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1961; Vice-Cop by Richard Deming Author of the Dragnet Novels. Cover art by Paul Rader. Published by Belmont Books 221.
British postcard by Photo-Roff in the Black & White Gallery, London, no. 1180. Photo: David Steen, 1980.
American film and television actor Lee Marvin (1924-1987) began as a supporting player of a generally vicious demeanor, then metamorphosed into a star playing tough, hard-bitten anti-heroes. Known for his gravelly smoke burnished voice and premature white hair, Marvin initially played villains, soldiers, and other hardboiled characters. A prominent television role was that of Detective Lieutenant Frank Ballinger in the NBC crime series M Squad (1957–1960). He became a major star with Cat Ballou (1965), a comedy Western in which he played dual roles, but his career waned considerably after Paint Your Wagon (1969). For portraying both gunfighter Kid Shelleen and criminal Tim Strawn, he won the Oscar for Best Actor, along with a BAFTA Award, a Golden Globe Award, an NBR Award, and the Silver Bear for Best Actor. Marvin is also remembered for his 'tough guy' characters in The Killers (1964), The Professionals (1966), The Dirty Dozen (1967), Point Blank (1967), and The Big Red One (1980).
Lamont Waltman Marvin Jr. was born in 1924 in New York City. He was the son of Lamont Waltman Marvin, an advertising executive and later the head of the New York and New England Apple Institute, and Courtenay Washington (née Davidge), a fashion and beauty writer/editor. As with his elder brother, Robert, he was named in honor of Confederate General Robert E. Lee, who was his first cousin, four times removed. His father was a direct descendant of Matthew Marvin Sr., who emigrated from Great Bentley, Essex, England, in 1635, and helped found Hartford, Connecticut. Marvin studied the violin when he was young. As a teenager, Marvin "spent weekends and spare time hunting deer, puma, wild turkey, and bobwhite in the wilds of the then-uncharted Everglades". He attended Manumit School, a Christian socialist boarding school in Pawling, New York, during the late 1930s, and later attended St. Leo College Preparatory School, a Catholic school in St. Leo, Florida, after being expelled from several other schools for bad behaviour. Marvin left school at 18 to enlist in the United States Marine Corps Reserve in 1942. He served with the 4th Marine Division in the Pacific Theater during World War II. While serving as a member of "I" Company, 3rd Battalion, 24th Marines, 4th Marine Division, he was wounded in action on in 1944, during the assault on Mount Tapochau in the Battle of Saipan, during which most of his company were casualties. He was hit by machine-gun fire, which severed his sciatic nerve, and then was hit again in the foot by a sniper. After over a year of medical treatment in naval hospitals, Marvin was given a medical discharge with the rank of private first class (he had been a corporal years earlier but had been demoted after causing trouble) in 1945 Philadelphia. Marvin's military awards include the Purple Heart Medal, the Presidential Unit Citation, the American Campaign Medal, the Asiatic-Pacific Campaign Medal, the World War II Victory Medal, and the Combat Action Ribbon.
After the war, while working as a plumber's assistant at a local community theatre in upstate New York, Lee Marvin was asked to replace an actor who had fallen ill during rehearsals. He caught the acting bug and got a job with the company at $7 a week. He moved to Greenwich Village and used the GI Bill to study at the American Theatre Wing. He appeared on stage in a production of 'Uniform of Flesh', an adaptation of the novel 'Billy Budd' (1949). It was done at the Experimental Theatre, where a few months later Marvin also appeared in 'The Nineteenth Hole of Europe' (1949). Marvin began appearing on television shows like Escape, The Big Story, and Treasury Men in Action. He made it to Broadway with a small role in a production of Uniform of Flesh, now called Billy Budd in February 1951. Marvin's film debut was in You're in the Navy Now (Henry Hathaway, 1951), which also marked the debuts of Charles Bronson and Jack Warden. This required some filming in Hollywood. Marvin decided to stay there. He had a similar small part in Teresa (Fred Zinnemann, 1951). As a decorated combat veteran, Marvin was a natural in war dramas, where he frequently assisted the director and other actors in realistically portraying infantry movement, arranging costumes, and the use of firearms. He guest-starred on episodes of Fireside Theatre (1950), Suspense (1950), and Rebound (1952). Hathaway used him again on Diplomatic Courier (Henry Hathaway, 1952) and he could be seen in Down Among the Sheltering Palms (Edmund Goulding, 1952), We're Not Married! (Edmund Goulding, 1952), The Duel at Silver Creek (Don Siegel, 1952), and Hangman's Knot (Roy Huggins, 1952). He guest-starred on Biff Baker, U.S.A. (1952) and Dragnet (1952-1953), and had a decent role in a feature with Eight Iron Men (Edward Dmytryk, 1952), a war film starring Bonar Colleano and produced by Stanley Kramer. Marvin's role had been played on Broadway by Burt Lancaster. He was a sergeant in the Western Seminole (Budd Boetticher, 1953), and was a corporal in The Glory Brigade (Robert D. Webb, 1953), a Korean War film starring Victor Mature. He was now in much demand for Westerns: The Stranger Wore a Gun (Andre DeToth, 1953) with Randolph Scott, and Gun Fury (Raoul Walsh, 1953) with Rock Hudson and Donna Reed.
Lee Marvin received much acclaim for his portrayal as villains in two Film Noirs: The Big Heat (Fritz Lang, 1953) where he played Gloria Grahame's vicious boyfriend, and The Wild One (László Benedek, 1953) opposite Marlon Brando. Marvin's gang in the film was called "The Beetles". He continued in TV shows such as The Plymouth Playhouse (1953) and The Pepsi-Cola Playhouse (1954). He had support roles in the 3D horror mystery B-movie Gorilla at Large (Harmon Jones, 1954) and had a notable small role as smart-aleck sailor Meatball in The Caine Mutiny (Edward Dmytryk, 1954), produced by Stanley Kramer. Marvin was in the war film The Raid (Hugo Fregonese, 1954) with Van Heflin and Anne Bancroft, and in episodes of the TV series Center Stage (1954), Medic (1954) and TV Reader's Digest (1955). He had an excellent part as Hector, the small-town hood in Bad Day at Black Rock (John Sturges, 1955) with Spencer Tracy and Robert Ryan. Also in 1955, he played a conflicted, brutal bank-robber in the thriller Violent Saturday (Richard Fleischer, 1955) with Victor Mature. A latter-day critic wrote of the character, "Marvin brings a multi-faceted complexity to the role and gives a great example of the early promise that launched his long and successful career." Marvin played Robert Mitchum's friend in Not as a Stranger (Stanley Kramer, 1955), a medical drama also produced by Kramer. He had bigger supporting roles in A Life in the Balance (Harry Horner, Rafael Portillo, 1955), Pete Kelly's Blues (Jack Webb, 1955) and I Died a Thousand Times (Stuart Heisler, 1955) with Jack Palance. Marvin was the villain in 7 Men from Now (Budd Boetticher, 1956) with Randolph Scott, and was second-billed to Jack Palance in Attack (Robert Aldrich, 1956). Marvin had good roles in The Rack (Arnold Laven, 1956) with Paul Newman, Raintree County (Edward Dmytryk, 1956) starring Montgomery Clift and Elizabeth Taylor, and The Missouri Traveler (Herry Hopper, 1958). Marvin finally got to be a leading man in 100 episodes in the successful television series M Squad (1957-1960). Set in Chicago, Illinois, it starred Marvin as Detective Lieutenant Frank Ballinger, a member of "M Squad", a special unit of the Chicago Police, assisting other units in battling organized crime, corruption, and violent crimes citywide. One critic described the show as "a hyped-up, violent Dragnet ... with a hard-as-nails Marvin" playing a tough police lieutenant. Marvin received the role after guest-starring in a memorable Dragnet episode as a serial killer. When the series ended Marvin appeared on such TV shows as Wagon Train (1960-1961), Route 66 (1961; he was injured during a fight scene), Bonanza (1962), The Untouchables (1961-1962; several times), The Virginian (1962), The Twilight Zone (1961-1963), and The Dick Powell Theatre (1963).
Lee Marvin returned to features with a prominent role in The Comancheros (Michael Curtiz, 1961) starring John Wayne. He played in two more films with Wayne, both directed by John Ford: The Man Who Shot Liberty Valance (1962), and Donovan's Reef (1963). As the vicious Liberty Valance, Marvin played his first title role and held his own with two of the screen's biggest stars (John Wayne and James Stewart). In 1962 Marvin appeared as Martin Kalig on the TV western The Virginian in the episode titled 'It Tolls for Thee'. He continued to guest star on shows like Combat! (1963), Dr. Kildare (1962-1964), and The Great Adventure (1963). For director Don Siegel, Marvin appeared in The Killers (1964) playing an efficient professional assassin alongside Clu Gulager. The Killers was also the first film in which Marvin received top billing. Marvin finally became a star for his comic role in the Western comedy Cat Ballou (Elliot Silverstein, 1965) starring Jane Fonda. This was a surprise hit and Marvin won the 1965 Oscar for Best Actor and several other awards. Playing alongside Vivien Leigh and Simone Signoret, Marvin won the 1966 National Board of Review Award for male actors for his role in Ship of Fools (Stanley Kramer, 1965). Marvin next performed in the hit Western The Professionals (Richard Brooks, 1966), in which he played the leader of a small band of skilled mercenaries (Burt Lancaster, Robert Ryan, and Woody Strode) rescuing a kidnap victim (Claudia Cardinale) shortly after the Mexican Revolution. He followed that film with the hugely successful World War II epic The Dirty Dozen (Robert Aldrich, 1967) in which top-billed Marvin again portrayed an intrepid commander of a colorful group (future stars John Cassavetes, Charles Bronson, Telly Savalas, Jim Brown, and Donald Sutherland) performing an almost impossible mission. In the wake of these two films and after having received an Oscar, Marvin was a huge star, given enormous control over his next film Point Blank (John Boorman, 1967), co-starring Angie Dickinson. He portrayed a hard-nosed criminal bent on revenge. Marvin, who had selected Boorman himself for the director's slot, had a central role in the film's development, plotline, and staging. Marvin also appeared in another Boorman film, the critically acclaimed but commercially unsuccessful World War II character study Hell in the Pacific (John Boorman, 1968), also starring famed Japanese actor Toshiro Mifune. Marvin was originally cast as Pike Bishop (later played by William Holden) in The Wild Bunch (1969), but fell out with director Sam Peckinpah and pulled out to star in the Western musical Paint Your Wagon (Joshua Logan, 1969), in which he was top-billed over a singing Clint Eastwood. Despite his limited singing ability, he had a surprise hit song with "Wand'rin' Star". By this time, he was getting paid a million dollars per film, $200,000 less than top star Paul Newman was making at the time.
Lee Marvin had a much greater variety of roles in the 1970s, with fewer bad-guy roles than in earlier years. His 1970s films included Monte Walsh (William A. Fraker, 1970), a Western with Jack Palance and Jeanne Moreau; the violent Prime Cut (Michael Ritchie, 1972) with Gene Hackman; Pocket Money (Stuart Rosenberg, 1972) with Paul Newman; Emperor of the North (Robert Aldrich, 1973) opposite Ernest Borgnine; as Hickey in The Iceman Cometh (John Frankenheimer, 1973) with Fredric March and Robert Ryan; The Spikes Gang (Richard Fleischer, 1974) with Noah Beery Jr.; The Klansman (Terence Young, 1974) with Richard Burton; Shout at the Devil (Peter Hunt, 1976), a World War One adventure with Roger Moore; The Great Scout and Cathouse Thursday (Don Taylor, 1976), a comic Western with Oliver Reed; and Avalanche Express (Mark Robson, 1978), a Cold War thriller with Robert Shaw who died during production. None of these films were big box office hits. Marvin was offered the role of Quint in Jaws (Steven Spielberg, 1975) but declined, stating "What would I tell my fishing friends who'd see me come off a hero against a dummy shark?". Marvin's last big role was in Samuel Fuller's The Big Red One (1980), a war film based on Fuller's own war experiences. His remaining films were Death Hunt (Peter R. Hunt, 1981), a Canadian action film with Charles Bronson; Gorky Park (Michael Apted, 1983) with William Hurt; and in France Canicule/Dog Day (Yves Boisset, 1984), with Miou-Miou. For TV he did The Dirty Dozen: Next Mission (Andrew V. McLaglen, 1985), a sequel with Marvin, Ernest Borgnine, and Richard Jaeckel picking up where they had left off despite being 18 years older. His final appearance was in The Delta Force (Menahem Golan, 1986) with Chuck Norris, playing a role turned down by Charles Bronson. Marvin had married Betty Ebeling in February 1951 and together they had four children, son Christopher Lamont (1952–2013), and three daughters: Courtenay Lee (1954), Cynthia Louise (1956), and Claudia Leslie (1958–2012). Married 16 years, they divorced in 1967. A long-term romantic relationship with Michelle Triola led, after their breakup, to a highly publicized lawsuit in which Triola asked for a substantial portion of Marvin's assets. Her case failed in its main pursuit but did establish a legal precedent for the rights of unmarried cohabitors, the so-called "palimony" law. Marvin reunited with his high school sweetheart, Pamela Feeley and they married in October 1970. She had four children with three previous marriages, they had no children together and remained married until his death in 1987. In December 1986, Marvin was hospitalized for more than two weeks because of a condition related to coccidioidomycosis. He went into respiratory distress and was administered steroids to help his breathing. He had major intestinal ruptures as a result and underwent a colectomy. Marvin died of a heart attack on 29 August 1987 in Tucson, Arizona, aged 63. He was buried with full military honours at Arlington National Cemetery.
Sources: Jim Beaver (IMDb), Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
My new cartoon tribute to celebrate a forgotten Hollywood starlet from the 1950s , actress Paula Hill (USA 1926-2000).
Her biggest lead role was in the sci-fi B movie, Mesa of Lost Women (1953)- but she would appear in small roles in classic movies of the era, including Paramount’s “The Greatest Show On Earth” (1952) & Warner Bros’s “The Beast From 20,000 Fathoms”(1953) .
Paula Hill had several substantial roles in TV shows including Dragnet (1956), The Man Called X (1957) & Mike Hammer (1958) - revealing not only was she a beauty but a great actress capable of both melodrama and - in Burns & Allen (1955) and The Red Skelton Show (1957) -comedic timing . ~ Stephen B. Whatley, May 23, 2022
American Mirro-Krome postcard by H.S. Crocker Co. Inc., San Francisco, Calif., no. HSC-305. Lee Marvin in the TV series M Squad (1957). Caption: Lee Marvin plays the role of Lieutenant Ballinger in M Squad, an action-detective series filmed at Revue Studios. In addition to starring in his M Squad series, Lee also appears as a guest star in television specials.
American film and television actor Lee Marvin (1924-1987) began as a supporting player of a generally vicious demeanor, then metamorphosed into a star playing tough, hard-bitten anti-heroes. Known for his gravelly smoke burnished voice and premature white hair, Marvin initially played villains, soldiers, and other hardboiled characters. A prominent television role was that of Detective Lieutenant Frank Ballinger in the NBC crime series M Squad (1957–1960). He became a major star with Cat Ballou (1965), a comedy Western in which he played dual roles, but his career waned considerably after Paint Your Wagon (1969). For portraying both gunfighter Kid Shelleen and criminal Tim Strawn, he won the Oscar for Best Actor, along with a BAFTA Award, a Golden Globe Award, an NBR Award, and the Silver Bear for Best Actor. Marvin is also remembered for his 'tough guy' characters in The Killers (1964), The Professionals (1966), The Dirty Dozen (1967), Point Blank (1967), and The Big Red One (1980).
Lamont Waltman Marvin Jr. was born in 1924 in New York City. He was the son of Lamont Waltman Marvin, an advertising executive and later the head of the New York and New England Apple Institute, and Courtenay Washington (née Davidge), a fashion and beauty writer/editor. As with his elder brother, Robert, he was named in honor of Confederate General Robert E. Lee, who was his first cousin, four times removed. His father was a direct descendant of Matthew Marvin Sr., who emigrated from Great Bentley, Essex, England, in 1635, and helped found Hartford, Connecticut. Marvin studied the violin when he was young. As a teenager, Marvin "spent weekends and spare time hunting deer, puma, wild turkey, and bobwhite in the wilds of the then-uncharted Everglades". He attended Manumit School, a Christian socialist boarding school in Pawling, New York, during the late 1930s, and later attended St. Leo College Preparatory School, a Catholic school in St. Leo, Florida, after being expelled from several other schools for bad behaviour. Marvin left school at 18 to enlist in the United States Marine Corps Reserve in 1942. He served with the 4th Marine Division in the Pacific Theater during World War II. While serving as a member of "I" Company, 3rd Battalion, 24th Marines, 4th Marine Division, he was wounded in action on in 1944, during the assault on Mount Tapochau in the Battle of Saipan, during which most of his company were casualties. He was hit by machine-gun fire, which severed his sciatic nerve, and then was hit again in the foot by a sniper. After over a year of medical treatment in naval hospitals, Marvin was given a medical discharge with the rank of private first class (he had been a corporal years earlier but had been demoted after causing trouble) in 1945 Philadelphia. Marvin's military awards include the Purple Heart Medal, the Presidential Unit Citation, the American Campaign Medal, the Asiatic-Pacific Campaign Medal, the World War II Victory Medal, and the Combat Action Ribbon.
