed the dresses they ear in collaboration with Wiley and the sitters. The creative process was documented in an award-winning film, Kehinde Wiley: An Economy of Grace.
Kehinde Wiley
Among the most recognizable artists working today, Kehinde Wiley embeds his artistic practice in the European tradition of portraiture. He uses oil paint and bronze to dramatize, elevate, and immortalize his subjects, deploying visual vocabularies born in the Renaissance and refined across Europe in the 1600s and 1700s. For the past two decades, Wiley has shaped a new, vividly contemporary and American history of art by portraying Black individuals on a scale rarely seen before in a style created and nurtured in the cradle of colonialism.
A native of Los Angeles, Wiley received degrees from the San Francisco Art Institute and Yale University School of Art. His distinctive imagery first coalesced in the early 2000s when he began identifying Black men as portrait subjects on the sidewalks of New York and using vivid colors and strong lighting to portray them enmeshed in elaborate decorative motifs, melding contemporary attitude and dress with historical poses and compositions.
In his primary medium of painting, Wiley engages a tradition exemplified by Anthony van Dyck's court portraiture of the 1600s and popularized among wealthy patrons by artists like Joshua Reynolds in the second half of the 1700s. In his sculptural practice, Wiley references portrait traditions from Renaissance tomb effigies to sculptors of the 1700s and 1800s who were renowned for their abilities to capture likenesses that seem to live and breathe in marble and bronze. With Wiley's work, as with that of his predecessors, scale and technique put the ambition and virtuosity of the artist as much on display as the status and identity of the sitter.
.
. UJearre of the absur . -~· ·---...v .
srlence on ;,.,.,"'----~· d ~?ntrnues rn the camnc: nn ,.....,_I. ~~Pensionson sttldP-nt~ .
Nandigram, 14 March .
Then came the end of beliefs. .
In our half-reached, quarter-dreamt, woken-in-between little-believed and broadly accepted CPI (M) parenthetic lives. Development in Nandigram is nowmeasured as the investor-friendly space between the legs of nine year old girls..
14th March. Nandigram. 1_90 people mowed down. Firing squads replicated. Organized genocide in.
the name of development. Industries more than the efficiency of oil and electricity need blood tofunction. .
Then we under tand the viscosity of blood. How thick it is and how easy it flows, into the HaldiRiver where the alligators and sharks build camaraderie of the flesh..
developmental, human flesh. Soft, expendable, non-.
Ah, but we cannot indulge in the stupidity ofhumanity. This is not a read to arouse your sympathy..
Only r·age. Undiluted, r. cused and pure rage..
Rage that m.akes u s stir in the middle of our midnig ht dreams filled with love, lust and tenderness..
Only bitterness matters. The acrid taste on the tongue ofthe dead and the dying..
Govemment reports: 10 people dead. SFI echoing the politburo statement, speaking with the split.
tongue 1 the snake, says, it is unfortunate that these people were ki lied in the police firing but the.
Naxals, Trina1nul is and the general generic 'outsiders' are to blame, to take responsibility..
In the meantin'le people crying out for help in the fields are made invis ible by the glittering police..
The order·s are take no prisoners, leave no evidence. There is a slight wager running underneath. alinlc Faustian trick, here the 1nen in uni1orm say to anybody who wishes to concern unnecessarily.
\vilh the ,singlen,indcd mindlessness of the violence, 'show us five bodies and we will pay you'..
Women are raped as is the logical direction orviolencc, children are cut up in slices and thrown intothe river·. The stakes still ren,ain insubstantial. Only card games on the side ofsilenced streets make.
sense..
And while aces corne up and hide in the sleeves of" CPT (M) cadres and the state police (Who candraw the line? llow can one talk in spaces one cannot speak of? Who can read the lines on f"accs that.
decorate bodies on trucks?) the prickly sensitive ar·tistic chief minister Mr. Buddhadcb Bhattacharya.
speaks, I -.vas unde· in,n,cnse internal party pressure to reclaim order in Na.ndigram..
