View allAll Photos Tagged devoted
The good folk of The Devoted Few have used a couple of my shots on their website header. This was take at Spectrum in Sydney. Thanks guys.
Please don't use this image without explicit permission from Foraggio Fotographic.
© Toby Forage
Pic By Warwick Baker. This one is OK. I like what Skye is doing. Wesley's sunnys on the other hand... not so good.. :)
© Alex Eisenberg | alex@presentattempt.co.uk
Devoted and Disgruntled 3: over 200 of us gathered together over the weekend of 5/6/7 January at York Hall, Bethnal Green for Improbable's third Devoted and Disgruntled, What are we doing about theatre?
It was wonderful to have so many people together at the beginning of the year to continue working on the issues that are important. The report generated by everyone over the three days is available to read in the shows section of the Improbable website.
St John the Evangelist, Princes Street, Edinburgh.
Captain John Woodburn, Bengal Native Infantry (d1841).
To the honoured memory of Captain John Woodburn, 44th Bengal Native Infantry, and Commandant of the 5th Disciplined Hindostanee Regiment of Infantry, in the service of His Majesty the late Shah Soojah-Ool-Moolk, who nobly fell at the head of a small band of devoted followers in action with an overpowering number of Ghilzie insurgents, near Ghuznee, in Affghanistan, on the 4th of November 1841. This cenotaph has been erected by the surviving British officers of that service, friends and companions in arms, who deeply lamented his untimely fate, knew and admired his great skill as a soldier, his sterling worth and honesty as a man.
Spellings as on the tablet.
Established in 2005, Devoted Events Management is renown for planning and managing a wide range of events around the Gloucester, UK for a number clients. We are devoted to ensuring our client’s visions are met from start to finish, we also pride ourselves in creating fantastic and memorable events.
www.devotedeventsmanagement.co.uk/
Adress: Gloucester GL46PQ, United Kingdom
This album is devoted to Hana’s life in photos from 2004 when we re-homed her from the RSPCA until December 2015 when she sadly died.
Hana had a bad start in life, being one of 40 dogs being kept in very poor conditions in one house. Thankfully the RSPCA rescued all the dogs and found new homes for them.
Hana continued to have many health problems during her life including being afraid of many sounds, IBS which meant she was always on special diets, allergy problems, a heart murmur and in her final year she developed a canine version of Dementia.
Hana was a very affectionate dog and was totally devoted to our Sheltie, Bonsai. Sadly Bonsai died in 2009. Shortly after we were lucky enough to re-home another Sheltie called Mia who bonded immediately with Hana, as you will see from the photos.
On December 19, 2024, I paid a visit to the two museums hosted in Gadagne, an imposing Renaissance ensemble in Lyon St-Jean, France. The first museum in devoted to the Puppetry and the second is the Lyon's History Museum (www.gadagne-lyon.fr/en).
I loaded my Nikon F4 (year 1989, see the details about the camera bellow) with a Rollei RPX 400 which is the former formula of the Agfa APX 400. The film cartridge is DX-coded and I did not modified the nominal DX-coded 400 ISO sensitivity.
I choose the AF Nikkor lens 1:1.8 f=85mm with a protective Hoya HMC UV 62mm screw-on filter plus its dedicated Nikon HN-23 metal shade hood. I brought along too the Nikon SB-26 flashlight in my bag in case of necessity.
Smartphone documentary picture
Palais Gadagne, December 19, 2024
69005 Lyon
France
After at view 30, the last seven views were completed the day after with a series a views of my Hasselblad 500 C/M camera at home. The film was then rewound (manually) and processed the film developed using 350 mL of Adox Adonal (Agfa Rodinal) developer prepared at the dilution 1+25 for 12min30 at 20°C.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta Auto Bellows with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The light source was a LED panel CineStill Cine-lite.
The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.1.1) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with frame or the full size JPEG's together with some documentary smartphone color pictures.
--------------
About the camera :
Maybe it would have been better not to ask for this question: « what’s new do you have at the moment?» to my local photo store, because Christine grab underneath the counter, stating « I have that … » . What a beast ! A Nikon F4 in the exact state of the Nikon brochure year 1990, presented with the standard AF Nikkor 1:1.4 f=50mm. I was already hooked by the machine. After two days, I decided to buy it even with some little common issues found on early Nikon F4 (see below), fortunately not affecting the whole, numberous functions of this incredibly complex professional SLR of the year 1990’s.
