View allAll Photos Tagged dysfunction
narrow sky
rare & unique photo from my mobile phone
(no photo effect or edit)
my cell sometimes produces very special, unique and rare photographs ... it does it on its own ... maybe by some dysfunction of it. Decolorizes the reception in a unique way almost black and white and gives some different colors to the ones it removes. The final picture is unique and rare. With no editing and no effects you can see these photos ... there is a limited photo watermark on my photos and my name because I'm interested in exhibiting the templates.
All rights are reserved. No material appearing in these links may be reproduced without permission.
Όλες οι φωτογραφίες είναι πνευματική ιδιοκτησία μου και έχω τα αποκλειστικά δικαιώματα ( copyright ).
Απαγορεύεται η οποιαδήποτε χρήση των φωτογραφιών μου από τρίτους χωρίς την άδεια μου.
2016/2017/2018
christina minopoulou: © melissalli
The closest of friends, you could say as close as brothers; which certainly Magneto and Professor X have for each other. However, although there is love there and understanding there is tons of dysfunction and chaos between the two of them.
Who is right in what they stand for? Professor X or Magneto.
Professor X recruits and runs a school for gifted children and then trains them to protect a certain code which can result in death.
Magento is the leader of a Mutant group in-which all ages of mutants can be a part of. In protecting the rights of mutants and protecting them from harm that can result in death to his members.
Have a life-long feeling of apprehension involving carnivals and fairs. It's one of many phobias in my adult life that are rooted in childhood. Some have a very distinct point of origin. The causation of others is more vague. And I'm convinced some are simply genetically programmed. I think carnivals fall into this category. They just make me uneasy in a visceral sense and I stopped questioning it long ago. I avoided carnivals for years, but started venturing back some time ago. It wasn't a sudden change of heart. It had much more to do with channeling mental dysfunction for creative purposes. I tend to shoot around the periphery of these venues, going largely unnoticed by the crowds. But curiosity eventually led to portraits of the carnies themselves. I could do so much to soften up these poses, but choose instead a straight on deadpan expression, with carnie in the center of their booth. It preserves an often gritty reality that is generally lost in the moment as the human eye tends to be distracted by the proliferation of colors and shapes within the booth. These encounters are sometimes uncomfortable or even frightening. But holding a camera provides me with a sense of agency that, trust me, would not otherwise exist under these circumstances. I just make it a point to get in and get out quickly. Spontaneity is key.
Ok, so I might be a little late, but still I wanted to wish everyone a happy (new) year. Today I finally got around to scanning all the developed film photos from December and parts of January. Not to mention that I also had a bunch of prints from summer waiting to be digitalized (and be shared eventually, one future day, like so many others reaching back years).
This particular photo was taken on New Years Day. The weather was beautiful and the temperature was mild, so we could really enjoy the New-Years-walk around the nearby lake that has become our annual "tradition" over the last three years. It was a nice start to the new year - we stumbled upon two empty playgrounds (a rare opportunity!) and took advantage of the situation to hop on a small zip-line, the see-saw, and the swings. It was great fun, and it was good to be able to walk around without any hurry or obligation for more than two hours. I took the photo above some time inbetween it all.
After the walk, my energy level dropped drastically again, and stayed on a very low level for about a week. I was diagnosed with a thyroid dysfunction in early December, which had started to develop and manifest itself throughout 2015, if not even earlier.
It's nothing too dramatic, many people have it and live "normal" lives, I guess. However, it takes some time for the medicine to actually kick in, and for the hormone levels to be balanced enough in order for the body to function as it should. I feel better now, but it still is weird, and the dosis of medication probably needs to be adjusted again and again. There are still days where I am completely exhausted physically, mentally, and emotionally, and where everything seems too overwhelming. It's ridiculous.
Anyway, this might explain why 2015 mostly felt exhausting to me. On the bright side, I managed to take my final exams, write a shitload of papers, and hand in my Master thesis a day before Christmas. I don't really know how I did it, what with the health problems and all, but it's done now. Which means that I'm starting afresh in 2016, looking for jobs or possibly a topic for a PhD thesis. There are so many plans and possibilities lingering in the air, and I'm excited to find out what will be next.
It has been a wish of mine to get into creative writing again, and finally get around to writing a whole story instead of just doing writing exercises and fragments. That is one of my motivations for this year. Also, I want to improve my photography. I don't feel I have a particular "style" yet. To me it seems like I'm forever stuck in this phase of trying out lots of subjects, cameras, etc without really getting anywhere. I don't know. Maybe 2016 will change that, too.
But now enough about me - what is going on with you people? Any particular plans for 2016? What are you looking forward to?
Oh, I'm on Instagram now, too (again), for fun. Flickr is and will remain my main photo site, though. Is anyone of you also on IG?
Today's New Releases
You will probably never see a better example of adhd than today's releases
I have built everything from cake bed thrones, to slimy pumpkins, to feed troughs, a laundry machine, and fantasy mailboxes.
Everything is available inworld here
maps.secondlife.com/secondlife/Ocean%20Bay/219/42/22
and will be added to marketplace as soon as the executive dysfunction finishes uninstalling lmao
facebook.com/michmutters
Early self portraits with Decim8, Snapseed & Iris - original image taken with native cam
Elemental Series
Created using fundamental, natural elements. Water, natural elements and mineral samples are collected at the site of the picture - from the actual place depicted within the photograph. The depicted scene you see here is then created not just by exposing light on to the film but also by melding the organic samples with the film so the resulting image created more entirely from the scene itself.
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Location
Copenhagen, Denmark. Christiania Sea channel water, seethed Laesoe ground water mineral, local spring water.
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All Rights Reserved.
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See more at: photography.michaelrawling.com
Following some complaints from my contacts, on yesterdays shot of the wicked witch shoe colour on the promotional sculpture in front of the Brisbane Town Hall, I had to get in touch with the Lord Mayor to advise him what a serious error of judgement had been made in permitting this outrageous display of artistic dysfunction.
He promised to fix it immediately so when I went back after having a coffee, the council had carefully corrected the shoe colour.
However, when pressed for how many males had complained, I had to admit there were none.
Cardamom
The health benefits of cardamom include gastrointestinal protection, cholesterol control, control of cancer, relief from cardiovascular issues, and the improvement of blood circulation in the body. It is useful for curing dental diseases and urinary tract infections such as cystitis, nephritis, and gonorrhea. Cardamom possesses aphrodisiac properties and is also used as a cure for impotency, erectile dysfunction, and premature ejaculation.
Cardamom is a spice that originated in India, Nepal, and Bhutan. Today, it is available in most tropical places in Asia, including India, China, Bhutan, Vietnam, Malaysia, Korea, and Japan. It is regarded as the Queen of Spices and is one of the most expensive spices, ranking third, the first and second being saffron and vanilla, respectively.
It is believed that cultivation of cardamom began in the tropical and humid climate of the Western Ghats in India. In botanical terms, it belongs to the family of Zingibercease and its scientific name is Elettaria cardamomum. There are two main types or subspecies of cardamom. Their scientific names are Elettaria, which is called green or true cardamom, and Amomum, which stands for black, white, or red cardamom.
The Spices Board of India recognizes three varieties of cardamom, which include the Malabar, Mysore and Vazhukka varieties. There is another variety of cardamom, named Njallani, which has become very popular along with the three normal varieties. This variety was developed by a small farmer named Sebastian Joseph from the Idukki district in Kerala.
It is found in the form of a small pod with black seeds inside. Both the seeds and the pod give a pleasant aroma and flavor. Therefore, they are used as flavoring agents in Indian cuisine. Its use is just not just limited to hot and spicy dishes; the seeds are also added to desserts and beverages to complement the sweet flavor. Cardamom tea is a very famous beverage, along with ginger tea, in India.
