View allAll Photos Tagged depth

Aperture assignment for Digital photo

03Doug03 depth:Taken from the ground up of a sculpture of spinning wheels, due to its shape the picture still seems to move. The eye naturally moves with the shape.

I took this picture for this assignment because I used the widest angle and got the closest I could to the flower without it blurring.

The shape of the lights gets smaller as it goes down the hallway creating depth

This picture shows the background in clear focus but the pumpkin imposes itself into the corner of the foreground, which adds to the depth created by the image.

On the lawn of the Conservatory, there were a large amount of these bell-like flowers. In an attempt to record the spotty pattern in one of the many flowers, I took this picture and had the other flowers in the background to show depth and distance between this flower and the rest in the garden.

03Jessica03

I think this is a good example because It is easy to focus on the bird with al the ocean around it.

This photo is for deep depth of field because to get the whole plane in focus I had to step back and pull off of the focus lens.

Focus on the plant, water drops frozen in air. F10, shutter speed 1/640. Compact camera.

The desert is like the ocean...depth perseption distorts.

This is a music box my mom gifted me when we came back from our trip in Switzerland.

I took this photo a couple weeks ago while I was having fun with experimenting with longer shutter speeds on my camera. For this photo, I set the shutter speed to 1/4 of a second, and rotated my camera as I took the photo. The result is pretty cool, I think. The bride and groom are isolated from the crowd around them on the dance floor, and all the lights around them appear to be aura-like.

 

f/2.8 @ 1/4 second.

f11 this is my miniature version of the in class demonstration we did. At f11, you can clearly see the difference in the background

Processed with VSCO with c1 preset

The image does not show all of the depth in the clouds

An accidental click @ f1.4 on my 50mm!

In this photo i was trying to get a bigger area and the day was gloomy so lighting was hard. I wanted to try to blur out more of the people and the stuff in the front and focus on the roller coaster but it was hard with it being so busy.

The windmill's motion in this photo is frozen, creating the illusion that it was still in this moment, when it actually was in motion.

 

shutter speed: 1/125

f-stop: f5.6

In this picture, I learned how to practice and use This medium lens to take an cool shot of this painting. The focus that I used for this photo was f/5.0. After learning that a lot of famous photographers were once painters, I decided to take this picture of nice painting.

Depth and Current- Opolis

 

©Allison White/ NMF 4

All rights reserved

 

www.flickr.com/allisonwhitephoto

Sharon Lockhart (American, born 1964)

Untitled, 1996

Chromogenic print

The Metropolitan Museum of Art, New York, Purchase, Neuberger Berman Foundation Gift and Lila Acheson Wallace Gift, 2004 (2004.62)

F8 SS 1/125 Shutter Speed experiment

Preacher´s pulpit, Norway. 604 meters is quite a distance... in free fall

03Fluty01 Depth

 

speed 1/500 f3.5. The front wheel wasn't spinning.

03CeciliaDang03 depth

 

I tried to make the focus of the guitar strings change steadily with the main focus starting at the bottom.

Though a slightly different shot, the pumpkin is the object of focus in this shot. The depth comes from the sliver of the white chair, and the various greenery in the background. I feel like this shot makes me yard look huge.

I like how the plant looks like and how vast the background is

I posted this photo because it seems fun and cartoonish to me. Although it's very blurry, it pops out. The color, the rims, the flag all just seemed to be so obvious yet very blurry. Motion. Color.

Photo from London. I personally love the depth in the picture, like the fact that you can see "Selfridges" on the sign in the "back" of the picture :)

This one is better~

 

還是蘋果熊,這個比較成功~

the layering of lenses presents a sense of depth to the composition. the lines of the wood in the foreground lead the viewer to the forms of the subject lens and then to the lenses in the background.

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