Nikon F4 came to the market on September 1988 starting with the serial number 2.000.000. Fully manufactured in Japan (modules came from 3 different Nikon factories) the F4's were assembled in Mito, Ibaraki (North to Tokyo) Nikon plant (no more in the mother factory of Tokyo Oi like the Nikon’s F). When I lived in Tokyo in 1990-1991, Nikon F4 was the top-of-the-line of Nikon SLR camera’s. I saw it in particular in Shinjuku Bic Camera store when I bought there, in December 1990 my Nikonos V.
Nikon F4 incorporates many astonishing engineering features as the double vertical-travel curtain shutter capable of the 1/8000s. Compared to the Nikon F3, the F4 was an AF SLR operated by a CCD sensor (200 photo sites). The film is automatically loaded, advanced with to top speed of 5,7 frame/s !! With the MB-21 power grip (F4s version). The F4 is a very heavy camera (1.7kg with the AF Nikkor 1.4/50mm), incredibly tough and well constructed. This exemplary is devoid of any scratches or marks, and in a condition proving that it was not used for hard professional appliances, for those it was however intended. The camera has still it original Nikon neck strap, the original user manual in French. The lens is protected by a Cokin (Franc) Skylight 1A 52mm filter and the original Nikon front cap. The two small LCD displays (one on the F4 body, one in the DP-20 finder) are both affected by the classical syndrome of « bleeding ». Fortunately, all information could still be read. One says that 70% of the early Nikon F4 suffer from this problem but also found on other models.
According its serial number and the production rate of about 5000 units/month, this Nikon F4s was probably manufactured in Mito, Ibaraki, Japan in May 1989.
The camera was exported abroad thereafter attested by the presence of the golden oval little sticker("Passed" on the DP-20 viewfinder. In order to certify the quality production, two Japanese organizations, the Japan Camera Industry Institute (JCII) and the Japan Machinery Design Center (JMDC), joined forces to verify and mark the conformity of products for the foreign market. This is how, between the 1950s and 1980s, this famous little gold sticker was affixed, with the legendary "Passed", meaning that the device had been checked. Finally, when we say that the device had been checked, the production line had been checked because each device could not be checked individually.
____________
About the flash :
I received from a German seller for 50€ this Nikon Speedlight electronic flash SB-26 that was, at the time of Nikon F4, the most powerful dedicated Nikon flash (Guide Number 36 at full power and 100 ISO).
The SB-26 communicates with the Nikon F4 body (and many other Nikon camera's) and can be operated in many different modes including TTL real-time metering with automatic equilibration of the ambient light using the 5-zone matrix metering done by the DP-20 photometric viewer as well in the center-weighted mode. Other possibilities include the normal TTL mode, an Auto mode using the own sensor of the flash and a manual mode with 7 power levels.
The flash head can cover the optical field from super-wide angle lenses 18-20mm, wide-angle lenses 28mm and 35mm, normal lenses 50mm, and long-focal lenses at 70mm and 85mm. The head can be rotated according two axis for indirect lightening. In addition, the SB-26 has a special focusing aid for the Nikon F4 autofocus system, projecting in the the darkness a red focusing image. SB-23 flash can be also used as master or slave flash in a coordinated flash system.
The flash requires 4 AA alkaline cells for approximately 100 lights at full power and much more with energy recycling at lower power levels.
This shot brings new meaning to the concept of worshipping at the feet of something sacred. These Jain devotees make the pilgrimage to the site of the world's largest monolith--a stone representation of a Jain god--to offer flowers and dried coconut.
Para esta fotografía se utilizo un ISO 100, f 8.0 y velocidad de 1/160. Se empleo un encuadre vertical y ángulo paralelo. Se mantuvo las iluminaciones laterales, solo variando la distancia de estas con la modelo, para de esa forma generar mayor contraste de colores en la toma.
© Alex Eisenberg | alex@presentattempt.co.uk
Devoted and Disgruntled 3: over 200 of us gathered together over the weekend of 5/6/7 January at York Hall, Bethnal Green for Improbable's third Devoted and Disgruntled, What are we doing about theatre?
It was wonderful to have so many people together at the beginning of the year to continue working on the issues that are important. The report generated by everyone over the three days is available to read in the shows section of the Improbable website.
Acquired at Epi-Con in 2014. This is the first year it has produced for us and it looks like the branches have the black spots. With some pruning and maintenance hopefully we can keep this one going?
