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used a metallic looking image & blended with a plastic looking one......
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In the Spacecraft Assembly and Encapsulation Facility -2 (SAEF- 2), Satish Krishnan (right) from the Jet Propulsion Laboratory places a Mars microprobe on a workstand. In the background, Chris Voorhees watches. Two microprobes will hitchhike on the Mars Polar Lander, scheduled to be launched Jan. 3, 1999, aboard a Delta II rocket. The solar-powered spacecraft is designed to touch down on the Martian surface near the northern-most boundary of the south pole in order to study the water cycle there. The lander also will help scientists learn more about climate change and current resources on Mars, studying such things as frost, dust, water vapor and condensates in the Martian atmosphere. The Mars microprobes, called Deep Space 2, are part of NASA's New Millennium Program. They will complement the climate-related scientific focus of the lander by demonstrating an advanced, rugged microlaser system for detecting subsurface water. Such data on polar subsurface water, in the form of ice, should help put limits on scientific projections for the global abundance of water on Mars. Image from NASA, originally appeared on this site: science.ksc.nasa.gov/gallery/photos/ Reposted by San Diego Air and Space Museum
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The U.S. Air Force’s Global Positioning System (GPS) IIF-6 satellite is encapsulated inside a 4-meter-diameter payload fairing in preparation for launch atop a United Launch Alliance Delta IV rocket. Photo credit: United Launch Alliance
NELLIS AIR FORCE BASE, Nev. -- Staff Sgt. Joseph Ocampo, 99th Civil Engineer Squadron NCO in charge of readiness, and Airman 1st Class Joshua Arteaga, 99th CES bioenvironmental engineer apprentice, assist Senior Airman Nichalos Johnson, 99th CES bioenvironmental engineer journeyman, out of a fully encapsulating protective suit here Feb. 28, 2013. The protective suit is equipped with a Self Contained Breathing Apparatus that allows personnel to breathe clean air while in chemical environments. (U.S. Air Force photo/Staff Sgt. William P. Coleman)
This moment encapsulated Piers' character pretty well to me, so I'm really happy with this shot :)
At Unsensored 2010. Tri-X rated at 200 developed in XTol stock
Technicians encapsulated NASA’s Europa Clipper spacecraft inside payload fairings on Wednesday, Oct. 2, 2024, in the Payload Hazardous Servicing Facility at NASA’s Kennedy Space Center in Florida. The fairings will protect the spacecraft during launch as it begins its journey to explore Jupiter’s icy moon, Europa. The mission will help scientists determine if the moon could support life. NASA and SpaceX are targeting launch at 12:31 p.m. EDT on Thursday, Oct. 10, 2024, from Launch Complex 39A at Kennedy Space Center in Florida. Photo credit: NASA/Ben Smegelsky
NASA image use policy.
Microscopic photo showing encapsulated lobulated lipomatous lesion with vascular congestion. The capsule is lined by benign mesothelial cells indicated by yellow arrows. H&E stain. Original magnification 10X. Jian-Hua Qiao, MD, FCAP, Los Angeles, CA, USA
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The U.S. Air Force’s Global Positioning System (GPS) IIF-6 satellite is encapsulated inside a 4-meter-diameter payload fairing in preparation for launch atop a United Launch Alliance Delta IV rocket. Photo credit: United Launch Alliance
The Wideband Global SATCOM-9 (WGS-9) spacecraft for the U.S. Air Force is encapsulated inside a 5-meter-diameter payload fairing in preparation for launch aboard a United Launch Alliance Delta IV rocket. Photo credit: United Launch Alliance
The U.S. Air Force’s Global Positioning System (GPS) IIF-6 satellite is encapsulated inside a 4-meter-diameter payload fairing in preparation for launch atop a United Launch Alliance Delta IV rocket. Photo credit: United Launch Alliance
The National Reconnaissance Office’s NROL-35 satellite, encapsulated inside a 5-meter-diameter payload fairing, is transported and mated to its United Launch Alliance (ULA) Atlas V rocket in preparation for launch from Space Launch Complex-3 at Vandenberg Air Force Base, California. Photo credit: United Launch Alliance
This shows the encapsulated underguide. The cover guide can be encapsulated in the side wall of the pool under the deck edge. The deck edge can formed by using a deck forming system or brick or stone can be installed over the encapsulation. Encapsulating the cover guide is the preferred method by many pool builders because it's ease of installation and service.
