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John George Mathieson (Fl. 1920s) Scottish painter and etcher of landscapes who lived and worked in Stirling. 7 inch x 5.5 inch Aberfoyle is in the heart of Loch Lomond
Gravure effectuée sur l'intérieur d'un emballage Tetrapack ayant contenu du jus.
La presse utilisée pour l'impression est une machine à pâtes.
Encre d'impression, Akua, lavable à l'eau.
Papier Canson, 300gr.
Plusieurs appellent ce genre de gravure Tetrapackprinting, Kitchengravure ou Pastagravure.
Ce dessin n’est pas le mien. Les prochains le seront.
Hank and Min, 1936
Martin Lewis
Drypoint on paper
Lewis is most famous for his black and white prints, mostly of night scenes of non-tourist, real life street scenes of New York City. During the Depression, however, he was forced to leave the city for four years between 1932 and 1936 and move to Newtown, Connecticut. His work from this period includes a number of rural, night-time and winter scenes in this area and nearby Sandy Hook. When Lewis was able to return to the New York City in 1936, there was no longer a market interested in his work. He taught printmaking at the Art Students League of New York from 1944 until his retirement in 1952. Lewis died largely forgotten in 1962.
Limited Drypoint edition signed and numbered. Printed in Fineart paper 230 g/m2. 5/3 copies nomono.bigcartel.com/
Fish, 1964. Delights, the complete set of 17 etchings (drypoint) ed: 100 (1920-2021) John Berggruen Gallery
Untitled, 1980
Aquatint and drypoint
19 x 13 inches
Edition 29/35
Retail price: $2,500
Courtesy Private Collection
Attended a printmaking workshop - this is my first attempt at drypoint and chine colle. Great to learn something new!
Water color on dry point intaglio test print. I am working my way through all of the mistakes that can be made, and trying to keep it fun. On this one I did a poor job of getting the plate ready, and it should be noted that I am just learning what marks I want to make and how to make them. I will continue to ruin this plate as well as make a new one, hopefully with improvements.
Double Deckers, 1964. Delights, the complete set of 17 etchings (drypoint, aquatint) ed: 100 (1920-2021) John Berggruen Gallery
A French oil painter, pastel artist, drypoint etcher, and designer, Paul-Cesar Helleu (1859-1927) was best known for his numerous portraits of beautiful society women of the Belle Époque ('Beautiful Era', 1871-1914).
This woman's apparel, with her walking jacket, gloves and bustled shirt, was the height of fashion in the mid-1880's. She is pictured examining herself in a handheld mirror before putting on her hat......her outfit's final touch. The bowler hat next to her may suggest the presence of a man, but this hat also could be her own, in an example of the fluidity of men and women's styles for sporting activities in the late 19th century.
This original Helleu, painted in 1885, was seen and photographed on display at the Legion of Honor, San Francisco in an exhibit entitled "Degas, Impressionism and the Paris Millinery Trade".
Maker: Rembrandt Van Rijn (1606-1669)
Born: Netherlands
Active: Netherlands
Medium: etching and drypoint
Size: 8 1/4 in x 6 1/4 in
Location:
Object No: 2022.260
Shelf: L-8
Publication:
Other Collections: Norton Simon Museum,
Provenance: Old Master Through Modern Prints, Swann Galleries, Sale 2602, April 28, 2022, lot 143
Rank: 2450
Notes: Biörklund's sixth state (of 6); Usticke's fifth state (of 9); White and Boon's sixth state (of 6); New Hollstein's eighth state (of 10), before the extensive reworking. A very good, crisp, dark and well-inked impression, with thread margins, strong contrasts, and little to no sign of wear. Bartsch 272; Biörklund and Barnard 51; Hind 251; Hollstein 125; Münz 72; New Hollstein 201.264
Clement de Jonghe (1624/25-1677) was among the largest Amsterdam print and map dealers and publishers during the mid-17th century and would certainly have been associated with Rembrandt (1606-1669), though there is no indication, through letters or in the inventory drawn up after Clement de Jonghe's death, that this was a commissioned portrait. De Jonge's business prospered from at least around 1647 to 1679, run posthumously for a couple of years following his death by his widow Jacomijntje Jacobs, until his stock was sold at auction. De Jonghe acquired at least 74 of Rembrandt's original etched copper plates, probably during Rembrandt's lifetime, and these were all sold in the contents of his estate auction. Bartsch 272; Biörklund 51-C; Hollstein (White and Boon) 272; New Hollstein 2644.
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1. Spring with Van Gogh, 2. Acetate Drypoint, 3. Untitled, 4. first crocus!, 5. Swan lake, 6. Amongst the clothes, 7. DSC02521, 8. Kamomé seagull goes to NY, 9. ., 10. James Gillray., 11. industrial zone, 12. 0411, 13. Glorious spring!, 14. _MG_9995, 15. Apr 11/15, 16. 9th + poplar., 17. field from last year, 18. my heart, 19. veronica, 20. Colors from last week : blue
Created with fd's Flickr Toys
drypoint etching on a rhenalon plate, printed on cotton rag watercolor paper. My second go at drypoint, and quite pleased with the outcome. Obviously much room for improvement left. Will have to find out how to get a better control over the depth of the lines, and would like them straighter in some places (especially the tail here), which I found hard to do while trying for more depth.
Assemblage sculpture using found objects and drypoint printmaking
This piece is currently on display at the Blue Mountain Foundation for the Arts at 65 Simcoe Street Collingwood Ontario until May 28, 2022 (NFS)
Etching/Drypoint
with sugar-lift
Colour:Charbonnel Orient blue and black
Paper:Hahnemühle
15 x 40 cm
Edition:75
Year:2013
By norwegian artist Svein Erik Larsen
Etsning/Koldnål.
Sukkerakvatint (Løftegrunn) og koldnål
HULDRA Hulder
A hulder is a seductive forest creature found in Scandinavian folklore
Drypoint/Monoprint
30,5 x 50cm
2017
"The author, Boswell, is a strange being, and, like Cambridge, has a rage of knowing anybody that ever was talked of. He forced himself upon me at Paris in spite of my teeth and my doors, and I see has given a foolish account of all he could pick up from me about King Theodore. He then took an antipathy to me on Rousseau's account, abused me in the newspapers, and exhorted Rousseau to do so too: but as he came to see me no more, I forgave all the rest."
from Horace Walpole's 'Selected Letters', published by J.M. Dent & Sons Ltd. in 1967 (p. 203, 'To Mr. Gray, Feb. 18, 1768)