View allAll Photos Tagged emulsive
Anthotype on emulsion made from dark tulip petals. Anthocyanins appear to be pretty stable pigments, and direct sunlight for many days is required to bleach them. This long exposure was also a challenge for Epson inks that were used to make a digital positive image on inkjet transparency.
Emulsion: crushed dark tulip petals + water + little amount of ethanol
Paper: Herlitz watercolor A4 size
Exposure: one month (June-July), but few sunny days
Scanner: CanoScan 9950f
Original image taken on 35 mm BW film with red filter on lens.
Yes this has been posted on my Facebook etc, but never Flickr! This is an emulsion lift of four shots I took in our last moments in Benidorm (I was there for a project!) from the roof of our hotel. I only lifted it this year- more than a year later.
Scanned liquid emulsion print.
Zeiss Ikon Superikonta (531/16) w/ Novar Anastigmat 75 mm/f3.5.
Oct 9, 2021.
Fomapan 100 in Rodinal 1+100, semistand 1 h.
Foma's liquid emulsion on ceramic tile 20 x 20 cm. Developed in Dektol and fixed in Fomafix P (hardening). Dec 11, 2021.
Untoned.
Dalsland, Sweden.
308. - The Regions of the Abdomen and their Contents.
Original photograph taken by Polaroid SX70 Alpha1 SE using Polaroid Originals Blue 600 Reclaimed Edition instant film.
Emulsion transfer onto metallic paper laser print of a scan from Gray's Anatomy 1st edition reprint.
This is an example of the results of shining a light onto the shiny side of a CD on which you have placed an emulsion consisting of cooking oil and water. Just by moving your hand in front of the light you can change shapes and colors. I photographed this back in 2017, when I was experimenting with this kind of photography. Fun stuff to play with.
I have an album of these images if you enjoy abstract color and shapes. www.flickr.com/photos/9422878@N08/albums/72157625787156195
Anthotype on onion leaves emulsion. For those who have little sunlight chlorophyll emulsions might be interesting, because they need very short exposure times.
Emulsion: crushed bunch of onion leaves + 1 lid of ethanol + 2 lids of water, 3 coatings
Paper: generic watercolour SM.LT, A4 size
Exposure: 1-2 hours, afternoon, July
Scanner: CanoScan 9950f
Slight increase of contrast in PS
A polaroid emulsion lift of Lubnaclach on Rannoch Moor in the Scottish Highlands.
Polaroid SX-70
Impossible Film
December 2016
Spring 2017 polaroid week
Day 5
Impossible Project red duochrome
Tyrannosaurus Rex emulsion lift - the red dye leaked out into the water, leaving the polaroid a lovely shade of dark pink
My first attempt at an emulsion lift.
Polaroid Yellow Duochrome on Lana Aquarelle paper.
'Roid Week Autumn 2021 day 5/1.
This is an example of the results of shining a light onto the shiny side of a CD on which you have placed an emulsion consisting of cooking oil and water. Just by moving your hand in front of the light you can change shapes and colors. Fun stuff to play with.
I have an album of these images if you en joy abstract color and shapes. www.flickr.com/photos/9422878@N08/albums/72157625787156195
Scanned liquid emulsion print.
Mamiya 645 ProTL w/ M-S 45 mm/f4 macro. Early morning of April 22, 2023.
Fomapan 200 @ iso 100, dev. in Rodinal 1+100, semistand 1 h.
Foma's liquid emulsion with hardener on Lokta paper 24x30 cm. Paper primed with gelatin (1%), chrome alum and ethanol (96%) before coating (as to Foma's recommendations). Didn't help much against the reactive paper impurities, one must probably seal it with varnish or some other non-water soluble treatment.
Developed in Moersch Eco 4812 (1+14), fixed in Adofix PII (hardening) and toned in Se 1+9, 60 sec.
That concludes my experiments with this Asian paper for now.
Serigraphie pour le livre Emulsion à l'initiative du Cagibi, de All Over & de la Carpe
Vive les p'tits mickeys !
While we were in Arizona, a friend and I spent some time photographing whole milk with food dye mixed in it. The photo club that I belong to, Poly Photo club in San Diego. put on a workshop recently that included a presentation by one of our members about how to create emulsion art using whole milk, food coloring and dish washing detergent. I loved seeing the results by our members, and decided to try it. Here's a link to a website that shows exactly how to do it:
tinylanscapes.wordpress.com/2015/10/14/fun-with-milk-food...
