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✰ This photo was featured on The Epic Global Showcase here: bit.ly/1RDlf6w
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Beautiful and cute by @murka.art tag your art #arts_visualization for a possible feature. #instaartist #art #artist_4_shoutout #blvart #art_spotlight #art_collective #art_empire #artextreme #imaginationarts #artistic_support #artistic_nation #worldofartists #phanasu #mizu_art#worldofpencils #drawing_feature#drawings #drawing#mixedmedia #artsanity#pencildrawing#artoftheday#cute#beautiful #amazing by @arts_visualization bit.ly/1SabdFW
On December 11, 2014, the Bureau of Land Management (BLM) released the next series of its popular vintage poster collection and it included a poster of the San Juan Islands National Monument (SJINM)!
The official unveiling of the three posters at the BLM Oregon/Washington State Office and was attended by the BLM’s entire State Leadership Team. State Director Jerry Perez and Associate State Director Theresa Hanley unveiled the new posters with Spokane District Manager, Daniel Picard.
The SJINM encompasses about 1,000 acres of land spread across rocks and islands managed by BLM. The vintage-style drawing featured on the poster is of Patos Island and its lighthouse, which is a dominant feature of the area.
Other similarly styled posters feature the Oregon National Historic Trail in Wyoming and the Rio Grande del Norte National Monument in New Mexico.
To learn more about the National Landscape Conservation System’s vintage poster series head on over to: tmblr.co/Z9wNeu1XfIBxE
Photo: Michael Campbell, BLM.
On December 11, 2014, the Bureau of Land Management (BLM) released the next series of its popular vintage poster collection and it included a poster of the San Juan Islands National Monument (SJINM)!
The official unveiling of the three posters at the BLM Oregon/Washington State Office and was attended by the BLM’s entire State Leadership Team. State Director Jerry Perez and Associate State Director Theresa Hanley unveiled the new posters with Spokane District Manager, Daniel Picard.
The SJINM encompasses about 1,000 acres of land spread across rocks and islands managed by BLM. The vintage-style drawing featured on the poster is of Patos Island and its lighthouse, which is a dominant feature of the area.
Other similarly styled posters feature the Oregon National Historic Trail in Wyoming and the Rio Grande del Norte National Monument in New Mexico.
To learn more about the National Landscape Conservation System’s vintage poster series head on over to: tmblr.co/Z9wNeu1XfIBxE
Photo: Michael Campbell, BLM.
On December 11, 2014, the Bureau of Land Management (BLM) released the next series of its popular vintage poster collection and it included a poster of the San Juan Islands National Monument (SJINM)!
The official unveiling of the three posters at the BLM Oregon/Washington State Office and was attended by the BLM’s entire State Leadership Team. State Director Jerry Perez and Associate State Director Theresa Hanley unveiled the new posters with Spokane District Manager, Daniel Picard.
The SJINM encompasses about 1,000 acres of land spread across rocks and islands managed by BLM. The vintage-style drawing featured on the poster is of Patos Island and its lighthouse, which is a dominant feature of the area.
Other similarly styled posters feature the Oregon National Historic Trail in Wyoming and the Rio Grande del Norte National Monument in New Mexico.
To learn more about the National Landscape Conservation System’s vintage poster series head on over to: tmblr.co/Z9wNeu1XfIBxE
Photo: Michael Campbell, BLM.
HANNA BARBERA PRODUCTIONS
BILL Hanna and JOE Barbera
Item Type: 2 (two) Original 1960s Production Layout Drawings; featuring the two Studio Founders
Size: 12.5 x 20.5 (12 Field)
Hanna–Barbera Productions, Inc. (pronounced /ˌhænə bɑrˈbɛrə/) (also known as Hanna–Barbera Cartoons, Hanna–Barbera Enterprises or Hanna–Barbera Studios) is an American animation studio that dominated North American television animation during the second half of the 20th century. The company was originally formed in 1957 by former Metro Goldwyn Mayer animation directors, William Hanna and Joseph Barbera and live-action director George Sidney, in partnership with Columbia Pictures' Screen Gems television division, as H–B Enterprises.[1] Established after MGM shut down its animation studio in 1957, H–B Enterprises was re-named Hanna–Barbera Productions in 1959. Over the next three decades, the studio produced many successful cartoon shows, including The Flintstones, Scooby-Doo, Where Are You!, The Jetsons, The Yogi Bear Show, Jonny Quest, The Huckleberry Hound Show, Top Cat, The Quick Draw McGraw Show, Space Ghost, Wacky Races, The Smurfs and The Magilla Gorilla Show. In the mid-1980s, the company's fortunes declined somewhat after the profitability of Saturday morning cartoons was eclipsed by weekday afternoon syndication. In 1991, the company was purchased by Turner Broadcasting System.
