View allAll Photos Tagged devlopers
Camera: Hoga 120N
Film: Kodak TMax 100
Devloper: Kodak Tmax Devloper
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© István Pénzes.
Please NOTE and RESPECT the copyright.
14 July 2011
Hasselblad Flexbody
Carl Zeiss Macro Planar 4/120
Fuji Acros 100
Kodak T-max developer
Coolscan 9000
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2013-02-02
model: Kaci Burgos
Hair/MUA: Kasie Jaye Greene
wardrobe: Bob Smithey with At The Ritz Costume Rental
Hasselblad 500C/M
Hasselblad 80mm f/2.8 CF T* lens
Kodak T-Max 400 120 film
Kodak Xtol (1+1) devloper
20ºC - 9.25min
From my series: $fullImage = array_sum([0.5, 0.5]);
In the silent symphony of the city’s soul,
Two paths converge in monochrome.
A tale of two strides, a dance of light and shade,
Where every step whispers the secrets untold.
On the left, a journey begins, bags in hand,
A traveler’s silhouette against the winter’s cold.
The right, a story in motion, shadows blend,
A moment captured, bold yet untold.
Kamera: Kodak Ektar H35
Film: Agfa APX 100
Devloper: Ars Imago R9
AI-generated caption by Copilot
2022-08-18
Nikon F2
Nikon Ais 85mm /1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) devloper
20ºC - 11min
2022-03-27
Nikon F2
Nikon Ais 85mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) devloper
20ºC - 11min
Park Hill Flats Sheffield, possibley the most famous piece of graffiti in the city has been adopted by the devlopers to market the newly refurbished block.
www.flickr.com/photos/harryhalibut/5837623154/
www.guardian.co.uk/tv-and-radio/2011/aug/07/radio-review-...
en.wikipedia.org/wiki/Park_Hill,_Sheffield
Park Hill is a council housing estate in Sheffield, South Yorkshire, England. It was built between 1957 and 1961, and in 1998 was given Grade II* listed building status, the largest listed building in Europe. Following a period of decline, the estate is being renovated by developers Urban Splash
Park Hill was previously the site of back-to-back housing, a mixture of 2-3 storey tenement buildings, waste ground, quarries and steep alleways.[2] Facilities were poor with one standpipe supporting up to 100 people.[2] It was colloquially known as "Little Chicago" in the 1930s, due to the violent crimes sometimes committed there. Clearance of the area began during the 1930s but was halted due to World War II.[2]
Following the war it was decided that a radical scheme needed to be introduced to deal with rehousing the Park Hill community. To that end architects Jack Lynn and Ivor Smith began work in 1945 designing the Park Hill Flats. Inspired by Le Corbusier's Unité d'Habitation and the Smithsons' unbuilt schemes, most notably for Golden Lane in London, the deck access scheme, was viewed as revolutionary at the time[3]. Construction is of an exposed concrete frame with yellow, orange and red brick curtain walling. The style is known as brutalism. However, as a result of weathering and soot-staining from passing trains, few people realise this and assume the building to be constructed entirely from concrete.
The concept of the flats was described as streets in the sky. Broad decks, wide enough for milk floats, had large numbers of front doors opening onto them. Each deck of the structure, except the top one, has direct access to ground level at some point on the sloping site. The site also allows the roofline to remain level despite the building varying between four and thirteen stories in height. The scheme also incorporates a shopping precinct and a primary school.
[edit] HistoryConstruction began in 1957. Park Hill (Part One) was officially opened by Hugh Gaitskell, MP and Leader of the Opposition, on 16th June 1961. [3] The City Council published a brochure on the scheme which was in several languages, including Russian.
Welcome sign and plan at the main entrance.To maintain a strong sense of community, neighbours were re-homed next door to each other and old street names from the area were re-used (e.g. Gilbert Row, Long Henry Row).[4] Cobbles from the terraced streets surrounded the flats and paved the pathways down the hill to Sheffield station and tramlines.[4]
Further housing schemes were completed to similar designs, including Hyde Park and Kelvin in Sheffield. Although initially popular and successful, over time the fabric of the building has decayed somewhat and some other disadvantages of the estate, such as poor noise insulation and easy getaway routes for muggers, have become apparent.[citation needed] For many years, the council have had difficulty finding tenants for the flats. The estate was nicknamed San Quentin by some residents after the notorious American jail.[5]
2022-08-18
Nikon F2
Nikon Ais 85mm /1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) devloper
20ºC - 11min
© István Pénzes.