So the night con,es in a railing with .
on.achura under siege. Bullets in concerted directions screan,through the skin of the night a.nd darkened silhouettes. To meet resistances of people who willquaintly do a 1-Ioudini trick. Disappear. Without ren'len,brances. Without traces. History will haveother lives to spilt into. Only the Cal"ibbean World Cup in the hantiniketan weekend explodes onto.
the con"Ifortable television screen..
What is the story, the point you may ask ifyou haven't stopped reading already, if the other itnageshaven't ah·eady taken toll on your eyelids, slipped into reality shows, enmeshed in particularities of.
the new flick, be a little patient and no answers will come forth..
The small story that unfurls , peppered with dismembered limbs, has only one moral. Aesop spent.
.
too much time on too many thi~gs. The dead,don't count, they can't follow you. The political dead.
l:an be rcmc_mbcred through whtte busts on the corner ofthe street. You can still find people playingcards, even tfyou don' .
t look too hard. Nuclear plants at Haripur will show ymt the way.A pamphlet is a scrap of paper. It shows nothing, proves nothing, says nothing without the spirit of.
, rage. .
Anandaroop, Ani/, Banojyotsna, Bodhisattva, Jeet, Kaustubhmani, Oeendrila, Sanjukta, Sukanya,.
Upa! .
.
dead bodies
mangled heaps
of flesh
contorted
tortured
faces limbs
torn apart
caught in
a mesh
paid media
needs to
refresh
gloat bloat
blood sweat
tears images
words enmeshed
humanity sells
not horseflesh
27 June 2013
#firozeshakir
#beggarpoet
worst part of the construction was digging the trench and covering the coop with hardware cloth... next comes the front door and henhouse
2013, Sugar Lift, aquatint and embossed on Velin Arches 300gsm paper.
Edition Size: 10
Editions Available: 4
47.5cm x 47.5cm
Abdullah M. I. Syed
My final Immersive for the year , follows Aria. The Orient as it's directly enmeshed in my life in dark vignettes and definite shorthand.
Quoted Inworld Notecard prepared by Dividni Shostakovich
SPLIT SCREEN INSTALLATION SPACE
Split Screen will have an opening party *this Saturday* for its newest installations -- the darkly impassioned "FlowerDrum" by the artist and designer Eliza Wierwight, and the dotty fractals of "D.Construct" by the team of Douglas Story and Desdemona Enfield. The installations open to the public on Saturday the 28th, and run through 30 Jun.
>>> OPENING PARTY <<< will be Saturday, 28 May, at 3:00 PM SLT. We'll have live music by the singer Zachh Cale.
We've often filled the homestead sim, so I now have a little plot of land on the sim connected to Split Screen letting people spread out onto two sims!
Yeah, I know...it does look like a postcard...but, I like the buildings partially enmeshed in the mist...
Curated by the UTSOA Materials Lab.
Photographed by School of Architecture Visual Resources Collection Photography TA, Panchajanya Gudigar.
2013, Sugar Lift, aquatint on Velin Arches 300gsm paper.
Edition Size: 20
Editions Available: 6
49.75cm x 25cm
Abdullah M. I. Syed
The five-story Italian Renaissance-inspired building - a registered Historic-Cultural Monument - contains a 1,000-seat theater, a smaller entertainment venue, a nightclub space, a lounge, a library and offices.
DTLA - For years, one of the most appealing yet frustrating empty spaces in Downtown Los Angeles was the Variety Arts Center. The 92-year-old edifice is strategically located, just north of L.A. Live at 940 S. Figueroa St. It has office space on upper levels and a gorgeous theater that can seat 1,100. It needs work, but what old building doesn’t?
It seemed like the type of place destined to become a concert hall, maybe with a fancy restaurant attached. Instead, the property owners have inked a long-term lease with the Australia-based church Hillsong. The entity’s Los Angeles arm will hold Sunday services there and utilize some of the upper floors for offices. A top-to-bottom renovation of the 1924 building is underway, with plans to finish by the end of the year.
From: www.ladowntownnews.com/opinion/a-comeback-for-the-variety...
