View allAll Photos Tagged dramatic
|| Photo info: Taken 2020-12-25 with Canon EOS 5D Mark IV, 35mm F1.4 DG HSM | Art 012, ¹⁄₁₂₅ sec at f/1.6, focal length 35 mm, ISO 2500. Copyright 2020.
Mid-October (2013) on the lake, the sky was offering a view of orange. This photo combines the orange with a bit of red for a more dramatic effect of the lovely sunset that was available that evening.
Rising 150 feet above the North Sea on a dramatic volcanic outcrop, Bamburgh Castle has been a seat of power for over 1,400 years. Originally the Celtic fort of Din Guarie, it became the royal capital of the Anglo-Saxon kingdom of Bernicia in 547 AD when Ida the Flamebearer laid its first timber defenses. His descendants, including Saint Oswald, helped establish Bamburgh as a cradle of Christianity, bringing St. Aidan to nearby Lindisfarne to found the monastery that birthed the Lindisfarne Gospels.
Through centuries of Viking raids, Norman conquest, and medieval warfare, Bamburgh remained a strategic stronghold. It hosted monarchs from King John to Edward III, and in 1464, during the Wars of the Roses, it became the first English castle to fall to cannon fire, marking the end of medieval fortification.
Below the castle, the Bamburgh Dunes stretch across a protected coastal landscape rich in biodiversity and archaeological significance. These windswept sands conceal remnants of Anglo-Saxon burial grounds and WWII pillboxes, blending natural beauty with layers of history.
Today, Bamburgh Castle is still privately owned by the Armstrong family and open to the public, offering a rare glimpse into the lives of kings, saints, and soldiers who shaped Britain’s past.
With the sun low enough there were some big rays of light shining through gaps in the clouds, this one directing light behind May Island
shot with a kit lens and a travel light set up. single side lighting to create stronger shadows and a dramatic effect. turned to grayscale using ACR.
The USC School of Dramatic Arts Awards Ceremony on May 5, 2017 in Los Angeles, California. (Photo by Corey Cano/Capture Imaging)
Gotta love that lighting. I wished the tree branches weren't in the shot when I was taking it, but they add an interesting element and color to the image.
On Friday, May 20th, I had just come from a friend (Karen Rodewald) of mine's gallery opening at U Penn, and had my camera with me, as I sat for a little Friday afterwork talk and drink at Dirty Frank's. The conversation going on as I sat down was Philadelphia and it's reputation for rudeness. After some good joking about it ("Philadelphia. the city that knife's you back"), everyone present basically said that they did love this place, and that it wasn't rude, per se, just lacking the polite social artiface which is the norm in so many other places, that there was an honest "grit" to Philly that endeared each of us to it. As we were talking I realized that this was the exact feeling I got each time I tipped a drink in Dirty Frank's, and what I try to capture with my ongoing series of photographs taken there. At that point I picked up my camera and took this and several other pictures, hoping to catch a little bit more of that honesty.
Wanted to try a timelapse with the dramatic tone art filter from the Olympus E-5.
988 frames shot on tripod every 5 seconds, using the Hähnel Giga T Pro remote as trigger.
WMM used to get the movie together in win7 with a framerate of 15, or 0,04s
Dramatic religious photo illustration of Good Friday and Easter Sunday Morning reflecting a prayerful moment of silence with a silhoutted person bowing his head, a warm sunrise rises over a foggy lake, and three crosses on a hill reflected in the water as well.
PHOTOGRAPHY: Aidan Monaghan for Wheelabrator, 2012.
The new visitor centre at the Giant’s Causeway in Northern Ireland is a bold architectural design that mirrors the dramatic basalt formations of the
Causeway with its raw and minimalist aesthetic. To realise the architects’ vision of quiet monumentality,
shot-peened stainless steel surfaces played a key role in the composition.