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www.discogs.com/Sidney-Bechet-Sidney-Bechet-Album/release...
Sidney Bechet Album - Sagapan Immortal Sessions - "wild"Bill Davison Trumpet, Jimmy Archey Trombone, Albert Nicholas Clarinet, Ralph Sutton Piano, Danny Barker Guitar, George "Pops "Foster Bass, "Baby"Dodds Drums 1947 NY City & Mezz Mezzrow Clarinet, "Hot Lips"Page Trumpet, Sammy Price Piano, Sidney Catlett Drums, 1945 NY City
Rare Record. 1 of 3 copies. Not identical
www.discogs.com/Friedrich-GuldaVienna-Philharmonic-Orches.... Gramophone Review 1957:
One is always sorry to condemn a record merely because of the way the music is laid out on it but in this version. of the Schumann the division between the sides seems to me to be disastrously unhappy. The turn comes in the Intermezzo just before the woodwind anticipations of the finale's opening theme, an imaginative moment that is entirely spoilt by a break. I think no other version does this, whether on 10- or 12-inch, the work being all on one side or broken after the first movement.
For me it would have to be an altogether exceptional performance to make me ready to put up with this arrangement and though it is good, it is not that good. There is sympathetic playing in the first two movements but the Finale does get dull. Gulda's playing is clean and flowing but not exhilarating. I tried a bit of the Kempff and Lipatti records and found altogether more imaginative playing. Another disadvantage in this new disc' is a most unattractive sounding oboist in an otherwise good orchestral sound.
If the finale of the Schumann Concerto wants to have real brilliance in its playing, the Weber piece wants sheer panache,. and that is what Casadesus gives it. His playing of the first, agitated allegro is nothing like as clean as Gulda's is but I prefer it every time. And all the rest of his performance is a wonder, a different world of both pianism and imagination. His accompaniment, too, conducted by Szell is on the same plane.
I have no hesitation in leaving Casadesus's as still the best performance of the Weber and the Schumann situation remains un-, Changed (despite Decca's good recording). Lipatti, Kempff and Myra Hess are all extremely good in their different ways and all take both sides of a 10-inch. T.H.
www.discogs.com/Trevor-Pinnock-The-Harmonious-Blacksmith-.... Handel, Fischer, Couperin, Bach, Rameau, Scarlatti, Fiocco, Daquin, Balbastre - The Harmonious Blacksmith - Favourite Harpsichord Pieces, Beruhmte Cembalowerke - Trevor Pinnock, DGG Archiv 413 591-1 AH, Digital
Rare Record.
No Backside.
www.discogs.com/release/24550817-Various-Musik-Des-Mittel...
Perotinus Magnus, G.de Machaut, Notre Dame de Paris, Reims Cathedrale - Wilfred Brown & Gerald English Tenor, Maurice Bevan Bariton, Ars Nova des 15. Jahrhundert - J.de Limburgia, J.Dunstable, G.Dufay - Elly Ameling Soprano, Theo Altmeyer, Bernhard Michaelis & Hans-Joachim Rotzsch Tenor, Willi Gesell, Hans-Martin Linde Bariton, Altspanische Musik - C.de Morales - Capella & Escolania Benediktiner Abtei Montserrat, P.Ireneu Segarra, Hofische Musik der Renaissance 0 J.Moderne, T.Susato, C.Gervaise, P.Phalese - Italienische Lautenmusik - S.Garsi da Parma, C.Negri Milanesi, PP.Melli da Reggio, F.Caroso, G.Gorzanis - Walter Gerwig Lute, Englische Musik der Elisabethanischen Zeit - T.Morley, J.Dowland, T.Weelkes, T.Tomkins, Die Geburt des Barock - Monteverdi, Sweelinck, Frescobaldi, Collegium Aureum, Fritz Neumeyer Cembalo Clavecin Harpsichord, Rene Saorgin Organ Orgue Bastia Orgel Corsica, Deller Consort, Musik des Mittelalters und der Renaissance - Harmonia Mundi HMSK 3508/1-4
Depeche Mode - Where's the Revolution
Depeche Mode are an English electronic band that formed in 1980 in Basildon, Essex. The group consists of founders Dave Gahan (lead vocals, occasional songwriter since 2005), Martin Gore (guitar, keyboards, vocals, main songwriter since 1982), and Andy Fletcher (keyboards, bass guitar). Depeche Mode released their debut album Speak & Spell in 1981, bringing the band onto the British new wave scene. Original band member Vince Clarke (keyboards, guitar, main songwriter from 1980 to 1981), left the band after the release of the album, leaving the band as a trio to record A Broken Frame, released the following year. Gore took over the lead songwriting duties and, later in 1982, Alan Wilder (keyboards, drums, bass guitar, occasional songwriter) officially joined the band to fill Clarke's spot, establishing a line up that would continue for the next 13 years. Depeche Mode have been a trio again since 1995, when Wilder left.