A church wasn’t the likeliest bet for what would fill the Variety Arts Center, but this deal looks to have positive potential for Downtown. Hillsong currently holds four services every Sunday at the nearby Belasco Theatre, drawing a total of about 3,500 people to high-energy religious gatherings that can seem more like rock concerts, complete with Christian bands. These are people who could walk to nearby restaurants or businesses before or after church, and if they like what they see, they might return to Downtown another time.
Hillsong has signed a deal that could keep the church in Downtown for as long as 25 years, which means a great opportunity to get enmeshed in the community. It has an associated philanthropic arm, which is another way to be involved.
We’re pleased to see a viable plan to bring back a jewel of a building. We look forward to Hillsong L.A. having a home here and being an active part of the future of Downtown.
.
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course, but the sequ 1rror in this country for. leading to Godhra and Jarat does, to my implausible from the front page -------·-----years (eversince Phizo.
--------b'r of revolt in the Nagaof thinking, begin to devel ---bttoformulateouranti-.
July 2001. l11at is when the ~ continue to dilly-dallySUmmit failed. .
rorlaws..
Here's something to jog memory.
In Agra the contest wa Council Resolution.
~\·eenAlai Bihari Vajpayee's' .
expressing its ··un-line and the "hard" line gen tion"ofthe terronstassoc:iat.ed "'ithLKA.dvani. to international peace.
of Ahmedabad police chief ~.
111e most important issue iJied upon all the states.
Ashok Bhatt..
Sangh Parivar's mind in the from Chakravarthy. (By this time 3.16 pm: Pande calls then Deputy l!hensive measures to .
July of200l 'vas the assemb~ Ahmedabad District Collector mobs have taken to street'\, According tions in Uttar Pradesh justab Srinivns. Comrnissi~ner of Police (~o~IV) flay funds and other 6-.
1.53 pm: Pande receives a call t polic~.: records, the attack on Gul-p B Gondta. under whose JUrisdic-~J"S()Jl!)whocom.mit.or.
months away. Relations \\it! barg Society started at10.30 am while tion Gulbarg and Naroda-Patiya lo-pit terro-r:istacts.-anden-istan have always. in some me from Zadafia and ~peaks for I09 it started at 11 am at Naroda-Patiya.) tson who participateS indetermined internal politic seconds. 11.31 am: Pande receives call calitiesfall. .
2.59 pm: Pande receives a caJJ 3.22 pm: Pande receives.a_ call lroug:ht to justice, etc. It namics whenever ''hard" or from the office ofZadafia. from city MlA and state m1mstcr if the mild UAPA will.
from Thnmay Mehta. CM Nan::n-.
saffron are the choices on o I1.40 am: Pandc receives a call Kaushik Patel and speaks for 60 sec-·ements of the Security.
dra Modi's personal assistant. from Thnmay Mehta, Narcndra.
the Vajpayee-Jaswant Sing ~on..
3.35 pm: Pande receives acall from.
had prevailed in Agra, the t onds..
' to Modi's PA. 3.38 pm: Pande receives a call ,ng was of the view that.
then additional principal secrctai) 11.43 am: Pandc receives a call.
the election campaign in UP the individual must take.
chiefminister. Anil Mukhim. from Mehta..
automatically have been "g. 3.36 pm: Pandc receives a call from Thndon, who has already 3.54 pm: Pandecalls Gondia. hesecurityoftheState'.Butevents turned outdiffere from Mehta. Half a minute later, reacheu the Mcghaninagar an.:a 3.57 pm: Pande receives a call unfonunately, politicalBarely two months after (where Gulbarg Societyis). . ~eprecedence over all.
Mukhim calls again. 11.56 am: Pande receives a call from Mehta..
9111 happened. The "hard 3.40 pm: Pande receives a call 3.59 pm: Pande receiVes a call 1udingnationalsecurity.were elated. The global sit from Chakravarthy. .
from Chak.ravarthy. Minutes later, 1.
now seemed to favour then from Minister Zadafia. 12.06 pm: Pande calls Tandonand tzerdin!ctorgen.eralofthe.
u .
istan. enmeshed as it v 350 pm: Pandc receives a call speaks for 75 '>econds. Three min-Chakravarthy is at Pande'soffice. .