August 31, 2011 - Product Recall - Pure Encapsulations, Inc. Issues Allergy Alert On Undeclared Egg Allergen In Prenatal Nutrients. For additional information, please refer to the company issued press release available on FDA’s web site at www.fda.gov/Safety/Recalls/UCM270430.
The museum contains an interactive environment rich in history, while encapsulating the architecture and social history through its town centre location. The building is prominently located within the historic walled town of Ludlow, forming a key focal point at the head of Broad Street. The Buttercross occupies the main approach to the town centre from the south, forming a pivotal point on the dramatic spatial progression that leads from Ludford Bridge via Broadgate to the Ludlow Castle gates.
Ludlow is a market town in Shropshire. It sits near the confluence of the rivers Corve and Teme. The oldest part is the medieval walled town, founded in the late 11th century after the Norman conquest of England. It is centred on a small hill which lies on the eastern bank of a bend of the River Teme. Situated on this hill are Ludlow Castle and the parish church, St Laurence's, the largest in the county. From there the streets slope downward to the River Teme, and northward toward the River Corve. The town is in a sheltered spot beneath Mortimer Forest and the Clee Hills, which are clearly visible from the town.
Ludlow has nearly 500 listed buildings, including examples of medieval and Tudor-style half-timbered buildings. The town was described by Sir John Betjeman as "probably the loveliest town in England".
Shropshire (/ˈʃrɒpʃər, -ʃɪər/; alternatively Salop; abbreviated, in print only, Shrops; demonym Salopian /səˈloʊpiən/ sə-LOH-pee-ən, Welsh: Swydd Amwythig) is a county in England, bordering Wales to the west, Cheshire to the north, Staffordshire to the east, and Worcestershire and Herefordshire to the south. Shropshire Council was created in 2009, a unitary authority taking over from the previous county council and five district councils. The borough of Telford and Wrekin has been a separate unitary authority since 1998 but continues to be included in the ceremonial county.
The county's population and economy is centred on five towns: the county town of Shrewsbury, which is culturally and historically important and close to the centre of the county; Telford, a new town in the east which was constructed around a number of older towns, most notably Wellington, Dawley and Madeley, which is today the most populous; and Oswestry in the northwest, Bridgnorth just to the south of Telford, and Ludlow in the south. The county has many market towns, including Whitchurch in the north, Newport northeast of Telford and Market Drayton in the northeast of the county. Wikipedia
In the Spacecraft Assembly and Encapsulation Facility -2 (SAEF- 2), Chris Voorhees and Satish Krishnan from the Jet Propulsion Laboratory remove a microprobe which will hitchhike on the Mars Polar Lander. Scheduled to be launched Jan. 3, 1999, aboard a Delta II rocket, the solar-powered spacecraft is designed to touch down on the Martian surface near the northern-most boundary of the south pole in order to study the water cycle there. The lander also will help scientists learn more about climate change and current resources on Mars, studying such things as frost, dust, water vapor and condensates in the Martian atmosphere. The Mars microprobes, called Deep Space 2, are part of NASA's New Millennium Program. They will complement the climate-related scientific focus of the lander by demonstrating an advanced, rugged microlaser system for detecting subsurface water. Such data on polar subsurface water, in the form of ice, should help put limits on scientific projections for the global abundance of water on Mars. Image from NASA, originally appeared on this site: science.ksc.nasa.gov/gallery/photos/ Reposted by San Diego Air and Space Museum
Microscopic photo showing encapsulated lobulated lipomatous lesion with vascular congestion. The capsule is lined by benign mesothelial cells indicated by yellow arrows. H&E stain. Original magnification 10X. Jian-Hua Qiao, MD, FCAP, Los Angeles, CA, USA
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DigitalGlobe’s WorldView-3 satellite is encapsulated inside a 4-meter-diameter payload fairing in preparation for launch atop a United Launch Alliance Atlas V rocket. Photo credit: United Launch Alliance
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The U.S. Air Force’s Global Positioning System (GPS) IIF-7 is encapsulated inside a 4-meter-diameter payload fairing in preparation for launch on a United Launch Alliance Atlas V rocket. Photo credit: United Launch Alliance
The Cuban National Schools of Arts, originally imagined by Fidel Castro and Che Guevara in 1961, are perhaps the largest architectural achievements of the Cuban Revolution. The innovative design of the schools, which aimed to bring cultural literacy to the nation, encapsulated the radical, utopian vision of the Revolution. Unfortunately, the nation’s idealistic enthusiasm lasted for a fleeting moment in time and the Schools quickly fell out of favor; they were left to decay before even being completed. Today, following nearly four decades of neglect, the architects have returned to try and bring these derelict schools to back to their intended glory.
