Manhattan, New York City, New York, United States

 

The Everett Building is a sixteen-story commercial structure located on the northwest corner of East 17th Street and Park Avenue South. Named for Union Square's nineteenth-century Everett Hotel, and built in 1908 for the Everett Investing Company, it was designed by Goldwin Starrett & Van Vleck, a firm known for its commercial architecture.

 

It is a quintessential example of a building type defined by A. C. David (writing in Architectural Record in 1910): functional, fireproof, speedy to construct, while also demonstrating a concern for "architectural decency;" as such, this building is a uniquely American architectural expression. In its design, the Everett Building synthesizes classical elements with key aspects of both the New York and the Chicago styles; Goldwin Starrett was familiar with the Chicago style as a result of his years in Daniel Burnham's Chicago office.

 

The building reflects its structure in its cladding, while employing a design vocabulary that includes classical motifs. The Everett Building is prominently located on a site on the north side of Union Square and, together with the monumental Germania (now Guardian) Life Insurance Company Building directly across the avenue, forms an imposing terminus to Park Avenue South.

 

The Development of Union Square

 

The Commissioners Map of 1807-11, which first laid out the grid plan of Manhattan above Houston Street, allowed for certain existing thoroughfares to retain their original configuration. Bloomingdale Road, (now Broadway), and the Bowery intersected at 16th Street.

 

The acute angle formed by this "union" was set aside by the Commissioners and named Union Place.

 

Initially Union Place extended from 10th to 17th Streets, on land owned by the Manhattan Bank:

 

It then presented to the eye of the tourist and pedestrian a shapeless and ill-looking collection of lots, where garden sauce flourished — devoid of symmetry, and around which were reared a miserable group of shanties.

 

In 1815, the state legislature reduced the size of Union Place by making 14th Street its southern boundary. As the city expanded northward and land use intensified, the need for open spaces became apparent. A report drafted by the street committee in 1831 states the need for public squares "for purposes of military, and civic parades, and festivities, and ... to serve as ventilators to a densely populated city."

 

Designated a public space in 1832 at the urging of local residents, additional land was acquired so that the area could be regularized.

 

Graded, paved, and fenced, Union Place was finally opened to the public in July, 1839. Throughout much of its history, the square has been used for public gatherings, political rallies, and demonstrations.

 

By the 1850s, Union Square (as it came to be known) was completely surrounded by buildings including some of the city's most splendid mansions; but, "already by 1860, the dramatic march of commerce had begun." Theaters, hotels, and luxury retailers predominated in the 1870s. By the 1890s, the vestiges of the fashionable residential area, as well as the elegant stores and theaters, had been supplanted on Union Square by taller buildings that catered to the needs of publishers and manufacturers who had moved uptown.

 

The land on which the Everett Building stands was originally part of Cornelius Tiebout's farm. From 1853 on, the site was occupied by the Everett House, a hotel frequented by the singers and musicians performing at the new opera house, the Academy of Music (1854, architect Alexander Saeltzer).

 

Like the Belvedere and the Clarendon, hotels which were also demolished to make way for 'modern' office and loft buildings, the Everett House was razed to clear the site for the Everett Building.

 

The Everett Building is prominently situated on the northwest corner of East 17th Street and Union Square North, at the base of Park Avenue South (then called Fourth Avenue). Stations for major subway, surface, and "El" lines were close to the site, which was characterized by Real Estate Record & Guide in 1908 as "one of the most accessible locations for modern office buildings in the city."

 

Although when built, the Everett Building was associated with a possible transformation of Union Square to be effected by the construction of a new courthouse, the building was later seen as evidence of the concentration of the silk, woolen, cotton, and dry goods trades on Fourth Avenue, the area around the Square and lateral streets.

 

By September, 1910, about seventeen new loft and office buildings (generally restricted to office and salesroom needs, as opposed to manufacturing) had been erected, conveniently located near hotels and transportation.

 

In October 1911, Real Estate Record & Guide noted that "the Everett Building and those along the avenue, in which dry goods people are tenants, are all filled up."

 

Larger than the late nineteenth-century buildings on Union Square West, the new loft and office buildings, such as the Everett Building, altered the scale of structures on the Square's northern and southern ends and formed the core of a new mercantile district developed as an economical alternative to the commercial district along lower Fifth Avenue.

 

Notice of Goldwin Starrett & Van Vleck's selection as the recipients of the commission to design the Everett Building appeared in Real Estate Record & Guide for August 1, 1908.

 

The Everett Building was built for the Everett Investing Company; included among its early tenants were a wide variety of businesses and occupations, including William Skinner & Sons, an operating establishment "in the broad silk end"; the firm of W. G. Cornell, which was responsible for the plumbing for the new Gimbel Building and the offices of Goldwin Starrett & Van Vleck.

 

Goldwin Starrett & Van Vleck

 

The firm was founded in 1907 by Goldwin Starrett (1867-1918) and Ernest Allen Van Vleck (1875-1956). Starrett was one of five brothers, all active in the construction and architectural fields. Born in Lawrence, Kansas, his family later moved to Chicago. Starrett attended the engineering school of the University of Michigan, graduating in 1894. He then entered the architectural offices of D. H. Burnham & Co. , as had his two older brothers, Theodore and Paul. He remained in Burnham's employ for four years, rising to be one of Burnham's principal assistants.

 

In 1898 Goldwin entered the New York offices of the George A. Fuller Construction Co. as superintendent and assistant manager, joining his brother Theodore.

 

In 1901, along with Theodore, and his brothers, Ralph and William A., he formed the Thompson-Starrett Construction Company; he remained with the firm for four years, during which time he designed the Algonquin Hotel, a designated New York City Landmark, for Albert Foster of the Puritan Realty Company. Goldwin then entered into a four-year association with the E. B. Ellis Granite Company, which had its quarries in Vermont. In the construction business, Goldwin was associated with many important buildings, including Union Station in Washington, D.C. and the Woolworth Building in New York, a designated New York City Landmark.

 

In 1907, Ernest Allen Van Vleck joined Starrett to form the firm of Goldwin Starrett & Van Vleck. A native of Bell Creek, Nebraska, Van Vleck received a degree from the Cornell School of Architecture in 1897. He then traveled to Europe on a fellowship.

 

About 1908, Orrin Rice was admitted to the partnership, and in 1913, William A. Starrett joined the firm, which then became known as Starrett & Van Vleck, with Goldwin Starrett becoming the senior partner.

 

Starrett & Van Vleck specialized in commercial buildings and schools but also designed many other structures. Among the firm's ma j or commissions were the Lord & Taylor department store, a building that was termed "frankly commercial as well as dignified" in contrast to the residential nature of most other contemporary commercial designs; Saks Fifth Avenue, a designated New York City Landmark; a major expansion of Bloomingdale's; the facade of the Curb (now the American Stock) Exchange Building; the Downtown Athletic Club; the La Salle & Koch store in Toledo, Ohio (1916); the Court & Remsen Street Building in Brooklyn; The Equitable Life Assurance Society Building, and the Royal Insurance Building.

 

The firm was also responsible for designing the Hale Publishing Co. Building, the Berkeley Building, and the twelve-story neo-Italian Renaissance apartment houses at 82 0 and 817 Fifth Avenue, within the Upper East Side Historic District.

 

Other works by the firm include the Mills-Gibb Building, a mercantile building at Fourth Avenue and 22nd Street; a building for John T. Underwood, president of Underwood Typewriter Co. located at Church and Vesey Streets; the Mercantile Building at Fifth Avenue and 38th Street; 28-30 West 38th Street, a twelve-story building for Capt. W. H. Wheeler; and the twelve-story Sixteenth Street Building, at Irving Place and 16th Street.

 

Loft and Commercial Building

 

The Everett Building is a quintessential example of the new commercial style of architecture built around 1910 in New York and concentrated on Fourth Avenue from Union Square to 30th Street.

 

Its design was considered innovative when it was illustrated in the Architectural Record (Dec. 1910), as part of a tribute to the new corridor of commercial buildings in what is now Park Avenue South.

 

These buildings termed "thoroughly contemporary" and "strictly commercial" were erected with exceptional rapidity; the Everett Building "was ready for occupants within four months from the time the first column shoe was set."

 

In "The New Architecture," A. C. David specified a tall order for architects of these loft and commercial buildings, one which Starrett & Van Vleck fulfilled. Tenants required a maximum amount of clear, preferably square or rectangular, floor space so that large numbers of employees could be supervised by a floor manager.

 

In order to secure the greatest amount of natural light, a corner site, large windows, and high ceilings were imperative. In addition, the planning of building services affected the amount of "clear and available" floor space. These new structures had to meet the specifications of the insurance companies and of the building laws for fireproofing, in order to obtain the lowest insurance rates (as the Everett Building did).

 

Combining the stairway and fire escape provisions of the building law and omission of power plants in the building were additional ways to cut costs. At the same time, the building must be economical to operate. Speedy construction, a goal facilitated by granolithic or concrete floors, the use of metal trim, the omission of ornamental plastering, and the standardization of detail, was also essential.

 

In his article, David also suggested that attention to the building's design was necessary because "a structure which presents a good appearance sells better."

 

The Everett Building fulfilled these specifications as well. Like the Everett Building, the ideal loft and commercial structure was to consist of "a frame work, usually about sixteen stories high of piers and floors, the lines of both of which are separated by fixed distances, and both of which cannot be disguised by much ornamentation."

 

An ornamental cornice was not merely permitted but encouraged, even if the natural light on the top floor was impaired. The employment of glazed orange and green terra-cotta panels and medallions brings this desired attention to the Everett Building's crown.

 

According to David, windows should be grouped in order to emphasize the corners and to convey an impression of solidity; a building could thus be made to resemble a tower rather than a cage.

 

Face brick, laid in patterns, and architectural terra cotta were recommended for the cladding of the shaft. In other instances, exemplified by the Everett Building, "white glazed terra cotta decorated with superficial ornamental patterns has been effectively employed."

 

David continues that these buildings were a specific and original American type, "the only genuine commercial architecture in the world." These characteristics constitute what may be called a New York style.

 

Classical Aspects of the Building's Design

 

The Everett Building incorporates many classical elements in its design. As in other nearby skyscrapers including Bruce Price's Bank of the Metropolis, a designated New York City Landmark, the tripartite skyscraper elevation inspired by the parts of a classical column is employed in the Everett Building. A rusticated base is surmounted by a decorative transitional story; an eleven-story shaft leads to yet another transitional story, which is capped by a two-story attic crowned by an elaborate bracketed cornice.

 

The two-story base is articulated by rusticated piers which carry a classically-derived entablature that is embellished with stylized triglyphs and metopes. The building's two-story crown evokes a giant order; the elements of the pilasters are articulated and embellished by abstract terracotta elements. The doorway as built was pedimented with acroteria at center and sides.

 

William H. Jordy has observed that such commercial buildings retain "something of the blocky quality of the Renaissance palace format" which permitted the anonymity and interchangeability of functions.Real Estate Record & Guide concluded that the building "an investor might expect for $900,000," would be a structure "not — gaudy ... the whole with its straight, Renaissance architecture giving the impression of commercial utility."

 

Influence of the Chicago School

 

Goldwin Starrett's years working in Daniel Burnham's prestigious office (in the 1890s, the largest in Chicago, with branch offices in New York and San Francisco) are of clear influence to the design of the Everett Building which frankly expresses function. Starrett doubtless knew such monuments of Chicago architecture as Burnham & Root's Rand McNally Building (1888-90) and Burnham & Atwood's Reliance Building (1895).

 

Starrett's Chicago connections also would have insured his familiarity with the Carson, Pirie, Scott Store (the first two parts designed by Louis Sullivan, 1899, 1903-04; third part designed by Daniel Burnham, 1906). All three buildings contain innovations later incorporated in the Everett Building. The Rand McNally by Burnham & Root was formed of a consistent steel frame with facades "of terra cotta produced specifically to fit the frame."

 

The steel and terra cotta combination introduced in the Rand McNally was further refined after Root's death by Burnham and his designer Charles Atwood in the Reliance Building (1895).

 

Terra cotta, which although lighter, less expensive, and more solid than masonry, had heretofore been employed only as a fireproof undercoating to masonry and for ornamental embellishment. Its use as sheathing for the skyscraper was a precedent followed by Goldwin Starrett & Van Vleck and in many contemporary office and loft buildings in New York City.

 

By creating the appearance of a grid on the elevations, Starrett incorporated a major tenet of the Chicago School: the articulation on the exterior of interior structure. In this building, verticals are juxtaposed against horizontals and thus serve as visible surrogates for the concealed skeletal frame; such a system is one of the most important characteristics of the Chicago School.

 

The panels which emphasize the spandrel beams, the use of textured, ribbed moldings to articulate the panels themselves, and the vertical alignment of the windows is, in some respects, reminiscent of Carson, Pirie, Scott's structural expressiveness.

 

In Carson, Pirie, Scott, the terra-cotta panels and the fenestration create the impression of a grid and of horizontality; like the Chicago structure, the Everett Building can be viewed as both grids "expressing the frame" and as bands of horizontals.

 

The Everett Building, however, is more overtly classical than Carson, Pirie, Scott. In contrast to the receding two-story loggia which originally capped the two portions of the store designed by Sullivan, Starrett's design articulates the top two stories (which do not recede) with terra-cotta moldings.

 

Starrett topped the building with an avowedly classical cresting that features acroteria (as did the pedimented portico over the doorway as originally completed) and rests the building on rusticated piers.

 

Starrett and Van Vleck also render the Chicago idiom more traditionally. For example, the tripartite "Chicago window" with wide central pane and two narrow sash windows has here been translated into a bay containing three equally sized one-over-one windows. Although the end piers of the Everett Building are of the same width as those between bays, an additional textured molding has been added to their outer edges. Moreover, at the intersection of the Park Avenue South and Union Square elevations, the rusticated pier emphasizes the effect of the corner.

 

Description

 

Prominently located at the corner of East 17th Street and Park Avenue South, fronting on Union Square, the Everett Building is a sixteen-story, steel-framed office and loft building. A seventeenth story is concealed beneath the cornice and is evident only on the north and west walls. The building is sheathed in white terra-cotta panels and has applied green and orange architectural terra-cotta ornament. It is rectangular in shape with a rectangular light-court in the northwestern portion.

 

There are six bays on the Union Square side; the Park Avenue South elevation consists of eight bays. Each bay is divided into three parts, (with the exception of one bay on the Park Avenue South side which only contains two), each of which contains a window; above each first story window (with the exception of the second from the right on the Park Avenue South elevation which contains only two) and framed by the rusticated piers are three narrow, rectangular panels.

 

A two-story base with rusticated piers (each resting on a pink polished marble base and topped by a geometrical molding) is set off from the rest of the building by a cornice embellished with stylized triglyphs and metopes. Mullions separating windows in the bays of the second story resemble pilasters; they are set on blocks and feature consoles supporting pyramid-shaped blocks that reiterate the rustication on the piers and serve as capitals. A cornice with mutules completes the frieze above the second story. On the Union Square facade, atop the aperture of the bay on the extreme left, the original overdoor consisting of several thin moldings (two of which are embellished by small applied bosses in the shape of flowers) remains. On the Park Avenue South elevation, the bay to the extreme right contains the original transom treatment: above the shop windows and entrance (which are new), the transom area is divided into three panels each consisting of twelve lights, arranged in three rows of four. Two faciae separate each group of twelve lights; directly above these faciae, on the beltcourse, two dark bezants appear, serving both to embellish and to link the dark frames of the glazed panels below and the windows above.

 

The third story consists of ornamented piers (which separate the bays) demarcating the transition from the two-story base to the eleven-story shaft above. Set atop a plain base, the shaft of each pier is ornamented by borders with foliated and ribboned embellishments and palmette accents set diagonally into the corners.

 

Pilasters between the windows are also set atop plain bases; they are ornamented by long, thin recessed panels. The capitals of both piers and pilasters are both embellished by palmettes. A frieze embellished by garlands draped over bezants completes the transitional story and signals the beginning of the shaft.

