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Chris Matthews of Hardball discusses faith, service, and America's current political dysfunction with Rev. Bob McElroy
University of San Francisco
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Photos by Carly Dahl
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Post-pregnancy pain, whether it be pelvic floor pain or joint pain, is a shared experience among many postpartum people. However, postpartum pain, especially in pelvic pain, can vary in frequency, length, and intensity. Some people may only experience short-term pain that lasts the first 4 – 8 weeks of their recovery and others may suffer from pelvic pain for up to or over a year after they’ve given birth.
Pelvic organ prolapse and other forms of pelvic floor dysfunction are very common among postpartum people. Symptoms can vary in duration and severity, but many women are likely to experience a variety of symptoms during and after their pregnancy. At Restore Your Core, we’ve noticed similarities in many of our client’s stories. Some of the most common pelvic floor complications our clients experience include:
Urinary incontinence
Fecal incontinence
Pain during intercourse
Vaginal pain
Rectal pain
Low back pain
Pelvic pain
Diastasis Recti – separation of the abdominal muscles
Pelvic organ prolapse
Pubic bone pain
Pelvic girdle pain
Pelvic floor pain can be treated and relieved in many ways. Whether you visit a pelvic floor physical therapist or take part in a program like Restore Your Core, movement specialist or your physical therapists will utilize exercise methods designed to strengthen and restore function to your core, pelvic floor muscles, and relieve any painful symptoms you may be experiencing.
In this article I will attempt to address the most commonly asked questions regarding pelvic pain after giving birth.
How Long Does it Take for Your Pelvic Floor to Recover After Childbirth?
After giving birth, your pelvic floor and core muscles will be in the process of healing for at least a year. Although many women may begin being active again after the first 8 weeks postpartum, often pelvic pain and the symptoms of diastasis recti may be experienced for months postpartum. Both your core and your pelvic region have gone through significant changes in order to accommodate your baby. Attempting to quickly get back into an exercise or workout routine may be unhelpful in your recovery – especially if you are already experiencing complications or painful symptoms.
Every postpartum person is different and the recovery length can change depending on many factors. Healing can take anywhere from a few months to over a year, depending on whether or not there are underlying conditions which may be increasing the pain. While there are no overnight success stories, there are many many success stories of people like you who have healed their pelvic organ prolapse by taking these steps slowly and surely.
However, there are many things you can begin doing now to help begin the healing process. Here is a video summary covering some of the steps you can take to begin healing your pelvic floor.
Is it Normal for Your Pelvis to Hurt After Pregnancy?
Yes! Postpartum pelvic pain is very common. During childbirth, your ligaments and joints become loose as your body is adapting to your child’s weight, abdominal separation, and increased heaviness in your pelvic floor. It is common to experience pain in your pelvic girdle, hips, and joints as a result. Light recovery exercises and movement can also cause minimal pain as you begin strengthening your pelvic floor muscles. Seeing a pelvic floor physical therapist or enrolling in a yoga or postpartum exercise program can help relieve urinary incontinence, back pain, and other postpartum pelvic issues.
How Can I Heal My Pelvic Floor After Delivery?
Pelvic floor physical therapy can be a great treatment program for you and your postpartum pain. A pelvic floor therapist will help create an individualized plan to help target your specific symptoms, condition, and your own recovery goals. Similarly, Restore Your Core can help you become a part of a community of people focused on health and function without promoting unnecessary, culturally influenced slim body programs. Our Restore Your Core Program will help relieve any postpartum pelvic pain, provide treatment options involving exercises for symptoms (i.e. urinary incontinence, pelvic, back, and core pain), education regarding proper breathing patterns, posture, and poses, as well as additional tips and guidance on how to safely and effectively recover from postpartum pain.
What is Pelvic Floor Therapy Postpartum?
Pelvic floor physical therapy treatment options may vary depending on the severity of your condition. If you decide to see a physical therapist, you’ll have an initial assessment to determine what treatment will be best. An assessment can include vaginal and rectal manual palpations. Palpations can help determine the strength of your core and pelvic floor muscles, areas of tenderness and pain, as well as muscle tightness.
We do not offer physical therapy, but movement therapy. Restore Your Core specializes in exercise treatment as well as education for women suffering from pelvic floor pain and any other postpartum issues. Below is a list of several exercises we cover in our program.
Supported Slight Backbend Pelvic Stretch:
This is a fantastic pelvic stretcher. Using a pillow or bolster of some kind, gently lower your back to rest on top of the pillow. Once in position, slowly bring your feet together so the soles of your feet are touching. Keep your knees bent, but gently allow them to open sideways. If you feel any discomfort at all in your back or inner thighs, you can use pillows for further support or get rid of the bolster. Relax after 30 seconds or more (roughly 15 to 20 breaths)
Supported Pelvic Squat:
This stretch is an incredible hip and pelvis stretch. Grab a low stool or a stack of books and with your feet spread wide and toes pointed out sideways, gradually extend your buttocks and lower yourself to the blocks. If you are struggling to balance yourself, it may be helpful to use a wall for back support. It is important that if you experience any discomfort during these stretches that you reposition yourself until you can firmly plant your feet and bend without pain. Stay in a squatted position for close to 30 seconds (5-10 deep breaths), stand back up, relax, and repeat several times. Please note, that for some people with prolapse – a deep squat can really irritate and aggravate things due to bearing down, so be sure to only do this one if you feel comfortable that you are not bearing down in a low squat.
