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www.discogs.com/Nicolai-Ghiaurov-Galina-Vishnevskaya-Ludo...
Mussorgsky, Rimsky-Korsakov - Boris Godounov - Nicolai Ghiaurov, Olivera Miljakovic, Aleksej Maslennikow, Martti Talvela, Ludovico Spiess, Galina Wischnewskaja, Anton Diakov, Wiener Sangerknaben, Radio Sofia Chor & Wiener Staatsopernchor, Wiener Phil., Karajan, Decca Oper der Welt SMD 1320
www.discogs.com/release/4644034-Chopin-Adam-Harasiewicz-P...
(The) Chopin I Love - Waltz op.18 - Regina Smendzianka, Fantasia-Impromptu - Lidia Grychtolovna, Impromptu G fl Maj - Adam Harasiewicz, Prelude No.15 - Halina Czerny-Stefanska, Etude op.10,1 & Mazurka op.59,2 - Martha Argerich, Polonaise A fl Maj, Sonata B minor - Jan Ekier, Etude op.10,10, Animato AK 19061
www.discogs.com/Dinu-Lipatti-Siciliana-Jesu-Joy-Of-Mans-D.... Description Google Translate ;-)
Listen to the piano so much, SP does not have very little record, one of the few, the Lipatti "Lord, Joy of Man's Desiring" is. This song, April 28, 1941 (not yet released) and September 24, 1947 (Columbia) seems to have recorded three times on July 10, 1950 [2]. Evidence that he recorded in 1950 but the records on there, so the matrix number and serial number on the back Shichiriana I think probably in 1950. Shichiriana Because it is only once a day being recorded July 06, 1950.
This performance reprint LP, CD reissue has been tied to listen. In 1950 to record sound so bad, I wanted the original SP, but finally got a few years ago, the sound is still poor.
What did you do it is willing to Walter Legge, but thanks to that?, And even reprinted the original CD SP and enjoy the sound very comparable.
It can feel and listen to any of the Lipatti, even after repeated rise and fall no matter how hard the piano, spreading serene space behind it, and the painful tightening of the chest so that, magical world of Lipatti .
Rare Record
www.discogs.com/Erik-Satie-Piano-Music-Orchestral-Music-S...
Erik Satie - Piano music, Orchestral Music, Symphonic Drama, Socrate - Georges Auric & Jacques Fevrier Piano, Orch. Nat. RTF, Manuel Rosenthal, Paris Phil. Orch., Rene Leibowitz, Box 3Lp, Stereo 16/3<<< Parade, 3 petites pieces montees, Socrate (partIII), En habit de cheval, Gnossienne No.1, Avant-dernieres pensees, Sarabande No.1, Pieces Froides, Croquis et agaceries d 'un gros bonhomme en bois, Gymnopedie No.1, Embryons desseches, 3 morceaux en forme de poire,
Depeche Mode - Where's the Revolution
Depeche Mode are an English electronic band that formed in 1980 in Basildon, Essex. The group consists of founders Dave Gahan (lead vocals, occasional songwriter since 2005), Martin Gore (guitar, keyboards, vocals, main songwriter since 1982), and Andy Fletcher (keyboards, bass guitar). Depeche Mode released their debut album Speak & Spell in 1981, bringing the band onto the British new wave scene. Original band member Vince Clarke (keyboards, guitar, main songwriter from 1980 to 1981), left the band after the release of the album, leaving the band as a trio to record A Broken Frame, released the following year. Gore took over the lead songwriting duties and, later in 1982, Alan Wilder (keyboards, drums, bass guitar, occasional songwriter) officially joined the band to fill Clarke's spot, establishing a line up that would continue for the next 13 years. Depeche Mode have been a trio again since 1995, when Wilder left.
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www.discogs.com/Narciso-Yepes-Rendezvous-mit-Narciso-Yepe...