Please NOTE and RESPECT the copyright.
14 July 2011
Hasselblad Flexbody
Carl Zeiss Macro Planar 4/120
Fuji Acros 100
Kodak T-max developer
Coolscan 9000
2013-02-02
model: Kaci Burgos
Hair/MUA: Kasie Jaye Greene
wardrobe: Bob Smithey with At The Ritz Costume Rental
Hasselblad 500C/M
Hasselblad 80mm f/2.8 CF T* lens
Kodak T-Max 400 120 film
Kodak Xtol (1+1) devloper
20ºC - 9.25min
Nowadays, and interestingly, analog photography in rich of novelties and many new formulations of films by reputed industries are appearing on the market. I grabbed a couple of rolls (only 24-exposure length was available) recently from my local photo store of the novel Kentmere Pan 200 from Ilford Harman Technology Ltd, UK. The film integrate the Kentmere line of products with the yellow color between the Kentmere Pan 100 (cyan color) and the Kentmere Pan 400 (magenta color) with an intermediate sensitivity of 200 ISO. The emulsion is coated on a 0.125mm thick regular cellulose tri-acétate base, uncommonly very clear without the traditionnal grey or blueish anti-halo mask.
On July 19, 2025, Lyon, France. I used a year-1973 Canon F-1 picked up from my camera collection and its standard lens Canon FD 1:1.4 f=50mm for testing the film during a gentle photowalk in my district. The lens was equipped with either a Canon 55mm Skylight protective filter or a yellow generic filter plus the Canon original shade hood BS-55.
Frames were exposed following the Canon F-1 build-in light meter system that is, for the Canon F-1, a very clever semi-selective metering in a central rectangular zone visible within the focusing screen. The Canon F-1 is still perfectly operant with just a slight correction of +0.3 EV due to the voltage difference of today batteries (see below the details about the camera). I also used my external Minolta Autometer III either with its 10° selective viewer or the opalescent dome for incident metering.
Documentary smartphone picture
July 19, 2025
69001 Lyon
France
After completion at view Nr. 25, the film was rewound normally and processed using 350 mL of Adox Adonal developer (identical to the original Agfa Rodinal in its formula of 1891) prepared at the dilution 1+25 for 10 min at 20°C according to indication found at www.digitaltruth.com/devchart.php .
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.
The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.4, 2025) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.
About my Canon F-1 :
The Canon F-1 is a very impressive 35mm SLR constructed by Canon company to surpass, in the early 70’s, the Nikon F system, well established at that time as one of the most reliable and widely recognized within the photographers community. Canon F-1 is constructed like a rock to resist to intensive uses especially for professional appliances. The Canon F-1 is an amazingly sturdy camera, weighting a lot (1.4 kg in working configuration with the 1.4/50mm lens). The protective half shoe of the ever-ready bag is made of a leather covered on a rigid metallic shell weighting around 150 g !
I got my Canon F-1 SLR camera from an eBay seller in Hamburg, Germany, on April 21, 2022. The camera came with its original storage box, the original neck strap (never used,) the complete ever-ready leather case, and a Canon FD 50 mm 1:1.4 standart lens. The body is stamped "N1129" (in the film cartridge magazine) indicated that the camera body was manufactured in Japan in November 1973. The lens is stamped "M1011" on the row baffle indicating a construction in the Canon factory in October 1972.
The camera was used very carefully with almost no sign of age. The photometric circuitry needs, as most of te SLR of that time, a 1.31V mercury oxide battery that I replaced by a Kanto MR9 adaptor for a Seiko 1.55V SR43W silver oxide battery used in horology. The Kanto adaptor rectify to 1.45V the voltage of the battery. The cell operates will little +0.3 EV compensation necessary between EV 8 and 14 , compared to my Minolta Autometer III on a 18% neutral-gray chart or the internal battery test of the Canon F-1.
Later, I completed the Canon F-1 with two complementary original Canon FD lenses : the FD 1:2.8 f=28mm and a FD 1:2.8 f=100 mm. I found as well the Canon flash shoe adapter with the integrated illuminator to enlighten in the dark the Canon F-1 metering indicator appearing in the viewfinder.
© István Pénzes.
Please NOTE and RESPECT the copyright.
