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"Humanization"

Ink drawing by Aec

Size: 65.5/45 cm

*2014*

O desenho aconteceu durante uma brincadeira com a menina Clara, de 7 anos, filha de uma amizade recente. Ela pediu que eu refizesse o desenho e saiu este aqui, uma versão melhorada do original.

 

O Sol representa a Luz que vem do Alto, Fonte Criadora de toda a Vida. A árvore de Natal simboliza a Verdade, presenteada à humanidade através das caixas coloridas com presentes-virtudes: Amor, Compaixão, Integridade, Respeito...

 

As crianças levam os presentes-virtudes para suas casas e compartilham com a família, semeando assim o Mundo Novo, pois nada há mais poderoso que uma criança para transmitir a Verdade, porque em sua inocência ela É a Verdade... As nuvens estão ali para nos lembrar da eterna impermanência de tudo...

....

Drawing for the girl Clara, 7 years old, daughter of a friend.

ink and silkscreen on paper

11" x 14"

2008

Student work at The Ohio State University.

1916. Autor: Alexandre Zinoview.

I've been needing to get back to sketching. Reddit has a great group that gives inspiration, so I am starting there.

 

Check it out at:

 

www.reddit.com/r/redditgetsdrawn/

 

The source image can be found here: i.imgur.com/TymGU3X.jpg

A conscience is like a baby. It has to go to sleep before you can.

This car has become one of my favourite cars in the saga, at the same level as the V8 (a lot of people will kill me for saying this xd).

came across these old life drawings while doing some clearing-out.........

This little guy is for my friend Wendy. She wants a tangled butterfly, but this will have to do for now : )

Applied drawing

by Brown, Harold Haven, 1869-1932

 

Published 1916

Topics Drawing, Decoration and ornament

drawing suggestions from - @Roblockness @gregsowen @YemaYema @zeichenwege @wwrrssddrrwwss @ohyaynj quick shout out out to all my twitter followers - thank you for the continued interest and support x

 

here are the tweets - Naomi Farrar @ohyaynj - DINOSAURS!, Sean Wárs @wwrrssddrrwwss - The Hound from Game of Thrones, Andreas Zeichenwege @zeichenwege - Two dogs carrying a box, Yema Yema @YemaYema - a walking head!, Greg Owen @gregsowen - foliage with ADHD, Rob Lock @Roblockness - A wizard riding a giraffe into battle. Giraffe has armour plating and massive balls swinging between its gangly legs,

#Jon Boam #drawing

This is a character I don't draw often, much less showing much emotion. This is the first time I've drawn him smiling like this. I feel like it turned out nice, especially since I don't draw on toned paper very much. His name is Aican. :)

Reunidos en un sólo elemento tres escritores y periodistas del Puerto de la Cruz (Tenerife)

看起来有点潦草

HANNA BARBERA STUDIOS

ABBOTT and COSTELLO

Original Animation TELEVISION SERIES 1967

 

Type: AWESOME Original Production Animation MODEL Drawing of ABBOTT and COSTELLO character ELEPHANT

from the 1967 HANNA BARBERA Animated TELEVISION SERIES

 

This is one of the original Production MODEL (Pencil Drawings) that was used to DESIGN THE ART that appeared under the camera during

the production filming of the original Television Commercial.

 

NOTE: THIS IS AN ORIGINAL; NOT A MASS PRODUCED LIMITED EDITION

 

Size: 12 field 12.5 x 10.5

Type: . Vintage Hand Drawn Art

Condition: EXCELLENT

Featuring ABBOTT and COSTELLO character ELEPHANT

Date 1967

  

NOTES:

 

The Abbott and Costello Cartoon Show is an American half-hour animated series that aired in syndication from September 9, 1967 to June 1, 1968. Each of the 39 individual episodes consisted of four five-minute cartoons. [1] The cartoons were created jointly by Hanna-Barbera, RKO and Jomar Productions between 1965 and 1967. The series was syndicated by Gold Key Entertainment and King World Productions.