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www.discogs.com/Neues-Bachisches-Collegium-Musicum-Leipzi...
Charpentier - Te Deum Prelude, Handel - Concerto Grosso op.6 No.4,.5, 8,Serse (Xerxes), Saul & Telemann - Concerto Trumpet & Strings & Continuo, Bach - Ouverture No.2 BWV 1067, No.3 BWV 1068 & No.1 BWV 1066 & No.4 BWV 1069, Cantata "Ich liebe den Hochsten von ganzem Gemute" BWV 174 & "Herz und Mund und Tat und Leben" BWV 147 - Brandenburg Concerto No.1 BWV 1046, Heinichen - Concerto 2 Horns, 2 Flutes, Strings & continuo, Pachelbel - Kanon, Haydn - Trumpet Concerto E flat major, Neues Bachisches Collegium Musicum Leipzig, Max Pommer, Capriccio C 27 044, 1985
www.discogs.com/Elly-Ameling-Beeld-Van-Een-Zangeres/relea.... Elly Ameling - Een beeld van een zangeres - Bach - Cantate BWV 211 Schweigt stille, plaudert nicht (Kaffee-Cantate) Aria 'Heute noch, lieber Vater & BWV 212 Mer hahn en neue Oberkeet (Bauern-Cantate) Aria 'Ach es schmeckt doch gar zu gut', , Bach - Notenbuchlein fur Anna Magdalena Bach ' Bist du bei mir' BWV 508 & ' Willst du dein Herz mir Schenken' BWV 518, Schubert - Der Hirt auf dem Felsen op.posth. 129 D.965, Die Voegel op.posth.172 No.6 D.691 & Der Musensohn op.92 No.1 D.764 & Die Sennin op.90 No.4 & Auftrage op.77 No.5 & Schmetterling op.79 No.2 & Der Nussbaum & Marienwurmchen op.79 No.14 ( Des Knaben Wunderhorn), Brahms - Trennung op.97 No.6 (Da unten im Tale) & Schwesterlein & Och Moder, ich well en Ding han!, Harmonia Mundi DY 119 004
Depeche Mode - Where's the Revolution
Depeche Mode are an English electronic band that formed in 1980 in Basildon, Essex. The group consists of founders Dave Gahan (lead vocals, occasional songwriter since 2005), Martin Gore (guitar, keyboards, vocals, main songwriter since 1982), and Andy Fletcher (keyboards, bass guitar). Depeche Mode released their debut album Speak & Spell in 1981, bringing the band onto the British new wave scene. Original band member Vince Clarke (keyboards, guitar, main songwriter from 1980 to 1981), left the band after the release of the album, leaving the band as a trio to record A Broken Frame, released the following year. Gore took over the lead songwriting duties and, later in 1982, Alan Wilder (keyboards, drums, bass guitar, occasional songwriter) officially joined the band to fill Clarke's spot, establishing a line up that would continue for the next 13 years. Depeche Mode have been a trio again since 1995, when Wilder left.
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Depeche Mode - Where's the Revolution
Depeche Mode are an English electronic band that formed in 1980 in Basildon, Essex. The group consists of founders Dave Gahan (lead vocals, occasional songwriter since 2005), Martin Gore (guitar, keyboards, vocals, main songwriter since 1982), and Andy Fletcher (keyboards, bass guitar). Depeche Mode released their debut album Speak & Spell in 1981, bringing the band onto the British new wave scene. Original band member Vince Clarke (keyboards, guitar, main songwriter from 1980 to 1981), left the band after the release of the album, leaving the band as a trio to record A Broken Frame, released the following year. Gore took over the lead songwriting duties and, later in 1982, Alan Wilder (keyboards, drums, bass guitar, occasional songwriter) officially joined the band to fill Clarke's spot, establishing a line up that would continue for the next 13 years. Depeche Mode have been a trio again since 1995, when Wilder left.
