View allAll Photos Tagged encapsulation,
On 27 June, ESA’s Euclid space telescope was encapsulated in a SpaceX Falcon 9 fairing, meaning that the nose of the rocket was installed over the spacecraft.
Euclid is 4.7-m tall and 3.7-m in diameter, fitting nicely in the Falcon 9 fairing with height of 13.1-m and width of 5.2-m.
The Euclid satellite is getting ready for the target launch date of 1 July 2023 from Cape Canaveral in Florida, USA. The Falcon 9 fairing will keep Euclid safe and clean during the last days before lift-off and it will protect the spacecraft against Earth’s atmosphere during launch. Euclid’s telescope and instruments are extremely sensitive and must be kept very clean. To protect them from degradation during launch a special request was made for a brand-new fairing.
ESA's Euclid mission is designed to explore the dark Universe and uncover the great cosmic mystery of dark matter and dark energy. The space telescope will create the largest, most accurate 3D map of the Universe across space and time by observing billions of galaxies out to 10 billion light-years, across more than a third of the sky. This wealth of new data will chart how matter is distributed across immense distances and how the Universe has expanded, revealing more about the role of gravity and the nature of dark energy and dark matter.
Find out more about Euclid in ESA’s launch kit www.esa.int/Science_Exploration/Space_Science/Euclid/Eucl...
Credit: SpaceX
Antarctica is Earth's southernmost continent, encapsulating the South Pole. It is situated in the Antarctic region of the Southern Hemisphere, almost entirely south of the Antarctic Circle, and is surrounded by the Southern Ocean. At 14.0 million km2 (5.4 million sq mi), it is the fifth-largest continent in area after Asia, Africa, North America, and South America. For comparison, Antarctica is nearly twice the size of Australia. About 98% of Antarctica is covered by ice that averages at least 1 mile (1.6 km) in thickness.
Boilly's painting encapsulates the era of social change in France after the Revolution of 1789, with its affirmation of new tastes and norms of behaviour. During the period of the Directory and the First Empire, billiard rooms became like clubs to which people came not only to play the game but also to meet friends, to make new acquaintances, to gossip and flirt. Here tidbits of family and society news were exchanged, the latest political and social events were discussed.
The main character of the painting is a woman playing billiards, which testifies to the liberal manners of Napoleon I's age, since before that only men were fond of this game. Boilly's fine observation and presentation of characteristic figures of different ages and social groupings, as well as his skill in conveying light, space, details of the interior and costume, rank him among the greatest genre painters of the 17th and 18th centuries.
[Oil on canvas, 56 x 81 cm]
gandalfsgallery.blogspot.com/2010/10/louis-leopold-boilly...
This is a rather large file and may take some time to open.
"...around curved
and silent cliffs encapsulated
by pale-n-sticky fog as hunting tracks
of early Cambriam without trace
of written folios, or Gladiators assigned
by rulers in every Coliseum, however sheltered by
scripted stained vitrages emerged and gothicly
projected as roofs and chimneys toward Sky,
and pastures of curling ewes with blue
and lashed romantic eyes inclining grace
and kindness of a pathetic bubbling in famous
off-Broadway scripts: Almighty, Glory Yours!
to override mine own muteness origin of Mowgli's
transforming in rhetoric by simple means..."
This week's Saturday Timewatch encapsulates a broad sweep of English history at just one location.
Looking under the bridge and into the distance a Roman Road that originated at Poole Harbour remains as a right-of-way. Meanwhile, a rail-trail, the 16 mile Castleman Trailway runs across the top of the Victorian bridge. This follows the route of the original Southampton to Dorchester line known as "Castleman's Corkscrew" because of the tortuous route that it took to include Mr. Castleman's home town of Wimborne. Guess what? He was the main promoter of the line.
So what is the S&D (Somerset and Dorset Railway) connection here? The S&D originally ran to Wimborne, about 5 miles northeast of this location. From there, services had to join what had become The London and South Western Railway. Between 1872-74 S&D operations continued on LSWR metal from Wimborne along what is now the Castleman Trailway to the S&D's original terminus at Lower Hamworthy. Incidentally, Hamworthy Station is still active on the current mainline from London Waterloo to Weymouth.
