View allAll Photos Tagged digitizing
Great Coxwell Barn, Oxfordshire
13th July 2018, 7.25pm
Linhof Technikardan S45
Schneider Apo-Symmar MC 150mm f/5.6
Fujichrome Velvia 50 5x4
2” f/22
10mm front rise
3º front tilt back
220mm bellows extension
Home-developed with Jobo CPE-3 and Tetenal E6 (FD 7'10").
Digitized with 4-frame stitch on lightbox with D800E/85PC-E
Digitized with Negative Lab Pro v2.1.2
Leica M6 | Leica Voigtlander Nokton Vintage Line 50mm f/1.5 Aspherical II VM Multi-Coated | Kodak TriX 400
Digitized with Negative Lab Pro v2.1.2
Digitized with Negative Lab Pro v2.1.2
Leica M6 | Leica 35mm f/2.0 SUMMICRON-M Aspherical | Kodak TriX 400
Digitized with Negative Lab Pro v2.1.2
Digitized with Negative Lab Pro v2.1.2
Leica M6 | 28mm f2.8 Elmerit
Digitized with Negative Lab Pro v2.1.2
28mm f2.8 Leica | Kodak TriX 400
Digitized with Negative Supply + Negative Lab Pro v2.1.2 | Lomography
Title / Titre :
Tug-of-war during Victoria Day celebrations at Sawyerville, Quebec /
Partie de souque à la corde durant les célébrations entourant le jour de Victoria à Sawyerville (Québec)
Description:
Tug-of-war during Victoria Day celebrations at Sawyerville, Quebec on May 24, 1915. /
Partie de souque à la corde durant les célébrations entourant le jour de Victoria à Sawyerville (Québec), le 24 mai 1915.
Source: Eastern Townships Resource Centre, CCHMS-P004, S001, I006
Note :
This album features examples of images that have been digitized by external heritage communities and that have received funding for digitization and access projects.
The Documentary Heritage Communities Program (DHCP) ensures that Canada’s continuing memory is documented and accessible to current and future generations by adopting a more collaborative approach with local documentary heritage communities. The program will be delivered in the form of contributions that will support the development of Canada’s local archival and library communities by increasing their capacity to preserve, provide access to and promote local documentary heritage. Additionally, the Program will provide opportunities for local documentary heritage communities to evolve and remain sustainable and strategic.
The DHCP provides financial assistance to the Canadian documentary heritage community for activities that:
*Increase access to, and awareness of Canada’s local documentary heritage institutions and their holdings; and
*Increase the capacity of local documentary heritage institutions to better sustain and preserve Canada’s documentary heritage.
-----
Cet album comprend des exemples d’images qui ont été numérisées par des collectivités du patrimoine externes qui ont reçu du financement pour des projets de numérisation et d’accès.
Le Programme pour les collectivités du patrimoine documentaire (PCPD) établit une approche axée sur la collaboration avec les collectivités du patrimoine documentaire local pour que la mémoire continue du Canada soit documentée et rendue accessible aux générations actuelles et futures. Ce programme de contributions favorisera l’épanouissement des collectivités des bibliothèques et des archives en développant leur capacité à préserver, rendre accessible et promouvoir le patrimoine documentaire local. Il leur donnera aussi l’occasion d’évoluer, de rester viables et de conserver leur importance stratégique.
Le PCPD finance des activités de la collectivité canadienne du patrimoine documentaire visant à :
*faire connaître et rendre plus facilement accessibles les institutions du patrimoine documentaires locales du Canada et leurs collections;
*accroître la capacité à préserver le patrimoine documentaire du Canada de façon plus durable.
Digitized with Negative Lab Pro v2.1.2
Leica M6 | 28mm f2.8 Elmerit
Digitized with Negative Lab Pro v2.1.2
28mm f2.8 Leica | Kodak TriX 400
Digitized with Epson V550 + Negative Lab Pro v2.1.2 | Lomography
Rodinal 1-50
Portrait digitised from a negative taken with Hasselblad 500cm with the Sonar 250mm lens. 120 film 2 1/4" x 2 1/4" or 6x6cm medium format.