After the war, while working as a plumber's assistant at a local community theatre in upstate New York, Lee Marvin was asked to replace an actor who had fallen ill during rehearsals. He caught the acting bug and got a job with the company at $7 a week. He moved to Greenwich Village and used the GI Bill to study at the American Theatre Wing. He appeared on stage in a production of 'Uniform of Flesh', an adaptation of the novel 'Billy Budd' (1949). It was done at the Experimental Theatre, where a few months later Marvin also appeared in 'The Nineteenth Hole of Europe' (1949). Marvin began appearing on television shows like Escape, The Big Story, and Treasury Men in Action. He made it to Broadway with a small role in a production of Uniform of Flesh, now called Billy Budd in February 1951. Marvin's film debut was in You're in the Navy Now (Henry Hathaway, 1951), which also marked the debuts of Charles Bronson and Jack Warden. This required some filming in Hollywood. Marvin decided to stay there. He had a similar small part in Teresa (Fred Zinnemann, 1951). As a decorated combat veteran, Marvin was a natural in war dramas, where he frequently assisted the director and other actors in realistically portraying infantry movement, arranging costumes, and the use of firearms. He guest-starred on episodes of Fireside Theatre (1950), Suspense (1950), and Rebound (1952). Hathaway used him again on Diplomatic Courier (Henry Hathaway, 1952) and he could be seen in Down Among the Sheltering Palms (Edmund Goulding, 1952), We're Not Married! (Edmund Goulding, 1952), The Duel at Silver Creek (Don Siegel, 1952), and Hangman's Knot (Roy Huggins, 1952). He guest-starred on Biff Baker, U.S.A. (1952) and Dragnet (1952-1953), and had a decent role in a feature with Eight Iron Men (Edward Dmytryk, 1952), a war film starring Bonar Colleano and produced by Stanley Kramer. Marvin's role had been played on Broadway by Burt Lancaster. He was a sergeant in the Western Seminole (Budd Boetticher, 1953), and was a corporal in The Glory Brigade (Robert D. Webb, 1953), a Korean War film starring Victor Mature. He was now in much demand for Westerns: The Stranger Wore a Gun (Andre DeToth, 1953) with Randolph Scott, and Gun Fury (Raoul Walsh, 1953) with Rock Hudson and Donna Reed.
Lee Marvin received much acclaim for his portrayal as villains in two Film Noirs: The Big Heat (Fritz Lang, 1953) where he played Gloria Grahame's vicious boyfriend, and The Wild One (László Benedek, 1953) opposite Marlon Brando. Marvin's gang in the film was called "The Beetles". He continued in TV shows such as The Plymouth Playhouse (1953) and The Pepsi-Cola Playhouse (1954). He had support roles in the 3D horror mystery B-movie Gorilla at Large (Harmon Jones, 1954) and had a notable small role as smart-aleck sailor Meatball in The Caine Mutiny (Edward Dmytryk, 1954), produced by Stanley Kramer. Marvin was in the war film The Raid (Hugo Fregonese, 1954) with Van Heflin and Anne Bancroft, and in episodes of the TV series Center Stage (1954), Medic (1954) and TV Reader's Digest (1955). He had an excellent part as Hector, the small-town hood in Bad Day at Black Rock (John Sturges, 1955) with Spencer Tracy and Robert Ryan. Also in 1955, he played a conflicted, brutal bank-robber in the thriller Violent Saturday (Richard Fleischer, 1955) with Victor Mature. A latter-day critic wrote of the character, "Marvin brings a multi-faceted complexity to the role and gives a great example of the early promise that launched his long and successful career." Marvin played Robert Mitchum's friend in Not as a Stranger (Stanley Kramer, 1955), a medical drama also produced by Kramer. He had bigger supporting roles in A Life in the Balance (Harry Horner, Rafael Portillo, 1955), Pete Kelly's Blues (Jack Webb, 1955) and I Died a Thousand Times (Stuart Heisler, 1955) with Jack Palance. Marvin was the villain in 7 Men from Now (Budd Boetticher, 1956) with Randolph Scott, and was second-billed to Jack Palance in Attack (Robert Aldrich, 1956). Marvin had good roles in The Rack (Arnold Laven, 1956) with Paul Newman, Raintree County (Edward Dmytryk, 1956) starring Montgomery Clift and Elizabeth Taylor, and The Missouri Traveler (Herry Hopper, 1958). Marvin finally got to be a leading man in 100 episodes in the successful television series M Squad (1957-1960). Set in Chicago, Illinois, it starred Marvin as Detective Lieutenant Frank Ballinger, a member of "M Squad", a special unit of the Chicago Police, assisting other units in battling organized crime, corruption and violent crimes citywide. One critic described the show as "a hyped-up, violent Dragnet ... with a hard-as-nails Marvin" playing a tough police lieutenant. Marvin received the role after guest-starring in a memorable Dragnet episode as a serial killer. When the series ended Marvin appeared on such TV shows as Wagon Train (1960-1961), Route 66 (1961; he was injured during a fight scene), Bonanza (1962), The Untouchables (1961-1962; several times), The Virginian (1962), The Twilight Zone (1961-1963), and The Dick Powell Theatre (1963).
Lee Marvin returned to features with a prominent role in The Comancheros (Michael Curtiz, 1961) starring John Wayne. He played in two more films with Wayne, both directed by John Ford: The Man Who Shot Liberty Valance (1962), and Donovan's Reef (1963). As the vicious Liberty Valance, Marvin played his first title role and held his own with two of the screen's biggest stars (John Wayne and James Stewart). In 1962 Marvin appeared as Martin Kalig on the TV western The Virginian in the episode titled 'It Tolls for Thee'. He continued to guest star on shows like Combat! (1963), Dr. Kildare (1962-1964) and The Great Adventure (1963). For director Don Siegel, Marvin appeared in The Killers (1964) playing an efficient professional assassin alongside Clu Gulager. The Killers was also the first film in which Marvin received top billing. Marvin finally became a star for his comic role in the Western comedy Cat Ballou (Elliot Silverstein, 1965) starring Jane Fonda. This was a surprise hit and Marvin won the 1965 Oscar for Best Actor and several other awards. Playing alongside Vivien Leigh and Simone Signoret, Marvin won the 1966 National Board of Review Award for male actors for his role in Ship of Fools (Stanley Kramer, 1965). Marvin next performed in the hit Western The Professionals (Richard Brooks, 1966), in which he played the leader of a small band of skilled mercenaries (Burt Lancaster, Robert Ryan, and Woody Strode) rescuing a kidnap victim (Claudia Cardinale) shortly after the Mexican Revolution. He followed that film with the hugely successful World War II epic The Dirty Dozen (Robert Aldrich, 1967) in which top-billed Marvin again portrayed an intrepid commander of a colorful group (future stars John Cassavetes, Charles Bronson, Telly Savalas, Jim Brown, and Donald Sutherland) performing an almost impossible mission. In the wake of these two films and after having received an Oscar, Marvin was a huge star, given enormous control over his next film Point Blank (John Boorman, 1967), co-starring Angie Dickinson. He portrayed a hard-nosed criminal bent on revenge. Marvin, who had selected Boorman himself for the director's slot, had a central role in the film's development, plotline, and staging. Marvin also appeared in another Boorman film, the critically acclaimed but commercially unsuccessful World War II character study Hell in the Pacific (John Boorman, 1968), also starring famed Japanese actor Toshiro Mifune. Marvin was originally cast as Pike Bishop (later played by William Holden) in The Wild Bunch (1969), but fell out with director Sam Peckinpah and pulled out to star in the Western musical Paint Your Wagon (Joshua Logan, 1969), in which he was top-billed over a singing Clint Eastwood. Despite his limited singing ability, he had a surprise hit song with "Wand'rin' Star". By this time, he was getting paid a million dollars per film, $200,000 less than top star Paul Newman was making at the time.
Lee Marvin had a much greater variety of roles in the 1970s, with fewer 'bad-guy' roles than in earlier years. His 1970s films included Monte Walsh (William A. Fraker, 1970), a Western with Jack Palance and Jeanne Moreau; the violent Prime Cut (Michael Ritchie, 1972) with Gene Hackman; Pocket Money (Stuart Rosenberg, 1972) with Paul Newman; Emperor of the North (Robert Aldrich, 1973) opposite Ernest Borgnine; as Hickey in The Iceman Cometh (John Frankenheimer, 1973) with Fredric March and Robert Ryan; The Spikes Gang (Richard Fleischer, 1974) with Noah Beery Jr.; The Klansman (Terence Young, 1974) with Richard Burton; Shout at the Devil (Peter Hunt, 1976), a World War One adventure with Roger Moore; The Great Scout and Cathouse Thursday (Don Taylor, 1976), a comic Western with Oliver Reed; and Avalanche Express (Mark Robson, 1978), a Cold War thriller with Robert Shaw who died during production. None of these films were big box office hits. Marvin was offered the role of Quint in Jaws (Steven Spielberg, 1975) but declined, stating "What would I tell my fishing friends who'd see me come off a hero against a dummy shark?". Marvin's last big role was in Samuel Fuller's The Big Red One (1980), a war film based on Fuller's own war experiences. His remaining films were Death Hunt (Peter R. Hunt, 1981), a Canadian action film with Charles Bronson; Gorky Park (Michael Apted, 1983) with William Hurt; and in France Canicule/Dog Day (Yves Boisset, 1984), with Miou-Miou. For TV he did The Dirty Dozen: Next Mission (Andrew V. McLaglen, 1985), a sequel with Marvin, Ernest Borgnine, and Richard Jaeckel picking up where they had left off despite being 18 years older. His final appearance was in The Delta Force (Menahem Golan, 1986) with Chuck Norris, playing a role turned down by Charles Bronson. Marvin had married Betty Ebeling in February 1951 and together they had four children, son Christopher Lamont (1952–2013), and three daughters: Courtenay Lee (1954), Cynthia Louise (1956), and Claudia Leslie (1958–2012). Married 16 years, they divorced in 1967. A long-term romantic relationship with Michelle Triola led, after their breakup, to a highly publicized lawsuit in which Triola asked for a substantial portion of Marvin's assets. Her case failed in its main pursuit but did establish a legal precedent for the rights of unmarried cohabitors, the so-called "palimony" law. Marvin reunited with his high school sweetheart, Pamela Feeley and they married in October 1970. She had four children with three previous marriages, they had no children together and remained married until his death in 1987. In December 1986, Marvin was hospitalized for more than two weeks because of a condition related to coccidioidomycosis. He went into respiratory distress and was administered steroids to help his breathing. He had major intestinal ruptures as a result and underwent a colectomy. Marvin died of a heart attack on 29 August 1987 in Tucson, Arizona, aged 63. He was buried with full military honours at Arlington National Cemetery.
Sources: Jim Beaver (IMDb), Wikipedia and IMDb.
And, please check out our albums Dutch TV History and Vintage TV Heroes, and our blog European Film Star Postcards.
EOS 5D Mark IV+Tokina opera 50mm F1.4 FF
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Processed by: mavenimagery Labs Inc. Los Angeles, California.
Hyper-realistic HDR (High Dynamic Range) PROCESSED with IRET (Iris Range Enhancement Technology)
IRET (Iris Range Enhancement Technology and MavenFilters are products of mavenimagery Labs Innovation)
Briefly: Crossroads of the World has been called America's first outdoor shopping mall. Located on Sunset Boulevard and Las Palmas in Los Angeles, the mall features a central building designed to resemble an ocean liner surrounded by a small village of cottage-style bungalows. It was designed by Robert V. Derrah and built in 1936.
Once a busy shopping center, the Crossroads now hosts private offices, primarily for the entertainment industry. It has been used for location shooting in many films, including L.A. Confidential and The Adventures of Ford Fairlane, in TV shows including Dragnet and Remington Steele, and in commercials by McDonald's, Ford and Mattel. A reproduction of Crossroads' iconic tower and spinning globe can be seen just inside the entrance to Disney's Hollywood Studios at Walt Disney World in Florida.
Today, Crossroads is the creative home of a variety of music publishers and producers, television and film script writers, film and recording companies, novelists, costume designers, publicists and casting agencies-Wikipedia
maven's note:Crossroads of the World soon will be featuring in my short story as "Rodent Mews". Story of an eleven years old, multiple personality psychopath schoolboy Caelid Cunnlife, who revenges on the neigbor evil-gossipmonger Mrs Nagel and the school principal Dick Deacon. You can read some excerpts in maventalk blog soon.
Spoiler: A rat zaps across the room. The rats and roaches and secrets, probably the oldest residents in Rodent Mews (hence the name) multiplied like crazy.
Such was Rodent Mews, or Rotten Mews as the locals called it cruelly, in the afternoons, where time stood still under the blazing summer sun… this his is the Mews and anything that can happen will happen.
Dragnet
Case Stories from the popular Television Series
Richard Deming
Whitman Publishing/USA (1957)
Illustration by Tony Sgroi
Skagen has always been famous for its special light and therefore very popular with artists. The museum of Skagen displays the work of the Skagen Painters, a group of impressionist Scandinavian artists who gathered in the village of Skagen from the late 1870s until the turn of the century.
One of their prominent members was Peder Severin Krøyer (1851-1909) who painted the daily life of the fishermen, for example when they hauled the dragnets, and portraits. He is most famous for his paintings of ladies enjoying their strolls at Skagen's beach, using his famous hues of blue.
seagulls hanging out waiting for fishnet to be pulled.
PP- edited for color, contrast, & composition.
Burning Man Festival 2019 in Nevada. The theme was "Metamorphoses"
To see more images from 2019 and other years of Burning Man festival go to: www.dusttoashes.com
I hope you enjoyed the images and thank you for visiting.
Thanks to the following for elements of this image:
www.flickr.com/photos/dragnet/2132554333
Rho-do-den-dron.....Even now I still hear the way my dad always said this, with the tone of the opening seconds to Dragnet: www.youtube.com/watch?v=Hj-qhIGTXdU
EOS 5D Mark IV+Tokina opera 50mm F1.4 FF
* If you have requests or comments, please describe these in photo comment space.
British postcard in the Greetings series. Photo: 20th Century Fox.
Green-eyed and dark-haired American actress Wanda Hendrix (1928-1981) achieved stardom in her teens and played in about 20 films in the late 1940s and 1950s. Her first, brief marriage was to the most decorated soldier of World War II, Audie Murphy.
Dixie Wanda Hendrix was born in 1928 in Jacksonville, Florida, to Max Sylvester and Mary Faircloth Hendrix, nee Bailley. Her father was a logging camp boss who later worked for Lockheed Aircraft. After graduation from junior high school, she joined the Jacksonville Little Theatre, where she was discovered by a Warner Brothers talent scout. The 16-years-old moved to Hollywood. She made her debut as Else, the char-girl with the thickened brogue who develops an ill-fated allegiance with Charles Boyer in Confidential Agent (Herman Shumlin, 1945). Before she was out of her teens she had starred in several other films, including the Film Noir Nora Prentiss (Vincent Sherman, 1947) with Ann Sheridan, Robert Montgomery’s exemplary 'ultra- Noir' Ride the Pink Horse (1947) and the comedy Welcome Stranger (Elliott Nugent, 1947) with Bing Crosby. In 1946, WWII hero-turned-actor Audie Murphy saw her on the cover of Coronet magazine and his mentor, actor James Cagney, called the magazine and got her address. Audie asked her to dinner, and they fell in love immediately. They got engaged in 1947 and promised her parents that they would defer marriage for two full years. Her parents moved to Hollywood, where they bought a ranch. In 1949, the young couple married and the press reported: "Audie Murphy thinks his little Hendrix honey is Wanda-ful!" However, Murphy wanted her to give up filming and move with him to Texas. He had terrible nightmares from his war experiences and always had his gun with him. During 'flashback' episodes he would turn on her, once holding her at gunpoint. In her later years, Hendrix spoke of Murphy's suffering from post-traumatic stress disorder with sympathy. Murphy had a passion for horse racing and for making big-money bets on long shots. Eventually, he gambled away all of her savings. In 1950, after 13 months of marriage, she received a divorce in 1951. Los Angeles on the grounds of mental cruelty. The couple had no children but together they produced the Western Sierra (Alfred E. Green, 1950).