"Are you a devoted Swiftie looking for unique ways to show your fandom? This high-quality digital file features artwork from Taylor Swift's recent Eras Tour promoting her album 'Midnights.' The vivid PNG image depicts lyrics from her song "Anti-Hero" and would look fantastic printed on a t-shirt, phone case, poster or mug. As a digital file, you can easily customize the size and layout for various crafts and gifts. Download this file today and put your creative vision on full display while celebrating one of music's greatest artists. Let your Taylor Swift pride shine through with this meaningful keepsake!"
🎈 USAGE:st for them? Order yours today to make their birthday extra memorable. It's the perfect gift idea for the fan who adores Taylor's music and style."
Can be used with Cricut Design Space, Silhouette Studio (Designer Edition), Make the Cut, Sir Cuts a Lot, Brother, Glowforge, Inkscape, SCAL, Adobe Illustrator, CorelDRAW, ScanNCut2, and any other software or machines that work with SVG/PNG files.
Please also make sure you have software that accepts SVG or PNG files before purchasing. Refunds are unfortunately not available for digital purchases. Thank you!
🎈 YOU MAY:
- Use SVGSWIFT images in both digital and printed format.
- Use SVGSWIFT images for both personal and commercial projects. Up to 50 units commercially.
- Re-size, re-colour, crop, rotate, or add other elements.
🎈 YOU MAY NOT:
- Claim SVGSWIFT images as your own, with or without alterations.
svgswift.com/2289-im-a-child-of-divorce-the-eras-tour-png...
My dear, devoted shadows,
There are moments when the music fades, the stage lights dim, and I find myself needing to retreat into a different kind of ritual. You know how much I love to play with the darkness, but I know many of you have a very specific… devotion… to the softer side of my aesthetic.
I recently spent an afternoon in one of my favorite hushed, stone sanctuaries for a photo series I’ve titled The Altar of My Feet. I wanted to create a space where your gaze could linger exactly where I know you want it most. There is something so intoxicating about the cold touch of an ancient altar against the warmth of my skin, and the way the candlelight catches the curve of an arch or the tips of my dark-clad toes.
A Ritual of Reveal
I’ll admit, I find a delicious kind of power in this indulgence. As I posed amidst the gargoyles and stained glass, I wasn't just thinking about the art—I was thinking about you. I was imagining your eyes tracing the delicate black ink on my skin and feeling the weight of your collective adoration.
The Sensation: The whisper of lace and the cool air of the cathedral on my bare soles.
The Tease: Knowing that while I am the one on the altar, it is your worship that brings the scene to life.
The Connection: My feet are my most private gift to you, a quiet "thank you" for the way you support my music and my soul.
I felt so beautifully exposed and yet so completely in control. It’s a rare thing to feel like a goddess and a temptress all at once, but seeing the way these photos turned out, I can see why you find it so hard to look away.
Want more? Watch Sindy's video titled The Altar Of My Feet - Foot Worship. gothgirlsindy.com/2025/12/31/the-altar-of-my-feet-foot-wo...
#sindy #solebeauty #feetadoration #sindyfeet #footmodel #milkywhitefeet #aestheticfeet #barefootbeauty #PedicurePerfection #barefootlux #footfetish #footfetishnation #cutetoes #cutefeet #sexyfeet #barefootgoddess #archedsoles #elegantbarefoot #footworship #soles #prettyfeet #feetlovers #barefeet #prettytoes #feetfetish #footfetishcommunity #footfet #barefoot
ieSonoma is an emerging partnership between public and private educational institutions and the larger community devoted to exploring the research, theory, and practice of 21st Century teaching and learning for the purpose of transforming the way we prepare our youth for success in this rapidly changing world. We invite you to join us as we seek to both innovate and educate for a brighter future.
We face great challenges and great opportunity as we together prepare all children for the opportunities of the 21st Century. The world has changed greatly due to increased access to technology tools for communication, collaboration and global interconnectedness. The schools we know of the 20th century can’t prepare our kids for the demands of the 21st Century.
On December 19, 2024, I paid a visit to the two museums hosted in Gadagne, an imposing Renaissance ensemble in Lyon St-Jean, France. The first museum in devoted to the Puppetry and the second is the Lyon's History Museum (www.gadagne-lyon.fr/en).
I loaded my Nikon F4 (year 1989, see the details about the camera bellow) with a Rollei RPX 400 which is the former formula of the Agfa APX 400. The film cartridge is DX-coded and I did not modified the nominal DX-coded 400 ISO sensitivity.