Both Hanna and Barbera went into semi-retirement, yet continued to serve as ceremonial figureheads for the studio, as well as remaining active as producers and sporadically as writers and directors. During the late 1990s, Turner turned Hanna–Barbera towards primarily producing new material for Cartoon Network, the programming for which was originally significantly made up of reruns from the Hanna–Barbera library. During this period, Hanna–Barbera was responsible for most of the successful Cartoon Cartoons shows, including Dexter's Laboratory, Johnny Bravo, Cow and Chicken, The Powerpuff Girls and I Am Weasel. In 1994, the company was renamed Hanna–Barbera Cartoons. In 1996, Turner merged with Time Warner. With Bill Hanna's death in 2001, Hanna–Barbera was absorbed into Warner Bros. Animation, and Cartoon Network Studios assumed production of Cartoon Network output. Joe Barbera remained with Warner Bros. Animation until his death in 2006. The Hanna–Barbera name and studio is today used only to market properties and productions associated with Hanna–Barbera's "classic" works such as The Flintstones and Scooby-Doo
On December 11, 2014, the Bureau of Land Management (BLM) released the next series of its popular vintage poster collection and it included a poster of the San Juan Islands National Monument (SJINM)!
The official unveiling of the three posters at the BLM Oregon/Washington State Office and was attended by the BLM’s entire State Leadership Team. State Director Jerry Perez and Associate State Director Theresa Hanley unveiled the new posters with Spokane District Manager, Daniel Picard.
The SJINM encompasses about 1,000 acres of land spread across rocks and islands managed by BLM. The vintage-style drawing featured on the poster is of Patos Island and its lighthouse, which is a dominant feature of the area.
Other similarly styled posters feature the Oregon National Historic Trail in Wyoming and the Rio Grande del Norte National Monument in New Mexico.
To learn more about the National Landscape Conservation System’s vintage poster series head on over to: tmblr.co/Z9wNeu1XfIBxE
Photo: Michael Campbell, BLM.
On December 11, 2014, the Bureau of Land Management (BLM) released the next series of its popular vintage poster collection and it included a poster of the San Juan Islands National Monument (SJINM)!
The official unveiling of the three posters at the BLM Oregon/Washington State Office and was attended by the BLM’s entire State Leadership Team. State Director Jerry Perez and Associate State Director Theresa Hanley unveiled the new posters with Spokane District Manager, Daniel Picard.
The SJINM encompasses about 1,000 acres of land spread across rocks and islands managed by BLM. The vintage-style drawing featured on the poster is of Patos Island and its lighthouse, which is a dominant feature of the area.
Other similarly styled posters feature the Oregon National Historic Trail in Wyoming and the Rio Grande del Norte National Monument in New Mexico.
To learn more about the National Landscape Conservation System’s vintage poster series head on over to: tmblr.co/Z9wNeu1XfIBxE
Photo: Michael Campbell, BLM.
1980 pastel on black artboard.
This is one of my earliest drawings, featuring my favorite tree, the White Pine, growing on an island on my favorite lake, at my favorite time of day - twilight.
This photo is part of a series documenting a dominant theme of my work. For explanation, please see:
Painting and markings:
I tried to stay as close as possible to the original profile drawing, but added some personal twists and made corrections I felt suitable, e. g. an additional field of dark green in front of the cockpit nose or different colors for the tactical code.
The colors refer to the profile and I used the respective tones from Humbrol's and Modelmaster's enamel range for basic painting (upper sides: FS 34079 = H 116, FS 30018 = MM 1702, FS 36152 = H 27 and FS 34227 = H 120, with FS 35526 undersides, but I used a deeper blue on the undersides, RLM 80 from Modelmaster, instead of an RLM 65 equivalent).