The National Schools of Art were built on the grounds of a famed country club in Havana, thus transforming an emblem of wealth and capital into a tuition-free, educational institute. Castro commissioned Cuban architect Ricardo Porro, a Latin American modernist, who was then joined by two Italian architects, Vittorio Garatti and Roberto Gottardi; the three were given a mere two months to devise a plan for the Schools.
The architects were guided by three major principles: first, to integrate the schools into the varied, wild character of the site’s landscape; second, to use locally-produced bricks and terracotta tiles, which, following the US embargo on Cuba, were cheaper than imported materials such as steel and cement; and, thirdly, to use the Catalan Vault as the dominant architectural element, as its unique spatial formation would stand in bold contradiction to the geometrical, “capitalistic” architecture of the International Style.
A total of five schools were constructed: Modern Dance, Plastic Arts, Dramatic Arts, Music, and Ballet. All shared a similar approach to material and structure; however, each presented a different interpretation of the site and reflected its specific program. Garatti’s School of Music was a 330-meter serpentine structure, which followed the contour of the river, and was complemented by the Catalan Vaulted spaces and two vast concert and practice halls. Another design of Garatti’s was the School of Ballet, which consisted of a cluster of terracotta-covered, domed pavilions, between which wound intertwining paths that encouraged chance encounters within the complex.
Porro’s School of Dance presents a dynamic composition of non-rectilinear streets and courtyards that sprout from a central entry plaza, covered by fragmented glass sheets that are symbolic of the dramatic shatter of the previous regime. Porro took a different approach with the design of the School of Plastic Arts, which was inspired by the nation’s Cuban-African heritage and assumes an archetypical village structure made up of a series of oval-shaped pavilions of various sizes, connected with curved, shaded colonnades.
The school of Dramatic Arts, the only school designed by Roberto Gottard, contains a dominant, central amphitheatre. Cellular, inward-facing classrooms create a unique, intimate environment; in contrast, the exterior, punctured only by small, unshaded alley-like paths, gives the school a fortress-like appearance.
The enthusiasm that accompanied the schools' inception began to deteriorate with the Cuban Missile Crisis of 1962. The schools seemed out of scale with the Revolution: an extravagant, unnecessary use of resources. Furthermore, Cuba’s new ally, the communist Soviet Union, preferred anonymously pragmatic, functional architecture, which stood in striking contrast to the organically-inspired, craft-oriented, site-specific designs of Porro, Gottard and Garatti. The three architects were accused of promoting ideals of individual expression, branded as “bourgeois,” cultural elitists, and compelled to leave the country.
In July 1965, and despite the schools’ various stages of completion, construction came to a complete halt. In the years that followed, the schools became a haven for squatters and vandalizers; cattle and wild jungle vegetation soon took over the site. In addition, by the 1970s, people began to adapt the site, constructing prefabricated concrete dormitories as well as roads and paths, which answered pragmatic needs but disrupted the original design.
Changes began to unfold in 1999, when the American architect and historian John Loomis published a book titled Revolution of Forms, which brought the story of Cuba’s forgotten schools into international awareness. That same year in Cuba, José Villa, the chair of the National Council of the National Union of Cuban Writers and Artists, declared the Schools the most important architectural work of the Cuban Revolution.