In India, cardamom was traditionally considered as an herb and was one of the ingredients in Ayurveda (the ancient Indian science of medicine and lifestyle) and traditional Chinese medicine. It was believed to be a remedy for teeth and gum infections, throat problems, congestion of the lungs, pulmonary tuberculosis, inflammation of the eyelids, gastrointestinal disorders, disintegrating kidney, and gall bladder stones, and was also used as an antidote for poisons and venoms.
We're here visiting Christmas dysfunction. What's more dysfunctional than your kids loving to see the Elf do things like this!
Well, did it have to come down to threatening the full faith and credit of the United States? It has been incredibly disappointing to see our leadership in action or rather inaction. I think it's healthy to have meaningful debate, but unhealthy to resort to shut down tactics that have hurt our citizens. The irony is we spent money to keep facilities closed (paying for security to keep people out) and kept others from their livelihoods. The brinksmanship actions are akin to throwing a temper tantrum, but worse as it has caused measurable harm to our economy and created uncertainty. I hope we can get past the vitriol and get back to work. I'm tired of seeing these politicians dominate the news cycle.
Last night I had a wonderful dinner with some incredibly brilliant scientists doing some incredible work in the area of light field research (many photographers would have a keen interest in this), developing new materials for detecting chemicals, and developing new materials for advanced semiconductors.
On a side note I find it difficult to see DC in a positive light... I just want to go into Lightroom and turn this into a dark, foreboding shot. Is there a 'toxic' filter? Well, I've left it largely as i saw it the morning i took a walk around the Capitol.
mantis on antenna cable2
rare & unique photo from my mobile phone
(no photo effect or edit)
my cell sometimes produces very special, unique and rare photographs ... it does it on its own ... maybe by some dysfunction of it. Decolorizes the reception in a unique way almost black and white and gives some different colors to the ones it removes. The final picture is unique and rare. With no editing and no effects you can see these photos ... there is a limited photo watermark on my photos and my name because I'm interested in exhibiting the templates.
All rights are reserved. No material appearing in these links may be reproduced without permission.
Όλες οι φωτογραφίες είναι πνευματική ιδιοκτησία μου και έχω τα αποκλειστικά δικαιώματα ( copyright ).
Απαγορεύεται η οποιαδήποτε χρήση των φωτογραφιών μου από τρίτους χωρίς την άδεια μου.
2017/2018
christina minopoulou: © melissalli
WARM UP for COPENHAGEN ULTRACONTEMPORARY BIENNALE
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The COPENHAGEN ULTRACONTEMPORARY BIENNALE will be done in 3 platforms
the parliament is platform 2
Artist have to express closer to decision makers . in time , in the NOW
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a presentation of COPENHAGEN ULTRACONTEMPORARY BIENNALE will be done at the Venice Biennale 2015 ---
check date and place here www.facebook.com/CopenhagenBiennale
COPENHAGEN ULTRACONTEMPORARY BIENNALE
main : copenhagenbiennale.org/
www.facebook.com/CopenhagenBiennale
www.emergencyrooms.org/formats.html
meanwhile during Venice Biennale contemporary art will be shown by
ABBOUD, Jumana Emil .ABDESSEMED, Adel .ABONNENC, Mathieu Kleyebe
ABOUNADDARA.ACHOUR, Boris ADKINS, Terry AFIF, Saâdane
AKERMAN, Chantal AKOMFRAH, John AKPOKIERE, Karo
AL SOLH, Mounira ALGÜN RINGBORG, Meriç ALLORA, Jennifer & CALZADILLA, Guillermo
ATAMAN, Kutlug BAJEVIC, Maja BALLESTEROS, Ernesto
BALOJI, Sammy BARBA, Rosa
BASELITZ, Georg BASUALDO, Eduardo BAUER, Petra
BESHTY, Walead BHABHA, Huma BOLTANSKI, Christian
BONVICINI, Monica BOYCE, Sonia
BOYD, Daniel BREY, Ricardo BROODTHAERS, Marcel BRUGUERA, Tania
BURGA, Teresa CALHOUN, Keith & McCORMICK, Chandra CAO, Fei
CHAMEKH, Nidhal CHERNYSHEVA, Olga CHUNG, Tiffany
COOPERATIVA CRÁTER INVERTIDO CREATIVE TIME SUMMIT
DAMIANI, Elena DELLER, Jeremy DJORDAJDZE, Thea DUMAS, Marlene
E-FLUX JOURNAL EDWARDS, Melvin EFFLATOUN, Inji EHMANN, Antje & FAROCKI, Harun
EICHHORN, Maria EVANS, Walker FAROCKI, Harun FLOYD, Emily
FRIEDL, Peter FUSCO, Coco FUSINATO, Marco
GAINES, Charles GALLAGHER, Ellen GALLARDO, Ana GARCIA, Dora
GATES, Theaster GENZKEN, Isa GLUKLYA GOMES, Sônia GROSSE, Katharina
GULF LABOR GURSKY, Andreas HAACKE, Hans
HADJITHOMAS, Joana & JOREIGE, Khalil HARRY, Newell HASSAN, Kay
HIRSCHHORN, Thomas HÖLLER, Carsten HOLT, Nancy & SMITHSON, Robert
IM, Heung Soon INVISIBLE BORDERS: Trans-African Photographers ISHIDA, Tetsuya
JI, Dachun JULIEN, Isaac K., Hiwa KAMBALU, Samson KIM, Ayoung
KLUGE, Alexander KNGWARREYE, Emily Kame LAGOMARSINO, Runo LEBER, Sonia & CHESWORTH, David
LIGON, Glenn MABUNDA, Gonçalo MADHUSUDHANAN MAHAMA, Ibrahim
MALJKOVIC, David MAN, Victor MANSARAY, Abu Bakarr MARKER, Chris
MARSHALL, Kerry James MARTEN, Helen MAURI, Fabio McQUEEN, Steve
MOHAIEMEN, Naeem MORAN, Jason MÜLLER, Ivana MUNROE, Lavar MURILLO, Oscar
MUTU, Wangechi NAM, Hwayeon NAUMAN, Bruce NDIAYE, Cheikh NICOLAI, Olaf
OFILI, Chris OGBOH, Emeka PARRENO, Philippe PASCALI, Pino PIPER, Adrian
PONIFASIO, Lemi QIU, Zhijie RAISSNIA, Raha RAQS MEDIA COLLECTIVE
(NARULA, Monica; BAGCHI, Jeebesh; SENGUPTA, Shuddhabrata) REYNAUD-DEWAR, Lili
RIDNYI, Mykola ROBERTS, Liisa ROTTENBERG, Mika SCHÖNFELDT, Joachim SELMANI, Massinissa
SENGHOR, Fatou Kand SHETTY, Prasad & GUPTE, Rupal SIBONY, Gedi
SIMMONS, Gary SIMON, Taryn SIMPSON, Lorna SMITHSON, Robert SUBOTZKY, Mikhael
SUHAIL, Mariam SZE, Sarah THE PROPELLER GROUPthe TOMORROW
TIRAVANIJA, Rirkrit TOGUO, Barthélémy XU, Bing YOUNIS, Ala
ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
Xanadu
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Dream Amsterdam Foundation
Universities and Associations that have joined the project
Sotheby’s Institute of Art, London / St Lucas University College of Art & Design, Antwerp / University of Washington - College of Arts & Sciences, Seattle / Iowa State University - College of Design, Ames / Universität für angewandte Kunst, Vienna
Venice International University / Università Ca’ Foscari, Venezia / Università Ca’ Foscari, Venezia - Dipartimento di Filosofia e Beni Culturali / Università IUAV di Venezia / Università Commerciale Luigi Bocconi, Milano - Dipartimento di Marketing / Accademia di Belle Arti di Brera, Milano - Ufficio Relazioni Internazionali. Erasmus Office / Politecnico di Milano - Scuola del Design. Laurea in Design degli Interni / Università di Roma Sapienza - Facoltà di Architettura / Associazione Cinemavvenire, Roma / Università per Stranieri di Perugia / Università per Stranieri di Siena
Central Pavilion at the Giardini (3,000 sq.m.) to the Arsenale
Bice Curiger Massimiliano Gioni
A Parliament for a Biennale
Paolo Baratta, President of la Biennale di Venezia
Okwui Enwezor the ARENA Karl Marx’s Das Kapital
Theaster Gates Chris Rehberger Joseph Haydn Cesare Paveset David Adjaye Olaf Nicolai Joana Hadjithomas and Khalil Joreige Marsilio Editori. emergency cinema.” Abounaddara
Mathieu KleyebeCharles Gaines’Jeremy Deller Jason Moran , venedig biennale biennial
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale
Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art
“Up to now it has been assumed that all our cognition must conform to the objects; but ... let us once try… assuming that the objects must conform to our cognition.”