 

The primary feature of this cartoon series was the fact that Bud Abbott supplied the voice for his own character. (Because Lou Costello had died in 1959, his character's voice was performed by Stan Irwin.)

William (Bud) Abbott and Lou Costello (born Louis Francis Cristillo) performed together as Abbott and Costello, an American comedy duo whose work in radio, film and television made them the most popular comedy team during the 1940s and 50s. Thanks to the endurance of their most popular and influential routine, "Who's on First?"—whose rapid-fire word play and comprehension confusion set the preponderant framework for most of their best-known routines—the team is, as a result, featured in the National Baseball Hall of Fame and Museum. (Contrary to popular belief, however, the duo was not inducted into the Hall.)

  

The team's first known radio appearance was on The Kate Smith Hour in February, 1938. "Who's on First?" was first performed for a national radio audience the following month.[1] Abbott and Costello stayed on the program as regulars for two years, but the similarities between their New Jersey-accented voices made it difficult for listeners (as opposed to stage audiences) to tell them apart due to their rapid-fire repartee. The problem was solved by having Costello affect a high-pitched childish voice, and their remaining tenure on the Smith show was successful enough to get them roles in a Broadway revue "The Streets of Paris" in 1939.

 

In 1940 they were signed by Universal Studios for the film One Night in the Tropics. Cast in supporting roles, they stole the show with several classic routines, including "Who's on First?" The same year they were a summer replacement on radio for Fred Allen. Two years later, they had their own NBC show.

 

Universal signed them to a long-term contract, and their second film, Buck Privates, (1941) made them box-office stars. In most of their films, the plot was a framework for the two comics to reintroduce comedy routines they first performed on stage. Universal also added glitzy, gratuitous production numbers (a formula borrowed from the Marx Brothers comedies) featuring The Andrews Sisters, Ted Lewis and his Orchestra, Ella Fitzgerald, and other musical acts. They made 36 films together between 1940 and 1956. Abbott and Costello were among the most popular and highest-paid entertainers in the world during World War II. Other film successes included Hold That Ghost, Who Done It?, Pardon My Sarong, The Time of Their Lives, Buck Privates Come Home, Abbott and Costello Meet Frankenstein, and Abbott and Costello Meet the Invisible Man.

 

In 1942, Abbott and Costello were the top box office draw with a reported take of $10 million. They would remain a top ten box office attraction until 1952.

 

In 1951, they moved to television as rotating hosts of The Colgate Comedy Hour. (Eddie Cantor and Martin and Lewis were among the others.) Each show was a live hour of vaudeville in front of a theater audience, revitalizing the comedians' performances and giving their old routines a new sparkle.

 

Beginning in 1952, a filmed half-hour series, The Abbott and Costello Show, appeared in syndication on local stations across the country. Loosely based on their radio series, the show cast the duo as unemployed wastrels. One of the show's running gags involved Abbott perpetually nagging Costello to get a job to pay their rent, while Abbott barely lifted a finger in that direction. The show featured Sidney Fields as their landlord, and Hillary Brooke as a friendly neighbor who sometimes got involved in the pair's schemes. Another semi-regular was Joe Besser as Stinky, a 40-year-old sissy dressed in a Little Lord Fauntleroy suit. Gordon Jones was Mike the cop, who always lost patience with Lou. The simple plotlines were often merely an excuse to recreate old comedy routines—including "Who's on First?" and other familiar set pieces—from their films and burlesque performances

 

Drawing is something I enjoying doing in my spare time, which is why I haven't done many drawing for awhile, because I haven't had much spare time. I think this one took me 2 and a half hours and I don't really even like it that much, I just couldn't think of anything else to do for tonight's photo. Where has my creative mind gone? If you find it, call me.

With the southbound out of the way, I started sizing up my money shot of 357 crossing the Fox. Broad St is actually quite narrow without parking so I parked near the river and waited. There was just enough notice when the train was close to reposition here, park in the street, and get my shot without any fuss. July 21, 2024.

 

Quick lunch time sketch. ink brush pen & waitress pencil.

www.waynewolfson.com

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