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I finally found this record a few months ago and now I've got a LP to USB player so I can finally get my nostalgic kick ass music into the 21st centurey...it's so amazing to hear these old songs!!!!
I might just get out my original Star Wars Soundtrack LP's as well ;-)
Digitized negative of 2011 : Camera Canon EOS 88, Film : Kodak Ultra 400, Scanner : HP ScanJet G4010
Digitized with Negative Lab Pro v2.1.0
Pentax K1000 | Ilford HP5 400
Digitized with Epson V550 + Negative Lab Pro v2.1.0 | Lomography
Cinestill DF96
Title / Titre :
Digitized Newspaper, The Vindicator /
Journal numérisé, The Vindicator
Description : The image is an example of the photographed newspapers that would be sent to Data Repro Ltd. to be included in the online newspaper archive. /
Exemple de journal photographié qui sera envoyé à Data Repro Ltd. afin d’être ajouté aux archives en ligne.
Source : Oshawa Museum, 1516-49 Oshawa Museum (1)
Note :
This album features examples of images that have been digitized by external heritage communities and that have received funding for digitization and access projects.
The Documentary Heritage Communities Program (DHCP) ensures that Canada’s continuing memory is documented and accessible to current and future generations by adopting a more collaborative approach with local documentary heritage communities. The program will be delivered in the form of contributions that will support the development of Canada’s local archival and library communities by increasing their capacity to preserve, provide access to and promote local documentary heritage. Additionally, the Program will provide opportunities for local documentary heritage communities to evolve and remain sustainable and strategic.
The DHCP provides financial assistance to the Canadian documentary heritage community for activities that:
*Increase access to, and awareness of Canada’s local documentary heritage institutions and their holdings; and
*Increase the capacity of local documentary heritage institutions to better sustain and preserve Canada’s documentary heritage.
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Cet album comprend des exemples d’images qui ont été numérisées par des collectivités du patrimoine externes qui ont reçu du financement pour des projets de numérisation et d’accès.
Le Programme pour les collectivités du patrimoine documentaire (PCPD) établit une approche axée sur la collaboration avec les collectivités du patrimoine documentaire local pour que la mémoire continue du Canada soit documentée et rendue accessible aux générations actuelles et futures. Ce programme de contributions favorisera l’épanouissement des collectivités des bibliothèques et des archives en développant leur capacité à préserver, rendre accessible et promouvoir le patrimoine documentaire local. Il leur donnera aussi l’occasion d’évoluer, de rester viables et de conserver leur importance stratégique.
Le PCPD finance des activités de la collectivité canadienne du patrimoine documentaire visant à :
*faire connaître et rendre plus facilement accessibles les institutions du patrimoine documentaires locales du Canada et leurs collections;
*accroître la capacité à préserver le patrimoine documentaire du Canada de façon plus durable.
Digitized with Negative Lab Pro v2.1.0
Yashika Mat 124 G | Kodak Tri X 400
Digitized with Epson V550 + Negative Lab Pro v2.1.0 | Lomography
Cinestill DF96
Digitized Document from our Collection-----Please tag these photos so information can be recorded.---Note: This material may be protected by Copyright Law (Title 17 U.S.C.)--Repository: San Diego Air and Space Museum
Digitized with Negative Lab Pro v2.1.2
Leica M6 | 28mm f2.8 Elmerit Digitized with Negative Lab Pro v2.1.2 28mm f2.8 Leica | Kodak TriX 400
Scanned with Epson V550 | Lomography
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear Deep | WB: None | LUT: Frontier
Digitized with Negative Lab Pro v2.1.0
Pentax K1000 | Ilford HP5 400
Digitized with Epson V550 + Negative Lab Pro v2.1.0 | Lomography
Rodinal
Digitized from a 1997 Kodak Gold negative film using a Canon R5 in 2024…….27 years later. The original film was photographed with a Canon EOS Elan
In the East Mojave desert, this canyon is known for its dramatic and colorful geological formations.
It is also one of only three places where the Mojave River flows above ground year-round in the Mojave Desert
During the 1910s, this Canyon was chosen as the route of the Los Angeles & Salt Lake Railroad, now the Union Pacific Railroad. Their main line between Los Angeles and cities like Denver, Salt Lake and eventually Chicago, still runs through the canyon
Image - Copyright 2024 Alan Vernon
Miami Beach, 1985, Olympus XA, Kodak color print film, not sure which. (Neg just has a barcode).
First experiment in digitizing color negative using my Opteka Slide Duplicator with the D90. Compared to black and white negs, it involves an extra step -- getting rid of the orange mask on the color neg. If your photo has pure whites and pure blacks in them, it's easy. Just use the eyedropper to set the white and black values in Curves. But most color photos, like this, don't have pure white and black in the images. To make the adjustment, you need to photograph the orange mask in the film leader, as well as a section of black. Then use the eyedropper to sample those, save the settings, and then load them when processing the photo. It will get you in the ballpark. (You can also incorporate the settings into actions to speed things up.)
That's the hard way. The easy way is to buy VueScan, which automatically removes the mask from jpegs as well as scans -- which I might do if I ever decide to convert a lot of my old color negs.But I'll mostly work on slides and B&W first.
How true is this color? The prints and negs weren't stored well and seem to have faded a bit. This seems pretty close to my memory, but of course that's not a very objective test. On the other hand -- I never did shoot color prints for the color fidelity, since they were subject to the vagaries of drugstore processing, and each roll was a surprise.