Yoga for Pelvic Floor Muscle Relaxation
Legs up the wall:
This exercise offers a lot of people relief from their symptoms and it is a great way to downtrain the pelvic floor. I always teach this with a block / pillows / blankets under the hips for elevation. The elevation is pretty key so be sure to get your hips on something. Elevate your hips and simply bring your legs up a wall. Move closer or further away from the wall depending on your body and comfort. Stay for 3-4 relaxing breaths and then you have a few options. One is to bend your knees and have the soles of your feet touching while still leaning legs against the wall. Adjust your body to make this more comfortable. No stress or tension in your hips. The other is to simply bend your knees and place the soles of your feet on the floor and relax your pelvis and pelvic floor and finally, option #3 is to open your legs wide and keep them against the wall while straddled. Find the position that best allows you to relax and release. Hold for 5-8 breaths.
restoreyourcore.com/postpartum/postpartum-pelvic-floor-pain/
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Here Dr Tahira Rubab Hafeez is explaining the facts that sexual problems, well, there are so many individuals, a couple, who suffer from this problem nowadays. It is pretty frequent too. However, it becomes a big concern when it impacts both your health and your sexual life! So, yes, we're taking an effort to give extensive information about the most prevalent sexual difficulties and treatments.
What are Sexual Issues?
A sexual issue is defined as a difficulty that occurs throughout any stage of the sexual response cycle and inhibits an individual or couple from receiving satisfaction from their sexual engagement. There are four stages in the sexual response cycle: stimulation, plateau, climax, and resolution. I am talking about these issues in this video series.
Here Dr Tahira Rubab Hafeez is explaining the facts that it is critical for both parties to secure their own and each other's physical, psychological, and relational well-being in order to have a mutually satisfying sexual encounter.
It is generally stated that sex occurs between the two ears rather than between the two legs, and so sexual troubles frequently arise from the mind. Of course, certain disorders may necessitate medical intervention or the services of a professional sexologist or relationship counselor. But for now, let's look at some of the most frequent sexual challenges that couples have and how to deal with them. In these videos I am talking about these topics in detail.
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Breaking Banality: The Dysfunction of Remediation
Photographs by Evan La Londe
PNCA’s Feldman Gallery Presents Eva and Franco Mattes
Portland, OR, October 23, 2014 — The Philip Feldman Gallery + Project Space at Pacific Northwest
College of Art (PNCA) presents Breaking Banality: The Dysfunction of Remediation, an exhibition by Eva and Franco Mattes, opening with a reception on First Thursday, November 6, 2014 and running through
January 10, 2015. For the exhibition, whose title was created by an online random exhibition title generator, the Brooklyn-based Italian duo will present ten reiterations of one performance from their series
“BEFNOED – By Everyone, For No One, Every Day,” for which they commission anonymous workers to realize webcam performances. The Mattes’ hire performers through online crowdsourcing services and post the resulting videos to many of the more obscure social networks around the world. The artists regularly post links to new videos at befnoed.tumblr.com. These works are in the lineage of Fluxus event scores and more recently Hans Ulrich Obrist’s instruction-based project, “Do It.” For this exhibition, to view the videos, visitors will be forced in awkward positions, becoming themselves, if just for a few seconds, performers, and underlying how the act of viewing is in itself performative.
For another work in the show, an image, resulting from an internet search for the words “worn out,” was printed by online services on various objects. The objects were then delivered by mail directly to the venue, so neither the artists nor the curator have seen the final works.
The duo’s provocative digital works have previously included a staged suicide filmed by webcam, a slideshow of 10,000 photos stolen from personal computers, and reenactments of well-known performance art works in online videogames.
“Eva and Franco Mattes’ subversive conceptual works delve into the obscure corners and more grim aspects of the internet and the ways it both connects and distances users,” says Mack McFarland, Director of Exhibitions at PNCA. “We are thrilled to be working with two of the cardinal Net Art practitioners and expect the exhibition to ignite valuable conversations around our digitally fabricated and recorded selves and the ways we interact at a distance now.”
Exhibition trailer - Eva and Franco Mattes, Breaking Banality, PNCA’s Feldman Gallery from Eva and
Franco Mattes on Vimeo.
Eva and Franco Mattes (1976) (a.k.a. 0100101110101101.ORG) are an artist duo originally from Italy, working in New York. Their medium is a combination of performance, video and the Internet, for which they are perhaps best known. Their work explores ethical and moral issues when people interact at distance, especially through social media, creating situations where it is difficult to distinguish reality from a simulation.
Melissa Gronlund, editor of Afterall Magazine, described Mattes’ work as follows: “Whether by obscuring the name of the author, hiding information from the public or presenting false information to (often unwitting) participants in the works they create, the Mattes set up situations in which the viewer’s mistaken assumptions and actions create the form of the work itself”.
Mattes’ work has been exhibited at the Minneapolis Institute of Arts (2013); Site Santa Fe (2012);
Sundance Film Festival (2012); PS1, New York (2009); Performa, New York (2007, 2009); ARoS Aarhus
Kunstmuseum (2009); National Art Museum of China, Beijing (2008); The New Museum, New York
(2005) and Manifesta 4, Frankfurt (2002). In 2001 they were among the youngest artists ever included in the Venice Bienniale.
They have also held conferences at universities, festivals and museums, including Columbia University,
New York; RISD, Providence; New York University; Carnegie Mellon, Pittsburgh; College Art Association, New York; Museo Reina Sofia, Madrid; MAXXI, Rome and Musee d’Art Moderne, Paris.
They are founders and co-directors of the international festival The Influencers, held annually at the CCCB,
Barcelona, Spain (2004-ongoing).
The Mattes have received grants from the Walker Art Center, Minneapolis; The Museum of Contemporary
Art, Roskilde; ICC, Tokyo, and were awarded the New York Prize 2006 from the Italian Academy at
Columbia University.