Tarrega - Recuerdos de la Alhambra, Scarlatti - Sonate e-moll, Bach - Bourree e-moll, Adrien Leroy - Passemeze et Branle de Poictou, Bach - Sarabande e-moll, Saltarello, Tarrega - Alborada, De Falla - Danza del Molinero, Llobet - Dos Canciones Populares Catalanes, Ruiz Pipo - Danza No.1, Villa-Lobos - Prelude No.1 e-moll, Emilio Pujol - El Abejorro, Bacarisse - Passapie, Yepes - Romance,
www.discogs.com/release/8348432-Wilhelm-Kempff-Recital Wilhelm Kempff Piano Recital : Bach - Chromatic Fantasia & Fugue in d minor & Handel - The Harmonious Blacksmith (Harpsichord Suite No.5) & Beethoven - Bagatelle Fur Elise & Liszt - St.Francois d'Assise predicant aux oiseaux & Chopin - Impromptu No.1 op.29, Decca BR 3065 10 inch
www.discogs.com/JS-Bach-Eine-Liebhaber-Ausgabe-Teil-3/rel....
Bach - "Kommt, ihr Tochter" BWV 244, Trio Sonate BWV 1039, "Der Geist hilft" BWV 226, "Bleib bei uns" BWV 6, Ricercare BWV 1079, Sanctus Mass, Messe h-moll BWV 232 - Munchener Bach-Chor & Orch., Karl Richter, Aurele & Christiane Nicolet Flute, Christian Jaccottet Cembalo clavecin Harpsichord, Johannes Fink Gambe, Regensburger Domspatzen, Hanns-Martin Schneidt, Ernst Haefliger Tenor, DGG Archiv 2565 043, Teil III,
www.discogs.com/Claudio-Monteverdi-Orfeo-Ulisse-Poppea/re...
Monteverdi - L' Orfeo, Ulisse, Poppea - Concentus Musicus Wien, Nikolaus Harnoncourt, Telefunken 6.35377 EK, Das alte Werk, Box 3Lp, 1976, Lajos Kozma, Rotraud Hansmann, Eiko Katanosaka, Cathy Berberian, Gunther Theuring, Nigel Rogers, Kurt Equiluz, Max van Egmond, Jacques Villisech, Sven Olof Eliasson, Walker Wyatt, Margaret Baker-Genovesi, Ladislaus Anderko, Norma Lerer, Kai Hansen, Paul Esswood, Murray Dickie, Anne-Marie Muhle, Helen Donath, Elisabeth Soderstrom, Cathy Berberian, Giancarlo Luccardi, Carlo Gaifa, Philip Langridge, Enrico Fissore, Maria Minetto
Rare Record.
www.discogs.com/Bed%C5%99ich-Smetana-V%C4%9Bra-%C5%98epko...
Polka "Remembering Plzen", Waltzes No.1-5, Bagatelles et Impromptus, Mazurka, Capriccio in C sharp, Etude in C Major & A minor, Characteristic Variations on a Folk Song "Sowing the Millet", Pensee Fugitive. Rare Record.
Gramophone Review of Complete Works on CD:
SMETANA. PIANO WORKS. Vera Repková. CPO/
Harmonia Mundi double mono (D CP0999 010-2 (four discs, nas: 521 minutes: AAD).
Recorded in 1952-3.
