Nowadays, and interestingly, analog photography in rich of novelties and many new formulations of films by reputed industries are appearing on the market. I grabbed a couple of rolls (only 24-exposure length was available) recently from my local photo store of the novel Kentmere Pan 200 from Ilford Harman Technology Ltd, UK. The film integrate the Kentmere line of products with the yellow color between the Kentmere Pan 100 (cyan color) and the Kentmere Pan 400 (magenta color) with an intermediate sensitivity of 200 ISO. The emulsion is coated on a 0.125mm thick regular cellulose tri-acétate base, uncommonly very clear without the traditionnal grey or blueish anti-halo mask.

On July 19, 2025, Lyon, France. I used a year-1973 Canon F-1 picked up from my camera collection and its standard lens Canon FD 1:1.4 f=50mm for testing the film during a gentle photowalk in my district. The lens was equipped with either a Canon 55mm Skylight protective filter or a yellow generic filter plus the Canon original shade hood BS-55.

Frames were exposed following the Canon F-1 build-in light meter system that is, for the Canon F-1, a very clever semi-selective metering in a central rectangular zone visible within the focusing screen. The Canon F-1 is still perfectly operant with just a slight correction of +0.3 EV due to the voltage difference of today batteries (see below the details about the camera). I also used my external Minolta Autometer III either with its 10° selective viewer or the opalescent dome for incident metering.

Film side marks identification

July 20, 2025

69004 Lyon

France

After completion at view Nr. 25, the film was rewound normally and processed using 350 mL of Adox Adonal developer (identical to the original Agfa Rodinal in its formula of 1891) prepared at the dilution 1+25 for 10 min at 20°C according to indication found at www.digitaltruth.com/devchart.php .

Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.

The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.4, 2025) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.

About my Canon F-1 :

The Canon F-1 is a very impressive 35mm SLR constructed by Canon company to surpass, in the early 70’s, the Nikon F system, well established at that time as one of the most reliable and widely recognized within the photographers community. Canon F-1 is constructed like a rock to resist to intensive uses especially for professional appliances. The Canon F-1 is an amazingly sturdy camera, weighting a lot (1.4 kg in working configuration with the 1.4/50mm lens). The protective half shoe of the ever-ready bag is made of a leather covered on a rigid metallic shell weighting around 150 g !

I got my Canon F-1 SLR camera from an eBay seller in Hamburg, Germany, on April 21, 2022. The camera came with its original storage box, the original neck strap (never used,) the complete ever-ready leather case, and a Canon FD 50 mm 1:1.4 standart lens. The body is stamped "N1129" (in the film cartridge magazine) indicated that the camera body was manufactured in Japan in November 1973. The lens is stamped "M1011" on the row baffle indicating a construction in the Canon factory in October 1972.

The camera was used very carefully with almost no sign of age. The photometric circuitry needs, as most of te SLR of that time, a 1.31V mercury oxide battery that I replaced by a Kanto MR9 adaptor for a Seiko 1.55V SR43W silver oxide battery used in horology. The Kanto adaptor rectify to 1.45V the voltage of the battery. The cell operates will little +0.3 EV compensation necessary between EV 8 and 14 , compared to my Minolta Autometer III on a 18% neutral-gray chart or the internal battery test of the Canon F-1.

Later, I completed the Canon F-1 with two complementary original Canon FD lenses : the FD 1:2.8 f=28mm and a FD 1:2.8 f=100 mm. I found as well the Canon flash shoe adapter with the integrated illuminator to enlighten in the dark the Canon F-1 metering indicator appearing in the viewfinder.

Nowadays, and interestingly, analog photography in rich of novelties and many new formulations of films by reputed industries are appearing on the market. I grabbed a couple of rolls (only 24-exposure length was available) recently from my local photo store of the novel Kentmere Pan 200 from Ilford Harman Technology Ltd, UK. The film integrate the Kentmere line of products with the yellow color between the Kentmere Pan 100 (cyan color) and the Kentmere Pan 400 (magenta color) with an intermediate sensitivity of 200 ISO. The emulsion is coated on a 0.125mm thick regular cellulose tri-acétate base, uncommonly very clear without the traditionnal grey or blueish anti-halo mask.

On July 19, 2025, Lyon, France. I used a year-1973 Canon F-1 picked up from my camera collection and its standard lens Canon FD 1:1.4 f=50mm for testing the film during a gentle photowalk in my district. The lens was equipped with either a Canon 55mm Skylight protective filter or a yellow generic filter plus the Canon original shade hood BS-55.

Frames were exposed following the Canon F-1 build-in light meter system that is, for the Canon F-1, a very clever semi-selective metering in a central rectangular zone visible within the focusing screen. The Canon F-1 is still perfectly operant with just a slight correction of +0.3 EV due to the voltage difference of today batteries (see below the details about the camera). I also used my external Minolta Autometer III either with its 10° selective viewer or the opalescent dome for incident metering.

View Nr. 15: 1/125s f/6.3 focusing at 3.3m. Skylight 55mm filter

Colette de Jouvenel *** July 19, 2025

Passage Thiaffait

69001 Lyon

France

________________

*** Colette Renée de Jouvenel des Ursins, better known as Colette de Jouvenel, was a French journalist, resistance fighter, and feminist. Born in Paris on July 3, and died on September 16, 1981 in Créteil, France.

She was the daughter of the French writer Colette (who nicknamed her "Bel-Gazou") and the journalist and politician Henry de Jouvenel.

_________________

After completion at view Nr. 25, the film was rewound normally and processed using 350 mL of Adox Adonal developer (identical to the original Agfa Rodinal in its formula of 1891) prepared at the dilution 1+25 for 10 min at 20°C according to indication found at www.digitaltruth.com/devchart.php .

Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.

The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.4, 2025) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.

About my Canon F-1 :

The Canon F-1 is a very impressive 35mm SLR constructed by Canon company to surpass, in the early 70’s, the Nikon F system, well established at that time as one of the most reliable and widely recognized within the photographers community. Canon F-1 is constructed like a rock to resist to intensive uses especially for professional appliances. The Canon F-1 is an amazingly sturdy camera, weighting a lot (1.4 kg in working configuration with the 1.4/50mm lens). The protective half shoe of the ever-ready bag is made of a leather covered on a rigid metallic shell weighting around 150 g !

I got my Canon F-1 SLR camera from an eBay seller in Hamburg, Germany, on April 21, 2022. The camera came with its original storage box, the original neck strap (never used,) the complete ever-ready leather case, and a Canon FD 50 mm 1:1.4 standart lens. The body is stamped "N1129" (in the film cartridge magazine) indicated that the camera body was manufactured in Japan in November 1973. The lens is stamped "M1011" on the row baffle indicating a construction in the Canon factory in October 1972.

The camera was used very carefully with almost no sign of age. The photometric circuitry needs, as most of te SLR of that time, a 1.31V mercury oxide battery that I replaced by a Kanto MR9 adaptor for a Seiko 1.55V SR43W silver oxide battery used in horology. The Kanto adaptor rectify to 1.45V the voltage of the battery. The cell operates will little +0.3 EV compensation necessary between EV 8 and 14 , compared to my Minolta Autometer III on a 18% neutral-gray chart or the internal battery test of the Canon F-1.

Later, I completed the Canon F-1 with two complementary original Canon FD lenses : the FD 1:2.8 f=28mm and a FD 1:2.8 f=100 mm. I found as well the Canon flash shoe adapter with the integrated illuminator to enlighten in the dark the Canon F-1 metering indicator appearing in the viewfinder.

Mario Kart inspired racing title from Primed Games, which won the Best Indie Game Award at the Australian Game Devlopers Conference in 2004.

Google Maps location Icon - the Google IO Devlopers Conference ended right before I arrived and this was still up

Nowadays, and interestingly, analog photography in rich of novelties and many new formulations of films by reputed industries are appearing on the market. I grabbed a couple of rolls (only 24-exposure length was available) recently from my local photo store of the novel Kentmere Pan 200 from Ilford Harman Technology Ltd, UK. The film integrate the Kentmere line of products with the yellow color between the Kentmere Pan 100 (cyan color) and the Kentmere Pan 400 (magenta color) with an intermediate sensitivity of 200 ISO. The emulsion is coated on a 0.125mm thick regular cellulose tri-acétate base, uncommonly very clear without the traditionnal grey or blueish anti-halo mask.

On July 19, 2025, Lyon, France. I used a year-1973 Canon F-1 picked up from my camera collection and its standard lens Canon FD 1:1.4 f=50mm for testing the film during a gentle photowalk in my district. The lens was equipped with either a Canon 55mm Skylight protective filter or a yellow generic filter plus the Canon original shade hood BS-55.

Frames were exposed following the Canon F-1 build-in light meter system that is, for the Canon F-1, a very clever semi-selective metering in a central rectangular zone visible within the focusing screen. The Canon F-1 is still perfectly operant with just a slight correction of +0.3 EV due to the voltage difference of today batteries (see below the details about the camera). I also used my external Minolta Autometer III either with its 10° selective viewer or the opalescent dome for incident metering.

View Nr. 21 : 1/125s f/16 focusing at 10 m. Yellow 55mm filter

Fontaine de Bartholdi,*** July 19, 2025

Place des Terreaux

69001 Lyon

France

_________________

*** The Fontaine Bartholdi is a fountain sculpted by Frédéric Auguste Bartholdi and realised in 1889 by Gaget & Gautier. It was erected at the Place des Terreaux, in Lyon, France, in September 1892. On 20 April 1857, the Bordeaux city council decided to hold a competition to create a fountain for Place Quinconces. Frédéric Bartholdi, then aged 23, won the contest. However, the city hall of Bordeaux decided not to carry out his project. After Bartholdi had made the Statue of Liberty in New York in 1886, the mayor of Bordeaux contacted him, but his new project was canceled after much hesitation. It was finally achieved in 1888, but it was deemed as too expensive and therefore was sold to Lyon. It was unveiled as part of the Exposition Universelle (1889). The fountain was eventually put at the Place des Terreaux and is currently still there.

The fountain depicts France as a female (Marianne) seated on a chariot controlling the four great rivers of France, represented by wildly rearing and plunging horses, highly individualized but symmetrically arranged, with bridles and reins of water weeds. The fountain weighs 21 tons and is made of lead supported by a frame of iron and was presented at the Exposition Universelle of 1889. It has been classified as monument historique since 29 September 1995.

_______________

After completion at view Nr. 25, the film was rewound normally and processed using 350 mL of Adox Adonal developer (identical to the original Agfa Rodinal in its formula of 1891) prepared at the dilution 1+25 for 10 min at 20°C according to indication found at www.digitaltruth.com/devchart.php .

Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.

The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.4, 2025) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.

About my Canon F-1 :

The Canon F-1 is a very impressive 35mm SLR constructed by Canon company to surpass, in the early 70’s, the Nikon F system, well established at that time as one of the most reliable and widely recognized within the photographers community. Canon F-1 is constructed like a rock to resist to intensive uses especially for professional appliances. The Canon F-1 is an amazingly sturdy camera, weighting a lot (1.4 kg in working configuration with the 1.4/50mm lens). The protective half shoe of the ever-ready bag is made of a leather covered on a rigid metallic shell weighting around 150 g !

I got my Canon F-1 SLR camera from an eBay seller in Hamburg, Germany, on April 21, 2022. The camera came with its original storage box, the original neck strap (never used,) the complete ever-ready leather case, and a Canon FD 50 mm 1:1.4 standart lens. The body is stamped "N1129" (in the film cartridge magazine) indicated that the camera body was manufactured in Japan in November 1973. The lens is stamped "M1011" on the row baffle indicating a construction in the Canon factory in October 1972.

The camera was used very carefully with almost no sign of age. The photometric circuitry needs, as most of te SLR of that time, a 1.31V mercury oxide battery that I replaced by a Kanto MR9 adaptor for a Seiko 1.55V SR43W silver oxide battery used in horology. The Kanto adaptor rectify to 1.45V the voltage of the battery. The cell operates will little +0.3 EV compensation necessary between EV 8 and 14 , compared to my Minolta Autometer III on a 18% neutral-gray chart or the internal battery test of the Canon F-1.

Later, I completed the Canon F-1 with two complementary original Canon FD lenses : the FD 1:2.8 f=28mm and a FD 1:2.8 f=100 mm. I found as well the Canon flash shoe adapter with the integrated illuminator to enlighten in the dark the Canon F-1 metering indicator appearing in the viewfinder.

Nowadays, and interestingly, analog photography in rich of novelties and many new formulations of films by reputed industries are appearing on the market. I grabbed a couple of rolls (only 24-exposure length was available) recently from my local photo store of the novel Kentmere Pan 200 from Ilford Harman Technology Ltd, UK. The film integrate the Kentmere line of products with the yellow color between the Kentmere Pan 100 (cyan color) and the Kentmere Pan 400 (magenta color) with an intermediate sensitivity of 200 ISO. The emulsion is coated on a 0.125mm thick regular cellulose tri-acétate base, uncommonly very clear without the traditionnal grey or blueish anti-halo mask.

On July 19, 2025, Lyon, France. I used a year-1973 Canon F-1 picked up from my camera collection and its standard lens Canon FD 1:1.4 f=50mm for testing the film during a gentle photowalk in my district. The lens was equipped with either a Canon 55mm Skylight protective filter or a yellow generic filter plus the Canon original shade hood BS-55.

Frames were exposed following the Canon F-1 build-in light meter system that is, for the Canon F-1, a very clever semi-selective metering in a central rectangular zone visible within the focusing screen. The Canon F-1 is still perfectly operant with just a slight correction of +0.3 EV due to the voltage difference of today batteries (see below the details about the camera). I also used my external Minolta Autometer III either with its 10° selective viewer or the opalescent dome for incident metering.

