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Tatouage owl, hibou grand duc graphique, cycles lunaires, rose des vents, lignes et dotwork by Lys Tattoo
Maani has quit her job to do some travelling. I asked if she had come from far. When she said yes, I imagined Australia or Asia but she said “Manchester”, which I guess is a long way compared to the 3 and a half miles that I had come. Like many spend time travelling, Maani hadn’t got firm plans regarding where she would go next but would wait to see what path opened ahead.
Maani is an artist. She enjoys dot work using brushes and pens. Maani takes inspiration from nature, for her subject matter.
When I met Maani she was sitting with her friend, Claire, at the base of St Michael’s tower. They had met a few weeks ago in Wales. Claire was also happy for me to take her photo, she will be my stranger 522. When I had finished making portraits with each of the friends, I was able to photograph them both together.
Thank you Maani for being part of my project. It was great to meet you and Claire today.
You can view more portraits and stories by visiting The Human Family
"AMOR CÓLERA II"
(Nanquim, tinta spray e grafite sobre papel).
A obra "Amor Cólera II" consiste na mutação física e semântica da palavra AMOR que, ao ser rotacionada 180º, se transfigura na palavra CÓLERA. Junto a este processo gráfico, buscam-se em objetos os alicerces para compor e reforçar a iconografia deste jogo de imagem e palavras.
Obra presente na exposição individual "AMORFO" no Museu de Arte Contemporânea de Campinas MACC José Pancetti até o dia 08 de Maio de 2016 - SP/Brasil.
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“AMOR CÓLERA II” (LOVE ANGER II)
(Nankin ink, spray paint, graphite on paper).
The artwork “Amor Cólera II” (Love Anger II) consists on the physical and semantics mutation of the word AMOR (LOVE), which when is rotated 180º, it is transformed in the word CÓLERA (ANGER). Alongside this graphic process I get through objects the foundation to compose and strengthen the iconography of this game of images and words.
The artwork is present at the individual art exhibition AMORFO (Amorphous) at the Museum of Contemporary Art of Campinas in São Paulo State, Brazil.
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Jan M.O.
2016
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