2 March 2012
Hasselblad Flexbody
Carl Zeiss Macro Planar 4/120
Fuji Neopan 400
Kodak T-max developer
Coolscan 9000
2013-02-02
model: Kaci Burgos
Hair/MUA: Kasie Jaye Greene
wardrobe: Bob Smithey with At The Ritz Costume Rental
Hasselblad 500C/M
Hasselblad 80mm f/2.8 CF T* lens
Fujifilm Neopan 100 Acros 120 film
Kodak Xtol (1+1) devloper
20ºC - 10min
© István Pénzes.
Please NOTE and RESPECT the copyright.
14 July 2011
Hasselblad Flexbody
Carl Zeiss Macro Planar 4/120
Fuji Acros 100
Kodak T-max developer
Coolscan 9000
Nowadays, and interestingly, analog photography in rich of novelties and many new formulations of films by reputed industries are appearing on the market. I grabbed a couple of rolls (only 24-exposure length was available) recently from my local photo store of the novel Kentmere Pan 200 from Ilford Harman Technology Ltd, UK. The film integrate the Kentmere line of products with the yellow color between the Kentmere Pan 100 (cyan color) and the Kentmere Pan 400 (magenta color) with an intermediate sensitivity of 200 ISO. The emulsion is coated on a 0.125mm thick regular cellulose tri-acétate base, uncommonly very clear without the traditionnal grey or blueish anti-halo mask.
On July 19, 2025, Lyon, France. I used a year-1973 Canon F-1 picked up from my camera collection and its standard lens Canon FD 1:1.4 f=50mm for testing the film during a gentle photowalk in my district. The lens was equipped with either a Canon 55mm Skylight protective filter or a yellow generic filter plus the Canon original shade hood BS-55.
Frames were exposed following the Canon F-1 build-in light meter system that is, for the Canon F-1, a very clever semi-selective metering in a central rectangular zone visible within the focusing screen. The Canon F-1 is still perfectly operant with just a slight correction of +0.3 EV due to the voltage difference of today batteries (see below the details about the camera). I also used my external Minolta Autometer III either with its 10° selective viewer or the opalescent dome for incident metering.
Documentary smartphone picture
July 19, 2025
69001 Lyon
France
After completion at view Nr. 25, the film was rewound normally and processed using 350 mL of Adox Adonal developer (identical to the original Agfa Rodinal in its formula of 1891) prepared at the dilution 1+25 for 10 min at 20°C according to indication found at www.digitaltruth.com/devchart.php .
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.
The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.4, 2025) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.
About my Canon F-1 :
The Canon F-1 is a very impressive 35mm SLR constructed by Canon company to surpass, in the early 70’s, the Nikon F system, well established at that time as one of the most reliable and widely recognized within the photographers community. Canon F-1 is constructed like a rock to resist to intensive uses especially for professional appliances. The Canon F-1 is an amazingly sturdy camera, weighting a lot (1.4 kg in working configuration with the 1.4/50mm lens). The protective half shoe of the ever-ready bag is made of a leather covered on a rigid metallic shell weighting around 150 g !
I got my Canon F-1 SLR camera from an eBay seller in Hamburg, Germany, on April 21, 2022. The camera came with its original storage box, the original neck strap (never used,) the complete ever-ready leather case, and a Canon FD 50 mm 1:1.4 standart lens. The body is stamped "N1129" (in the film cartridge magazine) indicated that the camera body was manufactured in Japan in November 1973. The lens is stamped "M1011" on the row baffle indicating a construction in the Canon factory in October 1972.
The camera was used very carefully with almost no sign of age. The photometric circuitry needs, as most of te SLR of that time, a 1.31V mercury oxide battery that I replaced by a Kanto MR9 adaptor for a Seiko 1.55V SR43W silver oxide battery used in horology. The Kanto adaptor rectify to 1.45V the voltage of the battery. The cell operates will little +0.3 EV compensation necessary between EV 8 and 14 , compared to my Minolta Autometer III on a 18% neutral-gray chart or the internal battery test of the Canon F-1.
Later, I completed the Canon F-1 with two complementary original Canon FD lenses : the FD 1:2.8 f=28mm and a FD 1:2.8 f=100 mm. I found as well the Canon flash shoe adapter with the integrated illuminator to enlighten in the dark the Canon F-1 metering indicator appearing in the viewfinder.
© István Pénzes.
Please NOTE and RESPECT the copyright.
2 March 2012
Hasselblad Flexbody
Carl Zeiss Macro Planar 4/120
Fuji Neopan 400
Kodak T-max developer
Coolscan 9000
Nikon FH-869 GR
© István Pénzes.