At last, Castro’s personal attention was piqued and he declared that the time had come to restore the beloved project of his youth. The completion of the schools became a national mission, led by the Minister of Culture himself. Porro and Garatti were invited back to Havana, where they joined Gottard for a historical meeting in which they discussed the challenge of restoring their derelict masterpieces. As part of the plan,the world renowned architect Norman Foster was invited to redesign the school of Ballet; however, as of now, the Cuban government has paused the restoration due to the global financial crisis.
Mario Coyula, the architect in charge of preservation in Havana, aptly stated of the project: “In most cases, architecture must adapt itself to human need, but in cases of exceptional works of architecture, human need should adapt itself to architecture.”
From "arch daily" article of September 12, 2013 by Gili Merin
See: www.archdaily.com/427268/ad-classics-the-national-art-sch...
Detail from MARTYRS OF THE CITIES OF THE PLAIN, the Masculine Gestalt. Center panel of the triptych with the song of Procrustes "Religion is the embrace of Procrustes," the words transcribed below:
Religion is the embrace of Procrustes. Encompassing belief resisting all compromise. Wrapping, binding, encapsulating, belief bred and succored on the beds of Procrustes. I am the embrace of Procrustes. Within me heats the heat of passion. Within me beats the heart of cults and cultures—nationalities & creeds. From me juts the phallic imperium. From me breathes the breath of fire. Burning consuming denying all that lies between. I am the embrace of Procrustes. The binding blinding embrace of Procrustes. Do not offend me.... All who lie within the embrace of Procrustes are warmed by his warmth. Radiating, penetrating, absolving heat of Procrustes. Would you deny yourself comfort? Absolution? Would you stand outside when you could be inside? Why? Do you enjoy pain? Loneliness? Confusion? To what end? Why do you search for what has been found? Come! That which you seek lies here—here within the embrace of Procrustes. Deep within the breast of Procrustes. Within his heart. Do not play the fool. Do not toy with Procrustes! By his embrace are all men known. He is a stern and jealous lover. What do you believe? What do you profess? To what do you adhere? What covenant defines you? Where is your allegiance? What binds you to Procrustes—to his embrace—to his beds...? What qualifies you, makes you worthy? Makes you worthy of the embrace of Procrustes—worthy of his bed? What gives you worth? What would you give for the embrace of Procrustes, his warmth...his breast...his breath? Would you deliver unto him the deaths of children not your children? Would you kill for his embrace? Would you kill those who do not conform to the contours of his embrace—your embrace—the embrace of Procrustes? And their children...and their children’s children? Would you destroy those who do not fit your embrace? Would you kill for the embrace of Procrustes? As you lie within my embrace, the embrace of Procrustes, can you feel my heat? My penetration? My passion? Lie close! Breathe the breath of my breath. Live the life of my life. Dream the dreams of my dream. Can you feel the heat? Lie still! Lie still! Lie close within the embracing heat of Procrustes. All that lies outside—outside the embracing heat—the embracing heat of Procrustes is your enemy. You must fear it as it fears you. Hate it as it hates you. Destroy it as it would destroy you. All that lies without the embracing heat of Procrustes is your enemy. Do not compromise! Do not compromise your embrace! Do not compromise the embrace of Procrustes! As you engage him so, too, does he engage you. With force, with purity. With fire. Believe! Do you love me? Do you love me? Would you kill for me? Would you die for me? Do you love me? Embrace me! Embrace the embrace of Procrustes! My passion is your virtue. My rage is your honor. My resolve is your redemption. Do you love me? Do you love me? Do you love? Do you fear me? Do you fear the wrath of the embrace of Procrustes? The strength of me...the heat of me.... As I embrace, so would I engulf. Do not provoke me. Do not tempt the wrath of Procrustes! Do not resist my embrace. Do you shun me? Would you shun me? Do you avoid the bed of Procrustes? Come! Let me inform you. Let me catalogue your desire. Come to the bed of Procrustes. Enjoin my