Among Wanda Hendrix's best-known films are the comedy Miss Tatlock's Millions (Richard Haydn, 1948) with Richard Lund, The Prince of Foxes (Henry King, 1949), with Tyrone Power and Orson Welles, the drama Song of Surrender (Mitchell Leisen, 1949), the Western Saddle Tramp (Hugo Fregonese, 1950) starring Joel McCrea, and the adventure film The Highwayman (Lesley Selander, 1951) with Charles Coburn. Later, she starred with John Derek in the action film in Sea of Lost Ships (Joseph Kane, 1953), and she sizzled and showed off her hips in the Roger Corman–produced crime drama Highway Dragnet (Nathan Juran, 1954) with Richard Conte. In 1954, she married wealthy sportsman James L. Stack, brother of the actor Robert Stack, and she briefly retired. Her second marriage also made headlines when it came to an end in 1958 with both sides charging ''mental cruelty.'' Hendrix went to work again, on TV mostly. One of her films in this period was the thriller Johnny Cool (William Asher, 1963) with Henry Silva. According to IMDb, she developed a drinking problem in the 1960s due to the few acting roles she was offered. In 1969, she married Italian financier and oil company executive Steve La Monte in a single-ring ceremony at a plush suite of the Stardust Hotel in Las Vegas, Nevada. He was 34; she listed her age on the marriage license as 33. La Monte divorced her in 1979 or 1980 (the sources differ). Despite breaking up after a year of marriage with Audie Murphy, she had continued to love him and was devastated when he died suddenly in a plane crash in 1971. She considered collaborating with author Douglas Warren on an autobiography of Murphy, but it never came to fruition. Her last role for the big screen was in the Civil War horror One Minute Before Death (Rogelio A. González, 1972), based on a short story 'The Oval Portrait' by Edgar Allan Poe. The film in which she co-starred with Barry Coe, was never theatrically released. Her final screen appearance was in an episode of the TV series Police Story (1974) with Scott Brady. In 1981, Wanda Hendrix died of double pneumonia in Burbank, California. She was 52. Hendrix was interred at Forest Lawn Memorial Park, Hollywood Hills.
Sources: Chuck Stephens (Film Comment), New York Times, Glamour Girls of the Silver Screen, Wikipedia and IMDb.
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Rawa Pening, Ambarawa, Central Java, Indonesia.
"Rawa Pening" (Rawa means Swamp, and Pening means headache) fishermans always start their work before dawn. Sometimes they throw a dragnet, sometimes they only check their fish dike. The sunrise here is very awesome.
Eva Longoria Parker, née Eva Jacqueline Longoria, le 15 mars 1975 à Corpus Christi (Texas) est une actrice américaine d’origine mexicaine.
Elle est devenue célèbre grâce à son rôle de Gabrielle Solis dans la série Desperate Housewives.
Considérée comme l’une des femmes les plus sexy des États-Unis,Eva est depuis le 7 juillet 2007 l’épouse du basketteur français Tony Parker.
Enfance et formation
Elle est la cadette d'une famille de quatre filles et a grandi dans une ferme du Texas. Elle fut une Miss Corpus Christi en 1998, ce qui lui permit d’obtenir une bourse pour aller à Los Angeles.
C’est la seule de sa famille à avoir la peau mate ainsi que les yeux et les cheveux foncés. Plus jeune, elle était persuadée d’avoir été adoptée. Eva a trois sœurs, dont une handicapée, Lisa.
Carrière d'actrice
Elle quitte le Texas en 1997 pour faire des castings à Los Angeles et devient célèbre dans le rôle d'Isabella Brana Williams pour le soap Les Feux de l'amour de 2001 à 2003. Elle enchaîne dans les séries L.A. Dragnet (disparue), puis le rôle de Gabrielle Solis, ex top-model vénale et matérialiste dans le feuilleton télévisé Desperate Housewives véritable succès aux États-Unis depuis l'automne 2004.
En 2005, elle signe un contrat avec L'Oréal, contrat qui la met sur le rang de stars telles que Beyoncé. Elle est aujourd'hui l'une des stars d'Hollywood les plus sollicitées, elle porte régulièrement les créations du couturier libanais Elie Saab.
En 2006, elle apparut au cinéma dans Harsh Times, aux côtés de Christian Bale puis dans The Sentinel.
En 2008, elle devient l'égérie de la marque de crèmes glacées "Magnum".
Filmographie
Depuis 2001, sa voix française en doublage est celle d'Odile Schmitt.
au cinéma
2003 : Snitch's
2004 : Señorita Justice
2004 : Carlita's Secret
2005 : Foodfight!, Voix VO de Lady X
2006 : Bad Times
2006 : The Sentinel
2006 : Deep in the Heart of Texas
2007 : Les Femmes de ses rêves
2008: Le Fantôme de mon ex-fiancée
2008 : Lower Learning
Pour la télévision
2001 - 2003 : Les Feux de l'amour
2003 : Dragnet, série télévisée
Depuis 2004 Desperate Housewives, feuilleton télévisé (saisons 1, 2, 3, 4,5 et surement les 6 et 7e derniere saison de la série), « Gabrielle ».
2004 : Off Topic with Carlos Watson , série télévisée.
2004 : The Dead Will Tell, téléfilm.
2005 : Punk'd, série télévisée (1 épisode).
Clips musicaux
On peut la voir dans le clip de Tony Parker « Balance-toi », dans celui de son amie Jessica Simpson « A Public Affair » et dans le clip « Unpredictable » de Jamie Foxx.
Vie privée
Elle a été mariée à l'acteur de séries télévisées de type soap opera, Tyler Christopher de 2002 à 2004.
Mercredi 29 novembre 2006, deux mois après une grosse crise qui laissait craindre le pire pour leur couple, Eva Longoria et Tony Parker ont annoncé leurs fiançailles. « Une demande en mariage romantique et parfaite », selon la porte-parole de l’actrice. Tony lui a offert une bague avec une émeraude de grosse taille sertie de 247 diamants.
Elle est aujourd’hui l’épouse du basketteur français Tony Parker des San Antonio Spurs (NBA), qui a sept ans de moins qu'elle (il est né en 1982). Elle l'a rencontré en novembre 2004. Son mariage civil a été célébré par Bertrand Delanoë le 6 juillet 2007. Le mariage religieux eut lieu le 7 juillet 2007, une date considérée comme porte-bonheur par les Américains. La réception eut lieu au Château de Vaux-le-Vicomte à Maincy près de Melun.
Ils vivent dans une grande villa à Austin (Texas). Son père est depuis toujours un grand fan des San Antonio Spurs. On lui a donc proposé d'aller voir les joueurs dans les vestiaires après le match, et c'est ce jour qu'elle a rencontré Tony Parker. Déjà bilingue anglais et espagnol, Eva prend des cours de français pour parler la langue maternelle de son mari et faire honneur à sa belle-famille.
En 2008, elle a ouvert un restaurant mexicain à Los Angeles.
Mustafa Kemal Atatürk, also known as Mustafa Kemal Pasha until 1921, and Ghazi Mustafa Kemal from 1921 until the Surname Law of 1934 (c. 1881 – 10 November 1938), was a Turkish field marshal, revolutionary statesman, author, and the founding father of the Republic of Turkey, serving as its first president from 1923 until his death in 1938. He undertook sweeping progressive reforms, which modernized Turkey into a secular, industrializing nation. Ideologically a secularist and nationalist, his policies and socio-political theories became known as Kemalism.
Atatürk came to prominence for his role in securing the Ottoman Turkish victory at the Battle of Gallipoli (1915) during World War I. During this time, the Ottoman Empire perpetrated genocides against its Greek, Armenian and Assyrian subjects; while not directly involved, Atatürk's role in their aftermath has been controversial. Following the defeat of the Ottoman Empire after World War I, he led the Turkish National Movement, which resisted mainland Turkey's partition among the victorious Allied powers. Establishing a provisional government in the present-day Turkish capital Ankara (known in English at the time as Angora), he defeated the forces sent by the Allies, thus emerging victorious from what was later referred to as the Turkish War of Independence. He subsequently proceeded to abolish the sultanate in 1922 and proclaimed the foundation of the Turkish Republic in its place the following year.
As the president of the newly formed Turkish Republic, Atatürk initiated a rigorous program of political, economic, and cultural reforms with the ultimate aim of building a republican and secular nation-state. He made primary education free and compulsory, opening thousands of new schools all over the country. He also introduced the Latin-based Turkish alphabet, replacing the old Ottoman Turkish alphabet. Turkish women received equal civil and political rights during Atatürk's presidency. In particular, women were given voting rights in local elections by Act no. 1580 on 3 April 1930 and a few years later, in 1934, full universal suffrage. His government carried out a policy of Turkification, trying to create a homogeneous, unified and above all secular nation under the Turkish banner. Under Atatürk, the minorities in Turkey were ordered to speak Turkish in public, but were allowed to maintain their own languages in private and within their own communities; non-Turkish toponyms were replaced and non-Turkish families were ordered to adopt a Turkish surname. The Turkish Parliament granted him the surname Atatürk in 1934, which means "Father of the Turks", in recognition of the role he played in building the modern Turkish Republic. He died on 10 November 1938 at Dolmabahçe Palace in Istanbul, at the age of 57; he was succeeded as president by his long-time prime minister İsmet İnönü and was honored with a state funeral.
In 1981, the centennial of Atatürk's birth, his memory was honoured by the United Nations and UNESCO, which declared it The Atatürk Year in the World and adopted the Resolution on the Atatürk Centennial, describing him as "the leader of the first struggle given against colonialism and imperialism" and a "remarkable promoter of the sense of understanding between peoples and durable peace between the nations of the world and that he worked all his life for the development of harmony and cooperation between peoples without distinction". Atatürk was also credited for his peace-in-the-world oriented foreign policy and friendship with neighboring countries such as Iran, Yugoslavia, Iraq, and Greece, as well as the creation of the Balkan Pact that resisted the expansionist aggressions of Fascist Italy and Tsarist Bulgaria.
The Turkish War of Independence (19 May 1919 – 24 July 1923) was a series of military campaigns and a revolution waged by the Turkish National Movement, after parts of the Ottoman Empire were occupied and partitioned following its defeat in World War I. The conflict was between the Turkish Nationalists against Allied and separatist forces over the application of Wilsonian principles, especially national self-determination, in post-World War I Anatolia and Eastern Thrace. The revolution concluded the collapse of the Ottoman Empire; the Ottoman monarchy and the Islamic caliphate were abolished, and the Republic of Turkey was declared in Anatolia and Eastern Thrace. This resulted in a transfer of vested sovereignty from the sultan-caliph to the nation, setting the stage for Republican Turkey's period of nationalist revolutionary reform.
While World War I ended for the Ottoman Empire with the Armistice of Mudros, the Allied Powers continued occupying and securing land per the Sykes–Picot Agreement, as well as to facilitate the prosecution of former members of the Committee of Union and Progress and those involved in the Armenian genocide. Ottoman military commanders therefore refused orders from both the Allies and the Ottoman government to surrender and disband their forces. In an atmosphere of turmoil throughout the remainder of the empire, sultan Mehmed VI dispatched Mustafa Kemal Pasha (Atatürk), a well-respected and high-ranking general, to Anatolia to restore order; however, Mustafa Kemal became an enabler and eventually leader of Turkish Nationalist resistance against the Ottoman government, Allied powers, and separatists.
In an attempt to establish control over the power vacuum in Anatolia, the Allies agreed to launch a Greek peacekeeping force into Anatolia and occupy Smyrna (İzmir), inflaming sectarian tensions and beginning the Turkish War of Independence. A nationalist counter government led by Mustafa Kemal was established in Ankara when it became clear the Ottoman government was appeasing the Allied powers. The Allies soon pressured the Ottoman government in Constantinople to suspend the Constitution, shutter Parliament, and sign the Treaty of Sèvres, a treaty unfavorable to Turkish interests that the "Ankara government" declared illegal.
In the ensuing war, Turkish and Syrian forces defeated the French in the south, and remobilized army units went on to partition Armenia with the Bolsheviks, resulting in the Treaty of Kars (October 1921). The Western Front of the independence war is known as the Greco-Turkish War, in which Greek forces at first encountered unorganized resistance. However, İsmet Pasha (İnönü)'s organization of militia into a regular army paid off when Ankara forces fought the Greeks in the First and Second Battle of İnönü. The Greek army emerged victorious in the Battle of Kütahya-Eskişehir and decided to drive on the Nationalist capital of Ankara, stretching their supply lines. The Turks checked their advance in the Battle of Sakarya and eventually counter-attacked in the Great Offensive, which expelled Greek forces from Anatolia in the span of three weeks. The war effectively ended with the recapture of İzmir and the Chanak Crisis, prompting the signing of another armistice in Mudanya.
The Grand National Assembly in Ankara was recognized as the legitimate Turkish government, which signed the Treaty of Lausanne (July 1923), a treaty more favorable to Turkey than the Sèvres Treaty. The Allies evacuated Anatolia and Eastern Thrace, the Ottoman government was overthrown and the monarchy abolished, and the Grand National Assembly of Turkey (which remains Turkey's primary legislative body today) declared the Republic of Turkey on 29 October 1923. With the war, a population exchange between Greece and Turkey, the partitioning of the Ottoman Empire, and the abolition of the sultanate, the Ottoman era came to an end, and with Atatürk's reforms, the Turks created the modern, secular nation-state of Turkey. On 3 March 1924, the Ottoman caliphate was also abolished.
The ethnic demographics of the modern Turkish Republic were significantly impacted by the earlier Armenian genocide and the deportations of Greek-speaking, Orthodox Christian Rum people. The Turkish Nationalist Movement carried out massacres and deportations to eliminate native Christian populations—a continuation of the Armenian genocide and other ethnic cleansing operations during World War I. Following these campaigns of ethnic cleansing, the historic Christian presence in Anatolia was destroyed, in large part, and the Muslim demographic had increased from 80% to 98%.
Following the chaotic politics of the Second Constitutional Era, the Ottoman Empire came under the control of the Committee of Union and Progress in a coup in 1913, and then further consolidated its control after the assassination of Mahmud Shevket Pasha.[citation needed] Founded as a radical revolutionary group seeking to prevent a collapse of the Ottoman Empire, by the eve of World War I it decided that the solution was to implement nationalist and centralizing policies. The CUP reacted to the losses of land and the expulsion of Muslims from the Balkan Wars by turning even more nationalistic. Part of its effort to consolidate power was to proscribe and exile opposition politicians from the Freedom and Accord Party to remote Sinop.
The Unionists brought the Ottoman Empire into World War I on the side of Germany and Austria-Hungary, during which a genocidal campaign was waged against Ottoman Christians, namely Armenians, Pontic Greeks, and Assyrians. It was based on an alleged conspiracy that the three groups would rebel on the side of the Allies, so collective punishment was applied. A similar suspicion and suppression from the Turkish nationalist government was directed towards the Arab and Kurdish populations, leading to localized rebellions. The Entente powers reacted to these developments by charging the CUP leaders, commonly known as the Three Pashas, with "Crimes against humanity" and threatened accountability. They also had imperialist ambitions on Ottoman territory, with a major correspondence over a post-war settlement in the Ottoman Empire being leaked to the press as the Sykes–Picot Agreement. With Saint Petersburg's exit from World War I and descent into civil war, driven in part from the Ottomans' closure of the Turkish straits of goods bound to Russia, a new imperative was given to the Entente powers to knock the Ottoman Empire out of the war to restart the Eastern Front.
World War I would be the nail in the coffin of Ottomanism, a monarchist and multicultural nationalism. Mistreatment of non-Turk groups after 1913, and the general context of great socio-political upheaval that occurred in the aftermath of World War I, meant many minorities now wished to divorce their future from imperialism to form futures of their own by separating into (often republican) nation-states.
