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My travels around the UK by car for three weeks with my son. June/July 2019 England.
Day Eleven .. Visiting the Liverpool Docklands before making our way to Blackpool for the night.
Tate Liverpool is an art gallery and museum in Liverpool, Merseyside, England, and part of Tate, along with Tate St Ives, Cornwall, Tate Britain, London, and Tate Modern, London. The museum was an initiative of the Merseyside Development Corporation.
Housed in a converted warehouse within the Albert Dock on Liverpool's waterfront, the gallery was opened on 24 May 1988 by HRH Prince Charles, an event covered by BBC Two television. The original conversion was done by James Stirling but the building was given a major refurbishment in 1998 to create additional gallery space.
Bringing together artworks from all over the world, Tate Liverpool prides itself on staging an ever-evolving programme of unique and incredible collections. With past artists featured including Gustav Klimt, Pablo Picasso, Andy Warhol and Claude Monet, we’re always looking forward to what the next Tate Liverpool season will bring to our doorstep.
For More Info: en.wikipedia.org/wiki/Tate_Liverpool
Artista: Mortuary Drape
Fotografo: Francesco Castaldo
Evento: Rock Hard Festival
Data: 17 settembre 2011
Venue: Live Club
Città: Trezzo Sull'Adda
I was leaving my room and thought the drapes looked interesting, so I decided to shoot with various white balances...
27 Dec. 2009 Darren & I, after too much Christmas cheer (look at our eyes!), pose for his brother Keelan's photograph. I sat on the arm of the chair but coped backwards and stayed put. I love Darren's bemused expression!
I made this engagement cake for my friend, Brooke. She wanted a cake with draping and roses. I made the roses from gum paste. This was the first time I've ever done fondant draping. It wasn't easy but I think it turned out okay. The cake was lemon with lemon buttercream and fresh strawberries for the top and bottom tiers. The middle tier was vanilla butter cake with vanilla buttercream.
Embrace the allure of the Renaissance in a boudoir fantasy. Draped in a Sistine Chapel-inspired silk gown, every pose is a brushstroke of elegance and artistry. Surrounded by fresco-like scenes and playful putti, this session is a tribute to timeless beauty and divine femininity. Renaissance, Boudoir, Sistine Chapel, Silk Gown, Elegance, Artistry, Fresco, Putti, Timeless Beauty, Divine Femininity
By draping jeans around a manikin I experiment with different shapes and silhouettes to create something new. January 2017
I just made this cake this weekend. I actually just dropped it off. Its a fondant covered wedding cake, with a marbled ivory fondant drape.
Diva Maesa. Sestertius 225, Æ 24.36 g. DIVA MAESA – AVGVSTA Veiled and draped bust r. Rev. CONSECRATIO Three-tiered pyre placed on draped and festooned base; in exergue, S – C. C 6 var. BMC S. Alexander 218. RIC S. Alexander 712.
Very rare and in exceptionally good condition for this issue, possibly the finest
specimen known. A superb untouched turquoise patina and a realistic
portrait of great beauty, good extremely fine / extremely fine
Ex NAC sale 25, 2003, 531. From the Luc Girard collection.
After the defeat of the interloper Macrinus in 218, and the resulting promotion of the young Syrian priest Elagabalus to the office of emperor, the Severan dynasty – factually the ‘Severan-Emesan’ dynasty – was restored, and would endure seventeen years. The two remaining emperors, Elagabalus and Severus Alexander, were sons, respectively, of the sisters Julia Soaemias and Julia Mamaea. Both of these women were daughters of Julia Maesa, the empress consecrated on this rare sestertius. Much commentary has been made on the reigns of Elagabalus and Severus Alexander, and of the control exercised by their mothers and their grandmother. In this respect, the revived Severan-Emesan dynasty was the opposite of the original dynasty, in which the emperors Septimius Severus, Geta and Caracacalla directed Imperial policy as Maesa’s sister, Julia Domna, was less influential than one might have expected.
The portrait of Maesa is far from flattering, and does not mask her advanced age. A comparison may be drawn with Tiberius’ SALVS AVGVSTA dupondius of 22/23, on which his mother Livia appears as if in her late twenties or early thirties, though at the time she was about eighty years old. However, it should not surprise us that the age, experience, sobriety and dignity of Maesa is stressed, as it is an intentional foil to the shameful and immature extravagance of her recently murdered grandson Elagabalus. The funeral pyre on the reverse is well preserved, and its ornamentation is worth some commentary. The structure consists of a broad, draped and garlanded base upon which are three incrementally smaller tiers. The two central tiers are comprised of open archways occupied by standing figures; the large, central arch of the first tier contains a couch, or bier, upon which is the body of Maesa, or a representation of it. The two sections of the top tier are draped, flanked by two lighted torches, and are surmounted by a standing figure – perhaps Castor – attending horses.
NAC54, 517
In addition to broken hearts, bad work weeks are also good for the economy. Rick Owens tunic. You can see the detail here.
This was my second trip to Carlsbad Caverns National Park and Heather's first. We visited the Caverns in March 2014 - unfortunately it was over Spring Break and rather mobbed - and I forgot my tripod - so all the shots are hand held. Despite that, it was a great visit - if you are anywhere close to the Caverns, check them out!
Originally draped in muslin for my patterning and draping class, 2009, from a picture of an Alice Auaa product (http://www.alice-auaa.com/main.php?p=299). Taken to paper pattern for class. Built with black lace and black and purple twill for Sigma Nu formal, 2010.
Pieces include: collar front, collar back, overlay front, overlay back, bodice front, bodice back, skirt front, skirt side front, skirt side back, skirt back.