embrace.... Confide in me. Confess to me. Come, let us conspire. Let us conspire on the bed of Procrustes. Come, let me inform you—conform and reform you, adjust and prepare you for my promises. To make you ready for my promises. Would you wear rags to a wedding? Come, let me prepare you for my promises. Do not shun me. Do not shun the embrace of Procrustes. Do not tempt the wrath of Procrustes. Come, let me prepare you. Let me cleanse you. Purify you. Wash away all question and doubt. Let me embrace you in the nakedness of your fear...of your weakness. Let me cleanse you. Let me adorn you. Let me tattoo the rhetoric of persuasion, indelible, unassailable rhetoric of persuasion. Let me adorn you. Let me clothe you in the armored plates of bigotry. Let me clothe you. Let me rivet your frailty with plates of burnished arrogance. Blinding, deflecting. Let me burnish your plates with arrogance. Let me clothe you in the armored plates of bigotry. Embrace me! Embrace the embrace of Procrustes.... Embrace me! I will create you in my image. In my image I will create you. Trimmed, stretched, and formed on the beds of Procrustes, you are my army. Created and creating army of Procrustes. As I create so, too, am I re-created re-creating embrace of Procrustes. Creating and re-creating embrace of Procrustes. As I live, so will you live. As I embrace you, so, too, am I embraced. Protected and protecting embrace of Procrustes—cloned and cloning embrace of Procrustes. By you through me will redress come. Through me, the final victory. Come! Join the army of Procrustes. Lie on his beds. Embrace his embrace. Would you be victorious? Let him clothe you. Let him uniform you. Let him make you uniform. Come, lie on the beds of Procrustes. Embrace his embrace. Let him razor your edges. Trim and razor your edges. Sharp. Sharp with hate. Let him make the edges—your edges—sharp with hate. Would you be victorious? Would you make uniform your edges with other edges? Would you join and enjoin the army of Procrustes? Joining your edges with other edges your hate with equal hate? Would you reshape them with your hate? Would you kill for the love of Procrustes? For his embrace? Would you create enemies? Would you create enemies on which to hone and preen your hate? Would you reshape them with your hate? Would you hate your enemy with the love of Procrustes? For the embrace of Procrustes—for his embrace...all serving, self-serving embrace...Come! Sing the songs of Procrustes. The creeds and cantos of Procrustes. Come, sing his song. Sing the songs of Procrustes. Hear my screed. Listen to the lyrics of Procrustes. The screed of Procrustes. Listen to my words. March to the songs of Procrustes. March to the beat. The heat of the songs of Procrustes. March to his heat. The beat of the heart of Procrustes. The embrace of Procrustes. The beating heat of Procrustes. March to his beat. Come, soldiers of light—soldiers of heat. Let the songs of Procrustes burn and sear. Those who would not share our beds, share the bed of Procrustes, will burn and sear. Let the songs of Procrustes burn and sear. Sing the song of Procrustes. Sing his songs. Crush the foes of Procrustes! Crush those who would not embrace his embrace. Who would not sing his songs or join the beat of his heart. Crush the foes of Procrustes! Crush his foes.... Honor him. Honor the embrace of Procrustes. Conform to his beds. Let him conform you to his beds. Lie. Lie on the bed of Procrustes. Embrace his embrace. Enjoin his laughter and his hunger. Lie. Lie on the bed of Procrustes. Lie on his bed.... Honor him! Lie on his bed. On his Bed. On his bed.
"MARTYRS OF THE CITIES OF THE PLAIN examines the First Holocaust. Based on the blue triangle that descends the back panel of PROCRUSTES IN SITU, the third section of the Trilogy concerns itself with the destruction of the cities Admah, Gomorrah, Sodom, and Zeboiim which the Old Testament attributes to the wrath of God. It examines the procrustean constrictions of patriarchy and the liberating challenge of feminine entelechy through the songs of Procrustes and the opposing chants of Chance, Being, and Desire. Masculine gestalt versus feminine insurrection." Robert Cremean
Collection:
Fresno Art Museum
Fresno, California
A set of these antique Art Nouveau stained glass windows were prepared for and encapsulated within new double glazed units .
Holme Valley Stained Glass is based in Holmfirth , near Huddersfield , West Yorkshire .