.
from DGPChakravarthy. utes after this call. Tandon leaves 5.16 pm: Pande receives a call ex-UPandAssamDGP qfp~XllAfghanistan, abode ofOsaJ 5.02 pm: Pande recciv~ a call from Zada:fia. who has just left the l ,.
Laden, was now in a pincc [Tom Mukhim. He rdurns the call Meghaninagar. Police Commissionerate..
world's mightiest pow:er wa .
ing thewaragainst terrorism 5.17 pm' Pande <ece;ves a call ~.
.
after a minute. .·.
n.
· \~ctim of Pakistan's cross 1 5.28 pm: Pande receives a call RECAWNG THE CALLING from a cellphone registered in the 1 terrorism, was a natural all} fTom Chakravarthy and speaks for name of A P Patel of General Ad-us in this \\'31'. ; 1'07seconds. When con1acted at his residence in ministration Department. Govt of .
6.03 pm: Pande receives a call Delhi, former Ahmedabad police chief .
~ The "hardliners" expect Gujarat. .
c positive consequences fro from Mumbai and speaks for 154 PC Pande said: "Iwould not like to 550 pm: Pande receives a call.
.
comment on anything. Pande, who .
s war. Pakistan would be rap seconds. was moved to the CBIafter his stint as from Tandon. If' o the knuckles for sustaining a 7.09 pm: Pande calls Mukhim and 6.31 pm: Pande receives a caU ...
Joi<Ja Ahmedadad Commissioner. was re-from the official residence of city .
11 tensity conflict against II speaks for 83 seconds, cently moved out by the Government..
Kashmir. The"hard''line in; At 7.4-H pm and 8.14 pm Pande re-MLA and then state Health Minis-.
.
The Government was acting on acom-terAshok Bbatt and speaks for 232.
-~ politics would derive streng cctves two call!' from the District mitment it gave to the Supreme Court.
Collector. seconds..
.
~ ---------------- 8.26 pro: Pandc receives a call on aPllchallenging his appointment 6.51 pm: Pande receives a call \w .
1raight for his ofiice. from VHP leader and riot accused lJ member. the adultery .
He stays there till around 1am. from Chakravanhy and speaks for Jaideep Patel. Pande leaves the tould quickly be null and'11~ BombayMeriJaan on its he .
8.12 am: Pande is back in office 116 seconds.J!;llj Which is why I went to· 1.56 pm: P<mdc receives acall from Mcghaninagar area and goes back Un;."etheEuropc.uH:ourts .
a call from .imleagainst 11. .
';)W journalistS. Hussain Zai< and reccrves the office of state minister Narottum to his office. .
:~.~ with great expectations. I Chakravarthy, 8.52 pm: Pande calls Chakravanhy that is being lost in lhc cur-.
.
Su!SI many otherswho throngec 8.50 am: Pande calls Cha-Patd and speaks for 125 seconds 1proarCM!radultery ts that.
.
2.02 pm: Pandc receives a call and speaks for 110 seconds. .
-~~ recently concluded Murnb kravanhy. from Thndon and speaks for 125 9.03 pm: Pande callsAni! Muk.im, 1~1week. while debating ;~~.p s. Thefilm's flaws don't li 9.30 am: Chak.ravarthy calls principal secretary to the chief min-------Pandc and speaks for 126seconds. seconds. ister, and speaks for 229 seconds..
faithfullyrecords eventS be 2.12 pm: Pandc receives a callThe gory pictures, the tom 9.44 nm: Pandc receives a call 9.14 pro: Pande receives a call.
from \ hakravartlly..
_ methods applied to seekcc from then Joint Commissioner of f:rom Mukim.But the film miserably Police (Sector H) M K Thndon. 2.25 pm: Pantle rceives aenII from 9.18 pm: Pandc calls ' I usual Cgrade Bollywood Thndon..
6 Three minutes latc:r, Pandc is on hil. 2.53 pm: Pandc receives a call Chakravarthy and speaks for 334 .
1 trays Muslims. Through die way to Sola Civil Hospital. seconds.peats thestereotypes abOl 10.56 am: Pande returns to the from Zadafia. 10.27 pro: Pande receives a call .
Before one saw this fi.IJ 3.09 pm: Pande receives a call.