-Immanuel Kant, the 18th century German philosopher
An important code of object recognition is color. The grass is green, the rose is pink and the sky is blue. But then, is the sky really blue or is it a figment of our imagination? What if I told you, colors are colorful exercise of the mind and are defined by our experience of the world and the blue of the sky is a coat of surreal identity we all impose unknowingly on the sky to suit our cognition?
We sense colors though a set of cells in our retina, the cones. The number of cones varies widely among individuals. Yet, everyone can identify colors with more or less comparable efficiency. All of us will look at the sky and agree it is blue. This is because colors are recognized not by the cones but by our brain. And the brain is a crazy place, literally speaking. Think about colored sunglasses. Unless the viewer consciously remembers wearing them, people using these colored glasses tend to 'see' original colors of their surroundings after few minutes. In this case, the brain auto-corrects the color tint rendered by the glasses relying on previous experience. The midday sky, which turns pink or lavender in one of those Bono eye-wears, appears the usual blue after few minutes. You see, colors are not merely what we see. They are also what we have seen in the past. Despite the deformed perception of the sky in the present due to chromatic glasses, the brain remembers and makes the perceived sky conform to our regular cognition.
Our issue on hands gets more interesting with achromats. Achromatopsia is hereditary total colorblindness where achromats lack functional cones in their retina and do not sense any color and see everything in black, white and all imaginable shades of grey. Often, they describe things as ‘lighter than’ or ‘darker then’. How is the sky to them? Lighter than the rain clouds perhaps? Perhaps, darker than breaking waves? So, are these achromatic brains conforming to objects or are objects conforming to the brain in every possible shade in between white and black? The answer may rest with patients suffering from 'Cerebral Achromatopsia', where accidental dysfunction of the brain region responsible for 'creating' colors leads to a loss of color perception despite functional cones. To these unfortunate colorless minds, who were once coded in color but now fail to use the code, the sky might as well be a lump of incongruous jelly hanging up there.
As these mindless thoughts crowded my mind that afternoon at Point Reyes, I could not help but marveled at the sublime surrounding me. Sublime, as defined in psychology, is the ‘feeling of pleasure (or displeasure) in the superiority of our reason over nature’. Being a feeling, sublime is not contained in the nature; like the colors that surround us, it is contained in our mind. You see… Out there, the sky is beautiful; in my mind, it is blue and it is sublime.
A recent visit to Brisbane's Gallery Of Modern Art GOMA showed some global issues needed addressing.
Yes those are real people at the bottom.
As we all know Viagra is the brand name for Sildenafil, a prescription drug used to cure erectile dysfunction. Erectile dysfunction means an inability to sustain an erection for a longer time for a flawless intimacy. If you suffer from the erectile dysfunction or low libido, then this just might...
Broken Meter, found in White Plains, New York, USA; the flashing "dEAd" notification on the LCD screen was eye catching. The message, sad, funny, ironic and fitting. To laughter and life!
Exploracilious!!
1. i was born and raised in the baltimore metropolitan area, the oldest of three, one brother, one sister.
2. i am a member of the first graduating class from randallstown high school in 19???
3. my nickname in high school was Big I, never quite liked it, but when you're last name is tucker, it could have been a lot worse.
4. i ran cross country and track in high school, didn't care much for cross country, but the track coach said if you're going to run track son, you're running cross country. thanks coach. i was a highly ranked quarter miler in my senior year at 51 seconds.
5. i attended the university of maryland at college park and the pennsylvania college of optometry in the city of brotherly love.
6. i have been practicing optometry for 30 years. "but dr tucker, you couldn't possibly have been practicing for 30 years". denial, as they say, ain't just a river in egypt.
7. i know you're jealous, but as a self-employed eye care practitioner, i get one whole week of unpaid vacation every year. so i try to pick someplace nice to go...where there's a meeting. hence, some of the recent landscape posts.
8.i believe in empowering my staff, but ultimately the buck stops with me. therefore, do you know how we achieve a consensus at my office??? when they agree with me :-)
9. i have what i believe is a pretty loyal patient base, and have initiated a 20 year hug policy for the women...guys get handshakes and water bottles.
10. what can i say, i'm a sexist pig, i get 2 or 3 new hugs a week, and quite a few more from patients who have already been coming more than 20 years.
11. i like what i do, am actually quite good at it, but one of these days i don't think i would mind doing it a little less.
12.i am color deficient, color blind for the layperson. it is a sex-linked recessive gene, so, in theory, i got it from my mother's father. who was a tailor. go figure
13. my office wardrobe therefore consists almost entirely of predominantly gray slacks and blue shirts. hey, i look good in blue :-) i have three pairs of shoes and three watches, a drawer full of black socks and a drawer full of white socks. i can mix and match them with the best of you :-)
14. speaking of my gene pool, it sucks. virtually every systemic disease known to man runs in my family, including hypertension, diabetes, arthritis, heart disease, thyroid dysfunction and cancer. i have had elevated cholesterol virtually my entire life, nearly 300 prior to initiating treatment with diet (yeah sure), exercise and 3 different medications. my cholesterol is now down to 125. my physician said i had the cholesterol of a young woman. i said, i'd rather have the young woman. ba da bing
15. by the way, she said, you now have diabetes. diabetes is a tougher nut to crack, but other than being angry and depressed i'm handling it rather well. jk :-)
16. i hunt and peck, so this took like forever, so thanks for reading and letting me vent a little. happy new year!!
Star Wars: Dysfunction
An Alphas Story
ARC Squad Alpha-B Roster
Captain Alpha-10 “Ramser” (CO/Auxiliary Marksman)
First Lieutenant Alpha-09 “Capyr” (XO/Auxiliary Demolitions)
Second Lieutenant Alpha-51 “Adenn” (Demolitions/CQB)
Second Lieutenant ARC-53/886 “Gray” (Technician)
Sergeant Major ARC-21/547 “Swoop” (Aerial Assault)
Sergeant Major ARC-401/39 “Deadshot” (Marksman)
Sergeant CS-1801 “Ticker” (Infantry Team Leader)
Corporal CT-89/123 “Stitch” (Medic)
Private CT-7713 “Rail” (Infantry)
Private CT-9054 “Ram” (Infantry)
Private CT-4509 “Knuckles” (Infantry)
______________________________________________________________________________
Chapter I
RAS Bastila Shan
Outskirts of the Hypori Sector
21 BBY
“Unbelievable! Un-karking-believable! This is a horrible injustice towards the fighting men of the Grand Army of the Republic! This is oppression! Tyranny! A crime unparalleled throughout all of galactic history!”