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Breaking Banality: The Dysfunction of Remediation
Photographs by Evan La Londe
PNCA’s Feldman Gallery Presents Eva and Franco Mattes
Portland, OR, October 23, 2014 — The Philip Feldman Gallery + Project Space at Pacific Northwest
College of Art (PNCA) presents Breaking Banality: The Dysfunction of Remediation, an exhibition by Eva and Franco Mattes, opening with a reception on First Thursday, November 6, 2014 and running through
January 10, 2015. For the exhibition, whose title was created by an online random exhibition title generator, the Brooklyn-based Italian duo will present ten reiterations of one performance from their series
“BEFNOED – By Everyone, For No One, Every Day,” for which they commission anonymous workers to realize webcam performances. The Mattes’ hire performers through online crowdsourcing services and post the resulting videos to many of the more obscure social networks around the world. The artists regularly post links to new videos at befnoed.tumblr.com. These works are in the lineage of Fluxus event scores and more recently Hans Ulrich Obrist’s instruction-based project, “Do It.” For this exhibition, to view the videos, visitors will be forced in awkward positions, becoming themselves, if just for a few seconds, performers, and underlying how the act of viewing is in itself performative.
For another work in the show, an image, resulting from an internet search for the words “worn out,” was printed by online services on various objects. The objects were then delivered by mail directly to the venue, so neither the artists nor the curator have seen the final works.
The duo’s provocative digital works have previously included a staged suicide filmed by webcam, a slideshow of 10,000 photos stolen from personal computers, and reenactments of well-known performance art works in online videogames.
“Eva and Franco Mattes’ subversive conceptual works delve into the obscure corners and more grim aspects of the internet and the ways it both connects and distances users,” says Mack McFarland, Director of Exhibitions at PNCA. “We are thrilled to be working with two of the cardinal Net Art practitioners and expect the exhibition to ignite valuable conversations around our digitally fabricated and recorded selves and the ways we interact at a distance now.”
Exhibition trailer - Eva and Franco Mattes, Breaking Banality, PNCA’s Feldman Gallery from Eva and
Franco Mattes on Vimeo.
Eva and Franco Mattes (1976) (a.k.a. 0100101110101101.ORG) are an artist duo originally from Italy, working in New York. Their medium is a combination of performance, video and the Internet, for which they are perhaps best known. Their work explores ethical and moral issues when people interact at distance, especially through social media, creating situations where it is difficult to distinguish reality from a simulation.
Melissa Gronlund, editor of Afterall Magazine, described Mattes’ work as follows: “Whether by obscuring the name of the author, hiding information from the public or presenting false information to (often unwitting) participants in the works they create, the Mattes set up situations in which the viewer’s mistaken assumptions and actions create the form of the work itself”.
Mattes’ work has been exhibited at the Minneapolis Institute of Arts (2013); Site Santa Fe (2012);
Sundance Film Festival (2012); PS1, New York (2009); Performa, New York (2007, 2009); ARoS Aarhus
Kunstmuseum (2009); National Art Museum of China, Beijing (2008); The New Museum, New York
(2005) and Manifesta 4, Frankfurt (2002). In 2001 they were among the youngest artists ever included in the Venice Bienniale.
They have also held conferences at universities, festivals and museums, including Columbia University,
New York; RISD, Providence; New York University; Carnegie Mellon, Pittsburgh; College Art Association, New York; Museo Reina Sofia, Madrid; MAXXI, Rome and Musee d’Art Moderne, Paris.
They are founders and co-directors of the international festival The Influencers, held annually at the CCCB,
Barcelona, Spain (2004-ongoing).
The Mattes have received grants from the Walker Art Center, Minneapolis; The Museum of Contemporary
Art, Roskilde; ICC, Tokyo, and were awarded the New York Prize 2006 from the Italian Academy at
Columbia University.
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Shepard Fairey's May Day, a Houston & Bowery Mural Project presented by Deitch Projects and Goldman Properties, incorporates several of the images and themes that can be found in his most recent fine art and street art work. In this public piece, Fairey tackles an array of subjects including the reclamation of the U.S. flag as a multi-dimensional symbol, global warming, health care, free speech, activism, and the dysfunction of the two-party system in Washington. Fairey's mural addresses contemporary political themes, but also pays tribute to some of the Pop artists who have influenced him. The American flag and the target reference the iconic paintings of Jasper Johns who is also the subject of a portrait in the May Day exhibition. The newspaper and the May Day megaphone advertisement pay tribute to Warhol's early painted renditions of common subject matter. The mural also weaves in many smaller images and decorative patterns, which supplement the aesthetic and themes of the larger images.
OBEY Giant is a street art campaign by artist and guerrilla marketer Shepard Fairey. The campaign originated with the André the Giant Has a Posse sticker that Fairey created in 1986 in Charleston, South Carolina. Distributed by the skater community, the stickers began showing up everywhere. In 1989, while a student at RISD (Rhode Island School of Design), Fairey released his manifesto and the Obey Giant campaign was born. The campaign, an "experiment in phenomenology" pushed primarily through stickers and prints, has a mission to attempts to stimulate curiosity and bring people to question both the campaign and their relationship with their surroundings. Because people are not used to seeing advertisements or propaganda for which the motive is not obvious, frequent and novel encounters with Obey propaganda provoke thought and possible frustration, nevertheless revitalizing the viewer's perception and attention to detail. Over time the artwork has been reused in a number of ways, most famously in with his "Hope" campaign poster for Barack Obama in the 2008 United States Presidential election.
The Goldman Wall was first covered with streetart in the summer of 1982 by Keith Haring. Goldman Properties, owned by real-estate developer and art enthusiast Tony Goldman, acquired the wall in 1984, using it for advertisements for two decades. In celebration of what would have been Haring's 50th birthday in 2008, Goldman donated the wall to his friend and curator, Jeffrey Deitch and Deitch Projects. The two commissioned a recreation of Haring's 1982 classic, establishing a relationship that resulted in a series of sanctioned murals on the space from a rotating group of artists and that would ultimately carry over to Miami's Wynwood Walls.
