View allAll Photos Tagged drypoint
First artist proofs: Search for Spring. Intaglio, print, 4x6 inches, Plexiglass plate. I used a hardened steel scribe to scratch this image onto a "plexi" plate. What i am learning is, that a lot of the art is in wiping the plate. I think in the next proof I will explore this a little further by wiping the branch relatively more than the bird, which should give the image more depth. After that I might try inking and printing more than one color simultainiously.
Hand -coloured drypoint etching. I'll be showing this, and more, on the 5/6/7 October at Valley Artists, BB4 9HR as part of the Rossendale Art Trail 2018.
Rembrandt Harmenszoon van Rijn, 1606-1669, artist.
The three trees
[1643]
1 print : etching, with drypoint and engraving on laid paper ; sheet 19.8 x 27.7 cm.
Notes:
Print shows landscape with three trees. "The view is probably taken from near the Diemerdijk in the vicinity of Amsterdam." (Source: White & Boon, p. 103)
Library copy is trimmed at bottom and lacks signature "Rembrandt f 1643." DLC
Forms part of the Hubbard Collection.
Title from Bartsch.
Bartsch, 212
Rovinski, 212
Biörklund, 43-B
White & Boon, B212
Published in: Library of Congress prints and photographs: an illustrated guide / Library of Congress. Washington, D.C. : Library of Congress, 1995, p. 20
Published in: Viewpoints; a selection from the pictorial collections of the Library of Congress .... Washington : Library of Congress ..., 1975, no. 187.
Subjects:
Trees--1640-1650.
Format: Landscape prints--1640-1650.
Etchings--1640-1650.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
For more information about this collection, see www.loc.gov/pictures/collection/finepr
Persistent URL: hdl.loc.gov/loc.pnp/cph.3j00123
Call Number: FP - XVII - R385, no. 212
Etching and drypoint, printed in red ink, on cream laid paper.
Impression by Vincent van Gogh and Paul Ferdinand Gachet, or possibly Gachet alone (ref: S. van Heugten 1995.) 61 known impressions. Date: probably June 15.
Drypoint etching
OIl-based relief printing inks in 250 gsm Fabriano. Part of a series.
This stone is directly based on the outline of a stone in the Avebury stone circles.
1. Finally some sunshine!, 2. Out and about, 3. (detail), 4. a chair and newspapers, 5. portrait of Yosano Akiko, 6. Fluvial topography, 7. Starving Man In The Street., 8. detail, 9. always a moon (5), 10. 1, 11. Untitled, 12. flickr.com/photos/39397181@N00/36239480820/, 13. 29 July 2017, 14. I can't tell, 15. by the pool, july 2017, 16. It felt like being inside a painting… #yugarden #shanghai..., 17. My little drypoints😊, 18. 2003, 19. ©js_DSC_9788, 20. I'm sewing this to make myself a dori. The more I cut and sew it back together, the more I like it. Now I want to try some angles other than right. 📐It is three separate pieces while I try to figure this out., 21. Gummibaum 19.8.17, 22. boschetto, 23. Untitled, 24. "Non parlerò, non penserò a nulla,, 25. antenati di Pantalla, 26. a touch of silver, 27. the quiet place, 28. 工作室時光, 29. ..., 30. #143 2017-07-18, 31. Drawing, 32. Dear Diary, 1951. Ann O'Neal writes. She was 11. This brings it back. Wham. Right back., 33. Axel Vervoordt Kasteel van 's-Gravenwezel - Early morning, 34. Dreamer, 35. Untitled, 36. wip
Created with fd's Flickr Toys
etching (spitbite, sugarlift) & drypoint on arches printmaking paper, image size is 16.2 x 22.5 cm on 32 x 38 cm paper size, 1997
These are examples quickly created to demonstrate how much subtlety and detail (or lack thereof) can be achieved through drypoint.
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All work and images © Shuxin 2006-2008
Engraving on copper. Drypoint.
21 х 28 cm, (1999)
Engraving is the practice of incising a design on to a hard, usually flat surface, by cutting grooves into it. The result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an intaglio printing plate, of copper or another metal, for printing images on paper as prints or illustrations; these images are also called engravings.
This etching has been hand-colored after being printed. See below for an enlarged image of the sign at the image’s bottom.
Side (Beijing), 2013. Color hard-ground etching with aquatint, drypoint. Paulson Press. Stanford Museum
This Raven, and two others near the Alcan highway, greeted us as we looked over the Kluane River (km 1785) on our day from Tok, AK to Haines Junction, YT.
Update (July 2008): This is far and away my most popular photograph on Flickr. You might be interested in this photo, taken in the same spot a year later.
Update (February 2009): This image continues to speak to people. Here is some work it has inspired:
Raven in the wind, a drypoint etching and as a viscosity print
Raven, watercolor, 13" x 13"
Partial inspiration for a tattoo
Part of 'The Conversation' I decided to use this chine colle despite it being fractured. Somehow it seemed to add to the narrative.
Drypoint etching, collagraph, chine colle.
Printed using drypoint sheet onto plaster of Paris.
Put into small box frame.
I am selling these on Etsy
www.etsy.com/uk/listing/575480850/little-heart?ref=listin...