 

On the eleven-story shaft, the crossings of the ribbed mullions and the outer textured edges of the panels which cover the spandrel beams establishes a grid, which reflects the building's construction and underscores the grid created by the intersection of windows, spandrel beams, and piers. On the Union Square facade, spandrel bands below each window are three panels wide and two panels high; each such group "of six panels is outlined by raised moldings.

 

Each bay consists of a total of three such groups. On the Park Avenue South elevation, each group is two panels wide and two panels high; each such group of four panels is outlined by raised moldings. On both elevations, the moldings which separate each group of panels are both continuations of the window mullions and indications of the window's outer edges. Piers are also indicated (when they intersect with the spandrel beam) by outlined terra-cotta panels, one panel wide and two panels high.

 

The intersection of the horizontal spandrel demarcation and the window's mullions and outer edges sets up a grid motif. The regularity of the grid deflects attention from the bay (second from the right on the Park Avenue South elevation) which consists of only two windows and from the change from a width of three panels for each subsection of each bay on the Union Square facade to two panels for each subsection on the Park Avenue South elevation.

 

A beltcourse tops the eleven-story shaft and sets off the two-story crown, which corresponds to the "capital" of the "tripartite column," from the body of the building. The piers are transformed into abstract pilasters by the application of applied reiterating polychrome terra-cotta ornament.

 

Within raised borders of white terra cotta that extend the length of both stories, orange rectangular panels embellished at their midpoints by applied green circles appear.

 

The spandrel beams between the two stories are covered with white terra-cotta panels within which are rectangular orange panels. Mullions (and their extensions) which abut spandrel beams are also embellished with recessed panels. The two-story section is topped with several moldings including one incorporating applied polychrome geometric motifs: in this scheme, paired and single green and orange rectangular lozenges alternate with green circular motifs. An elaborate dentilled cornice crested by acroteria tops the building.

 

On the west elevation, a brick wall pierced by four-over-four sash windows is visible from the ninth story upward; two windows indicate the seventeenth story. Bands demarcate borders that correspond to the terra-cotta spandrel beam covers on the facade. This elevation features interpretations of the stringcourse separating the top two stories and of the polychrome panelling and cornice treatment on the Union Square facade. To the right of and above the seventeenth story windows, a substantial amount of replacement brick appears.

 

On the north elevation visible above the ninth story, a buff brick wall features eight windows per floor; the remaining originals have four-over-four sash. From the visible base of this elevation through the fourteenth story, a terra-cotta border appears; above this, the border continues as panels. On this elevation, windows indicate the presence of the seventeenth story. A significant portion of the top two stories appears to be resurfaced. With its essential architectural features unchanged, this building continues to function as an office building with retail spaces at the ground story.

 

- From the 1988 NYCLPC Landmark Designation Report

Just like in the movies.

 

[Regine Velasquez' "You Don't Know" Music video shoot

-Society Lounge (French Fashion Food), Makati City]

  

* ALL RIGHTS RESERVED

 

** TO THOSE WHO GRAB MY PHOTOS THROUGH 'PRINTSCREEN' OPTION, PLEASE DO HAVE THE DECENCY TO AT LEAST CREDIT ME PROPERLY OR ASK MY PERMISSION (I suddenly find my pictures of celebrities on various sites, NOT COOL)

 

*** I HATE USING WATERMARK, SO DON'T BE SUCH ASSHOLES, AND IF U EARN FROM BLOGGING OR POSTING MY PHOTOS IN ANYWAY, I WILL KILL YOU (BE GRATEFUL I CAN'T BE TOO LITERAL ON THIS)

I must say a word about fear. It is life's only true opponent. Only fear can defeat life. It is a clever, treacherous adversary, how well I know. It has no decency, respects no law or convention, shows no mercy. It goes for your weakest spot, which it finds with unerring ease. It begins in your mind, always. One moment you are feeling calm, self-possessed, happy. Then fear, disguised in the garb of mild-mannered doubt, slips into your mind like a spy. Doubt meets disbelief and disbelief tries to push it out. But disbelief is a poorly armed foot soldier.

-Life of Pi by Yann Martel

Nearly halfway through the month, and it's the weekend again, and the the good news is that the sore throat I had on Friday went and did not return.

 

Which is nice.

 

Jools's cough, however, which seemed like it was getting better, returned slightly on Friday evening, and would again on Saturday. We had tockets to see Public Service Bradcasting again, this time in Margate, but our hearts were not in it, if I'm honest, and in the end we decided not to go in light of her coughing, but also as I said, we saw them a month back, though this would be a different show.

 

And Norwich were on the tellybox, what could be better than watching that?

 

Anything, as it turned out.

 

But that was for later.

 

We went to Tesco, a little later than usual, as we had slept in rather, then back home for breakfast before the decision on what to do for the day. Jools decided to stay home to bead and read, I would go out.

 

There are three churches near to home that I feel I needed to revisit, St Margaret's itself I should be able to get the key from the village shop at any time, but St Mary in Dover hasn't been open the last few times I have been in town, and Barfrestone was closed most of the year due to vandalism.

 

But Saturday morning there is usually a coffee morning in St Mary, so I went down armed with camera and lenses to take more shots of the details, especially of the windows.

 

There was a small group with the Vicar, talking in one of the chapels, so I made busy getting my shots, just happy that the church was open. I left a fiver with the vicar, and walked back to the car, passing the old guy supping from a tin of cider sitting outside the church hall.

 

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In the heart of the town with a prominent twelfth-century tower. From the outside it is obvious that much work was carried out in the nineteenth century. The church has major connections with the Lord Wardens of the Cinque Ports and is much used for ceremonial services. The western bays of the nave with their low semi-circular arches are contemporary with the tower, while the pointed arches to the east are entirely nineteenth century. The scale and choice of stone is entirely wrong, although the carving is very well done. However the east end, with its tall narrow lancet windows, is not so successful. The Royal Arms, of the reign of William and Mary, are of carved and painted wood, with a French motto - Jay Maintendray - instead of the more usual Dieu et Mon Droit. The church was badly damaged in the Second World War, but one of the survivors was the typical Norman font of square Purbeck marble construction. One of the more recent additions to the church is the Herald of Free Enterprise memorial window of 1989 designed by Frederick Cole.

 

www.kentchurches.info/church.asp?p=Dover+1

 

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THE TOWN AND PORT OF DOVER.

DOVER lies at the eastern extremity of Kent, adjoining to the sea, the great high London road towards France ending at it. It lies adjoining to the parish of Charlton last-described, eastward, in the lath of St. Augustine and eastern division of the county. It is within the liberty of the cinque ports, and the juristion of the corporation of the town and port of Dover.

 

DOVER, written in the Latin Itinerary of Antonine, Dubris. By the Saxons, Dorsa, and Dofris. By later historians, Doveria; and in the book of Domesday, Dovere; took its name most probably from the British words, Dufir, signifying water, or Dusirrha, high and steep, alluding to the cliffs adjoining to it. (fn. 1)

 

It is situated at the extremity of a wide and spacious valley, inclosed on each side by high and steep hills or cliffs, and making allowance for the sea's withdrawing itself from between them, answers well to the description given of it by Julius Cæfar in his Commentaries.

 

In the middle space, between this chain of high cliffs, in a break or opening, lies the town of Dover and its harbour, which latter, before the sea was shut out, so late as the Norman conquest, was situated much more within the land than it is at present, as will be further noticed hereafter.

 

ON THE SUMMIT of one of these cliffs, of sudden and stupendous height, close on the north side of the town and harbour, stands DOVER CASTLE, so famous and renowned in all the histories of former times. It is situated so exceeding high, that it is at most times plainly to be seen from the lowest lands on the coast of France, and as far beyond as the eye can discern. Its size, for it contains within it thirty five acres of ground, six of which are taken up by the antient buildings, gives it the appearance of a small city, having its citadel conspicuous in the midst of it, with extensive fortifications, around its walls. The hill, or rather rock, on which it stands, is ragged and steep towards the town and harbour; but towards the sea, it is a perpendicular precipice of a wonderful height, being more than three hundred and twenty feet high, from its basis on the shore.

 

Common tradition supposes, that Julius Cæfar was the builder of this castle, as well as others in this part of Britain, but surely without a probability of truth; for our brave countrymen found Cæfar sufficient employment of a far different sort, during his short stay in Britain, to give him any opportunity of erecting even this one fortress. Kilburne says, there was a tower here, called Cæsar's tower, afterwards the king's lodgings; but these, now called the king's keep, were built by king Henry II. as will be further mentioned hereafter; and he further says, there were to be seen here great pipes and casks bound with iron hoops, in which was liquor supposed to be wine, which by long lying had become as thick as treacle, and would cleave like birdlime; salt congealed together as hard as stone; cross and long bows and arrows, to which brass was fastened instead of feathers, and they were of such size, as not to be fit for the use of men of that or any late ages. These, Lambarde says, the inhabitants shewed as having belonged to Cæfar, and the wine and salt as part of the provision he had brought with him hither; and Camden relates, that he was shewn these arrows, which he thinks were such as the Romans used to shoot out of their engines, which were like to large crossbows. These last might, no doubt, though not Cæsar's, belong to the Romans of a later time; and the former might, perhaps, be part of the provisions and stores which king Henry VIII. laid in here, at a time when he passed from hence over sea to France. But for many years past it has not been known what is become of any of these things.

 

Others, averse to Cæsar's having built this castle, and yet willing to give the building of it to the empire of the Romans of a later time, suppose, and that perhaps with some probability, it was first erected by Arviragus, (or Arivog, as he is called on his coin) king of Britain, in the time of Claudius, the Roman emperor. (fn. 2)

 

That there was one built here, during the continuance of the Roman empire in Britain, must be supposed from the necessity of it, and the circumstances of those times; and the existence of one plainly appears, from the remains of the tower and other parts of the antient church within it, and the octagon tower at the west end, in which are quantities of Roman brick and tile. These towers are evidently the remains of Roman work, the former of much less antiquity than the latter, which may be well supposed to have been built as early as the emperor Claudius, whose expedition hither was about or immediately subsequent to the year of Christ 44. Of these towers, probably the latter was built for a speculum, or watch-tower, and was used, not only to watch the approach of enemies, but with another on the opposite hill, to point out the safe entrance into this port between them, by night as well as by day.

 

In this fortress, the Romans seem afterwards to have kept a garrison of veterans, as we learn from Pancirollus, who tells us that a company of soldiers under their chief, called Præpositus Militum Tungricanorum, was stationed within this fortess.

 

Out of the remains of part of the above-mentioned Roman buildings here, a Christian church was erected, as most historians write, by Lucius, king of Britain, about the year 161; but it is much to be doubted whether there ever was such a king in Britain; if there was, he was only a tributary chief to the Roman emperor, under whose peculiar government Britain was then accounted. This church was built, no doubt, for the use of that part of the garrison in particular, who were at that time believers of the gospel, and afterwards during the different changes of the Christian and Pagan religions in these parts, was made use of accordingly, till St. Augustine, soon after the year 597, at the request of king Ethelbert, reconsecrated it, and dedicated it anew, in honour of the blessed Virgin Mary.

 

¶His son and successor Eadbald, king of Kent, founded a college of secular canons and a provost in this church, whose habitations, undoubtedly near it, there are not the least traces of. These continued here till after the year 691; when Widred, king of Kent, having increated the fortifications, and finding the residence of the religious within them an incumbrance, removed them from hence into the town of Dover, to the antient church of St. Martin; in the description of which hereafter, a further account of them will be given.

  

DOVER does not seem to have been in much repute as a harbour, till some time after Cæsar's expedition hither; for the unfitness, as well as insecurity of the place, especially for a large fleet of shipping, added to the character which he had given of it, deterred the Romans from making a frequent use of it, so that from Boleyne, or Gessoriacum, their usual port in Gaul, they in general failed with their fleets to Richborough, or Portus Rutupinus, situated at the mouth of the Thames, in Britain, and thence back again; the latter being a most safe and commodious haven, with a large and extensive bay.

 

Notwithstanding which, Dover certainly was then made use of as a port for smaller vessels, and a nearer intercourse for passengers from the continent; and to render the entrance to it more safe, the Romans built two Specula, or watch-towers, here, on the two hills opposite to each other, to point out the approach to it, and one likewise on the opposite hill at Bologne, for the like purpose there; and it is mentioned as a port by Antoninus, in his Itinerary, in which, ITER III. is A Londinio ad Portum Dubris, i. e. from London to the port of Dover.

 

After the departure of the Romans from Britain, when the port of Bologne, as well as Richborough, fell into decay and disuse, and instead of the former a nearer port came into use, first at Whitsan, and when that was stopped up, a little higher at Calais, Dover quickly became the more usual and established port of passage between France and Britain, and it has continued so to the present time.

 

When the antient harbour of Dover was changed from its antient situation is not known; most probably by various occurrences of nature, the sea left it by degrees, till at last the farmer scite of it became entirely swallowed up by the beach. That the harbour was much further within land, even at the time of the conquest than it is at present, seems to be confirmed by Domesday, in which it is said, that at the entrance of it, there was a mill which damaged almost every ship that passed by it, on account of the great swell of the sea there. Where the scite of this mill was, is now totally unknown, though it is probable it was much within the land, and that by the still further accumulation of the beach, and other natural causes, this haven was in process of time so far filled up towards the inland part of it, as to change its situation still more to the south-west, towards the sea.

 

From the time of the Norman conquest this port continued the usual passage to the continent, and to confine the intercourse to this port only, there was a statute passed anno 4 Edward IV. that none should take shipping for Calais, but at Dover. (fn. 20) But in king Henry VII.'s time, which was almost the next reign, the harbour was become so swerved up, as to render it necessary for the king's immediate attention, to prevent its total ruin, and he expended great sums of money for its preservation. But it was found, that all that was done, would not answer the end proposed, without the building of a pier to seaward, which was determined on about the middle of Henry VIII.'s reign, and one was constructed, which was compiled of two rows of main posts, and great piles, which were let into holes hewn in the rock underneath, and some were shod with iron, and driven down into the main chalk, and fastened together with iron bands and bolts. The bottom being first filled up with great rocks of stone, and the remainder above with great chalk stones, beach, &c. During the whole of this work, the king greatly encouraged the undertaking, and came several times to view it; and in the whole is said to have expended near 63,000l. on it. But his absence afterwards abroad, his ill health, and at last his death, joined to the minority of his successor, king Edward VI. though some feeble efforts were made in his reign, towards the support of this pier, put a stop to, and in the end exposed this noble work to decay and ruin.

 

Queen Mary, indeed, attempted to carry it on again, but neither officers nor workmen being well paid, it came to nothing, so that in process of time the sea having brought up great quantities of beach again upon it, the harbour was choaked up, and the loss of Calais happening about the same time, threatened the entire destruction of it. Providentially the shelf of beach was of itself became a natural defence against the rage of the sea, insomuch, that if a passage could be made for ships to get safely within it, they might ride there securely.

 

To effect this, several projects were formed, and queen Elizabeth, to encourage it, gave to the town the free transportation of several thousand quarters of corn and tuns of beer; and in the 23d of her reign, an act passed for giving towards the repair of the harbour, a certain tonnage from every vessel above twenty tons burthen, passing by it, which amounted to 1000l. yearly income; and the lord Cobham, then lordwarden, and others, were appointed commissioners for this purpose; and in the end, after many different trials to effect it, a safe harbour was formed, with a pier, and different walls and sluices, at a great expence; during the time of which a universal diligence and public spirit appeared in every one concerned in this great and useful work. During the whole of the queen's reign, the improvement of this harbour continued without intermission, and several more acts passed for that purpose; but the future preservation of it was owing to the charter of incorporation of the governors of it, in the first year of king James I. by an act passed that year, by the name of the warden and assistants of the harbour of Dover, the warden being always the lord-warden of the cinque ports for the time being, and his assistants, his lieutenant, and the mayor of Dover, for the time being, and eight others, the warden and assistants only making a quorum; six to be present to make a session; at any of which, on a vacancy, the assistants to be elected; and the king granted to them his land or waste ground, or beach, commonly called the Pier, or Harbour ground, as it lay without Southgate, or Snargate, the rents of which are now of the yearly value of about three hundred pounds.