Lighting stuff: I used a bare YN560-III, in manual mode, to put some light to to the emulsion. The flash was triggered by a Yongnuo RF-603N. I've also posted a picture of the setup that I used, because sometimes people find that to be helpful. Check the first comment down below to see the setup.
More photographs of colorful emulsions (although created differently) are in my pretentiously titled Emulsion Art album.
Imagen creativa. Tratamiento digital sobre base fotográfica propia. Gracias de antemano por vuestros comentarios, award, favoritos, invitaciones a grupo y la elección para galerías; perdonad que quizás no pueda responder individualmente. Todos los derechos reservados
This was my first attempt at handmade dry plate negatives, using the Foma Photo Emulsion on 5x7 inch glass. Its contrasty, but there's a lot of tone and detail in there.
Exposed at 1ASA and developed for 4.5 minutes in D-23
B&J 5x7 camera with 203mm Ektar wide open (f7.7). Two second exposure.
Curious how the orange trumpets in the Daffodils turned black!
Emulsion lift and destruction. I like the different creative techniques to customise a Polaroid. The delicacy of the emulsion lift contrasts with the destruction of part of the photograph. Polaroid week’24, day 6 - number 1
Thanks for viewing!
Press "L" to see it large on black. Recommended!
Your comment and your fav will be much appreciated!
Please don't use this image on websites, blogs or other media without my explicit permission.
All rights reserved.
© Jacopo Colombo | 2010
please visit my website www.jacopocolombo.com
6x6 pinhole trichrome of my favourite tree
The process:
3 x b&w negatives
Dev'ed & Scanned
Composited into Trichrome in software
Sent to phone
Printed on Polaroid Lab
Emulsion lifted
Emulsion placed on paper
Scanned
Uploaded to socials...
Why? Just because :)
Emulsion of dark red begonia petals on watercolor block paper, placed under a digital photo transparency and exposed to the sun for 9 days in Nov. 2021.
Gaslight emulsion on watercolour paper.
Distilled water, gelatin, potassium chloride, silver nitrate, wetting agent, vodka
polaroid week day 1
two autumn scene polaroids that 'failed' when I did emulsion lifts - I had the idea of 'painting' the maple leaf with the lifts - and it worked! I enjoyed the watercolour effect it gave.
Chloride 'gaslight' silver gelatin emulsion on watercolour paper.
By overexposing the print by a stop and using a developer with extra potassium bromide added it produces a warmtone print.
Emulsion of pansy petals then St. John's wort, placed under a digital photo transparency and exposed to the sun for 7 days in Aug. 2021.
Last week the Mill Co. 3rd Annual Exhibition opened. Mill Co. is a co-operative and the exhibition was sponsored by the Co-op so guess what the brief was? "Co-operation". This was my contribution and the description that went with it...
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This piece is created using the Polaroid emulsion lift process. Each individual photograph is soaked in water until the photographic emulsion floats free. This is then transferred to the paper – each picture is part of the whole, each unremarkable in their own right, but stronger together.
The work features key buildings from the co-operative movement – the building where the Rochdale Pioneers first began on Toad Lane as well as Robert Owen’s Mill building in New Lanark, Scotland. You will also find the modern Co-op buildings, the “Rochdale Pioneers” train, and elements from the Occupy movement alongside several other geographical details.
Meanwhile, the skies are filled with starling murmurations - each bird strives to fly as close to its neighbours as possible, instantly copying any changes in speed or direction. This results in any tiny deviations by one bird being magnified and distorted by those surrounding it – a natural reflection of the co-operative.
To create this piece, I gathered open source imagery and accepted contributions from photographers across the country willing to share their work. These were then re-photographed from the screen onto Polaroid film using a specialist medical camera in order to make the transfers making a collaborative “open source” work.
Contact print on Cass Art watercolour paper coated with handmade silver gelatin chloride 'Gaslight' emulsion.
This is probably the easiest silver gelatin emulsion to make. Distilled water, gelatin, silver nitrate, potassium chloride, vodka, wetting agent.
Impossible Project black & white film emulsion lift on canvas layered with Impossible Project color film transparency
EMULSION LIFT OF DARKROOM PRINT
DARKROOM PRINT OF EXPIRED ORWO FILM (1975)
USED THE POLAROID DUPLICATOR TO PHOTOGRAPH THE DARKROOM PRINT AND THEN CREATED AN EMULSION LIFT USING IMPOSSIBLE PROJECT INTANT FILM
ORIGINAL IMAGE OF DARKROOM PRINT HERE www.flickr.com/photos/eva-flaskas/8544955646/in/album-721...