Private Rail sighed, and looked over at his squadmate, Knuckles. “Oh, command only took away your unauthorized porn collection. Stop being a crybaby about it.”
“That was high-quality Holovid material, man! Some of the best in the industry! I’m not being a crybaby, I’m protesting against the stomping on of my right to get turned on!”
“I don’t think that’s a right, Knuckles.”
“Well it should be!”
Before the discussion about the hypothetical right to porn could progress, a third clone bursted into the impromptu meeting room of the debate club that had been founded just seconds earlier, otherwise known as the RecRoom of the Bastila. Clone Sergeant Ticker, the team’s senior NCO that wasn’t an ARC, crossed his arms, and glared at Rail and Knuckles, highly annoyed. Ticker pointed at Knuckles, and said “Private, I swear to the Force, is it impossible for me to leave ya alone fer three damn minutes without ya gettin’ yerself into kriffing trouble!? Ya know that garbage is against the regs! You’re making the entire team look bad! Blast it, you’re making the entire GAR look bad!”
Knuckles simply shrugged, and replied “Hey, if they don’t want these things to happen, they shouldn’t ban my porn.”
Rail rolled his eyes, and said “You know, Knuckles, that they ban all of that kind of stuff. They aren’t just targeting you specifically.”
“Oi, that’s enough, ya two. We can sort out the contraband issue later. The Cap’n wants us all in the hangar, and we’d hate to disappoint, eh?”
Rail stood up from his seat, and replied “On it, Sarge. We’ll head to the armory ASAP.”
Rail and Knuckles quickly walked out of the RecRoom, leaving Ticker behind.
“So, how do you think this is gonna work out, Rail?”
Rail punched in the code to open the Armory door, and replied “Eh, chances all, we get captured, we get interrogated, and we get executed. Standard Covert Ops stuff, from what the XO told me.”
As they stepped into the armory, Knuckles said “Oh, come on. Lieutenant Capyr doesn’t know what he’s-”
Knuckles heard the sound of a clone clearing his throat, and turned his head to see Capyr adjusting a bayonet on his DC-15A. “I know a lot of things, Private. Including that you should always make sure the fellow you’re badmouthing isn’t within earshot.”
The two turned their heads as they heard a chuckle and saw 2nd Lieutenant Adenn sitting on top of a container whilst chucking a grenade around in his hands. “Knowing that you’re able to hear us is what makes it more funnier.”
Capyr made a gesture of questionable politeness towards Adenn, and looked back at Knuckles and Rail. “Look, you two. I know that being sent on borderline suicide missions behind enemy lines is bad for morale, but can you at least save it until after we’re on the ground?” The two Privates muttered in acknowledgments, and went about getting their equipment.
Adenn continued tossing the grenade around in his hands. “‘Ey, Capy, you think that bayonet of yours could pierce through this?”
Capyr scowled under his helmet, gestured at Adenn again, and pressed a button on his gauntlet.
Adenn looked around the armory in confusion, then turned to Capyr, and said “The kark did you do now? And what the kark is that noi-” Adenn looked down to his hands, and a look of horror came across his face as he realized how the grenade played into this. Throwing the now armed grenade across the room, he dove behind a crate of blasters and hoped for the best.
Capyr, for his part, simply stood up, walked over to the grenade, and chuckled. Picking it up, he placed it on his belt, and called out “Hey, di’kut! You can come out now!” Capyr looked over at the two Privates, staring at him in shock. “Eh, don’t worry about it. This here is a little invention of mine, call it a Gagnade. About as explosive as durasteel.”
Adenn slowly crept back up, shock all over his face as he shakingly asked “What the kark? How-”
“Oh, y’know. Designed to look like a grenade, and when I press this button right here,” said Capyr, pointing at his gauntlet, “It starts beeping. Figured it’d be useful on a mission some day, but it’s also real good for putting di’kute who like to pretend they’re Demolitions Experts in their place. By which I mean you, so don’t try to pull the ‘No, you’ trick on me.”
The shock on Adenn’s face became a hateful scowl as he walked over to Capyr with his knife in hand. Capyr, in response, picked up his DC and pointed the bayonet at Adenn. “Now, now, I’m enough of a civilized adult for both of us, so why don’t we sit down and act like it?”
Adenn was not impressed as he looked down at the bayonet. “And if I said no?”
“Then I’m telling the angry Captain standing in the doorway.”
Adenn turned his head, and saw that the squad’s CO, Captain Ramser, was indeed standing in the doorway, his arms crossed. Adenn gave a nervous smile and slowly waved at the Captain, the bayonet still pointed at him. Ramser sighed, and said “Weapons down, both of you.”
Adenn raised both hands and asked. “What weapon?”
Capyr slowly lowered his DC, and said “The knife, you moron.”
Adenn looked at Capyr, mouthed suggestive things at him, and placed the knife back into its holster. When Ramser was sure that the Armory would not be the site of a stabbing, he continued speaking. “Look, Capyr. I know that when Adenn joined the team, there was some… conflict over him taking your job. But he’s still part of the team, and you are to treat him as such. And Adenn, I don’t know what you’re doing to provoke these fights, but whatever it is, stop.”
“Maybe if he wasn’t such a whiny piece of-”
“I said, stop it, Adenn.
Adenn clenched his fist and looked at Capyr in disgust. “Yes, sir.” Capyr and Adenn watched as Ramser stepped outside the Armory, and began to finish collecting their equipment in silence.
Corporal Stitch looked up from his partially assembled Medkit and over at his squadmate, Ram, who was frantically punching buttons on a datapad. “Y’know, Ram, that trick is only going to work so long. The CO will find out eventually.” Stitch shrugged as his warnings fell upon deaf ears and Ram refused to respond, still pushing random buttons to make himself appear busy. “Seriously, it’s only a matter of time.”
Ram remained focused on his datapad until an ARC in grey armor noticed him, walked over, and in one swift motion, took the datapad from Ram and hit him over the head with it. “CT-9054, for the last time, stop messing around the with the datapads. These aren’t toys.”
A second ARC walked up next to Gray. “You really didn’t have to hit him over the head with it, Gray.”
Gray looked at the datapad in his hand, then at the other ARC. “Maybe not, Swoop. But it was satisfying. Y’know how rare it is for me to be the highest-ranking officer around?”
A clone with a black streak going down the visor of his helmet walked into the hangar, sporting a DC-15X, and a short cloak. “‘Oi, mir’sheb, lay off ‘em.”
Gray sighed, and said “Fine, Deadshot. But you can make sure he doesn’t slack off instead. I can’t deal with that level of slacking.”
“I’m not a babysitter. Get someone who will actually listen to you to do that job.”
Gray looked at Deadshot, slowly placed the datapad on a nearby crate, and stepped forward. “ARC-401/39, I don’t know what your major malfunction is, but just because I’m not the Captain or Lieutenant Capyr doesn’t mean I don’t outrank you.”
“Cut the osik, smartass. I know you do. Doesn’t mean I’ll do your chores.”
Stitch stepped between his two superiors, holding out his arms to separate them. “Okay, okay, brothers. I think we can both agree this has escalated too far. Sir, how about I watch our resident lump of uselessness?”
Gray thought for a few seconds, then replied “Okay, Corporal. Make sure he actually does something. As for you, Deadshot, we’ll settle this later. I’m going to check in with the Captain, see if something’s wrong. The rest of the team should be-”
“Apologies, Gray. Had to diffuse me a conflict. Capyr and Adenn, as usual.” Gray and company turned to see Captain Ramser walking towards them, two ARCs and two Privates in tow. “Everything has been going well on your end, I hope.”
An anxious Gray bit his tongue under his helmet, and responded “Eh, not at all sir. All is fine.”