 

Under the direction of this corporation, the works and improvements of this harbour have been carried on, and acts of parliament have been passed in almost every reign since, to give the greater force to their proceedings.

 

From what has been said before, the reader will observe, that this harbour has always been a great national object, and that in the course of many ages, prodigious sums of money have been from time to time expended on it, and every endeavour used to keep it open, and render it commodious; but after all these repeated endeavours and expences, it still labours under such circumstances, as in a very great degree renders unsuccessful all that has ever been done for that purpose.

 

DOVER, as has been already mentioned, was of some estimation in the time of the Roman empire in Britain, on account of its haven, and afterwards for the castle, in which they kept a strong garrison of sol. diers, not only to guard the approach to it, but to keep the natives in subjection; and in proof of their residence here, the Rev. Mr. Lyon some years since discovered the remains of a Roman structure, which he apprehended to have been a bath, at the west end of the parish-church of St. Mary, in this town, which remains have since repeatedly been laid open when interments have taken place there.

 

This station of the Romans is mentioned by Antonine, in his Itinerary of the Roman roads in Britain, by the name of Dubris, as being situated from the station named Durovernum, or Canterbury, fourteen miles; which distance, compared with the miles as they are now numbered from Canterbury, shews the town, as well as the haven, for they were no doubt contiguous to each other, to have both been nearer within land than either of them are at present, the present distance from Canterbury being near sixteen miles as the road now goes, The sea, indeed, seems antiently to have occupied in great part the space where the present town of Dover, or at least the northwest part of it, now stands; but being shut out by the quantity of beach thrown up, and the harbour changed by that means to its present situation, left that place a dry ground, on which the town of Dover, the inhabitants following the traffic of the harbour, was afterwards built.

 

This town, called by the Saxons, Dofra, and Dofris; by later historians, Doveria; and in Domesday, Dovere; is agreed by all writers to have been privileged before the conquest; and by the survey of Domesday, appears to have been of ability in the time of king Edward the Confessor, to arm yearly twenty vessels for sea service. In consideration of which, that king granted to the inhabitants, not only to be free from the payment of thol and other privileges throughout the realm, but pardoned them all manner of suit and service to any of his courts whatsoever; and in those days, the town seems to have been under the protection and government of Godwin, earl of Kent, and governor of this castle.

 

Soon after the conquest, this town was so wasted by fire, that almost all the houses were reduced to ashes, as appears by the survey of Domesday, at the beginning of which is the following entry of it:

 

DOVERE, in the time of king Edward, paid eighteen pounds, of which money, king E had two parts, and earl Goduin the third. On the other hand, the canons of St. Martin had another moiety. The burgesses gave twenty ships to the king once in the year, for fifteen days; and in each ship were twenty and one men. This they did on the account that he had pardoned them sac and soc. When the messengers of the king came there, they gave for the passage of a horse three pence in winter, and two in summer. But the burgesses found a steerman, and one other assistant, and if there should be more necessary, they were provided at his cost. From the festival of St. Michael to the feast of St. Andrew, the king's peace was in the town. Sigerius had broke it, on which the king's bailiff had received the usual fine. Whoever resided constantly in the town paid custom to the king; he was free from thol throughout England. All these customs were there when king William came into England. On his first arrival in England, the town itself was burnt, and therefore its value could not be computed how much it was worth, when the bishop of Baieux received it. Now it is rated at forty pounds, and yet the bailiff pays from thence fifty-four pounds to the king; of which twenty-four pounds in money, which were twenty in an one, but thirty pounds to the earl by tale.

 

In Dovere there are twenty-nine plats of ground, of which the king had lost the custom. Of these Robert de Romenel has two. Ralph de Curbespine three. William, son of Tedald, one. William, son of Oger, one. William, son of Tedold, and Robert niger, six. William, son of Goisfrid, three, in which the guildhall of the burgesses was. Hugo de Montfort one house. Durand one. Rannulf de Colubels one. Wadard six. The son of Modbert one. And all these vouch the bishop of Baieux as the protector and giver of these houses. Of that plat of ground, which Rannulf de Colubels holds, which was a certain outlaw, they agree that the half of the land was the king's, and Rannulf himself has both parts. Humphry the lame man holds one plat of ground, of which half the forfeiture is the king's. Roger de Ostrabam made a certain house over the king's water, and held to this time the custom of the king; nor was a house there in the time of king Edward. In the entrance of the port of Dovere, there is one mill, which damages almost every ship, by the great swell of the sea, and does great damage to the king and his tenants; and it was not there in the time of king Edward. Concerning this, the grandson of Herbert says, that the bishop of Baieux granted it to his uncle Herbert, the son of Ivo.

 

And a little further, in the same record, under the bishop's possessions likewise:

 

In Estrei hundred, Wibertus holds half a yoke, which lies in the gild of Dover, and now is taxed with the land of Osbert, the son of Letard, and is worth per annum four shillings.

 

From the Norman conquest, the cities and towns of this realm appear to have been vested either in the crown, or else in the clergy or great men of the laity, and they were each, as such, immediately lords of the same. Thus, when the bishop of Baieux, to whom the king had, as may be seen by the above survey, granted this town, was disgraced. It returned into the king's hands by forfeiture, and king Richard I. afterwards granted it in ferme to Robt. Fitz-bernard. (fn. 21)

 

After the time of the taking of the survey of Domesday, the harbour of Dover still changing its situation more to the south-westward, the town seems to have altered its situation too, and to have been chiefly rebuilt along the sides of the new harbour, and as an encouragement to it, at the instance, and through favour especially to the prior of Dover, king Edward I. in corporated this town, the first that was so of any of the cinque ports, by the name of the mayor and commonalty. The mayor to be chosen out of the latter, from which body he was afterwards to chuse the assistants for his year, who were to be sworn for that purpose. At which time, the king had a mint for the coinage of money here; and by patent, anno 27 of that reign, the table of the exchequer of money was appointed to be held here, and at Yarmouth. (fn. 22) But the good effects of these marks of the royal favour were soon afterwards much lessened, by a dreadful disaster; for the French landed here in the night, in the 23d year of that reign, and burnt the greatest part of the town, and several of the religious houses, in it, and this was esteemed the more treacherousk, as it was done whilst the two cardinals were here, treating for a peace between England and France; which misfortune, however, does not seem to have totally impoverished it, for in the 17th year of the next reign of king Edward II it appears in some measure to have recovered its former state, and to have been rebuilt, as appears by the patent rolls of that year, in which the town of Dover is said to have then had in it twenty-one wards, each of which was charged with one ship for the king's use; in consideration of which, each ward had the privilege of a licensed packetboat, called a passenger, from Dover across the sea to Whitsan, in France, the usual port at that time of embarking from thence.

 

The state of this place in the reign of Henry VIII. is given by Leland, in his Itinerary, as follows:

 

"Dovar ys xii myles fro Canterbury and viii fro Sandwich. Ther hath bene a haven yn tyme past and yn taken ther of the ground that lyith up betwyxt the hilles is yet in digging found wosye. Ther hath bene found also peeces of cabelles and anchores and Itinerarium Antonini cawlyth hyt by the name of a haven. The towne on the front toward the se hath bene right strongly walled and embateled and almost al the residew; but now yt is parly fawlen downe and broken downe. The residew of the towne as far as I can perceyve was never waulled. The towne is devided into vi paroches. Wherof iii be under one rose at S. Martines yn the hart of the town. The other iii stand that yt hath be walled abowt but not dyked. The other iii stand abrode, of the which one is cawled S. James of Rudby or more likely Rodeby a statione navium. But this word ys not sufficient to prove that Dovar showld be that place, the which the Romaynes cawlled Portus Rutupi or Rutupinum. For I cannot yet se the contrary but Retesboro otherwise cawlled Richeboro by Sandwich, both ways corruptly, must neades be Rutupinum. The mayne strong and famose castel of Dovar stondeth on the loppe of a hille almost a quarter of a myle of fro the towne on the lyst side and withyn the castel ys a chapel, yn the sides wherof appere sum greate Briton brykes. In the town was a great priory of blacke monkes late suppressed. There is also an hospitalle cawlled the Meason dew. On the toppe of the hye clive betwene the towne and the peere remayneth yet abowt a slyte shot up ynto the land fro the very brymme of the se clysse as ruine of a towr, the which has bene as a pharos or a mark to shyppes on the se and therby was a place of templarys. As concerning the river of Dovar it hath no long cowrse from no spring or hedde notable that descendith to that botom. The principal hed, as they say is at a place cawled Ewelle and that is not past a iii or iiii myles fro Dovar. Ther be springes of frech waters also at a place cawled Rivers. Ther is also a great spring at a place cawled …… and that once in a vi or vii yeres brasted owt so abundantly that a great part of the water cummeth into Dovar streme, but als yt renneth yn to the se betwyxt Dovar and Folchestan, but nerer to Folchestan that is to say withyn a ii myles of yt. Surely the hedde standeth so that it might with no no great cost be brought to run alway into Dovar streame." (fn. 23)

Cougate Crosse-gate Bocheruy-gate stoode with toures toward the se. There is beside Beting-gate and Westegate.

Howbeyt MTuine tol me a late that yt hath be walled abowt but not dyked.

 

This was the state of Dover just before the time of the dissolution of religious houses, in Henry VIII.'s reign, when the abolition of private masses, obits, and such like services in churches, occasioned by the reformation, annillilated the greatest part of the income of the priests belonging to them, in this as well as in other towns, in consequence of which most of them were deserted, and falling to ruin, the parishes belonging to them were united to one or two of the principal ones of them. Thus, in this town, of the several churches in it, two only remained in use for divine service, viz. St. Mary's and St. James's, to which the parishes of the others were united.

 

After this, the haven continuting to decay more than ever, notwithstanding the national assistance afforded to it, the town itself seemed hastening to impoverishment. What the state of it was in the 8th year of queen Elizabeth, may be seen, by the certificate returned by the queen's order of the maritime places, in her 8th year, by which it appears that there were then in Dover, houses inhabited three hundred and fifty-eight; void, or lack of inhabiters, nineteen; a mayor, customer, comptroller of authorities, not joint but several; ships and crayers twenty, from four tons to one hundred and twenty.

 

¶This probable ruin of the town, however, most likely induced the queen, in her 20th year, to grant it a new charter of incorporation, in which the manner of chusing mayor, jurats, and commoners, and of making freemen, was new-modelled, and several surther liberties and privileges granted, and those of the charter of king Edward I. confirmed likewise by inspeximus. After which, king Charles II. in his 36th year, anno 1684, granted to it a new charter, which, however, was never inrolled in chancery, and in consequence of a writ of quo warranto was that same year surrendered, and another again granted next year; but this last, as well as another charter granted by king James II. and forced on the corporation, being made wholly subservient to the king's own purposes, were annulled by proclamation, made anno 1688, being the fourth and last year of his reign: but none of the above charters being at this time extant, (the charters of this corporation, as well as those of the other cinque ports, being in 1685, by the king's command, surrendered up to Col. Strode, then governor of Dover castle, and never returned again, nor is it known what became of them,) Dover is now held to be a corporation by prescription, by the stile of the mayor, jurats, and commonalty of the town and port of Dover. It consists at present of a mayor, twelve jurats, and thirty-six commoners, or freemen, together with a chamberlain, recorder, and town-clerk. The mayor, who is coroner by virtue of his office, is chosen on Sept. 8, yearly, in St. Mary's church, and together with the jurats, who are justices within this liberty, exclusive of all others, hold a court of general sessions of the peace and gaol delivery, together with a court of record, and it has other privileges, mostly the same as the other corporations, within the liberties of the cinque ports. It has the privilege of a mace. The election of mayor was antiently in the church of St. Peter, whence in 1581 it was removed to that of St. Mary, where it has been, as well as the elections of barons to serve in parliament, held ever since. These elections here, as well as elsewhere in churches, set apart for the worship of God, are certainly a scandal to decency and religion, and are the more inexcusable here, as there is a spacious court-hall, much more fit for the purposes. After this, there was another byelaw made, in June, 1706, for removing these elections into the court-hall; but why it was not put in execution does not appear, unless custom prevented it—for if a decree was of force to move them from one church to another, another decree was of equal force to remove them from the church to the courthall. Within these few years indeed, a motion was made in the house of commons, by the late alderman Sawbridge, a gentlemand not much addicted to speak in favour of the established church, to remove all such elections, through decency, from churches to other places not consecrated to divine worship; but though allowed to be highly proper, yet party resentment against the mover of it prevailed, and the motion was negatived by a great majority.

 

The mayor is chosen by the resident freemen. The jurats are nominated from the common-councilmen by the jurats, and appointed by the mayor, jurats, and common-councilmen, by ballot.

  

THE CHURCH OF ST. Mary stands at some distance from the entrance into this town from Canterbury, near the market-place. It is said to have been built by the prior and convent of St. Martin, (fn. 47) in the year 1216; but from what authority, I know not.—Certain it is, that it was in king John's reign, in the gift of the king, and was afterwards given by him to John de Burgh; but in the 8th year of Richard II.'s reign, anno 1384, it was become appropriated to the abbot of Pontiniac. After which, by what means, I cannot discover, this appropriation, as well as the advowson of the church, came into the possession of the master and brethren of the hospital of the Maison Dieu, who took care that the church should be daily served by a priest, who should officiate in it for the benefit of the parish. In which state it continued till the suppression of the hospital, in the 36th year of king Henry VIII.'s reign, when it came into the hands of the crown, at which time the parsonage was returned by John Thompson, master of the hospital, to be worth six pounds per annum.

 

Two years after which, the king being at Dover, at the humble entreaty of the inhabitants of this parish, gave to them, as it is said, this church, with the cemetery adjoining to it, to be used by them as a parochial church; at the same time he gave the pews of St. Martin's church for the use of it; and on the king's departure, in token of possession, they sealed up the church doors; since which, the patronage of it, which is now esteemed as a perpetual curacy, the minister of it being licensed by the archbishop, has been vested in the inhabitants of this parish. Every parishioner, paying scot and lot, having a vote in the chusing of the minister, whose maintenance had been from time to time, at their voluntary option, more or less. It is now fixed at eighty pounds per annum. Besides which he has the possession of a good house, where he resides, which was purchased by the inhabitants in 1754, for the perpetual use of the minister of it. It is exempt from the jurisdiction of the archdeacon. (fn. 48)

 

There is a piece of ground belonging, as it is said, to the glebe of this church, rented annually at ten pounds, which is done by vestry, without the minister being at all concerned in it. In 1588 here were eight hundred and twenty-one communicants. This parish contains more than five parts out of six of the whole town, and a greater proportion of the inhabitants.

 

The church of St. Mary is a large handsome building of three isles, having a high and south chancel, all covered with lead, and built of flints, with ashler windows and door cases, which are arched and ornamented. At the west end is the steeple, which is a spire covered with lead, in which are eight bells, a clock, and chimes. The pillars in the church are large and clumsy; the arches low and semicircular in the body, but eliptical in the chancel; but there is no separation between the body and chancel, and the pews are continued on to the east end of the church. In the high chancel, at the eastern extremity of it, beyond the altar, are the seats for the mayor and jurats; and here the mayor is now chosen, and the barons in parliament for this town and port constantly elected.

 

In 1683, there was a faculty granted to the churchwardens, to remove the magistrates seats from the east end of the church to the north side, or any other more convenient part of it, and for the more decent and commodious placing the communion table: in consequence of which, these seats were removed, and so placed, but they continued there no longer than 1689, when, by several orders of vestry, they were removed back again to where they remain at present.

 

The mayor was antiently chosen in St. Peter's church; but by a bye-law of the corporation, it was removed to this church in 1583, where it has ever since been held. In 1706, another bye law was made, to remove, for the sake of decency, all elections from this church to the court-hall, but it never took place. More of which has been mentioned before.