In the summer months of 1918, the leaders of the Central Powers realized that the Great War was lost, including the Ottomans'. Almost simultaneously the Palestinian Front and then the Macedonian Front collapsed. The sudden decision by Bulgaria to sign an armistice cut communications from Constantinople (İstanbul) to Vienna and Berlin, and opened the undefended Ottoman capital to Entente attack. With the major fronts crumbling, Unionist Grand Vizier Talât Pasha intended to sign an armistice, and resigned on 8 October 1918 so that a new government would receive less harsh armistice terms. The Armistice of Mudros was signed on 30 October 1918, ending World War I for the Ottoman Empire. Three days later, the Committee of Union and Progress (CUP)—which governed the Ottoman Empire as a one-party state since 1913—held its last congress, where it was decided the party would be dissolved. Talât, Enver Pasha, Cemal Pasha, and five other high-ranking members of the CUP escaped the Ottoman Empire on a German torpedo boat later that night, plunging the country into a power vacuum.
The armistice was signed because the Ottoman Empire had been defeated in important fronts, but the military was intact and retreated in good order. Unlike other Central Powers, the Allies did not mandate an abdication of the imperial family as a condition for peace, nor did they request the Ottoman Army to dissolve its general staff. Though the army suffered from mass desertion throughout the war which led to banditry, there was no threat of mutiny or revolutions like in Germany, Austria-Hungary, or Russia. This is despite famine and economic collapse that was brought on by the extreme levels of mobilization, destruction from the war, disease, and mass murder since 1914.
Due to the Turkish nationalist policies pursued by the CUP against Ottoman Christians by 1918 the Ottoman Empire held control over a mostly homogeneous land of Muslims from Eastern Thrace to the Persian border. These included mostly Turks, as well as Kurds, Circassians, and Muhacir groups from Rumeli. Most Muslim Arabs were now outside of the Ottoman Empire and under Allied occupation, with some "imperialists" still loyal to the Ottoman Sultanate-Caliphate, and others wishing for independence or Allied protection under a League of Nations mandate. Sizable Greek and Armenian minorities remained within its borders, and most of these communities no longer wished to remain under the Empire.
On 30 October 1918, the Armistice of Mudros was signed between the Ottoman Empire and the Allies of World War I, bringing hostilities in the Middle Eastern theatre of World War I to an end. The Ottoman Army was to demobilize, its navy and air force handed to the Allies, and occupied territory in the Caucasus and Persia to be evacuated. Critically, Article VII granted the Allies the right to occupy forts controlling the Turkish Straits and the vague right to occupy "in case of disorder" any territory if there were a threat to security. The clause relating to the occupation of the straits was meant to secure a Southern Russian intervention force, while the rest of the article was used to allow for Allied controlled peace-keeping forces. There was also a hope to follow through punishing local actors that carried out exterminatory orders from the CUP government against Armenian Ottomans. For now, the House of Osman escaped the fates of the Hohenzollerns, Habsburgs, and Romanovs to continue ruling their empire, though at the cost of its remaining sovereignty.
On 13 November 1918, a French brigade entered Constantinople to begin a de facto occupation of the Ottoman capital and its immediate dependencies. This was followed by a fleet consisting of British, French, Italian and Greek ships deploying soldiers on the ground the next day, totaling 50,000 troops in Constantinople. The Allied Powers stated that the occupation was temporary and its purpose was to protect the monarchy, the caliphate and the minorities. Somerset Arthur Gough-Calthorpe—the British signatory of the Mudros Armistice—stated the Triple Entente's public position that they had no intention to dismantle the Ottoman government or place it under military occupation by "occupying Constantinople". However, dismantling the government and partitioning the Ottoman Empire among the Allied nations had been an objective of the Entente since the start of WWI.
A wave of seizures took place in the rest of the country in the following months. Citing Article VII, British forces demanded that Turkish troops evacuate Mosul, claiming that Christian civilians in Mosul and Zakho were killed en masse. In the Caucasus, Britain established a presence in Menshevik Georgia and the Lori and Aras valleys as peace-keepers. On 14 November, joint Franco-Greek occupation was established in the town of Uzunköprü in Eastern Thrace as well as the railway axis until the train station of Hadımköy on the outskirts of Constantinople. On 1 December, British troops based in Syria occupied Kilis, Marash, Urfa and Birecik. Beginning in December, French troops began successive seizures of the province of Adana, including the towns of Antioch, Mersin, Tarsus, Ceyhan, Adana, Osmaniye, and İslâhiye, incorporating the area into the Occupied Enemy Territory Administration North while French forces embarked by gunboats and sent troops to the Black Sea ports of Zonguldak and Karadeniz Ereğli commanding Turkey's coal mining region. These continued seizures of land prompted Ottoman commanders to refuse demobilization and prepare for the resumption of war.
The British similarly asked Mustafa Kemal Pasha (Atatürk) to turn over the port of Alexandretta (İskenderun), which he reluctantly did, following which he was recalled to Constantinople. He made sure to distribute weapons to the population to prevent them from falling into the hands of Allied forces. Some of these weapons were smuggled to the east by members of Karakol, a successor to the CUP's Special Organization, to be used in case resistance was necessary in Anatolia. Many Ottoman officials participated in efforts to conceal from the occupying authorities details of the burgeoning independence movement spreading throughout Anatolia.
Other commanders began refusing orders from the Ottoman government and the Allied powers. After Mustafa Kemal Pasha returned to Constantinople, Ali Fuat Pasha (Cebesoy) brought XX Corps under his command. He marched first to Konya and then to Ankara to organise resistance groups, such as the Circassian çetes he assembled with guerilla leader Çerkes Ethem. Meanwhile, Kazım Karabekir Pasha refused to surrender his intact and powerful XV Corps in Erzurum. Evacuation from the Caucusus, puppet republics and Muslim militia groups were established in the army's wake to hamper with the consolidation of the new Armenian state. Elsewhere in the country, regional nationalist resistance organizations known as Şuras –meaning "councils", not unlike soviets in revolutionary Russia– were founded, most pledging allegiance to the Defence of National Rights movement that protested continued Allied occupation and appeasement by the Sublime Porte.
Following the occupation of Constantinople, Mehmed VI Vahdettin dissolved the Chamber of Deputies which was dominated by Unionists elected back in 1914, promising elections for the next year. Vahdettin just ascended to the throne only months earlier with the death of Mehmed V Reşad. He was disgusted with the policies of the CUP, and wished to be a more assertive sovereign than his diseased half brother. Greek and Armenian Ottomans declared the termination of their relationship with the Ottoman Empire through their respective patriarchates, and refused to partake in any future election. With the collapse of the CUP and its censorship regime, an outpouring of condemnation against the party came from all parts of Ottoman media.
A general amnesty was soon issued, allowing the exiled and imprisoned dissidents persecuted by the CUP to return to Constantinople. Vahdettin invited the pro-Palace politician Damat Ferid Pasha, leader of the reconstituted Freedom and Accord Party, to form a government, whose members quickly set out to purge the Unionists from the Ottoman government. Ferid Pasha hoped that his Anglophilia and an attitude of appeasement would induce less harsh peace terms from the Allied powers. However, his appointment was problematic for nationalists, many being members of the liquidated committee that were surely to face trial. Years of corruption, unconstitutional acts, war profiteering, and enrichment from ethnic cleansing and genocide by the Unionists soon became basis of war crimes trials and courts martial trials held in Constantinople.[citation needed] While many leading Unionists were sentenced lengthy prison sentences, many made sure to escape the country before Allied occupation or to regions that the government now had minimal control over; thus most were sentenced in absentia. The Allies encouragement of the proceedings and the use of British Malta as their holding ground made the trials unpopular. The partisan nature of the trials was not lost on observers either. The hanging of the Kaymakam of Boğazlıyan district Mehmed Kemal resulted in a demonstration against the courts martials trials.
With all the chaotic politics in the capital and uncertainty of the severity of the incoming peace treaty, many Ottomans looked to Washington with the hope that the application of Wilsonian principles would mean Constantinople would stay Turkish, as Muslims outnumbered Christians 2:1. The United States never declared war on the Ottoman Empire, so many imperial elite believed Washington could be a neutral arbiter that could fix the empire's problems. Halide Edip (Adıvar) and her Wilsonian Principles Society led the movement that advocated for the empire to be governed by an American League of Nations Mandate (see United States during the Turkish War of Independence). American diplomats attempted to ascertain a role they could play in the area with the Harbord and King–Crane Commissions. However, with the collapse of Woodrow Wilson's health, the United States diplomatically withdrew from the Middle East to focus on Europe, leaving the Entente powers to construct a post-Ottoman order.
The Entente would have arrived at Constantinople to discover an administration attempting to deal with decades of accumulated refugee crisis. The new government issued a proclamation allowing for deportees to return to their homes, but many Greeks and Armenians found their old homes occupied by desperate Rumelian and Caucasian Muslim refugees which were settled in their properties during the First World War. Ethnic conflict restarted in Anatolia; government officials responsible for resettling Christian refugees often assisted Muslim refugees in these disputes, prompting European powers to continue bringing Ottoman territory under their control. Of the 800,000 Ottoman Christian refugees, approximately over half returned to their homes by 1920. Meanwhile 1.4 million refugees from the Russian Civil War would pass through the Turkish straits and Anatolia, with 150,000 White émigrés choosing to settle in Istanbul for short or long term (see Evacuation of the Crimea). Many provinces were simply depopulated from years of fighting, conscription, and ethnic cleansing (see Ottoman casualties of World War I). The province of Yozgat lost 50% of its Muslim population from conscription, while according to the governor of Van, almost 95% of its prewar residents were dead or internally displaced.
Administration in much of the Anatolian and Thracian countryside would soon all but collapse by 1919. Army deserters who turned to banditry essentially controlled fiefdoms with tacit approval from bureaucrats and local elites. An amnesty issued in late 1918 saw these bandits strengthen their positions and fight amongst each other instead of returning to civilian life. Albanian and Circassian muhacirs resettled by the government in northwestern Anatolia and Kurds in southeastern Anatolia were engaged in blood feuds that intensified during the war and were hesitant to pledge allegiance to the Defence of Rights movement, and only would if officials could facilitate truces. Various Muhacir groups were suspicious of the continued Ittihadist ideology in the Defence of Rights movement, and the potential for themselves to meet fates 'like the Armenians' especially as warlords hailing from those communities assisted the deportations of the Christians even though as many commanders in the Nationalist movement also had Caucasian and Balkan Muslim ancestry.
With Anatolia in practical anarchy and the Ottoman army being questionably loyal in reaction to Allied land seizures, Mehmed VI established the military inspectorate system to reestablish authority over the remaining empire. Encouraged by Karabekir and Edmund Allenby, he assigned Mustafa Kemal Pasha (Atatürk) as the inspector of the Ninth Army Troops Inspectorate –based in Erzurum– to restore order to Ottoman military units and to improve internal security on 30 April 1919, with his first assignment to suppress a rebellion by Greek rebels around the city of Samsun.
Mustafa Kemal was a well known, well respected, and well connected army commander, with much prestige coming from his status as the "Hero of Anafartalar"—for his role in the Gallipoli Campaign—and his title of "Honorary Aide-de-camp to His Majesty Sultan" gained in the last months of WWI. This choice would seem curious, as he was a nationalist and a fierce critic of the government's accommodating policy to the Entente powers. He was also an early member of the CUP. However Kemal Pasha did not associate himself with the fanatical faction of the CUP, many knew that he frequently clashed with the radicals of the Central Committee like Enver. He was therefore sidelined to the periphery of power throughout the Great War; after the CUP's dissolution he vocally aligned himself with moderates that formed the Liberal People's Party instead of the rump radical faction which formed the Renewal Party (both parties would be banned in May 1919 for being successors of the CUP). All these reasons allowed him to be the most legitimate nationalist for the sultan to placate. In this new political climate, he sought to capitalize on his war exploits to attain a better job, indeed several times he unsuccessfully lobbied for his inclusion in cabinet as War Minister. His new assignment gave him effective plenipotentiary powers over all of Anatolia which was meant to accommodate him and other nationalists to keep them loyal to the government.
Mustafa Kemal had earlier declined to become the leader of the Sixth Army headquartered in Nusaybin. But according to Patrick Balfour, through manipulation and the help of friends and sympathizers, he became the inspector of virtually all of the Ottoman forces in Anatolia, tasked with overseeing the disbanding process of remaining Ottoman forces. Kemal had an abundance of connections and personal friends concentrated in the post-armistice War Ministry, a powerful tool that would help him accomplish his secret goal: to lead a nationalist movement to safeguard Turkish interests against the Allied powers and a collaborative Ottoman government.
The day before his departure to Samsun on the remote Black Sea coast, Kemal had one last audience with Sultan Vahdettin, where he affirmed his loyalty to the sultan-caliph. It was in this meeting that they were informed of the botched occupation ceremony of Smyrna (İzmir) by the Greeks. He and his carefully selected staff left Constantinople aboard the old steamer SS Bandırma on the evening of 16 May 1919.
On 19 January 1919, the Paris Peace Conference was first held, at which Allied nations set the peace terms for the defeated Central Powers, including the Ottoman Empire. As a special body of the Paris Conference, "The Inter-Allied Commission on Mandates in Turkey", was established to pursue the secret treaties they had signed between 1915 and 1917. Italy sought control over the southern part of Anatolia under the Agreement of St.-Jean-de-Maurienne. France expected to exercise control over Hatay, Lebanon, Syria, and a portion of southeastern Anatolia based on the Sykes–Picot Agreement.
Greece justified their territorial claims of Ottoman land through the Megali Idea as well as international sympathy from the suffering of Ottoman Greeks in 1914 and 1917–1918. Privately, Greek prime minister Eleftherios Venizelos had British prime minister David Lloyd George's backing not least from Greece's entrance to WWI on the Allied side, but also from his charisma and charming personality. Greece's participation in the Allies' Southern Russian intervention also earned it favors in Paris. His demands included parts of Eastern Thrace, the islands of Imbros (Gökçeada), Tenedos (Bozcaada), and parts of Western Anatolia around the city of Smyrna (İzmir), all of which had large Greek populations. Venizelos also advocated a large Armenian state to check a post-war Ottoman Empire. Greece wanted to incorporate Constantinople, but Entente powers did not give permission. Damat Ferid Pasha went to Paris on behalf of the Ottoman Empire hoping to minimize territorial losses using Fourteen Points rhetoric, wishing for a return to status quo ante bellum, on the basis that every province of the Empire holds Muslim majorities. This plea was met with ridicule.
At the Paris Peace Conference, competing claims over Western Anatolia by Greek and Italian delegations led Greece to land the flagship of the Greek Navy at Smyrna, resulting in the Italian delegation walking out of the peace talks. On 30 April, Italy responded to the possible idea of Greek incorporation of Western Anatolia by sending a warship to Smyrna as a show of force against the Greek campaign. A large Italian force also landed in Antalya. Faced with Italian annexation of parts of Asia Minor with a significant ethnic Greek population, Venizelos secured Allied permission for Greek troops to land in Smyrna per Article VII, ostensibly as a peacekeeping force to keep stability in the region. Venizelos's rhetoric was more directed against the CUP regime than the Turks as a whole, an attitude not always shared in the Greek military: "Greece is not making war against Islam, but against the anachronistic [İttihadist] Government, and its corrupt, ignominious, and bloody administration, with a view to the expelling it from those territories where the majority of the population consists of Greeks." It was decided by the Triple Entente that Greece would control a zone around Smyrna and Ayvalık in western Asia Minor.
Most historians mark the Greek landing at Smyrna on 15 May 1919 as the start date of the Turkish War of Independence as well as the start of the "Kuva-yi Milliye Phase". The occupation ceremony from the outset was tense from nationalist fervor, with Ottoman Greeks greeting the soldiers with an ecstatic welcome, and Ottoman Muslims protesting the landing. A miscommunication in Greek high command led to an Evzone column marching by the municipal Turkish barracks. The nationalist journalist Hasan Tahsin fired the "first bullet"[note 4] at the Greek standard bearer at the head of the troops, turning the city into a warzone. Süleyman Fethi Bey was murdered by bayonet for refusing to shout "Zito Venizelos" (meaning "long live Venizelos"), and 300–400 unarmed Turkish soldiers and civilians and 100 Greek soldiers and civilians were killed or wounded.
Greek troops moved from Smyrna outwards to towns on the Karaburun peninsula; to Selçuk, situated a hundred kilometres south of the city at a key location that commands the fertile Küçük Menderes River valley; and to Menemen towards the north. Guerilla warfare commenced in the countryside, as Turks began to organize themselves into irregular guerilla groups known as Kuva-yi Milliye (national forces), which were soon joined by Ottoman soldiers, bandits, and disaffected farmers. Most Kuva-yi Milliye bands were led by rogue military commanders and members of the Special Organization. The Greek troops based in cosmopolitan Smyrna soon found themselves conducting counterinsurgency operations in a hostile, dominantly Muslim hinterland. Groups of Ottoman Greeks also formed contingents that cooperated with the Greek Army to combat Kuva-yi Milliye within the zone of control. A massacre of Turks at Menemen was followed up with a battle for the town of Aydın, which saw intense intercommunal violence and the razing of the city. What was supposed to be a peacekeeping mission of Western Anatolia instead inflamed ethnic tensions and became a counterinsurgency.
