This setup uses an AD200 Pro head on their extension head. The head is mounted on the camera hot shoe, and I wear the battery pack on my belt. I use a PC sync cable to trigger the flash. By using the bare bulb I get decent on-axis light, but then a lot of light bounces off of the Rogue Flashbender 2 XL Pro. I don't get a hot spot on the sheet of diffusion media because so much light comes off of the flashbender. I also use a small sheet of media strapped under the lens which acts like a fill light by reflecting light back up. The lower sheet is floppy enough that I can smash it up against foliage, or pull it back with my finger if needed to get close. The main diffuser is mounted on a small friction arm so I can adjust the angle up and down as needed.

Eating lunch and chatting about Diffusion, 30/11/2007

Olympus digital camera

A cylinder of uranium hexaflouride is lowered into a giant autoclave at the Energy Research and Development Administration's Gaseous Diffusion Plant at Oak Ridge, Tennessee. Circa 1971.

For more information or additional images, please contact 202-586-5251.

Set of ten StoryCubes by Warren Craghead.

Before restoration

Jack Scanlon of Lateral magazine. (photo courtesy of Jack Scanlon)

In this picture, Devin has Backlight, Diffused Light, and a Reflector lighting him up. I selected this photo because It looks very well light, and I editted it to make it look better

Photo Copyright: Dimitra Kountiou

Hadja Kouyaté à la courneuve 15 octobre 2005

Photo Mathieu Delmestre : Solfé Communications

Before restoration

Photo Mathieu Delmestre : Solfé Communications

Before restoration

I didn't say it was all THAT fuzzy. The creative uses of (returning) L.A. smog.

AI Stable Diffusion

got reaction diffusion working on ios!

From our garden....best on black

diffusion reaction

Digital Art of Dwayne "The Rock" Johnson , made using stable diffusion

Shot with Nikon D200, Nikkor NC 35mm f1.4 AI converted. ETTR Method in UniWB, pulled in Lightroom.

Nikon HM3 Lens hood to reduce incidental snow glare. 3 filters in-line to narrow the histogram band into the right region.

This was using:

•CC30M on top, to push the red and blue photosites to match the native green.

•Tiffen circular polarizer in the middle to pull the skies down and further narrow the value band

•Tiffen Ultra Contrast 3 below the polarizer, (closest to the lens), to drastically narrow global contrast and push the majority of the tonal data into the right half of the histogram.

Single exposure, No HDR.

This is a first go at a basic animation using unsharp masking and Gaussian blurring in ImageJ.