 

From the largeness, as well as the populousness of this parish, the church is far from being sufficient to contain the inhabitants who resort to it for public worship, notwithstanding there are four galleries in it, and it is otherwise well pewed. This church was paved in 1642, but it was not ceiled till 1706. In 1742, there was an organ erected in it. The two branches in it were given, one by subscription in 1738, and the other by the pilots in 1742.

 

Thomas Toke, of Dover, buried in the chapel of St. Katharine, in this church, by his will in 1484, gave seven acres of land at Dugate, under Windlass-down, to the wardens of this church, towards the repairs of it for ever.

 

¶The monuments and memorials in this church and church yard, are by far too numerous to mention here. Among them are the following: A small monument in the church for the celebrated Charles Churchill, who was buried in the old church-yard of St. Martin in this town, as has been noticed before; and a small stone, with a memorial for Samuel Foote, esq. the celebrated comedian, who died at the Ship inn, and had a grave dug for him in this church, but was afterwards carried to London, and buried there. A monument and several memorials for the family of Eaton; arms, Or, a sret, azure. A small tablet for John Ker, laird of Frogden, in Twit dale, in Scotland, who died suddenly at Dover, in his way to France, in 1730. Two monuments for Farbrace, arms, Azure, a bend, or, between two roses, argent, seeded, or, bearded vert. A monument in the middle isle, to the memory of the Minet family. In the north isle are several memorials for the Gunmans, of Dover; arms,. … a spread eagle, argent, gorged with a ducal coronet, or. There are others, to the memory of Broadley, Rouse, and others, of good account in this town.

 

www.british-history.ac.uk/survey-kent/vol9/pp475-548

Press conference by Minister for Foreign Affairs of Finland Timo Soini, Secretary General Thorbjørn and Secretary of State for European Affairs Amélie de Montchalin.

 

The Session of the Committee of Ministers, to be held at Finlandia Hall on 17 May 2019, will mark the end of Finland’s Presidency of the Committee of Ministers of the Council of Europe. At the meeting, Finland will hand over the Presidency to France. More than 30 ministers from the member States of the Council of Europe will attend the meeting. The meeting will be chaired by Foreign Minister Timo Soini.

 

Ministry for Foreign Affairs provides photo material for media representatives, participants and organisers of the meeting. Please feel free to use the photos, considering the following restrictions: Not for commercial purposes nor reselling. When publishing the pictures, the name of the photographer and organization shall be mentioned as the source. No picture manipulation is permitted. The holder of the picture rights and/or the organisation shall at all times retain the copyright to the picture. When publishing the pictures, the publisher shall ensure the legality of the context where the pictures are used, obtain the permissions and consents required for their publication, and observe the generally established practices and decency. The publisher shall ensure that publication of the pictures does not insult anyone’s privacy or dignity.

 

Photo: Kimmo Räisänen / Ministry for Foreign Affairs of Finland

Access to Elmswell Hall is by a small single track under the railway, but there is also a crossing for larger vehicles adjacent to it, which can be discerned just in front of the Fred. With the sun not yet on the nose I felt this would be the better view for this train, which at least had the decency to sport containers at the front.

ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA 2022. Gualtieri finisce sul Nyt: L'eterna crisi dei rifiuti a Roma ha unito il declino urbano, con i cinghiali nel centro storico. Gualtieri poco o nessun progresso; in: NEW YORK TIMES & La Repubblica (29-30/08/2021) (testo integrale).Vedi anche: il sindaco Marino e il degrado di Roma; in: Nyt (22/07/2015). wp.me/pbMWvy-36x

 

________________

S.v.,

--- RARA 2022. Roberto Gualtieri - Sindaco di Roma / Er Monnezzaro = Disservizi + Immondizia + Degrado + Cinghiali + Incendio (21/10/2021 - 21/10/2022). Fonte: ROMATODAY (06/09/2022). www.romatoday.it/social/segnalazioni/degrado-urbano/

________________

 

Foto: LOCAL TEAM / YouTube (09/07/2022).

www.flickr.com/photos/imperial_fora_of_rome/52324893351

 

1). ROMA - Gualtieri finisce sul New York Times: "Mentre Roma brucia (o almeno i suoi rifiuti), un sindaco osa sognare."La Repubblica (30/08/2021).

 

Il quotiano statunitense dedica un articolo all'immondizia della capitale, all'Ama ma soprattutto al sindaco che vuole il termovalorizzatore, "sicuro che qualcosa cambierà"

 

Un sindaco a Roma "osa sognare". Così definisce gli incubi di Roberto Gualtieri un lungo articolo uscito New York Times di Jason Horowitz. Che pubblica online foto di e dei suoi cassonetti carbonizzati oltre alla foto del sindaco alla scrivania assorto a guardare i fogli del progetto sul termovalorizzatore.

 

Foto: Nyt (30/08/2022).

www.flickr.com/photos/imperial_fora_of_rome/52325323054

 

"Da anni ormai" si legge sul Nyt, "nulla simboleggia la caduta di Roma più della sua crisi dei rifiuti. Un serraglio di cinghiali, gabbiani violenti e ratti si riunisce per banchettare con i detriti della capitale". "E proprio quando sembrava che la puzza dei rifiuti di Roma non potesse peggiorare, una disputa sulla costruzione di un nuovo inceneritore per la città è emersa come motivo di un ammutinamento politico che ha fatto cadere il governo Draghi a luglio". Poche righe a riassumere l'effetto domino catastrofico.

 

Ma ecco che qui arriva Gualtieri: "Formalmente il motivo sono io", avrebbe dichiarato lasciando trapelare un tono sorpreso, ingenuo, al limite del compiaciuto.

 

Il quotidiano lo descrive come "un veterano della politica di sinistra", un uomo che "con l'autorità di accelerare la costruzione di un impianto di termovalorizzazione dei rifiuti per Roma da circa 600 milioni di euro, spera di avere successo dove altri hanno fallito". In fondo, avrebbe aggiunto il primo cittadino, "non si tratta di scienza missilistica. È solo spazzatura".

 

Foto: Nyt (30/08/2022).

www.flickr.com/photos/imperial_fora_of_rome/52325212963

 

Roma e New York svettano nella classifica delle città più sporche del mondo, un gemellaggio tossico. E se anche il Nyt dipinge il sindaco che osa sognare, lo fa su uno sfondo di rifiuti in fiamme, autobus che si auto-incendiano, buche "profonde come pozzi d'acqua, una "giungla dove mancano solo i boa costrittori" e una miriade di "altre indecenze". Come Malagrotta. Il sindaco, dice e non dice, che "c'è una cospirazione per fermare me" e il progetto.

 

L'articolo ricorda quindi che Gualtieri però "in qualità di ex ministro dell'Economia, ha contribuito personalmente a ottenere miliardi di euro di fondi dell'Unione Europea per l'Italia, con una fetta significativa per Roma. E ha già avuto successo nell'attrarre investitori privati per finanziare il nuovo inceneritore". Insomma, "il problema non è il denaro".

 

E mentre Roma è costretta a spedire i suoi rifiuti a costi elevati in impianti fuori città, "in quello che secondo Gualtieri è un salasso per le sue risorse, un contributo all'inquinamento e forse un favore agli interessi di elementi della malavita (...), la sfida più grande per ripulire Roma potrebbe essere la città stessa". Anche se i romani tendono ad avere "comportamenti non corretti" quando si tratta di buttare la spazzatura.

 

"I ristoranti spesso riempiono i bidoni riservati ai cittadini. I cittadini reagiscono mettendo in equilibrio i sacchetti dell'immondizia sopra i cassonetti come giocassero a Jenga".

 

Ed è qui che il sindaco sogna. Sogna una revisione dell'Ama e sogna che i rifiuti brucino in fiamme lecite. Sempre che i Cinque Stelle smettano di opporsi adducendo "motivi ambientali, e considerandolo un ipocrita". Perché "egli" sostiene che il termovalorizzatore "migliorerà Roma e sarà redditizio, un incentivo per gli investitori a entrare nel progetto. Una nuova età dell'oro". I sogni d'oro del sindaco di Roma.

 

Fonte / source:

--- La Repubblica (30/08/2021).

roma.repubblica.it/cronaca/2022/08/30/news/roma_rifiuti_n...

--------------

 

Foto: Gianluca Ferrara / Facebook (27/03/2022).

www.flickr.com/photos/imperial_fora_of_rome/52324089937

 

2). ROME - As Rome Burns (or at Least Its Garbage), a Mayor Dares to Dream. Could a solution to Rome’s perpetual trash crisis really be in sight? Mayor Roberto Gualtieri would like to think so. NEW YORK TIMES (29/08/2021).

 

ROME — For years now, nothing has symbolized the fall of Rome more than its garbage crisis. A trash menagerie of wild boars, violent sea gulls and rats convene to feast on the capital’s overflowing debris. Early this summer, a spate of suspicious blazes at garbage plants and scrapyards — literal dumpster fires — darkened the skies, choked the air, and raised the specter of arson and organized crime.

 

Then, when it seemed the stench of Rome’s garbage troubles could get no worse, a dispute over building a new incinerator for the city emerged as the stated reason for a political mutiny that brought down the national unity government of Prime Minister Mario Draghi in July.

 

On the day of the revolt, as he monitored the unfolding political drama from his office overlooking the Roman forum, Rome’s mayor, Roberto Gualtieri, seemed bemused by the role he and his city’s garbage problem had played in the government’s unexpected collapse. “Formally, the reason is me,” he said.

 

Foto: Il Messaggero (22/06/2022).

www.flickr.com/photos/imperial_fora_of_rome/52325323139

 

At least Mr. Gualtieri, a veteran of leftist politics, emerged from the wreckage with the authority to fast track the building of a roughly 600 million euro, or about $601 million, waste-to-energy plant for Rome, which he hopes will allow him to succeed where others had failed.

 

“It is not rocket science,” he said. “It’s garbage.”

 

But garbage, and the degradation of Rome that it symbolizes, is a force not to be taken lightly. Even in an oft-sacked city that has seen it all over the centuries, where people have more recently grown accustomed to self-immolating buses, potholes as deep as water wells and myriad other indignities, the garbage — pervasive, pungent and unrelenting — has become the true metric of Rome’s decline.

 

Since Rome closed its sprawling Malagrotta landfill, among Europe’s largest, as an environmental disaster in 2013, trash has overwhelmed two mayors, including Mr. Gualtieri’s predecessor, Virginia Raggi of the Five Star Movement, the party that touched off the rebellion that brought down the national government.

 

In 2018, prosecutors sequestered the landfill — owned by a businessman dubbed “er monnezzaro,” or King of Garbage — for failing to contain its toxic spillage. No actual garbage has been dumped there for years, but its treatment plant was still being used to process up to 1,500 tons of garbage a day, before being shipped elsewhere.

 

Foto: La Repubblica (12/08/2022).

www.flickr.com/photos/imperial_fora_of_rome/52325212983

 

That is, before it went up in flames this summer.

 

“An enormous plume, gray,” Luigi Palumbo, the court-appointed manager of the landfill, said as he recalled the toxic blaze and cloud that closed nearby preschools and summer camps and laced parts of central Rome with an acrid odor.

 

“It’s unknown where it started,” he said as he approached the plant, its concrete scorched and its melted aluminum panels hanging over the building like carpets hung out to dry.

 

He turned to a burned heap of garbage that had been inside the plant. It was filled with thousands of scorched and bulging plastic bags, melted plastic fruit crates, stray cloths and tires and cans. It, too, has now been sequestered as evidence — but of what, no one seems quite sure.

 

The Malagrotta blaze was not an isolated incident, but one of a rash of trash fires that broke out around the city this summer.

 

Mayor Gualtieri sought to sidestep the theory that “there is a conspiracy to stop me,” and his incinerator, by preserving a system in which myriad players, some of them shadowy, profited from Rome’s garbage crisis. But, he added, “of course you consider this possibility, how was it possible this really is happening exactly when we are trying to …” Then he stopped himself.

 

He noted a well-established connection between waste management and criminal enterprises. Experts had determined it was “not self-combustion,” he said. “So that was man made.”

 

And it has exacerbated Rome’s already noxious disposal problem.

 

Rome now has to ship its garbage at high cost to plants outside the city, in what Mr. Gualtieri said was a drain on its resources, a contributor to pollution and possibly a favor to the interests of underworld elements who benefit from Rome’s sanitation paralysis.

 

But while prosecutors continue to investigate the fires, the greatest challenge to cleaning up Rome may be the city itself.

 

Rome had “little sense of responsibility for its own garbage, because it’s always thought that public things, being public, belong to no one,” said Paola Ficco, an environmental lawyer who edits Rifiuti, or Waste, a journal about laws regarding garbage. “And we forget that, being public, it’s all of ours.”

 

In the meantime, she added, Rome was a mess, with high grass and garbage everywhere. “It’s a jungle,” she said. “Only boa constrictors are missing. Then we’ll have it all.”

 

Mr. Gualtieri, himself a Roman, acknowledged that his city bred unique character traits. Romans tended to have “behaviors that we find that are not good,” he said, when it came to throwing out the garbage.

 

Restaurants often loaded up bins reserved for the public. The public had a tendency to respond to the packed bins by balancing trash bags on top of them, like a vile Jenga game, or throwing garbage at their sides, forming archipelagos of uncollected trash that attracted all sorts of interesting fauna.

 

But even while the burned plant remains out of commission, the mayor is confident that the new incinerator, on which construction is set to begin next year, and the introduction of tougher fines for a variety of infractions would create a more civilized Roman context. Within it, he said, Romans would become “more sensible about doing their part” and give “the best and not the worst.”

 

Foto: Amazing Walking Tours / YouTube (19/06/2022)

www.flickr.com/photos/imperial_fora_of_rome/52324893366

 

As a former economy minister, he had personally helped procure billions of euros in European Union funds for Italy, with a significant chunk for Rome and other plants in the city’s waste plan. He spoke of an additional 1.4 billion euros from the Italian government to help prepare for pilgrims visiting the city and the Vatican during the 2025 Holy Year as if it were a done deal. And he already had success in attracting private investors to finance the new incinerator.

 

“Money is not the problem,” he said.

 

The system is.

 

The mayor presented an organizational chart of AMA, a company that, among other things, manages collection of solid waste in Rome, and of which the city is the sole shareholder. He said that under previous administrations, AMA had changed chief executive officers five times in seven years, had become inflated with patronage jobs and had directed the majority of resources to garbage collection areas where it was not needed. Last winter, Rome paid bonuses to its workers just to show up for work during Christmas time.

 

“This is a joke,” he said. “This should be studied in university, what you should not do.” Overhauling AMA was a part of the mayor’s three-phase plan to clean up the city.

 

He said the city will have actually hired about 650 people by the end of the year to clean the streets while cracking down on an army of loafers. Officials had begun conducting thousands of checks on employees who perpetually present doctors’ notes certifying that they can only do desk work.

 

“You can see people heal,” the mayor said of the spot checks. “Miracles.”

 

In the second stage, within two years, the city would put new dumpsters on Rome’s streets, and a third phase would begin in 2025, toward the end of his five-year term, when the waste-to-energy incinerator is expected to come on line.

 

When he campaigned for the job, Mr. Gualtieri said he did not think such a plant would be necessary and that he would improve things by Christmas. He said that it was only when he took office that he understood the mind-boggling reality of Rome’s garbage. His critics, chief among them Five Star, which opposed the new incinerator on environmental grounds, consider him a hypocrite.

 

Foto: 7Colli (11/07/2022)

www.flickr.com/photos/imperial_fora_of_rome/52209791423

 

But, as summer vacation ends and the city fills back up with Romans and their trash, he argues the waste-to-energy incinerator will improve Rome’s environment and be profitable, an incentive he said for investors to get in on the ground floor.

 

All of Rome, he insisted, was on the brink of a new Golden Age.

 

“I can tell you why,” he said, anticipating the natural Roman skepticism and calling Rome an undervalued asset. “It has a lot of margin for improvements.”

