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Embroidery Digitizing, Embroidery digitising, custom digitizing, $3.95 per 1000 stitches,www.anydigitizing.com
Digitized Digital Design Conference 2012
September 15th 2012, Athens, Greece
Photo credits:
Chryssa Gagosi bit.ly/gchryssa @chryssa
Panos Georgiou panosgeorgiou.blogspot.gr/ @panosgeor
Digitized 2011
Digital Design Conference
October 1st 2011, Athens, Greece
Copyright 2011 Anton Repponen
Digitized Digital Design Conference 2012
September 15th 2012, Athens, Greece
Photo credits:
Chryssa Gagosi bit.ly/gchryssa @chryssa
Panos Georgiou panosgeorgiou.blogspot.gr/ @panosgeor
The book I am about to digitize.
In about 41 minutes of manual work, I will end up with a fully searcheable PDF copy of the book.
Just a note - I will not be sharing it with other people in any way. I know that it's currently in vogue to think that 'information wants to be free', but honestly I think that's stupid. The author worked long and hard to create this book, and he deserves to be rewarded with the folding green stuff. I am only digitizing the book to save shelf space and backaches in my own life- and the paper copy will be recycled.
Admittedly, it makes me a little sad to destroy the paper book. But not that sad. I know that it will not be long before I can transfer my electronic copy into a decent e-reader like the Kindle or the Iliad. I have already been reading e-books on my Nokia 770, and I really like the convenience.
Digitized 2011
Digital Design Conference
October 1st 2011, Athens, Greece
Copyright 2011 Anton Repponen
The Parc de la Tête d'or (English: "Park of the Golden Head") is a large urban park in Lyon, France. The park was opened in 1857, although at the time all the work was not yet completed. With an area of approximately 117 hectares (290 acres). Located in the northern part of the 6th arrondissement, it features the Jardin botanique de Lyon, as well as a lake on which boating takes place during the summer months. Due to the relatively small number of other parks in Lyon, it receives a huge number of visitors over summer; it is a frequent destination for joggers and cyclists.
In the park's central part, there is a small zoo without charge, which includes giraffes, deer, reptiles, primates, along with other animals. The park hosts the Botanical Garden of Lyon. There are also sports equipments, such as a velodrome, boules court, mini-golf and equestrian facility, in addition to a mini-train. (Wikipedia)
For photography, the park is an all-season infinite source of inspiration, and one of my favorite place at walking distance from home.
I went there on September 4, 2024, while the weather was quite cloudy and a bit darkened, to test my second film magazine "A-12" (Automatic 12-exposures) for my Hasselblad 500 C/M camera. Thought this A-12 back is in a pristine condition, test in real is necessary to proof the mechanical functions and the light protection of the magazine. The camera was as-is without other external light protection.
I selected a roll of Ilford HP5+ 120-format film due to the light conditions. The Carl Zeiss normal lens Planar CF 1:2.8 f=80mm was equipped of a HMC Hoya AUV 67mm screw-on filter adapted to the Hasselblad bayonet filter mount with a specific adaptor. The Zenza Bronica metal shade hood designed for the 75mm Nikkor-P lens was mounted additionally to the filter to its 67mm thread.
The film was exposed normally for the nominal 400 ISO using a Minolta Autometer III and its 10° viewer for selective measurement privileging the shadow area's.
View Nr. 8: 1/125s f/4.5 focusing @ 6.5 m
Le Petit Train du Parc au Pont Suisse, September 4, 2024
Parc de la Tête d'Or
69006 Lyon
France
After the view #12 exposed, the film was fully rolled to the taking spool and was developed in a Paterson tank with a spiral adapted to the 70mm large film. 500 mL of Adox Adonal (Agfa Rodinal) developer were prepared at the dilution 1+50 and the film processed for 11min at 20°C.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta vertical macro stative device and adapted to a Minolta MD Macro lens 1:3.5 f=50mm. The light source was a LED panel (approx. 4x5') CineStill Cine-lite fitted with film holder "Lobster" to maintain flat the 70mm film.
The RAW files obtained were inverted within LR and edited to the final jpeg pictures without intermediate file. They are presented either as printed files with frame or the full size JPEG's together with some documentary smartphone color pictures.
Results show a normal operation and the film magazine and a no detectable light leaks.
About my Hasselblad 500C/M:
I remember that somewhere around 2002, I considered to buy a Hasselblad camera. I gave up because I had no more access to a darkroom and I found too complicated to recreate one or to delegate the processing to a service lab. Afterward, I started digital photography that distracted me to operate again with films until more recently. It is only when I could manage in 2022 a reliable and quality way to exploit my negatives in a reasonable time, that I really could enjoy again of analog photography.
On July 17, 2024, I decided to buy "my" Hasselblad in a very traditional way, almost as I could in the 90’s, in a local real photographic store, Lyon, France. The store « Carré Couleur » of Jacques Larger, rue Servient, Lyon, France, is a long-time specialist of professional medium-format camera’s including Hasselblad ones. They had on display several revised and 6-month guaranteed camera’s and a large choice of lenses and accessories.`
I choose a 500 C/M year 1978 and a Carl Zeiss lens Planar T* 1:2.8 f=80mm of the CF series year 1986, plus a small set of little Hasselblad goodies. The 500 C/M is totally mechanical without any electrical nor electronic circuitry. The 500 C/M's were produced in Göteborg, Sweden, from year 1970 to 1994. They followed the production of the 500C camera’s (1957-1970). The latest V-series camera (503 CX, CW, CWI etc) ceased in 2006 and Hasselblad then produced only digital camera’s but also digital camera backs that could fit to the V-series includingbthis 500 C/M (www.hasselbladhistorical.eu/HS/HSTable.aspx)
This CF lens series has central shutter Prontor (Synchro-Compur for the earlier Zeiss series). They are more cylindrical than earlier series and equipped of the proprietary bayonet filter mount B60. The delayed shutter realease was also abandoned. The focusing screen is the « Bright » series with the Dodin stigmometer in the screen centrer and the squared cross-ruling lines. Later 501 and 503 were basically equipped with an even more brighter screen called « Acute-mat ». The camera back could dated from year 1977 is an « A-12 » back « A » standing for « Automatic ». The film advance automatically stops at view 1 with view counter on the right camera side.