Another wider take in this scene that perfectly encapsulates the feel of railroading on Cape Cod both past and present.
The Cape Cod Central / Mass Coastal Railroad welcomed a big crowd to their second annual Railfans Day on Saturday August 17, 2024. The big draw for photographers this year was the operation of their two serviceable (they also own a third) classic original New Haven FL9s coupled back to back just as they would have operated leading the Neptune or Day Cape Codder up from New York City back in the early 1960s.
New Haven 2011 and 2026 (blt. Sep. 1960 ans Sep. 1957 as NH 2038 and 2007 respectively) are leading the second of three trips back to the festivities in Hyannis from Bourne as they hustle through the marsh and over the small bridge over Mill Creek crossing at about MP 62 on the MassDOT owned and Mass Coastal operated former New Haven Railroad Cape Mainline as they slow for their stop in the village just a quarter mile ahead.
Sandwich, Massachusetts
Saturday August 17, 2024
The partially disassembled prop lens is lit up with my headlamp. Then, the prop lens (attached to a movable arm on the tripod) is moved out of the way, the camera lens is zoomed out and re focused. Then an assistant inside of the tunnel at the back lit me for a few seconds.
from within the cedric grolet & airelles bakery, this image captures a quintessential moment of modern vacationing. a woman, stylishly dressed in a cherry-print dress, balances her iced coffee while snapping a photo with her phone. the bakery, celebrated and buzzed about on social media, attracts numerous influencers who photograph themselves or the sumptuous pastries. this scene, set against a backdrop of freshly baked croissants and tarts, encapsulates the phenomenon of digital-age travel, where the experience is as much about capturing and sharing as it is about savoring the moment. the high price and the ensuing mixed reviews on google speak to the tension between expectation and reality.
On 4 April, Juice was encapsulated inside the Ariane 5’s fairing, meaning that the nose of the rocket was installed over the spacecraft. Here we see the two engineers working where the fairing meets the lower part of the rocket. This operation followed the placement of Juice atop the Ariane 5 on 1 April. Juice will remain inside the fairing during launch. Shortly after launch, the fairing will open up and Juice will separate from the rocket.
Juice is being prepared to launch from Europe’s Spaceport in Kourou, French Guiana, on 13 April 2023. After an eight-year journey to Jupiter, the mission will make detailed observations of the gas giant and its three large ocean-bearing moons – Ganymede, Callisto and Europa – with a suite of instruments. The mission will characterise these moons as both planetary objects and possible habitats, explore Jupiter’s complex environment in depth, and study the wider Jupiter system as an archetype for gas giants across the Universe.
Find out more about Juice in ESA’s launch kit
Credits: ESA - M. Pédoussaut
Antarctica is Earth's southernmost continent, encapsulating the South Pole. It is situated in the Antarctic region of the Southern Hemisphere, almost entirely south of the Antarctic Circle, and is surrounded by the Southern Ocean. At 14.0 million km2 (5.4 million sq mi), it is the fifth-largest continent in area after Asia, Africa, North America, and South America. For comparison, Antarctica is nearly twice the size of Australia. About 98% of Antarctica is covered by ice that averages at least 1 mile (1.6 km) in thickness.
On 4 April, Juice was encapsulated inside the Ariane 5’s fairing, meaning that the nose of the rocket was installed over the spacecraft. Here we see the fairing (top) coming down over the Juice spacecraft (bottom). This followed the placement of Juice atop the Ariane 5 on 1 April. Juice will remain inside the fairing during launch. Shortly after launch, the fairing will open up and Juice will separate from the rocket.
Juice is being prepared to launch from Europe’s Spaceport in Kourou, French Guiana, on 13 April 2023. After an eight-year journey to Jupiter, the mission will make detailed observations of the gas giant and its three large ocean-bearing moons – Ganymede, Callisto and Europa – with a suite of instruments. The mission will characterise these moons as both planetary objects and possible habitats, explore Jupiter’s complex environment in depth, and study the wider Jupiter system as an archetype for gas giants across the Universe.