Police Commissionerate. from Mehta..
wbo quote Islamic virtue: 11.05 am: Pande receives a call from then state health minister .
scene is the one where ~ .
.
"1Umhara khuda twnhare .
The attempt to linka c .
Why not have unions in BPO sector .
islation but the labour machinery.
ing for some time to make a headway.
to find out to what extent labour has been told to be lax with BPO.
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I was three days into the Cradle Mountain Walk in Tasmania. The morning was cool and I was mesmerised by the rhythmic beat of footfall on the boardwalk, when I suddenly realised I was enmeshed in a thick pocket of fog. I couldn’t see the bush that had previously surrounded me and the sun was a vaporous dull glow overhead. The silence was disquieting when I had stopped to get my bearings. I felt as if I had entered Tolkein’s Murkwood.
It was at that point I noticed I was covered from head to toe with perfect beads of moisture. Beads the size of pin heads. They covered the backs of my hands, the hairs on my legs, my boot laces. They were everywhere.
As I was marvelling at the perfection of each water droplet, the sun seared through the mist and for a split second, I sparkled with fairy dust like Disneyworld's Tinkerbell. It was magical.
Sadly the touch of the sun's rays, the mist burnt away, the droplets vaporised and normal surroundings crystalised once again.
Here we are at Summit and St. Clair, East Saint, located just across the way from ESL High School's stadium. Long thought/hoped this wall was the screen of an abandoned drive-in, but web searches are showing nothing of the sort. Suppose that a billboard it is/was. Now enmeshed in a forest, its commercial past, in whatever form, is done.
San Francisco is infested with these 60 year old bearded hippie men with earrings, and extremely nice casual sportcoats. You can tell the hippies are spending their old age trying to atone for all that drug use by enmeshing themselves in the art of that period. They still can't be bothered to get the little details right though -- when I took this picture of the seam where Kerouac stopped and taped it to the next 20 foot long sheet, I was standing next to one of these damned hippies saying "Yeah, he wrote it all on one big long sheet of paper, without stopping, continuous-like, man."
Fucking hippies. Trying to sound like beatniks too.
The golden age of Elmoreden came about a thousand years after its establishment, during the reign of Emperor Baium. With great charisma and leadership skills, Baium created the strongest army in the history of the kingdom. This army drove the orcs, who had considerable influence in the northern parts of Elmore, into the black woods, known later as the Orc Kingdom. In addition, Baium's army led repeated attacks against the kingdom of Perios, and eventually occupied the southern parts of Gracia.
In his later years, Baium lost interest in conquests and used his kingdom's forces to begin construction of an elaborate tower rising into the clouds.
"My name inspires fear in every corner of the continent. Tens of thousands of lives can be lost or saved by the movement of my hand. My power is absolute. That I can only have this power for a few decades, I cannot bear! No -- I shall obtain everlasting life from the gods and rule my kingdom forever!"
The magnificent tower of Baium's design took thirty years to construct. He intended to use the tower to climb to the residence of the gods and obtain the secret of everlasting life. When he climbed the tower, the gods objected to his plans and gave him this response:
"Child of lowly humans, and a lowly human yourself: You dare to soil our abode for your own everlasting life? Have you learned nothing from the lesson of the giants? Very well, if eternal life is what you desire, we shall grant you your request. But you shall never leave your tower."
Having brought the fury of the gods upon himself, Baium was trapped for all eternity at the top of his tower. After the sudden disappearance of the emperor, a fierce competition broke out among members of the royal family as each vied for ascension to the throne. Numerous aristocrats also seized the opportunity to stake their claim to the throne, leaving the entire kingdom of Elmoreden enmeshed in internal conflict. The costs and labor requirements for construction of the tower had already weakened the kingdom. The added conflict and backbiting over the vacant throne was the last straw. The resplendent kingdom of Elmoreden, powerful on the continent for more than a thousand years fell into rapid decline. Within a mere twenty years, the kingdom was in shambles.
I remember being about five and sitting down to write my first novel. it went, "the cat said 'hi' said the cat." after that I got hopelessly enmeshed in revisions and abandoned the project.
but I'm going to finish it this winter.