View Nr.16 : 1/125s f/9 focusing at 9 m. Yellow 55mm filter

Mairie du 1er Arrondissement, July 19, 2025

Place Sathonay

69001 Lyon

France

After completion at view Nr. 25, the film was rewound normally and processed using 350 mL of Adox Adonal developer (identical to the original Agfa Rodinal in its formula of 1891) prepared at the dilution 1+25 for 10 min at 20°C according to indication found at www.digitaltruth.com/devchart.php .

Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.

The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.4, 2025) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.

About my Canon F-1 :

The Canon F-1 is a very impressive 35mm SLR constructed by Canon company to surpass, in the early 70’s, the Nikon F system, well established at that time as one of the most reliable and widely recognized within the photographers community. Canon F-1 is constructed like a rock to resist to intensive uses especially for professional appliances. The Canon F-1 is an amazingly sturdy camera, weighting a lot (1.4 kg in working configuration with the 1.4/50mm lens). The protective half shoe of the ever-ready bag is made of a leather covered on a rigid metallic shell weighting around 150 g !

I got my Canon F-1 SLR camera from an eBay seller in Hamburg, Germany, on April 21, 2022. The camera came with its original storage box, the original neck strap (never used,) the complete ever-ready leather case, and a Canon FD 50 mm 1:1.4 standart lens. The body is stamped "N1129" (in the film cartridge magazine) indicated that the camera body was manufactured in Japan in November 1973. The lens is stamped "M1011" on the row baffle indicating a construction in the Canon factory in October 1972.

The camera was used very carefully with almost no sign of age. The photometric circuitry needs, as most of te SLR of that time, a 1.31V mercury oxide battery that I replaced by a Kanto MR9 adaptor for a Seiko 1.55V SR43W silver oxide battery used in horology. The Kanto adaptor rectify to 1.45V the voltage of the battery. The cell operates will little +0.3 EV compensation necessary between EV 8 and 14 , compared to my Minolta Autometer III on a 18% neutral-gray chart or the internal battery test of the Canon F-1.

Later, I completed the Canon F-1 with two complementary original Canon FD lenses : the FD 1:2.8 f=28mm and a FD 1:2.8 f=100 mm. I found as well the Canon flash shoe adapter with the integrated illuminator to enlighten in the dark the Canon F-1 metering indicator appearing in the viewfinder.

www.yeshdevelopers.com

Nowadays, and interestingly, analog photography in rich of novelties and many new formulations of films by reputed industries are appearing on the market. I grabbed a couple of rolls (only 24-exposure length was available) recently from my local photo store of the novel Kentmere Pan 200 from Ilford Harman Technology Ltd, UK. The film integrate the Kentmere line of products with the yellow color between the Kentmere Pan 100 (cyan color) and the Kentmere Pan 400 (magenta color) with an intermediate sensitivity of 200 ISO. The emulsion is coated on a 0.125mm thick regular cellulose tri-acétate base, uncommonly very clear without the traditionnal grey or blueish anti-halo mask.

On July 19, 2025, Lyon, France. I used a year-1973 Canon F-1 picked up from my camera collection and its standard lens Canon FD 1:1.4 f=50mm for testing the film during a gentle photowalk in my district. The lens was equipped with either a Canon 55mm Skylight protective filter or a yellow generic filter plus the Canon original shade hood BS-55.

Frames were exposed following the Canon F-1 build-in light meter system that is, for the Canon F-1, a very clever semi-selective metering in a central rectangular zone visible within the focusing screen. The Canon F-1 is still perfectly operant with just a slight correction of +0.3 EV due to the voltage difference of today batteries (see below the details about the camera). I also used my external Minolta Autometer III either with its 10° selective viewer or the opalescent dome for incident metering.

View Nr. 19 : 1/125s f/16 focusing at 10 m. Yellow 55mm filter

Fontaine de Bartholdi,*** July 19, 2025

Place des Terreaux

69001 Lyon

France

_________________

*** The Fontaine Bartholdi is a fountain sculpted by Frédéric Auguste Bartholdi and realised in 1889 by Gaget & Gautier. It was erected at the Place des Terreaux, in Lyon, France, in September 1892. On 20 April 1857, the Bordeaux city council decided to hold a competition to create a fountain for Place Quinconces. Frédéric Bartholdi, then aged 23, won the contest. However, the city hall of Bordeaux decided not to carry out his project. After Bartholdi had made the Statue of Liberty in New York in 1886, the mayor of Bordeaux contacted him, but his new project was canceled after much hesitation. It was finally achieved in 1888, but it was deemed as too expensive and therefore was sold to Lyon. It was unveiled as part of the Exposition Universelle (1889). The fountain was eventually put at the Place des Terreaux and is currently still there.

The fountain depicts France as a female (Marianne) seated on a chariot controlling the four great rivers of France, represented by wildly rearing and plunging horses, highly individualized but symmetrically arranged, with bridles and reins of water weeds. The fountain weighs 21 tons and is made of lead supported by a frame of iron and was presented at the Exposition Universelle of 1889. It has been classified as monument historique since 29 September 1995.

_______________

After completion at view Nr. 25, the film was rewound normally and processed using 350 mL of Adox Adonal developer (identical to the original Agfa Rodinal in its formula of 1891) prepared at the dilution 1+25 for 10 min at 20°C according to indication found at www.digitaltruth.com/devchart.php .

Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.

The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.4, 2025) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.

About my Canon F-1 :

The Canon F-1 is a very impressive 35mm SLR constructed by Canon company to surpass, in the early 70’s, the Nikon F system, well established at that time as one of the most reliable and widely recognized within the photographers community. Canon F-1 is constructed like a rock to resist to intensive uses especially for professional appliances. The Canon F-1 is an amazingly sturdy camera, weighting a lot (1.4 kg in working configuration with the 1.4/50mm lens). The protective half shoe of the ever-ready bag is made of a leather covered on a rigid metallic shell weighting around 150 g !

I got my Canon F-1 SLR camera from an eBay seller in Hamburg, Germany, on April 21, 2022. The camera came with its original storage box, the original neck strap (never used,) the complete ever-ready leather case, and a Canon FD 50 mm 1:1.4 standart lens. The body is stamped "N1129" (in the film cartridge magazine) indicated that the camera body was manufactured in Japan in November 1973. The lens is stamped "M1011" on the row baffle indicating a construction in the Canon factory in October 1972.

The camera was used very carefully with almost no sign of age. The photometric circuitry needs, as most of te SLR of that time, a 1.31V mercury oxide battery that I replaced by a Kanto MR9 adaptor for a Seiko 1.55V SR43W silver oxide battery used in horology. The Kanto adaptor rectify to 1.45V the voltage of the battery. The cell operates will little +0.3 EV compensation necessary between EV 8 and 14 , compared to my Minolta Autometer III on a 18% neutral-gray chart or the internal battery test of the Canon F-1.

Later, I completed the Canon F-1 with two complementary original Canon FD lenses : the FD 1:2.8 f=28mm and a FD 1:2.8 f=100 mm. I found as well the Canon flash shoe adapter with the integrated illuminator to enlighten in the dark the Canon F-1 metering indicator appearing in the viewfinder.

Nowadays, and interestingly, analog photography in rich of novelties and many new formulations of films by reputed industries are appearing on the market. I grabbed a couple of rolls (only 24-exposure length was available) recently from my local photo store of the novel Kentmere Pan 200 from Ilford Harman Technology Ltd, UK. The film integrate the Kentmere line of products with the yellow color between the Kentmere Pan 100 (cyan color) and the Kentmere Pan 400 (magenta color) with an intermediate sensitivity of 200 ISO. The emulsion is coated on a 0.125mm thick regular cellulose tri-acétate base, uncommonly very clear without the traditionnal grey or blueish anti-halo mask.

On July 19, 2025, Lyon, France. I used a year-1973 Canon F-1 picked up from my camera collection and its standard lens Canon FD 1:1.4 f=50mm for testing the film during a gentle photowalk in my district. The lens was equipped with either a Canon 55mm Skylight protective filter or a yellow generic filter plus the Canon original shade hood BS-55.

Frames were exposed following the Canon F-1 build-in light meter system that is, for the Canon F-1, a very clever semi-selective metering in a central rectangular zone visible within the focusing screen. The Canon F-1 is still perfectly operant with just a slight correction of +0.3 EV due to the voltage difference of today batteries (see below the details about the camera). I also used my external Minolta Autometer III either with its 10° selective viewer or the opalescent dome for incident metering.

Documentary smartphone picture

July 19, 2025

69001 Lyon

France

After completion at view Nr. 25, the film was rewound normally and processed using 350 mL of Adox Adonal developer (identical to the original Agfa Rodinal in its formula of 1891) prepared at the dilution 1+25 for 10 min at 20°C according to indication found at www.digitaltruth.com/devchart.php .

Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.

The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.4, 2025) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.

About my Canon F-1 :

The Canon F-1 is a very impressive 35mm SLR constructed by Canon company to surpass, in the early 70’s, the Nikon F system, well established at that time as one of the most reliable and widely recognized within the photographers community. Canon F-1 is constructed like a rock to resist to intensive uses especially for professional appliances. The Canon F-1 is an amazingly sturdy camera, weighting a lot (1.4 kg in working configuration with the 1.4/50mm lens). The protective half shoe of the ever-ready bag is made of a leather covered on a rigid metallic shell weighting around 150 g !

I got my Canon F-1 SLR camera from an eBay seller in Hamburg, Germany, on April 21, 2022. The camera came with its original storage box, the original neck strap (never used,) the complete ever-ready leather case, and a Canon FD 50 mm 1:1.4 standart lens. The body is stamped "N1129" (in the film cartridge magazine) indicated that the camera body was manufactured in Japan in November 1973. The lens is stamped "M1011" on the row baffle indicating a construction in the Canon factory in October 1972.

The camera was used very carefully with almost no sign of age. The photometric circuitry needs, as most of te SLR of that time, a 1.31V mercury oxide battery that I replaced by a Kanto MR9 adaptor for a Seiko 1.55V SR43W silver oxide battery used in horology. The Kanto adaptor rectify to 1.45V the voltage of the battery. The cell operates will little +0.3 EV compensation necessary between EV 8 and 14 , compared to my Minolta Autometer III on a 18% neutral-gray chart or the internal battery test of the Canon F-1.

Later, I completed the Canon F-1 with two complementary original Canon FD lenses : the FD 1:2.8 f=28mm and a FD 1:2.8 f=100 mm. I found as well the Canon flash shoe adapter with the integrated illuminator to enlighten in the dark the Canon F-1 metering indicator appearing in the viewfinder.

Nowadays, and interestingly, analog photography in rich of novelties and many new formulations of films by reputed industries are appearing on the market. I grabbed a couple of rolls (only 24-exposure length was available) recently from my local photo store of the novel Kentmere Pan 200 from Ilford Harman Technology Ltd, UK. The film integrate the Kentmere line of products with the yellow color between the Kentmere Pan 100 (cyan color) and the Kentmere Pan 400 (magenta color) with an intermediate sensitivity of 200 ISO. The emulsion is coated on a 0.125mm thick regular cellulose tri-acétate base, uncommonly very clear without the traditionnal grey or blueish anti-halo mask.

On July 19, 2025, Lyon, France. I used a year-1973 Canon F-1 picked up from my camera collection and its standard lens Canon FD 1:1.4 f=50mm for testing the film during a gentle photowalk in my district. The lens was equipped with either a Canon 55mm Skylight protective filter or a yellow generic filter plus the Canon original shade hood BS-55.

Frames were exposed following the Canon F-1 build-in light meter system that is, for the Canon F-1, a very clever semi-selective metering in a central rectangular zone visible within the focusing screen. The Canon F-1 is still perfectly operant with just a slight correction of +0.3 EV due to the voltage difference of today batteries (see below the details about the camera). I also used my external Minolta Autometer III either with its 10° selective viewer or the opalescent dome for incident metering.

View Nr.16 : 1/250s f/11 focusing at inifinite. Yellow 55mm filter

July 19, 2025

Place des Terreaux

69001 Lyon

France

After completion at view Nr. 25, the film was rewound normally and processed using 350 mL of Adox Adonal developer (identical to the original Agfa Rodinal in its formula of 1891) prepared at the dilution 1+25 for 10 min at 20°C according to indication found at www.digitaltruth.com/devchart.php .

Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.

The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.4, 2025) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.

About my Canon F-1 :

The Canon F-1 is a very impressive 35mm SLR constructed by Canon company to surpass, in the early 70’s, the Nikon F system, well established at that time as one of the most reliable and widely recognized within the photographers community. Canon F-1 is constructed like a rock to resist to intensive uses especially for professional appliances. The Canon F-1 is an amazingly sturdy camera, weighting a lot (1.4 kg in working configuration with the 1.4/50mm lens). The protective half shoe of the ever-ready bag is made of a leather covered on a rigid metallic shell weighting around 150 g !

I got my Canon F-1 SLR camera from an eBay seller in Hamburg, Germany, on April 21, 2022. The camera came with its original storage box, the original neck strap (never used,) the complete ever-ready leather case, and a Canon FD 50 mm 1:1.4 standart lens. The body is stamped "N1129" (in the film cartridge magazine) indicated that the camera body was manufactured in Japan in November 1973. The lens is stamped "M1011" on the row baffle indicating a construction in the Canon factory in October 1972.

