Documentary Photography / Photojournalism
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In the center with the gray body and brown head is a Pink-footed Goose hanging with a flock of Canada Geese. The Pink-footed Goose is far from home. It breeds in eastern Greenland, Iceland and Svalbard. It is migratory, wintering in northwest Europe, especially Ireland, Great Britain, the Netherlands, and western Denmark. Found in Bucks County PA. The pic was taken really far away and late in the day with bad light.
The question stands; why would this picture be different from a Real Estate advertisement?
Both would show a structure in an uncritical manner. The difference being -- a Real estate 'document' photo has an intent of use while a 'documentary' style New Topographics photo is a useless image. This is not semantics, but a purpose of use by the photographer at the time of making the image.
reference; Szarkowski.
Plus, "In a NT picture one cannot understand the structure without understanding the landscape and conversely."
Addendum: it is difficult for me to comprehend and subsequently digest the idea of ‘useless’ pictures being worthy of inclusion into the New Topographics genre. But I acquiesce to photography historians who are well adept in this field.
Documentary style vs. Document photo. Because it is a 'useless' image it falls into the 'documentary style' category of photography.
I present this picture to regain favor in the New Topographics community. Especially after the expressive subjectivity "stagecraft" of my previous two photos.
Emil Ferris is one of those humans who you can just sense their utter brilliance. I literally think it's an amazing gift to share the same respiratory space with such an amazing human. I was thrilled to be able to speak to Emil after the Q and A following The Music Box Theater's documentary of Art Spiegelman entitled Disaster is My Muse (This should be available on PBS in the upcoming months according to the director)
I was telling Emil Ferris about this nonfiction book I was reading called Beyond Anxiety by Martha Beck, who speaks about how a creativity cycle can disrupt an anxiety cycle. I think many of us artists in this current political climate are feeling increasingly restless and hopeless. Channeling that into art is a good idea at this time.
In any case, this is a great film and Emil Ferris's My Favorite Thing is Monsters (Book 1 and 2) is absolutely phenomenal. Highly recommended!
In these current times, the monsters are humans who have been given absolute power to enforce their wills and desires on all. Every day is a new horror and destruction of human rights. Some will try to counter this by praying ceaselessly. Others, like myself, will continue to maximize their time on Earth by doing art every spare moment. It is perhaps the only way to cope with the madness of reality and maybe enough of us could create a new world out of the embers left.
More about Emil Ferris: en.wikipedia.org/wiki/Emil_Ferris
If you haven't read My Favorite Thing is Monsters, you haven't led a complete life. Here's a link for more info: www.fantagraphics.com/products/my-favorite-thing-is-monst...
More about Disaster is My Muse: www.imdb.com/title/tt32276169/
**All photos are copyrighted**
Amsterdam's huge cruise ship port provides a dramatic setting for a lone individual crossing a light-filled space.
A native cow grazes in a rice terrace as smoke from a controlled burn rises in the air overlooking Pasaleng Bay and the slopes of Caraballo (Karaballo) mountains
Pagudpud, Ilocos, Philippines. Pagudpud is a fourth class municipality and a coastal resort town of Ilocos Norte province, in the northern Ilocos Region of the Philippines,
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A young man inspects the engine of a finely-restored MG from the late 1950s, lacking only the correct factory-style steering wheel to be perfect in my eyes! Seen in Galway Ireland at the annual classic car meet.
Peul (Fulani, Fulbe, Fula) herdsmen with traditional wide-brimmed fibre-and-leather conical hats meet at the weekly market in front of Djenné's Great Mosque. A colourful multiethnic gathering of herders and traders converges at the mosque from the surrounding regions and fertile flood plains of the Niger River inland delta in central Mali. Digital film scan, Asahi Pentax Spotmatic, shot directly under the noonday sun, circa 1976.
The Great Mosque of Djenné towers over the market in a seemingly apocalyptic backdrop on this day. The mosque is considered the world’s largest adobe building and one of the greatest achievements of Sudano-Sahelian architecture, unique to the semi-arid Sahel zone that stretches across northern Africa just south of an encroaching Sahara.
These Peul herdsmen are likely from the class of “free nobles” (mostly nomadic herders, religious and political leaders, some tradesmen and sedentary cultivators) at the top of a highly stratified caste-based Peul society.
Ethnographers distinguish this class from lower-tiered occupational groups or “castes” (griot story tellers and song-praisers, artisans, blacksmiths, potters, woodworkers, dress makers) and descendants of slaves (labourers, brick makers, house builders).
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Postrscript - The enchanting Arabian Nights imagery emanating out of this ancient marketplace at the time if this photo shoot (1976) is reminiscent of a seemingly bygone Sahelian era devoid of smartphones, credit cards and packaged safari tours.
Nowadays, nascent tourism is on hold and easy access to markets, pastures and farmlands is hampered as ethnic strife and inter-communal violence continue to erupt under a fragile or failed Malian state with a troubled history of military coups.
The current military junta relies on mercenaries from the private Russian-backed Wagner Group for its security needs, coinciding with the recent French withdrawal of troops from the region. By providing protection to the Malian military regime, the Moscow-centered paramilitary group has increased its power and access to Mali's scarce natural resources.
In 2018, Human Rights Watch reported that the Mopti region of central Mali has become an epicentre of inter-rethnic conflict, fuelled by a steady escalation of violence by armed Islamist groups largely allied with Al Qaeda’s advance from the north since 2015.
Recruitment to the militant Islamist movement from Peul pastoral herding communities has inflamed tensions within sedentary agrarian communities (Bambara, Dogon, Tellem, Bozo and others) who rely on access to agricultural lands for their livelihood.
Predominantly Muslim but opposing ethnic self-defence militias on both sides have been formed for the protection of their own respective communities. This has contributed to a continuous cycle of violent attacks and reprisals touching villages and hamlets, pastures and farmlands, and some marketplaces.
While communal tensions are profoundly connected to a larger ethnopolitical conflict unfolding in northern Mali, chronic insecurities around the ancient town of Djenné and in the broader central regions of Mali are exacerbated by longstanding indigenous concerns over a struggle for scarce natural resources - agricultural land for settled farmers versus water and grazing land for semi-nomadic Peul herdsmen.
Efforts at mediation in the area around Djenné and the grand mosque include a Humanitarian Agreement specifically among Bambara and Bozo farmers, Dogan "hunters" protecting farmers' interests and Peul herders, all committed to guaranteeing the freedom of movement of people, goods and livestock in the "Circle of Djenné" situated in the Mopti region of central Mali.
© All rights to these photos and descriptions are reserved. Any use of this work requires my prior written permission. explore#19
Social Documentary | Documentary Portraiture | Lonely Planet | National Geographic
XI / XXIV
For Advent season 🎅, my documentary photo series,
with 24 scenes of Christmas decorations,
found in German cities.
Part of my series: flic.kr/s/aHBqjBU4kn
This is my first editted image from my new project which is based on Urban Explorers. Instead of the usual taking photos of the desolation i am turning the camera onto these explorers.
Anyone that wants to come with me on an explore so i can photograph you would be much appreciated =]