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Divinity Convocation and Building Dedication - Benton Chapel and New Building - on web and in promotional materials for recruitment. web and in promotional materials for recruitment. (Joe Howell/Vanderbilt University)
Rivals100 Five-Star Challenge Presented By Under Armour at M&T Bank Stadium in Baltimore, Maryland on June 7, 2014. (Nick Lucero/Rivals.com)
Rivals100 Five-Star Challenge Presented By Under Armour at M&T Bank Stadium in Baltimore, Maryland on June 7, 2014. (Nick Lucero/Rivals.com)
Some live shots from the gig last nite with Azriel, fucking gutted the show was well delayed cos i had 2 go get my train after PFD set so i missed Martyr Defiled and Azriel. FAIL. also my flash gun died on me so was in a shit mood and the day was just a complete waste for taking photos :(
2012/10/06
SURRENDER OF DIVINITY (from Thailand)
Asakusa Extreme vol 22
at asakusa kurawood
with
ABIGAIL
CLANDESTAINED
RETURN
ZOMBIE RITUAL
The ancient Egyptians believed that the dung beetle, the Scarabaeus sacer, was one of the manifestations of the sun god. Representations of these beetles were used as amulets, and for ritual or administrative purposes.
This scarab has a bottom design that displays King Amenhotep seated on his throne. He is dressed in a long pleated kilt, wears the so-called "Blue crown" with Uraeus-serpent and crown sash. The king holds with his left hand the crook in front of his chest, and with his right an ankh-sign (meaning "life"). The block throne has a small back. In front of him is a column with a left reading inscription, containing his throne name and title, and behind him the hieroglyphs for "protection" and "life." The layout is well organized, but it is notable that the royal figure does not fill the whole space, and that the Uraeus on the forehead of the king is unusually large. The highest point of the scarab's back is the pronotum (dorsal plate of the prothorax). Pronotum and elytron (wing cases) have deeply incised, fine borderlines, single separation lines, V-shaped marks for the humeral callosities (shoulder thickenings), and small side-depressions. The partition lines between pronotum and elytron meet V-shaped. The rectangular head is flanked by triangular eyes. The trapezoidal side plates have curved outer edges and borderlines, and the clypeus (front plate) has four frontal serrations and two central base notches. The raised, slender extremities have natural form; the background between the legs is deeply hollowed out. The low oval base is symmetrical.
The scarab is longitudinally pierced, was originally mounted or threaded, and functioned as an amulet. It secures the existence ("life"), protection, divinity (title: "Perfect god"), and royal authority (cartouche, seated king with scepter) for the king, and provides a private owner with his patronage and protection.
Egyptian
H: 3/4 x W: 1 5/16 x L: 1 7/8 in. (1.9 x 3.3 x 4.7 cm)
medium: steatite with green glaze and residue of white underglaze
culture: Egyptian
dynasty: 18th Dynasty
reign: Thutmosis IV-Amenophis III (1397-1350 BC)
Walters Art Museum, 1931, by bequest.
Lecture & Keynote
Dr. Nancy MacLean presented just before Dr. Eddie Glaude.
Benton Chapel and Vanderbilt Divinity School
Vanderbilt University
Photo: Anne Rayner; VU
Shifting Borders: Rethinking Immigration at the U.S./Mexico Border on Dec. 4, 2014. Vanderbilt Divinity School Reading Room.
This school year VDS has been full of lament, pain, protests, marches, rituals and activism around how black lives matter and how we heal from the effects of high incidence of sexual assault in this campus. As we move forward, Poiesis called on artists who want to “establish the path culture will take as a result of new insights into the manifestations of the human consciousness in perceptible media.” Hosted at the Vanderbilt Divinity School's Art Room on March 20, 2015.
Shifting Borders: Rethinking Immigration at the U.S./Mexico Border on Dec. 4, 2014. Vanderbilt Divinity School Reading Room.
View through window across Exeter Collge Fellows' Garden towards Radcliffe Camera and St Mary the Virgin