The camera was used very carefully with almost no sign of age. The photometric circuitry needs, as most of te SLR of that time, a 1.31V mercury oxide battery that I replaced by a Kanto MR9 adaptor for a Seiko 1.55V SR43W silver oxide battery used in horology. The Kanto adaptor rectify to 1.45V the voltage of the battery. The cell operates will little +0.3 EV compensation necessary between EV 8 and 14 , compared to my Minolta Autometer III on a 18% neutral-gray chart or the internal battery test of the Canon F-1.

Later, I completed the Canon F-1 with two complementary original Canon FD lenses : the FD 1:2.8 f=28mm and a FD 1:2.8 f=100 mm. I found as well the Canon flash shoe adapter with the integrated illuminator to enlighten in the dark the Canon F-1 metering indicator appearing in the viewfinder.

the city calls this new park donated by a condo devloper connected to the Pluger bridge and the city calls this art

i call it a waste and a Great source of light pollution these lights are new and installed 2011 and violate city code

yet the city is the one whom enabled them

austins light pollution code is a hoax of there is corruption in the city goverment

or both this is an outward sign

of corruption visable if you know the city code on outdoor lights

Nowadays, and interestingly, analog photography in rich of novelties and many new formulations of films by reputed industries are appearing on the market. I grabbed a couple of rolls (only 24-exposure length was available) recently from my local photo store of the novel Kentmere Pan 200 from Ilford Harman Technology Ltd, UK. The film integrate the Kentmere line of products with the yellow color between the Kentmere Pan 100 (cyan color) and the Kentmere Pan 400 (magenta color) with an intermediate sensitivity of 200 ISO. The emulsion is coated on a 0.125mm thick regular cellulose tri-acétate base, uncommonly very clear without the traditionnal grey or blueish anti-halo mask.

On July 19, 2025, Lyon, France. I used a year-1973 Canon F-1 picked up from my camera collection and its standard lens Canon FD 1:1.4 f=50mm for testing the film during a gentle photowalk in my district. The lens was equipped with either a Canon 55mm Skylight protective filter or a yellow generic filter plus the Canon original shade hood BS-55.

Frames were exposed following the Canon F-1 build-in light meter system that is, for the Canon F-1, a very clever semi-selective metering in a central rectangular zone visible within the focusing screen. The Canon F-1 is still perfectly operant with just a slight correction of +0.3 EV due to the voltage difference of today batteries (see below the details about the camera). I also used my external Minolta Autometer III either with its 10° selective viewer or the opalescent dome for incident metering.

View Nr.17 : 1/125s f/16 focusing at 7 m. Yellow 55mm filter

Fontaine de Bartholdi,*** July 19, 2025

Place des Terreaux

69001 Lyon

France

_________________

*** The Fontaine Bartholdi is a fountain sculpted by Frédéric Auguste Bartholdi and realised in 1889 by Gaget & Gautier. It was erected at the Place des Terreaux, in Lyon, France, in September 1892. On 20 April 1857, the Bordeaux city council decided to hold a competition to create a fountain for Place Quinconces. Frédéric Bartholdi, then aged 23, won the contest. However, the city hall of Bordeaux decided not to carry out his project. After Bartholdi had made the Statue of Liberty in New York in 1886, the mayor of Bordeaux contacted him, but his new project was canceled after much hesitation. It was finally achieved in 1888, but it was deemed as too expensive and therefore was sold to Lyon. It was unveiled as part of the Exposition Universelle (1889). The fountain was eventually put at the Place des Terreaux and is currently still there.

The fountain depicts France as a female (Marianne) seated on a chariot controlling the four great rivers of France, represented by wildly rearing and plunging horses, highly individualized but symmetrically arranged, with bridles and reins of water weeds. The fountain weighs 21 tons and is made of lead supported by a frame of iron and was presented at the Exposition Universelle of 1889. It has been classified as monument historique since 29 September 1995.

_______________

After completion at view Nr. 25, the film was rewound normally and processed using 350 mL of Adox Adonal developer (identical to the original Agfa Rodinal in its formula of 1891) prepared at the dilution 1+25 for 10 min at 20°C according to indication found at www.digitaltruth.com/devchart.php .

Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.

The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.4, 2025) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.

About my Canon F-1 :

The Canon F-1 is a very impressive 35mm SLR constructed by Canon company to surpass, in the early 70’s, the Nikon F system, well established at that time as one of the most reliable and widely recognized within the photographers community. Canon F-1 is constructed like a rock to resist to intensive uses especially for professional appliances. The Canon F-1 is an amazingly sturdy camera, weighting a lot (1.4 kg in working configuration with the 1.4/50mm lens). The protective half shoe of the ever-ready bag is made of a leather covered on a rigid metallic shell weighting around 150 g !

I got my Canon F-1 SLR camera from an eBay seller in Hamburg, Germany, on April 21, 2022. The camera came with its original storage box, the original neck strap (never used,) the complete ever-ready leather case, and a Canon FD 50 mm 1:1.4 standart lens. The body is stamped "N1129" (in the film cartridge magazine) indicated that the camera body was manufactured in Japan in November 1973. The lens is stamped "M1011" on the row baffle indicating a construction in the Canon factory in October 1972.

The camera was used very carefully with almost no sign of age. The photometric circuitry needs, as most of te SLR of that time, a 1.31V mercury oxide battery that I replaced by a Kanto MR9 adaptor for a Seiko 1.55V SR43W silver oxide battery used in horology. The Kanto adaptor rectify to 1.45V the voltage of the battery. The cell operates will little +0.3 EV compensation necessary between EV 8 and 14 , compared to my Minolta Autometer III on a 18% neutral-gray chart or the internal battery test of the Canon F-1.

Later, I completed the Canon F-1 with two complementary original Canon FD lenses : the FD 1:2.8 f=28mm and a FD 1:2.8 f=100 mm. I found as well the Canon flash shoe adapter with the integrated illuminator to enlighten in the dark the Canon F-1 metering indicator appearing in the viewfinder.

Hiring Full Stack Developer

Apply at clevertize.com/

Nowadays, and interestingly, analog photography in rich of novelties and many new formulations of films by reputed industries are appearing on the market. I grabbed a couple of rolls (only 24-exposure length was available) recently from my local photo store of the novel Kentmere Pan 200 from Ilford Harman Technology Ltd, UK. The film integrate the Kentmere line of products with the yellow color between the Kentmere Pan 100 (cyan color) and the Kentmere Pan 400 (magenta color) with an intermediate sensitivity of 200 ISO. The emulsion is coated on a 0.125mm thick regular cellulose tri-acétate base, uncommonly very clear without the traditionnal grey or blueish anti-halo mask.

On July 19, 2025, Lyon, France. I used a year-1973 Canon F-1 picked up from my camera collection and its standard lens Canon FD 1:1.4 f=50mm for testing the film during a gentle photowalk in my district. The lens was equipped with either a Canon 55mm Skylight protective filter or a yellow generic filter plus the Canon original shade hood BS-55.

Frames were exposed following the Canon F-1 build-in light meter system that is, for the Canon F-1, a very clever semi-selective metering in a central rectangular zone visible within the focusing screen. The Canon F-1 is still perfectly operant with just a slight correction of +0.3 EV due to the voltage difference of today batteries (see below the details about the camera). I also used my external Minolta Autometer III either with its 10° selective viewer or the opalescent dome for incident metering.

View Nr. 6: 1/250s f/5.6 focusing at infinite. Skylight 55mm filter

Traboule de la Cour des Voraces, July 19, 2025

69001 Lyon

France

After completion at view Nr. 25, the film was rewound normally and processed using 350 mL of Adox Adonal developer (identical to the original Agfa Rodinal in its formula of 1891) prepared at the dilution 1+25 for 10 min at 20°C according to indication found at www.digitaltruth.com/devchart.php .

Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.

The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.4, 2025) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.

About my Canon F-1 :

The Canon F-1 is a very impressive 35mm SLR constructed by Canon company to surpass, in the early 70’s, the Nikon F system, well established at that time as one of the most reliable and widely recognized within the photographers community. Canon F-1 is constructed like a rock to resist to intensive uses especially for professional appliances. The Canon F-1 is an amazingly sturdy camera, weighting a lot (1.4 kg in working configuration with the 1.4/50mm lens). The protective half shoe of the ever-ready bag is made of a leather covered on a rigid metallic shell weighting around 150 g !

I got my Canon F-1 SLR camera from an eBay seller in Hamburg, Germany, on April 21, 2022. The camera came with its original storage box, the original neck strap (never used,) the complete ever-ready leather case, and a Canon FD 50 mm 1:1.4 standart lens. The body is stamped "N1129" (in the film cartridge magazine) indicated that the camera body was manufactured in Japan in November 1973. The lens is stamped "M1011" on the row baffle indicating a construction in the Canon factory in October 1972.

The camera was used very carefully with almost no sign of age. The photometric circuitry needs, as most of te SLR of that time, a 1.31V mercury oxide battery that I replaced by a Kanto MR9 adaptor for a Seiko 1.55V SR43W silver oxide battery used in horology. The Kanto adaptor rectify to 1.45V the voltage of the battery. The cell operates will little +0.3 EV compensation necessary between EV 8 and 14 , compared to my Minolta Autometer III on a 18% neutral-gray chart or the internal battery test of the Canon F-1.

Later, I completed the Canon F-1 with two complementary original Canon FD lenses : the FD 1:2.8 f=28mm and a FD 1:2.8 f=100 mm. I found as well the Canon flash shoe adapter with the integrated illuminator to enlighten in the dark the Canon F-1 metering indicator appearing in the viewfinder.

Still standing but with a 80's style facade over the entire outside. A devloper just started a renovation of the building to convert to a Residential complex. They are plannign to remove the 80's facade and restore back to former glory.

Mario Kart inspired racing title from Primed Games, which won the Best Indie Game Award at the Australian Game Devlopers Conference in 2004.

Nowadays, and interestingly, analog photography in rich of novelties and many new formulations of films by reputed industries are appearing on the market. I grabbed a couple of rolls (only 24-exposure length was available) recently from my local photo store of the novel Kentmere Pan 200 from Ilford Harman Technology Ltd, UK. The film integrate the Kentmere line of products with the yellow color between the Kentmere Pan 100 (cyan color) and the Kentmere Pan 400 (magenta color) with an intermediate sensitivity of 200 ISO. The emulsion is coated on a 0.125mm thick regular cellulose tri-acétate base, uncommonly very clear without the traditionnal grey or blueish anti-halo mask.

On July 19, 2025, Lyon, France. I used a year-1973 Canon F-1 picked up from my camera collection and its standard lens Canon FD 1:1.4 f=50mm for testing the film during a gentle photowalk in my district. The lens was equipped with either a Canon 55mm Skylight protective filter or a yellow generic filter plus the Canon original shade hood BS-55.

Frames were exposed following the Canon F-1 build-in light meter system that is, for the Canon F-1, a very clever semi-selective metering in a central rectangular zone visible within the focusing screen. The Canon F-1 is still perfectly operant with just a slight correction of +0.3 EV due to the voltage difference of today batteries (see below the details about the camera). I also used my external Minolta Autometer III either with its 10° selective viewer or the opalescent dome for incident metering.

View Nr.2 : 1/250s f/11 focusing at infinite. Skylight 55mm filter

Rue Adamoli / Magneval, July 19, 2025

69001 Lyon

France

After completion at view Nr. 25, the film was rewound normally and processed using 350 mL of Adox Adonal developer (identical to the original Agfa Rodinal in its formula of 1891) prepared at the dilution 1+25 for 10 min at 20°C according to indication found at www.digitaltruth.com/devchart.php .

Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.

The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.4, 2025) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.

About my Canon F-1 :

The Canon F-1 is a very impressive 35mm SLR constructed by Canon company to surpass, in the early 70’s, the Nikon F system, well established at that time as one of the most reliable and widely recognized within the photographers community. Canon F-1 is constructed like a rock to resist to intensive uses especially for professional appliances. The Canon F-1 is an amazingly sturdy camera, weighting a lot (1.4 kg in working configuration with the 1.4/50mm lens). The protective half shoe of the ever-ready bag is made of a leather covered on a rigid metallic shell weighting around 150 g !

I got my Canon F-1 SLR camera from an eBay seller in Hamburg, Germany, on April 21, 2022. The camera came with its original storage box, the original neck strap (never used,) the complete ever-ready leather case, and a Canon FD 50 mm 1:1.4 standart lens. The body is stamped "N1129" (in the film cartridge magazine) indicated that the camera body was manufactured in Japan in November 1973. The lens is stamped "M1011" on the row baffle indicating a construction in the Canon factory in October 1972.

The camera was used very carefully with almost no sign of age. The photometric circuitry needs, as most of te SLR of that time, a 1.31V mercury oxide battery that I replaced by a Kanto MR9 adaptor for a Seiko 1.55V SR43W silver oxide battery used in horology. The Kanto adaptor rectify to 1.45V the voltage of the battery. The cell operates will little +0.3 EV compensation necessary between EV 8 and 14 , compared to my Minolta Autometer III on a 18% neutral-gray chart or the internal battery test of the Canon F-1.

Later, I completed the Canon F-1 with two complementary original Canon FD lenses : the FD 1:2.8 f=28mm and a FD 1:2.8 f=100 mm. I found as well the Canon flash shoe adapter with the integrated illuminator to enlighten in the dark the Canon F-1 metering indicator appearing in the viewfinder.

Live Website : ai-article-summarizer-reactjs.netlify.app/

I aimed to develop a user-friendly web application to address the common challenge of information overload. Their goal was to provide users with a powerful AI tool that simplifies the process of summarizing lengthy articles and websites, making it easier to digest essential information quickly.

As a dedicated solo developer, I took on a comprehensive role in bringing this project to fruition. Leveraging my expertise, I contributed in the following ways:

Front-End Development: I employed React.js to craft a responsive and intuitive user interface that enhances the overall user experience.

