View allAll Photos Tagged draft
The drafting stage. Miraculously, graphite left on the shell in this stage more-or-less wipes off cleanly later, but leaves dyes behind.
In the 60s all boys were subject to the draft into the military. No choice in the matter. This card was issued after I had served 4 years in the USAF. Don't know how it differs from kids who hadn't served yet.
The drafting stage. Miraculously, graphite left on the shell in this stage more-or-less wipes off cleanly later, but leaves dyes behind.
The drafting stage. Miraculously, graphite left on the shell in this stage more-or-less wipes off cleanly later, but leaves dyes behind.
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Some of the other videos didn't make it this short is of the horses just getting under way. The ride is maybe 15 minutes the , horse are immense Draft horse that the farmer driving the "hayride" (sans hay) does in the summer he also does sleigh rides and does selective lumber hauling with draft horses and does a variety of area shows , even plows and other farm activities w/ the horses. there were only 6 people on this ride , the next one was packed like 20 people 2 bucks a head.
Percherons are most commonly found in shades of grey. Foals are born dark and lighten with age. Black Percherons are bred in Canada and have been imported into the UK for breeding.
Just a simple little drawing I did. It's the first one that I've done with a mouse, so I'd say it's not bad for that. It was done in a HorseIsle art room, hence the 'by Symfony' part. So, I know it's not great, but it's also not terrible for the first I've done on a computer :)
These are my drafts for my portfolio. For our masteryear we have to make an e-portfolio so this is my design. copyrighted
Luck is still holding. In the second draft I've skimmed the trouser fit way down to a straight-leg jean, and taken out the darts while maintaining the fit of the waistline. There's a bit of a bubble in the upper sideseam, but I think that's a sharp curve that needs clipping to lie smoothly.
I wanted more of a boot leg, so next draft will some more skimming of the top to the knee and some messing around with trying to create a yoke at the waist without getting overwhelmed by seam allowances.
But I have to run out for a while and probably when I get back my lucky streak will be all over.
Draught-services company BeerBoard has released an analysis of draught-beer trends for the first half of 2016 in the U.S. (as compared to the same period last year).
â–¶ IPA is the no. 3 draught-beer category overall and the no. 1 'craft' beer category. (Lagunitas IPA is the no. 1 IPA, up 39.7%.)
â–¶ Amber/Red Ale draught sales are up 15%, driven by the
"eye-popping" growth of Negra Modelo (up 700%).
â–¶ American Ale has grown over 50% as a draught-beer category, led by brands Firestone Walker (up 123%) and Kona (up 30%).
â–¶ Light lagers account for 41% share of draught volume, down 3.2% (but Corona Light is up 51% and Michelob Ultra is up 11.6%).
â–¶ Draught cider sales are down 7.3%.
â–¶ Pale Ale draught sales are down 22% (but Sierra Nevada Pale Ale is up 23%).
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Here's what BeerBoard says about itself and its study:
"BeerBoard monitors over 50,000 draft lines on a constant basis. This generates incredible amounts of data, but gives great insight to the style and brand trends within the beer industry.
For this report, we selected 400 of our client locations, using a sample--set of same--store volume ACTUALLY POURED, comparing the first six months of 2015 to the same period in 2016. This barometer gave a clear snapshot of strong performers and styles trending up or down. [Overall,] we manage over 50,000 draft lines in thousands of outlets and a database in excess of 35,000 brands."
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â–¶ Read more at BeerBoard.
â–¶ Compare with the IRI report on supermarket bottle/can sales for the first half of 2016.
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â–¶ Uploaded by: Yours For Good Fermentables.com.
â–¶ For a larger image, type 'L' (without the quotation marks).
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â–¶ Commercial use requires explicit permission, as per Creative Commons.
Drafts - From Rubens to Khnopff.
Exposition at Royal Museum of Fine Arts (KMSKB, Brussels, Belgium).
Work of Peter Paul Rubens.
