Urban Displacement
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A few weeks ago I posted an Image that I called The Pin and the Pier using this same subject. I set the pin into some rocks and waited for the tide to rise. That shot came after this original exposure and I used it because I liked that the rocks in the foreground had disappeared beneath the incoming tide.
I like to go back through my images periodically to see if something jumps out on a second view that I didn’t see at first. This is one of those images that liked better second time around and in this case I started to appreciate that having foreground interest on a long exposure shot like this actually adds more to the image than it detracts. The rocks don’t feel solid to me they look almost ethereal and ghostly only appearing real where they break out of the mist.
I was also thinking I’d use this image as a monochrome but on reflection I liked the unusual colour the water had turned so I decided to keep the colour in the foreground and just toned down the sky. I’ll probably use both versions at some point so look out for the mono later in the year.
Brückengeländer und Schattenfall
All rights reserved. This photo is not authorized for use on your blogs, pin boards, websites or use in any other way.
©ArtundUnart by WF
Nr.20141205
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© Leanne Boulton, All Rights Reserved
Candid street photography from Glasgow, Scotland.
Black and white re-edit of a previously published colour shot captured in January 2020. I can't begin to tell you how much I desperately want to capture new street shots - the vaccines cannot roll around soon enough! Stay safe and enjoy your weekend everyone!
Cylinder 4, displacement 9236 cm³ (564 ci in) Power 60 hp, speed 1400 rpm, 80 km/h (50 mph)
The 60hp Mercedes-Simplex became the top-of-the-range Mercedes model in 1903. As Daimler-Motoren-Gesellschaft's most powerful automobile, it was also successful in motor racingtop-of-the-range Mercedes model in 1903.
Originally, this was a somewhat uninteresting close-up mobile photo of an old metal scale taken during the winter in Arizona.
Using GIMP, the image was converted to B&W and processed with an illusion map and then a displacement map to add distortion.
Subsequently, in Darktable, a light grain was added and the contrast was bumped to finish the "Weighed Significance" of the image. Happy Slider Sunday!
Nothing happened, or nothing seemed
to happen -
the water, perhaps, which slithered
on itself,
singing
from transparency.
~ Pablo Neruda
-------------------------------------------------
Wonderful textures by Skeletal Mess
Blue-tailed Bee-eaters, disturbed by a crow landing on their perch.
Aymanam, Kottayam, Kerala, India
Cylinder 4, displacement 6785 cm³, (414 cu in) 1,100 rpm, 80 km/h 50 mph.
The 40hp Mercedes-Simplex is the oldest Mercedes still in existence. This was the direct successor to the 35hp Mercedes designed by Wilhelm Maibach, which was the world's first automobile of the modern age. The addition of the word "Simplex" related to the relative ease with it handled for the period.
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Separation. Displacement. Asunder.
A boundary. A union. A contradiction.
Diremption is incongruity and antithesis in agreement; two planes in the same space separated by form, shape, color, depth, meaning; each a stilled moment in its own time joined in common boundary by a contrary moment, like fingerprints on a window, unique, separate, together.
An ongoing series
Cylinder 6,
displacement 2996 cm³, (183 cu in),
Output 215hp 5,800 rpm,
250 km/h 155 mph.
New York, February 6, 1954. The International Motor Sports Show opens – and Mercedes-Benz surprises the world with a completely unexpected car. The brand presents a super sports car. Its name: 300 SL.
The public quickly gives the coupé fitting nicknames. In German-speaking countries, it is called "Flügeltürer", the English-speaking countries call it "Gullwing," and the French refer to it as "Papillon" (butterfly). These immortal names remain to this day.
Separation. Displacement. Asunder.
A boundary. A union. A contradiction.
Diremptio is incongruity and antithesis, in agreement; two planes in the same space separated by form, shape, color, depth, meaning; each a stilled moment in its own time joined in common boundary by a contrary moment, like fingerprints on a window, unique, separate, together.
An ongoing series.
House abandoned after displacement of peoples and individuals because of the political violence and terrorism in the Andean peoples of the mountains of Peru. A beautiful view, a beautiful place, very close to heaven. Now nobody lives there.
*Casa abandonada después del desplazamiento de pueblos y personas a razón de la violencia política y el terrorismo en los pueblos andinos de las sierras del Perú. Una hermosa vista, un hermoso lugar, cerquita al cielo. ya nadie vive ahí.
Separation. Displacement. Asunder.
A boundary. A union. A contradiction.
Diremptio is incongruity and antithesis, in agreement; two planes in the same space separated by form, shape, color, depth, meaning; each a stilled moment in its own time joined in common boundary by a contrary moment, like fingerprints on a window, unique, separate, together.
An ongoing series.
Cylinder 4, displacement 6785 cm³, (414 cu in) 1,100 rpm, 80 km/h 50 mph.
The 40hp Mercedes-Simplex is the oldest Mercedes still in existence. This was the direct successor to the 35hp Mercedes designed by Wilhelm Maibach, which was the world's first automobile of the modern age. The addition of the word "Simplex" related to the relative ease with it handled for the period.
Separation. Displacement. Asunder.
A boundary. A union. A contradiction.
Diremptio is incongruity and antithesis, in agreement; two planes in the same space separated by form, shape, color, depth, meaning; each a stilled moment in its own time joined in common boundary by a contrary moment, like fingerprints on a window, unique, separate, together.
An ongoing series.
So I came to this place with this painting that it's possibly finished, have to live with it for a little while. I'm kind of enjoying where it's at. I did come up with a title also, "displacement " , I don't know if I'm going to stick with that title though, I'll see. I'll write about this painting a little later to sum things up.