In the Spacecraft Assembly and Encapsulation Facility-2 (SAEF-2), the petals on the Mars Pathfinder lander are being closed for flight and won't open again until the lander has touched down on the Martian surface in July 1997. Tucked inside the compact lander are the Surveyor small rover, which will become the first vehicle to traverse the Martian surface, and the lander's Mars Pathfinder Imager, a stereo-imaging system camera that will capture images of both the surrounding terrain as well as the rover's excursions, and other instrumentation and equipment. The outside of the tetrahedral- shaped lander is padded with airbags that will help cushion the lander from the impact of landing. Once assembly of the entry vehicle is complete, it will be mated to the cruise stage that will carry Pathfinder on its direct trajectory to Mars, and then to an upper stage booster. The Mars Pathfinder is slated for launch aboard a Delta II expendable launch vehicle on Dec. 2 at the beginning of a 24-day launch period.
Image from NASA, originally appeared on this site: science.ksc.nasa.gov/gallery/photos/
Reposted by San Diego Air and Space Museum
Algae encapsulated with pH indicator solution. The pink halo indicates that photosynthesis has just started to take place
The U.S. Air Force’s Global Positioning System (GPS) IIF-6 satellite is encapsulated inside a 4-meter-diameter payload fairing in preparation for launch atop a United Launch Alliance Delta IV rocket. Photo credit: United Launch Alliance
A set of these antique Art Nouveau leaded panels were prepared for and encapsulated within new double glazed units .
Holme Valley Stained Glass is based in Holmfirth , near Huddersfield , West Yorkshire .
For the repair of leaking lead or rubber gasket socket or flanged joints on water pipes while under pressure as, the encapsulation collar / muff can
be installed without turning off or
reducing the water pressure.
For use on ductile iron, cast iron,
cement, asbestos cement and steel
8 ft high, over 1 tonne in weight. 16 bottles of Stoli encapsulated in each. 5 blocks in total around Belfast.
No single image can encapsulate Macau's mystique, but the ruined facade of St Paul's Cathedral comes pretty close. The Italian-designed hilltop cathedral was built by Japanese Christian exiles in the early 17th century, and even in ruins its grandiose scale is a stunning reminder of Macau's glorious past. The cathedral was all but destroyed by fire during a disastrous typhoon in 1835, which spared only the screen-like facade, mosaic floor and 66-step approach [www.istc.org]
Nike Air Force 1 Low '07 QS, Men’s Size 11, City Pride Toronto, Game Royal, Blue, Sail, Football Grey, Mystic Green, AH8462- 401, UPC 00193147634884, 2019 City Pride pack, 2019, MLB’s Toronto Blue Jays, baseball theme, baseball-esque stitching on the tongue, classic leather upper, Green sock liner, Nike Swoosh on the sides, special-edition Air Force 1 colorway, bright blue on nylon ankle heel area, green insole, tongue features red baseball stitching, Polyester textile tongue, encapsulated Air Sole unit, Perforated toe box for ventilation, Padded collar, Foam midsole, Nike Air unit for lightweight cushioning, Pivot points in the forefoot, Non-marking rubber outsole for durable traction, iconic AF-1 silhouette
Nike Air Force 1 Low '07 QS, Men’s Size 11, City Pride Toronto, Game Royal, Blue, Sail, Football Grey, Mystic Green, AH8462- 401, UPC 00193147634884, 2019 City Pride pack, 2019, MLB’s Toronto Blue Jays, baseball theme, baseball-esque stitching on the tongue, classic leather upper, Green sock liner, Nike Swoosh on the sides, special-edition Air Force 1 colorway, bright blue on nylon ankle heel area, green insole, tongue features red baseball stitching, Polyester textile tongue, encapsulated Air Sole unit, Perforated toe box for ventilation, Padded collar, Foam midsole, Nike Air unit for lightweight cushioning, Pivot points in the forefoot, Non-marking rubber outsole for durable traction, iconic AF-1 silhouette
Microscopic photo showing encapsulated lobulated lipomatous lesion with vascular congestion. The capsule is lined by benign mesothelial cells indicated by yellow arrows. H&E stain. Original magnification 10X. Jian-Hua Qiao, MD, FCAP, Los Angeles, CA, USA
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