Find out more about Juice in ESA’s launch kit
Credits: ESA - M. Pédoussaut
This piece encapsulates the whole experience of curating the Mirage Show. Being back in New York for a few months before moving back to Amsterdam gave me enough reason to pool these amazing artists together and do something rad. Every one of the artists contributed not only the purest of their craft but a willing attitude and genuine candor that couldn't have been duplicated. It was an honor to work w/ all of them and I'm positive this is just the beginning of a larger movement within collage.
There are artists that I would have loved to be in the show, but these collaborations and interactions will have to be held for another point in time.
So much more to come, so stay tuned!
This piece now belongs to John Whitlock.
On 4 April, Juice was encapsulated inside the Ariane 5’s fairing, meaning that the nose of the rocket was installed over the spacecraft. Here we see the fairing (top) coming down over the Juice spacecraft (bottom). This followed the placement of Juice atop the Ariane 5 on 1 April. Juice will remain inside the fairing during launch. Shortly after launch, the fairing will open up and Juice will separate from the rocket.
Juice is being prepared to launch from Europe’s Spaceport in Kourou, French Guiana, on 13 April 2023. After an eight-year journey to Jupiter, the mission will make detailed observations of the gas giant and its three large ocean-bearing moons – Ganymede, Callisto and Europa – with a suite of instruments. The mission will characterise these moons as both planetary objects and possible habitats, explore Jupiter’s complex environment in depth, and study the wider Jupiter system as an archetype for gas giants across the Universe.
Find out more about Juice in ESA’s launch kit
Credits: ESA - M. Pédoussaut
Another view of the London Eye and Westminster, I can't get enough of the contrast of the old and new.
This image encapsulates the bustling essence of Matsubara-dori Street, a significant east-west thoroughfare in Kyoto. Starting from the Kiyomizu-dera Temple gate and stretching past Sainishi-dori Street, this iconic street carries the charm of tradition and history. Flanked by remnants of beautiful pine trees, a nod to its past as 'Gojo-Matsubara-dori Street,' the vibrant mix of people, donned in both traditional and modern garb, infuse life into the very fabric of this storied street.
Lens: Jupiter-11, 135/4
Since my re-emergence after a long absence, everyone has been so supportive and kind. Just wanted to let everyone know I thank you very much.
Tracy Prince's Captivating World of Fashion and Femme Elegance
Welcome to Tracy Prince's enchanting realm, a mesmerizing photo blog that celebrates the artistry of fashion, beauty, and the alluring allure of femininity. With a keen eye for elegance and a passion for exploring the spectrum of style, Tracy captures the essence of glamour through her lens, bringing you a collection that transcends boundaries and defies conventions.
In Tracy's world, "high heels" are not just a fashion statement; they are an embodiment of empowerment and confidence. Whether it's the sleek lines of thigh-high boots or the classic elegance of stiletto heels, each photograph tells a story of grace and poise. Tracy explores the world of heels with an unwavering focus on details, showcasing the intricate designs that make them not just footwear but works of art.
Lingerie takes center stage in Tracy's visual symphony. Delicate fabrics, such as satin and lace, weave a tale of sensuality and sophistication. From the timeless beauty of "tan pantyhose" to the provocative allure of "black stockings," Tracy's lens captures the delicate nuances of intimate apparel. Garter belts, a timeless accessory, add a touch of vintage charm, creating a perfect harmony between classic and contemporary femininity.
Tracy embraces the art of "X-DRESS," navigating the realm of crossdressing with a respectful and inclusive lens. Her collection celebrates the diversity within the crossdressing community, showcasing individuals expressing their identity with confidence and style. Tracy's portrayal of "tranny schoolgirl," "tranny in stockings," and "tranny in pantyhose" is a testament to the beauty that emerges when personal expression meets the canvas of fashion.