Please NOTE and RESPECT the copyright.
14 July 2011
Hasselblad Flexbody
Carl Zeiss Distagon 4.0/50
Fuji Acros 100
Kodak T-max developer
Coolscan 9000
2022-03-27
Nikon F2
Nikon Ais 85mm f/1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) devloper
20ºC - 11min
© István Pénzes.
Please NOTE and RESPECT the copyright.
May 2011, Roermond
Leica MP
Summilux pre asph 35mm
Fuji Neopan 400
Kodak T-max developer
Coolscan 5000
Developed C41 in black and white developer.
Presoak for a couple of minutes.
2 rotations in the first minute, stand develop for 30 minutes, 1 rotation and twist, develop for another 30 minutes.
5ml Rodinal Spezial and 495ml of water. 5 minute stop.
2022-08-18
Nikon F2
Nikon Ais 85mm /1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) devloper
20ºC - 11min
Caught in the vibrant whirlwind of Basler Fasnacht, where every color, costume, and character tells a story. The city transforms into a canvas of creativity, echoing with the sounds of drums and piccolos. A dance between tradition and rebellion. 🎭🎨 #BaslerFasnacht #FestivalOfColors
Camera: Konica Hexar
️Film: Ilford Ilfocolor 400 Vintage
Devloper: Ars-Imago Colorkit
AI-generated caption by Copilot
My photowalk of October 22, 2024 down the hill of La Croix Rousse, in Lyon, France.
The Zenza Bronica S2A camera (see details below) was equipped of the Nippon Kogaku (Nikon) wide-angle lens Nikkor-H 1:3.5 f=50mm and loaded with an Ilford HP5+ 120-format film exposed for the nominal 400 ISO using a Minolta Autometer III and its 10° viewer for selective measurement privileging the shadow area's.
October 22, 2024
69004 Lyon
France
After the view #12 exposed, the film was fully rolled to the taking spool and was developed in a Paterson tank with a spiral adapted to the 120-format film. 500 mL of Adox Adonal (Agfa Rodinal) developer were prepared at the dilution 1+25 and the film processed for 6min at 20°C.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta vertical macro stative device and adapted to a Minolta MD Macro lens 1:3.5 f=50mm. The light source was a LED panel (approx. 4x5') CineStill Cine-lite fitted with film holder "Lobster" to maintain flat the 120-format film.
The RAW files obtained were inverted within the latest version of Adobe Lightroom 14 and edited to the final jpeg pictures without intermediate file. They are presented either as print files with frame or the full size JPEG's together with some documentary smartphone color pictures.
About the camera :
The Zenza Bronica’s S (ゼンザブロニカ) were often referred to the « Japanese Hasselblad ». Conceived in the year 50’s (Bronica D, 1959) was manufactured in ToKy,o Itabashi-ku, Minami-Tokiwadai with the Japan engineering spirit of that time : « we wlll do as … in better! »; The Bronica (ETR, SQ series) camera’s were progressively discontinued twenty years ago between 2002 and 2004 and the brand was bought by Tamron company and disappeared from the market.
The Zenza Bronica S2A version was produced by Bronica Industries founded by Yoshino Zenzaburo, between 1972 and 1977 and was the ultimate model of fully mechanical medium format modular SLR of the S series. The camera is covered with stainless steel 18-8 quality. The S2A is still a focal-plane shutter camera with automatic diaphragm and automatic film back coupled to the shutter cocking through a re-arming crank. Bronica were equipped either with Nikon Nikkor lenses, Zenzanon of Komura optics.
I got this exemplary from a French eBay auction for a quite reasonable price, equipped with a Nikkor-P normal lens 1:2.8 f=75mm, a generic 67mm lens cap, and a neck/shoulder Bronica strap. I found at my monthly trade -exchange photo meeting new-old stock 67mm filters (Hoya HMC anti-UV, Yellow K2, and a Zenzza Bronica Skylight 1A) and two shade shade hoods (one generic foldable and a rigid metal Zenza Bronica Japan). I also found a nice storage box 15x20x20cm to store the machine with silica-gel protectant.
The camera fit in my ThinkTank Retrospective 5 usual bag as easily as my TLR Semflex. The weight is however higher by about 1;8 kg (0.8 kg for my Semflex TLR).
About the lens:
I won on eBay for 70€ an auction for a Nippon Kogaku (Nikon) Nikkor-H wide-angle lens 1:3.5 f=50mm for my Zenza Bronica S2A (1972-1977, see below for details).