Ramser paused for a second, then shrugged. “If you say so. Now, I believe we a Larty to catch, a planet to land on, and a CIS base to infiltrate.”
A chorus of “Understood, sir,” followed, and the eleven clones walked towards the LAAT in silence. They knew what they were getting into. And they knew that they may not be able to count on each other during it.
I've never seen frogs fight before - at least, that's what I think they were doing. Frog 1 would jump on Frog 2, pushing Frog 2 under the water, until Frog 2 moved away. Frog 2 didn't fight very hard and didn't move very far, and Frog 1 did nothing more. So, I wondered what made this particular expanse of water so important to Frog 1. There were several other frogs in the area, all of which sang their parts in the morning's concert.
The Vows, before God, made Him essentially THE Lord of these rings..and our home.
23 years, later and, PTL, He still is our central cornerstone.
=====================================================
And for those who need so desperately a Restorer, a Comforter..there's hope. The story of Joseph is told by my fav wordsmith, Max Lucado here..read on and rekindle hope.
Family Wounds Are Slow to Heal
by Max Lucado, You'll Get Through This
Family wounds are slow to heal.
I hope your childhood was a happy time when your parents kept everyone fed, safe, and chuckling. I hope your dad came home every day, your mom tucked you in bed every night, and your siblings were your best friends.
But if not, you need to know you aren’t alone. The most famous family tree in the Bible suffered from a serious case of blight. Adam accused Eve. Cain killed his little brother. Abraham lied about Sarah. Rebekah favored Jacob. Jacob cheated Esau and then raised a gang of hoodlums.
The book of Genesis is a relative disaster.
Joseph didn’t deserve to be abandoned by his brothers. True, he wasn’t the easiest guy to live with. He boasted about his dreams and tattled on his siblings. He deserved some of the blame for the family friction. But he certainly didn’t deserve to be dumped into a pit and sold to merchants for pocket change.
The perpetrators were his ten older brothers. His brothers were supposed to look out for him. Joseph’s brothers were out of line. And his father? Jacob was out of touch.
With all due respect, the patriarch could have used a course on marriage and family life.
Mistake number one: he married a woman he didn’t love so he could marry one he did. Mistake number two: the two wives were sisters. (Might as well toss a lit match into a fireworks stand.) The first sister bore him sons. The second sister bore him none. So to expand his clan, he slept with an assortment of handmaidens and concubines until he had a covey of kids. Rachel, his favorite wife, finally gave birth to Joseph, who became his favorite son. She later died giving birth to a second son, Benjamin, leaving Jacob with a contentious household and a broken heart.
Jacob coped by checking out. Obstinate sons. Oblivious dad. The brothers needed a father. The father needed a wake-up call. And Joseph needed a protector. But he wasn’t protected; he was neglected. And he landed in a distant, dark place.
Initially, Joseph chose not to face his past. By the time he saw his brothers again, Joseph had been prime minister for nearly a decade. The kid from Canaan had come a long way.
Joseph could travel anywhere he wanted, yet he chose not to return to Canaan. He knew where to find his family, but he chose not to contact them.
He kept family secrets a secret. Untouched and untreated. Joseph was content to leave his past in the past. But God was not.
Restoration matters to God. The healing of the heart involves the healing of the past.
So God shook things up.
All countries came to Joseph in Egypt to get grain, because the famine was severe in all lands. — Genesis 41:57
And in the long line of folks appealing for an Egyptian handout, look what the cat dragged in.
Joseph heard them before he saw them. He was fielding a question from a servant when he detected the Hebrew chatter. Not just the language of his heart but the dialect of his home. The prince motioned for the servant to stop speaking. He turned and looked. There they stood.
The brothers were balder, grayer, rough skinned. They were pale and gaunt with hunger. Sweaty robes clung to their shins, and road dust chalked their cheeks. These Hebrews stuck out in sophisticated Egypt like hillbillies at Times Square.
They didn’t recognize him. His beard was shaved, his robe was royal, and the language he spoke was Egyptian. It never occurred to them that they were standing before their baby brother.
Thinking the prince couldn’t understand Hebrew, the brothers spoke to him with their eyes and gestures. They pointed at the stalks of grain and then at their mouths. They motioned to the brother who carried the money, and he stumbled forward and spilled the coins on the table.
When Joseph saw the silver, his lips curled, and his stomach turned. He had named his son God Made Me Forget, but the money made him remember. The last time he saw coins in the hands of Jacob’s older boys, they were laughing, and he was whimpering. That day at the pit he searched these faces for a friend, but he found none. And now they dared bring silver to him?
Joseph called for a Hebrew-speaking servant to translate. Then Joseph scowled at his brothers.
He acted as a stranger to them and spoke roughly to them. — Genesis 42:7
The brothers fell face-first in the dirt, which brought to Joseph’s mind a childhood dream.
“Uh, well, we’re from up the road in Canaan. Maybe you’ve heard of it?”
Joseph glared at them. “Nah, I don’t believe you. Guards, put these spies under arrest. They are here to infiltrate our country.”
The ten brothers spoke at once. “You’ve got it all wrong, Your High, Holy, and Esteemed Honor. We’re salt of the earth. We belong to the same family. That’s Simeon over there. That’s Judah... Well, there are twelve of us in all. At least there used to be.
The youngest is now with our father, and one is no longer living. — Genesis 42:13
Joseph gulped at the words. This was the first report on his family he had heard in twenty years. Jacob was alive. Benjamin was alive. And they thought he was dead.
“Tell you what,” he snapped. “I’ll let one of you go back and get your brother and bring him here. The rest of you I’ll throw in jail.”
With that, Joseph had their hands bound. A nod of his head, and they were marched off to jail. Perhaps the same jail where he had spent at least two years of his life.
What a curious series of events. The gruff voice, harsh treatment. The jail sentence. The abrupt dismissal. We’ve seen this sequence before with Joseph and his brothers, only the roles were reversed. On the first occasion they conspired against him. This time he conspired against them. They spoke angrily. He turned the tables. They threw him in the hole and ignored his cries for help. Now it was his turn to give them the cold shoulder.
What was going on?
I think he was trying to get his bearings. This was the toughest challenge of his life. The famine, by comparison, was easy. Mrs. Potiphar he could resist. Pharaoh’s assignments he could manage. But this mixture of hurt and hate that surged when he saw his flesh and blood? Joseph didn’t know what to do.
Maybe you don’t either.
Your family failed you. Your early years were hard ones. The people who should have cared for you didn’t. But, like Joseph, you made the best of it. You’ve made a life for yourself. Even started your own family. You are happy to leave Canaan in the rearview mirror. But God isn’t.
He gives us more than we request by going deeper than we ask. He wants not only your whole heart; He wants your heart whole. Why? Hurt people hurt people. Think about it. Why do you fly off the handle? Why do you avoid conflict? Why do you seek to please everyone? Might your tendencies have something to do with an unhealed hurt in your heart?
God wants to help you for your sake. And for the sake of your posterity.
Suppose Joseph had refused his brothers? Summarily dismissed them? Washed his hands of the whole mess? God’s plan for the nation of Israel depended upon the compassion of Joseph. A lot was at stake here.
There is a lot at stake with you too. Yes, your family history has some sad chapters. But your history doesn’t have to be your future. The generational garbage can stop here and now. You don’t have to give your kids what your ancestors gave you.
Talk to God about the scandals and scoundrels. Invite Him to relive the betrayal with you. Bring it out in the open. Joseph restaged the hurt for a reason.
Revealing leads to healing.
Let God do His work. The process may take a long time. It may take a lifetime.
Family pain is the deepest pain because it was inflicted so early and because it involves people who should have been trustworthy.