API Integration: My skillful integration of OpenAI's GPT-4 model ensured the generation of accurate and contextually relevant summaries, setting this app apart.

Styling and Design: Utilizing CSS and Bootstrap, I created an attractive and user-friendly layout that adds to the app's appeal and ease of use.

Key Features:

User-Friendly Interface: The app boasts an uncomplicated interface, ensuring that users, regardless of their technical proficiency, can navigate with ease.

GPT-4 Integration: The integration of OpenAI's GPT-4 model empowers the app to produce summaries that are not only concise but also remarkably precise, making it a valuable resource.

History Tracking: I implemented a feature to save previous summaries, allowing users to revisit and reuse summaries effortlessly.

Efficiency: With the ability to paste URLs and click, users receive concise results in seconds, saving them valuable time and effort.

The app has received praise for its accuracy, simplicity, and efficiency, successfully meeting the client's objective of alleviating information overload. I found it to be a valuable tool for quickly extracting essential information from lengthy content.

If you have inquiries, require support, or are interested in exploring potential collaboration opportunities, please feel free to contact me.

Email : charithasarangakumarawansha@gmail.com

Fiverr : www.fiverr.com/s/xY4Bx1

Upwork : www.upwork.com/freelancers/~01ca74f2420d4814af

PeoplePerHour : pph.me/charithasaranga

Nowadays, and interestingly, analog photography in rich of novelties and many new formulations of films by reputed industries are appearing on the market. I grabbed a couple of rolls (only 24-exposure length was available) recently from my local photo store of the novel Kentmere Pan 200 from Ilford Harman Technology Ltd, UK. The film integrate the Kentmere line of products with the yellow color between the Kentmere Pan 100 (cyan color) and the Kentmere Pan 400 (magenta color) with an intermediate sensitivity of 200 ISO. The emulsion is coated on a 0.125mm thick regular cellulose tri-acétate base, uncommonly very clear without the traditionnal grey or blueish anti-halo mask.

On July 19, 2025, Lyon, France. I used a year-1973 Canon F-1 picked up from my camera collection and its standard lens Canon FD 1:1.4 f=50mm for testing the film during a gentle photowalk in my district. The lens was equipped with either a Canon 55mm Skylight protective filter or a yellow generic filter plus the Canon original shade hood BS-55.

Frames were exposed following the Canon F-1 build-in light meter system that is, for the Canon F-1, a very clever semi-selective metering in a central rectangular zone visible within the focusing screen. The Canon F-1 is still perfectly operant with just a slight correction of +0.3 EV due to the voltage difference of today batteries (see below the details about the camera). I also used my external Minolta Autometer III either with its 10° selective viewer or the opalescent dome for incident metering.

Documentary smartphone picture

July 19, 2025

69001 Lyon

France

After completion at view Nr. 25, the film was rewound normally and processed using 350 mL of Adox Adonal developer (identical to the original Agfa Rodinal in its formula of 1891) prepared at the dilution 1+25 for 10 min at 20°C according to indication found at www.digitaltruth.com/devchart.php .

Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.

The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.4, 2025) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.

About my Canon F-1 :

The Canon F-1 is a very impressive 35mm SLR constructed by Canon company to surpass, in the early 70’s, the Nikon F system, well established at that time as one of the most reliable and widely recognized within the photographers community. Canon F-1 is constructed like a rock to resist to intensive uses especially for professional appliances. The Canon F-1 is an amazingly sturdy camera, weighting a lot (1.4 kg in working configuration with the 1.4/50mm lens). The protective half shoe of the ever-ready bag is made of a leather covered on a rigid metallic shell weighting around 150 g !

I got my Canon F-1 SLR camera from an eBay seller in Hamburg, Germany, on April 21, 2022. The camera came with its original storage box, the original neck strap (never used,) the complete ever-ready leather case, and a Canon FD 50 mm 1:1.4 standart lens. The body is stamped "N1129" (in the film cartridge magazine) indicated that the camera body was manufactured in Japan in November 1973. The lens is stamped "M1011" on the row baffle indicating a construction in the Canon factory in October 1972.

The camera was used very carefully with almost no sign of age. The photometric circuitry needs, as most of te SLR of that time, a 1.31V mercury oxide battery that I replaced by a Kanto MR9 adaptor for a Seiko 1.55V SR43W silver oxide battery used in horology. The Kanto adaptor rectify to 1.45V the voltage of the battery. The cell operates will little +0.3 EV compensation necessary between EV 8 and 14 , compared to my Minolta Autometer III on a 18% neutral-gray chart or the internal battery test of the Canon F-1.

Later, I completed the Canon F-1 with two complementary original Canon FD lenses : the FD 1:2.8 f=28mm and a FD 1:2.8 f=100 mm. I found as well the Canon flash shoe adapter with the integrated illuminator to enlighten in the dark the Canon F-1 metering indicator appearing in the viewfinder.

Mario Kart inspired racing title from Primed Games, which won the Best Indie Game Award at the Australian Game Devlopers Conference in 2004.

Mario Kart inspired racing title from Primed Games, which won the Best Indie Game Award at the Australian Game Devlopers Conference in 2004.

Nowadays, and interestingly, analog photography in rich of novelties and many new formulations of films by reputed industries are appearing on the market. I grabbed a couple of rolls (only 24-exposure length was available) recently from my local photo store of the novel Kentmere Pan 200 from Ilford Harman Technology Ltd, UK. The film integrate the Kentmere line of products with the yellow color between the Kentmere Pan 100 (cyan color) and the Kentmere Pan 400 (magenta color) with an intermediate sensitivity of 200 ISO. The emulsion is coated on a 0.125mm thick regular cellulose tri-acétate base, uncommonly very clear without the traditionnal grey or blueish anti-halo mask.

On July 19, 2025, Lyon, France. I used a year-1973 Canon F-1 picked up from my camera collection and its standard lens Canon FD 1:1.4 f=50mm for testing the film during a gentle photowalk in my district. The lens was equipped with either a Canon 55mm Skylight protective filter or a yellow generic filter plus the Canon original shade hood BS-55.

Frames were exposed following the Canon F-1 build-in light meter system that is, for the Canon F-1, a very clever semi-selective metering in a central rectangular zone visible within the focusing screen. The Canon F-1 is still perfectly operant with just a slight correction of +0.3 EV due to the voltage difference of today batteries (see below the details about the camera). I also used my external Minolta Autometer III either with its 10° selective viewer or the opalescent dome for incident metering.

View Nr. 7: 1/125s f/6.3 focusing at 4.5m. Skylight 55mm filter

Traboule deal Cour des Voraces, July 19, 2025

69001 Lyon

France

After completion at view Nr. 25, the film was rewound normally and processed using 350 mL of Adox Adonal developer (identical to the original Agfa Rodinal in its formula of 1891) prepared at the dilution 1+25 for 10 min at 20°C according to indication found at www.digitaltruth.com/devchart.php .

Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.

The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.4, 2025) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.

About my Canon F-1 :

The Canon F-1 is a very impressive 35mm SLR constructed by Canon company to surpass, in the early 70’s, the Nikon F system, well established at that time as one of the most reliable and widely recognized within the photographers community. Canon F-1 is constructed like a rock to resist to intensive uses especially for professional appliances. The Canon F-1 is an amazingly sturdy camera, weighting a lot (1.4 kg in working configuration with the 1.4/50mm lens). The protective half shoe of the ever-ready bag is made of a leather covered on a rigid metallic shell weighting around 150 g !

I got my Canon F-1 SLR camera from an eBay seller in Hamburg, Germany, on April 21, 2022. The camera came with its original storage box, the original neck strap (never used,) the complete ever-ready leather case, and a Canon FD 50 mm 1:1.4 standart lens. The body is stamped "N1129" (in the film cartridge magazine) indicated that the camera body was manufactured in Japan in November 1973. The lens is stamped "M1011" on the row baffle indicating a construction in the Canon factory in October 1972.

The camera was used very carefully with almost no sign of age. The photometric circuitry needs, as most of te SLR of that time, a 1.31V mercury oxide battery that I replaced by a Kanto MR9 adaptor for a Seiko 1.55V SR43W silver oxide battery used in horology. The Kanto adaptor rectify to 1.45V the voltage of the battery. The cell operates will little +0.3 EV compensation necessary between EV 8 and 14 , compared to my Minolta Autometer III on a 18% neutral-gray chart or the internal battery test of the Canon F-1.

Later, I completed the Canon F-1 with two complementary original Canon FD lenses : the FD 1:2.8 f=28mm and a FD 1:2.8 f=100 mm. I found as well the Canon flash shoe adapter with the integrated illuminator to enlighten in the dark the Canon F-1 metering indicator appearing in the viewfinder.

Mario Kart inspired racing title from Primed Games, which won the Best Indie Game Award at the Australian Game Devlopers Conference in 2004.

Microsoft Silver Partner and Kentico Gold Partner, Ray Business Technologies has introduced a re-designed and improved website ( www.raybiztech.com)

Mario Kart inspired racing title from Primed Games, which won the Best Indie Game Award at the Australian Game Devlopers Conference in 2004.

Nowadays, and interestingly, analog photography in rich of novelties and many new formulations of films by reputed industries are appearing on the market. I grabbed a couple of rolls (only 24-exposure length was available) recently from my local photo store of the novel Kentmere Pan 200 from Ilford Harman Technology Ltd, UK. The film integrate the Kentmere line of products with the yellow color between the Kentmere Pan 100 (cyan color) and the Kentmere Pan 400 (magenta color) with an intermediate sensitivity of 200 ISO. The emulsion is coated on a 0.125mm thick regular cellulose tri-acétate base, uncommonly very clear without the traditionnal grey or blueish anti-halo mask.

On July 19, 2025, Lyon, France. I used a year-1973 Canon F-1 picked up from my camera collection and its standard lens Canon FD 1:1.4 f=50mm for testing the film during a gentle photowalk in my district. The lens was equipped with either a Canon 55mm Skylight protective filter or a yellow generic filter plus the Canon original shade hood BS-55.

Frames were exposed following the Canon F-1 build-in light meter system that is, for the Canon F-1, a very clever semi-selective metering in a central rectangular zone visible within the focusing screen. The Canon F-1 is still perfectly operant with just a slight correction of +0.3 EV due to the voltage difference of today batteries (see below the details about the camera). I also used my external Minolta Autometer III either with its 10° selective viewer or the opalescent dome for incident metering.

View Nr. 1 : 1/250s f/9 (incident-light metering) focusing at 7m. Skylight 55mm filter.

Rue Adamoli, July 19, 2025

69001 Lyon

France

After completion at view Nr. 25, the film was rewound normally and processed using 350 mL of Adox Adonal developer (identical to the original Agfa Rodinal in its formula of 1891) prepared at the dilution 1+25 for 10 min at 20°C according to indication found at www.digitaltruth.com/devchart.php .

Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.

The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.4, 2025) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.

About my Canon F-1 :

The Canon F-1 is a very impressive 35mm SLR constructed by Canon company to surpass, in the early 70’s, the Nikon F system, well established at that time as one of the most reliable and widely recognized within the photographers community. Canon F-1 is constructed like a rock to resist to intensive uses especially for professional appliances. The Canon F-1 is an amazingly sturdy camera, weighting a lot (1.4 kg in working configuration with the 1.4/50mm lens). The protective half shoe of the ever-ready bag is made of a leather covered on a rigid metallic shell weighting around 150 g !

I got my Canon F-1 SLR camera from an eBay seller in Hamburg, Germany, on April 21, 2022. The camera came with its original storage box, the original neck strap (never used,) the complete ever-ready leather case, and a Canon FD 50 mm 1:1.4 standart lens. The body is stamped "N1129" (in the film cartridge magazine) indicated that the camera body was manufactured in Japan in November 1973. The lens is stamped "M1011" on the row baffle indicating a construction in the Canon factory in October 1972.

The camera was used very carefully with almost no sign of age. The photometric circuitry needs, as most of te SLR of that time, a 1.31V mercury oxide battery that I replaced by a Kanto MR9 adaptor for a Seiko 1.55V SR43W silver oxide battery used in horology. The Kanto adaptor rectify to 1.45V the voltage of the battery. The cell operates will little +0.3 EV compensation necessary between EV 8 and 14 , compared to my Minolta Autometer III on a 18% neutral-gray chart or the internal battery test of the Canon F-1.

Later, I completed the Canon F-1 with two complementary original Canon FD lenses : the FD 1:2.8 f=28mm and a FD 1:2.8 f=100 mm. I found as well the Canon flash shoe adapter with the integrated illuminator to enlighten in the dark the Canon F-1 metering indicator appearing in the viewfinder.

Nowadays, and interestingly, analog photography in rich of novelties and many new formulations of films by reputed industries are appearing on the market. I grabbed a couple of rolls (only 24-exposure length was available) recently from my local photo store of the novel Kentmere Pan 200 from Ilford Harman Technology Ltd, UK. The film integrate the Kentmere line of products with the yellow color between the Kentmere Pan 100 (cyan color) and the Kentmere Pan 400 (magenta color) with an intermediate sensitivity of 200 ISO. The emulsion is coated on a 0.125mm thick regular cellulose tri-acétate base, uncommonly very clear without the traditionnal grey or blueish anti-halo mask.

On July 19, 2025, Lyon, France. I used a year-1973 Canon F-1 picked up from my camera collection and its standard lens Canon FD 1:1.4 f=50mm for testing the film during a gentle photowalk in my district. The lens was equipped with either a Canon 55mm Skylight protective filter or a yellow generic filter plus the Canon original shade hood BS-55.

