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Depeche Mode - Where's the Revolution

Depeche Mode are an English electronic band that formed in 1980 in Basildon, Essex. The group consists of founders Dave Gahan (lead vocals, occasional songwriter since 2005), Martin Gore (guitar, keyboards, vocals, main songwriter since 1982), and Andy Fletcher (keyboards, bass guitar). Depeche Mode released their debut album Speak & Spell in 1981, bringing the band onto the British new wave scene. Original band member Vince Clarke (keyboards, guitar, main songwriter from 1980 to 1981), left the band after the release of the album, leaving the band as a trio to record A Broken Frame, released the following year. Gore took over the lead songwriting duties and, later in 1982, Alan Wilder (keyboards, drums, bass guitar, occasional songwriter) officially joined the band to fill Clarke's spot, establishing a line up that would continue for the next 13 years. Depeche Mode have been a trio again since 1995, when Wilder left.

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www.discogs.com/Neues-Bachisches-Collegium-Musicum-Leipzi...

 

Charpentier - Te Deum Prelude, Handel - Concerto Grosso op.6 No.4,.5, 8,Serse (Xerxes), Saul & Telemann - Concerto Trumpet & Strings & Continuo, Bach - Ouverture No.2 BWV 1067, No.3 BWV 1068 & No.1 BWV 1066 & No.4 BWV 1069, Cantata "Ich liebe den Hochsten von ganzem Gemute" BWV 174 & "Herz und Mund und Tat und Leben" BWV 147 - Brandenburg Concerto No.1 BWV 1046, Heinichen - Concerto 2 Horns, 2 Flutes, Strings & continuo, Pachelbel - Kanon, Haydn - Trumpet Concerto E flat major, Neues Bachisches Collegium Musicum Leipzig, Max Pommer, Capriccio C 27 044, 1985

www.discogs.com/Elly-Ameling-Beeld-Van-Een-Zangeres/relea.... Elly Ameling - Een beeld van een zangeres - Bach - Cantate BWV 211 Schweigt stille, plaudert nicht (Kaffee-Cantate) Aria 'Heute noch, lieber Vater & BWV 212 Mer hahn en neue Oberkeet (Bauern-Cantate) Aria 'Ach es schmeckt doch gar zu gut', , Bach - Notenbuchlein fur Anna Magdalena Bach ' Bist du bei mir' BWV 508 & ' Willst du dein Herz mir Schenken' BWV 518, Schubert - Der Hirt auf dem Felsen op.posth. 129 D.965, Die Voegel op.posth.172 No.6 D.691 & Der Musensohn op.92 No.1 D.764 & Die Sennin op.90 No.4 & Auftrage op.77 No.5 & Schmetterling op.79 No.2 & Der Nussbaum & Marienwurmchen op.79 No.14 ( Des Knaben Wunderhorn), Brahms - Trennung op.97 No.6 (Da unten im Tale) & Schwesterlein & Och Moder, ich well en Ding han!, Harmonia Mundi DY 119 004

www.discogs.com/Johann-Sebastian-Bach-Philomusica-Of-Lond...

 

Kirk McElhearn wrote (July 8, 2001):

Occasionally, one comes across individuals with a mission. This is the case with J. Martin Stafford. He has managed to save several rare, yet essential recordings from the abyss of forgetting, especially this recording by Thurston Dart.

 

A clavichordist and harpsichordist, most of Dart's solo recordings were of English music. He recorded five LPs of keyboard music by the great English composers, such as Byrd, Bull, Gibbons and others, on harpsichord and chamber organ. He also recorded a selection of organ music by English composers. Yet, one must bear in mind that this was all done in the 1950’s, a period when early music was far more confidential than it is today.

 

In addition to these great recordings of English music, Dart also recorded Bach's French Suites, a selection of works by Froberger, and some pieces by Purcell and other English composers, on the clavichord. This recording is certainly unique, not only for its historical interest, but also for the instrument.

 

The clavichord is a small, rectangular box-like instrument, with a very simple mechanism, that was probably the domestic instrument par excellence in 17th and 18th century Germany, as well as in other countries. Its simple construction and small size made it easy to have at home, and even to carry around. It is known that Bach owned clavichords, and one can imagine that, when playing with his family, this instrument might have been used often.

 

But this recording is not only valuable for the above reasons. It is also one of the most moving recordings of the French suites available. The clavichord gives a musician the unique possibility of playing vibrato (known as bebung) on a keyboard instrument. This means that a performer has a much vaster palette of effects on the clavichord than on most other keyboard instruments. In spite of its limitations - it is a very soft instrument, its tone is limited because of its short strings, and its resonance is also limited because of its size - the clavichord is highly expressive.

 

Dart's reading of the French suites is quite a masterpiece. With judicious choices of tempo, he makes each movement sing. The slow movements take on a different emotion on the clavichord than on harpsichord - and Dart makes full use of bebung in these movements. The faster movements are lively and energetic, and Dart instils far more sensitivity into these than most harpsichordists. Some of the movements in these suites are quite playful, and Dart retains that feeling, giving them the utmost liberty and joy.

 

The additional pieces on this CD, by Purcell and Croft, are also excellent. The brief Purcell pieces take on a totally new character when played on the clavichord, and, as for the French suites, Dart's performance of them is impeccable.