After a black ink wash, panels and details were shaded and lightened because the original colors are pretty murky in real life and with little contrast.
With its five-color scheme, the CzAF Tornado already looked different and flashy - but I added even some more variation through various color details. Since the fictional ex Luftwaffe machines would bring typical equipment with them, I painted several 'optional parts' in different schemes: The swiveling pylons kept a light grey basis (RAL 7035) with a leading edge in Basaltgrau (RAL 7012). The BOZ-101 dispenser carries its former Luftwaffe livery in all-over RAL 6003 (Olivgrün). The drop tanks were painted in late Luftwaffe blue-grey (RAL 7001). This appears odd, but you frequently see Luftwaffe Tornados carrying external ordnance in very different, even vintage styles, which were simply not updated to newer camouflage schemes.
Furthermore, the SPS-141 carries light brown upper (Humbrol 62) and a light blue (Humbrol 65) lower surface (with bright green dielectric covers, of course, seen on a late CzAF Su-22), while the large KKR-1 pod became all-blue, even though in a slightly different shade from the Tornado. Overall, it's an intentional wild mix of styles and colors.
This went further with the hi-viz national roundels and yellow tactical codes. The original profile drawing featured black digits with white outlines, but this style was AFAIK dropped when the Czechoslovak Air Force became the Czech Air Force in 1993, and the codes on the Su-22 fighter-bombers became yellow. Later, additional NATO codes were added on the fin for war game identification. Therefore I incorporated this more recent style into my build.
Other markings and stencils come from various sources, including the OOB sheets or leftover material from 1:72 Su-22s made by Bilek and Mastercraft.
(from the web)
Collective zine of drawings featuring friends of Editions FP&CF :
- Coline Oliviero
- Marine Le Saoût
- Julien Kedryna
- Tony Papin
- Jeremy Perrodeau
- Singeon
- Guillaume Bertrand
- Claire Schvartz
- Guillaume Jolly
- N'Roll
- Paul Cabon
- Marine Van Uhm
- Antoine Stevenot
- Marion Balac
- Albert Foolmoon
- Pia Melissa Laroche
- Sammy Stein
- Oriane Dufort
- Jose Maria Gonzalez
- Vanessa Dziuba
- Soyoung Lee
Made by hand on a Risograph with two colors.
Painting and markings:
I tried to stay as close as possible to the original profile drawing, but added some personal twists and made corrections I felt suitable, e. g. an additional field of dark green in front of the cockpit nose or different colors for the tactical code.
The colors refer to the profile and I used the respective tones from Humbrol's and Modelmaster's enamel range for basic painting (upper sides: FS 34079 = H 116, FS 30018 = MM 1702, FS 36152 = H 27 and FS 34227 = H 120, with FS 35526 undersides, but I used a deeper blue on the undersides, RLM 80 from Modelmaster, instead of an RLM 65 equivalent).
After a black ink wash, panels and details were shaded and lightened because the original colors are pretty murky in real life and with little contrast.
With its five-color scheme, the CzAF Tornado already looked different and flashy - but I added even some more variation through various color details. Since the fictional ex Luftwaffe machines would bring typical equipment with them, I painted several 'optional parts' in different schemes: The swiveling pylons kept a light grey basis (RAL 7035) with a leading edge in Basaltgrau (RAL 7012). The BOZ-101 dispenser carries its former Luftwaffe livery in all-over RAL 6003 (Olivgrün). The drop tanks were painted in late Luftwaffe blue-grey (RAL 7001). This appears odd, but you frequently see Luftwaffe Tornados carrying external ordnance in very different, even vintage styles, which were simply not updated to newer camouflage schemes.
Furthermore, the SPS-141 carries light brown upper (Humbrol 62) and a light blue (Humbrol 65) lower surface (with bright green dielectric covers, of course, seen on a late CzAF Su-22), while the large KKR-1 pod became all-blue, even though in a slightly different shade from the Tornado. Overall, it's an intentional wild mix of styles and colors.