Frames were exposed following the Canon F-1 build-in light meter system that is, for the Canon F-1, a very clever semi-selective metering in a central rectangular zone visible within the focusing screen. The Canon F-1 is still perfectly operant with just a slight correction of +0.3 EV due to the voltage difference of today batteries (see below the details about the camera). I also used my external Minolta Autometer III either with its 10° selective viewer or the opalescent dome for incident metering.

Documentary smartphone picture

July 19, 2025

69001 Lyon

France

After completion at view Nr. 25, the film was rewound normally and processed using 350 mL of Adox Adonal developer (identical to the original Agfa Rodinal in its formula of 1891) prepared at the dilution 1+25 for 10 min at 20°C according to indication found at www.digitaltruth.com/devchart.php .

Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.

The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.4, 2025) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.

About my Canon F-1 :

The Canon F-1 is a very impressive 35mm SLR constructed by Canon company to surpass, in the early 70’s, the Nikon F system, well established at that time as one of the most reliable and widely recognized within the photographers community. Canon F-1 is constructed like a rock to resist to intensive uses especially for professional appliances. The Canon F-1 is an amazingly sturdy camera, weighting a lot (1.4 kg in working configuration with the 1.4/50mm lens). The protective half shoe of the ever-ready bag is made of a leather covered on a rigid metallic shell weighting around 150 g !

I got my Canon F-1 SLR camera from an eBay seller in Hamburg, Germany, on April 21, 2022. The camera came with its original storage box, the original neck strap (never used,) the complete ever-ready leather case, and a Canon FD 50 mm 1:1.4 standart lens. The body is stamped "N1129" (in the film cartridge magazine) indicated that the camera body was manufactured in Japan in November 1973. The lens is stamped "M1011" on the row baffle indicating a construction in the Canon factory in October 1972.

The camera was used very carefully with almost no sign of age. The photometric circuitry needs, as most of te SLR of that time, a 1.31V mercury oxide battery that I replaced by a Kanto MR9 adaptor for a Seiko 1.55V SR43W silver oxide battery used in horology. The Kanto adaptor rectify to 1.45V the voltage of the battery. The cell operates will little +0.3 EV compensation necessary between EV 8 and 14 , compared to my Minolta Autometer III on a 18% neutral-gray chart or the internal battery test of the Canon F-1.

Later, I completed the Canon F-1 with two complementary original Canon FD lenses : the FD 1:2.8 f=28mm and a FD 1:2.8 f=100 mm. I found as well the Canon flash shoe adapter with the integrated illuminator to enlighten in the dark the Canon F-1 metering indicator appearing in the viewfinder.

Nowadays, and interestingly, analog photography in rich of novelties and many new formulations of films by reputed industries are appearing on the market. I grabbed a couple of rolls (only 24-exposure length was available) recently from my local photo store of the novel Kentmere Pan 200 from Ilford Harman Technology Ltd, UK. The film integrate the Kentmere line of products with the yellow color between the Kentmere Pan 100 (cyan color) and the Kentmere Pan 400 (magenta color) with an intermediate sensitivity of 200 ISO. The emulsion is coated on a 0.125mm thick regular cellulose tri-acétate base, uncommonly very clear without the traditionnal grey or blueish anti-halo mask.

On July 19, 2025, Lyon, France. I used a year-1973 Canon F-1 picked up from my camera collection and its standard lens Canon FD 1:1.4 f=50mm for testing the film during a gentle photowalk in my district. The lens was equipped with either a Canon 55mm Skylight protective filter or a yellow generic filter plus the Canon original shade hood BS-55.

Frames were exposed following the Canon F-1 build-in light meter system that is, for the Canon F-1, a very clever semi-selective metering in a central rectangular zone visible within the focusing screen. The Canon F-1 is still perfectly operant with just a slight correction of +0.3 EV due to the voltage difference of today batteries (see below the details about the camera). I also used my external Minolta Autometer III either with its 10° selective viewer or the opalescent dome for incident metering.

View Nr. 14: 1/2000s f/4 focusing at 2.25m. Skylight 55mm filter

Montée du Perron, July 19, 2025

Rue Burdeau

69001 Lyon

France

After completion at view Nr. 25, the film was rewound normally and processed using 350 mL of Adox Adonal developer (identical to the original Agfa Rodinal in its formula of 1891) prepared at the dilution 1+25 for 10 min at 20°C according to indication found at www.digitaltruth.com/devchart.php .

Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.

The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.4, 2025) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.

About my Canon F-1 :

The Canon F-1 is a very impressive 35mm SLR constructed by Canon company to surpass, in the early 70’s, the Nikon F system, well established at that time as one of the most reliable and widely recognized within the photographers community. Canon F-1 is constructed like a rock to resist to intensive uses especially for professional appliances. The Canon F-1 is an amazingly sturdy camera, weighting a lot (1.4 kg in working configuration with the 1.4/50mm lens). The protective half shoe of the ever-ready bag is made of a leather covered on a rigid metallic shell weighting around 150 g !

I got my Canon F-1 SLR camera from an eBay seller in Hamburg, Germany, on April 21, 2022. The camera came with its original storage box, the original neck strap (never used,) the complete ever-ready leather case, and a Canon FD 50 mm 1:1.4 standart lens. The body is stamped "N1129" (in the film cartridge magazine) indicated that the camera body was manufactured in Japan in November 1973. The lens is stamped "M1011" on the row baffle indicating a construction in the Canon factory in October 1972.

The camera was used very carefully with almost no sign of age. The photometric circuitry needs, as most of te SLR of that time, a 1.31V mercury oxide battery that I replaced by a Kanto MR9 adaptor for a Seiko 1.55V SR43W silver oxide battery used in horology. The Kanto adaptor rectify to 1.45V the voltage of the battery. The cell operates will little +0.3 EV compensation necessary between EV 8 and 14 , compared to my Minolta Autometer III on a 18% neutral-gray chart or the internal battery test of the Canon F-1.

Later, I completed the Canon F-1 with two complementary original Canon FD lenses : the FD 1:2.8 f=28mm and a FD 1:2.8 f=100 mm. I found as well the Canon flash shoe adapter with the integrated illuminator to enlighten in the dark the Canon F-1 metering indicator appearing in the viewfinder.

Nowadays, and interestingly, analog photography in rich of novelties and many new formulations of films by reputed industries are appearing on the market. I grabbed a couple of rolls (only 24-exposure length was available) recently from my local photo store of the novel Kentmere Pan 200 from Ilford Harman Technology Ltd, UK. The film integrate the Kentmere line of products with the yellow color between the Kentmere Pan 100 (cyan color) and the Kentmere Pan 400 (magenta color) with an intermediate sensitivity of 200 ISO. The emulsion is coated on a 0.125mm thick regular cellulose tri-acétate base, uncommonly very clear without the traditionnal grey or blueish anti-halo mask.

On July 19, 2025, Lyon, France. I used a year-1973 Canon F-1 picked up from my camera collection and its standard lens Canon FD 1:1.4 f=50mm for testing the film during a gentle photowalk in my district. The lens was equipped with either a Canon 55mm Skylight protective filter or a yellow generic filter plus the Canon original shade hood BS-55.

Frames were exposed following the Canon F-1 build-in light meter system that is, for the Canon F-1, a very clever semi-selective metering in a central rectangular zone visible within the focusing screen. The Canon F-1 is still perfectly operant with just a slight correction of +0.3 EV due to the voltage difference of today batteries (see below the details about the camera). I also used my external Minolta Autometer III either with its 10° selective viewer or the opalescent dome for incident metering.

View Nr. 11 : 1/250s f/8 focusing at 30m. Skylight 55mm filter

Rue des Tables Claudiennes et Place Chardonnet, July 19, 2025

69001 Lyon

France

After completion at view Nr. 25, the film was rewound normally and processed using 350 mL of Adox Adonal developer (identical to the original Agfa Rodinal in its formula of 1891) prepared at the dilution 1+25 for 10 min at 20°C according to indication found at www.digitaltruth.com/devchart.php .

Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.

The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.4, 2025) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.

About my Canon F-1 :

The Canon F-1 is a very impressive 35mm SLR constructed by Canon company to surpass, in the early 70’s, the Nikon F system, well established at that time as one of the most reliable and widely recognized within the photographers community. Canon F-1 is constructed like a rock to resist to intensive uses especially for professional appliances. The Canon F-1 is an amazingly sturdy camera, weighting a lot (1.4 kg in working configuration with the 1.4/50mm lens). The protective half shoe of the ever-ready bag is made of a leather covered on a rigid metallic shell weighting around 150 g !

I got my Canon F-1 SLR camera from an eBay seller in Hamburg, Germany, on April 21, 2022. The camera came with its original storage box, the original neck strap (never used,) the complete ever-ready leather case, and a Canon FD 50 mm 1:1.4 standart lens. The body is stamped "N1129" (in the film cartridge magazine) indicated that the camera body was manufactured in Japan in November 1973. The lens is stamped "M1011" on the row baffle indicating a construction in the Canon factory in October 1972.

The camera was used very carefully with almost no sign of age. The photometric circuitry needs, as most of te SLR of that time, a 1.31V mercury oxide battery that I replaced by a Kanto MR9 adaptor for a Seiko 1.55V SR43W silver oxide battery used in horology. The Kanto adaptor rectify to 1.45V the voltage of the battery. The cell operates will little +0.3 EV compensation necessary between EV 8 and 14 , compared to my Minolta Autometer III on a 18% neutral-gray chart or the internal battery test of the Canon F-1.

Later, I completed the Canon F-1 with two complementary original Canon FD lenses : the FD 1:2.8 f=28mm and a FD 1:2.8 f=100 mm. I found as well the Canon flash shoe adapter with the integrated illuminator to enlighten in the dark the Canon F-1 metering indicator appearing in the viewfinder.

Nowadays, and interestingly, analog photography in rich of novelties and many new formulations of films by reputed industries are appearing on the market. I grabbed a couple of rolls (only 24-exposure length was available) recently from my local photo store of the novel Kentmere Pan 200 from Ilford Harman Technology Ltd, UK. The film integrate the Kentmere line of products with the yellow color between the Kentmere Pan 100 (cyan color) and the Kentmere Pan 400 (magenta color) with an intermediate sensitivity of 200 ISO. The emulsion is coated on a 0.125mm thick regular cellulose tri-acétate base, uncommonly very clear without the traditionnal grey or blueish anti-halo mask.

On July 19, 2025, Lyon, France. I used a year-1973 Canon F-1 picked up from my camera collection and its standard lens Canon FD 1:1.4 f=50mm for testing the film during a gentle photowalk in my district. The lens was equipped with either a Canon 55mm Skylight protective filter or a yellow generic filter plus the Canon original shade hood BS-55.

Frames were exposed following the Canon F-1 build-in light meter system that is, for the Canon F-1, a very clever semi-selective metering in a central rectangular zone visible within the focusing screen. The Canon F-1 is still perfectly operant with just a slight correction of +0.3 EV due to the voltage difference of today batteries (see below the details about the camera). I also used my external Minolta Autometer III either with its 10° selective viewer or the opalescent dome for incident metering.

View Nr. 19 : 1/125s f/16 focusing at 10 m. Yellow 55mm filter

Fontaine de Bartholdi,*** July 19, 2025

Place des Terreaux

69001 Lyon

France

_________________

*** The Fontaine Bartholdi is a fountain sculpted by Frédéric Auguste Bartholdi and realised in 1889 by Gaget & Gautier. It was erected at the Place des Terreaux, in Lyon, France, in September 1892. On 20 April 1857, the Bordeaux city council decided to hold a competition to create a fountain for Place Quinconces. Frédéric Bartholdi, then aged 23, won the contest. However, the city hall of Bordeaux decided not to carry out his project. After Bartholdi had made the Statue of Liberty in New York in 1886, the mayor of Bordeaux contacted him, but his new project was canceled after much hesitation. It was finally achieved in 1888, but it was deemed as too expensive and therefore was sold to Lyon. It was unveiled as part of the Exposition Universelle (1889). The fountain was eventually put at the Place des Terreaux and is currently still there.

The fountain depicts France as a female (Marianne) seated on a chariot controlling the four great rivers of France, represented by wildly rearing and plunging horses, highly individualized but symmetrically arranged, with bridles and reins of water weeds. The fountain weighs 21 tons and is made of lead supported by a frame of iron and was presented at the Exposition Universelle of 1889. It has been classified as monument historique since 29 September 1995.

_______________

After completion at view Nr. 25, the film was rewound normally and processed using 350 mL of Adox Adonal developer (identical to the original Agfa Rodinal in its formula of 1891) prepared at the dilution 1+25 for 10 min at 20°C according to indication found at www.digitaltruth.com/devchart.php .

Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.

The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.4, 2025) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.

About my Canon F-1 :

The Canon F-1 is a very impressive 35mm SLR constructed by Canon company to surpass, in the early 70’s, the Nikon F system, well established at that time as one of the most reliable and widely recognized within the photographers community. Canon F-1 is constructed like a rock to resist to intensive uses especially for professional appliances. The Canon F-1 is an amazingly sturdy camera, weighting a lot (1.4 kg in working configuration with the 1.4/50mm lens). The protective half shoe of the ever-ready bag is made of a leather covered on a rigid metallic shell weighting around 150 g !

I got my Canon F-1 SLR camera from an eBay seller in Hamburg, Germany, on April 21, 2022. The camera came with its original storage box, the original neck strap (never used,) the complete ever-ready leather case, and a Canon FD 50 mm 1:1.4 standart lens. The body is stamped "N1129" (in the film cartridge magazine) indicated that the camera body was manufactured in Japan in November 1973. The lens is stamped "M1011" on the row baffle indicating a construction in the Canon factory in October 1972.

