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About Devour Phoenix:
Devour Phoenix is a citywide, non-profit coalition of select, independent restaurants operating under the Local First Arizona umbrella. Devour Phoenix is working to maintain a forum for sharing ideas, purchasing power, and marketing dollars to advance dining in the Phoenix area; create an image for Phoenix that is a respected destination for dining and culinary exploration; share resources to strengthen and grow restaurants in Phoenix; manage and host events such as culinary festivals and restaurant crawls that will strengthen business and build awareness for all Phoenix restaurants and identify and encourage the use of local agriculture and local artisans as a means for increasing sustainability in the region.
Panasonic LUMIX MACRO 30mm F2.8 ASPH MEGA O.I.S
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I recommend zooming in with L or just tapping the picture on the phone to see the detail. Yee Haw!!!
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julianna devours---mmmm pear tart
the first four-person family dinner in the house of trous! exciting!
This is where bears hung out, devouring huckleberries. I met two of them and sang Girl Scout Camp songs to them while I passed. "The Other Day I Met A Bear" seemed to go over well.
About Devour Phoenix:
Devour Phoenix is a citywide, non-profit coalition of select, independent restaurants operating under the Local First Arizona umbrella. Devour Phoenix is working to maintain a forum for sharing ideas, purchasing power, and marketing dollars to advance dining in the Phoenix area; create an image for Phoenix that is a respected destination for dining and culinary exploration; share resources to strengthen and grow restaurants in Phoenix; manage and host events such as culinary festivals and restaurant crawls that will strengthen business and build awareness for all Phoenix restaurants and identify and encourage the use of local agriculture and local artisans as a means for increasing sustainability in the region.
Divine Comedy 2010
July
Director: Iwan Wyrypajew
Vyrypajev’s work is a monologue of a 63-year-old man who for reasons unknown murders, quarters, and devours his victims. In this production, his part is performed by a frail and beautiful young actress. The confession of the monster becomes something to the like of a musical score, spoken out, suggestively chanted into a microphone. In Wyrypajew’s project, the contrast between the crime and innocence, pathology and charm builds the basic tension. Karolina Gruszka does not play the murderer, nor does she get at the character with any psychological or emotional skeleton key. She remains in counterpoint to the protagonist; she does not try to understand, explain or defend him. Nearly all the time she spends standing in the same place, changes her costume only once, and speaks out the entire text on what nearly seems a single breath. She is the soloist of a theatrical orchestra. A woman who has been possessed by a dybbuk. Something is speaking through her, something is singing through her. Her words are to hurt the spectators, having done no harm to her. The audience believe that what we hear is a prayer from hell.
Photography: Grzegorz Ziemiański