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www.discogs.com/Bizet-Favourites/release/10751223
1 of 2 copies
Bizet - Favourites - Carmen excerpt Toreromarsch, Seguidilla, Aria der Micaela - NY Phil., Leonard Bernstein, Habanera, Marsch der Contrabandieros, Intermezzo, Les Dragons d'Alcala, Danse Boheme ( Carmen Suite No.2), LÁrlesienne-Suite No.1 & No.2 'Farandole' - Philadelphia Orch., Eugene Ormandy, Blumenarie, Hor ich die Stimmen im Traum, Andre Kostelanetz Orch., Les Voici - Mormon Tabernacle Choir, Richard Condie, 1971, 1986, CBS LSP 15840
www.discogs.com/Johann-Sebastian-Bach-Philomusica-Of-Lond...
Kirk McElhearn wrote (July 8, 2001):
Occasionally, one comes across individuals with a mission. This is the case with J. Martin Stafford. He has managed to save several rare, yet essential recordings from the abyss of forgetting, especially this recording by Thurston Dart.
A clavichordist and harpsichordist, most of Dart's solo recordings were of English music. He recorded five LPs of keyboard music by the great English composers, such as Byrd, Bull, Gibbons and others, on harpsichord and chamber organ. He also recorded a selection of organ music by English composers. Yet, one must bear in mind that this was all done in the 1950’s, a period when early music was far more confidential than it is today.
In addition to these great recordings of English music, Dart also recorded Bach's French Suites, a selection of works by Froberger, and some pieces by Purcell and other English composers, on the clavichord. This recording is certainly unique, not only for its historical interest, but also for the instrument.
The clavichord is a small, rectangular box-like instrument, with a very simple mechanism, that was probably the domestic instrument par excellence in 17th and 18th century Germany, as well as in other countries. Its simple construction and small size made it easy to have at home, and even to carry around. It is known that Bach owned clavichords, and one can imagine that, when playing with his family, this instrument might have been used often.
But this recording is not only valuable for the above reasons. It is also one of the most moving recordings of the French suites available. The clavichord gives a musician the unique possibility of playing vibrato (known as bebung) on a keyboard instrument. This means that a performer has a much vaster palette of effects on the clavichord than on most other keyboard instruments. In spite of its limitations - it is a very soft instrument, its tone is limited because of its short strings, and its resonance is also limited because of its size - the clavichord is highly expressive.
Dart's reading of the French suites is quite a masterpiece. With judicious choices of tempo, he makes each movement sing. The slow movements take on a different emotion on the clavichord than on harpsichord - and Dart makes full use of bebung in these movements. The faster movements are lively and energetic, and Dart instils far more sensitivity into these than most harpsichordists. Some of the movements in these suites are quite playful, and Dart retains that feeling, giving them the utmost liberty and joy.
The additional pieces on this CD, by Purcell and Croft, are also excellent. The brief Purcell pieces take on a totally new character when played on the clavichord, and, as for the French suites, Dart's performance of them is impeccable.
There are some minor drawbacks to this recording, though. First of all, given that this was recorded in 1961, Dart chose to play none of the repeats in the French suites, so they could all fit on one LP. This is not a major default, but the suites are much shorter than in most recordings, and they leave this listener wanting to hear more. The only other minor problem is the fact that each suite is only one track, as opposed to being one track for each movement.
In any case, J. Martin Stafford has done an excellent job remastering these recordings - the sound is as clean as possible. He deserves kudos for saving these great recordings from oblivion.
An excellent performance, and a very good recording of a unique historical document. Beyond its interest as a historical recording, and the use of the clavichord, this is one of the finest recordings of Bach's French Suites available. (And the price is right too!) Every Bach lover should own this disc.
CONTACT DETAILS: ourworld-top.cs.com/ismeron99/index.html
www.discogs.com/J-S-Bach-I-Musici-Die-Brandenburgischen-K.... Bach - Die brandenburgische Konzerte, Brandenburg Concertos BWV 1046- BWV 1051 - Felix Ayo, Maurice Andre, Frans Bruggen, Severino Gazzelloni, Heinz Holliger,Maria Teresa Garatti Cembalo Clavecin Harpsichord, Janos Scholz Viola da Gamba, I Musici, Philips 6747 434, Box 2Lp, D
www.discogs.com/Brahms-Szeryng-Monteux-London-Symphony-Or... no Backside. Rare Record. 1 of 2 copies. Not identical