The reaction of Greek landing at Smyrna and continued Allied seizures of land served to destabilize Turkish civil society. Ottoman bureaucrats, military, and bourgeoisie trusted the Allies to bring peace, and thought the terms offered at Mudros were considerably more lenient than they actually were. Pushback was potent in the capital, with 23 May 1919 being largest of the Sultanahmet Square demonstrations organized by the Turkish Hearths against the Greek occupation of Smyrna, the largest act of civil disobedience in Turkish history at that point. The Ottoman government condemned the landing, but could do little about it. Ferid Pasha tried to resign, but was urged by the sultan to stay in his office.
Mustafa Kemal Pasha and his colleagues stepped ashore in Samsun on 19 May and set up their first quarters in the Mıntıka Palace Hotel. British troops were present in Samsun, and he initially maintained cordial contact. He had assured Damat Ferid about the army's loyalty towards the new government in Constantinople. However, behind the government's back, Kemal made the people of Samsun aware of the Greek and Italian landings, staged discreet mass meetings, made fast connections via telegraph with the army units in Anatolia, and began to form links with various Nationalist groups. He sent telegrams of protest to foreign embassies and the War Ministry about British reinforcements in the area and about British aid to Greek brigand gangs. After a week in Samsun, Kemal and his staff moved to Havza. It was there that he first showed the flag of the resistance.
Mustafa Kemal wrote in his memoir that he needed nationwide support to justify armed resistance against the Allied occupation. His credentials and the importance of his position were not enough to inspire everyone. While officially occupied with the disarming of the army, he met with various contacts in order to build his movement's momentum. He met with Rauf Pasha, Karabekir Pasha, Ali Fuat Pasha, and Refet Pasha and issued the Amasya Circular (22 June 1919). Ottoman provincial authorities were notified via telegraph that the unity and independence of the nation was at risk, and that the government in Constantinople was compromised. To remedy this, a congress was to take place in Erzurum between delegates of the Six Vilayets to decide on a response, and another congress would take place in Sivas where every Vilayet should send delegates. Sympathy and an lack of coordination from the capital gave Mustafa Kemal freedom of movement and telegraph use despite his implied anti-government tone.
On 23 June, High Commissioner Admiral Calthorpe, realising the significance of Mustafa Kemal's discreet activities in Anatolia, sent a report about the Pasha to the Foreign Office. His remarks were downplayed by George Kidson of the Eastern Department. Captain Hurst of the British occupation force in Samsun warned Admiral Calthorpe one more time, but Hurst's units were replaced with the Brigade of Gurkhas. When the British landed in Alexandretta, Admiral Calthorpe resigned on the basis that this was against the armistice that he had signed and was assigned to another position on 5 August 1919. The movement of British units alarmed the population of the region and convinced them that Mustafa Kemal was right.
By early July, Mustafa Kemal Pasha received telegrams from the sultan and Calthorpe, asking him and Refet to cease his activities in Anatolia and return to the capital. Kemal was in Erzincan and did not want to return to Constantinople, concerned that the foreign authorities might have designs for him beyond the sultan's plans. Before resigning from his position, he dispatched a circular to all nationalist organizations and military commanders to not disband or surrender unless for the latter if they could be replaced by cooperative nationalist commanders. Now only a civilian stripped of his command, Mustafa Kemal was at the mercy of the new inspector of Third Army (renamed from Ninth Army) Karabekir Pasha, indeed the War Ministry ordered him to arrest Kemal, an order which Karabekir refused. The Erzurum Congress was a meeting of delegates and governors from the six Eastern Vilayets. They drafted the National Pact (Misak-ı Millî), which envisioned new borders for the Ottoman Empire by applying principles of national self-determination per Woodrow Wilson's Fourteen Points and the abolition of the capitulations. The Erzurum Congress concluded with a circular that was effectively a declaration of independence: All regions within Ottoman borders upon the signing of the Mudros Armistice were indivisible from the Ottoman state –Greek and Armenian claims on Thrace and Anatolia were moot– and assistance from any country not coveting Ottoman territory was welcome. If the government in Constantinople was not able to attain this after electing a new parliament, they insisted a provisional government should be promulgated to defend Turkish sovereignty. The Committee of Representation was established as a provisional executive body based in Anatolia, with Mustafa Kemal Pasha as its chairman.
Following the congress, the Committee of Representation relocated to Sivas. As announced in the Amasya Circular, a new congress was held there in September with delegates from all Anatolian and Thracian provinces. The Sivas Congress repeated the points of the National Pact agreed to in Erzurum, and united the various regional Defence of National Rights Associations organizations, into a united political organisation: Anatolia and Rumeli Defence of Rights Association (A-RMHC), with Mustafa Kemal as its chairman. In an effort show his movement was in fact a new and unifying movement, the delegates had to swear an oath to discontinue their relations with the CUP and to never revive the party (despite most present in Sivas being previous members).[120] It was also decided there that the Ottoman Empire should not be a League of Nations mandate under the United States, especially after the U.S Senate failed to ratify American membership in the League.
Momentum was now on the Nationalists' side. A plot by a loyalist Ottoman governor and a British intelligence officer to arrest Kemal before the Sivas Congress led to the cutting of all ties with the Ottoman government until a new election would be held in the lower house of parliament, the Chamber of Deputies. In October 1919, the last Ottoman governor loyal to Constantinople fled his province. Fearing the outbreak of hostilities, all British troops stationed in the Black Sea coast and Kütahya were evacuated. Damat Ferid Pasha resigned, and the sultan replaced him with a general with nationalist credentials: Ali Rıza Pasha. On 16 October 1919, Ali Rıza and the Nationalists held negotiations in Amasya. They agreed in the Amasya Protocol that an election would be called for the Ottoman Parliament to establish national unity by upholding the resolutions made in the Sivas Congress, including the National Pact.
By October 1919, the Ottoman government only held de facto control over Constantinople; the rest of the Ottoman Empire was loyal to Kemal's movement to resist a partition of Anatolia and Thrace. Within a few months Mustafa Kemal went from General Inspector of the Ninth Army to a renegade military commander discharged for insubordination to leading a homegrown anti-Entente movement that overthrew a government and driven it into resistance.
In December 1919, an election was held for the Ottoman parliament, with polls only open in unoccupied Anatolia and Thrace. It was boycotted by Ottoman Greeks, Ottoman Armenians and the Freedom and Accord Party, resulting in groups associated with the Turkish Nationalist Movement winning, including the A-RMHC. The Nationalists' obvious links to the CUP made the election especially polarizing and voter intimidation and ballot box stuffing in favor of the Kemalists were regular occurrences in rural provinces. This controversy led to many of the nationalist MPs organizing the National Salvation Group separate from Kemal's movement, which risked the nationalist movement splitting in two.
Mustafa Kemal was elected an MP from Erzurum, but he expected the Allies neither to accept the Harbord report nor to respect his parliamentary immunity if he went to the Ottoman capital, hence he remained in Anatolia. Mustafa Kemal and the Committee of Representation moved from Sivas to Ankara so that he could keep in touch with as many deputies as possible as they traveled to Constantinople to attend the parliament.
Though Ali Rıza Pasha called the election as per the Amasya Protocol to keep unity between the "Istanbul government" and "Ankara government", he was wrong to think the election could bring him any legitimacy. The Ottoman parliament was under the de facto control of the British battalion stationed at Constantinople and any decisions by the parliament had to have the signatures of both Ali Rıza Pasha and the battalion's commanding officer. The only laws that passed were those acceptable to, or specifically ordered by the British.
On 12 January 1920, the last session of the Chamber of Deputies met in the capital. First the sultan's speech was presented, and then a telegram from Mustafa Kemal, manifesting the claim that the rightful government of Turkey was in Ankara in the name of the Committee of Representation. On 28 January the MPs from both sides of the isle secretly met to endorse the National Pact as a peace settlement. They added to the points passed in Sivas, calling for plebiscites to be held in West Thrace; Batum, Kars, and Ardahan, and Arab lands on whether to stay in the Empire or not. Proposals were also made to elect Kemal president of the Chamber;[clarification needed] however, this was deferred in the certain knowledge that the British would prorogue the Chamber. The Chamber of Deputies would be forcefully dissolved for passing the National Pact anyway. The National Pact solidified Nationalist interests, which were in conflict with the Allied plans.
From February to April, leaders of Britain, France, and Italy met in London to discuss the partitioning of the Ottoman Empire and the crisis in Anatolia. The British began to sense that the elected Ottoman government was under Kemalist influence and if left unchecked, the Entente could once again find themselves at war with the Empire. The Ottoman government was not doing all that it could to suppress the Nationalists.
Mustafa Kemal manufactured a crisis to pressure the Istanbul government to pick a side by deploying Kuva-yi Milliye towards İzmit. The British, concerned about the security of the Bosporus Strait, demanded Ali Rıza Pasha to reassert control over the area, to which he responded with his resignation to the sultan.
As they were negotiating the partition of the Ottoman Empire, the Allies were growing increasingly concerned about the Turkish National Movement. To this end, the Allied occupational authorities in Istanbul began to plan a raid to arrest nationalist politicians and journalists along with occupying military and police installations and government buildings. On 16 March 1920, the coup was carried out; several Royal Navy warships were anchored in the Galata Bridge to support British forces, including the Indian Army, while they carried out the arrests and occupied several government buildings in the early hours of the morning.
An Indian Army operation, the Şehzadebaşı raid, resulted in 5 Ottoman soldiers from the 10th Infantry Division being killed when troops raided their barracks. Among those arrested were the senior leadership of the Turkish National Movement and former members of the CUP. 150 arrested Turkish politicians accused of war crimes were interned in Malta and became known as the Malta exiles.
Mustafa Kemal was ready for this move. He warned all the Nationalist organisations that there would be misleading declarations from the capital. He warned that the only way to counter Allied movements was to organise protests. He declared "Today the Turkish nation is called to defend its capacity for civilization, its right to life and independence – its entire future".
On 18 March, the Chamber of Deputies declared that it was unacceptable to arrest five of its members, and dissolved itself. Mehmed VI confirmed this and declared the end of Constitutional Monarchy and a return to absolutism. University students were forbidden from joining political associations inside and outside the classroom. With the lower elected Chamber of Deputies shuttered, the Constitution terminated, and the capital occupied; Sultan Vahdettin, his cabinet, and the appointed Senate were all that remained of the Ottoman government, and were basically a puppet regime of the Allied powers. Grand Vizier Salih Hulusi Pasha declared Mustafa Kemal's struggle legitimate, and resigned after less than a month in office. In his place, Damat Ferid Pasha returned to the premiership. The Sublime Porte's decapitation by the Entente allowed Mustafa Kemal to consolidate his position as the sole leader of Turkish resistance against the Allies, and to that end made him the legitimate representative of the Turkish people.
The strong measures taken against the Nationalists by the Allies in March 1920 began a distinct new phase of the conflict. Mustafa Kemal sent a note to the governors and force commanders, asking them to conduct elections to provide delegates for a new parliament to represent the Ottoman (Turkish) people, which would convene in Ankara. With the proclamation of the counter-government, Kemal would then ask the sultan to accept its authority. Mustafa Kemal appealed to the Islamic world, asking for help to make sure that everyone knew he was still fighting in the name of the sultan who was also the caliph. He stated he wanted to free the caliph from the Allies. He found an ally in the Khilafat movement of British India, where Indians protested Britain's planned dismemberment of Turkey. A committee was also started for sending funds to help the soon to be proclaimed Ankara government of Mustafa Kemal. A flood of supporters moved to Ankara just ahead of the Allied dragnets. Included among them were Halide Edip and Abdülhak Adnan (Adıvar), Mustafa İsmet Pasha (İnönü), Mustafa Fevzi Pasha (Çakmak), many of Kemal's allies in the Ministry of War, and Celalettin Arif, the president of the now shuttered Chamber of Deputies. Celaleddin Arif's desertion of the capital was of great significance, as he declared that the Ottoman Parliament had been dissolved illegally.
Some 100 members of the Chamber of Deputies were able to escape the Allied roundup and joined 190 deputies elected. In March 1920, Turkish revolutionaries announced the establishment of a new parliament in Ankara known as the Grand National Assembly of Turkey (GNA) that was dominated by the A-RMHC.[citation needed] The parliament included Turks, Circassians, Kurds, and one Jew. They met in a building that used to serve as the provincial headquarters of the local CUP chapter. The inclusion of "Turkey" in its name reflected a increasing trend of new ways Ottoman citizens thought of their country, and was the first time it was formally used as the name of the country. On 23 April, the assembly, assuming full governmental powers, gathered for the first time, electing Mustafa Kemal its first Speaker and Prime Minister.
Hoping to undermine the Nationalist Movement, Mehmed VI issued a fatwa to qualify the Turkish revolutionaries as infidels, calling for the death of its leaders. The fatwa stated that true believers should not go along with the Nationalist Movement as they committed apostasy. The mufti of Ankara Rifat Börekçi issued a simultaneous fatwa, declaring that the caliphate was under the control of the Entente and the Ferid Pasha government. In this text, the Nationalist Movement's goal was stated as freeing the sultanate and the caliphate from its enemies. In reaction to the desertion of several prominent figures to the Nationalist Movement, Ferid Pasha ordered Halide Edip, Ali Fuat and Mustafa Kemal to be sentenced to death in absentia for treason.
On 28 April the sultan raised 4,000 soldiers known as the Kuva-yi İnzibatiye (Caliphate Army) to combat the Nationalists. Then using money from the Allies, another force about 2,000 strong from non-Muslim inhabitants were initially deployed in İznik. The sultan's government sent the forces under the name of the Caliphate Army to the revolutionaries to arouse counterrevolutionary sympathy. The British, being skeptical of how formidable these insurgents were, decided to use irregular power to counteract the revolutionaries. The Nationalist forces were distributed all around Turkey, so many smaller units were dispatched to face them. In İzmit there were two battalions of the British army. These units were to be used to rout the partisans under the command of Ali Fuat and Refet Pasha.
Anatolia had many competing forces on its soil: British troops, Nationalist militia (Kuva-yi Milliye), the sultan's army (Kuva-yi İnzibatiye), and Anzavur's bands. On 13 April 1920, an uprising supported by Anzavur against the GNA occurred at Düzce as a direct consequence of the fatwa. Within days the rebellion spread to Bolu and Gerede. The movement engulfed northwestern Anatolia for about a month. On 14 June, Nationalist militia fought a pitched battle near İzmit against the Kuva-yi İnzibatiye, Anzavur's bands, and British units. Yet under heavy attack some of the Kuva-yi İnzibatiye deserted and joined the Nationalist militia. Anzavur was not so lucky, as the Nationalists tasked Ethem the Circassian with crushing Anzavur's revolt. This revealed the sultan did not have the unwavering support of his own men and allies. Meanwhile, the rest of these forces withdrew behind the British lines which held their position. For now, Istanbul was out of Ankara's grasp.
The clash outside İzmit brought serious consequences. British forces conducted combat operations on the Nationalists and the Royal Air Force carried out aerial bombardments against the positions, which forced Nationalist forces to temporarily retreat to more secure missions. The British commander in Turkey, General George Milne—, asked for reinforcements. This led to a study to determine what would be required to defeat the Turkish Nationalists. The report, signed by French Field Marshal Ferdinand Foch, concluded that 27 divisions were necessary, but the British army did not have 27 divisions to spare. Also, a deployment of this size could have disastrous political consequences back home. World War I had just ended, and the British public would not support another lengthy and costly expedition.
The British accepted the fact that a nationalist movement could not be defeated without deployment of consistent and well-trained forces. On 25 June, the forces originating from Kuva-i İnzibatiye were dismantled under British supervision. The British realised that the best option to overcome these Turkish Nationalists was to use a force that was battle-tested and fierce enough to fight the Turks on their own soil. The British had to look no further than Turkey's neighbor already occupying its territory: Greece.