This went further with the hi-viz national roundels and yellow tactical codes. The original profile drawing featured black digits with white outlines, but this style was AFAIK dropped when the Czechoslovak Air Force became the Czech Air Force in 1993, and the codes on the Su-22 fighter-bombers became yellow. Later, additional NATO codes were added on the fin for war game identification. Therefore I incorporated this more recent style into my build.
Other markings and stencils come from various sources, including the OOB sheets or leftover material from 1:72 Su-22s made by Bilek and Mastercraft.
-HANNA BARBERA STUDIOS-
HARI BEAR, BUDI BEAR, SQUARE BEAR
"HELP!!! IT'S THE HAIR BEAR BUNCH"
1971 DRAWINGS
HAIR BEAR BUNCH -HANNA BARBERA- DRAWINGS
Offered here is five wonderful original drawings, featuring Hair Bear, Budi Bear, and Square Bear, from the Hanna Barbera stuidos cartoon "Help! It's the Hair Bear Bunch"! These 1971 pieces show Hair Bear in 2 half figure image, Square Bear in 1 full profile image, and Budi Bear in 1 half figure image, and 1 with all three. Hand drawn created with wonderful detail! Paper: 10 1/2" x 12"
ACEO Card by the Danish artis Marianne Mathiasen
This is a ACEO an original pencil drawing, featuring a pair of new born mermaid/fairy twins.
This is a standard ACEO Card size 2.5"x3.5". (6.35cm x 8.89cm. The card is signatured by me!
The card is non-acid hot pressed water colour paper. (Please note that all monitors are different and colours may vary slightly. The scan is low resolution; the actual art work is sharp and clear.
Your ACEO is carefully packaged in a non-acid sleeve, placed between layers of cardboard and waterproof paper for shipping.
The card will be ship from Denmark.
About ACEO Card?
ACEO stands for "Art Cards, Editions and Originals". Art Cards are a fun way to collect miniature limited editions and original works of art from your favourite artists.
All artworks are under copyright protection and may not be reproduced in any form without my expressed permission.
Painting and markings:
I tried to stay as close as possible to the original profile drawing, but added some personal twists and made corrections I felt suitable, e. g. an additional field of dark green in front of the cockpit nose or different colors for the tactical code.
The colors refer to the profile and I used the respective tones from Humbrol's and Modelmaster's enamel range for basic painting (upper sides: FS 34079 = H 116, FS 30018 = MM 1702, FS 36152 = H 27 and FS 34227 = H 120, with FS 35526 undersides, but I used a deeper blue on the undersides, RLM 80 from Modelmaster, instead of an RLM 65 equivalent).
After a black ink wash, panels and details were shaded and lightened because the original colors are pretty murky in real life and with little contrast.
With its five-color scheme, the CzAF Tornado already looked different and flashy - but I added even some more variation through various color details. Since the fictional ex Luftwaffe machines would bring typical equipment with them, I painted several 'optional parts' in different schemes: The swiveling pylons kept a light grey basis (RAL 7035) with a leading edge in Basaltgrau (RAL 7012). The BOZ-101 dispenser carries its former Luftwaffe livery in all-over RAL 6003 (Olivgrün). The drop tanks were painted in late Luftwaffe blue-grey (RAL 7001). This appears odd, but you frequently see Luftwaffe Tornados carrying external ordnance in very different, even vintage styles, which were simply not updated to newer camouflage schemes.
Furthermore, the SPS-141 carries light brown upper (Humbrol 62) and a light blue (Humbrol 65) lower surface (with bright green dielectric covers, of course, seen on a late CzAF Su-22), while the large KKR-1 pod became all-blue, even though in a slightly different shade from the Tornado. Overall, it's an intentional wild mix of styles and colors.
This went further with the hi-viz national roundels and yellow tactical codes. The original profile drawing featured black digits with white outlines, but this style was AFAIK dropped when the Czechoslovak Air Force became the Czech Air Force in 1993, and the codes on the Su-22 fighter-bombers became yellow. Later, additional NATO codes were added on the fin for war game identification. Therefore I incorporated this more recent style into my build.
Other markings and stencils come from various sources, including the OOB sheets or leftover material from 1:72 Su-22s made by Bilek and Mastercraft.