I choose the AF Nikkor lens 1:1.8 f=85mm with a protective Hoya HMC UV 62mm screw-on filter plus its dedicated Nikon HN-23 metal shade hood. I brought along too the Nikon SB-26 flashlight in my bag in case of necessity.
Smartphone documentary picture
Palais Gadagne, December 19, 2024
69005 Lyon
France
After at view 30, the last seven views were completed the day after with a series a views of my Hasselblad 500 C/M camera at home. The film was then rewound (manually) and processed the film developed using 350 mL of Adox Adonal (Agfa Rodinal) developer prepared at the dilution 1+25 for 12min30 at 20°C.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta Auto Bellows with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The light source was a LED panel CineStill Cine-lite.
The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.1.1) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with frame or the full size JPEG's together with some documentary smartphone color pictures.
--------------
About the camera :
Maybe it would have been better not to ask for this question: « what’s new do you have at the moment?» to my local photo store, because Christine grab underneath the counter, stating « I have that … » . What a beast ! A Nikon F4 in the exact state of the Nikon brochure year 1990, presented with the standard AF Nikkor 1:1.4 f=50mm. I was already hooked by the machine. After two days, I decided to buy it even with some little common issues found on early Nikon F4 (see below), fortunately not affecting the whole, numberous functions of this incredibly complex professional SLR of the year 1990’s.
Nikon F4 came to the market on September 1988 starting with the serial number 2.000.000. Fully manufactured in Japan (modules came from 3 different Nikon factories) the F4's were assembled in Mito, Ibaraki (North to Tokyo) Nikon plant (no more in the mother factory of Tokyo Oi like the Nikon’s F). When I lived in Tokyo in 1990-1991, Nikon F4 was the top-of-the-line of Nikon SLR camera’s. I saw it in particular in Shinjuku Bic Camera store when I bought there, in December 1990 my Nikonos V.
Nikon F4 incorporates many astonishing engineering features as the double vertical-travel curtain shutter capable of the 1/8000s. Compared to the Nikon F3, the F4 was an AF SLR operated by a CCD sensor (200 photo sites). The film is automatically loaded, advanced with to top speed of 5,7 frame/s !! With the MB-21 power grip (F4s version). The F4 is a very heavy camera (1.7kg with the AF Nikkor 1.4/50mm), incredibly tough and well constructed. This exemplary is devoid of any scratches or marks, and in a condition proving that it was not used for hard professional appliances, for those it was however intended. The camera has still it original Nikon neck strap, the original user manual in French. The lens is protected by a Cokin (Franc) Skylight 1A 52mm filter and the original Nikon front cap. The two small LCD displays (one on the F4 body, one in the DP-20 finder) are both affected by the classical syndrome of « bleeding ». Fortunately, all information could still be read. One says that 70% of the early Nikon F4 suffer from this problem but also found on other models.
According its serial number and the production rate of about 5000 units/month, this Nikon F4s was probably manufactured in Mito, Ibaraki, Japan in May 1989.
The camera was exported abroad thereafter attested by the presence of the golden oval little sticker("Passed" on the DP-20 viewfinder. In order to certify the quality production, two Japanese organizations, the Japan Camera Industry Institute (JCII) and the Japan Machinery Design Center (JMDC), joined forces to verify and mark the conformity of products for the foreign market. This is how, between the 1950s and 1980s, this famous little gold sticker was affixed, with the legendary "Passed", meaning that the device had been checked. Finally, when we say that the device had been checked, the production line had been checked because each device could not be checked individually.
____________
About the flash :
I received from a German seller for 50€ this Nikon Speedlight electronic flash SB-26 that was, at the time of Nikon F4, the most powerful dedicated Nikon flash (Guide Number 36 at full power and 100 ISO).
The SB-26 communicates with the Nikon F4 body (and many other Nikon camera's) and can be operated in many different modes including TTL real-time metering with automatic equilibration of the ambient light using the 5-zone matrix metering done by the DP-20 photometric viewer as well in the center-weighted mode. Other possibilities include the normal TTL mode, an Auto mode using the own sensor of the flash and a manual mode with 7 power levels.
The flash head can cover the optical field from super-wide angle lenses 18-20mm, wide-angle lenses 28mm and 35mm, normal lenses 50mm, and long-focal lenses at 70mm and 85mm. The head can be rotated according two axis for indirect lightening. In addition, the SB-26 has a special focusing aid for the Nikon F4 autofocus system, projecting in the the darkness a red focusing image. SB-23 flash can be also used as master or slave flash in a coordinated flash system.