Let God transform you into a new person by changing the way you think. — Romans 12:2
Let Him replace childish thinking with mature truth (1 Corinthians 13:11). You are God’s child. His creation. Destined for heaven. You are a part of His family. Let Him set you on the path to reconciliation.
Joseph did. The process would prove to be long and difficult. It occupies four chapters of the Bible and at least a year on the calendar, but Joseph took the first step. After three days Joseph released his brothers from jail. He played the tough guy again. “Go on back. But I want to see this kid brother you talk about. I’ll keep one of you as a guarantee.”
They agreed and then, right in front of Joseph, rehashed the day they dry-gulched him:
Then they said to one another, ‘We are truly guilty concerning our brother, for we saw the anguish of his soul when he pleaded with us, and we would not hear; therefore this distress has come upon us’. — Genesis 42:21
Again, they did not know that the prince understood Hebrew. But he did. And when he heard the words, Joseph turned away so they couldn’t see his eyes fill with tears. He stepped into the shadows and wept. He did this seven more times. He didn’t cry when he was promoted by Potiphar or crowned by Pharaoh, but he blubbered like a baby when he learned that his brothers hadn’t forgotten him after all. When he sent them back to Canaan, he loaded their saddlebags with grain. A moment of grace.
With that small act, healing started. If God healed that family, who’s to say He won’t heal yours?
Healing of the heart involved healing of the past
For Reflection
Listed below are several words and phrases that characterize some of the hardships and dysfunction evident in Joseph’s family. Which issues have marked your family?
❑ abandonment
❑ troubled marriage(s)
❑ premature death
❑ hatred
❑ sibling rivalry
❑ favoritism
❑ severe grief
❑ disregard for others
❑ parental abdication
❑ guilt
❑ deception
❑ betrayal
❑ infertility
❑ resentment
❑ abuse
❑ extramarital relationships
❑ harsh treatment
❑ brokenness
❑ self-absorption
❑ secrecy
❑ neglect
Part of the healing process includes unearthing the details — the specifics of how you were hurt — and inviting God to relive those experiences with you. What help do you need from God? How do you want to experience His presence, comfort, or guidance?
Coming face-to-face with old hurts can be disorienting. When Joseph first encountered his brothers again, he withheld his identity, spoke harshly, made false accusations, jailed them, released them, put conditions on their departure and return, held one of them hostage, concealed powerful emotions, and was secretly generous to them (Genesis 42:6-28). What conflicting thoughts and emotions surface when you consider the possibility of engaging old hurts and the people connected with them?
Joseph’s path to reconciliation with his family was long and difficult, but it began with a small act of mercy and grace — he loaded his brothers’ saddlebags with grain and quietly returned the silver they had paid for it. A gift, free and clear.
What small act of mercy and grace do you sense God inviting you to extend to someone in your family?
from You'll Get Through This by Max Lucado,
Bipolar disorder, previously known as manic depression, is a mood disorder characterized by periods of depression and periods of abnormally-elevated mood that last from days to weeks each. A self-disorder, also called ipseity disturbance, is a psychological phenomenon of disruption or diminishing of a person's sense of minimal (or basic) self-awareness. The precise mechanisms that cause bipolar disorder are not well understood. Bipolar disorder is thought to be associated with abnormalities in the structure and function of certain brain areas responsible for cognitive tasks and the processing of emotions. A neurologic model for bipolar disorder proposes that the emotional circuitry of the brain can be divided into two main parts. The ventral system (regulates emotional perception) includes brain structures such as the amygdala, insula, ventral striatum, ventral anterior cingulate cortex, and the prefrontal cortex. The dorsal system (responsible for emotional regulation) includes the hippocampus, dorsal anterior cingulate cortex, and other parts of the prefrontal cortex.The model hypothesizes that bipolar disorder may occur when the ventral system is overactivated and the dorsal system is underactivated.Other models suggest the ability to regulate emotions is disrupted in people with bipolar disorder and that dysfunction of the ventricular prefrontal cortex (vPFC) is crucial to this disruption.
If the elevated mood is severe or associated with psychosis, it is called mania; if it is less severe, it is called hypomania. During mania, an individual behaves or feels abnormally energetic, happy or irritable, and they often make impulsive decisions with little regard for the consequences.[5] There is usually also a reduced need for sleep during manic phases.[5] During periods of depression, the individual may experience crying and have a negative outlook on life and poor eye contact with others.[ The risk of suicide is high; over a period of 20 years, 6% of those with bipolar disorder died by suicide, while 30–40% engaged in self-harm. Other mental health issues, such as anxiety disorders and substance use disorders, are commonly associated with bipolar disorder. The sense of minimal self refers to the very basic sense of having experiences that are one's own; it has no properties, unlike the more extended sense of self, the narrative self, which is characterized by the person's reflections on themselves as a person, things they like, their identity, and other aspects that are the result of reflection on one's self. Disturbances in the sense of minimal self, as measured by the Examination of Anomalous Self-Experience (EASE), aggregate in the schizophrenia spectrum disorders, to include schizotypal personality disorder, and distinguish them from other conditions such as psychotic bipolar disorder and borderline personality disorder. The minimal self has been likened to a "flame that enlightens its surroundings and thereby itself." Unlike the extended self, which is composed of properties such as the person's identity, the person's narrative, and other aspects that can be gleaned from reflection, the minimal self has no properties, but refers to the "mine-ness" "given-ness" of experience, that the experiences are that of the person having them in that person's stream of consciousness. These experiences that are part of the minimal self are normally "tacit" and implied, requiring no reflection on the part of the person experiencing to know that the experience is theirs. The minimal self cannot be further elaborated and normally one cannot grasp it upon reflection. The minimal self goes hand-in-hand with immersion in the shared social world, such that "[t]he world is always pregiven, ie, tacitly grasped as a self-evident background of all experiencing and meaning." This is the self-world structure. De Warren gives an example of the minimal self combined with immersion in the shared social world: "When looking at this tree in my backyard, my consciousness is directed toward the tree and not toward my own act of perception. I am, however, aware of myself as perceiving this tree, yet this self-awareness (or self-consciousness) is not itself thematic."[5] The focus is normally on the tree itself, not on the person's own act of seeing the tree: to know that one is seeing the tree does not require an act of reflection. In the schizophrenia spectrum disorders, the minimal self and the self-world structure are "constantly challenged, unstable, and oscillating," causing anomalous self-experiences known as self-disorders. These involve the person feeling as if they lack an identity, as if they are not really existing, that the sense of their experiences being their own (the "mine-ness" of their experiential world) is failing or diminishing, as if their inner experiences are no longer private, and that they don't really understand the world. These experiences lead to the person engaging in hyper-reflectivity, or abnormally prolonged and intense self-reflection, to attempt to gain a grasp on these experiences, but such intense reflection may further exacerbate the self-disorders. Self-disorders tend to be chronic, becoming incorporated into the person's way of being and affecting "how" they experience the world and not necessarily "what" they experience. This instability of the minimal self may provoke the onset of psychosis. Similar phenomena can occur in other conditions, such as bipolar disorder and depersonalization disorder, but Sass's (2014) review of the literature comparing accounts of self-experience in various mental disorders shows that serious self-other confusion and "severe erosion of minimal self-experience" only occur in schizophrenia; as an example of the latter, Sass cites the autobiographical account of Elyn Saks, who has schizophrenia, of her experience of "disorganization" in which she felt that thoughts, perceptions, sensations, and even the passage of time became incoherent, and that she had no longer "the solid center from which one experiences reality", which occurred when she was 7 or 8 years old. This disturbance tends to fluctuate over time based on emotions and motivation, accounting for the phenomenon of dialipsis in schizophrenia, where