Painting and markings:
I tried to stay as close as possible to the original profile drawing, but added some personal twists and made corrections I felt suitable, e. g. an additional field of dark green in front of the cockpit nose or different colors for the tactical code.
The colors refer to the profile and I used the respective tones from Humbrol's and Modelmaster's enamel range for basic painting (upper sides: FS 34079 = H 116, FS 30018 = MM 1702, FS 36152 = H 27 and FS 34227 = H 120, with FS 35526 undersides, but I used a deeper blue on the undersides, RLM 80 from Modelmaster, instead of an RLM 65 equivalent).
After a black ink wash, panels and details were shaded and lightened because the original colors are pretty murky in real life and with little contrast.
With its five-color scheme, the CzAF Tornado already looked different and flashy - but I added even some more variation through various color details. Since the fictional ex Luftwaffe machines would bring typical equipment with them, I painted several 'optional parts' in different schemes: The swiveling pylons kept a light grey basis (RAL 7035) with a leading edge in Basaltgrau (RAL 7012). The BOZ-101 dispenser carries its former Luftwaffe livery in all-over RAL 6003 (Olivgrün). The drop tanks were painted in late Luftwaffe blue-grey (RAL 7001). This appears odd, but you frequently see Luftwaffe Tornados carrying external ordnance in very different, even vintage styles, which were simply not updated to newer camouflage schemes.
Furthermore, the SPS-141 carries light brown upper (Humbrol 62) and a light blue (Humbrol 65) lower surface (with bright green dielectric covers, of course, seen on a late CzAF Su-22), while the large KKR-1 pod became all-blue, even though in a slightly different shade from the Tornado. Overall, it's an intentional wild mix of styles and colors.
This went further with the hi-viz national roundels and yellow tactical codes. The original profile drawing featured black digits with white outlines, but this style was AFAIK dropped when the Czechoslovak Air Force became the Czech Air Force in 1993, and the codes on the Su-22 fighter-bombers became yellow. Later, additional NATO codes were added on the fin for war game identification. Therefore I incorporated this more recent style into my build.
Other markings and stencils come from various sources, including the OOB sheets or leftover material from 1:72 Su-22s made by Bilek and Mastercraft.
Willie Ito Josie and the Pussycats Model Drawing (Hanna-Barbera, 1970). Size comparison model drawing featuring Josie and Alan by veteran animator/layout artist, Willie Ito. Drawings have been trimmed and mounted to a 12 field 3-peghole sheet of animation paper. Images of 7". Signed by the artist at the lower right.
William S. Burroughs ("TWO ABSTRACTS") Lip #1 (1969) First edition Lit Mag
Burroughs (William S.)
Lip #1. (1969) First edition of the magazine edited by Jeffrey Youdelman , assisted by George DiCaprio (yes, Leo's dad) and Noe Goldwasser (yours truly). In orange wrappers. Featuring two Abstracts by William S. Burroughs. Very Good +.
Item Specifics - Antiquarian/Collectible Books
Binding: Softcover/Wraps
Special Attributes: 1st Edition
Category: Literature
Printing Year: 1969
First edition, first printing: limited issue, one of 500.
Condition: Very Good +. Fine, as-new, staple-bound within cardstock wraps.
Literary magazine of poems, stories and drawings featuring "Two Abstracts" by William S. Burroughs, illustrated.
Poems and stories by Youdelman, Scott Cohen, DiCaprio, Goldwasser, Ross Feld, David Lehman and others and a fascinating piece on the psychedelic mushrooms of Central America, "El Hongo Mistico" by Frederick Swain.
"A large group of felt-tip pen drawings featuring colorful geometric designs gave us new insight into Lumpkins’ experimental artistic process..." Read more on our blog: matthewsgalleryblog.com/2014/04/16/william-lumpkins-matth...
3rd of my new "3 a week" drawings featuring 2 colours each week...This is the last of the green/purple set
www.artfire.com/modules.php?name=Shop&op=listing&...
This is a ACEO an original pencil drawing, featuring a pair of new born mermaid/fairy twins.
This is a standard ACEO Card size 2.5"x3.5". (6.35cm x 8.89cm. The card is signatured by me!