Breaking Banality: The Dysfunction of Remediation
Photographs by Evan La Londe
PNCA’s Feldman Gallery Presents Eva and Franco Mattes
Portland, OR, October 23, 2014 — The Philip Feldman Gallery + Project Space at Pacific Northwest
College of Art (PNCA) presents Breaking Banality: The Dysfunction of Remediation, an exhibition by Eva and Franco Mattes, opening with a reception on First Thursday, November 6, 2014 and running through
January 10, 2015. For the exhibition, whose title was created by an online random exhibition title generator, the Brooklyn-based Italian duo will present ten reiterations of one performance from their series
“BEFNOED – By Everyone, For No One, Every Day,” for which they commission anonymous workers to realize webcam performances. The Mattes’ hire performers through online crowdsourcing services and post the resulting videos to many of the more obscure social networks around the world. The artists regularly post links to new videos at befnoed.tumblr.com. These works are in the lineage of Fluxus event scores and more recently Hans Ulrich Obrist’s instruction-based project, “Do It.” For this exhibition, to view the videos, visitors will be forced in awkward positions, becoming themselves, if just for a few seconds, performers, and underlying how the act of viewing is in itself performative.
For another work in the show, an image, resulting from an internet search for the words “worn out,” was printed by online services on various objects. The objects were then delivered by mail directly to the venue, so neither the artists nor the curator have seen the final works.
The duo’s provocative digital works have previously included a staged suicide filmed by webcam, a slideshow of 10,000 photos stolen from personal computers, and reenactments of well-known performance art works in online videogames.
“Eva and Franco Mattes’ subversive conceptual works delve into the obscure corners and more grim aspects of the internet and the ways it both connects and distances users,” says Mack McFarland, Director of Exhibitions at PNCA. “We are thrilled to be working with two of the cardinal Net Art practitioners and expect the exhibition to ignite valuable conversations around our digitally fabricated and recorded selves and the ways we interact at a distance now.”
Exhibition trailer - Eva and Franco Mattes, Breaking Banality, PNCA’s Feldman Gallery from Eva and
Franco Mattes on Vimeo.
Eva and Franco Mattes (1976) (a.k.a. 0100101110101101.ORG) are an artist duo originally from Italy, working in New York. Their medium is a combination of performance, video and the Internet, for which they are perhaps best known. Their work explores ethical and moral issues when people interact at distance, especially through social media, creating situations where it is difficult to distinguish reality from a simulation.
Melissa Gronlund, editor of Afterall Magazine, described Mattes’ work as follows: “Whether by obscuring the name of the author, hiding information from the public or presenting false information to (often unwitting) participants in the works they create, the Mattes set up situations in which the viewer’s mistaken assumptions and actions create the form of the work itself”.
Mattes’ work has been exhibited at the Minneapolis Institute of Arts (2013); Site Santa Fe (2012);
Sundance Film Festival (2012); PS1, New York (2009); Performa, New York (2007, 2009); ARoS Aarhus
Kunstmuseum (2009); National Art Museum of China, Beijing (2008); The New Museum, New York
(2005) and Manifesta 4, Frankfurt (2002). In 2001 they were among the youngest artists ever included in the Venice Bienniale.
They have also held conferences at universities, festivals and museums, including Columbia University,
New York; RISD, Providence; New York University; Carnegie Mellon, Pittsburgh; College Art Association, New York; Museo Reina Sofia, Madrid; MAXXI, Rome and Musee d’Art Moderne, Paris.
They are founders and co-directors of the international festival The Influencers, held annually at the CCCB,
Barcelona, Spain (2004-ongoing).
The Mattes have received grants from the Walker Art Center, Minneapolis; The Museum of Contemporary
Art, Roskilde; ICC, Tokyo, and were awarded the New York Prize 2006 from the Italian Academy at
Columbia University.
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Rheumatoid spondylitis can affect any level of the cervical spine and begins early, with 80% of clients developing cervical instability within two years of the onset of the disease.
Damage to the supporting joint surfaces, ligaments and muscles allows abnormal movement of the spine joints. This instability or lack of proper alignment between adjacent vertebrae places pressure on the spinal cord or the nerves as they leave the spinal cord. This can cause pain, numbness or weakness that is the major medical concern for clients with rheumatoid spondylitis.
Rheumatoid spondylitis starts with the cells in the synovial membrane, or synovium, lining the synovial joints. When stimulated, the cells produce a substance that triggers an inflammatory response from the body, causing it to attack the synovium. This inflammatory response in turn causes the growth of swollen granulation tissue, known as rheumatoid pannus, within the synovium.
The pannus makes enzymes that destroy adjacent cartilage, ligaments, tendons, and bone. Their destruction leads to loose or ruptured ligaments and bony erosion, which combined with muscle weakness and tendinitis, leads to joint instability and the incorrect alignment of joint surfaces, known as subluxationEventually, little articular cartilage remains and osteoarthritis develops. This condition can be accompanied with thinning of the adjacent bone, known as osteopenia.
Rheumatoid spondylitis can lead to :
erosive synovitis -- where the inflamed synovium destroys the adjacent articular cartilage, the underlying bone and the adjacent ligaments
ligamentous subluxation -- where the stretched and ruptured ligaments fail to support the joint, and the two joint surfaces slide across each other in an abnormal way
osteopenia -- where the underlying bone thins and loses its strength, and
vertebral body fracture -- where the weakened bone fractures, often under minimal stress.
DEFORMITIES
Rheumatoid deformities of the cervical spine can be categorized in three groups:
atlanto-axial subluxation or instability
cranial settling (also known as superior migration of the odontoid, pseudobasilar invagination, vertical / upward translocation of the odontoid)
subaxial subluxation.
Any combination of these deformities can occur.
Subaxial subluxation occurs when erosion of the facet joints, intervertebral discs and interspinous ligaments of the third to seventh cervical vertebrae leads to slipping and mal-alignment between adjacent vertebrae. This happens in up to 20% of rheumatoid spondylitis patients, and can occur at multiple levels, producing a stepladder deformity of adjacent vertebra.
While neck pain is seen in up to 90% of people with rheumatoid spondylitis, only a third develop nerve impairment due to pressure on the spinal cord or spinal nerves. Spinal cord or nerve compression are the main reasons for surgery, which is used to remove the tissues compressing the nerves and return the spinal alignment to normal.