Galop in D major, 83. Polkas-E flat major, 812; D major, B13; C major, B30; E flat major, B50; F minor, B61; F sharp major, B87; E major, 888; G minor, B89; A major, B90; F minor, B93; C major, B109. Polka-fragments-B flat minor, B15; E minor; C major. Galopp di bravoura in B flat major, B7. Quadrilles-B flat major, B33; F major, B36. Impromptus-E flat minor, B22; B minor, B23; A flat major, B24. Duo without words, B27. Bagatelles and Impromptus, B40. Souvenir of Pilsen, 837. Five Waltzes, 839. Mazurka-capriccio in C sharp minor, B38. Concert Studies-C major, BA57; A minor, BA58. Characteristic variations on the song "I sowed millet", BA60. Pensee fugitive, 846. Piano Sonata in G minor, B76. Five Album leaves, 841-5. Six Album leaves-G major, B74; B minor, 876; B flat major, B78; B flat minor, B80; B flat major (Toccatina), B84; E flat minor, B85. Six Album leaves, 886. Album leaf in C major, B120. Three Album leaves, B100. Scherzo-polka in A major. Andante in E flat major, 897. Romances-G minor (1881); B flat major, 854. Four Sketches, 13101. Four Sketches, 8102. Six Characteristic pieces, 857. Caprice in G minor, B62. March of the Prague Students' Legion, 858; March of the National Guard, B59. Wedding scenes, 1364. Characteristic piece in C flat major, B56. Allegro capriccioso in B minor, B55. Bettina's Polka in C major, 8114 (both versions). Three Salon polkas, 894. Three Poetic polkas, 895. Three Melodies, 872. Concert Study in C major, 8113. Woodland sensations and impressions, 853. The peasant woman (1879). Ballade in E minor, B107. Cid campeador-Ximene, BD49. Macbeth and the witches, 13112. Souvenir of Bohemia in polka form, 8115-6. Concert Study in G sharp major, B119, "On the seashore". Vision at the ball, 8109. Czech Dances-first set (1877); second set (1879). Dreams (1875). Concert-fantasy on Czech folk-songs, 8121. Andante in F minor, (1880). Schubert/Smetana: Die schOne Miillerin- Der Neugierige, 13105.
The double mono format is ideal for a 'library' reissue of this kind, and substantial chunks of the Furtwãngler reissue avalanche have appeared in this way. It simply involves recording in mono on each of the two stereo tracks of the CD in turn-for playback you can either use the balance control and listen through one speaker at a time, or you can buy an easy-to-fit adaptor for about £15.00 which will give you either channel through both speakers like a normal mono LP. The only disadvantage I have encountered is forgetting to switch back to the normal setting and wondering why the next CD sounds so dead; though if like me you have a little perverse streak you may be sorely tempted to use the normal setting for the double-length CD and indulge in some instant-Ives by playing both tracks simultaneously.
I can't pretend that wasn't a temptation at several points during the 8 hours 41 minutes of Smetana's complete piano works, all of them miniatures, bar one sonata and four or five programmatic fantasies and concert studies, and hardly any of them measuring up to the average piece of Chopin in terms of memorability. What kept me listening was first and foremost the quality of the playing. Vera Repkova was clearly no mere hack, although her reputation as the performer of "well over 10,000 compositions by more than 1,000 composers" might suggest just that. Nor is her playing remotely as severe as her photograph might lead one to believe. It is clean and rhythmically disciplined, but also wide ranging in colour and expression: it can be charming, passionate, and proud, and it radiates total belief in the music. The whole enterprise was clearly a labour of love.
Polkas account for around a quarter of the total-Smetana aimed to nationalize and idealize this dance-form much as Chopin had done for the Mazurka. Album Leaves and similarly titled miniatures figure prominently, and the Schumann influence is barely disguised here. In later works a more personal style gradually evolves, alongside a growing preoccupation with Liszt. By the time of the cycle Dreams (1874-5) or the second set of Czech Dances (1877-9) we are as likely to hear a Bohemian cousin of Liszt's Hungarian Rhapsodies as a more obviously home-grown Furiant or Polka.
There are many touching moments even in the juvenilia (fragments and alternative versions are also included) and the shy poetry of the various Sketches and Characteristic pieces is ennobled by Vera RepkovA's sympathetic touch ("In the wood", the first of B57, is charmingly and appropriately accompanied by the distant sound of chirrupping birds). Some of the dances are genuinely catchy-Bettina's Polka and Vision at the ball could easily enjoy the status of lollipops if anyone cared to take them up-and there is much excellent music dotted around elsewhere in the set (the G sharp Concert Study "On the seashore", "Love" from the Bagatelles and Impromptus, and "The Hen" from the Czech Dances particularly appealed to me).