"Beautiful crossdresser," "classy crossdresser," and "sexy crossdresser" are not just tags in Tracy's blog; they encapsulate the spectrum of elegance she captures. Each image resonates with a unique blend of style and individuality, breaking stereotypes and embracing the beauty that comes with embracing one's true self.
The interplay of light and fabric highlights the shimmering allure of "shiny pantyhose" and the timeless charm of "nylons crossdresser." Tracy's lens transforms each image into a narrative, where every detail contributes to the larger story of empowerment and self-discovery.
"Thigh high boots" make a bold statement in Tracy's visual narrative, symbolizing strength and confidence. Paired with "satin babe" or "nylon," these boots become a symbol of fierce femininity, challenging traditional notions of beauty and style.
Tracy's exploration of beauty is not limited to a specific gender. Whether it's a "transvestite," "tgirl," "trans," or "transgender," Tracy's lens captures the unique beauty that transcends labels. "Sexy shemale," "transexual," and "transgender beauty" become expressions of confidence and authenticity, challenging societal norms and celebrating the diversity of gender expression.
In the world of Tracy Prince, "Femme" is not just a descriptor; it's a celebration of the myriad ways individuals express their femininity. Leather, boots, and the timeless appeal of "nylon" and "Thigh High Stockings" become tools for self-expression, allowing each person to craft their unique narrative.
As Tracy navigates the intricate landscape of fashion and beauty, she brings to light the complexity and depth of personal expression. "Pantyhose high heels," "stockings high heels," "garter belt stockings high heels," and "nylons high heels" are not just combinations of clothing items; they are the building blocks of a visual symphony, a harmonious blend of textures and colors that create a stunning visual tableau.
Tracy's lens explores the realm of "fellatrix," recognizing the beauty in the art of seduction. Whether it's a provocative gaze or a subtle pose, each image captures the essence of allure and confidence. Tracy celebrates the beauty of "slutty women" and "classy crossdressers" alike, breaking down barriers and embracing the diversity of expression within the world of fashion.
In Tracy Prince's photo blog, each image is a brushstroke on the canvas of beauty and self-expression. Through her lens, the world of fashion and femme elegance becomes a celebration of diversity, individuality, and the timeless allure of personal style. Step into Tracy's captivating world, where every photograph tells a story of empowerment, confidence, and the endless possibilities that come with embracing one's true self.
Encapsulations.
As variações dos contrários da qualidade graus maior justiça exceções disputas mantêm disposições expressões do aprendizado gramatical termos,
wariacje kółka zastosowanie terminy odniesienia kategoria zaburzone gałęzie zdania negatywne oddzielne sekwencje tematy niemożliwe orzekanie rzeczy,
syllogisme affirmatif prémisses universelles démonstrations angles conclusions définissables problèmes essence duplications illustrations,
logica formale induzione concessioni esaurienti divisioni formule complete effetti terrestri intervalli eventi falsi eventi punti intermedi contigui,
perceptiones definitiones sollicitat artes particulares officiorum contradictoriarum ratiocinationum indagationum differentias inquisitionum cognitionis,
哲学自然弁証法目特定の情報源を形成する潜在的な定義私的方法区別された問題数学者の独立した単位数は動きを変えることを意味します.
Steve.D.Hammond.
Antarctica is Earth's southernmost continent, encapsulating the South Pole. It is situated in the Antarctic region of the Southern Hemisphere, almost entirely south of the Antarctic Circle, and is surrounded by the Southern Ocean. At 14.0 million km2 (5.4 million sq mi), it is the fifth-largest continent in area after Asia, Africa, North America, and South America. For comparison, Antarctica is nearly twice the size of Australia. About 98% of Antarctica is covered by ice that averages at least 1 mile (1.6 km) in thickness.
This photograph of the Stadhuis (City Hall) of Antwerp showcases the grandeur and elegance of one of Belgium’s most iconic Renaissance buildings. The Stadhuis, with its impressive facade, stands as a testament to the architectural prowess of the 16th century. The building's ornate decorations, intricate carvings, and balanced symmetry exemplify the opulence and sophistication of Flemish Renaissance architecture. Flags from various countries adorn the front, adding vibrant colors and symbolizing the city's international connections and rich trade history.