The flash requires 4 AA alkaline cells for approximately 100 lights at full power and much more with energy recycling at lower power levels.
My dear, devoted shadows,
There are moments when the music fades, the stage lights dim, and I find myself needing to retreat into a different kind of ritual. You know how much I love to play with the darkness, but I know many of you have a very specific… devotion… to the softer side of my aesthetic.
I recently spent an afternoon in one of my favorite hushed, stone sanctuaries for a photo series I’ve titled The Altar of My Feet. I wanted to create a space where your gaze could linger exactly where I know you want it most. There is something so intoxicating about the cold touch of an ancient altar against the warmth of my skin, and the way the candlelight catches the curve of an arch or the tips of my dark-clad toes.
A Ritual of Reveal
I’ll admit, I find a delicious kind of power in this indulgence. As I posed amidst the gargoyles and stained glass, I wasn't just thinking about the art—I was thinking about you. I was imagining your eyes tracing the delicate black ink on my skin and feeling the weight of your collective adoration.
The Sensation: The whisper of lace and the cool air of the cathedral on my bare soles.
The Tease: Knowing that while I am the one on the altar, it is your worship that brings the scene to life.
The Connection: My feet are my most private gift to you, a quiet "thank you" for the way you support my music and my soul.
I felt so beautifully exposed and yet so completely in control. It’s a rare thing to feel like a goddess and a temptress all at once, but seeing the way these photos turned out, I can see why you find it so hard to look away.
Want more? Watch Sindy's video titled The Altar Of My Feet - Foot Worship. gothgirlsindy.com/2025/12/31/the-altar-of-my-feet-foot-wo...
#sindy #solebeauty #feetadoration #sindyfeet #footmodel #milkywhitefeet #aestheticfeet #barefootbeauty #PedicurePerfection #barefootlux #footfetish #footfetishnation #cutetoes #cutefeet #sexyfeet #barefootgoddess #archedsoles #elegantbarefoot #footworship #soles #prettyfeet #feetlovers #barefeet #prettytoes #feetfetish #footfetishcommunity #footfet #barefoot
Before social media and the internet, we had to anticipate on when the next skate mag issue drops. In a world gone digital and instant news, @lucas_beaufort digs deep in his documentary film "DEVOTED" with the people behind your favorite skate mags such as @transworldskate, @thrashermag, @slap_pals, @bigbrotherskateboardmag, & etc. Going back from yesterday, today, and tomorrow. If you skate and/or can relate to this, we recommend you to watch it when you get the chance. Especially to our younger audience (who probably didn't get too far into reading this long caption considering today's attention span 😘).
Congrats Lucas on this film! 🙌👍👍
Check out @the_lbproject for more info.
📖 rack & collection by @lookbacklibrary
#devotedtoskateboarding #skateboarding #printsnotdead : @morgnar
My dear, devoted shadows,
There are moments when the music fades, the stage lights dim, and I find myself needing to retreat into a different kind of ritual. You know how much I love to play with the darkness, but I know many of you have a very specific… devotion… to the softer side of my aesthetic.
I recently spent an afternoon in one of my favorite hushed, stone sanctuaries for a photo series I’ve titled The Altar of My Feet. I wanted to create a space where your gaze could linger exactly where I know you want it most. There is something so intoxicating about the cold touch of an ancient altar against the warmth of my skin, and the way the candlelight catches the curve of an arch or the tips of my dark-clad toes.
A Ritual of Reveal
I’ll admit, I find a delicious kind of power in this indulgence. As I posed amidst the gargoyles and stained glass, I wasn't just thinking about the art—I was thinking about you. I was imagining your eyes tracing the delicate black ink on my skin and feeling the weight of your collective adoration.
The Sensation: The whisper of lace and the cool air of the cathedral on my bare soles.
The Tease: Knowing that while I am the one on the altar, it is your worship that brings the scene to life.
The Connection: My feet are my most private gift to you, a quiet "thank you" for the way you support my music and my soul.
I felt so beautifully exposed and yet so completely in control. It’s a rare thing to feel like a goddess and a temptress all at once, but seeing the way these photos turned out, I can see why you find it so hard to look away.
Want more? Watch Sindy's video titled The Altar Of My Feet - Foot Worship. gothgirlsindy.com/2025/12/31/the-altar-of-my-feet-foot-wo...