Eleftherios Venizelos, pessimistic of the rapidly deteriorating situation in Anatolia, requested to the Allies that a peace treaty be drawn up with the hope that fighting would stop. The subsequent treaty of Sèvres in August 1920 confirmed the Arab provinces of the empire would be reorganized into new nations given to Britain and France in the form of Mandates by the League of Nations, while the rest of the Empire would be partitioned between Greece, Italy, France (via Syrian mandate), Britain (via Iraqi mandate), Armenia (potentially under an American mandate), and Georgia. Smyrna would hold a plebiscite on whether to stay with Greece or Turkey, and the Kurdistan region would hold one on the question of independence. British, French, and Italian spheres of influence would also extend into Anatolia beyond the land concessions. The old capital of Constantinople as well as the Dardanelles would be under international League of Nations control.
However, the treaty could never come into effect. The treaty was extremely unpopular, with protests against the final document held even before its release in Sultanahmet square. Though Mehmed VI and Ferid Pasha loathed the treaty, they did not want Istanbul to join Ankara in nationalist struggle. The Ottoman government and Greece never ratified it. Though Ferid Pasha signed the treaty, the Ottoman Senate, the upper house with seats appointed by the sultan, refused to ratify the treaty. Greece disagreed on the borders drawn. The other allies began to fracture their support of the settlement immediately. Italy started openly supporting the Nationalists with arms by the end of 1920, and the French signed another separate peace treaty with Ankara only months later.
Kemal's GNA Government responded to the Treaty of Sèvres by promulgating a new constitution in January 1921. The resulting constitution consecrated the principle of popular sovereignty; authority not deriving from the unelected sultan, but from the Turkish people who elect governments representative of their interests. This document became the legal basis for the war of independence by the GNA, as the sultan's signature of the Treaty of Sèvres would be unconstitutional as his position was not elected. While the constitution did not specify a future role of the sultan, the document gave Kemal ever more legitimacy in the eyes of Turks for justified resistance against Istanbul.
In contrast to the Eastern and Western fronts, it was mostly unorganized Kuva-yi Milliye which were fighting in the Southern Front against France. They had help from the Syrians, who were fighting their own war with the French.
The British troops which occupied coastal Syria by the end of World War I were replaced by French troops over 1919, with the Syrian interior going to Faisal bin Al-Hussein's self-proclaimed Arab Kingdom of Syria. France which wanted to take control of all of Syria and Cilicia. There was also a desire facilitate the return of Armenian refugees in the region to their homes, and the occupation force consisted of the French Armenian Legion as well as various Armenian militia groups. 150,000 Armenians were repatriated to their homes within months of French occupation. On 21 January 1920, a Turkish Nationalist uprising and siege occurred against the French garrison in Marash. The French position untenable they retreated to Islahiye, resulting in a massacre of many Armenians by Turkish militia. A grueling siege followed in Antep which featured intense sectarian violence between Turks and Armenians. After a failed uprising by the Nationalists in Adana, by 1921, the French and Turks signed an armistice and eventually a treaty was brokered demarcating the border between the Ankara government and French controlled Syria. In the end, there was a mass exodus of Cilician Armenians to French controlled Syria, Previous Armenian survivors of deportation found themselves again as refugees and families which avoided the worst of the six years violence were forced from their homes, ending thousands of years of Christian presence in Southern Anatolia.[146] With France being the first Allied power to recognize and negotiate with the Ankara government only months after signing the Treaty of Sèvres, it was the first to break from the coordinated Allied approach to the Eastern question. In 1923 the Mandate for Syria and the Lebanon under French authority would be proclaimed in former Ottoman territory.
Some efforts to coordinate between Turkish Nationalists and the Syrian rebels persisted from 1920 to 1921, with the Nationalists supporting the Faisal's kingdom through Ibrahim Hanunu and Alawite groups which were also fighting the French. While the French conquered Syria, Cilicia had to be abandoned.
Kuva-yi Milliye also engaged with British forces in the "Al-Jazira Front," primarily in Mosul. Ali İhsan Pasha (Sabis) and his forces defending Mosul would surrender to the British in October 1918, but the British ignored the armistice and seized the city, following which the pasha also ignored the armistice and distributed weapons to the locals. Even before Mustafa Kemal's movement was fully organized, rogue commanders found allies in Kurdish tribes. The Kurds detested the taxes and centralization the British demanded, including Shaykh Mahmud of the Barzani family. Having previously supported the British invasion of Mesopotamia to become the governor of South Kurdistan, Mahmud revolted but was apprehended by 1919. Without legitimacy to govern the region, he was released from captivity to Sulaymaniyah, where he again declared an uprising against the British as the King of Kurdistan. Though an alliance existed with the Turks, little material support came to him from Ankara, and by 1923 there was a desire to cease hostilities between the Turks and British at Barzanji's expense. Mahmud was overthrown in 1924, and after a 1926 plebiscite, Mosul was awarded to British-controlled Iraq.
Since 1917, the Caucasus was in a chaotic state. The border of newly independent Armenia and the Ottoman Empire was defined in the Treaty of Brest-Litovsk (3 March 1918) after the Bolshevik revolution, and later by the Treaty of Batum (4 June 1918). To the east, Armenia was at war with the Azerbaijan Democratic Republic after the breakup of the Transcaucasian Democratic Federative Republic, and received support from Anton Denikin's White Russian Army. It was obvious that after the Armistice of Mudros (30 October 1918) the eastern border was not going to stay as it was drawn, which mandated the evacuation of the Ottoman army back to its 1914 borders. Right after the Armistice of Mudros was signed, pro-Ottoman provisional republics were proclaimed in Kars and Aras which were subsequently invaded by Armenia. Ottoman soldiers were convinced not to demobilize lest the area become a 'second Macedonia'.[149] Both sides of the new borders had massive refugee populations and famine, which were compounded by the renewed and more symmetric sectarian violence (See Massacres of Azerbaijanis in Armenia (1917–1921) and Muslim uprisings in Kars and Sharur–Nakhichevan). There were talks going on with the Armenian Diaspora and Allied Powers on reshaping the border. Woodrow Wilson agreed to transfer territories to Armenia based on the principles of national self-determination. The results of these talks were to be reflected on the Treaty of Sèvres (10 August 1920).
Kâzım Karabekir Pasha, commander of the XV corps, encountered Muslim refugees fleeing from the Armenian army, but did not have the authority to cross the border. Karabekir's two reports (30 May and 4 June 1920) outlined the situation in the region. He recommended redrawing the eastern borders, especially around Erzurum. The Russian government was receptive to this and demanded that Van and Bitlis be transferred to Armenia. This was unacceptable to the Turkish revolutionaries. However, Soviet support was absolutely vital for the Turkish Nationalist movement, as Turkey was underdeveloped and had no domestic armaments industry. Bakir Sami (Kunduh) was assigned to negotiate with the Bolsheviks.
On 24 September 1920, Karabekir's XV corps and Kurdish militia advance on Kars, blowing through Armenian opposition, and then Alexandropol. With an advance on Yerevan imminent, on 28 November 1920, the 11th Red Army under the command of Anatoliy Gekker crossed over into Armenia from Soviet Azerbaijan, and the Armenian government surrendered to Bolshevik forces, ending the conflict.
The Treaty of Alexandropol (2—3 December 1920) was the first treaty (although illegitimate) signed by the Turkish revolutionaries. The 10th article in the Treaty of Alexandropol stated that Armenia renounced the Treaty of Sèvres and its allotted partition of Anatolia. The agreement was signed with representatives of the former government of Armenia, which by that time had no de jure or de facto power in Armenia, since Soviet rule was already established in the country. On 16 March 1921, the Bolsheviks and Turkey signed a more comprehensive agreement, the Treaty of Kars, which involved representatives of Soviet Armenia, Soviet Azerbaijan, and Soviet Georgia.
Throughout most of his life, Atatürk was a moderate-to-heavy drinker, often consuming half a litre of rakı a day; he also smoked tobacco, predominantly in the form of cigarettes. During 1937, indications that Atatürk's health was worsening started to appear. In early 1938, while on a trip to Yalova, he suffered from a serious illness. He went to Istanbul for treatment, where he was diagnosed with cirrhosis. During his stay in Istanbul, he made an effort to keep up with his regular lifestyle, but eventually succumbed to his illness. He died on 10 November 1938, at the age of 57, in the Dolmabahçe Palace.
Atatürk's funeral called forth both sorrow and pride in Turkey, and 17 countries sent special representatives, while nine contributed armed detachments to the cortège. Atatürk's remains were originally laid to rest in the Ethnography Museum of Ankara, but they were transferred on 10 November 1953 (15 years after his death) in a 42-ton sarcophagus to a mausoleum overlooking Ankara, Anıtkabir.
In his will, Atatürk donated all of his possessions to the Republican People's Party, provided that the yearly interest of his funds would be used to look after his sister Makbule and his adopted children, and fund the higher education of İsmet İnönü's children. The remainder was willed to the Turkish Language Association and the Turkish Historical Society.
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2006 Guest at Trek Expo in Tulsa, Oklahoma. She ate with us at Supper With the Stars benefitting Tulsa Boys' Home.
Wonderful actor best known for his role as the patriarch and creator of Jabott Perfumes, John Abbott, on the daytime tv show The Young And The Restless.
Jerry Douglas was born on November 12, 1932, in Chelsea, Massachusetts, USA as Gerald Rubenstein. He was an actor, known for The Young and the Restless (1973), JFK (1991), and Good Guys Wear Black (1978). He was married to Kym Douglas and Arlene Martel. He died on November 9, 2021, in Los Angeles, California, USA.
Here are his credits from imdb:
The Young and the Restless
John Abbott / Alistair Wallingford / Self
(1981-2020)
JFK
Board Room Man
(1991)
Good Guys Wear Black
Joe Walker - The Black Tigers
(1978)
Quincy M.E.
Johnson
(1977)
Actor
The Final Show
(2016)
The Young and the Restless
John Abbott
(1981-2016)
Silent But Deadly
Captain
(2012)
The Back-up Bride
Uncle Billy Bob
(2011)
Cold Case
Eugene 'Skip' Robertson - 2007
(2007)
Melrose Place
Mr. Damarr
(1999)
The Christmas Wish
Mr. Askou
(1998)
The Godson
Freddie Green
(1998)
JFK
Board Room Man
(1991)
Hunter
Mike Murdoch
(1989)
The Greatest American Hero
Jack Martel
(1982)
A Wedding on Walton's Mountain
(1982)
This Is the Life
Williams
(1981)
r
Looker
Laxative Spokesman
(1981)
Mommie Dearest
Radio Interviewer
(1981)
House Calls
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He was a lifelong liberal Democrat.
Star Sign
Scorpio
Personal Details
Born
Gerald Rubenstein
November 12, 1932
Chelsea, Massachusetts, USA
Died
November 9, 2021 (age 88)
Los Angeles, California, USA
Height: 5' 11" (1.8 m)
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French postcard by Cinémagazine-Sélection, Paris, no. 890. Photo: Paramount.
Mary Brian (1906-2002) was an American actress and film star with dark brown curls and blue/gray eyes, who made the transition from silent films to sound films. She was dubbed 'The Sweetest Girl in Pictures'.
Mary Brian was born Louise Byrdie Dantzler, in Corsicana, Texas, in 1906. She was the daughter of Taurrence J. Dantzler and Louise B. Dantzler. Her brother was Taurrence J. Dantzler, Jr. Her father died when she was one month old and the family later moved to Dallas. In the early 1920s, they moved to Long Beach, California. Mary had intended to become an illustrator but that was laid aside when at age 16 she was discovered in a local bathing beauty contest. One of the judges was famous film star Esther Ralston who was to play her mother in the upcoming Peter Pan and who became a lifelong friend. She didn't win the $25 prize in the contest but Ralston said, "you've got to give the little girl something." So, her prize was to be interviewed by director Herbert Brenon for a role in Peter Pan. Brenon was recovering from eye surgery, and she spoke with him in a dimly lit room. "He asked me a few questions, Is that your hair? Out of the blue, he said, I would like to make a test. Even to this day, I will never know why I was that lucky. They had made tests of every ingénue in the business for Wendy. He had decided he would go with an unknown. It would seem more like a fairy tale. It wouldn't seem right if the roles were to be taken by someone they (the audience) knew or was divorced. I got the part. They put me under contract." The studio renamed her Mary Brian and cast her as Wendy Darling in the silent film version of J. M. Barrie's Peter Pan (Herbert Brenon, 1924). There she starred with Betty Bronson and Esther Ralston, and the three of them stayed close for the rest of their lives. Ralston described both Bronson and Brian as 'very charming people'. The studio said she was age 16 instead of 18, because the latter sounded too old for the role, then signed her to a long-term motion picture contract. Brian played Fancy Vanhern, daughter of Percy Marmont, in Brenon's The Street of Forgotten Men (Herbert Brenon, 1925), which had newcomer Louise Brooks in an uncredited debut role as a moll.
Mary Brian was dubbed "The Sweetest Girl in Pictures." On loan-out to MGM, she played a college belle, Mary Abbott, opposite William Haines and Jack Pickford in Brown of Harvard (1926). She was named one of the WAMPAS Baby Stars in 1926, along with Mary Astor, Dolores Costello, Joan Crawford, Dolores del Río, Janet Gaynor, and Fay Wray. During her years at Paramount, Brian appeared in more than 40 films as the lead, the ingenue or co-star. She worked with Brenon again when she played Isabel in P. C. Wren's Beau Geste (Herbert Brenon, 1926) starring Ronald Colman. That same year she made the war comedy Behind the Front (Eddie Sutherland, 1926) with Wallace Beery, and Harold Teen (1926). In 1928, she played ingenue Alice Deane in Forgotten Faces (Ewald André Dupont, 1928) opposite Clive Brook, her sacrificing father, with Olga Baclanova as her vixen mother and William Powell as Froggy. Brian's first sound film was Varsity (Frank Tuttle, 1928), with part-sound and talking sequences, opposite Buddy Rogers. After successfully making the transition to sound, she co-starred with Gary Cooper, Walter Huston and Richard Arlen in one of the earliest Westerns with sound, The Virginian (Victor Fleming, 1929). In it, she played a spirited frontier heroine, schoolmarm Molly Stark Wood, who was the love interest of the Virginian (Cooper).
Mary Brian co-starred in several hits during the 1930s. She played Gwen Cavendish in George Cukor’s comedy The Royal Family of Broadway (1930) with Ina Claire and Fredric March. A thinly disguised caricature of the private lives of the Barrymore dynasty, it hit the mark to the extent that Ethel Barrymore even threatened to sue Paramount. Brian then appeared as herself in Paramount's all-star revue Paramount on Parade (Edmund Goulding, a.o., 1930), as Peggy Grant in Lewis Milestone’s comedy The Front Page (1931) with Adolphe Menjou and Pat O'Brien. After her contract with Paramount ended in 1932, Brian decided to freelance, which was unusual in a period when multi-year contracts with one studio were common. That same year, she appeared on the vaudeville stage at New York's Palace Theatre. Also in the same year, she starred in Manhattan Tower. Arguably her last good picture was the romantic comedy Hard to Handle (Mervyn LeRoy, 1933), with James Cagney as a grifter. Other film roles include Murial Ross, aka Murial Rossi, in Shadows of Sing Sing (Phil Rosen, 1933), in which she received top billing, Gloria Van Dayham in College Rhythm (Norman Taurog, 1934), Yvette Lamartine in Charlie Chan in Paris (Lewis Seiler, 1935) with Warner Oland, Hope Wolfinger, W. C. Fields’s daughter, in Man on the Flying Trapeze (Clyde Bruckman, 1935), Sally Barnaby in Spendthrift (Raoul Walsh, 1936) opposite Henry Fonda, and Doris in Navy Blues (Ralph Staub, 1937), in which she received top billing. In 1936, she went to England and made three films, including The Amazing Quest of Ernest Bliss (Alfred Zeisler, 1936) in which she starred opposite Cary Grant, to whom she became engaged at one stage. Her final film of the 1930s was Affairs of Cappy Ricks (Ralph Staub, 1937) although she auditioned unsuccessfully for the part that would go to Janet Gaynor in A Star is Born (William A. Wellman, 1937).