 

There are some minor drawbacks to this recording, though. First of all, given that this was recorded in 1961, Dart chose to play none of the repeats in the French suites, so they could all fit on one LP. This is not a major default, but the suites are much shorter than in most recordings, and they leave this listener wanting to hear more. The only other minor problem is the fact that each suite is only one track, as opposed to being one track for each movement.

 

In any case, J. Martin Stafford has done an excellent job remastering these recordings - the sound is as clean as possible. He deserves kudos for saving these great recordings from oblivion.

 

An excellent performance, and a very good recording of a unique historical document. Beyond its interest as a historical recording, and the use of the clavichord, this is one of the finest recordings of Bach's French Suites available. (And the price is right too!) Every Bach lover should own this disc.

 

CONTACT DETAILS: ourworld-top.cs.com/ismeron99/index.html

www.discogs.com/Jan-Wolf-Serenata/release/3018743

 

Richard Rodney Bennett-Impromptus, Britten-Nocturnal, Takemitsu-Folios, Maurice Ohana-Tiento, Girolamo Arrigo-Serenata, Partridge PR 157128

www.discogs.com/Christian-Ferras-Pierre-Barbizet-Beethove.... Beethoven - Violin & Piano Sonatas "Kreutzer"& "Fruhling" - Christian Ferras Violin, Pierre Barbizet Piano, Concert Hall SMS 2702. 1 of 2 copies

www.discogs.com/Fides-Kwintet-Franz-Xaver-Wolfgang-Mozart...

 

Invitation - Fides Kwintet - Franz XW Mozart - 2 Polonaisen op.22, Zemlinsky - Humoreske Rondo, Ligeti - 6 Bagatellen, Klughardt - Blaserquintett op.79 - Fides Quintet (Dorine Schade Flute, Marieke Schut Oboe, Harrie Troquet Clarinet, Remko Kraamwinkel Horn, Erik Reinders Bassoon, FK-11087, 1987

1 of 2 copies

 

www.discogs.com/release/22654034-Isfrid-Kayser-Sixt-Bachm...

 

Isfrid Kayser, Sixt Bachmann - Regine Hermann Sopran, Hans-Jurgen Schopflin & Eberhard Schuler-Meybier Tenor, Martin Gantner & Michael Volle Bass, Matthias Eisenberg Orgel Organ Orgue, Stefan Holker Continuo, Chor 1. Chormusiktage & Camerata Vocalis Universitat Tubingen, Christophorus-Kantorei Altensteig, Sudwestfunk SO Soloists, Alexander Sumski - Musik in Oberschwabischen Klostern, ehem Pramonstratenser-Reichsabtei Marchtal

Depeche Mode - Where's the Revolution

Depeche Mode are an English electronic band that formed in 1980 in Basildon, Essex. The group consists of founders Dave Gahan (lead vocals, occasional songwriter since 2005), Martin Gore (guitar, keyboards, vocals, main songwriter since 1982), and Andy Fletcher (keyboards, bass guitar). Depeche Mode released their debut album Speak & Spell in 1981, bringing the band onto the British new wave scene. Original band member Vince Clarke (keyboards, guitar, main songwriter from 1980 to 1981), left the band after the release of the album, leaving the band as a trio to record A Broken Frame, released the following year. Gore took over the lead songwriting duties and, later in 1982, Alan Wilder (keyboards, drums, bass guitar, occasional songwriter) officially joined the band to fill Clarke's spot, establishing a line up that would continue for the next 13 years. Depeche Mode have been a trio again since 1995, when Wilder left.

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Depeche Mode - Where's the Revolution

Depeche Mode are an English electronic band that formed in 1980 in Basildon, Essex. The group consists of founders Dave Gahan (lead vocals, occasional songwriter since 2005), Martin Gore (guitar, keyboards, vocals, main songwriter since 1982), and Andy Fletcher (keyboards, bass guitar). Depeche Mode released their debut album Speak & Spell in 1981, bringing the band onto the British new wave scene. Original band member Vince Clarke (keyboards, guitar, main songwriter from 1980 to 1981), left the band after the release of the album, leaving the band as a trio to record A Broken Frame, released the following year. Gore took over the lead songwriting duties and, later in 1982, Alan Wilder (keyboards, drums, bass guitar, occasional songwriter) officially joined the band to fill Clarke's spot, establishing a line up that would continue for the next 13 years. Depeche Mode have been a trio again since 1995, when Wilder left.

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1 of 2 copies.

 

Rare Record.

 

www.discogs.com/Andr%C3%A9-Campra-Chorales-Philippe-Caill....

 

Requiem de Campra - Louis Fremaux, Solistes, Choeurs et Orch., Erato STU 70 051 - Andre Campra - Messe de Requiem - Edith Selig, Jocelyne Chamonin, Andre Meurant, Jean-Jacques Lesueur, Georges Abdoun, Jean Deferrieux, Maxence Larrieu, Jacques Chambon, Marie-Claire Alain Organ Orgel Orgue, Anne-Marie Beckensteiner Cembalo Clavecin Harpsichord, Philippe Caillard, Stephane Caillat Chorales, Jean-Francois Paillard Orch., Louis Fremaux

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