A single disc of carefully chosen excerpts would be an attractive proposition. As it is the complete set is destined more for the collection which aims to be something of a library-wherein it will occupy an honourable place. The recording is adequate, the pianos decent (though prone to thinness and detuning in the high treble), the playing of a quality beyond all reasonable expectation.
D.J.F.
Bjork - Sketches of www.discogs.com/release/1331407-Various-Sketches-Of-Bj%C3...
Roos Jonker - Mmmmm www.discogs.com/release/23557787-Roos-Jonker-Mmmmm
Renee Fleming - I Want Magic with James Levine www.discogs.com/release/6745075-Ren%C3%A9e-Fleming-James-...
Miles Davis - Love Songs www.discogs.com/release/1855050-Miles-Davis-Love-Songs
Herbie Hancock - Thrust www.discogs.com/release/1888843-Herbie-Hancock-Thrust
Cannonball Adderley - Verve Jazz Masters 31 www.discogs.com/release/1915825-Cannonball-Adderley-Verve...
Got sent this record which cost me 8.91 euro (postage was extra) and condition declared was near mint
www.discogs.com/Camerata-Trajectina-Oren-Aan-Hooft/releas.... Rare Record. Oren aan Hooft - Camerata Trajectina, VNM R81002, 1981 - Ingrid Smit Duyzentkunst zang, Sjabbe van Silfhout zang, Saskia Coolen blokfluit en gamba, Jan Nuchelmans blokfluiten, Louis Peter Grijp luit en citer, Floor Dercksen gamba
www.discogs.com/Various-Unsere-Junge-Generation-F%C3%BCr-...
Liszt - Piano concerto No.1 Martha Argerich Piano, LSO, Claudio Abbado & Schumann - Waldszenen op.82 - Christoph Eschenbach Piano & Sibelius - Symphony No.2 op.43 Berliner Phil., Okko Kamu & Ives - 3 Places in New England, Boston SO, Michael Tilson Thomas, DGG: Unsere junge Generation fur die klassischen 70er Jahre
Depeche Mode - Where's the Revolution
Depeche Mode are an English electronic band that formed in 1980 in Basildon, Essex. The group consists of founders Dave Gahan (lead vocals, occasional songwriter since 2005), Martin Gore (guitar, keyboards, vocals, main songwriter since 1982), and Andy Fletcher (keyboards, bass guitar). Depeche Mode released their debut album Speak & Spell in 1981, bringing the band onto the British new wave scene. Original band member Vince Clarke (keyboards, guitar, main songwriter from 1980 to 1981), left the band after the release of the album, leaving the band as a trio to record A Broken Frame, released the following year. Gore took over the lead songwriting duties and, later in 1982, Alan Wilder (keyboards, drums, bass guitar, occasional songwriter) officially joined the band to fill Clarke's spot, establishing a line up that would continue for the next 13 years. Depeche Mode have been a trio again since 1995, when Wilder left.
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Rare Record. www.discogs.com/release/22296313-Andr%C3%A9-Watts-New-Yor... Piano Concerto No.2, Tchaikovsky - Piano Concerto No.1, Liszt - Piano Concerto No.1, Chopin - Piano concerto No.2, Franck - Symphonic Variations - Andre Watts Piano, NY Phil., Leonard Bernstein, LSO, Thomas Schippers & Erich Leinsdorf, CBS 78315, Box 3Lp
Rare Record
www.discogs.com/Zagreba%C4%8Dki-Duha%C4%8Dki-Kvintet-Zagr...
Suvremeni Hrvatski Glazbenici/ Contemporary Croatian Performing Artists Series - Zagrebacki Duhacki Kvintet, Zagreb Wind Quintet ( Zoran Despot Flute, Georg Drausnik Oboe, Josip Nochta Clarinet, Prerad Deticek Horn, Marijan Kobetic Fagott Bassoon, Zvonimir Stanislav, Fred Dosek, Dubravko Detoni