The camera was used very carefully with almost no sign of age. The photometric circuitry needs, as most of te SLR of that time, a 1.31V mercury oxide battery that I replaced by a Kanto MR9 adaptor for a Seiko 1.55V SR43W silver oxide battery used in horology. The Kanto adaptor rectify to 1.45V the voltage of the battery. The cell operates will little +0.3 EV compensation necessary between EV 8 and 14 , compared to my Minolta Autometer III on a 18% neutral-gray chart or the internal battery test of the Canon F-1.

Later, I completed the Canon F-1 with two complementary original Canon FD lenses : the FD 1:2.8 f=28mm and a FD 1:2.8 f=100 mm. I found as well the Canon flash shoe adapter with the integrated illuminator to enlighten in the dark the Canon F-1 metering indicator appearing in the viewfinder.

Nowadays, and interestingly, analog photography in rich of novelties and many new formulations of films by reputed industries are appearing on the market. I grabbed a couple of rolls (only 24-exposure length was available) recently from my local photo store of the novel Kentmere Pan 200 from Ilford Harman Technology Ltd, UK. The film integrate the Kentmere line of products with the yellow color between the Kentmere Pan 100 (cyan color) and the Kentmere Pan 400 (magenta color) with an intermediate sensitivity of 200 ISO. The emulsion is coated on a 0.125mm thick regular cellulose tri-acétate base, uncommonly very clear without the traditionnal grey or blueish anti-halo mask.

On July 19, 2025, Lyon, France. I used a year-1973 Canon F-1 picked up from my camera collection and its standard lens Canon FD 1:1.4 f=50mm for testing the film during a gentle photowalk in my district. The lens was equipped with either a Canon 55mm Skylight protective filter or a yellow generic filter plus the Canon original shade hood BS-55.

Frames were exposed following the Canon F-1 build-in light meter system that is, for the Canon F-1, a very clever semi-selective metering in a central rectangular zone visible within the focusing screen. The Canon F-1 is still perfectly operant with just a slight correction of +0.3 EV due to the voltage difference of today batteries (see below the details about the camera). I also used my external Minolta Autometer III either with its 10° selective viewer or the opalescent dome for incident metering.

Documentary smartphone picture

July 19, 2025

69001 Lyon

France

After completion at view Nr. 25, the film was rewound normally and processed using 350 mL of Adox Adonal developer (identical to the original Agfa Rodinal in its formula of 1891) prepared at the dilution 1+25 for 10 min at 20°C according to indication found at www.digitaltruth.com/devchart.php .

Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.

The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.4, 2025) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.

About my Canon F-1 :

The Canon F-1 is a very impressive 35mm SLR constructed by Canon company to surpass, in the early 70’s, the Nikon F system, well established at that time as one of the most reliable and widely recognized within the photographers community. Canon F-1 is constructed like a rock to resist to intensive uses especially for professional appliances. The Canon F-1 is an amazingly sturdy camera, weighting a lot (1.4 kg in working configuration with the 1.4/50mm lens). The protective half shoe of the ever-ready bag is made of a leather covered on a rigid metallic shell weighting around 150 g !

I got my Canon F-1 SLR camera from an eBay seller in Hamburg, Germany, on April 21, 2022. The camera came with its original storage box, the original neck strap (never used,) the complete ever-ready leather case, and a Canon FD 50 mm 1:1.4 standart lens. The body is stamped "N1129" (in the film cartridge magazine) indicated that the camera body was manufactured in Japan in November 1973. The lens is stamped "M1011" on the row baffle indicating a construction in the Canon factory in October 1972.

The camera was used very carefully with almost no sign of age. The photometric circuitry needs, as most of te SLR of that time, a 1.31V mercury oxide battery that I replaced by a Kanto MR9 adaptor for a Seiko 1.55V SR43W silver oxide battery used in horology. The Kanto adaptor rectify to 1.45V the voltage of the battery. The cell operates will little +0.3 EV compensation necessary between EV 8 and 14 , compared to my Minolta Autometer III on a 18% neutral-gray chart or the internal battery test of the Canon F-1.

Later, I completed the Canon F-1 with two complementary original Canon FD lenses : the FD 1:2.8 f=28mm and a FD 1:2.8 f=100 mm. I found as well the Canon flash shoe adapter with the integrated illuminator to enlighten in the dark the Canon F-1 metering indicator appearing in the viewfinder.

Miral Kotb speaking at World Wide Devlopers Conference

In this era of technological advancement, the presence of apps is shaping the future of modern business. Apps are the much sought-after means of conducting business that the average customers use nowadays. So, these apps are playing a crucial role in this age of mobility.

Website :- www.mindtechconsultancy.com/hire-mobile-web-develoment-co...

Nowadays, and interestingly, analog photography in rich of novelties and many new formulations of films by reputed industries are appearing on the market. I grabbed a couple of rolls (only 24-exposure length was available) recently from my local photo store of the novel Kentmere Pan 200 from Ilford Harman Technology Ltd, UK. The film integrate the Kentmere line of products with the yellow color between the Kentmere Pan 100 (cyan color) and the Kentmere Pan 400 (magenta color) with an intermediate sensitivity of 200 ISO. The emulsion is coated on a 0.125mm thick regular cellulose tri-acétate base, uncommonly very clear without the traditionnal grey or blueish anti-halo mask.

On July 19, 2025, Lyon, France. I used a year-1973 Canon F-1 picked up from my camera collection and its standard lens Canon FD 1:1.4 f=50mm for testing the film during a gentle photowalk in my district. The lens was equipped with either a Canon 55mm Skylight protective filter or a yellow generic filter plus the Canon original shade hood BS-55.

Frames were exposed following the Canon F-1 build-in light meter system that is, for the Canon F-1, a very clever semi-selective metering in a central rectangular zone visible within the focusing screen. The Canon F-1 is still perfectly operant with just a slight correction of +0.3 EV due to the voltage difference of today batteries (see below the details about the camera). I also used my external Minolta Autometer III either with its 10° selective viewer or the opalescent dome for incident metering.

View Nr. 9 : 1/125s f/6.3 focusing at 8m. Skylight 55mm filter

Traboule des Voraces entre les rues Imbert-Colomès et des Tables Claudiennes, July 19, 2025

69001 Lyon

France

After completion at view Nr. 25, the film was rewound normally and processed using 350 mL of Adox Adonal developer (identical to the original Agfa Rodinal in its formula of 1891) prepared at the dilution 1+25 for 10 min at 20°C according to indication found at www.digitaltruth.com/devchart.php .

Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.

The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.4, 2025) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.

About my Canon F-1 :

The Canon F-1 is a very impressive 35mm SLR constructed by Canon company to surpass, in the early 70’s, the Nikon F system, well established at that time as one of the most reliable and widely recognized within the photographers community. Canon F-1 is constructed like a rock to resist to intensive uses especially for professional appliances. The Canon F-1 is an amazingly sturdy camera, weighting a lot (1.4 kg in working configuration with the 1.4/50mm lens). The protective half shoe of the ever-ready bag is made of a leather covered on a rigid metallic shell weighting around 150 g !

I got my Canon F-1 SLR camera from an eBay seller in Hamburg, Germany, on April 21, 2022. The camera came with its original storage box, the original neck strap (never used,) the complete ever-ready leather case, and a Canon FD 50 mm 1:1.4 standart lens. The body is stamped "N1129" (in the film cartridge magazine) indicated that the camera body was manufactured in Japan in November 1973. The lens is stamped "M1011" on the row baffle indicating a construction in the Canon factory in October 1972.

The camera was used very carefully with almost no sign of age. The photometric circuitry needs, as most of te SLR of that time, a 1.31V mercury oxide battery that I replaced by a Kanto MR9 adaptor for a Seiko 1.55V SR43W silver oxide battery used in horology. The Kanto adaptor rectify to 1.45V the voltage of the battery. The cell operates will little +0.3 EV compensation necessary between EV 8 and 14 , compared to my Minolta Autometer III on a 18% neutral-gray chart or the internal battery test of the Canon F-1.

Later, I completed the Canon F-1 with two complementary original Canon FD lenses : the FD 1:2.8 f=28mm and a FD 1:2.8 f=100 mm. I found as well the Canon flash shoe adapter with the integrated illuminator to enlighten in the dark the Canon F-1 metering indicator appearing in the viewfinder.

Nowadays, and interestingly, analog photography in rich of novelties and many new formulations of films by reputed industries are appearing on the market. I grabbed a couple of rolls (only 24-exposure length was available) recently from my local photo store of the novel Kentmere Pan 200 from Ilford Harman Technology Ltd, UK. The film integrate the Kentmere line of products with the yellow color between the Kentmere Pan 100 (cyan color) and the Kentmere Pan 400 (magenta color) with an intermediate sensitivity of 200 ISO. The emulsion is coated on a 0.125mm thick regular cellulose tri-acétate base, uncommonly very clear without the traditionnal grey or blueish anti-halo mask.

On July 19, 2025, Lyon, France. I used a year-1973 Canon F-1 picked up from my camera collection and its standard lens Canon FD 1:1.4 f=50mm for testing the film during a gentle photowalk in my district. The lens was equipped with either a Canon 55mm Skylight protective filter or a yellow generic filter plus the Canon original shade hood BS-55.

Frames were exposed following the Canon F-1 build-in light meter system that is, for the Canon F-1, a very clever semi-selective metering in a central rectangular zone visible within the focusing screen. The Canon F-1 is still perfectly operant with just a slight correction of +0.3 EV due to the voltage difference of today batteries (see below the details about the camera). I also used my external Minolta Autometer III either with its 10° selective viewer or the opalescent dome for incident metering.

View Nr. — : 1/250s f/6.3 focusing at 10m. Skylight 55mm filter

July 19, 2025

69001 Lyon

France

After completion at view Nr. 25, the film was rewound normally and processed using 350 mL of Adox Adonal developer (identical to the original Agfa Rodinal in its formula of 1891) prepared at the dilution 1+25 for 10 min at 20°C according to indication found at www.digitaltruth.com/devchart.php .

Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.

The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.4, 2025) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.

About my Canon F-1 :

The Canon F-1 is a very impressive 35mm SLR constructed by Canon company to surpass, in the early 70’s, the Nikon F system, well established at that time as one of the most reliable and widely recognized within the photographers community. Canon F-1 is constructed like a rock to resist to intensive uses especially for professional appliances. The Canon F-1 is an amazingly sturdy camera, weighting a lot (1.4 kg in working configuration with the 1.4/50mm lens). The protective half shoe of the ever-ready bag is made of a leather covered on a rigid metallic shell weighting around 150 g !

I got my Canon F-1 SLR camera from an eBay seller in Hamburg, Germany, on April 21, 2022. The camera came with its original storage box, the original neck strap (never used,) the complete ever-ready leather case, and a Canon FD 50 mm 1:1.4 standart lens. The body is stamped "N1129" (in the film cartridge magazine) indicated that the camera body was manufactured in Japan in November 1973. The lens is stamped "M1011" on the row baffle indicating a construction in the Canon factory in October 1972.

The camera was used very carefully with almost no sign of age. The photometric circuitry needs, as most of te SLR of that time, a 1.31V mercury oxide battery that I replaced by a Kanto MR9 adaptor for a Seiko 1.55V SR43W silver oxide battery used in horology. The Kanto adaptor rectify to 1.45V the voltage of the battery. The cell operates will little +0.3 EV compensation necessary between EV 8 and 14 , compared to my Minolta Autometer III on a 18% neutral-gray chart or the internal battery test of the Canon F-1.

Later, I completed the Canon F-1 with two complementary original Canon FD lenses : the FD 1:2.8 f=28mm and a FD 1:2.8 f=100 mm. I found as well the Canon flash shoe adapter with the integrated illuminator to enlighten in the dark the Canon F-1 metering indicator appearing in the viewfinder.

Mario Kart inspired racing title from Primed Games, which won the Best Indie Game Award at the Australian Game Devlopers Conference in 2004.

Nowadays, and interestingly, analog photography in rich of novelties and many new formulations of films by reputed industries are appearing on the market. I grabbed a couple of rolls (only 24-exposure length was available) recently from my local photo store of the novel Kentmere Pan 200 from Ilford Harman Technology Ltd, UK. The film integrate the Kentmere line of products with the yellow color between the Kentmere Pan 100 (cyan color) and the Kentmere Pan 400 (magenta color) with an intermediate sensitivity of 200 ISO. The emulsion is coated on a 0.125mm thick regular cellulose tri-acétate base, uncommonly very clear without the traditionnal grey or blueish anti-halo mask.

On July 19, 2025, Lyon, France. I used a year-1973 Canon F-1 picked up from my camera collection and its standard lens Canon FD 1:1.4 f=50mm for testing the film during a gentle photowalk in my district. The lens was equipped with either a Canon 55mm Skylight protective filter or a yellow generic filter plus the Canon original shade hood BS-55.

Frames were exposed following the Canon F-1 build-in light meter system that is, for the Canon F-1, a very clever semi-selective metering in a central rectangular zone visible within the focusing screen. The Canon F-1 is still perfectly operant with just a slight correction of +0.3 EV due to the voltage difference of today batteries (see below the details about the camera). I also used my external Minolta Autometer III either with its 10° selective viewer or the opalescent dome for incident metering.

Film side marks identification

July 20, 2025

69004 Lyon

France

After completion at view Nr. 25, the film was rewound normally and processed using 350 mL of Adox Adonal developer (identical to the original Agfa Rodinal in its formula of 1891) prepared at the dilution 1+25 for 10 min at 20°C according to indication found at www.digitaltruth.com/devchart.php .

Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.

The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.4, 2025) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.

About my Canon F-1 :

The Canon F-1 is a very impressive 35mm SLR constructed by Canon company to surpass, in the early 70’s, the Nikon F system, well established at that time as one of the most reliable and widely recognized within the photographers community. Canon F-1 is constructed like a rock to resist to intensive uses especially for professional appliances. The Canon F-1 is an amazingly sturdy camera, weighting a lot (1.4 kg in working configuration with the 1.4/50mm lens). The protective half shoe of the ever-ready bag is made of a leather covered on a rigid metallic shell weighting around 150 g !

I got my Canon F-1 SLR camera from an eBay seller in Hamburg, Germany, on April 21, 2022. The camera came with its original storage box, the original neck strap (never used,) the complete ever-ready leather case, and a Canon FD 50 mm 1:1.4 standart lens. The body is stamped "N1129" (in the film cartridge magazine) indicated that the camera body was manufactured in Japan in November 1973. The lens is stamped "M1011" on the row baffle indicating a construction in the Canon factory in October 1972.

The camera was used very carefully with almost no sign of age. The photometric circuitry needs, as most of te SLR of that time, a 1.31V mercury oxide battery that I replaced by a Kanto MR9 adaptor for a Seiko 1.55V SR43W silver oxide battery used in horology. The Kanto adaptor rectify to 1.45V the voltage of the battery. The cell operates will little +0.3 EV compensation necessary between EV 8 and 14 , compared to my Minolta Autometer III on a 18% neutral-gray chart or the internal battery test of the Canon F-1.

Later, I completed the Canon F-1 with two complementary original Canon FD lenses : the FD 1:2.8 f=28mm and a FD 1:2.8 f=100 mm. I found as well the Canon flash shoe adapter with the integrated illuminator to enlighten in the dark the Canon F-1 metering indicator appearing in the viewfinder.

the city calls this new park donated by a condo devloper connected to the Pluger bridge and the city calls this art

i call it a waste and a Great source of light pollution these lights are new and installed 2011 and violate city code

yet the city is the one whom enabled them

austins light pollution code is a hoax of there is corruption in the city goverment

or both this is an outward sign

of corruption visable if you know the city code on outdoor lights

Nowadays, and interestingly, analog photography in rich of novelties and many new formulations of films by reputed industries are appearing on the market. I grabbed a couple of rolls (only 24-exposure length was available) recently from my local photo store of the novel Kentmere Pan 200 from Ilford Harman Technology Ltd, UK. The film integrate the Kentmere line of products with the yellow color between the Kentmere Pan 100 (cyan color) and the Kentmere Pan 400 (magenta color) with an intermediate sensitivity of 200 ISO. The emulsion is coated on a 0.125mm thick regular cellulose tri-acétate base, uncommonly very clear without the traditionnal grey or blueish anti-halo mask.

On July 19, 2025, Lyon, France. I used a year-1973 Canon F-1 picked up from my camera collection and its standard lens Canon FD 1:1.4 f=50mm for testing the film during a gentle photowalk in my district. The lens was equipped with either a Canon 55mm Skylight protective filter or a yellow generic filter plus the Canon original shade hood BS-55.

Frames were exposed following the Canon F-1 build-in light meter system that is, for the Canon F-1, a very clever semi-selective metering in a central rectangular zone visible within the focusing screen. The Canon F-1 is still perfectly operant with just a slight correction of +0.3 EV due to the voltage difference of today batteries (see below the details about the camera). I also used my external Minolta Autometer III either with its 10° selective viewer or the opalescent dome for incident metering.

View Nr.4 : 1/250s f/5.6 focusing at 11m. Skylight 55mm filter

Traboule de la Cour des Voraces, July 19, 2025

69001 Lyon

France

After completion at view Nr. 25, the film was rewound normally and processed using 350 mL of Adox Adonal developer (identical to the original Agfa Rodinal in its formula of 1891) prepared at the dilution 1+25 for 10 min at 20°C according to indication found at www.digitaltruth.com/devchart.php .

Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.

The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.4, 2025) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.

About my Canon F-1 :

The Canon F-1 is a very impressive 35mm SLR constructed by Canon company to surpass, in the early 70’s, the Nikon F system, well established at that time as one of the most reliable and widely recognized within the photographers community. Canon F-1 is constructed like a rock to resist to intensive uses especially for professional appliances. The Canon F-1 is an amazingly sturdy camera, weighting a lot (1.4 kg in working configuration with the 1.4/50mm lens). The protective half shoe of the ever-ready bag is made of a leather covered on a rigid metallic shell weighting around 150 g !

I got my Canon F-1 SLR camera from an eBay seller in Hamburg, Germany, on April 21, 2022. The camera came with its original storage box, the original neck strap (never used,) the complete ever-ready leather case, and a Canon FD 50 mm 1:1.4 standart lens. The body is stamped "N1129" (in the film cartridge magazine) indicated that the camera body was manufactured in Japan in November 1973. The lens is stamped "M1011" on the row baffle indicating a construction in the Canon factory in October 1972.

The camera was used very carefully with almost no sign of age. The photometric circuitry needs, as most of te SLR of that time, a 1.31V mercury oxide battery that I replaced by a Kanto MR9 adaptor for a Seiko 1.55V SR43W silver oxide battery used in horology. The Kanto adaptor rectify to 1.45V the voltage of the battery. The cell operates will little +0.3 EV compensation necessary between EV 8 and 14 , compared to my Minolta Autometer III on a 18% neutral-gray chart or the internal battery test of the Canon F-1.

Later, I completed the Canon F-1 with two complementary original Canon FD lenses : the FD 1:2.8 f=28mm and a FD 1:2.8 f=100 mm. I found as well the Canon flash shoe adapter with the integrated illuminator to enlighten in the dark the Canon F-1 metering indicator appearing in the viewfinder.

Mario Kart inspired racing title from Primed Games, which won the Best Indie Game Award at the Australian Game Devlopers Conference in 2004.

Nowadays, and interestingly, analog photography in rich of novelties and many new formulations of films by reputed industries are appearing on the market. I grabbed a couple of rolls (only 24-exposure length was available) recently from my local photo store of the novel Kentmere Pan 200 from Ilford Harman Technology Ltd, UK. The film integrate the Kentmere line of products with the yellow color between the Kentmere Pan 100 (cyan color) and the Kentmere Pan 400 (magenta color) with an intermediate sensitivity of 200 ISO. The emulsion is coated on a 0.125mm thick regular cellulose tri-acétate base, uncommonly very clear without the traditionnal grey or blueish anti-halo mask.

On July 19, 2025, Lyon, France. I used a year-1973 Canon F-1 picked up from my camera collection and its standard lens Canon FD 1:1.4 f=50mm for testing the film during a gentle photowalk in my district. The lens was equipped with either a Canon 55mm Skylight protective filter or a yellow generic filter plus the Canon original shade hood BS-55.

Frames were exposed following the Canon F-1 build-in light meter system that is, for the Canon F-1, a very clever semi-selective metering in a central rectangular zone visible within the focusing screen. The Canon F-1 is still perfectly operant with just a slight correction of +0.3 EV due to the voltage difference of today batteries (see below the details about the camera). I also used my external Minolta Autometer III either with its 10° selective viewer or the opalescent dome for incident metering.

Documentary smartphone picture

July 19, 2025

69001 Lyon

France

After completion at view Nr. 25, the film was rewound normally and processed using 350 mL of Adox Adonal developer (identical to the original Agfa Rodinal in its formula of 1891) prepared at the dilution 1+25 for 10 min at 20°C according to indication found at www.digitaltruth.com/devchart.php .

Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.

The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.4, 2025) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.

About my Canon F-1 :

The Canon F-1 is a very impressive 35mm SLR constructed by Canon company to surpass, in the early 70’s, the Nikon F system, well established at that time as one of the most reliable and widely recognized within the photographers community. Canon F-1 is constructed like a rock to resist to intensive uses especially for professional appliances. The Canon F-1 is an amazingly sturdy camera, weighting a lot (1.4 kg in working configuration with the 1.4/50mm lens). The protective half shoe of the ever-ready bag is made of a leather covered on a rigid metallic shell weighting around 150 g !

I got my Canon F-1 SLR camera from an eBay seller in Hamburg, Germany, on April 21, 2022. The camera came with its original storage box, the original neck strap (never used,) the complete ever-ready leather case, and a Canon FD 50 mm 1:1.4 standart lens. The body is stamped "N1129" (in the film cartridge magazine) indicated that the camera body was manufactured in Japan in November 1973. The lens is stamped "M1011" on the row baffle indicating a construction in the Canon factory in October 1972.

The camera was used very carefully with almost no sign of age. The photometric circuitry needs, as most of te SLR of that time, a 1.31V mercury oxide battery that I replaced by a Kanto MR9 adaptor for a Seiko 1.55V SR43W silver oxide battery used in horology. The Kanto adaptor rectify to 1.45V the voltage of the battery. The cell operates will little +0.3 EV compensation necessary between EV 8 and 14 , compared to my Minolta Autometer III on a 18% neutral-gray chart or the internal battery test of the Canon F-1.

Later, I completed the Canon F-1 with two complementary original Canon FD lenses : the FD 1:2.8 f=28mm and a FD 1:2.8 f=100 mm. I found as well the Canon flash shoe adapter with the integrated illuminator to enlighten in the dark the Canon F-1 metering indicator appearing in the viewfinder.

Thanks to Jonathan for probable id. On a threatened site in Strathspey.Scotland. Wet area in pinewoodland. Abundant at the moment. No donacine beetles appears to be listed on the survey of invertebrates undertaken in 2008 for this site for the devloper.

Nowadays, and interestingly, analog photography in rich of novelties and many new formulations of films by reputed industries are appearing on the market. I grabbed a couple of rolls (only 24-exposure length was available) recently from my local photo store of the novel Kentmere Pan 200 from Ilford Harman Technology Ltd, UK. The film integrate the Kentmere line of products with the yellow color between the Kentmere Pan 100 (cyan color) and the Kentmere Pan 400 (magenta color) with an intermediate sensitivity of 200 ISO. The emulsion is coated on a 0.125mm thick regular cellulose tri-acétate base, uncommonly very clear without the traditionnal grey or blueish anti-halo mask.

On July 19, 2025, Lyon, France. I used a year-1973 Canon F-1 picked up from my camera collection and its standard lens Canon FD 1:1.4 f=50mm for testing the film during a gentle photowalk in my district. The lens was equipped with either a Canon 55mm Skylight protective filter or a yellow generic filter plus the Canon original shade hood BS-55.

Frames were exposed following the Canon F-1 build-in light meter system that is, for the Canon F-1, a very clever semi-selective metering in a central rectangular zone visible within the focusing screen. The Canon F-1 is still perfectly operant with just a slight correction of +0.3 EV due to the voltage difference of today batteries (see below the details about the camera). I also used my external Minolta Autometer III either with its 10° selective viewer or the opalescent dome for incident metering.

Documentary smartphone picture

July 19, 2025

69001 Lyon

France

After completion at view Nr. 25, the film was rewound normally and processed using 350 mL of Adox Adonal developer (identical to the original Agfa Rodinal in its formula of 1891) prepared at the dilution 1+25 for 10 min at 20°C according to indication found at www.digitaltruth.com/devchart.php .

Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.

The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.4, 2025) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.

About my Canon F-1 :

The Canon F-1 is a very impressive 35mm SLR constructed by Canon company to surpass, in the early 70’s, the Nikon F system, well established at that time as one of the most reliable and widely recognized within the photographers community. Canon F-1 is constructed like a rock to resist to intensive uses especially for professional appliances. The Canon F-1 is an amazingly sturdy camera, weighting a lot (1.4 kg in working configuration with the 1.4/50mm lens). The protective half shoe of the ever-ready bag is made of a leather covered on a rigid metallic shell weighting around 150 g !

I got my Canon F-1 SLR camera from an eBay seller in Hamburg, Germany, on April 21, 2022. The camera came with its original storage box, the original neck strap (never used,) the complete ever-ready leather case, and a Canon FD 50 mm 1:1.4 standart lens. The body is stamped "N1129" (in the film cartridge magazine) indicated that the camera body was manufactured in Japan in November 1973. The lens is stamped "M1011" on the row baffle indicating a construction in the Canon factory in October 1972.

The camera was used very carefully with almost no sign of age. The photometric circuitry needs, as most of te SLR of that time, a 1.31V mercury oxide battery that I replaced by a Kanto MR9 adaptor for a Seiko 1.55V SR43W silver oxide battery used in horology. The Kanto adaptor rectify to 1.45V the voltage of the battery. The cell operates will little +0.3 EV compensation necessary between EV 8 and 14 , compared to my Minolta Autometer III on a 18% neutral-gray chart or the internal battery test of the Canon F-1.

Later, I completed the Canon F-1 with two complementary original Canon FD lenses : the FD 1:2.8 f=28mm and a FD 1:2.8 f=100 mm. I found as well the Canon flash shoe adapter with the integrated illuminator to enlighten in the dark the Canon F-1 metering indicator appearing in the viewfinder.

Nowadays, and interestingly, analog photography in rich of novelties and many new formulations of films by reputed industries are appearing on the market. I grabbed a couple of rolls (only 24-exposure length was available) recently from my local photo store of the novel Kentmere Pan 200 from Ilford Harman Technology Ltd, UK. The film integrate the Kentmere line of products with the yellow color between the Kentmere Pan 100 (cyan color) and the Kentmere Pan 400 (magenta color) with an intermediate sensitivity of 200 ISO. The emulsion is coated on a 0.125mm thick regular cellulose tri-acétate base, uncommonly very clear without the traditionnal grey or blueish anti-halo mask.