The card is non-acid hot pressed water colour paper. (Please note that all monitors are different and colours may vary slightly. The scan is low resolution; the actual art work is sharp and clear.
Your ACEO is carefully packaged in a non-acid sleeve, placed between layers of cardboard and waterproof paper for shipping.
The card will be ship from Denmark.
About ACEO Card?
ACEO stands for "Art Cards, Editions and Originals". Art Cards are a fun way to collect miniature limited editions and original works of art from your favourite artists.
All artworks are under copyright protection and may not be reproduced in any form without my expressed permission.
An original drawing featuring Kamijou Touma and Misaka Mikoto from the series A Certain Magical Index.
Credit to the original artist.
more editing fun with the line drawing feature on CS5 for my Vash cosplay......pic was taken at the Bonneville Salt Flats, Utah
William S. Burroughs ("TWO ABSTRACTS") Lip #1 (1969) First edition Lit Mag
Burroughs (William S.)
Lip #1. (1969) First edition of the magazine edited by Jeffrey Youdelman , assisted by George DiCaprio (yes, Leo's dad) and Noe Goldwasser (yours truly). In orange wrappers. Featuring two Abstracts by William S. Burroughs. Very Good +.
Item Specifics - Antiquarian/Collectible Books
Binding: Softcover/Wraps
Special Attributes: 1st Edition
Category: Literature
Printing Year: 1969
First edition, first printing: limited issue, one of 500.
Condition: Very Good +. Fine, as-new, staple-bound within cardstock wraps.
Literary magazine of poems, stories and drawings featuring "Two Abstracts" by William S. Burroughs, illustrated.
Poems and stories by Youdelman, Scott Cohen, DiCaprio, Goldwasser, Ross Feld, David Lehman and others and a fascinating piece on the psychedelic mushrooms of Central America, "El Hongo Mistico" by Frederick Swain.
Inspired by a picture I found online of a digital drawing featuring poison ivy and harley quinn in steampunk attire
Willie Ito The Flintstones Layout Drawing Original Art Group (undated). Two drawings featuring Hanna-Barbera characters Fred Flintstone and Dino by Willie Ito, animation vet and a key player in the artistic team that launched Disney Television Animation. Each drawing is rendered in graphite on 12-field animation paper, with an image area of 7" x 5.5". In Excellent condition. Both drawings are signed by the artist at the right of the image area.
The inside of the round wall of the museum features an extraordinary 115-meter long circular painting by Russian painter Franz Roubaud, depicting a particularly dramatic and crucial moment in the battle.
The museum also has numerous exhibitions charting the origins of the Napoleonic Wars and the course of the campaign of 1812, with displays of original uniforms, banners and weapons as well as paintings and drawings featuring various scenes from the battle.
William S. Burroughs ("TWO ABSTRACTS") Lip #1 (1969) First edition Lit Mag
Burroughs (William S.)
Lip #1. (1969) First edition of the magazine edited by Jeffrey Youdelman , assisted by George DiCaprio (yes, Leo's dad) and Noe Goldwasser (yours truly). In orange wrappers. Featuring two Abstracts by William S. Burroughs. Very Good +.
Item Specifics - Antiquarian/Collectible Books
Binding: Softcover/Wraps
Special Attributes: 1st Edition
Category: Literature
Printing Year: 1969
First edition, first printing: limited issue, one of 500.
Condition: Very Good +. Fine, as-new, staple-bound within cardstock wraps.
Literary magazine of poems, stories and drawings featuring "Two Abstracts" by William S. Burroughs, illustrated.
Poems and stories by Youdelman, Scott Cohen, DiCaprio, Goldwasser, Ross Feld, David Lehman and others and a fascinating piece on the psychedelic mushrooms of Central America, "El Hongo Mistico" by Frederick Swain.
Walt Disney Studios, 1941
Original production drawing featuring Dopey from Seven Wise Dwarfs, showing him cheerily walking along with a dustpan and small broom.
Accomplished in graphite and colored pencil on untrimmed 12 x 10 animation paper. Image measures 6.5 x 5. In fine condition.