 

Fonte / source:

--- NEW YORK TIMES (29/08/2021).

www.nytimes.com/2022/08/29/world/europe/rome-garbage-fire...

 

S.v.,

 

Foto: Nyt (22/07/2015).

www.flickr.com/photos/imperial_fora_of_rome/52325212978

 

--- ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA 2022: Il degrado di Roma sul New York Times: Marino più interessato ai ricchi stranieri che ai cittadini, THE NEW YORK TIMES (22|07|2015), p. A4; LA REPUBBLICA & Forexinfo.it (23|07|2015).

 

ROME — The grass in some public parks sways knee high. Disgruntled subway workers have slowed service to a crawl. Fire has rendered the city’s largest airport crammed and chaotic. The arrests of public officials pile up, revealing mob infiltration of the city government.

 

It all adds up to what Romans call “degrado” — the degradation of services, buildings and their standard of living — and the general sense that their ancient city, even more than usual, is falling apart.

 

Not all those troubles are necessarily the fault of Mayor Ignazio Marino, a former surgeon whose own integrity remains unblemished. But, strangely enough, in Rome, his decency is not necessarily seen as part of the solution, either.

 

Fonte/source:

--- THE NEW YORK TIMES (22|07|2015), p. A4.

 

rometheimperialfora19952010.wordpress.com/2015/07/24/roma...

 

S.v.,

--- RARA 2022. Roberto Gualtieri - Sindaco di Roma / Er Monnezzaro = Disservizi + Immondizia + Degrado + Cinghiali + Incendio (21/10/2021 - 21/10/2022). Fonte: ROMATODAY (06/09/2022). www.romatoday.it/social/segnalazioni/degrado-urbano/

www.waymarking.com/waymarks/WMDMZK_Notre_Dame_de_Lourdes_...

 

Grotte Notre-Dame-de-Lourdes; Vanier; Ottawa, Ontario.

alive and well, reports of its death are greatly exaggerated

 

p.s. if you are gonna post my copyrighted images elsewhere on the internet at least have the decency to credit me with them and link them back to here, or i'll probably stop posting them without big watermarks on them.

Two previous operators having handed back the keys, the East Coast main line was run by the public sector from 2009 until March 2015. Now private enterprise has been given another chance. The new operator is basically Stagecoach, but with a 10% Virgin holding. Will they last as long as the others....?

For some reason it is now being marketed as 'Virgin East Coast'. Personally I'd be MUCH happier if it was Stagecoach East Coast. I don't like the idea that all daytime trains between London and Scotland will be branded with the vulgar and naff Virgin identity. Am I really the only person to find Branson and his dubious empire sleazy and unpleasant? I sincerely hope that the outrageous Virgin west coast 'anytime' fares don't spread to the east coast now they have a monopoly.

Meanwhile not all trains have been given the vulgar Virgin branding. 91 002 on the right at London Kings Cross has the decency to keep its Virgin name largely hidden.

July 2018: All history now! No, they didn't last as long as the others. Their bid was ludicrously over ambitious (as was obvious to everyone except apparently HM Government) and they have had the franchise taken off them. Good riddance.

Sikhism originated in the 15th century, in the Punjab region by Guru Nanak, who preached ideas that were radical for his age: he denounced Hinduism's oppressive caste system and Islam's gender discrimination, preaching that all people can commune with the divine equally, without the intervention of rituals or priests. The Sikh faith is a monotheistic religion, meaning Sikhs worship one God. The three core pillars of Sikhism are: vaṇḍ chakkō (sharing with others, helping those in need, as well as participating as part of a community), kirat karō (earning/making a living honestly, without exploitation or fraud, and speaking the truth at all times) and naam japna (meditating on God’s name to live a life of decency and humility).

The temporary distractions of the material world are seen as an illusion. The qualities of ego, anger, greed, attachment and lust are known as the Five Thieves that rob a person of their ability to realize their oneness with God and creation. Sikhs work to counteract the temptations of these qualities through the values of service, equality, and seeking justice for all. Sikhs also believe that one’s form on Earth is only a temporary vessel for the eternal soul. Thus, the death of the physical body is a natural part of the life cycle, while the soul remains. Death is not an end, but merely the progression of the soul on its journey toward God.

Nine more gurus succeeded Guru Nanak (Angad, Amar Das, Ram Das, Arjan, Har Gobind, Har Rai, Har Krishan, Tegh Bahadur, and Gobind Singh), and continued to spread his teachings across the world.

The last guru, Guru Gobind Singh, named the Sikh sacred text, the Guru Granth Sahib, to be the eternal Guru that would guide the Sikhs going forward. It consists of 1,430 Anks, or pages, and 6,000 Sabads, or line compositions, all are written in poetic verse and are aligning to the rhythmic forms of ancient north Indian classical music. At the core of the Guru Granth Sahib is a yearning for a world governed by divine justice, without oppression of any kind.

The final living guru, Gobind Singh, also established the Khalsa, or order of Sikh soldier-saints. They are recognizable by "The 5 k's," their physical articles of faith: Kesh (unshorn hair and beard), Kirpan (ceremonial sword), Kangha (comb), Kara (steel bracelet) and Kachha (drawers). The Dastar, or turban, is considered a spiritual crown, a token of remembrance of the Sikh principles.

 

Subathu, Himachal Pradesh, India

West German collector card by Druckerei Hanns Uhrig, Frankfurt a. M. / NF Films. Photo: Pathé-Cinema. Brigitte Bardot and Louis Jourdan in La mariée est trop belle / The Bride Is Much Too Beautiful (Pierre Gaspard-Huit, 1956).

 

French actress Brigitte Bardot (1934) died on 28 December 2025, at the age of 91. In the 1950s, she was the sex kitten of the European film industry. BB starred in 48 films, performed in numerous musical shows, and recorded 80 songs. After her retirement in 1973, she became an animal rights activist. In the coming weeks, we will continue to post a BB postcard every day to remember her as she once was.

 

Brigitte Bardot was born in Paris in 1934. Her father, Louis Bardot, had an engineering degree and worked with his father in the family business. Her mother, Ann-Marie Mucel, was 14 years younger than Brigitte's father, and they married in 1933. Brigitte's mother encouraged her daughter to take up music and dance. At the age of 13, she entered the Conservatoire Nationale de Danse to study ballet. By the time she was 15, Brigitte was trying to launch a modelling career and found herself on the cover of the French magazine Elle in May 1949. Her incredible beauty was readily apparent, and Brigitte was noticed by Roger Vadim, then an assistant to the film director Marc Allegrét. Vadim was infatuated with Bardot and encouraged her to start working as a film actress. BB was 18 when she debuted in the comedy Le Trou Normand / Crazy for Love (Jean Boyer, 1952). In the same year, she married Vadim. Brigitte wanted to marry him when she was 17, but her parents quashed any marriage plans until she turned 18. In April 1953, she attended the Cannes Film Festival, where she received massive media attention. She soon was every man's idea of the girl he'd like to meet in Paris. From 1952 to 1956, she appeared in seventeen films. Her films were generally lightweight romantic dramas in which she was cast as an ingénue or siren, often with an element of undress. In 1953, she made her first US production, Un acte d'amour / Act of Love (Anatole Litvak, 1953) with Kirk Douglas, but she continued to make films in France.

 

Roger Vadim was not content with the light fare his wife was offered. He felt Brigitte Bardot was being undersold. Looking for something more like an art film to push her as a serious actress, he showcased her in Et Dieu créa la femme / ...And God Created Woman (Roger Vadim, 1956). This film, about an immoral teenager in a respectable small-town setting, was a smash success on both sides of the Atlantic. Craig Butler at AllMovie: "It's easy enough to say that ...And God Created Woman is much more important for its historical significance than for its actual quality as a film, and that's true to an extent. The immense popularity, due to its willingness to directly embrace an exploration of sex as well as its willingness to show a degree of nudity that was remarkably daring for its day, demonstrated that audiences were willing to view subject matter that was considered too racy for the average moviegoer. This had both positive (freedom to explore, especially for the French filmmakers of the time) and negative (freedom to exploit) consequences, but its impact is undeniable. It's also true that Woman is not a great work of art, not with a story that is ultimately rather thin, some painful dialogue, and an attitude toward its characters and their sexuality that is unclear and inconsistent. Yet Woman is still fascinating, due in no small part to the presence of Brigitte Bardot in the role that made her an international star and sex symbol. She's not demonstrating great acting here, although her performance is actually good and much better than necessary, and her legendary mambo scene at the climax is nothing short of sensational." During the filming of Et Dieu créa la femme / And God Created Woman (Roger Vadim, 1956), directed by her husband, Brigitte Bardot had an affair with her co-star, Jean-Louis Trintignant, who at the time was married to French actress Stéphane Audran. Her divorce from Vadim followed, but they remained friends and collaborated in later work.

 

Et Dieu créa la femme / ...And God Created Woman (Roger Vadim, 1956) helped elevate Brigitte Bardot's international status. The film took the USA by storm, her explosive sexuality being unlike anything seen in the States since the days of the 'flapper' in the 1920s. It gave rise to the phrase 'sex kitten', and fascination with her in America consisted of magazine photographs and dubbed over French films - good, bad or indifferent, her films drew audiences - mainly men - into theatres like lemmings. BB appeared in light comedies like Doctor at Large (Ralph Thomas, 1957) - the third of the British 'Doctor' series starring Dirk Bogarde - and Une Parisienne / La Parisienne (Michel Boisrond, 1957), which suited her acting skills best. However, she was a sensation in the crime drama En cas de malheur / Love is My Profession (Claude Autant-Lara, 1958). Hal Erickson at AllMovie: "This Brigitte Bardot vehicle ran into stiff opposition from the Catholic Legion of Decency, severely limiting its U.S. distribution. Bardot plays a nubile small-time thief named Yvette, who becomes the mistress of influential defence attorney Andre (Jean Gabin). Though Andre can shower Yvette with jewels and furs, he cannot "buy" her heart, and thus it is that it belongs to handsome young student Mazzetti (Franco Interlenghi). Alas, Yvette is no judge of human nature: attractive though Mazzetti can be, he has a dangerous and deadly side. En Cas de Malheur contains a nude scene that has since been reprinted in freeze-frame form innumerable times by both film-history books and girlie magazines." Photographer Sam Lévin's photos contributed considerably to her image of sensuality and slight immorality. One of Lévin's pictures shows Brigitte, dressed in a white corset. It is said that around 1960, postcards with this photograph outsold in Paris those of the Eiffel Tower.

 

Brigitte Bardot divorced Vadim in 1957, and in 1959 she married actor Jacques Charrier, with whom she starred in Babette s'en va-t-en guerre / Babette Goes to War (Christian-Jaque, 1959). The paparazzi preyed upon her marriage, while she and her husband clashed over the direction of her career

Her films became more substantial, but this brought a heavy pressure of dual celebrity as she sought critical acclaim while remaining a glamour model for most of the world. Vie privée / Private Life (1962), directed by Louis Malle, has more than an element of autobiography in it. James Travers at French Films: "Brigitte Bardot hadn’t quite reached the high point of her career when she agreed to make this film with high-profile New Wave film director Louis Malle. Even so, the pressure of being a living icon was obviously beginning to get to France’s sex goddess, and Vie privée is as much an attempt by Bardot to come to terms with her celebrity as anything else. Malle is clearly fascinated by Bardot, and the documentary approach he adopts for this film reinforces the impression that it is more a biography of the actress than a work of fiction. Of course, it’s not entirely biographical, but the story is remarkably close to Bardot’s own life and comes pretty close to predicting how her career would end." The scene in which, returning to her apartment, Bardot's character is harangued in the elevator by a middle-aged cleaning lady calling her offensive names was based on an actual incident, and is a resonant image of celebrity in the mid-20th century. Soon afterwards, Bardot withdrew to the seclusion of Southern France.

 

Brigitte Bardot's other husbands were German millionaire Playboy Gunter Sachs and right-wing politician Bernard d'Ormale. She is reputed to have had relationships with many other men, including Samy Frey, her co-star in La Vérité / The Truth (Henri-Georges Clouzot, 1960), and musicians Serge Gainsbourg and Sacha Distel. In 1963, Brigitte Bardot starred in Jean-Luc Godard's critically acclaimed film Le Mépris / Contempt (Jean-Luc Godard, 1963) opposite Michel Piccoli. She was also featured along with such notable actors as Alain Delon in Amours célèbres / Famous Love Affairs (Michel Boisrond, 1961) and Histoires extraordinaires /Tales of Mystery (Louis Malle, 1968), Jeanne Moreau in Viva Maria! (Louis Malle, 1965), Sean Connery in Shalako (Edward Dmytryk, 1968), and Claudia Cardinale in Les Pétroleuses / Petroleum Girls (Christian-Jaque, 1971). She participated in various musical shows and recorded many popular songs in the 1960s and 1970s, mostly in collaboration with Serge Gainsbourg, Bob Zagury and Sacha Distel, including 'Harley Davidson', 'Le Soleil De Ma Vie' (the cover of Stevie Wonder's 'You Are the Sunshine of My Life') and the notorious 'Je t'aime... moi non plus'.

 

Brigitte Bardot’s film career showed a steady decline in the late 1960s and early 1970s. In 1973, just before her fortieth birthday, she announced her retirement. She chose to use her fame to promote animal rights. In 1976, she established the Brigitte Bardot Foundation for the Welfare and Protection of Animals. She became a vegetarian and raised three million French francs to fund the foundation by auctioning off jewellery and many personal belongings. For this work, she was awarded the Légion d’honneur in 1984. During the 1990s, she was also outspoken in her criticism of immigration, interracial relationships, Islam in France and homosexuality. Her husband Bernard d'Ormal was a former adviser of the far-right Front National party. Bardot has been convicted five times for 'inciting racial hatred'. More fun is that Bardot is recognised for popularising bikini swimwear, in such early films as Manina / Woman without a Veil (Willy Rozier, 1952), in her appearances at Cannes and in many photo shoots. Bardot also brought into fashion the 'choucroute' ('Sauerkraut') hairstyle (a sort of beehive hairstyle) and gingham clothes after wearing a checkered pink dress, designed by Jacques Esterel, at her wedding to Charrier. The fashions of the 1960s looked effortlessly right and spontaneous on her. Time Magazine: "She is the princess of pout, the countess of come hither. Brigitte Bardot exuded a carefree, naïve sexuality that brought a whole new audience to French films."

 

Sources: Denny Jackson (IMDb), Hal Erickson (AllMovie), Craig Butler (AllMovie), James Travers (French Films), French Films, Wikipedia and IMDb.

 

And please check out our blog European Film Star Postcards.

Queens Of The Stone Age, Newcastle Academy, UK

 

p.s. if you are gonna post my copyrighted images elsewhere on the internet at least have the decency to credit me with them or link them back to here, or i'll probably stop posting them or at least start putting big watermarks on them.

To watch the entire video : www.youtube.com/PausaManzothaBEEF

 

Seeing Evil, Hearing Evil!

 

contains footage from:

Inland Empire -

Nine Inch Nails = Closer(music-video) -

Pusher II -

Totó Che Visse Due Volte -

Cormega ft. M.O.P. = Let It Go(music-video) -

Pusher III -

Zoolander -

Mulholland Drive -

Ministry = Stigmata(music-video) -

Ministry = Burning Inside(music-video) -

 

contains audio from:

The Chromatics = Tick of the Clock(remixed by thaBEEF) -

Fabrizio de Andrè = Valzer per un amore(remixed by thaBEEF) -

Dub Trio = En Passant -

The Toasters = Weekend In L.A.

Session Americana and Peter Wolf playing at the Lizard Lounge in Cambridge, MA.