SYMPTOMS
The symptoms of rheumatoid disease in the cervical spine may include
neck pain and stiffness, although some people have marked neck damage and instability with little pain
compression of the spinal cord or nerves in the neck, which can cause face or ear pain, headaches, limb weakness, hand paresthesias or pins and needles, loss of fine dexterity of the hand, decreased endurance, walking difficulty, urinary retention or incontinence
compression of blood vessels to the brain, which can cause vertigo or dizziness, visual disturbances, tinnitus or ringing in the ears, dysphagia or difficulty swallowing
What Is HRT for Men?
It's never easy when you find yourself facing uncomfortable issues such as fatigue, depression, or erectile dysfunction. It can be hard to admit these problems to yourself and even harder to bring them up with a doctor. Blaming yourself for symptoms such as these may seem like the easy thing to do, but the truth of the matter is that there could be a lot more going on.
Believe it or not, hormonal issues are often to blame when it comes to low libido, insomnia, and even mood swings in men. When testosterone, in particular, begins to dwindle, the problems can be significant and far reaching. Fortunately, however, a solution does exist, namely testosterone replacement therapy from a licensed medical doctor like Dr. Mikhail Berman.
When testosterone levels diminish with age, it could be a sign of andropause, or male menopause, that is marked by low libido, mood swings, fatigue, and even bone or muscle weakness. While significant stigma was once attached to this period in a man's life, that has started to change. Today, more and more men are facing these problems head on and pursuing treatment from a testosterone specialist like Dr. Berman.
How Does Male Hormone Replacement Work?
At your initial consultation, Dr. Berman will conduct a thorough physical examination and will order the blood tests necessary to determine your body's levels of testosterone, thyroid hormones, estradiol, estrogen, prolactin, and progesterone. By so doing, the goal is to better understand both your blood count and the composition of your blood and hormone levels so that proper action can be made to correct any issues.
While there are a number of factors that can affect testosterone levels, including height and weight, the fact is that there is often little a man can do by himself to boost testosterone and eliminate symptoms associated with testosterone deficiency. Instead, the help of a male hormone replacement specialist is often required.
The endocrine system is a complex and intricate system that is operated in a series of feedback loops that require proper hormone levels to function. When disruption occurs, the results are often serious and difficult to correct without low t therapy. Fortunately for those in need of testosterone therapy in the Palm Beach Gardens area, Dr. Berman is there to serve.
Schedule a Consultation
While helpful, hormone replacement therapy is not a treatment that should be entered into without thought. Dr. Berman is a physician who has significant experience working with men who are dealing with low testosterone and are looking for a way to experience relief from symptoms of low t.
Since the body is so dependent upon proper hormone levels, it's all too common for the body to experience problems when a disruption occurs. However, far too many men tend to ignore the symptoms and/or not properly identify their cause. That's why it's so imperative to seek out a hormone replacement specialist like Dr. Berman.
Over his 30 years of experience, he has seen and worked with many men who are dealing with everything from weight gain and gynecomastia to erectile dysfunction and low libido. With each of his patients, he takes the time to understand their symptoms and needs in order to offer the best possible care. After performing a thorough consultation with a full physical and blood tests, Dr. Berman is better able to offer testosterone injections and dietary guidance intended to help restore hormone levels and health to both the body and mind.
If you're one of the many men in the Palm Beach Gardens area who is living with symptoms of low testosterone, don't wait; call the office of Dr. Berman today to schedule a consultation. Call us today at (561) 841-1837.
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Breaking Banality: The Dysfunction of Remediation
Photographs by Evan La Londe
PNCA’s Feldman Gallery Presents Eva and Franco Mattes
Portland, OR, October 23, 2014 — The Philip Feldman Gallery + Project Space at Pacific Northwest
College of Art (PNCA) presents Breaking Banality: The Dysfunction of Remediation, an exhibition by Eva and Franco Mattes, opening with a reception on First Thursday, November 6, 2014 and running through
January 10, 2015. For the exhibition, whose title was created by an online random exhibition title generator, the Brooklyn-based Italian duo will present ten reiterations of one performance from their series
“BEFNOED – By Everyone, For No One, Every Day,” for which they commission anonymous workers to realize webcam performances. The Mattes’ hire performers through online crowdsourcing services and post the resulting videos to many of the more obscure social networks around the world. The artists regularly post links to new videos at befnoed.tumblr.com. These works are in the lineage of Fluxus event scores and more recently Hans Ulrich Obrist’s instruction-based project, “Do It.” For this exhibition, to view the videos, visitors will be forced in awkward positions, becoming themselves, if just for a few seconds, performers, and underlying how the act of viewing is in itself performative.
For another work in the show, an image, resulting from an internet search for the words “worn out,” was printed by online services on various objects. The objects were then delivered by mail directly to the venue, so neither the artists nor the curator have seen the final works.
The duo’s provocative digital works have previously included a staged suicide filmed by webcam, a slideshow of 10,000 photos stolen from personal computers, and reenactments of well-known performance art works in online videogames.
“Eva and Franco Mattes’ subversive conceptual works delve into the obscure corners and more grim aspects of the internet and the ways it both connects and distances users,” says Mack McFarland, Director of Exhibitions at PNCA. “We are thrilled to be working with two of the cardinal Net Art practitioners and expect the exhibition to ignite valuable conversations around our digitally fabricated and recorded selves and the ways we interact at a distance now.”
Exhibition trailer - Eva and Franco Mattes, Breaking Banality, PNCA’s Feldman Gallery from Eva and
Franco Mattes on Vimeo.
Eva and Franco Mattes (1976) (a.k.a. 0100101110101101.ORG) are an artist duo originally from Italy, working in New York. Their medium is a combination of performance, video and the Internet, for which they are perhaps best known. Their work explores ethical and moral issues when people interact at distance, especially through social media, creating situations where it is difficult to distinguish reality from a simulation.