In front of the Stadhuis, the Brabo Fountain commands attention with its dramatic and dynamic composition. At the top of the fountain, a statue depicts the legendary Roman soldier Silvius Brabo. He stands triumphantly holding the severed hand of the giant Antigoon, a formidable figure from local folklore. The statue, sculpted with meticulous detail, captures the moment of victory and adds a sense of mythic grandeur to the scene. Water cascades around the statue, adding a lively and refreshing element to the historic square.
The legend behind the fountain and statue is deeply embedded in Antwerp’s cultural identity. According to the myth, the giant Antigoon used to terrorize the city by demanding a toll from those wishing to cross the River Scheldt. If the travelers refused to pay, Antigoon would cut off their hands and throw them into the river. Silvius Brabo, a brave Roman soldier, eventually confronted and defeated Antigoon, severing the giant’s hand and throwing it into the river as retribution. This act of heroism is said to have inspired the name of the city, with "Antwerp" believed to derive from “hand werpen,” meaning “hand throwing” in Dutch.
The photograph captures not only the architectural splendor of the Stadhuis but also the rich tapestry of stories and legends that contribute to Antwerp’s unique charm. The interplay between history, mythology, and art is palpable, inviting viewers to delve deeper into the city’s past. The combination of the grandiose Stadhuis and the evocative Brabo Fountain encapsulates the essence of Antwerp, where every corner holds a piece of history waiting to be discovered. The serene morning light casts a soft glow on the scene, enhancing the timeless beauty and historical significance of this remarkable location.
RX_08809_20240404_Amberes
Copernicus Sentinel-6 Michael Freilich ready to be encapsulated in its Falcon 9 rocket fairing, which will protect the satellite during liftoff. Liftoff is scheduled for 21 November at 17:17 GMT (18:17 CET; 09:17 PST). Once launched, this new mission will take the role of radar altimetry reference mission, continuing the long-term record of measurements of sea-surface height started in 1992 by the French–US Topex Poseidon and then the Jason series of satellite missions.
Credits: ESA–S. Corvaja
1932 Chevrolet Confederate Series BA
General Motors marketed the Chevy Confederate as the 'Baby Cadillac' and shared many design similarities to its larger, more expensive, and more exclusive sibling. It wore a Cadillac-style integrated radiator shell, a longer hood, new deep crown front fenders encapsulating 18-inch wire wheels, and chrome-plated rectangular opening doors to cool the engine in the hood sides instead of louvers. Deluxe models, which added approximately $20 to the base price, added chrome-plated door louvers. The list of standard amenities included a tilting non-glare windshield, an adjustable seat, and a built-in sun visor. The six-cylinder engine displaced 194 cubic-inches, had 5.2:1 compression, overhead valves, solid valve lifters, and developed 60 horsepower. The one-barrel downdraft carburetor and counter-balanced crankshaft were new features for 1932, endowing the engine with ten additional horsepower over the previous year. The engine was backed by a three-speed manual synchromesh transmission with a single plate clutch and floor shift controls. This was the first year that synchromesh transmission was offered in all three forward gears. Mechanical features included the semi-floating rear axle, Selective Free-Wheeling (first offered in 1932), and an added frame cross-member to aid in ride comfort. Free wheeling allowed the car to coast when the driver took their foot off the accelerator pedal, offering greater fuel economy. Customers soon found the lack of downhill engine braking to be more harrowing than it was worth and the option soon fell out of favor.
The interiors had gas gauges located on the dashboard, plus additional gauges with a circular shape and dark-colored faces.
Factory literature claimed a top speed of 70-mph and period Chevrolet advertising stated 'Looming larger every day as the Great American Value.'