 

en.wikipedia.org/wiki/Peter_Wolf

www.peterwolf.com/

www.facebook.com/PeterWolfMusic?v=wall

Life and career

 

Wolf was born in the Bronx, New York. He planned a career as an artist, but he got a job in the late 1960s as a disc jockey on then-cutting edge Boston FM radio station WBCN and began exploring his interest in blues and rhythm and blues music, giving himself the nickname "the Wolfa Goofa", sometimes expanded to "the Wolfa Goofa with the Green Teeth" (as mentioned in the intro to "Must of Got Lost" on the Blow Your Face Out album). Later as solo artist he called himself Woofa Goofa Mama Toofa. He formed a group called the Hallucinations who performed with The Velvet Underground, Howlin' Wolf, Muddy Waters, Van Morrison, John Lee Hooker, and Sun Ra. He then saw the J. Geils Blues Band in concert and quickly joined. He was the vocalist and frontman, and often acted as a sort of manager. Wolf was known for his charismatic stage antics of fast-talking quips and "pole-vaulting" with the microphone stand. He and keyboard player Seth Justman were responsible for most of the songwriting. Creative differences followed their Freeze-Frame album, causing the J. Geils Band and Peter Wolf to part ways in 1983.

 

Peter Wolf with the J. Geils Band in Candlestick Park, San Francisco, California Photo: Catharine Anderson

Wolf became a solo artist for the next 15 years, but in 1999 the J. Geils Band reunited for several appearances, with Wolf resuming his duties as lead vocalist. They separated again, and Wolf began touring once more, as a solo act.

Wolf's first solo record, Lights Out (1984) was produced by Michael Jonzun of the Jonzun Crew, features Adrian Belew, and has a somewhat funky, electro sound. The eponymous single became a hit single the same year, peaking at #12 on the Billboard Hot 100. He recorded many duets with the likes of Aretha Franklin, Little Milton, John Lee Hooker, Don Covay, and Wilson Pickett to name just a few.

Long Line was co-produced with two musician friends, Johnny A. and a Bob Dylan backup band member, Stu Kimball. Tim Archibald (Bass) and Brian Maes (keys and backing vocals) who are both members of "Ernie And The Automatics", played on the record and Toured in support of "Long Line." His next two solo albums, Fool's Parade and Sleepless (the latter featuring guest appearances from Mick Jagger and Keith Richards), were both highly praised by Jann Wenner in Rolling Stone, receiving four-and-a-half and five stars, respectively. Sleepless (2002) was noted as one of the 500 greatest albums of all time in Rolling Stone issue 937. He has performed on stage with such diverse people as Bruce Springsteen and Phil Lesh.

Wolf toured in 2008 with Kid Rock and Rev. Run on The Rock N Roll Revival Tour. He performed "Love Stinks" solo with Kid Rock's band. Then he joined Kid Rock for "Ain't Too Proud to Beg", "Musta Got Lost", "Centerfold" (from the J. Geils album Freeze Frame) and "For What It's Worth".

The J. Geils Band re-united for a series of shows in 2009, including opening night at the Boston House of Blues.

Wolf's 2010 album Midnight Souvenirs won Album of the Year at the Boston Music Awards.[2][3]

 

www.facebook.com/pages/Session-Americana/53199003969

 

www.sessionamericana.com

www.myspace.com/sessionamericana

www.hi-n-dry.com/session_americana

www.exploitboston.com/music-musings/grab-new-music-from-s...

Session Americana - www.sessionamericana.com

 

This ad hoc acoustic supergroup started around a table at a small pub in Cambridge, Massachusetts, where Ry Cavanaugh, Billy Conway, Sean Staples, Dinty Child, Jim Fitting and other friends gathered to swap songs and stories. Their lively performances and inspired versions of tunes from the dusty backroads of America's past were such a hit with fans that they decided to take their musical conversation into the studio. The two-CD debut Tabletop People ups the ante with stellar appearances by folksinger Rose Polenzani, Twinemen's Laurie Sargent, Dennis Brennan, Asa Brebner, Merrie Amsterburg, Dan Kellar, Presidents of the United States' Chris Ballew, Jabe Beyer, Tim Gearon and other luminaries. And the 18 gritty, funny, soulful performances included span a gamut of emotions and tastes that should please both adult and younger listeners.

 

"Genius ... Jaw-dropping vocals ... Session Americana is blessed in this regard:...musicianship that sets the standard for the genre in Boston

and vocals that do the same"

— Performer Magazine

 

Session Americana sit tightly around a small cafe table, ambient mics tuned to catch the whole sound of the voices and instruments. A suit-case drum kit, an old electric bass, a bunch of acoustic instruments, a field organ: This format feels very theatrical and though the musicians face each other, the audience feels drawn into the circle by the warmth, joy and camaraderie that emanate outwards by the all star cast of characters seated around the table. What keeps you coming back show after show is the same thing that any audience member longs for, great songs performed by a great band. The six core members of the band have brought enviable careers worth of experience to the “table”, featuring (current and former) members of Treat Her Right, Patty Griffin, Lori McKenna, The The, Dennis Brennan, Kris Delmhorst. The group has grown from a rag tag jam at a local pub to a regional institution, playing gigs from church coee houses to urban nightclubs to regional festival tents to large halls.

 

Band: Ry Cavanaugh, Billy Beard, Dinty Child, Jim Fitting, Sean Staples and Jon Bistline.

 

*Winner “2005 Best Folk Act” - The Boston Music Awards

*Winner “Best Roots Act 2006” - Improper Bostonian “Best of Boston” Issue

*Winner “Best CD” 2007 - Improper Bostonian

*Nominated “Best Roots Act” 2007 - WFNX/Boston Phoenix Best Music Poll

*Nominated Best Live Act 2007 - The Boston Music Awards

*Nominated Best Americana Act 2008 - The Boston Music Awards

 

“Genius ... Jaw-dropping vocals ... Session Americana is blessed in this regard: ...musicianship that sets the standard for the genre in Boston and vocals that do the same”

— NE Performer Magazine

 

“No egos, no big production, just some great songs stripped down to their bare essentials and performed with a real genuineness of spirit and emotional authenticity... it’s beautiful.” (Brian Mosher)

— The Noise

 

“An eclectic, swinging tour de force” — The Boston Globe

 

“[This] local country-folk megagroup’s double CD is one of the most loose, spontaneous, warm, and homespun acts of community and decency since the Nitty Gritty Dirt Band’s Will the Circle Be Unbroken.”

 

— The Boston Phoenix

“the cream of the Somerville/Cambridge community" - No Depression (read less)

 

West German collector card by Druckerei Hanns Uhrig, Frankfurt a. M. / NF Films. Photo: Pathé-Cinema. Brigitte Bardot in La mariée est trop belle / The Bride Is Much Too Beautiful (Pierre Gaspard-Huit, 1956).

 

French actress Brigitte Bardot (1934) died on 28 December 2025, at the age of 91. In the 1950s, she was the sex kitten of the European film industry. BB starred in 48 films, performed in numerous musical shows, and recorded 80 songs. After her retirement in 1973, she became an animal rights activist. In the coming weeks, we will continue to post a BB postcard every day to remember her as she once was.

 

Brigitte Bardot was born in Paris in 1934. Her father, Louis Bardot, had an engineering degree and worked with his father in the family business. Her mother, Ann-Marie Mucel, was 14 years younger than Brigitte's father, and they married in 1933. Brigitte's mother encouraged her daughter to take up music and dance. At the age of 13, she entered the Conservatoire Nationale de Danse to study ballet. By the time she was 15, Brigitte was trying to launch a modelling career and found herself on the cover of the French magazine Elle in May 1949. Her incredible beauty was readily apparent, and Brigitte was noticed by Roger Vadim, then an assistant to the film director Marc Allegrét. Vadim was infatuated with Bardot and encouraged her to start working as a film actress. BB was 18 when she debuted in the comedy Le Trou Normand / Crazy for Love (Jean Boyer, 1952). In the same year, she married Vadim. Brigitte wanted to marry him when she was 17, but her parents quashed any marriage plans until she turned 18. In April 1953, she attended the Cannes Film Festival, where she received massive media attention. She soon was every man's idea of the girl he'd like to meet in Paris. From 1952 to 1956, she appeared in seventeen films. Her films were generally lightweight romantic dramas in which she was cast as an ingénue or siren, often with an element of undress. In 1953, she made her first US production, Un acte d'amour / Act of Love (Anatole Litvak, 1953) with Kirk Douglas, but she continued to make films in France.

 

Roger Vadim was not content with the light fare his wife was offered. He felt Brigitte Bardot was being undersold. Looking for something more like an art film to push her as a serious actress, he showcased her in Et Dieu créa la femme / ...And God Created Woman (Roger Vadim, 1956). This film, about an immoral teenager in a respectable small-town setting, was a smash success on both sides of the Atlantic. Craig Butler at AllMovie: "It's easy enough to say that ...And God Created Woman is much more important for its historical significance than for its actual quality as a film, and that's true to an extent. The immense popularity, due to its willingness to directly embrace an exploration of sex as well as its willingness to show a degree of nudity that was remarkably daring for its day, demonstrated that audiences were willing to view subject matter that was considered too racy for the average moviegoer. This had both positive (freedom to explore, especially for the French filmmakers of the time) and negative (freedom to exploit) consequences, but its impact is undeniable. It's also true that Woman is not a great work of art, not with a story that is ultimately rather thin, some painful dialogue, and an attitude toward its characters and their sexuality that is unclear and inconsistent. Yet Woman is still fascinating, due in no small part to the presence of Brigitte Bardot in the role that made her an international star and sex symbol. She's not demonstrating great acting here, although her performance is actually good and much better than necessary, and her legendary mambo scene at the climax is nothing short of sensational." During the filming of Et Dieu créa la femme / And God Created Woman (Roger Vadim, 1956), directed by her husband, Brigitte Bardot had an affair with her co-star, Jean-Louis Trintignant, who at the time was married to French actress Stéphane Audran. Her divorce from Vadim followed, but they remained friends and collaborated in later work.

 

Et Dieu créa la femme / ...And God Created Woman (Roger Vadim, 1956) helped elevate Brigitte Bardot's international status. The film took the USA by storm, her explosive sexuality being unlike anything seen in the States since the days of the 'flapper' in the 1920s. It gave rise to the phrase 'sex kitten', and fascination with her in America consisted of magazine photographs and dubbed over French films - good, bad or indifferent, her films drew audiences - mainly men - into theatres like lemmings. BB appeared in light comedies like Doctor at Large (Ralph Thomas, 1957) - the third of the British 'Doctor' series starring Dirk Bogarde - and Une Parisienne / La Parisienne (Michel Boisrond, 1957), which suited her acting skills best. However, she was a sensation in the crime drama En cas de malheur / Love is My Profession (Claude Autant-Lara, 1958). Hal Erickson at AllMovie: "This Brigitte Bardot vehicle ran into stiff opposition from the Catholic Legion of Decency, severely limiting its U.S. distribution. Bardot plays a nubile small-time thief named Yvette, who becomes the mistress of influential defence attorney Andre (Jean Gabin). Though Andre can shower Yvette with jewels and furs, he cannot "buy" her heart, and thus it is that it belongs to handsome young student Mazzetti (Franco Interlenghi). Alas, Yvette is no judge of human nature: attractive though Mazzetti can be, he has a dangerous and deadly side. En Cas de Malheur contains a nude scene that has since been reprinted in freeze-frame form innumerable times by both film-history books and girlie magazines." Photographer Sam Lévin's photos contributed considerably to her image of sensuality and slight immorality. One of Lévin's pictures shows Brigitte, dressed in a white corset. It is said that around 1960, postcards with this photograph outsold in Paris those of the Eiffel Tower.

 

Brigitte Bardot divorced Vadim in 1957, and in 1959 she married actor Jacques Charrier, with whom she starred in Babette s'en va-t-en guerre / Babette Goes to War (Christian-Jaque, 1959). The paparazzi preyed upon her marriage, while she and her husband clashed over the direction of her career

Her films became more substantial, but this brought a heavy pressure of dual celebrity as she sought critical acclaim while remaining a glamour model for most of the world. Vie privée / Private Life (1962), directed by Louis Malle, has more than an element of autobiography in it. James Travers at French Films: "Brigitte Bardot hadn’t quite reached the high point of her career when she agreed to make this film with high-profile New Wave film director Louis Malle. Even so, the pressure of being a living icon was obviously beginning to get to France’s sex goddess, and Vie privée is as much an attempt by Bardot to come to terms with her celebrity as anything else. Malle is clearly fascinated by Bardot, and the documentary approach he adopts for this film reinforces the impression that it is more a biography of the actress than a work of fiction. Of course, it’s not entirely biographical, but the story is remarkably close to Bardot’s own life and comes pretty close to predicting how her career would end." The scene in which, returning to her apartment, Bardot's character is harangued in the elevator by a middle-aged cleaning lady calling her offensive names was based on an actual incident, and is a resonant image of celebrity in the mid-20th century. Soon afterwards, Bardot withdrew to the seclusion of Southern France.

 

Brigitte Bardot's other husbands were German millionaire Playboy Gunter Sachs and right-wing politician Bernard d'Ormale. She is reputed to have had relationships with many other men, including Samy Frey, her co-star in La Vérité / The Truth (Henri-Georges Clouzot, 1960), and musicians Serge Gainsbourg and Sacha Distel. In 1963, Brigitte Bardot starred in Jean-Luc Godard's critically acclaimed film Le Mépris / Contempt (Jean-Luc Godard, 1963) opposite Michel Piccoli. She was also featured along with such notable actors as Alain Delon in Amours célèbres / Famous Love Affairs (Michel Boisrond, 1961) and Histoires extraordinaires /Tales of Mystery (Louis Malle, 1968), Jeanne Moreau in Viva Maria! (Louis Malle, 1965), Sean Connery in Shalako (Edward Dmytryk, 1968), and Claudia Cardinale in Les Pétroleuses / Petroleum Girls (Christian-Jaque, 1971). She participated in various musical shows and recorded many popular songs in the 1960s and 1970s, mostly in collaboration with Serge Gainsbourg, Bob Zagury and Sacha Distel, including 'Harley Davidson', 'Le Soleil De Ma Vie' (the cover of Stevie Wonder's 'You Are the Sunshine of My Life') and the notorious 'Je t'aime... moi non plus'.

 

Brigitte Bardot’s film career showed a steady decline in the late 1960s and early 1970s. In 1973, just before her fortieth birthday, she announced her retirement. She chose to use her fame to promote animal rights. In 1976, she established the Brigitte Bardot Foundation for the Welfare and Protection of Animals. She became a vegetarian and raised three million French francs to fund the foundation by auctioning off jewellery and many personal belongings. For this work, she was awarded the Légion d’honneur in 1984. During the 1990s, she was also outspoken in her criticism of immigration, interracial relationships, Islam in France and homosexuality. Her husband Bernard d'Ormal was a former adviser of the far-right Front National party. Bardot has been convicted five times for 'inciting racial hatred'. More fun is that Bardot is recognised for popularising bikini swimwear, in such early films as Manina / Woman without a Veil (Willy Rozier, 1952), in her appearances at Cannes and in many photo shoots. Bardot also brought into fashion the 'choucroute' ('Sauerkraut') hairstyle (a sort of beehive hairstyle) and gingham clothes after wearing a checkered pink dress, designed by Jacques Esterel, at her wedding to Charrier. The fashions of the 1960s looked effortlessly right and spontaneous on her. Time Magazine: "She is the princess of pout, the countess of come hither. Brigitte Bardot exuded a carefree, naïve sexuality that brought a whole new audience to French films."

 

Sources: Denny Jackson (IMDb), Hal Erickson (AllMovie), Craig Butler (AllMovie), James Travers (French Films), French Films, Wikipedia and IMDb.

 

And please check out our blog European Film Star Postcards.

i don't express many of my opinions on flickr

but today i'm really happy and i want to share this

it is an excerpt from a message from Michael Moore

thank you america for voting for change and hope!

many canadians will celebrate with you today

 

•

 

"But today we celebrate this triumph of decency over personal attack, of peace over war, of intelligence over a belief that Adam and Eve rode around on dinosaurs just 6,000 years ago. What will it be like to have a smart president? Science, banished for eight years, will return. Imagine supporting our country's greatest minds as they seek to cure illness, discover new forms of energy, and work to save the planet. I know, pinch me.