The Winged Scourge, animated by Fred Moore, was the first of a series of health-related educational shorts produced by the Disney studios for showing in Latin America.
I used the Photo Effects software on the camera to take this picture. Interesting, I am going to try it for street photography in a couple of weeks.
(Snow White and the Seven Dwarfs, 1937) Original Fred Moore preliminary model sheet drawing featuring Doc, showing him in three different fighting poses.
Accomplished in graphite on untrimmed 12 x 10 animation paper.
Each image measures about 4 x 4.5.
In fine condition.
Description: Gestural drawing featuring a woman seated on the coast drinking from a cup and straw. The bottom of the cup flows into the ocean where ships are labeled "sugar" in one direction and "arms", "supplies", and "soldiers" in the other direction. Across the water are dark clouds with "war" written in them and a soldier with a caption box that reads "hurry".
Full text: Sugar means ships. The consumption of sugar sweetened drinks must be reduced. For your beverages 400 million lbs. of sugar were imported in ships last year. Every ship is needed to carry soldiers and supplies now. Posters of the First World War from the Perkins Museum.
Date: 1914-1918
Format: print
Digital Identifier: AG149_01_0054
Digitization: Digitized at the Boston Public Library and federally funded with LSTA funds through the Massachusetts Board of Library Commissioners.
Rights: Samuel P. Hayes Research Library, Perkins School for the Blind, Watertown, MA
There is trouble in paradise in this very expressive drawing featuring both Mickey Mouse and Minnie Mouse on the same image! She has just discovered her box of chocolate actually contained a dog bone... thanks to Pluto!
They are 3.5" tall each and crafted in graphite on 12 field, 2-peghole animation paper. Numbered "626" in the bottom right corner. Slight tanning. In Fine condition.
Charcoal drawing of Paul Simon and Art Garfunkel on stage in 2003. One of my favorite projects.
By: Michael Voss
Drawing featured in these demos:
(Snow White and the Seven Dwarfs, 1937) Original Fred Moore preliminary model sheet drawing featuring Doc, showing him in six different jubilant poses.
Accomplished in graphite on untrimmed 12 x 10 animation paper.
In fine condition.
This colored pencil drawing featuring NFL great "Broadway" Joe Namath measure approx 11"x14" and was drawn on black Mi Tientes paper.
(Snow White and the Seven Dwarfs, 1937) Original Fred Moore preliminary model sheet drawing featuring Doc, showing him in three different animated poses.
Accomplished in graphite on untrimmed 12 x 10 animation paper.
In fine condition.
Short Interview and a few drawings feature in a great New York based www.imposemagazine.com/
check the Interview here www.imposemagazine.com/bytes/mateusz-ziarno
Preamble: I completed just over a dozen drawings wherein I am offering tribute to Jim Dine. I put one of my drawings adjacent three of his, selections being based on similarity of emotions being portrayed. Differences are in drawing styles. Mr. Dine of course is king; of his 150 drawings each seems to look like it was done by a different artist!
My drawing (upper left) is one of Jean-Baptiste Carpeaux' LES TROIS GRACES -- a sculptural portrait from the Mpls. Inst. of Art.
Mindset or feelings of all four I see portrayed:
avidity, exuberance, jollity.
Dine's three images are from SOME GREEKS, SOME ROMANS, 1996 (150 drawings featured); courtesy himself and his publisher, Pace Gallery and Wildenstein & Co.
Last week I pasted this new rendition of my STOP ON RED SIGNAL thread - this time one of my Can drawings featuring a Tricks of the Eye series Eye and a STOP ON RED SIGNAL overlay curved and overlaid on the Can using a combination of analog photographic and photocopy techniques.
My drawing featured on www.gazetaby.com/cont/art.php?sn_nid=58904 in the article on finding an apartment for rent in big city.
"Man in the Moon" 2008
by Anna Arnold and Lance Vernon
Photo by Kathy Lynn
Drawing featured in the 52 Weeks/Works 2009 Desk Calendar from Academy Graphic Communication, Inc.
agc@agcinc.org
Boxes of master drawings featuring various weights of Garamond and Cloister. These boxes of drawings were part of the collection obtained from Merganthaler Linotype by The Museum of Printing in North Andover, MA.