Quicker than scanning and more controlled using my Nikon Z9 raw file. Taken in 1986.
Using the . jjcfoto.com/product/fda-k1/
And the jjcfoto.com/product/jjc-mobile-film-digitizing-adapter-set/
Image was shot at All-City Meet at College of San Mateo using Nikon F2A + 28 mm f/2.8 lens with Kodachrome 64. Action was panned at 1/30 and f/11.
Digitized with Negative Lab Pro v2.1.2
Leica M6 | Leica 35mm f/2.0 SUMMICRON-M Aspherical | Kodak TriX 400
Digitized with Negative Lab Pro v2.1.2
Just testing if it will appear in my contacts' list.
I used digital painting on Obama's picture.
Reworked: A better looking Obama here.
Digitized with Negative Lab Pro v2.1.0
Mamiya RB67 | Kodak TriX 400
Digitized with Epson v550 + Negative Lab Pro v2.1.0 | Lomography
Digitized with Negative Lab Pro v2.1.2. Bronica SQ-A, Ilford Delta 100, Processed in Ilfotec DD-X for 10:30
In the mid 1900s I lived in a small English village called Hungarton Leicestershire. It was a working village of several farmers (small holdings), farm labourers, an Anglican church and vicarage, a methodist chapel, a blacksmith, a pub, a small village shop and its very own member of the house of Lords - Lord Hungarton. At the age of 4 years through my 7th year I attended this village school along with other children from neighbouring villages. Of course all of this has changed except the Pub (and even there the name had to be changed). Like many of the original village buildings the old schoolhouse is now a private residence. This image was taken in 1988 using a Minolta XD camera with undocumented negative film and digitized using a Canon R5 in 2025.
Image - Copyright 2025 Alan Vernon
Late day photo at campsite on second day of Wonderland Trail backpack trip. Great trip but sure wish I could have carried a modern digital camera along. (I did have an Olympus OM2).
Digitized with Negative Lab Pro v2.1.2
Leica M6 | 28mm f2.8 Elmerit Digitized with Negative Lab Pro v2.1.2 28mm f2.8 Leica | Kodak TriX 400
Scanned with Epson V550 | Lomography
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: Frontier
Digitized with a Kaiser Digital Dia Duplicator and 35mm film strip holder edited with DXO photo-lab 4 elite. Sharp in the centre but blurry in the corners.
British Library: Digitized Manuscripts: Cotton MS Vitellius A XV:
www.bl.uk/manuscripts/SetupViewerHandler.ashx?ref=cotton_...
My thanks to Deb DeGeorge, who brought to my awareness that yesterday
the British Library officially announced the availability online of
the original manuscript of the myth of Beowulf.
British Library: Hwæt! Beowulf Online:
britishlibrary.typepad.co.uk/digitisedmanuscripts/2013/02...
Here is what it includes.
"4th quarter 10th century-2nd half 16th century, This manuscript
contains four separate items, bound together for Sir Robert Cotton (d.
1631):(i) f 1: Psalter leaf (now removed to form London, British
Library, MS Royal 13 D I*, f 37); (ii) f 3: Medieval endleaf,
containing historical memoranda; (iii) ff 4–93: Augustine of Hippo,
Soliloquia (ff 4r–59v: imperfect); Gospel of Nicodemus (ff 60r–86v:
imperfect); Debate of Saturn and Solomon (ff 86v–93v); homily on St
Quintin (f 93v: imperfect); (iv) ff 94–209: Homily on St Christopher
(ff 94r–98r: imperfect); Marvels of the East (ff 98v–106v); Letter of
Alexander to Aristotle (ff 107r–131v); Beowulf (ff 132r–201v); Judith
(ff 202r–209v: imperfect). F 2 is a 17th-century Cottonian endleaf."
This is truly passionately exciting to so many. The story of Beowulf
and Grendel is one of those that has never been abandoned by Western
culture. It has inspired operas and films, television shows and
games, comics and novels and bands and weapons. Recently, in the
exquisite animated film, The Secret of Kells, there was a nod to the
story in the plot and a nod to the artistry of the writing itself in
the artwork.