The 1932 Chevrolet Confederate Series BA rested on a comfortable 109-inch wheelbase and rode on 18x5.25 tires. Its wheelbase was slightly longer than the Ford Model 18 which measured 106-inches and both the Chevy and Ford price ranges were nearly identical. 1932 was the first year that Ford switched from the four-cylinder power to the flathead V8 offering 65 horsepower from its 221 cubic-inch displacement. The Fords had all-steel bodies, while the Chevrolets had the solid Fisher Body using wood and steel framing construction, plus a more rigid chassis structure and hard-rubber engine mounts affording the Chevy a smooth and refined ride at a reasonable cost. Closing a Chevy door framed in wood had a favorable and solid 'thunk' while the Ford and had a 'tiny clank.' Buyers preferred the solid nature, styling, affordability, and amenities of the Chevy, resulting in 306,716 examples built during the calendar year compared to Ford's production of 287,285 units.
Body styles and Price
The Fisher-built bodies included a roadster priced at $445, a sport roadster at $485, a coupe and five-window coupe at $490, a phaeton and coach at $495, and a sport coupe at $535. The Deluxe five-window coupe listed for $510 and the Deluxe coach was priced at $515. A five-passenger coupe was $575, the sedan at $590, and the convertible at $595. The most expensive body styles were the special sedan at $615 and the landau phaeton at $625. The special sedan was equipped with front and rear bumpers, dome light, silk assist cords, and a robe rail.
Production
The most popular body style was the two-door coach with seating for five, with 132,109 examples built. The second most popular body style was the special sedan with 52,446 units built, followed by 34,796 examples of the five-window coupe, 27,718 of the sedan, and 26,623 of the Deluxe five-window coupe. The most exclusive was the phaeton with 419 examples built, followed by 1,118 of the roadster, 1,602 of the landau phaeton, 2,226 of the sport coupe, 7,566 coupes, 8,552 of the sport roadster, and 8,874 of the sport roadster. 9,346 examples were Deluxe Coach.
Optional Equipment
The list of optional equipment was extensive, catering to popularity features that buyers preferred including single and dual side mount tires, a standard and deluxe tire cover plus metal tire covers, heater, outside mirror, pedestal mirror, trunk rack, dual horns, cowl lights, and fender well or rear tire lock. The list of Deluxe equipment that added comfort and a level of distinction included armrests, assist cords, curtains for the rear and rear quarter windows, a vanity case, chrome hood louvers, and two ashtrays.
The Confederate Series BA was Chevrolet's only model for 1932, albeit with 'Special and 'Deluxe' body styles. The company had used the single model theme since 1924, but for 1933 their lineup included the Standard Mercury (Series CC) and the Master Eagle (Series CA), both with six-cylinder power. The Standard had a 181 cubic-inch six with 60 horsepower and the Master had 194 CID with 5 additional horsepower. The Master rested on a 110-inch wheelbase while the Standard Mercury was three-inches shorter. Prices on the Master ranged from $485 to $565 and consisted of eight body styles, while the Standard prices ranged from $445 to $475 and included three body styles. The Master Eagle had an airplane-type dashboard and the Standard Mercury had safety plate glass. The Master Eagle proved to be far more popular with 450,530 examples built compared to the 35,848 of the Standard Mercury. The total production was 486,378 representing a significant increase from the 1932 model year. This trend would continue into the years that followed, with 556,666 (model year production; calendar year production: 620,726) examples built in 1934 and 544,457 (model year production; calendar year production of 793,437) in 1935.
Chevrolet would continue to use six-cylinder power, and two model lineup throughout the 1930s and into the 1940s, with wheelbase sizes that remained fairly consistent, growing to 116-inches by 1941.
Encapsulated by the southern alps, lake tekapo is one of the most amazing lakes in the world. A spot where the alps breaks the clouds coming in from the south and at night it turns into a haven for stargazers. (too bad for us, night came so did a full day snowstorm). Bong, Rodel and I had to walk hundreds of meters through beds of rocks just to get to the water it was a pain on the foot. Sky gave some good enough light, but I've seen this place just explode with alpen light. In a few months will be embarking on a journey of fate with 4 amazing people, so this is gonna be it for while.
This marvellous vintage lampshade looked fascinating against a patterned, multi-coloured, backdrop! Here is an image of it!