Spent a few hours taking the new (to me) drafting machine mechanism apart, to see how it works, and for cleaning. It's really nicely made, with a lot of parts that looked like they belonged in a camera. It has a super precise and smooth action.
Parts of the draft beer menu at Crowbar in Oslo on my March 11, 2013, visit:
- Crowbar Crow's Scream Ale (4.7% cream ale)
- Crowbar Experimental IPA #2 (6.5% ipa) -- hops: Cascade, Simcoe, Galena
- Crowbar They Call Her Vanilla Brown (4.7% brown ale)
- Crowbar Mild Strong Ale (8% american strong ale)
- Crowbar Dunkel Krähe (4.7% dunkelweizen)
- Crowbar Roggen Krähe (5.5% German-style rye beer)
- Thornbridge Jaipur IPA (5.9%)
- Evil Twin P3 IPA (7%)
- Thornbridge Kill Your Darlings (5% vienna lager)
- Beer Here Hoptilicus (9% american strong ale)
- Ægir Påskesøl (4.7% helles)
- HaandBryggeriet Belgian Pale Ale (6.5%)
- BrewDog 5 am saint (5% amber ale)
- Mikkeller Hop Burn Low (10% strong pale ale)
And five more outside the right picture frame.
This is hopefully not as self-indulgent as it looks!
These are drafts of three of my paraphrapses of poems by Dafydd ap Gwilym ('The Trout', 'The Titmouse' and 'The Tree Man'), alongside my gouache illustration for 'The Trout' and pencil drawing for 'The Titmouse'.
I have always been fascinated by the whole process of drafting, particularly as it applies to poetry. I was delighted when I discovered that John Clare often drafted his poems in the fields, leaning the paper against the top of his hat - not least because I had done this myself on a number of occasions.
Once, when I was writing a chapter of my thesis (on the 'Four Quartets') I went to read the papers of T.S. Eliot in Cambridge, and was able to put my hands on his hand-annotated typescripts of 'The Waste Land' and other poems. It was endlessly fascinating to follow the range of possibilities as he had once explored them, and at times, mystifying to discover the appeal of lines that he had rejected. It was a fascinating day's work, but I wasn't able to use anything that I found in my thesis: Eliot's surviving wife refused me permission.
My own drafts are often a haphazard affair. I prefer to write in pencil if I can, because it is a suitably tentative impliment, although oddly enough, I never erase. At times, there are heavy alterations, and changes to the order of the contents of a line, but what interests me more, when I look back on these drafts, is the parts where the poetry runs with very little alteration at all. It is not that these parts just suddenly came to me in exactly the right form and order. Rather, these bits tend to have been written just after I have gone off to get a cup of tea, or do some menial chore, and when I return to the page, the lines have already been formed in my mind. Usually, I am in a rush to write them down, before I forget them.
When writing paraphrases, the process is still more complex. I will hold a picture of two lines - a couplet - in my mind, trying to hold onto the sound of it in the original Welsh (which, alas, I cannot speak). Gradually, a range of options for paraphrase begin to suggest themselves. Sometimes they are written down, and then either accepted and rejected, but more often than not, as these drafts show, I mull them over in my mind, and then splurge them onto the page at the last minute. If I forget one of the options, it is probably not a tragedy, because it obviously was not memorable enough.
The pictures are there for a good reason. These pictures are also often forming in my mind as I am writing. For me, the senses of sight and of hearing are most important when I am writing: these drafts have been read aloud repeatedly as I have been writing. It is interesting how poets often criticise other poets on the grounds that one or other of their senses was lacking. T.S. Eliot criticised Milton's poetry, saying that it was adversely affected by the latter's blindness. Similarly, Robert Graves insisted that Wordsworth's poetry was marred by his physical short-sightedness. I would like to talk to a poet who cannot hear. I suspect that in one way, this might not be so much of a disadvantage: perhaps the sound of the poem would still echo in the poet's mind - all the more profoundly perhaps, for the lack of any other noise. I used to write with music playing, but as I get older, I find I cannot do this. I must write in silence, or with a window open, and only birdsong outside.