The Secret of Kells - Official US Trailer
www.youtube.com/watch?v=tMPhHTtKZ8Q
For me, though, if I was going to try to work my way through this
online version, I would want to have an accompaniment of some other
versions. Perhaps something in a more modern script, a more recent
translation, and audio track? This is the sort of times we live in,
that all of that is not just available, but expected. So let me give
you some additional links to enrich your studies. Please note that the
text titles from the Archive.org are usually available in a variety of
e-reader formats.
AUDIO
Archive.org:
Audio, read in Anglo-Saxon / Old English: archive.org/details/beowulf_354
Archive.org:
LibriVox recording of Beowulf, translated by Francis Barton Gummere (1855-1919).
TRANSCRIPTIONS
Georgetown University (in Saxon):
www8.georgetown.edu/departments/medieval/labyrinth/librar...
McMaster University (In hypertext, both Old English and Modern)
www.humanities.mcmaster.ca/~beowulf/main.html
TEXT TRANSLATIONS
Church translation:
archive.org/details/beowulfapoemsam00churrich
Gummere translation:
Text: etext.virginia.edu/toc/modeng/public/AnoBeow.html
Hall translation:
www.gutenberg.org/files/16328/16328-h/16328-h.htm
Heaney Translation:
hs.auburn.cnyric.org/teachers/michael_sullivan/ap/s009561...
Kirtlan translation:
archive.org/stream/storyofbeowulftr00kirt/storyofbeowulft...
Ringler Translation:
uwdc.library.wisc.edu/collections/Literature/RinglBeowulf
Sedgefield translation:
archive.org/stream/beowulf02unkngoog/beowulf02unkngoog_dj...
Slade translation, with original text facing modern translation
(Beowulf on Steorarume):
www.heorot.dk/beowulf-rede-text.html
Tinker translation:
archive.org/details/cu31924032321618
SUPPORTING MATERIALS
A concordance to Beowulf (1911)
archive.org/details/concordancetobeo00cookuoft
From Beowulf to Lear: csis.pace.edu/grendel/projf981d/main.html
AFFINITY x KENZO MINAMI = DIGITIZER A CINECYCLE PRODUCTION
Affinity Cycles, one of the most respected independent bicycle brands in the world, is not only seen raced in velodromes by professional cyclists, but also ridden on the city streets by fashionable commuters, elite bike messengers, and passionate cyclists. The signature Affinity “Kissena“ track frame is the key component of the “Digitizer” and represents the pinnacle of bicycle frame technology.
Kenzo Minami is an artist and designer who grew up in Japan in the 80’s. During this time, Japan had experienced a huge economic boom fueled by the country’s technological supremacy. The graphic design that dominated this era was one that underscored the “more is more” attitude. Japanese design embraced a euphoric idealism of the new digital frontier where design became a fantastic reflection of the technology itself. Kenzo’s inspiration for “Digitizer” came from this nostalgia of his childhood. However, this inspiration is tempered with a practical purpose. “Within the chaos of visual information found on the city streets it is important that the design allows the bicycle to stand out and be recognized by both pedestrians and cars alike,” reflects artist Kenzo Minami. "The colors and patterns on the bicycle were carefully conceived and laid out with the understanding that they will not only be seen when the frame and wheels are static but more importantly how they will be transformed when the bicycle is in motion."
Cinecycle curated this project, with the goal of producing an item of extreme beauty and quality, which explores the intersection of form, function and design. To that end, Cinecycle is proud to have brought together premiere artist Kenzo Minami and Affinity Cycles to create the "Digitizer" project. “Digitizer synthesizes concepts that are fundamental to our culture with regard to how technology can inform and transform our perception of space. Affinity Cycles and Kenzo Minami have come together to create a bicycle that expresses how the cyclist, even in our modern digital age, still represents the most simple and effective union of man and machine," says Daniel Leeb, CEO, Cinecycle.
A digitized photo - March 1969
This photo an annual KINSA award winner for the Anderson Independent & Daily Mail for the year 1969.