 

We may, just possibly, also see a time of refreshing openness, enlightenment and creativity. The arts and the artists will not be seen as the enemy. Perhaps art will be explored in order to discover the greater truths. When FDR was ushered in with his landslide in 1932, what followed was Frank Capra and Preston Sturgis, Woody Guthrie and John Steinbeck, Dorothea Lange and Orson Welles. All week long I have been inundated with media asking me, "gee, Mike, what will you do now that Bush is gone?" Are they kidding? What will it be like to work and create in an environment that nurtures and supports film and the arts, science and invention, and the freedom to be whatever you want to be? Watch a thousand flowers bloom! We've entered a new era, and if I could sum up our collective first thought of this new era, it is this: Anything Is Possible.

 

An African American has been elected President of the United States! Anything is possible! We can wrestle our economy out of the hands of the reckless rich and return it to the people. Anything is possible! Every citizen can be guaranteed health care. Anything is possible! We can stop melting the polar ice caps. Anything is possible! Those who have committed war crimes will be brought to justice. Anything is possible."

 

Venice was much different in 1960 than it is today. Why? That is a good question, but one I enjoy answering. Of course, it is only opinion, but it all has to do with economics, greed, selfish-goals of selfish men and the lack of common decency about displacement of residents who had called it "home" for decades.

Vonnegut's address to Rice University in '98:

 

Hello.

 

For those of you getting your first university degrees, I like your generation a lot, and I expect good things from you, and wish you well.

 

This is a long-delayed puberty ceremony. You are at last officially full-grown men and women -- what you were biologically by the age of fifteen or so. I am sorry as I can be that it took so long and cost so much for you to at last receive licenses as grownups.

 

I have not calculated how much your diplomas cost in time and money. Whatever those ballpark figures are, they surely deserve this reaction from me today: Wow. Wow. Wow.

 

Thank you, and God bless you and those who made it possible for you to study at this great American university. By becoming informed and reasonable and capable adults, you have made this a better world than it was before you got here.

 

Have we met before? No. But I have thought a lot about people like you. You men here are Adam. You women are Eve. Who hasn't thought a lot about Adam and Eve?

 

This is Eden, and you're about to be kicked out. Why? You ate the knowledge apple. It's in your tummies now.

 

And who am I? I used to be Adam. But now I am Methuselah.

 

And who is a serpent among us? Anyone who would strike a child.

 

So what does this Methuselah have to say to you, since he has lived so long? I'll pass on to you what another Methuselah said to me. He's Joe Heller, author, as you know, of Catch 22. We were at a party thrown by a multi-billionaire out on Long Island, and I said, ''Joe, how does it make you feel to realize that only yesterday our host probably made more money than Catch 22, one of the most popular books of all time, has grossed world-wide over the past forty years?''

 

Joe said to me, ''I have something he can never have.''

 

I said, ''What's that, Joe?''

 

And he said, ''The knowledge that I've got enough.''

 

His example may be of comfort to many of you Adams and Eves, who in later years will have to admit that something has gone terribly wrong -- and that, despite the education you received here, you have somehow failed to become billionaires.

 

This can happen to people who are interested in something other than money, other than the bottom line. We call such people saints -- or I do.

 

Well-dressed people ask me sometimes, with their teeth bared, as though they were about to bite me, if I believe in a redistribution of wealth. I can only reply that it doesn't matter what I think, that wealth is already being redistributed every hour, often in ways which are absolutely fantastic.

 

Nobel Prizes are peanuts when compared with what a linebacker for the Cowboys makes in a single season nowadays.

 

For about a hundred years now, the most lucrative prize for a person who made a really meaningful contribution to the culture of the world as a physicist, a chemist, a physiologist, a physician, a writer, or a maker of peace, has been the Nobel Prize. It is about a million dollars now. Those dollars come, incidentally, from a fortune made by a Swede who mixed clay with nitroglycerin and gave us dynamite.

 

KABOOM!

 

Alfred Nobel intended that his prizes make the planet's most valuable inhabitants independently wealthy, so that their work could not be inhibited or bent this way or that way by powerful politicians or patrons.

 

But one million dollars is only a white chip now -- in the worlds of sports and entertainment, on Wall Street, in many lawsuits, as compensation for executives of our larger corporations.

 

One million dollars in the tabloids and on the evening news is "chump change" in 1998.

 

I am reminded of a scene in a W. C. Fields movie, in which he is watching a poker game in a saloon in a gold-rush town. Fields announces his presence by putting a one-hundred-dollar bill on the table. The players barely look up from the game. One of them finally says, "Give him a white chip."

 

But the cost of a college education, a minor fraction of a million dollars, is anything but chump change to most Americans. Have academic degrees in the past been passports to international glory, to wealth grotesquely out of scale with the needs of ordinary families?

 

In a few cases. Rice can no doubt name a handful of celebrities who came from here. Larry McMurtry I know about. But most graduates from Rice, or from Harvard, or Oxford, or the Sorbonne, or anyplace else you care to name, have been of use locally rather than nationally. They have commonly been rewarded with modest but adequate amounts of money -- and even less fame. In place of fame, they may have had to be content with someone's seemingly heartfelt thanks for something well done from time to time.

 

In time, this will prove to have been the destiny of most, but not all, of the Adams and Eves in this, the Class of 1998 at Rice, and the graduate students as well. They will find themselves building or strengthening their communities. Please love such a destiny, if it turns out to be yours -- for communities are all that is substantial about what we create or defend or maintain in this World.

 

All the rest is hoop-la.

 

For your footloose generation, that community could as easily be in New York City or Washington, DC or Paris -- as in Houston -- or Adelaide, Australia, or Shanghai, or Kuala Lampur.

 

Mark Twain, at the end of a profoundly meaningful life, for which he never received a Nobel Prize, asked himself what it was we all lived for. He came up with six words which satisfied him. They satisfy me, too. They should satisfy you:

 

''The good opinion of our neighbors.''

 

Neighbors are people who know you, can see you, can talk to you -- to whom you may have been of some help or beneficial stimulation. They are not nearly as numerous as the fans, say, of Madonna or Michael Jordan.

 

To earn their good opinions, you should apply the special skills you have learned here, and meet the standards of decency and honor and fair play set by exemplary books and elders.

 

It's even money that one of you will get a Nobel Prize. Wanna bet? It's only a million bucks, but what the heck. That's better than a sharp stick in the eye, as the saying goes.

 

This speech is now almost twice as long as the most efficient oration ever uttered by an American: Abraham Lincoln's Gettysburg Address. Lincoln was murdered for his ideals. The founder of this university, William Marsh Rice, another idealist, was murdered for his money. Whatever! The good both men did lives after them.

 

Up to this point this speech has been new stuff, written for this place and this occasion. But every graduation address I've delivered has ended, and this one will, too, with old stuff about my Uncle Alex, my father's kid brother. A Harvard graduate, Alex Vonnegut was locally useful in Indianapolis as an honest insurance agent. He was also well-read and wise.

 

One thing which Uncle Alex found objectionable about human beings was that they seldom took time out to notice when they were happy. He himself did his best to acknowledge it when times were sweet. We could be drinking lemonade in the shade of an apple tree in the summertime, and he would interrupt the conversation to say, "If this isn't nice, what is?"

 

So, I hope that you Adams and Eves in front of me will do the same for the rest of your lives. When things are going sweetly and peacefully, please pause a moment, and then say out loud: ''If this isn't nice, what is?'' Hold up your hands if you promise to do that.

 

That's one favor I've asked of you.

 

Now I ask you for another one. I ask it not only of the graduates, but of everyone here, including even Malcolm Gillis, so keep your eyes on him. I'll want a show of hands, after I ask this question:

 

''How many of you have had a teacher at any level in your educations who made you more excited to be alive, prouder to be alive, than you had previously believed possible?''

 

Hold up your hands, please.

 

Now take down your hands and say the name of that teacher to someone sitting or standing near you.

 

All done? Thank you.

 

If this isn't nice, what is?

 

I thank you for your attention. Hey, presto! God speed.

Dutch postcard by Uitg. Takken, Utrecht, no. AX 4322. Photo: N.V. City Film, Den Haag / Francofilm. Brigitte Bardot in Voulez-vous danser avec moi / Come Dance With Me! (Michel Boisrond, 1959).

 

French actress Brigitte Bardot (1934) died on 28 December 2025, at the age of 91. In the 1950s, she was the sex kitten of the European film industry. BB starred in 48 films, performed in numerous musical shows, and recorded 80 songs. After her retirement in 1973, she became an animal rights activist. In the coming weeks, we will continue to post a BB postcard every day to remember her as she once was.

 

Brigitte Bardot was born in Paris in 1934. Her father, Louis Bardot, had an engineering degree and worked with his father in the family business. Her mother, Ann-Marie Mucel, was 14 years younger than Brigitte's father, and they married in 1933. Brigitte's mother encouraged her daughter to take up music and dance. At the age of 13, she entered the Conservatoire Nationale de Danse to study ballet. By the time she was 15, Brigitte was trying to launch a modelling career and found herself on the cover of the French magazine Elle in May 1949. Her incredible beauty was readily apparent, and Brigitte was noticed by Roger Vadim, then an assistant to the film director Marc Allegrét. Vadim was infatuated with Bardot and encouraged her to start working as a film actress. BB was 18 when she debuted in the comedy Le Trou Normand / Crazy for Love (Jean Boyer, 1952). In the same year, she married Vadim. Brigitte wanted to marry him when she was 17, but her parents quashed any marriage plans until she turned 18. In April 1953, she attended the Cannes Film Festival, where she received massive media attention. She soon was every man's idea of the girl he'd like to meet in Paris. From 1952 to 1956, she appeared in seventeen films. Her films were generally lightweight romantic dramas in which she was cast as an ingénue or siren, often with an element of undress. In 1953, she made her first US production, Un acte d'amour / Act of Love (Anatole Litvak, 1953) with Kirk Douglas, but she continued to make films in France.

 

Roger Vadim was not content with the light fare his wife was offered. He felt Brigitte Bardot was being undersold. Looking for something more like an art film to push her as a serious actress, he showcased her in Et Dieu créa la femme / ...And God Created Woman (Roger Vadim, 1956). This film, about an immoral teenager in a respectable small-town setting, was a smash success on both sides of the Atlantic. Craig Butler at AllMovie: "It's easy enough to say that ...And God Created Woman is much more important for its historical significance than for its actual quality as a film, and that's true to an extent. The immense popularity, due to its willingness to directly embrace an exploration of sex as well as its willingness to show a degree of nudity that was remarkably daring for its day, demonstrated that audiences were willing to view subject matter that was considered too racy for the average moviegoer. This had both positive (freedom to explore, especially for the French filmmakers of the time) and negative (freedom to exploit) consequences, but its impact is undeniable. It's also true that Woman is not a great work of art, not with a story that is ultimately rather thin, some painful dialogue, and an attitude toward its characters and their sexuality that is unclear and inconsistent. Yet Woman is still fascinating, due in no small part to the presence of Brigitte Bardot in the role that made her an international star and sex symbol. She's not demonstrating great acting here, although her performance is actually good and much better than necessary, and her legendary mambo scene at the climax is nothing short of sensational." During the filming of Et Dieu créa la femme / And God Created Woman (Roger Vadim, 1956), directed by her husband, Brigitte Bardot had an affair with her co-star, Jean-Louis Trintignant, who at the time was married to French actress Stéphane Audran. Her divorce from Vadim followed, but they remained friends and collaborated in later work.

 

Et Dieu créa la femme / ...And God Created Woman (Roger Vadim, 1956) helped elevate Brigitte Bardot's international status. The film took the USA by storm, her explosive sexuality being unlike anything seen in the States since the days of the 'flapper' in the 1920s. It gave rise to the phrase 'sex kitten', and fascination with her in America consisted of magazine photographs and dubbed over French films - good, bad or indifferent, her films drew audiences - mainly men - into theatres like lemmings. BB appeared in light comedies like Doctor at Large (Ralph Thomas, 1957) - the third of the British 'Doctor' series starring Dirk Bogarde - and Une Parisienne / La Parisienne (Michel Boisrond, 1957), which suited her acting skills best. However, she was a sensation in the crime drama En cas de malheur / Love is My Profession (Claude Autant-Lara, 1958). Hal Erickson at AllMovie: "This Brigitte Bardot vehicle ran into stiff opposition from the Catholic Legion of Decency, severely limiting its U.S. distribution. Bardot plays a nubile small-time thief named Yvette, who becomes the mistress of influential defence attorney Andre (Jean Gabin). Though Andre can shower Yvette with jewels and furs, he cannot "buy" her heart, and thus it is that it belongs to handsome young student Mazzetti (Franco Interlenghi). Alas, Yvette is no judge of human nature: attractive though Mazzetti can be, he has a dangerous and deadly side. En Cas de Malheur contains a nude scene that has since been reprinted in freeze-frame form innumerable times by both film-history books and girlie magazines." Photographer Sam Lévin's photos contributed considerably to her image of sensuality and slight immorality. One of Lévin's pictures shows Brigitte, dressed in a white corset. It is said that around 1960, postcards with this photograph outsold in Paris those of the Eiffel Tower.

 

Brigitte Bardot divorced Vadim in 1957, and in 1959 she married actor Jacques Charrier, with whom she starred in Babette s'en va-t-en guerre / Babette Goes to War (Christian-Jaque, 1959). The paparazzi preyed upon her marriage, while she and her husband clashed over the direction of her career

Her films became more substantial, but this brought a heavy pressure of dual celebrity as she sought critical acclaim while remaining a glamour model for most of the world. Vie privée / Private Life (1962), directed by Louis Malle, has more than an element of autobiography in it. James Travers at French Films: "Brigitte Bardot hadn’t quite reached the high point of her career when she agreed to make this film with high-profile New Wave film director Louis Malle. Even so, the pressure of being a living icon was obviously beginning to get to France’s sex goddess, and Vie privée is as much an attempt by Bardot to come to terms with her celebrity as anything else. Malle is clearly fascinated by Bardot, and the documentary approach he adopts for this film reinforces the impression that it is more a biography of the actress than a work of fiction. Of course, it’s not entirely biographical, but the story is remarkably close to Bardot’s own life and comes pretty close to predicting how her career would end." The scene in which, returning to her apartment, Bardot's character is harangued in the elevator by a middle-aged cleaning lady calling her offensive names was based on an actual incident, and is a resonant image of celebrity in the mid-20th century. Soon afterwards, Bardot withdrew to the seclusion of Southern France.

 

Brigitte Bardot's other husbands were German millionaire Playboy Gunter Sachs and right-wing politician Bernard d'Ormale. She is reputed to have had relationships with many other men, including Samy Frey, her co-star in La Vérité / The Truth (Henri-Georges Clouzot, 1960), and musicians Serge Gainsbourg and Sacha Distel. In 1963, Brigitte Bardot starred in Jean-Luc Godard's critically acclaimed film Le Mépris / Contempt (Jean-Luc Godard, 1963) opposite Michel Piccoli. She was also featured along with such notable actors as Alain Delon in Amours célèbres / Famous Love Affairs (Michel Boisrond, 1961) and Histoires extraordinaires /Tales of Mystery (Louis Malle, 1968), Jeanne Moreau in Viva Maria! (Louis Malle, 1965), Sean Connery in Shalako (Edward Dmytryk, 1968), and Claudia Cardinale in Les Pétroleuses / Petroleum Girls (Christian-Jaque, 1971). She participated in various musical shows and recorded many popular songs in the 1960s and 1970s, mostly in collaboration with Serge Gainsbourg, Bob Zagury and Sacha Distel, including 'Harley Davidson', 'Le Soleil De Ma Vie' (the cover of Stevie Wonder's 'You Are the Sunshine of My Life') and the notorious 'Je t'aime... moi non plus'.