I wish that more writers would publish their drafts. I remember my delight, whilst reading 'The Silmarillion', when I discovered that parts of the story of Beren and Luthien were alliterative. Later I discovered that Tolkien had originally written the story in alliterative verse, and that the final draft still contained palimpsests of the earlier idea. Yes - that is what I love about manuscripts: the palimpsests; the holes scratched in the surface; the hints into the workings of a human mind.
A blackboard listing the nice selection of beer on draft the night of my first visit to the beer bar, 10 May 2012:
1. Girardin Kriek (5% lambic)
2. De Struise Brouwers Pannepot Special Reserve 2008 (10% belgian strong ale)
3. DeMolen Mout & Mocca (11.6% imperial stout)
4. St. Georgen Bräu Keller Bier (4.9% keller)
5. Cantillon Iris (5% lambic)
6. Brasserie Dupont Saison Dupont Dry Hopping (6.5% saison)
7. Croocked Moon Celebration Ale (5.4% amber ale)
8. Croocked Moon Zero (4.9% and 0 IBU(!) american pale ale)
9. Fanø Bryghus Pikkulintu (12% triple ipa)
10. Brauerei Spezial Rauchbier Märzen (5.3% smoked)
A nice, varied selection spanning from pale ales and stouts to sour ales and rauchbier!
Creator: Formosa Spring Brewery
Title: Keg Draft Ale
Date: [c.1970-1974]
Extent: 1 label: printed ; (9.5x11cm)
Notes: From a collection of beer labels, stationery and Canadian breweriana donated by Lawrence C. Sherk.
Format: Label
Rights Info: No known restrictions on access
Repository: Thomas Fisher Rare Book Library, University of Toronto, Toronto, Ontario Canada, M5S 1A5, library.utoronto.ca/fisher
MMSI: 232014279
Call Sign: MCSC4
Steeler NG 57 S
Dimensions
LOA: 17.15 m
Beam: 5.30 m
Minimum Draft: 1.35 m
Maximum Draft: 1.35 m
Bridge Clearance: 3.75 m
Dry Weight: 44000 kgs
Engines
Total Power: 305 HP
Engine 1:
Engine Brand: TWIN ENGINE OPTIONS AVAILABLE
Engine 2:
Engine Brand: Cummins
Year Built: 2017
Engine Model: QSB
Engine Type: Inboard
Engine/Fuel Type: Diesel
Drive Type: Shaft Drive
Engine Power: 305 HP
Tanks
Fresh Water Tanks: (1000 Litres)
Fuel Tanks: (2500 Litres)
Holding Tanks: (500 Litres)
Accommodation
Number of twin berths: 2
Number of double berths: 2
Number of cabins: 3
Number of heads: 2
Number of bathrooms: 2
Electronics
Compass
Depthsounder
Navigation center
Plotter
Radio
Cockpit speakers
GPS
Autopilot
VHF
Log-speedometer
DVD player
TV set
Inside Equipment
Dishwasher
Battery charger
Electric head
Washing machine
Manual bilge pump
Heating
Hot water
Bow thruster
Microwave oven
Stern thruster
Deep freezer
Refrigerator
Oven
Electric bilge pump
Air conditioning
Electrical Equipment
Generator
Shore power inlet
Inverter
Outside Equipment/Extras
Cockpit table
Swimming ladder
Teak sidedecks
Cockpit shower
Teak cockpit
Cockpit cushions
Electric windlass
Covers
Cockpit cover
Accommodation
Layout to customers wishes with a standard of 3 cabins with owners cabin in center
Different types of wood choice is standard
Luxurious upholstered panels
Luxurious salon and cockpit table
Metal or PVC doors
Full upholstery choice for entire yacht
Captains chair
Luxurious mattresses
Stainless steel door fittings
Stainless steel cabinet fittings
Stainless steel hatch fittings
LIGHTING
Navigation lights according to BPR
Luxurious halogen lighting 34x Dimmer for saloon lighting
Bedside lights halogen 6x
TV/ AUDIO
Flatscreen TV Audio system
Galley
Luxurious Corian work surface
Stainless steel sink unit
One handle mixer tap
Stainless steel 4-ring gas/electric hob
Cooker
Fan
Fridge with freeze unit 130 ltr.