Melissa Gronlund, editor of Afterall Magazine, described Mattes’ work as follows: “Whether by obscuring the name of the author, hiding information from the public or presenting false information to (often unwitting) participants in the works they create, the Mattes set up situations in which the viewer’s mistaken assumptions and actions create the form of the work itself”.
Mattes’ work has been exhibited at the Minneapolis Institute of Arts (2013); Site Santa Fe (2012);
Sundance Film Festival (2012); PS1, New York (2009); Performa, New York (2007, 2009); ARoS Aarhus
Kunstmuseum (2009); National Art Museum of China, Beijing (2008); The New Museum, New York
(2005) and Manifesta 4, Frankfurt (2002). In 2001 they were among the youngest artists ever included in the Venice Bienniale.
They have also held conferences at universities, festivals and museums, including Columbia University,
New York; RISD, Providence; New York University; Carnegie Mellon, Pittsburgh; College Art Association, New York; Museo Reina Sofia, Madrid; MAXXI, Rome and Musee d’Art Moderne, Paris.
They are founders and co-directors of the international festival The Influencers, held annually at the CCCB,
Barcelona, Spain (2004-ongoing).
The Mattes have received grants from the Walker Art Center, Minneapolis; The Museum of Contemporary
Art, Roskilde; ICC, Tokyo, and were awarded the New York Prize 2006 from the Italian Academy at
Columbia University.
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There seems to be a lot of this in the thread so I'm piling on the horror with a homily about checking your trees for previously extinct killer lizards before letting your kids loose on the seasonal sugar canes.
We're Here are facing the Xmas dysfunctions that afflict us all.
Tripod-mounted & macro loaded though I ended up deliberately putting the 'creature' close to get the shallow DoP while keeping the f11 & upping the ISO to compensate as only a single remote-triggered Speedlite on a stick was used.
I'm shooting lots of indoor stuff because it's dark & 'orrible outside so sorry about that... ;-)
www.medilaw.tv - rheumatology art, Shows rheumatoid cranial settling in lateral external and cross-section views. The pathology illustrated includes synovitis, pannus formation, osteopenia, joint subluxation and spinal cord stenosis.
RHEUMATOID ARTHRITIS
Rheumatoid arthritis is a long-term inflammatory disease of the whole body. The cause is unknown, but theories include combinations of viral infection, genetic predisposition, psychological stress, hormone interactions and autoimmune dysfunction - where a person's immune system begins to attack their own body. Rheumatoid arthritis primarily involves the knuckle joints of the feet and hands. The next most commonly affected region is the cervical spine. The thoracic and lumbar spine are rarely affected. Rheumatoid spondylitis refers to the inflammation and destruction of synovial joints and the adjacent ligaments and bone in the spine.
Rheumatoid spondylitis can affect any level of the cervical spine and begins early, with 80% of clients developing cervical instability within two years of the onset of the disease.
Damage to the supporting joint surfaces, ligaments and muscles allows abnormal movement of the spine joints. This instability or lack of proper alignment between adjacent vertebrae places pressure on the spinal cord or the nerves as they leave the spinal cord. This can cause pain, numbness or weakness that is the major medical concern for clients with rheumatoid spondylitis.
Rheumatoid spondylitis starts with the cells in the synovial membrane, or synovium, lining the synovial joints. When stimulated, the cells produce a substance that triggers an inflammatory response from the body, causing it to attack the synovium. This inflammatory response in turn causes the growth of swollen granulation tissue, known as rheumatoid pannus, within the synovium.
The pannus makes enzymes that destroy adjacent cartilage, ligaments, tendons, and bone. Their destruction leads to loose or ruptured ligaments and bony erosion, which combined with muscle weakness and tendinitis, leads to joint instability and the incorrect alignment of joint surfaces, known as subluxationEventually, little articular cartilage remains and osteoarthritis develops. This condition can be accompanied with thinning of the adjacent bone, known as osteopenia.
Rheumatoid spondylitis can lead to :
erosive synovitis -- where the inflamed synovium destroys the adjacent articular cartilage, the underlying bone and the adjacent ligaments
ligamentous subluxation -- where the stretched and ruptured ligaments fail to support the joint, and the two joint surfaces slide across each other in an abnormal way
osteopenia -- where the underlying bone thins and loses its strength, and
vertebral body fracture -- where the weakened bone fractures, often under minimal stress.
DEFORMITIES
Rheumatoid deformities of the cervical spine can be categorized in three groups:
atlanto-axial subluxation or instability
cranial settling (also known as superior migration of the odontoid, pseudobasilar invagination, vertical / upward translocation of the odontoid)
subaxial subluxation.
Any combination of these deformities can occur.
Subaxial subluxation occurs when erosion of the facet joints, intervertebral discs and interspinous ligaments of the third to seventh cervical vertebrae leads to slipping and mal-alignment between adjacent vertebrae. This happens in up to 20% of rheumatoid spondylitis patients, and can occur at multiple levels, producing a stepladder deformity of adjacent vertebra.
While neck pain is seen in up to 90% of people with rheumatoid spondylitis, only a third develop nerve impairment due to pressure on the spinal cord or spinal nerves. Spinal cord or nerve compression are the main reasons for surgery, which is used to remove the tissues compressing the nerves and return the spinal alignment to normal.
SYMPTOMS
The symptoms of rheumatoid disease in the cervical spine may include
neck pain and stiffness, although some people have marked neck damage and instability with little pain
compression of the spinal cord or nerves in the neck, which can cause face or ear pain, headaches, limb weakness, hand paresthesias or pins and needles, loss of fine dexterity of the hand, decreased endurance, walking difficulty, urinary retention or incontinence
compression of blood vessels to the brain, which can cause vertigo or dizziness, visual disturbances, tinnitus or ringing in the ears, dysphagia or difficulty swallowing.