#sindy #solebeauty #feetadoration #sindyfeet #footmodel #milkywhitefeet #aestheticfeet #barefootbeauty #PedicurePerfection #barefootlux #footfetish #footfetishnation #cutetoes #cutefeet #sexyfeet #barefootgoddess #archedsoles #elegantbarefoot #footworship #soles #prettyfeet #feetlovers #barefeet #prettytoes #feetfetish #footfetishcommunity #footfet #barefoot
My dear, devoted shadows,
There are moments when the music fades, the stage lights dim, and I find myself needing to retreat into a different kind of ritual. You know how much I love to play with the darkness, but I know many of you have a very specific… devotion… to the softer side of my aesthetic.
I recently spent an afternoon in one of my favorite hushed, stone sanctuaries for a photo series I’ve titled The Altar of My Feet. I wanted to create a space where your gaze could linger exactly where I know you want it most. There is something so intoxicating about the cold touch of an ancient altar against the warmth of my skin, and the way the candlelight catches the curve of an arch or the tips of my dark-clad toes.
A Ritual of Reveal
I’ll admit, I find a delicious kind of power in this indulgence. As I posed amidst the gargoyles and stained glass, I wasn't just thinking about the art—I was thinking about you. I was imagining your eyes tracing the delicate black ink on my skin and feeling the weight of your collective adoration.
The Sensation: The whisper of lace and the cool air of the cathedral on my bare soles.
The Tease: Knowing that while I am the one on the altar, it is your worship that brings the scene to life.
The Connection: My feet are my most private gift to you, a quiet "thank you" for the way you support my music and my soul.
I felt so beautifully exposed and yet so completely in control. It’s a rare thing to feel like a goddess and a temptress all at once, but seeing the way these photos turned out, I can see why you find it so hard to look away.
Want more? Watch Sindy's video titled The Altar Of My Feet - Foot Worship. gothgirlsindy.com/2025/12/31/the-altar-of-my-feet-foot-wo...
#sindy #solebeauty #feetadoration #sindyfeet #footmodel #milkywhitefeet #aestheticfeet #barefootbeauty #PedicurePerfection #barefootlux #footfetish #footfetishnation #cutetoes #cutefeet #sexyfeet #barefootgoddess #archedsoles #elegantbarefoot #footworship #soles #prettyfeet #feetlovers #barefeet #prettytoes #feetfetish #footfetishcommunity #footfet #barefoot
Before social media and the internet, we had to anticipate on when the next skate mag issue drops. In a world gone digital and instant news, @lucas_beaufort digs deep in his documentary film "DEVOTED" with the people behind your favorite skate mags such as @transworldskate, @thrashermag, @slap_pals, @bigbrotherskateboardmag, & etc. Going back from yesterday, today, and tomorrow. If you skate and/or can relate to this, we recommend you to watch it when you get the chance. Especially to our younger audience (who probably didn't get too far into reading this long caption considering today's attention span 😘).
Congrats Lucas on this film! 🙌👍👍
Check out @the_lbproject for more info.
📖 rack & collection by @lookbacklibrary
#devotedtoskateboarding #skateboarding #printsnotdead : @morgnar
Ben Fletcher with The Devoted Few.
Please don't use this image without explicit permission from Foraggio Fotographic.
© Toby Forage
"I have devoted myself to the cause of The People. It is a good cause—it shall ultimately prevail—it shall finally triumph. Speech of Thomas Muir in the Court of Judiciary on the 30th August 1793.
I know that what has been done these two days will be Re-Judged. Speech of William Skirving in the Court of Judiciary on the 7th January, 1794."
en.wikipedia.org/wiki/Political_Martyrs%27_Monument
en.wikipedia.org/wiki/Thomas_Muir_of_Huntershill
en.wikipedia.org/wiki/Thomas_Fyshe_Palmer
en.wikipedia.org/wiki/William_Skirving
Home one of the world's greatest collection of Italian paintings, the Galleria degli Uffizi was designed by Giorgio Vasari for Grand Duke Cosimo I and built during the 1560s, as government offices ('uffizi' in Italian). The latter's son, Francesco I, commissioned Bernardo Buontalenti to complete the second floor to house his most treasured art works. By the 17th century, the entire space was devoted to art and sculpture. The last of the Medici family, Anna Maria Luisa, wife of the Elector Palatine (1667-1743), donated all of its contents to the city of Florence, on condition that they be accessible to the general public. This has been the case since 1769. Among the many treasures on display is this work of 1333 by Simone Martini and Lippo Memmi: 'The Annunciation with St Ansanus and St Maxima'.