Strange weathery day on the 5th of June 2019. Rainy but sunny, windy but calm. Photographs taken from Chernex, village situated above Montreux. View on Lavaux, Vevey, lake Léman, french lakeside of the lake, Geneva and swiss alps summits.
A Café withstanding the major modernisation devastation in the centre of old Bayonne. More than a little chaotic as shown.
I am not tilting at Windmills here!
There's no trickery or photoshop with this image, just a crystal ball, a bench and a beautiful acer tree. Photo as seen and captured. The shot is simply rotated vertically in Lightroom Classic.
Join me on Facebook | Google+ | Twitter | 500px | Instagram
~~~~~~~~~
The Al Faisaliah Tower in downtown Riyadh was the first skyscraper built in Saudi Arabia. The 60-story building with a gently curving shape has a restaurant encapsulated in the golden geodesic orb that tops the Tower. It opened in May 2000. The two hundred and sixty seven metres high Faisaliah tower, with a golden globe just below the summit, took three years to build and has been planned by its British designers to withstand Saudi Arabia's soaring summer temperatures of more than fifty degrees Celsius 120 degrees Fahrenheit. Up to fifty tons of ice are taken into the tower each night, which then melts during the day to keep the building cool.
If you wonder how I get photo like this, the story goes as follows - during my February trip to Saudi, I've discovered unfinished high building between Kingdom tower and Faisaliah tower. The weather that month was terrible due to sand storm across the whole region. I have however made appointment that I come again within one month. So I did. The construction manager that I have agreed with was not there anymore but they knew I'm coming. It was just after 4PM but the sunset was at 6PM that day. Shift for construction workers finished at 4.45 PM which would mean I have to walk to the 19th floor on foot if I'd come just before 6PM as they only use one work lift that is from outside of the building (rather scary, not recommended to look down). I didn't fancy the walk up and agreed with the present manager that I stay there for those 2 hours till sunset and then walk those 19 floors down. They already thought that I'm crazy, but as there are not that many crazy European women around, they let me. Luck however was on my side and that handsome manager came back just before sunset, probably thinking that I shoot 3 photos of sun setting down and I'm done. How little did he know ... The best colors always come after sunset and long exposures can be done only when the darkness falls. He had to wait for another hour to get me down :-) We had really lovely time while seeing sky like this, listening the the calls for prayers, coming from every corner of the city.. allahu akbar, allahu akbar... with the whole city in front of us. We talked about life and photography, he made a mistake asking me, how is the photo done, so I bore him for a while trying to explain long exposure time .. not for long.. Moments like this are priceless and I was extremely thankful to him that he rescued me from walking all those 19th floors down on rather unfinished staircase. I was also very lucky with the weather that day as clouds and colors likes this are very, very rare in the Middle East. The Gods of weather had been on my side yet again. And at last not least, if you wonder what is that bright spot in left top corner, the answer is - yes it is the moon.
Canon EOS 5D Mark II, f/4.0, 0.05 sec (1/20), ISO 200, 21 mm
All rights reserved - Copyright © Lucie Debelkova www.luciedebelkova.com
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
an ice encapsulated bench along the edge of the St. Clair River... strong winds and cold temperatures resulted in this unique sight
This image cannot be used on websites, blogs or other media without explicit my permission. © All rights reserved
The fairing of the Antares rocket encapsulates the Cygnus spacecraft July 26, 2023, in the Horizontal Integration Facility ahead of launch. Northrop Grumman’s 19th contracted cargo resupply mission with NASA to the International Space Station will deliver more than 8,200 pounds of science and research, crew supplies and vehicle hardware to the orbital laboratory and its crew. The CRS-19 Cygnus spacecraft is named after NASA astronaut Dr. Laurel Clark who flew aboard Columbia STS-107, and is scheduled to launch at 8:31 p.m. EDT, Tuesday, Aug. 1, 2023. Photo Credit: (NASA/Danielle Johnson)
NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.
Follow us on Twitter
Like us on Facebook
Find us on Instagram