Breaking Banality: The Dysfunction of Remediation
Photographs by Evan La Londe
PNCA’s Feldman Gallery Presents Eva and Franco Mattes
Portland, OR, October 23, 2014 — The Philip Feldman Gallery + Project Space at Pacific Northwest
College of Art (PNCA) presents Breaking Banality: The Dysfunction of Remediation, an exhibition by Eva and Franco Mattes, opening with a reception on First Thursday, November 6, 2014 and running through
January 10, 2015. For the exhibition, whose title was created by an online random exhibition title generator, the Brooklyn-based Italian duo will present ten reiterations of one performance from their series
“BEFNOED – By Everyone, For No One, Every Day,” for which they commission anonymous workers to realize webcam performances. The Mattes’ hire performers through online crowdsourcing services and post the resulting videos to many of the more obscure social networks around the world. The artists regularly post links to new videos at befnoed.tumblr.com. These works are in the lineage of Fluxus event scores and more recently Hans Ulrich Obrist’s instruction-based project, “Do It.” For this exhibition, to view the videos, visitors will be forced in awkward positions, becoming themselves, if just for a few seconds, performers, and underlying how the act of viewing is in itself performative.
For another work in the show, an image, resulting from an internet search for the words “worn out,” was printed by online services on various objects. The objects were then delivered by mail directly to the venue, so neither the artists nor the curator have seen the final works.
The duo’s provocative digital works have previously included a staged suicide filmed by webcam, a slideshow of 10,000 photos stolen from personal computers, and reenactments of well-known performance art works in online videogames.
“Eva and Franco Mattes’ subversive conceptual works delve into the obscure corners and more grim aspects of the internet and the ways it both connects and distances users,” says Mack McFarland, Director of Exhibitions at PNCA. “We are thrilled to be working with two of the cardinal Net Art practitioners and expect the exhibition to ignite valuable conversations around our digitally fabricated and recorded selves and the ways we interact at a distance now.”
Exhibition trailer - Eva and Franco Mattes, Breaking Banality, PNCA’s Feldman Gallery from Eva and
Franco Mattes on Vimeo.
Eva and Franco Mattes (1976) (a.k.a. 0100101110101101.ORG) are an artist duo originally from Italy, working in New York. Their medium is a combination of performance, video and the Internet, for which they are perhaps best known. Their work explores ethical and moral issues when people interact at distance, especially through social media, creating situations where it is difficult to distinguish reality from a simulation.
Melissa Gronlund, editor of Afterall Magazine, described Mattes’ work as follows: “Whether by obscuring the name of the author, hiding information from the public or presenting false information to (often unwitting) participants in the works they create, the Mattes set up situations in which the viewer’s mistaken assumptions and actions create the form of the work itself”.
Mattes’ work has been exhibited at the Minneapolis Institute of Arts (2013); Site Santa Fe (2012);
Sundance Film Festival (2012); PS1, New York (2009); Performa, New York (2007, 2009); ARoS Aarhus
Kunstmuseum (2009); National Art Museum of China, Beijing (2008); The New Museum, New York
(2005) and Manifesta 4, Frankfurt (2002). In 2001 they were among the youngest artists ever included in the Venice Bienniale.
They have also held conferences at universities, festivals and museums, including Columbia University,
New York; RISD, Providence; New York University; Carnegie Mellon, Pittsburgh; College Art Association, New York; Museo Reina Sofia, Madrid; MAXXI, Rome and Musee d’Art Moderne, Paris.
They are founders and co-directors of the international festival The Influencers, held annually at the CCCB,
Barcelona, Spain (2004-ongoing).
The Mattes have received grants from the Walker Art Center, Minneapolis; The Museum of Contemporary
Art, Roskilde; ICC, Tokyo, and were awarded the New York Prize 2006 from the Italian Academy at
Columbia University.
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The Mobile Emergency Room is a project by Thierry Geoffroy/Colonel, a participating artist of the Maldives Pavilion working with art formats developed around the notion of emergency. www.emergencyrooms.org
Emergency Room is a format providing space for artists to engage in urgent debates, address societal dysfunctions and express emergencies in the now, today, before it is too late. Geoffroy’s approach allows immediate artistic intervention and displaces the contemporary to the status of delayed comment on yesterday’s world.
Taking as point of departure climate change and the Maldives, Geoffroy developed a scenario of disappearance and translated actual emergencies and hospitality needs into artistic interventions. In this context he activated his penetration format in order to transform “rigid exhibition spaces” into “elastic and generous exhibition spaces”.
An intervention facilitated by curator Christine Eyene, the Mobile Emergency Room was set up at the Zimbabwe Pavilion during the opening week of the biennale with the hospitality of commissioner Doreen Sibanda and curator Raphael Chikukwa. The first pieces presented in this room consisted in Geoffroy’s tent and an installation by Polish artist Christian Costa. Since then it has been animated online and has extended from being a space for artists expressing emergencies about climate change, to encompassing various emergency topics.
From 24 to 28 August, Geoffroy was in Venice collaborating with Danish artists Nadia Plesner, Mads Vind Ludvigsen, who created new work everyday, raising various emergencies and concerns, with a daily change of exhibition (“passage”) at 3.00 pm.
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the Emergency Room Mobile at the Zimbabwe pavilion / Venice Biennale has now been completed with some work from the The Delay Museum ,Please visit the pavilion when you go the Venice Biennale this is part of the PENETRATIONS formats ( the Zimbabwe pavilion gave hopsitality for a period of several monthes ) the displayed art works in the Delay Museum are still "boiling " as they are from last week . ( Nadia Plesner / Mads Vind Ludvigsen , COLONEL ) ( this project is a convergence with BIENNALIST / Emergency Room ) more on Christine Eyene blog as she facilated and work within ....This penetration was in connection with my participation in the Maldives pavilion " CAN A NATION WELCOME ANOTHER NATION ?"CAN EMERGENCIES BE RANKED " .Thank you also for the work by David Marin , @Guillaume Dimanche and Christian Costa
venice-biennale-biennalists.blogspot.dk/2013/09/recents-w...