The lens left island Syros (Σύρος in Greek) in the Cyclades, Greece on September 27, 2024. It travelled all across EU, transiting trough Bulgaria, Romania, Hungary Germany, and was finally home delivered on October 10, 2024, fortunately, in perfect condition.
It is an impressive piece of optics, covering 77° of view angle with 6 elements in 6 groups and a very large front lens necessitating a filter diameter of 82mm. The lens came with the original front and rear caps.
The lenses for Zenza Bronica camera of the S-series require a separate focusing helicoid with a specific distance scale. I had already an additional helicoid with a special distance scale for 4 different focal lengths : 75, 50, 135 and 200mm. The standard helicoid for the 75mm could used as well but the distance scale should be adapted if used.
I found from my preferred photo store in Lyon a protective generic AUV 82mm filter with a slim ring mount, and a clip-on cover more easy to use on the filed than the original screw-on metal front cap.
This wide-angle lens is much more heavy than the standard 75mm lens with more than 500g instead of about 200 g. Mounted in the Bronica camera body the weight is more than 2kg ...
2022-08-18
Nikon F2
Nikon Ais 85mm /1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) devloper
20ºC - 11min
I used to go to this 97 year old building turned cafe/restaurant for lunch or cake & tea. It remains my all time favourite.
Nikon FA
Kentmere 400,
TMax Devloper, 1+4, 20c, 5'30"
© István Pénzes.
Please NOTE and RESPECT the copyright.
2 March 2012
Hasselblad Flexbody
Carl Zeiss Macro Planar 4/120
Fuji Neopan 400
Kodak T-max developer
Coolscan 9000
2022-08-18
Nikon F2
Nikon Ais 85mm /1.4 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) devloper
20ºC - 11min
2010-10-07
Mamiya C220
Mamiya-Sekor 55mm f/4.5 lens
Kodak Plus-X (250-push) 120 film
Kodak Xtol (1:1) devloper
20ºC - 9min
Developed C41 in black and white developer.
Presoak for a couple of minutes.
2 rotations in the first minute, stand develop for 30 minutes, 1 rotation and twist, develop for another 30 minutes.
5ml Rodinal Spezial and 495ml of water. 5 minute stop.
Was in Hillside, NJ one day in January or February. I will have to re-photograph this church in color some day. Black and white doesn't do it justice. Maxxum 9000, Ilford HP-5 Plus developed in T-max devloper, 7 minutes 15 seconds.
2022-03-27
Nikon F2
Nikon Non-Ai 55mm f/1.2 lens
Kodak Tri-X 400 (800-push) 35mm film
Kodak Xtol (1+1) devloper
20ºC - 11min
2013-06-01
Nikon FE2
Nikon Ai 50mm f/1.4 lens
(expired) Ilford Delta 3200 35mm film
Kodak Xtol (1+1) devloper
20ºC - 20min
2013-06-01
Nikon FE2
Nikon Ai 50mm f/1.4 lens
(expired) Ilford Delta 3200 35mm film
Kodak Xtol (1+1) devloper
20ºC - 20min
I am really liking the tonality of this film/devloper combo. View large on black.
Yashica-Mat LM with Yashinon lens, f/11, 1/250 sec. Ilford HP5+ developed in FA-1027 1+9 for 7.5 minutes at 20ºC.
2010-10-07
Mamiya C220
Mamiya-Sekor 55mm f/4.5 lens
-with Schneider-Kreuznach Xenar 0.7x wide angle lens adapter
Kodak Plus-X (250-push) 120 film
Kodak Xtol (1:1) devloper
20ºC - 9min
Graflex Crown Graphic
Graflex 135mm 4.7 lens
Kodak T-Max 100 (200-push) 4x5 sheet film
Acufine devloper
20ºC - 5min
Developed C41 in black and white developer.
Presoak for a couple of minutes.
2 rotations in the first minute, stand develop for 30 minutes, 1 rotation and twist, develop for another 30 minutes.
5ml Rodinal Spezial and 495ml of water. 5 minute stop.
--
Roloff was taking some shots of his Lego firemen with a fire in the background with the Nikkor 55mm macro.
Harry Schein house-brand pedodontic x-ray film.
Camera was a Chaika 2. This size 0 is just about half frame-size. Shot at ISO 20, and developed in no-name paper devloper 1:10, under safelight.