Combi-oven/microwave
Waste bin
Materials
Grade-A yacht building steel
Full steel construction without GRP parts
Semi chine hull with fan bow and tumble-home
Portholes flush in hull
Hull / superstructure: 5/4 mm.
Stainless steel rudder shaft
Shaped balance Ruder
Cockpit seats with stowage
Cockpit hatch to lazarette
Watertight door to engine room
Döderhultaren [Axel Petersson] (1868-1925) - The draft inspection [Beväringsmönstring] (undated). Painted wood. Exists in many versions, this one is in the collection of the Thiel Gallery, Stockholm.
Peterssons acquired his somewhat sinister-sounding nickname, Döderhultaren (which simply refers to his place of birth, Döderhult) when he was about forty and became famous nationally. Until then he had been known in his hometown, Oskarshamn, as Tolvskillingen (25 öre), because that was the price he asked for his tree figures.
Parts of the draft beer menu at Crowbar in Oslo on my February 11, 2013, visit:
- Crowbar Crow's Scream Ale (4.7% cream ale)
- Crowbar Crow's Nest (of Zest) Citrus Saison (5.5% saison)
- Crowbar They Call Her Vanilla Brown (4.7% brown ale)
- Crowbar Experimental IPA #1 (6.5% ipa) -- hops: Ahtanum, Simcoe, Columbus
- Crowbar Trotskij Red Ale (6.5% hoppy amber ale)
- Mikkeller / Three Floyds Boo Goop (10.4% barley wine)
- Thornbridge Thorny Goat (6% porter)
- HaandBryggeriet Hesjeøl (6.5% traditional ale)
- Uncommon Brewers Casserly Pale Ale (5.2%)
- Rogue Ales Dead Guy Ale (6.6%)
- Thornbridge Halcyon (7.4% ipa)
- Nøgne Ø Citrus Hystrix IPA (7.5% ipa)
- Mikkeller Palisade IPA (7%)
- Beer Here Hoptilicus (9%)
And four more outside the right picture frame.
Parts of the draft beer menu at Crowbar in Oslo on my January 21, 2013, visit:
- Crowbar Crow's Scream Ale (4.7% cream ale)
- Crowbar Feather Ale (4.5% ale spiced with green tea and orange peel)
- Crowbar Karasu (6% wasabi stout)
- Crowbar Trotskij Red Ale (6.5% hoppy amber ale)
- Crowbar Corneille (6% belgian ale)
- Nøgne Ø Special Holiday Ale 2012 (8.5% ale spiced with chestnuts, juniper twigs and sage)
- Kuhnhenn American IPA (6.5%)
- Thornbridge Wallonia (6% saison)
- Evil Twin Kiwi (7.5% imperial pilsner)
- Beer Here Dead Cat (4.7% amber ale)
- Nøgne Ø Two Captains (8.5% double ipa)
- Thornbridge Rave n (6.6% black ipa)
- HaandBryggeriet Pale Ale (4.7%)
- Mikkeller Cluster IAP (6.8%)
- Nøgne Ø Lemongrass (5.5% brown ale with lemongrass)
And four more outside the right picture frame.
The Drafting Table is a complete ruggedized 4K Ultra High Definition (UHD) multitouch table. It features an angled display and uses the latest touch technology from 3Mâ„¢ with support for 80 touch points. Each Ideum Drafting Table is equipped with a powerful integrated Intelâ„¢ i7 quad core computer, dedicated NVIDIAâ„¢ graphics card, and single push-button operation.