On July 19, 2025, Lyon, France. I used a year-1973 Canon F-1 picked up from my camera collection and its standard lens Canon FD 1:1.4 f=50mm for testing the film during a gentle photowalk in my district. The lens was equipped with either a Canon 55mm Skylight protective filter or a yellow generic filter plus the Canon original shade hood BS-55.

Frames were exposed following the Canon F-1 build-in light meter system that is, for the Canon F-1, a very clever semi-selective metering in a central rectangular zone visible within the focusing screen. The Canon F-1 is still perfectly operant with just a slight correction of +0.3 EV due to the voltage difference of today batteries (see below the details about the camera). I also used my external Minolta Autometer III either with its 10° selective viewer or the opalescent dome for incident metering.

Documentary smartphone picture

July 19, 2025

69001 Lyon

France

After completion at view Nr. 25, the film was rewound normally and processed using 350 mL of Adox Adonal developer (identical to the original Agfa Rodinal in its formula of 1891) prepared at the dilution 1+25 for 10 min at 20°C according to indication found at www.digitaltruth.com/devchart.php .

Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.

The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.4, 2025) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.

About my Canon F-1 :

The Canon F-1 is a very impressive 35mm SLR constructed by Canon company to surpass, in the early 70’s, the Nikon F system, well established at that time as one of the most reliable and widely recognized within the photographers community. Canon F-1 is constructed like a rock to resist to intensive uses especially for professional appliances. The Canon F-1 is an amazingly sturdy camera, weighting a lot (1.4 kg in working configuration with the 1.4/50mm lens). The protective half shoe of the ever-ready bag is made of a leather covered on a rigid metallic shell weighting around 150 g !

I got my Canon F-1 SLR camera from an eBay seller in Hamburg, Germany, on April 21, 2022. The camera came with its original storage box, the original neck strap (never used,) the complete ever-ready leather case, and a Canon FD 50 mm 1:1.4 standart lens. The body is stamped "N1129" (in the film cartridge magazine) indicated that the camera body was manufactured in Japan in November 1973. The lens is stamped "M1011" on the row baffle indicating a construction in the Canon factory in October 1972.

The camera was used very carefully with almost no sign of age. The photometric circuitry needs, as most of te SLR of that time, a 1.31V mercury oxide battery that I replaced by a Kanto MR9 adaptor for a Seiko 1.55V SR43W silver oxide battery used in horology. The Kanto adaptor rectify to 1.45V the voltage of the battery. The cell operates will little +0.3 EV compensation necessary between EV 8 and 14 , compared to my Minolta Autometer III on a 18% neutral-gray chart or the internal battery test of the Canon F-1.

Later, I completed the Canon F-1 with two complementary original Canon FD lenses : the FD 1:2.8 f=28mm and a FD 1:2.8 f=100 mm. I found as well the Canon flash shoe adapter with the integrated illuminator to enlighten in the dark the Canon F-1 metering indicator appearing in the viewfinder.

Nowadays, and interestingly, analog photography in rich of novelties and many new formulations of films by reputed industries are appearing on the market. I grabbed a couple of rolls (only 24-exposure length was available) recently from my local photo store of the novel Kentmere Pan 200 from Ilford Harman Technology Ltd, UK. The film integrate the Kentmere line of products with the yellow color between the Kentmere Pan 100 (cyan color) and the Kentmere Pan 400 (magenta color) with an intermediate sensitivity of 200 ISO. The emulsion is coated on a 0.125mm thick regular cellulose tri-acétate base, uncommonly very clear without the traditionnal grey or blueish anti-halo mask.

On July 19, 2025, Lyon, France. I used a year-1973 Canon F-1 picked up from my camera collection and its standard lens Canon FD 1:1.4 f=50mm for testing the film during a gentle photowalk in my district. The lens was equipped with either a Canon 55mm Skylight protective filter or a yellow generic filter plus the Canon original shade hood BS-55.

Frames were exposed following the Canon F-1 build-in light meter system that is, for the Canon F-1, a very clever semi-selective metering in a central rectangular zone visible within the focusing screen. The Canon F-1 is still perfectly operant with just a slight correction of +0.3 EV due to the voltage difference of today batteries (see below the details about the camera). I also used my external Minolta Autometer III either with its 10° selective viewer or the opalescent dome for incident metering.

Film side marks identification

July 20, 2025

69004 Lyon

France

After completion at view Nr. 25, the film was rewound normally and processed using 350 mL of Adox Adonal developer (identical to the original Agfa Rodinal in its formula of 1891) prepared at the dilution 1+25 for 10 min at 20°C according to indication found at www.digitaltruth.com/devchart.php .

Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.

The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.4, 2025) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.

About my Canon F-1 :

The Canon F-1 is a very impressive 35mm SLR constructed by Canon company to surpass, in the early 70’s, the Nikon F system, well established at that time as one of the most reliable and widely recognized within the photographers community. Canon F-1 is constructed like a rock to resist to intensive uses especially for professional appliances. The Canon F-1 is an amazingly sturdy camera, weighting a lot (1.4 kg in working configuration with the 1.4/50mm lens). The protective half shoe of the ever-ready bag is made of a leather covered on a rigid metallic shell weighting around 150 g !

I got my Canon F-1 SLR camera from an eBay seller in Hamburg, Germany, on April 21, 2022. The camera came with its original storage box, the original neck strap (never used,) the complete ever-ready leather case, and a Canon FD 50 mm 1:1.4 standart lens. The body is stamped "N1129" (in the film cartridge magazine) indicated that the camera body was manufactured in Japan in November 1973. The lens is stamped "M1011" on the row baffle indicating a construction in the Canon factory in October 1972.

The camera was used very carefully with almost no sign of age. The photometric circuitry needs, as most of te SLR of that time, a 1.31V mercury oxide battery that I replaced by a Kanto MR9 adaptor for a Seiko 1.55V SR43W silver oxide battery used in horology. The Kanto adaptor rectify to 1.45V the voltage of the battery. The cell operates will little +0.3 EV compensation necessary between EV 8 and 14 , compared to my Minolta Autometer III on a 18% neutral-gray chart or the internal battery test of the Canon F-1.

Later, I completed the Canon F-1 with two complementary original Canon FD lenses : the FD 1:2.8 f=28mm and a FD 1:2.8 f=100 mm. I found as well the Canon flash shoe adapter with the integrated illuminator to enlighten in the dark the Canon F-1 metering indicator appearing in the viewfinder.

Nowadays, and interestingly, analog photography in rich of novelties and many new formulations of films by reputed industries are appearing on the market. I grabbed a couple of rolls (only 24-exposure length was available) recently from my local photo store of the novel Kentmere Pan 200 from Ilford Harman Technology Ltd, UK. The film integrate the Kentmere line of products with the yellow color between the Kentmere Pan 100 (cyan color) and the Kentmere Pan 400 (magenta color) with an intermediate sensitivity of 200 ISO. The emulsion is coated on a 0.125mm thick regular cellulose tri-acétate base, uncommonly very clear without the traditionnal grey or blueish anti-halo mask.

On July 19, 2025, Lyon, France. I used a year-1973 Canon F-1 picked up from my camera collection and its standard lens Canon FD 1:1.4 f=50mm for testing the film during a gentle photowalk in my district. The lens was equipped with either a Canon 55mm Skylight protective filter or a yellow generic filter plus the Canon original shade hood BS-55.

Frames were exposed following the Canon F-1 build-in light meter system that is, for the Canon F-1, a very clever semi-selective metering in a central rectangular zone visible within the focusing screen. The Canon F-1 is still perfectly operant with just a slight correction of +0.3 EV due to the voltage difference of today batteries (see below the details about the camera). I also used my external Minolta Autometer III either with its 10° selective viewer or the opalescent dome for incident metering.

View Nr. 6: 1/250s f/5.6 focusing at infinite. Skylight 55mm filter

Traboule de la Cour des Voraces, July 19, 2025

69001 Lyon

France

After completion at view Nr. 25, the film was rewound normally and processed using 350 mL of Adox Adonal developer (identical to the original Agfa Rodinal in its formula of 1891) prepared at the dilution 1+25 for 10 min at 20°C according to indication found at www.digitaltruth.com/devchart.php .

Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.

The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.4, 2025) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.

About my Canon F-1 :

The Canon F-1 is a very impressive 35mm SLR constructed by Canon company to surpass, in the early 70’s, the Nikon F system, well established at that time as one of the most reliable and widely recognized within the photographers community. Canon F-1 is constructed like a rock to resist to intensive uses especially for professional appliances. The Canon F-1 is an amazingly sturdy camera, weighting a lot (1.4 kg in working configuration with the 1.4/50mm lens). The protective half shoe of the ever-ready bag is made of a leather covered on a rigid metallic shell weighting around 150 g !

I got my Canon F-1 SLR camera from an eBay seller in Hamburg, Germany, on April 21, 2022. The camera came with its original storage box, the original neck strap (never used,) the complete ever-ready leather case, and a Canon FD 50 mm 1:1.4 standart lens. The body is stamped "N1129" (in the film cartridge magazine) indicated that the camera body was manufactured in Japan in November 1973. The lens is stamped "M1011" on the row baffle indicating a construction in the Canon factory in October 1972.

The camera was used very carefully with almost no sign of age. The photometric circuitry needs, as most of te SLR of that time, a 1.31V mercury oxide battery that I replaced by a Kanto MR9 adaptor for a Seiko 1.55V SR43W silver oxide battery used in horology. The Kanto adaptor rectify to 1.45V the voltage of the battery. The cell operates will little +0.3 EV compensation necessary between EV 8 and 14 , compared to my Minolta Autometer III on a 18% neutral-gray chart or the internal battery test of the Canon F-1.

Later, I completed the Canon F-1 with two complementary original Canon FD lenses : the FD 1:2.8 f=28mm and a FD 1:2.8 f=100 mm. I found as well the Canon flash shoe adapter with the integrated illuminator to enlighten in the dark the Canon F-1 metering indicator appearing in the viewfinder.

Nowadays, and interestingly, analog photography in rich of novelties and many new formulations of films by reputed industries are appearing on the market. I grabbed a couple of rolls (only 24-exposure length was available) recently from my local photo store of the novel Kentmere Pan 200 from Ilford Harman Technology Ltd, UK. The film integrate the Kentmere line of products with the yellow color between the Kentmere Pan 100 (cyan color) and the Kentmere Pan 400 (magenta color) with an intermediate sensitivity of 200 ISO. The emulsion is coated on a 0.125mm thick regular cellulose tri-acétate base, uncommonly very clear without the traditionnal grey or blueish anti-halo mask.

On July 19, 2025, Lyon, France. I used a year-1973 Canon F-1 picked up from my camera collection and its standard lens Canon FD 1:1.4 f=50mm for testing the film during a gentle photowalk in my district. The lens was equipped with either a Canon 55mm Skylight protective filter or a yellow generic filter plus the Canon original shade hood BS-55.

Frames were exposed following the Canon F-1 build-in light meter system that is, for the Canon F-1, a very clever semi-selective metering in a central rectangular zone visible within the focusing screen. The Canon F-1 is still perfectly operant with just a slight correction of +0.3 EV due to the voltage difference of today batteries (see below the details about the camera). I also used my external Minolta Autometer III either with its 10° selective viewer or the opalescent dome for incident metering.

View Nr. 7: 1/125s f/6.3 focusing at 4.5m. Skylight 55mm filter

Traboule deal Cour des Voraces, July 19, 2025

69001 Lyon

France

After completion at view Nr. 25, the film was rewound normally and processed using 350 mL of Adox Adonal developer (identical to the original Agfa Rodinal in its formula of 1891) prepared at the dilution 1+25 for 10 min at 20°C according to indication found at www.digitaltruth.com/devchart.php .

Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.

The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.4, 2025) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.

About my Canon F-1 :

The Canon F-1 is a very impressive 35mm SLR constructed by Canon company to surpass, in the early 70’s, the Nikon F system, well established at that time as one of the most reliable and widely recognized within the photographers community. Canon F-1 is constructed like a rock to resist to intensive uses especially for professional appliances. The Canon F-1 is an amazingly sturdy camera, weighting a lot (1.4 kg in working configuration with the 1.4/50mm lens). The protective half shoe of the ever-ready bag is made of a leather covered on a rigid metallic shell weighting around 150 g !

I got my Canon F-1 SLR camera from an eBay seller in Hamburg, Germany, on April 21, 2022. The camera came with its original storage box, the original neck strap (never used,) the complete ever-ready leather case, and a Canon FD 50 mm 1:1.4 standart lens. The body is stamped "N1129" (in the film cartridge magazine) indicated that the camera body was manufactured in Japan in November 1973. The lens is stamped "M1011" on the row baffle indicating a construction in the Canon factory in October 1972.

The camera was used very carefully with almost no sign of age. The photometric circuitry needs, as most of te SLR of that time, a 1.31V mercury oxide battery that I replaced by a Kanto MR9 adaptor for a Seiko 1.55V SR43W silver oxide battery used in horology. The Kanto adaptor rectify to 1.45V the voltage of the battery. The cell operates will little +0.3 EV compensation necessary between EV 8 and 14 , compared to my Minolta Autometer III on a 18% neutral-gray chart or the internal battery test of the Canon F-1.

Later, I completed the Canon F-1 with two complementary original Canon FD lenses : the FD 1:2.8 f=28mm and a FD 1:2.8 f=100 mm. I found as well the Canon flash shoe adapter with the integrated illuminator to enlighten in the dark the Canon F-1 metering indicator appearing in the viewfinder.