After a complete demo by Jacques Larger, I studied the camera manipulation at home with the user manual in hand (an original edition of 1980) before doing the decisive « film d’essai » (test film) on a sunny morning of July 20, 2024.
The results show very high-quality, highly-contrasted negative views, perfectly exposed and spaced proving the good technical state of the camera, film magazine, and the lens/shutter.
On sept. 2, 2024, I received from a French specialist of collection camera's, a second film magazine Hasselblad "A12". This back is in a pristine condition and matches the production year 1978 (Hasselblad letter coding "UR") of the 500 C/M body.
The camera back is like a new with almost no signs of use. It arrived in its original Hasselblad box including the original user manual too. The film insert has latest 3 digits matching the film magazine serial number, that is not the case of the other magazine. Unmatched magazines and inserts, are very common and assumed not to be a technical problem, but Hasselblad maintained the pairing of the insert magazine to ensure to the customers of the best attention to the precision of the film plane.
Digitized with Negative Lab Pro v2.1.0
Leica M3 | Carl Zeiss Planar T* 50mm f/2 ZM | Tri-X 400
Digitized with Epson Vuescan V550 + Negative Lab Pro v2.1.2 | Lomography
Ilford DDX
Digitized 2011
Digital Design Conference
October 1st 2011, Athens, Greece
Copyright 2011 Anton Repponen
Digitized Digital Design Conference 2012
September 15th 2012, Athens, Greece
Photo credits:
Chryssa Gagosi bit.ly/gchryssa @chryssa
Panos Georgiou panosgeorgiou.blogspot.gr/ @panosgeor
Digitized 35mm Kodak color slide processed in 1955 using:
Minolta MD Macro Rokkor 50mm f/3.5
Fotodiox Lens Mount Adapter, Minolta MD/MC Lens to Sony NEX E-mount
Sony α6000
Digitized from slide. Original image taken on Olympus OM20. Digitized using Nikon D7200 with 60mm macro lens and ES-1 slide adaptor. Capture time and date approximate.
Digitized 2011
Digital Design Conference
October 1st 2011, Athens, Greece
Copyright 2011 Anton Repponen
Digitized Digital Design Conference 2012
September 15th 2012, Athens, Greece
Photo credits:
Chryssa Gagosi bit.ly/gchryssa @chryssa
Panos Georgiou panosgeorgiou.blogspot.gr/ @panosgeor
Digitized Digital Design Conference 2012
September 15th 2012, Athens, Greece
Photo credits:
Chryssa Gagosi bit.ly/gchryssa @chryssa
Panos Georgiou panosgeorgiou.blogspot.gr/ @panosgeor
Digitized with Negative Lab Pro v2.1.0
Yashika Mat 124 G | Kodak Tri X 400
Digitized with Epson V550 + Negative Lab Pro v2.1.0 | Lomography
Ilford DDX
Digitized Digital Design Conference 2012
September 15th 2012, Athens, Greece
Photo credits:
Chryssa Gagosi bit.ly/gchryssa @chryssa
Panos Georgiou panosgeorgiou.blogspot.gr/ @panosgeor
Digitized with Negative Lab Pro v2.1.0
Pentax K1000 | Ilford HP5 400
Digitized with Epson V550 + Negative Lab Pro v2.1.0 | Lomography
Cinestill DF96
PictionID:53099986 - Catalog:14_030171 - Title:Sycamore Canyon Test Facility Details: S-4 from Southeast Date: 10/06/1960 - Filename:14_030171.tif - Images from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
Digitized with Negative Lab Pro v2.1.0
Hasselblad 500CM
Carl Zeiss 80mm F2.8
Kodak TMAX 400
Kodak HC-110 Dilution B @ 5:30
Nikon Coolscan 9000 ED
Vuescan
Digitized Digital Design Conference 2012
September 15th 2012, Athens, Greece
Photo credits:
Chryssa Gagosi bit.ly/gchryssa @chryssa
Panos Georgiou panosgeorgiou.blogspot.gr/ @panosgeor
Digitized 2011
Digital Design Conference
October 1st 2011, Athens, Greece
Copyright 2011 Anton Repponen
Digitization has always been a keystone of BMW's engineering and technology philosophies, emphasizing the sustainability and human connection of mobility. Thus, as we move into a future ripe with alternative realities and artificial intelligence, the German automaker has innovated a CES car of the future that is fully connected, fully digitized, and fully electric. In proper fashion, BMW invited us to their hometown of Munich to witness the vehicle in person ahead of its debut at the 2023 CES Show in Las Vegas.
Embroidery Digitizing, Embroidery digitising, custom digitizing, $3.95 per 1000 stitches,www.anydigitizing.com
Digitized Digital Design Conference 2012
September 15th 2012, Athens, Greece
Photo credits:
Chryssa Gagosi bit.ly/gchryssa @chryssa
Panos Georgiou panosgeorgiou.blogspot.gr/ @panosgeor