neurocognitive performance tends to be inconsistent over time. The disturbance of the minimal self may manifest in people in various ways, including as a tendency to inspect one's thoughts in order to know what they are thinking, like a person seeing an image, reading a message, or listening closely to someone talking (audible thoughts; or in German: Gedankenlautwerden). In normal thought, the "signifier" (the images or inner speech representing the thought) and the "meaning" are combined into the "expression", so that the person "inhabits" their thinking, or that both the signifier and the meaning implicitly come to mind together; the person does not need to reflect on their thoughts to understand what they are thinking. In people with self-disorder, however, it is frequently the case that many thoughts are experienced as more like external objects that are not implicitly comprehended. The person must turn their focus toward the thoughts to understand their thoughts because of that lack of implicit comprehension, a split of the signifier and the meaning from each other, where the signifier emerges automatically in the field of awareness but the meaning does not. This is an example of the failing "mine-ness" of the experiential field as the minimal self recedes from its own thoughts, which are consigned to an outer space. This is present chronically, both during and outside of psychosis, and may represent a middle point between normal inner speech and auditory hallucinations, as well as normal experience and first-rank symptoms. They may also experience uncontrolled multiple trains of thought with different themes simultaneously coursing through one's head interfering with concentration (thought pressure) or often feel they must attend to things with their full attention in order to get done what most people can do without giving it much thought (hyper-reflectivity), which can lead to fatigue.In a 2014 review, Postmes, et al., suggested that self-disorders and psychosis may arise from attempts to compensate for perceptual incoherence and proposed a hypothesis for how the interaction among these phenomena and the person's attempts to resolve the incoherence give rise to schizophrenia. The problems with the integration of sensory information create problems for the person in keeping a grip on the world, and since the self-world interaction is fundamentally linked to the basic sense of self, the latter is also disrupted as a result. Sass and Borda have studied the correlates of the dimensions of self-disorders, namely disturbed grip (perplexity, difficulty "getting" stuff most people can get), hyperreflexivity (where thoughts, feelings, sensations, and objects pop up uncontrollably in the field of awareness, as well dysfunctional reflecting on matters and the self), and diminished self-affection (where the person has difficulty being "affected" by aspects of the self, experiencing those aspects as if they existed in an outer space), and have proposed how both primary and secondary factors may arise from dysfunctions in perceptual organization and multisensory integration. In a 2013 review, Mishara, et al., criticized the concept of the minimal self as an explanation for self-disorder, saying that it is unfalsifiable, and that self-disorder arises primarily from difficulty integrating different aspects of the self as well as having difficulty distinguishing self and other, as proposed by Lysaker and Lysaker: Ichstörung or ego disorder, as they say, in schizophrenia arises from disturbed relationships not from the "solipsistic" concept of the self as proposed by Sass, Parnas, and others. In his review, Sass agrees that the focus of research into self-disorder has focused too much on the self, and mentions attempts to look at disturbances in the person's relationship with other people and the world, with work being done to create an Examination of Anomalous World Experience, which will look at the person's anomalous experiences regarding time, space, persons, language, and atmosphere; he suggests there are problems with both the self and the world in people with self-disorder, and that it may be better conceptualized as a "presence-disturbance".Parnas acknowledges the Lysaker model, but says that it is not incompatible with the concept of the minimal self, as they deal with different levels of self-hood.
en.wikipedia.org/wiki/Self-disorder
Late adolescence and early adulthood are peak years for the onset of bipolar disorder.The condition is characterized by intermittent episodes of mania and/or depression, with an absence of symptoms in between. During these episodes, people with bipolar disorder exhibit disruptions in normal mood, psychomotor activity (the level of physical activity that is influenced by mood)—e.g. constant fidgeting during mania or slowed movements during depression—circadian rhythm and cognition. Mania can present with varying levels of mood disturbance, ranging from euphoria, which is associated with "classic mania", to dysphoria and irritability. Psychotic symptoms such as delusions or hallucinations may occur in both manic and depressive episodes; their content and nature are consistent with the person's prevailing mood. According to the DSM-5 criteria, mania is distinguished from hypomania by length: hypomania is present if elevated mood symptoms persist for at least four consecutive days, while mania is present if such symptoms persist for more than a week. Unlike mania, hypomania is not always associated with impaired functioning. The biological mechanisms responsible for switching from a manic or hypomanic episode to a depressive episode, or vice versa, remain poorly understood.The causes of bipolar disorder are not clearly understood, both genetic and environmental factors are thought to play a role. Many genes, each with small effects, may contribute to the development of the disorder. Genetic factors account for about 70–90% of the risk of developing bipolar disorder. Environmental risk factors include a history of childhood abuse and long-term stress. The condition is classified as bipolar I disorder if there has been at least one manic episode, with or without depressive episodes, and as bipolar II disorder if there has been at least one hypomanic episode (but no full manic episodes) and one major depressive episode. If these symptoms are due to drugs or medical problems, they are not diagnosed as bipolar disorder. Other conditions that have overlapping symptoms with bipolar disorder include attention deficit hyperactivity disorder, personality disorders, schizophrenia, and substance use disorder as well as many other medical conditions. Medical testing is not required for a diagnosis, though blood tests or medical imaging can rule out other problems. Mood stabilizers—lithium and certain anticonvulsants such as valproate and carbamazepine—are the mainstay of long-term relapse prevention. Antipsychotics are given during acute manic episodes as well as in cases where mood stabilizers are poorly tolerated or ineffective or where compliance is poor. There is some evidence that psychotherapy improves the course of this disorder. The use of antidepressants in depressive episodes is controversial: they can be effective but have been implicated in triggering manic episodes. The treatment of depressive episodes, therefore, is often difficult. Electroconvulsive therapy (ECT) is effective in acute manic and depressive episodes, especially with psychosis or catatonia. Admission to a psychiatric hospital may be required if a person is a risk to themselves or others; involuntary treatment is sometimes necessary if the affected person refuses treatment. Bipolar disorder occurs in approximately 1% of the global population. In the United States, about 3% are estimated to be affected at some point in their life; rates appear to be similar in females and males. Symptoms most commonly begin between the ages of 20 and 25 years old; an earlier onset in life is associated with a worse prognosis. Interest in functioning in the assessment of patients with bipolar disorder is growing, with an emphasis on specific domains such as work, education, social life, family, and cognition. Around one-quarter to one-third of people with bipolar disorder have financial, social or work-related problems due to the illness. Bipolar disorder is among the top 20 causes of disability worldwide and leads to substantial costs for society. Due to lifestyle choices and the side effects of medications, the risk of death from natural causes such as coronary heart disease in people with bipolar disorder is twice that of the general population. Also known as a manic episode, mania is a distinct period of at least one week of elevated or irritable mood, which can range from euphoria to delirium. The core symptom of mania involves an increase in energy of psychomotor activity. Mania can also present with increased self-esteem or grandiosity, racing thoughts, pressured speech that is difficult to interrupt, decreased need for sleep, disinhibited social behavior, increased goal-oriented activities and impaired judgement, which can lead to exhibition of behaviors characterized as impulsive or high-risk, such as hypersexuality or excessive spending.To fit the definition of a manic episode, these behaviors must impair the individual's ability to socialize or work.[ If untreated, a manic episode usually lasts three to six months.