When World War II hit in 1941, Mary Brian began traveling to entertain the troops, ending up spending most of the war years traveling the world with the U.S.O., and entertaining servicemen from the South Pacific to Europe, including Italy and North Africa. Commenting on those events that had occurred over fifty years ago, she said in 1996, I was with Charlie Ruggles in Okinawa. And I was on the island of Tinian when they dropped the atomic bomb. Colonel Paul Tibbets, who was the pilot and the officer in charge [of dropping the bomb] took Charlie and me on the plane the next day, and nobody had been allowed in that encampment. So I was on the Enola Gay. Flying to England on a troop shoot, Mary got caught in the Battle of the Bulge and spent the Christmas of 1944 with the soldiers fighting that battle. She made several pictures for Poverty Row companies such as Majestic and Monogram, including the low-budget potboiler I Escaped from the Gestapo (Harold Young, 1943). Her last performance on the silver screen was in Dragnet (Leslie Goodwins, 1947), a B-movie in which she played Anne Hogan opposite Henry Wilcoxon. Over the course of 22 years, Brian had appeared in more than 79 films. Like many 'older' actresses, during the 1950s Brian created a career for herself in television. Perhaps her most notable role was playing the title character's mother in Meet Corliss Archer in 1954. She also dedicated much time to portrait painting after her acting years. Though she was engaged numerous times and was linked romantically to numerous Hollywood men, including Cary Grant and silent film actor Jack Pickford, Brian had only two husbands: magazine illustrator Jon Whitcomb (for six weeks in 1941) and film editor George Tomasini (from 1947 until his death in 1964). After retiring from the screen for good, she devoted herself to her husband's career; Tomasini worked as film editor for Alfred Hitchcock on the classics Rear Window (1954) and Psycho (1960). She died of natural causes in 2002 at a retirement home in Del Mar, California at the age of 96. She is interred in the Eternal Love Section at the Hollywood Hills Cemetery, Los Angeles, overlooking Burbank.
Sources: I.S. Mowis (IMDb), Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
David Knight was a pseudonym used by Richard S. Prather.
Originally published in 1956 by Pocket Books Inc # 1120 (see below)
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Dutch postcard, no. 1089. Photo: Universal International.
Green-eyed and dark-haired American actress Wanda Hendrix (1928-1981) achieved stardom in her teens and played in about 20 films in the late 1940s and 1950s. Her first, brief marriage was to the most decorated soldier of World War II, Audie Murphy.
Dixie Wanda Hendrix was born in 1928 in Jacksonville, Florida, to Max Sylvester and Mary Faircloth Hendrix, nee Bailey. Her father was a logging camp boss who later worked for Lockheed Aircraft. After graduation from junior high school, she joined the Jacksonville Little Theatre, where she was discovered by a Warner Brothers talent scout. The 16-years-old moved to Hollywood. She made her debut as Else, the char-girl with the thickened brogue who develops an ill-fated allegiance with Charles Boyer in Confidential Agent (Herman Shumlin, 1945). Before she was out of her teens she had starred in several other films, including the Film Noir Nora Prentiss (Vincent Sherman, 1947) with Ann Sheridan, Robert Montgomery’s exemplary 'ultra- Noir' Ride the Pink Horse (1947) and the comedy Welcome Stranger (Elliott Nugent, 1947) with Bing Crosby. In 1946, WWII hero-turned-actor Audie Murphy saw her on the cover of Coronet magazine and his mentor, actor James Cagney, called the magazine and got her address. Audie asked her to dinner, and they fell in love immediately. They got engaged in 1947 and promised her parents that they would defer marriage for two full years. Her parents moved to Hollywood, where they bought a ranch. In 1949, the young couple married and the press reported: "Audie Murphy thinks his little Hendrix honey is Wanda-ful!" However, Murphy wanted her to give up filming and move with him to Texas. He had terrible nightmares from his war experiences and always had his gun with him. During 'flashback' episodes he would turn on her, once holding her at gunpoint. In her later years, Hendrix spoke of Murphy's suffering from post-traumatic stress disorder with sympathy. Murphy had a passion for horse racing and for making big-money bets on long shots. Eventually, he gambled away all of her savings. In 1950, after 13 months of marriage, she received a divorce in 1951. Los Angeles on the grounds of mental cruelty. The couple had no children but together they produced the Western Sierra (Alfred E. Green, 1950).
Among Wanda Hendrix's best-known films are the comedy Miss Tatlock's Millions (Richard Haydn, 1948) with Richard Lund, The Prince of Foxes (Henry King, 1949), with Tyrone Power and Orson Welles, the drama Song of Surrender (Mitchell Leisen, 1949), the Western Saddle Tramp (Hugo Fregonese, 1950) starring Joel McCrea, and the adventure film The Highwayman (Lesley Selander, 1951) with Charles Coburn. Later, she starred with John Derek in the action film in Sea of Lost Ships (Joseph Kane, 1953), and she sizzled and showed off her hips in the Roger Corman–produced crime drama Highway Dragnet (Nathan Juran, 1954) with Richard Conte. In 1954, she married wealthy sportsman James L. Stack, brother of the actor Robert Stack, and she briefly retired. Her second marriage also made headlines when it came to an end in 1958 with both sides charging ''mental cruelty.'' Hendrix went to work again, on TV mostly. One of her films in this period was the thriller Johnny Cool (William Asher, 1963) with Henry Silva. According to IMDb, she developed a drinking problem in the 1960s due to the few acting roles she was offered. In 1969, she married Italian financier and oil company executive Steve La Monte in a single-ring ceremony at a plush suite of the Stardust Hotel in Las Vegas, Nevada. He was 34; she listed her age on the marriage license as 33. La Monte divorced her in 1979 or 1980 (the sources differ). Despite breaking up after a year of marriage with Audie Murphy, she had continued to love him and was devastated when he died suddenly in a plane crash in 1971. She considered collaborating with author Douglas Warren on an autobiography of Murphy, but it never came to fruition. Her last role for the big screen was in the Civil War horror One Minute Before Death (Rogelio A. González, 1972), based on a short story 'The Oval Portrait' by Edgar Allan Poe. The film in which she co-starred with Barry Coe, was never theatrically released. Her final screen appearance was in an episode of the TV series Police Story (1974) with Scott Brady. In 1981, Wanda Hendrix died of double pneumonia in Burbank, California. She was 52. Hendrix was interred at Forest Lawn Memorial Park, Hollywood Hills.
Sources: Chuck Stephens (Film Comment), New York Times, Glamour Girls of the Silver Screen, Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
French postcard by Cinémagazine-Sélection, Paris, no. 787. Photo: Paramount.
Mary Brian (1906-2002) was an American actress and film star with dark brown curls and blue/gray eyes, who made the transition from silent films to sound films. She was dubbed 'The Sweetest Girl in Pictures'.
Mary Brian was born Louise Byrdie Dantzler, in Corsicana, Texas, in 1906. She was the daughter of Taurrence J. Dantzler and Louise B. Dantzler. Her brother was Taurrence J. Dantzler, Jr. Her father died when she was one month old and the family later moved to Dallas. In the early 1920s, they moved to Long Beach, California. Mary had intended to become an illustrator but that was laid aside when at age 16 she was discovered in a local bathing beauty contest. One of the judges was famous film star Esther Ralston who was to play her mother in the upcoming Peter Pan and who became a lifelong friend. She didn't win the $25 prize in the contest but Ralston said, "you've got to give the little girl something." So, her prize was to be interviewed by director Herbert Brenon for a role in Peter Pan. Brenon was recovering from eye surgery, and she spoke with him in a dimly lit room. "He asked me a few questions, Is that your hair? Out of the blue, he said, I would like to make a test. Even to this day, I will never know why I was that lucky. They had made tests of every ingénue in the business for Wendy. He had decided he would go with an unknown. It would seem more like a fairy tale. It wouldn't seem right if the roles were to be taken by someone they (the audience) knew or was divorced. I got the part. They put me under contract." The studio renamed her Mary Brian and cast her as Wendy Darling in the silent film version of J. M. Barrie's Peter Pan (Herbert Brenon, 1924). There she starred with Betty Bronson and Esther Ralston, and the three of them stayed close for the rest of their lives. Ralston described both Bronson and Brian as 'very charming people'. The studio said she was age 16 instead of 18, because the latter sounded too old for the role, then signed her to a long-term motion picture contract. Brian played Fancy Vanhern, daughter of Percy Marmont, in Brenon's The Street of Forgotten Men (Herbert Brenon, 1925), which had newcomer Louise Brooks in an uncredited debut role as a moll.
Mary Brian was dubbed "The Sweetest Girl in Pictures." On loan-out to MGM, she played a college belle, Mary Abbott, opposite William Haines and Jack Pickford in Brown of Harvard (1926). She was named one of the WAMPAS Baby Stars in 1926, along with Mary Astor, Dolores Costello, Joan Crawford, Dolores del Río, Janet Gaynor, and Fay Wray. During her years at Paramount, Brian appeared in more than 40 films as the lead, the ingenue or co-star. She worked with Brenon again when she played Isabel in P. C. Wren's Beau Geste (Herbert Brenon, 1926) starring Ronald Colman. That same year she made the war comedy Behind the Front (Eddie Sutherland, 1926) with Wallace Beery, and Harold Teen (1926). In 1928, she played ingenue Alice Deane in Forgotten Faces (Ewald André Dupont, 1928) opposite Clive Brook, her sacrificing father, with Olga Baclanova as her vixen mother and William Powell as Froggy. Brian's first sound film was Varsity (Frank Tuttle, 1928), with part-sound and talking sequences, opposite Buddy Rogers. After successfully making the transition to sound, she co-starred with Gary Cooper, Walter Huston and Richard Arlen in one of the earliest Westerns with sound, The Virginian (Victor Fleming, 1929). In it, she played a spirited frontier heroine, schoolmarm Molly Stark Wood, who was the love interest of the Virginian (Cooper).
Mary Brian co-starred in several hits during the 1930s. She played Gwen Cavendish in George Cukor’s comedy The Royal Family of Broadway (1930) with Ina Claire and Fredric March. A thinly disguised caricature of the private lives of the Barrymore dynasty, it hit the mark to the extent that Ethel Barrymore even threatened to sue Paramount. Brian then appeared as herself in Paramount's all-star revue Paramount on Parade (Edmund Goulding, a.o., 1930), as Peggy Grant in Lewis Milestone’s comedy The Front Page (1931) with Adolphe Menjou and Pat O'Brien. After her contract with Paramount ended in 1932, Brian decided to freelance, which was unusual in a period when multi-year contracts with one studio were common. That same year, she appeared on the vaudeville stage at New York's Palace Theatre. Also in the same year, she starred in Manhattan Tower. Arguably her last good picture was the romantic comedy Hard to Handle (Mervyn LeRoy, 1933), with James Cagney as a grifter. Other film roles include Murial Ross, aka Murial Rossi, in Shadows of Sing Sing (Phil Rosen, 1933), in which she received top billing, Gloria Van Dayham in College Rhythm (Norman Taurog, 1934), Yvette Lamartine in Charlie Chan in Paris (Lewis Seiler, 1935) with Warner Oland, Hope Wolfinger, W. C. Fields’s daughter, in Man on the Flying Trapeze (Clyde Bruckman, 1935), Sally Barnaby in Spendthrift (Raoul Walsh, 1936) opposite Henry Fonda, and Doris in Navy Blues (Ralph Staub, 1937), in which she received top billing. In 1936, she went to England and made three films, including The Amazing Quest of Ernest Bliss (Alfred Zeisler, 1936) in which she starred opposite Cary Grant, to whom she became engaged at one stage. Her final film of the 1930s was Affairs of Cappy Ricks (Ralph Staub, 1937) although she auditioned unsuccessfully for the part that would go to Janet Gaynor in A Star is Born (William A. Wellman, 1937).
When World War II hit in 1941, Mary Brian began traveling to entertain the troops, ending up spending most of the war years traveling the world with the U.S.O., and entertaining servicemen from the South Pacific to Europe, including Italy and North Africa. Commenting on those events that had occurred over fifty years ago, she said in 1996, I was with Charlie Ruggles in Okinawa. And I was on the island of Tinian when they dropped the atomic bomb. Colonel Paul Tibbets, who was the pilot and the officer in charge [of dropping the bomb] took Charlie and me on the plane the next day, and nobody had been allowed in that encampment. So I was on the Enola Gay. Flying to England on a troop shoot, Mary got caught in the Battle of the Bulge and spent the Christmas of 1944 with the soldiers fighting that battle. She made several pictures for Poverty Row companies such as Majestic and Monogram, including the low-budget potboiler I Escaped from the Gestapo (Harold Young, 1943). Her last performance on the silver screen was in Dragnet (Leslie Goodwins, 1947), a B-movie in which she played Anne Hogan opposite Henry Wilcoxon. Over the course of 22 years, Brian had appeared in more than 79 films. Like many 'older' actresses, during the 1950s Brian created a career for herself in television. Perhaps her most notable role was playing the title character's mother in Meet Corliss Archer in 1954. She also dedicated much time to portrait painting after her acting years. Though she was engaged numerous times and was linked romantically to numerous Hollywood men, including Cary Grant and silent film actor Jack Pickford, Brian had only two husbands: magazine illustrator Jon Whitcomb (for six weeks in 1941) and film editor George Tomasini (from 1947 until his death in 1964). After retiring from the screen for good, she devoted herself to her husband's career; Tomasini worked as film editor for Alfred Hitchcock on the classics Rear Window (1954) and Psycho (1960). She died of natural causes in 2002 at a retirement home in Del Mar, California at the age of 96. She is interred in the Eternal Love Section at the Hollywood Hills Cemetery, Los Angeles, overlooking Burbank.
Sources: I.S. Mowis (IMDb), Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
French postcard by Edition Ross, no. 3553/1. Photo: Paramount. Mary Brian and Richard Arlen in the car--racing drama Burning Up (A. Edward Sutherland, Paramount 1930).
Mary Brian (1906-2002) was an American actress and film star with dark brown curls and blue/grey eyes, who made the transition from silent films to sound films. She was dubbed 'The Sweetest Girl in Pictures'.
Mary Brian was born Louise Byrdie Dantzler, in Corsicana, Texas, in 1906. She was the daughter of Taurrence J. Dantzler and Louise B. Dantzler. Her brother was Taurrence J. Dantzler, Jr. Her father died when she was one month old and the family later moved to Dallas. In the early 1920s, they moved to Long Beach, California. Mary had intended to become an illustrator but that was laid aside when at age 16 she was discovered in a local bathing beauty contest. One of the judges was famous film star Esther Ralston who was to play her mother in the upcoming Peter Pan and who became a lifelong friend. She didn't win the contest's $25 prize, but Ralston said, "you've got to give the little girl something." So, her prize was to be interviewed by director Herbert Brenon for a role in Peter Pan. Brenon was recovering from eye surgery, and she spoke with him in a dimly lit room. "He asked me a few questions, Is that your hair? Out of the blue, he said, I would like to make a test. Even to this day, I will never know why I was that lucky. They had made tests of every ingénue in the business for Wendy. He had decided he would go with an unknown. It would seem more like a fairy tale. It wouldn't seem right if the roles were to be taken by someone they (the audience) knew or was divorced. I got the part. They put me under contract." The studio renamed her Mary Brian and cast her as Wendy Darling in the silent film version of J. M. Barrie's Peter Pan (Herbert Brenon, 1924). There she starred with Betty Bronson and Esther Ralston, and the three of them stayed close for the rest of their lives. Ralston described both Bronson and Brian as 'very charming people'. The studio said she was age 16 instead of 18, because the latter sounded too old for the role, then signed her to a long-term motion picture contract. Brian played Fancy Vanhern, daughter of Percy Marmont, in Brenon's The Street of Forgotten Men (Herbert Brenon, 1925), which had newcomer Louise Brooks in an uncredited debut role as a moll.
Mary Brian was dubbed "The Sweetest Girl in Pictures." On loan-out to MGM, she played a college belle, Mary Abbott, opposite William Haines and Jack Pickford in Brown of Harvard (1926). She was named one of the WAMPAS Baby Stars in 1926, along with Mary Astor, Dolores Costello, Joan Crawford, Dolores del Río, Janet Gaynor, and Fay Wray. During her years at Paramount, Brian appeared in more than 40 films as the lead, the ingenue or co-star. She worked with Brenon again when she played Isabel in P. C. Wren's Beau Geste (Herbert Brenon, 1926) starring Ronald Colman. That same year she made the war comedy Behind the Front (Eddie Sutherland, 1926) with Wallace Beery, and Harold Teen (1926). In 1928, she played ingenue Alice Deane in Forgotten Faces (Ewald André Dupont, 1928) opposite Clive Brook, her sacrificing father, with Olga Baclanova as her vixen mother and William Powell as Froggy. Brian's first sound film was Varsity (Frank Tuttle, 1928), with part-sound and talking sequences, opposite Buddy Rogers. After successfully making the transition to sound, she co-starred with Gary Cooper, Walter Huston and Richard Arlen in one of the earliest Westerns with sound, The Virginian (Victor Fleming, 1929). In it, she played a spirited frontier heroine, schoolmarm Molly Stark Wood, who was the love interest of the Virginian (Cooper).
