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The cable bundle tended to rub the belt, so a cable bridge was printed to protect the belt and cable bundle from each other.
The Documentation Centre at the Congress Hall is a museum narrating the history and function of the Nazi Party Rally Grounds in Nuremberg.
Turnstyle!
Zulma Aguiar
(Two channel video screening on plasma screens on opposite walls, 2006)
Turnstyle! hilariously explores the issues of Homeland Security Border and Immigration at the US/Mexican Border. The artist performs a US border agent in one video channel and a Mexican Customs agent in another. The subject stands in the middle of the gallery with both videos looping, juxtaposing the different border-crossing simulated experiences.
The piece aims to invite users to the experience of a contemporary US/Mexican border inspection. Imagine you're in a turnstyle border door and allow the videos to whirl you around the immigration discourse until you're not sure exactly who what or where you are.
This is--if I heard the tour guide (pictured here) correctly--the old guest house from when Hitler was living in Obersaltzberg. It's been remade into a historical center, and you can enter the underground bunkers from there.
Using my pinky and forefinger in the manner of compass I made a circular swipe through the pooling water on the wet deck in front of my dorm at Anderson Ranch.
Evan, using my old 7D with the 35mm lens to take pictures at the holiday market. The main emphasis was France, but there were vendors with products from Hungary and Germany, as well as this British Isles bakery (Lá Liath) that I've been meaning to try.
This is a movie documentation for a Ferchau commercial. It was made in St. Peter-Ording, Nordsee, Germany. Agency: MSH AND MORE (http://www.msh.net), Cologne.
FOLLOWING BIT is a reenactment of Vito Acconci's FOLLOWING PIECE, originally performed in New York City between October 3 and 25, 1969. FOLLOWING PIECE was part of “Street Works IV”, a series of performances and conceptual events sponsored by the Architectural League of New York between October 1-31, 1969. Acconci followed a person for a few minutes, if that person entered into a private space or a car, or for several hours, if the person went to a cinema or restaurant. Acconci carried out this performance everyday for a month. He typed up an account of each 'pursuit', and, the following month, he sent a report to a different member of the art community.
Coll.eo’s FOLLOWING BIT is presented today to a broader audience via different media, in the form of tweets, machinima, digital photographs, prints, maps, and diagrams. The month-long performance generated an enormous set of data, consisting of 23 digital videos in high definition over 118 GB in size; 13300+ digital photos; 60 digital prints; 23 written accounts sent in Tweet form (archived), plus several typewritten pages of notes, framed, and mounted to wall and to a board.
This folder documents a following bit took place in the streets of Liberty City on July 23 2013. The episode lasted a few hours. The photographic documentation was automated. The computer camera took pictures every three seconds. The result: approximately 5 GB of screenshots. This is a selection.
For more information visit colleo.org.
September 1, 2013
Disclaimer: The photo albums in this Flickr account are not intended to be collections of my best hand-picked images. Such images are included but the vast majority of images, 4800 and counting, commingled amongst the few gallery-worthy images, are snapshots, bad shots and missed shots (the bad shots containing some element of the composition that strikes my fancy despite its flaws thus saving it from the Recycle Bin and the missed shots being those photos where the exposure and/or DoF were not completely appropriate). There is trip documentation and there are pure experiments (including multiple treatments of the same scene such as different angles, different post processing, different times of day, sunrise/sunset progressions, zoom progressions, etc.). This account is basically a secondary backup location with convenient captioning, titling & EXIF capabilities.
To support the documentation of the Hudhud and Alim epics of the Ifugao people, two traditions passed down orally from generation to generation and recognized by UNESCO as masterpieces of the intangible heritage of humanity. The project, which involves the audiovisual recording of chants and their transcription and translation into three languages, builds upon an AFCP project funded in 2007 to support the preservation of the Banawe rice terraces, a World Heritage Site.