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VENICE BIENNALE / VENEZIA BIENNIAL 2013 : BIENNALIST
www.emergencyrooms.org/biennalist.html
Biennalist is an Art Format by Thierry Geoffroy / Colonel debating with artistic tools on Biennales and other cultural managed events . Often those events promote them selves with thematics and press releases faking their aim . Biennalist take the thematics of the Biennales very seriously , and test their pertinance . Artists have questioned for decade the canvas , the pigment , the museum ... since 1989 we question the Biennales .Often Biennalist converge with Emergency Room providing a burning content that cannot wait ( today before it is too late )
please contact before using the images : Thierry Geoffroy / Colonel 1@colonel.dk
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Countries( nations ) that participate at the Venice Biennale 55 th ( 2013 Biennale di Venezia ) in Italy ( at Giardini or Arsenale or ? ) , Encyclopedic Palace is curated by Massimiliano Gioni : Albania, Andorra, Argentina, Australia, Austria, Azerbaijan, Bangladesh, Belarus, Belgium, Brazil, Bulgaria,
Costa Rica, Croatia, Cuba, Cyprus, Czech , Slovenia, South Africa, Spain, Canada, Chile, China, Congo,
Slovak Republic, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Haiti, Hungary, Iceland, India, Iran, Iraq, Ireland, Israel, Italy, Japan, Korea, Latvia, Lithuania, Luxembourg, Macedonia,
Mexico, Moldova, Montenegro, Netherlands, New Zealand, Norway, Poland, Portugal, Romania, Russia, San Marino, Saudi Arabia, Serbia, Singapore
Sweden, Switzerland, Syrian Arab Republic, Thailand, Turkey, Ukraine, United Arab Emirates, United Kingdom, United States of America, Uruguay, Venezuela, Zimbabwe
the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay
Eight countries participate for the first time in next year's biennale: the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay
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If you liked this video, then please subscribe to our YouTube Channel to get updates of other useful health video tutorials. You can also find us on Facebook, Twitter and Google+.
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www.medilaw.tv - rheumatology presentations, Shows rheumatoid atlanto-axial subluxation in lateral external and cross-section views. The pathology illustrated includes synovitis, pannus formation, joint subluxation and spinal cord stenosis.
RHEUMATOID ARTHRITIS
Rheumatoid arthritis is a long-term inflammatory disease of the whole body. The cause is unknown, but theories include combinations of viral infection, genetic predisposition, psychological stress, hormone interactions and autoimmune dysfunction - where a person's immune system begins to attack their own body. Rheumatoid arthritis primarily involves the knuckle joints of the feet and hands. The next most commonly affected region is the cervical spine. The thoracic and lumbar spine are rarely affected. Rheumatoid spondylitis refers to the inflammation and destruction of synovial joints and the adjacent ligaments and bone in the spine.
Rheumatoid spondylitis can affect any level of the cervical spine and begins early, with 80% of clients developing cervical instability within two years of the onset of the disease.
Damage to the supporting joint surfaces, ligaments and muscles allows abnormal movement of the spine joints. This instability or lack of proper alignment between adjacent vertebrae places pressure on the spinal cord or the nerves as they leave the spinal cord. This can cause pain, numbness or weakness that is the major medical concern for clients with rheumatoid spondylitis.
Rheumatoid spondylitis starts with the cells in the synovial membrane, or synovium, lining the synovial joints. When stimulated, the cells produce a substance that triggers an inflammatory response from the body, causing it to attack the synovium. This inflammatory response in turn causes the growth of swollen granulation tissue, known as rheumatoid pannus, within the synovium.
The pannus makes enzymes that destroy adjacent cartilage, ligaments, tendons, and bone. Their destruction leads to loose or ruptured ligaments and bony erosion, which combined with muscle weakness and tendinitis, leads to joint instability and the incorrect alignment of joint surfaces, known as subluxationEventually, little articular cartilage remains and osteoarthritis develops. This condition can be accompanied with thinning of the adjacent bone, known as osteopenia.
Rheumatoid spondylitis can lead to :
erosive synovitis -- where the inflamed synovium destroys the adjacent articular cartilage, the underlying bone and the adjacent ligaments
ligamentous subluxation -- where the stretched and ruptured ligaments fail to support the joint, and the two joint surfaces slide across each other in an abnormal way
osteopenia -- where the underlying bone thins and loses its strength, and
vertebral body fracture -- where the weakened bone fractures, often under minimal stress.
DEFORMITIES
Rheumatoid deformities of the cervical spine can be categorized in three groups:
atlanto-axial subluxation or instability
cranial settling (also known as superior migration of the odontoid, pseudobasilar invagination, vertical / upward translocation of the odontoid)
subaxial subluxation.
Any combination of these deformities can occur.
Subaxial subluxation occurs when erosion of the facet joints, intervertebral discs and interspinous ligaments of the third to seventh cervical vertebrae leads to slipping and mal-alignment between adjacent vertebrae. This happens in up to 20% of rheumatoid spondylitis patients, and can occur at multiple levels, producing a stepladder deformity of adjacent vertebra.
While neck pain is seen in up to 90% of people with rheumatoid spondylitis, only a third develop nerve impairment due to pressure on the spinal cord or spinal nerves. Spinal cord or nerve compression are the main reasons for surgery, which is used to remove the tissues compressing the nerves and return the spinal alignment to normal.
SYMPTOMS
The symptoms of rheumatoid disease in the cervical spine may include
neck pain and stiffness, although some people have marked neck damage and instability with little pain
compression of the spinal cord or nerves in the neck, which can cause face or ear pain, headaches, limb weakness, hand paresthesias or pins and needles, loss of fine dexterity of the hand, decreased endurance, walking difficulty, urinary retention or incontinence
compression of blood vessels to the brain, which can cause vertigo or dizziness, visual disturbances, tinnitus or ringing in the ears, dysphagia or difficulty swallowing.
In terms of Erectile Dysfunction, among older men, the problems are mostly physical. However, for men under 40, these symptoms may be the cause of psychological problems.
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