Mary Brian co-starred in several hits during the 1930s. She played Gwen Cavendish in George Cukor’s comedy The Royal Family of Broadway (1930) with Ina Claire and Fredric March. A thinly disguised caricature of the private lives of the Barrymore dynasty, it hit the mark to the extent that Ethel Barrymore even threatened to sue Paramount. Brian then appeared as herself in Paramount's all-star revue Paramount on Parade (Edmund Goulding, a.o., 1930), as Peggy Grant in Lewis Milestone’s comedy The Front Page (1931) with Adolphe Menjou and Pat O'Brien. After her contract with Paramount ended in 1932, Brian decided to freelance, which was unusual in a period when multi-year contracts with one studio were common. That same year, she appeared on the vaudeville stage at New York's Palace Theatre. Also in the same year, she starred in Manhattan Tower. Arguably her last good picture was the romantic comedy Hard to Handle (Mervyn LeRoy, 1933), with James Cagney as a grifter. Other film roles include Murial Ross, aka Murial Rossi, in Shadows of Sing Sing (Phil Rosen, 1933), in which she received top billing, Gloria Van Dayham in College Rhythm (Norman Taurog, 1934), Yvette Lamartine in Charlie Chan in Paris (Lewis Seiler, 1935) with Warner Oland, Hope Wolfinger, W. C. Fields’s daughter, in Man on the Flying Trapeze (Clyde Bruckman, 1935), Sally Barnaby in Spendthrift (Raoul Walsh, 1936) opposite Henry Fonda, and Doris in Navy Blues (Ralph Staub, 1937), in which she received top billing. In 1936, she went to England and made three films, including The Amazing Quest of Ernest Bliss (Alfred Zeisler, 1936) in which she starred opposite Cary Grant, to whom she became engaged at one stage. Her final film of the 1930s was Affairs of Cappy Ricks (Ralph Staub, 1937) although she auditioned unsuccessfully for the part that would go to Janet Gaynor in A Star is Born (William A. Wellman, 1937).
When World War II hit in 1941, Mary Brian began travelling to entertain the troops, ending up spending most of the war years travelling the world with the U.S.O., and entertaining servicemen from the South Pacific to Europe, including Italy and North Africa. Commenting on those events that had occurred over fifty years ago, she said in 1996, I was with Charlie Ruggles in Okinawa. And I was on the island of Tinian when they dropped the atomic bomb. Colonel Paul Tibbets, who was the pilot and the officer in charge [of dropping the bomb] took Charlie and me on the plane the next day, and nobody had been allowed in that encampment. So I was on the Enola Gay. Flying to England on a troop shoot, Mary got caught in the Battle of the Bulge and spent the Christmas of 1944 with the soldiers fighting that battle. She made several pictures for Poverty Row companies such as Majestic and Monogram, including the low-budget potboiler I Escaped from the Gestapo (Harold Young, 1943). Her last performance on the silver screen was in Dragnet (Leslie Goodwins, 1947), a B-movie in which she played Anne Hogan opposite Henry Wilcoxon. Over the course of 22 years, Brian had appeared in more than 79 films. Like many 'older' actresses, during the 1950s Brian created a career for herself in television. Perhaps her most notable role was playing the title character's mother in Meet Corliss Archer in 1954. She also dedicated much time to portrait painting after her acting years. Though she was engaged numerous times and was linked romantically to numerous Hollywood men, including Cary Grant and silent film actor Jack Pickford, Brian had only two husbands: magazine illustrator Jon Whitcomb (for six weeks in 1941) and film editor George Tomasini (from 1947 until his death in 1964). After retiring from the screen for good, she devoted herself to her husband's career; Tomasini worked as a film editor for Alfred Hitchcock on the classics Rear Window (1954) and Psycho (1960). She died of natural causes in 2002 at a retirement home in Del Mar, California at the age of 96. She is interred in the Eternal Love Section at the Hollywood Hills Cemetery, Los Angeles, overlooking Burbank.
Sources: I.S. Mowis (IMDb), Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
I have always believed there is no such thing as a wasted Spring Break, but this year I learned that an Animal Farm truism applies to vacations as well as people. The way I see it now is that all Spring Breaks are essentially equal, but some are more equal than others.
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... message header for item 1. ... New rules target racy Vietnamese cafes in Calif ...
Tucked into strip malls featuring McDonald's and Subway restaurants, the coffeehouses cater to men toting laptops to take advantage of free wireless access, who are meeting business partners or who are getting together with friends to play cards, watch sports and flirt with waitresses who pour iced drinks.
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... marsmet532a photo ... Florigold Indian River …item 2.. “Look out — nasty new mosquito is invading U.S.” (June 26, 2013) …item 3.. Monster mosquitoes arrive in central Florida (TUESDAY, JUNE 11, 2013) ..
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.....item 1).... New rules target racy Vietnamese cafes in Calif ...
... Yahoo! News ...
By AMY TAXIN - Associated Press | AP – 2 hrs 37 mins ago ... Friday July 01, 2011
news.yahoo.com/rules-target-racy-vietnamese-cafes-calif-0...
GARDEN GROVE, Calif. (AP) — At Café Miss Cutie, the windows are tinted but not pitch black. The waitresses are wearing negligees but not naked. And patrons are being urged to smoke outside.
The dimly lit coffeehouse in the heart of Orange County's Little Saigon hopes to get a passing grade when police start enforcing a host of new rules to crack down on illegal gambling and nudity at some cafes starting as soon as this weekend.
Officers plan to make rounds of the 37 Vietnamese cafes in the suburban city of Garden Grove to ensure they don't have arcade games that have been rigged to let patrons bet on blackjack and roulette, and that scantily clad waitresses leave something to the imagination.
The crackdown comes after authorities reported crime was on the rise outside coffeehouses.
"When you're running illegal gaming and further complicating the issue by having a quasi-strip bar ... you're attracting a different crowd than guys just going in there to have a cup of coffee," Garden Grove police spokesman Lt. Jeff Nightengale said.
Orange County is home to the biggest Vietnamese immigrant community in the country, with sizable enclaves in Garden Grove and surrounding cities.
Tucked into strip malls featuring McDonald's and Subway restaurants, the coffeehouses cater to men toting laptops to take advantage of free wireless access, who are meeting business partners or who are getting together with friends to play cards, watch sports and flirt with waitresses who pour iced drinks.
Business has fallen at many of the cafes since police started the crackdown — above all on the arcade games that lured customers off their couches and got them to linger longer at the coffeehouses.
"They say if it's just to drink coffee, then I'll stay home and drink coffee," said Thuy Do, owner of Café Chichi in Garden Grove.
On a recent weekday afternoon, a dozen loyal patrons converged at Café Miss Cutie to play Chinese chess, watch European soccer on flat screen TVs and sip iced coffee served by a waitress in a see-through lavender negligee.
One of them was Mike Nguyen, a 53-year-old day trader who said he doesn't mind the thick stench of cigarette smoke and wishes authorities would ease up on the coffeehouse that has become his virtual office and escape from the cookie-cutter Southern California suburb where he lives.
"It's a stimulating environment," said Nguyen, of nearby Irvine. "Starbucks is boring."
But authorities in Garden Grove — a city of 170,000 people about 30 miles southeast of Los Angeles — said cafes have gotten out of control. What began more than a decade ago with waitresses in skimpy outfits morphed into nudity. Some coffeehouses had six or eight arcade games running, and crime was on the rise, Nightengale said.
Between January 2010 and May 2011, police received reports of three robberies, four assaults with a deadly weapon, and seven drug-related incidents at coffeehouses — a far cry from the tranquility at the city's more traditional cafes, Nightengale said.
In March, authorities arrested 23 people at coffeehouses in Garden Grove and Westminster for investigation of illegal gaming and seized more than 180 machines and more than $145,000 in cash, Garden Grove police said.
The Garden Grove City Council recently passed new rules to ban arcade games, darkly tinted windows and nudity at cafes. Coffeehouses will be fined $1,000 for each violation.
At Café Miss Cutie, sales have been halved since police began making rounds several months ago, manager Tuyen Tran said.
"We just serve coffee, wear bikinis, like Hooters," Tran said. "I don't know how long we can survive like this — with no money and losing customers."
Do, whose small café is brightly lit, said she relies on loyal, older patrons to stay afloat. But with the new restrictions, she fears her customers may venture over to coffeehouses in nearby cities where there are fewer limits.
"Now it is a little boring to just come and drink coffee and read the paper," she said.
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.....item 2).... The spring break cleanse ...
... FSU News ... www.fsunews.com/ ...
FSU News / section / News ... www.fsunews.com/section/NEWS
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img code photo ... No matter what you do for spring break
cmsimg.tallahassee.com/apps/pbcsi.dll/bilde?Site=CD&D...
No matter what you do for spring break, remember, it’s a time to relax, unwind and get a new perspective on things. / Getty Images
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Written by
Adrian Chamberlin
Senior Staff Writer @adchamberlin
FILED UNDER
FSU News
FSU News Adrian Chamberlin
Mar. 19, 2014
www.fsunews.com/article/20140319/FSVIEW0303/140319022/The...
I have always believed there is no such thing as a wasted Spring Break, but this year I learned that an Animal Farm truism applies to vacations as well as people. The way I see it now is that all Spring Breaks are essentially equal, but some are more equal than others.
In my eyes any Spring Break is a productive Spring Break because the goal of the week off is to make use of a brief respite from the rigors of classes. This means, to me, that whether you spend the week at a job, working on extra curricular projects, or partying on some beach, the break did its job. That being said, the different ways to spend a break create different perspectives when you come back to school, and to the world.
I’ll use some personal examples to start. This year, I spent Spring Break in Guatemala with my dad and older brother. During our time there we camped on a volcano for two nights, actually climbed two volcanoes, did a little bit of sight seeing and found time to head down to the Pacific for surf lessons and lounging. Overall, the trip sent me back to Tallahassee and the world with a new way of thinking.
Prior to the trip, I had political science dribbling out my ears, and I was spending hours on Twitter and Tumblr looking to keep up with the latest news. I had essentially wrapped myself in a web of activity between school, life, and news that left my brain with little to no spare space for thoughts.
But after a week off of social media and on an incredible journey, my brain is startlingly clean. And I don’t mean clean as in I forgot everything I learned this semester before the break. I say clean in the sense of looking at the same stuff I saw before, but seeing it differently.
Now I can look at Twitter blowing up over every little maneuver in Ukraine and not even feel the slightest inkling of the rapt attention I had for that news previously. I can read about Florida State’s NFL Pro Day and stop after a paragraph, again feeling no urge to submerge myself in the flood of information, like I did previously.
Or, take the case of one of my best friends. Last year he spent Spring Break on a medical mission trip in Nicaragua, a trip whose organizing he was in charge of. Now, a year later, he’s helped set up a longer trip for a summer session, and his enthusiasm for his studies is higher than I can ever remember it being.
Of course, sitting around watching Netflix all week, or spending the time going to the beach and drinking with friends have their own benefits. I speak from experience when I say that spending a week relaxing at home in Miami is more restful than freezing your ass off while camping on a volcano.
My point though is not that one vacation activity is better than another automatically, but that each sends you back to school with a different perspective. The way I think about international politics, for example, is definitely a little bit different now that I’ve chatted with someone my age who lives in Guatemala and sees the world differently.
In a way, FSU’s study abroad programs try to achieve that perspective shift. I unfortunately haven’t had the chance to find out for myself in person, but I think most of them are able to do so to varying extents depending on where and when you go abroad.
I see travel as being in a class of its own when it comes to giving us different ways of looking at our lives and our studies, and I think the effects are stronger the further away you are from your comfort zone. So to me, studying abroad in London will change your perspective more than sitting on a beach in Miami, and climbing volcanoes in the boonies of Guatemala will change your thought process more than visiting one of the countries most similar to the U.S.
I obviously think a changed perspective is good, but I know for some people a comfort zone is a result of being very good at what you do and wanting things to stay that way. I can understand and empathize. But I also think that progress requires change, and change requires discomfort of some form or level.
As my dad has kept saying, it wasn’t about just coming back from Spring Break to the same old shit; it’s about coming out of vacation by going forward. The easy thing would be for me to slide right back into regurgitating facts in classes and being a news junkie, but that would be an insult to my trip and a disservice to the rest of the student body. Instead, I’m going to do my best to practice what I preach here by looking at old stuff in a new way, and encourage each of you to do the same.
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.....item 3)... Fandango ... www.fandango.com ... Meg Myles Biography ...
www.fandango.com/megmyles/biography/p51634
Biography
Meg Myles is best known as a pin-up model of the 1950s and early '60s, but she also enjoyed a film career as a featured actress, star, and supporting player, and a respected career on the legitimate stage. She was born Billie Jean Jones in Seattle, WA, in 1932 (or 1933 -- some sources disagree) and took dance lessons as a girl. She was determined to have a career in show business, majoring in dance and health education at the College of the Pacific, and was discovered and signed by an agent before she graduated. Her extraordinary physique -- a reputed 42-24-36 -- led to walk-on parts on television shows with Bob Hope, among other stars. Although Myles' early appearances were limited to being a living set decoration, she was determined to develop her acting skills as well as her singing, which led to engagements at various West Coast nightclubs. Her physique made her a favorite of men's magazines of the era, but in 1954 she landed a small comic relief role -- involving singing and her physique -- in the feature film Dragnet, portraying a Cuban singer. The following year, she played a singer in Phil Karlson's feature The Phenix City Story (1955), in which she sang the title song. Myles was also selected to perform on the national tour promoting the movie, and got a major label recording contract out of it.
The late '50s saw her largely absent from the big screen, however, despite the fact that she was one of the top pin-up models in the world at the time. According to some accounts, she was blackballed from the industry because of her insistence on restricting the types of costumes and still photographs in which she would allow herself to appear, and also due to reports of an alleged romance between her and Sammy Davis Jr. (the United States was just entering the era of raised consciousness about its racial problems at the time, and even rumors of such a relationship would have made her too controversial for many producers). Myles' major screen appearance during this period was in Calypso Heat Wave, which also included Joel Grey, the Treniers, the Tarriers, the Hi-Lo's, and Maya Angelou in its cast. Myles was mostly seen on television until 1961, when she got a major role in the movie Satan in High Heels. Considered a campy classic today, the movie was an outrageous piece of exploitation filmmaking in its time and one that did Myles little good in trying for a mainstream Hollywood career. She mostly worked on-stage for the next few years, developing a following in New York City and honing her skills as an actress. She surfaced in Don Siegel's Coogan's Bluff (1968) and Sidney Lumet's The Anderson Tapes (1971), by which time Myles was much better known for her theatrical work, including performances at the New York Shakespeare Festival. Her last film to date was the drama Touched (1982). ~ Bruce Eder, Rovi
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Fast & Furious 6, Dragnet 1967, Fast Five, Field of Dreams, Transporter 2, Toy Story, Star Wars, Beverly Hills Cop, The Living Daylights, Emergency!, Batman v Superman: Dawn of Justice, Star Wars: The Force Awakens, The Real Ghostbusters, Back to the Future, Toy Story 2, Speed Racer, Indiana Jones and the Last Crusade, The Blues Brothers, Fast and the Furious, The New Batman Adventures, Batman & Robin, The Simpsons, Back to the Future 2, BJ and the Bear, Demolition Man, Close Encounters of the Third Time, Iron Man, Need for Speed, National Lampoon's Vacation, For Your Eyes Only, 48 Hrs., Gone in 60 Seconds, Simon & Simon, The Flintstones, You Only Live Twice, Need for Speed, Speed Buggy, Back to the Future, Diamonds are Forever, Batman Begins.
All die cast vehicles are 1:64 scale and from the following various toy companies: Hot Wheels, Johnny Lightning, Greenlight, Hasbro, Ertl, Kyoshi, Revell, Matchbox and Reel Rides.
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Briefly: Crossroads of the World has been called America's first outdoor shopping mall. Located on Sunset Boulevard and Las Palmas in Los Angeles, the mall features a central building designed to resemble an ocean liner surrounded by a small village of cottage-style bungalows. It was designed by Robert V. Derrah and built in 1936.
Once a busy shopping center, the Crossroads now hosts private offices, primarily for the entertainment industry. It has been used for location shooting in many films, including L.A. Confidential and The Adventures of Ford Fairlane, in TV shows including Dragnet and Remington Steele, and in commercials by McDonald's, Ford and Mattel. A reproduction of Crossroads' iconic tower and spinning globe can be seen just inside the entrance to Disney's Hollywood Studios at Walt Disney World in Florida.
Today, Crossroads is the creative home of a variety of music publishers and producers, television and film script writers, film and recording companies, novelists, costume designers, publicists and casting agencies-Wikipedia