In severe manic episodes, a person can experience psychotic symptoms, where thought content is affected along with mood. They may feel unstoppable, or as if they have a special relationship with God, a great mission to accomplish, or other grandiose or delusional ideas. This may lead to violent behavior and, sometimes, hospitalization in an inpatient psychiatric hospital. The severity of manic symptoms can be measured by rating scales such as the Young Mania Rating Scale, though questions remain about the reliability of these scales. The onset of a manic or depressive episode is often foreshadowed by sleep disturbance. Mood changes, psychomotor and appetite changes, and an increase in anxiety can also occur up to three weeks before a manic episode develops.[medical citation needed] Manic individuals often have a history of substance abuse developed over years as a form of "self-medication". Hypomania is the milder form of mania, defined as at least four days of the same criteria as mania, but which does not cause a significant decrease in the individual's ability to socialize or work, lacks psychotic features such as delusions or hallucinations, and does not require psychiatric hospitalization. Overall functioning may actually increase during episodes of hypomania and is thought to serve as a defense mechanism against depression by some. Hypomanic episodes rarely progress to full-blown manic episodes. Some people who experience hypomania show increased creativity, while others are irritable or demonstrate poor judgment. Hypomania may feel good to some individuals who experience it, though most people who experience hypomania state that the stress of the experience is very painful. People with bipolar disorder who experience hypomania tend to forget the effects of their actions on those around them. Even when family and friends recognize mood swings, the individual will often deny that anything is wrong. If not accompanied by depressive episodes, hypomanic episodes are often not deemed problematic unless the mood changes are uncontrollable or volatile.Most commonly, symptoms continue for time periods from a few weeks to a few months. People with bipolar disorder who are in a euthymic mood state show decreased activity in the lingual gyrus compared to people without bipolar disorder. In contrast, they demonstrate decreased activity in the inferior frontal cortex during manic episodes compared to people without the disorder. Similar studies examining the differences in brain activity between people with bipolar disorder and those without did not find a consistent area in the brain that was more or less active when comparing these two groups. People with bipolar have increased activation of left hemisphere ventral limbic areas—which mediate emotional experiences and generation of emotional responses—and decreased activation of right hemisphere cortical structures related to cognition—structures associated with the regulation of emotions. Neuroscientists have proposed additional models to try to explain the cause of bipolar disorder. One proposed model for bipolar disorder suggests that hypersensitivity of reward circuits consisting of frontostriatal circuits causes mania, and decreased sensitivity of these circuits causes depression. According to the "kindling" hypothesis, when people who are genetically predisposed toward bipolar disorder experience stressful events, the stress threshold at which mood changes occur becomes progressively lower, until the episodes eventually start (and recur) spontaneously. There is evidence supporting an association between early-life stress and dysfunction of the hypothalamic-pituitary-adrenal axis leading to its overactivation, which may play a role in the pathogenesis of bipolar disorder. Other brain components that have been proposed to play a role in bipolar disorder are the mitochondria and a sodium ATPase pump. Circadian rhythms and regulation of the hormone melatonin also seem to be altered. Dopamine, a neurotransmitter responsible for mood cycling, has increased transmission during the manic phase. The dopamine hypothesis states that the increase in dopamine results in secondary homeostatic downregulation of key system elements and receptors such as lower sensitivity of dopaminergic receptors. This results in decreased dopamine transmission characteristic of the depressive phase. The depressive phase ends with homeostatic upregulation potentially restarting the cycle over again. Glutamate is significantly increased within the left dorsolateral prefrontal cortex during the manic phase of bipolar disorder, and returns to normal levels once the phase is over. Medications used to treat bipolar may exert their effect by modulating intracellular signaling, such as through depleting myo-inositol levels, inhibition of cAMP signaling, and through altering subunits of the dopamine-associated G-protein.[81] Consistent with this, elevated levels of Gαi, Gαs, and Gαq/11 have been reported in brain and blood samples, along with increased protein kinase A (PKA) expression and sensitivity;[82] typically, PKA activates as part of the intracellular signalling cascade downstream from the detachment of Gαs subunit from the G protein complex. Decreased levels of 5-hydroxyindoleacetic acid, a byproduct of serotonin, are present in the cerebrospinal fluid of persons with bipolar disorder during both the depressed and manic phases. Increased dopaminergic activity has been hypothesized in manic states due to the ability of dopamine agonists to stimulate mania in people with bipolar disorder. Decreased sensitivity of regulatory α2 adrenergic receptors as well as increased cell counts in the locus coeruleus indicated increased noradrenergic activity in manic people. Low plasma GABA levels on both sides of the mood spectrum have been found.[83] One review found no difference in monoamine levels, but found abnormal norepinephrine turnover in people with bipolar disorder. Tyrosine depletion was found to reduce the effects of methamphetamine in people with bipolar disorder as well as symptoms of mania, implicating dopamine in mania. VMAT2 binding was found to be increased in one study of people with bipolar mania.
Explore #345, 1/1/08.
That is, they don't get enough attention -- not that they have short attention spans. On the other hand, maybe they get plenty of attention, they just always want more. These were next door to a New Year's party we attended and they sure were friendly, if not somewhat jealous of each other!
In this episode the Talkitects sit with one of the best tastemakers in the game. Mainly because he transformed himself into a chef. Hawaii Mike Salman is about as Hip-Hop as you can get. He has transformed himself from a journalist to a mass marketer to a cannabis advocate.
One of the Talkitects comes to the studio extra saucy but the crew manages to power thru the dysfunction. Can we get much higher? You tell us. Comment, rate and most importantly subscribe to the Talkitecture podcast
Today's New Releases
You will probably never see a better example of adhd than today's releases
I have built everything from cake bed thrones, to slimy pumpkins, to feed troughs, a laundry machine, and fantasy mailboxes.
Everything is available inworld here
maps.secondlife.com/secondlife/Ocean%20Bay/219/42/22
and will be added to marketplace as soon as the executive dysfunction finishes uninstalling lmao
© David K. Edwards. Yearning for turgor while still enjoying the lethal pleasures of semelparity. The curved, towering thing exudes sugar water, and the bees love it. It makes a sweet, sticky puddle in my driveway.
All of a sudden, Leon showed signs of erectile dysfunction. He had none of the normal common causes such as heart disease, clogged blood vessels, high cholesterol, high blood pressure, diabetes, obesity or Parkinson's disease. Leon's doctor's were befuddled. Then, Leon met Ah Kum the Chinese Elm and, well, it's no longer a problem.
Bakersfield, California 2015
This nice card came yesterday. It contains a short message – sadly the person who sent it to me forgot to write their name on it 😟
Hereio Xavier of the We're Here! group has chosen the Christmas Dysfunction group for today's visit.
Testosterone levels, hormones and other influences on female sex drive are discussed by The Medical Center for Female Sexuality’s Sexuality Counselor, Shannon Bertha on MensNetTV with host Mel Feit. For more information on the medical techniques for treatment of female sexual dysfunction, including painful intercourse and low sex drive to enable women achieve sexual health and satisfying female sexuality visit: www.centerforfemalesexuality.com
Offices in Purchase, NY and Manhattan, NY.
Shadow hopes it isn't time to wake up...
A lovely, lyrical style although the plot involves dysfunction and tragedy...beautifully felt and written....
SL has taught me a lot about humanity. But I never in my life been in a cesspool of woman who are so nasty and vindictive. And who feel they won some prize by taking an insecure man.
If you feel being a nasty evil person is a prize I mean, go for it. In the end, I won freedom from something that was not healthy.
But what is sad, is in a world where us woman have to fight so much to be heard, it is sad other woman make it hard for others. Dark hearts always find dark hearts.
An insecure man always needs a mother. Needs to be coddled and needs to have someone who forgets about herself and makes sure he is feeling good about himself everyday. That is not love. That is codependency.
I don't want to date a man to be his mommy or to be constantly on his ass to make him feel better about himself. fuck that!
Healing and walking this path has opened my eyes to realizing people don't want to heal, they want to live in their dysfunction.
I would rather be a good person, heal, be happy with myself than be a nasty person. But narcs are narcs. Abusers are abusers. And they live in that world.
The healing path is only for the strongest hearts.