 

Brigitte Bardot’s film career showed a steady decline in the late 1960s and early 1970s. In 1973, just before her fortieth birthday, she announced her retirement. She chose to use her fame to promote animal rights. In 1976, she established the Brigitte Bardot Foundation for the Welfare and Protection of Animals. She became a vegetarian and raised three million French francs to fund the foundation by auctioning off jewellery and many personal belongings. For this work, she was awarded the Légion d’honneur in 1984. During the 1990s, she was also outspoken in her criticism of immigration, interracial relationships, Islam in France and homosexuality. Her husband Bernard d'Ormal was a former adviser of the far-right Front National party. Bardot has been convicted five times for 'inciting racial hatred'. More fun is that Bardot is recognised for popularising bikini swimwear, in such early films as Manina / Woman without a Veil (Willy Rozier, 1952), in her appearances at Cannes and in many photo shoots. Bardot also brought into fashion the 'choucroute' ('Sauerkraut') hairstyle (a sort of beehive hairstyle) and gingham clothes after wearing a checkered pink dress, designed by Jacques Esterel, at her wedding to Charrier. The fashions of the 1960s looked effortlessly right and spontaneous on her. Time Magazine: "She is the princess of pout, the countess of come hither. Brigitte Bardot exuded a carefree, naïve sexuality that brought a whole new audience to French films."

 

Sources: Denny Jackson (IMDb), Hal Erickson (AllMovie), Craig Butler (AllMovie), James Travers (French Films), French Films, Wikipedia and IMDb.

 

And please check out our blog European Film Star Postcards.

despite what the frame shows: i was completely out of my head, drove for miles on end, parked and found myself unable to step out of the car 'cos i was delirious, Laura urging me to ground and center before diving into the open world again.

i kept going on, then we stepped out and i shot big ugly stone things, remnants of a gone age, with shiny grey clouds behind them, then walked further only to find a big cagey door closed in front of us, sewn shut: and we tried and kissed long time no see friends through bars like in a prison movie.

i think i hurt my forehead while asking Madame P how she was doing: the tiny red sign is still there, i guess, i just have to go in front of the mirror and have a look to confirm it.

 

the cagey door kept being shut for big chunks of minutes on end. maybe it would have been better to remain silent, for decency, so i took out the camera and found myself unable to keep subjects in focus. except for this, which took only three attempts, and made so that somebody asked me hastily: having fun with that camera, eh?

 

i smiled, whole fish stocks swimming behind my eyes in swerwing circles and he didn't knew a thing.

 

i said: sure.

 

and went off to the rest of the evening.

Cineaste365 (November 29, 2013 - Day 049): Today's selection for Cineaste365 goes to "Der Blaue Angel" (The Blue Angel) directed by Josef von Sternberg and starring Emil Jannings and Marlene Dietrich. A film I am currently reviewing.

 

“The Blue Angel” is a fantastic pre-code film in which filmmaker Josef von Sternberg combines German Expressionism but also utilizing Western sensibility in his film.

 

And like many German films of the era, there is an air of darkness, moral descent and while it may seem as the film contains the banality of what has been done in German films, rarely do these films showcase a beautiful woman, a woman who is literally not wearing much (which definitely sent conservatives up in a tizzy) and as it was a von Sternberg film, its the unknown actress who has won the hearts of many viewers worldwide.

 

That actress is Marlene Dietrich who didn’t stick around to find out how the film would do in the box office. She packed up and left to America to embark on a career which she would be signed by Paramount and would headline many more films after “The Blue Angel”.

 

First, the performance by Emil Jannings is wonderful. As Dr. Immanuel Rath, he is your professor that is always strict and one who will not put up with anyone’s guff. He is an intellectual and he is proud of his role as a professor at the local college. And as someone would think that Jannings is a man who is so strict and possibly sexually repressed, he is a man afterall and that is where is naivety gets the best of him.

 

For an intelligent man, he has made a bad/desperate decision to go after a woman who probably has been around the block many times and a woman who literally offers nothing to him intellectually but perhaps only sexually. If not sexually, just a woman who appears to accept him for how he is and a man who has dropped his guard for the sake of companionship.

 

As a viewer, you can sympathize with his decision. Many of the young men can only dream of being with Lola, but now this man is with the beautiful Lola.

 

And it is Marelene Dietrich who is able to take the role of Lola Lola and give us a sense of intense sexuality and domination. From the moment Dr. Rath proposes to Lola and you hear this devious laugh, it is like the snake who has convinced Eden to take a bite of the apple, but in this case, it is Dr. Rath who chose to go the path of Lola, despite being warned and now she will take him on this journey to moral descent and over the years, we see this distinguished professor go from a strict intellectual to a ridiculous clown. No money, no respect and even lost any sympathy from Lola and those around him.

 

And this is where Josef von Sternberg is able to capture with efficacy, the destruction of a man, all decency stripped and you can only watch and realized that this man, blinded by his love of wanting to be loved, wanting to find a beautiful companion, has literally thrown everything in his life that is decent, away.

 

While the collaboration between Sternberg and Dietrich would lead to bigger things and better films, “The Blue Angel” is special for the fact that it introduced Dietrich to the world, it was an early German and English talkie but it is a film that was able to capture German filmmaking but with a filmmaker from America. “The Blue Angel” does have cinematic important and while loosely based on the more darker “Professor Unrat” novel by Heinrich Mann, the film was a big success in the box office and most of all, Paramount knew that having both von Sternberg and Dietrich together will continually bring home box office gold!

Session Americana and Peter Wolf playing at the Lizard Lounge in Cambridge, MA.

 

en.wikipedia.org/wiki/Peter_Wolf

www.peterwolf.com/

www.facebook.com/PeterWolfMusic?v=wall

Life and career

 

Wolf was born in the Bronx, New York. He planned a career as an artist, but he got a job in the late 1960s as a disc jockey on then-cutting edge Boston FM radio station WBCN and began exploring his interest in blues and rhythm and blues music, giving himself the nickname "the Wolfa Goofa", sometimes expanded to "the Wolfa Goofa with the Green Teeth" (as mentioned in the intro to "Must of Got Lost" on the Blow Your Face Out album). Later as solo artist he called himself Woofa Goofa Mama Toofa. He formed a group called the Hallucinations who performed with The Velvet Underground, Howlin' Wolf, Muddy Waters, Van Morrison, John Lee Hooker, and Sun Ra. He then saw the J. Geils Blues Band in concert and quickly joined. He was the vocalist and frontman, and often acted as a sort of manager. Wolf was known for his charismatic stage antics of fast-talking quips and "pole-vaulting" with the microphone stand. He and keyboard player Seth Justman were responsible for most of the songwriting. Creative differences followed their Freeze-Frame album, causing the J. Geils Band and Peter Wolf to part ways in 1983.

 

Peter Wolf with the J. Geils Band in Candlestick Park, San Francisco, California Photo: Catharine Anderson

Wolf became a solo artist for the next 15 years, but in 1999 the J. Geils Band reunited for several appearances, with Wolf resuming his duties as lead vocalist. They separated again, and Wolf began touring once more, as a solo act.

Wolf's first solo record, Lights Out (1984) was produced by Michael Jonzun of the Jonzun Crew, features Adrian Belew, and has a somewhat funky, electro sound. The eponymous single became a hit single the same year, peaking at #12 on the Billboard Hot 100. He recorded many duets with the likes of Aretha Franklin, Little Milton, John Lee Hooker, Don Covay, and Wilson Pickett to name just a few.

Long Line was co-produced with two musician friends, Johnny A. and a Bob Dylan backup band member, Stu Kimball. Tim Archibald (Bass) and Brian Maes (keys and backing vocals) who are both members of "Ernie And The Automatics", played on the record and Toured in support of "Long Line." His next two solo albums, Fool's Parade and Sleepless (the latter featuring guest appearances from Mick Jagger and Keith Richards), were both highly praised by Jann Wenner in Rolling Stone, receiving four-and-a-half and five stars, respectively. Sleepless (2002) was noted as one of the 500 greatest albums of all time in Rolling Stone issue 937. He has performed on stage with such diverse people as Bruce Springsteen and Phil Lesh.

Wolf toured in 2008 with Kid Rock and Rev. Run on The Rock N Roll Revival Tour. He performed "Love Stinks" solo with Kid Rock's band. Then he joined Kid Rock for "Ain't Too Proud to Beg", "Musta Got Lost", "Centerfold" (from the J. Geils album Freeze Frame) and "For What It's Worth".

The J. Geils Band re-united for a series of shows in 2009, including opening night at the Boston House of Blues.

Wolf's 2010 album Midnight Souvenirs won Album of the Year at the Boston Music Awards.[2][3]

 

www.facebook.com/pages/Session-Americana/53199003969

 

www.sessionamericana.com

www.myspace.com/sessionamericana

www.hi-n-dry.com/session_americana

www.exploitboston.com/music-musings/grab-new-music-from-s...

Session Americana - www.sessionamericana.com

 

This ad hoc acoustic supergroup started around a table at a small pub in Cambridge, Massachusetts, where Ry Cavanaugh, Billy Conway, Sean Staples, Dinty Child, Jim Fitting and other friends gathered to swap songs and stories. Their lively performances and inspired versions of tunes from the dusty backroads of America's past were such a hit with fans that they decided to take their musical conversation into the studio. The two-CD debut Tabletop People ups the ante with stellar appearances by folksinger Rose Polenzani, Twinemen's Laurie Sargent, Dennis Brennan, Asa Brebner, Merrie Amsterburg, Dan Kellar, Presidents of the United States' Chris Ballew, Jabe Beyer, Tim Gearon and other luminaries. And the 18 gritty, funny, soulful performances included span a gamut of emotions and tastes that should please both adult and younger listeners.

 

"Genius ... Jaw-dropping vocals ... Session Americana is blessed in this regard:...musicianship that sets the standard for the genre in Boston

and vocals that do the same"

— Performer Magazine

 

Session Americana sit tightly around a small cafe table, ambient mics tuned to catch the whole sound of the voices and instruments. A suit-case drum kit, an old electric bass, a bunch of acoustic instruments, a field organ: This format feels very theatrical and though the musicians face each other, the audience feels drawn into the circle by the warmth, joy and camaraderie that emanate outwards by the all star cast of characters seated around the table. What keeps you coming back show after show is the same thing that any audience member longs for, great songs performed by a great band. The six core members of the band have brought enviable careers worth of experience to the “table”, featuring (current and former) members of Treat Her Right, Patty Griffin, Lori McKenna, The The, Dennis Brennan, Kris Delmhorst. The group has grown from a rag tag jam at a local pub to a regional institution, playing gigs from church coee houses to urban nightclubs to regional festival tents to large halls.

 

Band: Ry Cavanaugh, Billy Beard, Dinty Child, Jim Fitting, Sean Staples and Jon Bistline.

 

*Winner “2005 Best Folk Act” - The Boston Music Awards

*Winner “Best Roots Act 2006” - Improper Bostonian “Best of Boston” Issue

*Winner “Best CD” 2007 - Improper Bostonian

*Nominated “Best Roots Act” 2007 - WFNX/Boston Phoenix Best Music Poll

*Nominated Best Live Act 2007 - The Boston Music Awards

*Nominated Best Americana Act 2008 - The Boston Music Awards

 

“Genius ... Jaw-dropping vocals ... Session Americana is blessed in this regard: ...musicianship that sets the standard for the genre in Boston and vocals that do the same”

— NE Performer Magazine

 

“No egos, no big production, just some great songs stripped down to their bare essentials and performed with a real genuineness of spirit and emotional authenticity... it’s beautiful.” (Brian Mosher)

— The Noise

 

“An eclectic, swinging tour de force” — The Boston Globe

 

“[This] local country-folk megagroup’s double CD is one of the most loose, spontaneous, warm, and homespun acts of community and decency since the Nitty Gritty Dirt Band’s Will the Circle Be Unbroken.”

 

— The Boston Phoenix

“the cream of the Somerville/Cambridge community" - No Depression (read less)

 

Dutch postcard by Takken, Utrecht, no. 3255.

 

French actress Brigitte Bardot (1934) died on 28 December 2025, at the age of 91. In the 1950s, she was the sex kitten of the European film industry. BB starred in 48 films, performed in numerous musical shows, and recorded 80 songs. After her retirement in 1973, she established herself as an animal rights activist and made vegetarianism sexy. In the coming weeks, we will post a BB postcard every day to remember her as she once was.

 

Brigitte Bardot was born in Paris in 1934. Her father, Louis Bardot, had an engineering degree and worked with his father in the family business. Her mother, Ann-Marie Mucel, was 14 years younger than Brigitte's father, and they married in 1933. Brigitte's mother encouraged her daughter to take up music and dance. At the age of 13, she entered the Conservatoire Nationale de Danse to study ballet. By the time she was 15, Brigitte was trying a modelling career and found herself in May 1949 on the cover of the French magazine Elle. Her incredible beauty was readily apparent, and Brigitte was noticed by Roger Vadim, then an assistant to the film director Marc Allegrét. Vadim was infatuated with Bardot and encouraged her to start working as a film actress. BB was 18 when she debuted in the comedy Le Trou Normand / Crazy for Love (Jean Boyer, 1952). In the same year, she married Vadim. Brigitte wanted to marry him when she was 17, but her parents quashed any marriage plans until she turned 18. In April 1953, she attended the Cannes Film Festival, where she received massive media attention. She soon was every man's idea of the girl he'd like to meet in Paris. From 1952 to 1956, she appeared in seventeen films. Her films were generally lightweight romantic dramas in which she was cast as an ingénue or siren, often with an element of undress. In 1953, she made her first US production, Un acte d'amour / Act of Love (Anatole Litvak, 1953) with Kirk Douglas, but she continued to make films in France.

 

Roger Vadim was not content with the light fare his wife was offered. He felt Brigitte Bardot was being undersold. Looking for something more like an art film to push her as a serious actress, he showcased her in Et Dieu créa la femme / ...And God Created Woman (Roger Vadim, 1956). This film, about an immoral teenager in a respectable small-town setting, was a smash success on both sides of the Atlantic. Craig Butler at AllMovie: "It's easy enough to say that ...And God Created Woman is much more important for its historical significance than for its actual quality as a film, and that's true to an extent. The immense popularity, due to its willingness to directly embrace an exploration of sex as well as its willingness to show a degree of nudity that was remarkably daring for its day, demonstrated that audiences were willing to view subject matter that was considered too racy for the average moviegoer. This had both positive (freedom to explore, especially for the French filmmakers of the time) and negative (freedom to exploit) consequences, but its impact is undeniable. It's also true that Woman is not a great work of art, not with a story that is ultimately rather thin, some painful dialogue, and an attitude toward its characters and their sexuality that is unclear and inconsistent. Yet Woman is still fascinating, due in no small part to the presence of Brigitte Bardot in the role that made her an international star and sex symbol. She's not demonstrating great acting here, although her performance is actually good and much better than necessary, and her legendary mambo scene at the climax is nothing short of sensational." During the shooting of Et Dieu créa la femme / And God Created Woman (Roger Vadim, 1956), directed by her husband, Brigitte Bardot had an affair with her co-star Jean-Louis Trintignant, who at that time was married to French actress Stéphane Audran. Her divorce from Vadim followed, but they remained friends and collaborated in later work.

 

Et Dieu créa la femme / ...And God Created Woman (Roger Vadim, 1956) helped Brigitte Bardot's international status. The film took the USA by storm, her explosive sexuality being unlike anything seen in the States since the days of the 'flapper' in the 1920s. It gave rise to the phrase 'sex kitten', and fascination with her in America consisted of magazine photographs and dubbed over French films - good, bad or indifferent, her films drew audiences - mainly men - into theatres like lemmings. BB appeared in light comedies like Doctor at Large (Ralph Thomas, 1957) - the third of the British 'Doctor' series starring Dirk Bogarde - and Une Parisienne / La Parisienne (Michel Boisrond, 1957), which suited her acting skills best. However, she was a sensation in the crime drama En cas de malheur / Love is My Profession (Claude Autant-Lara, 1958). Hal Erickson at AllMovie: "This Brigitte Bardot vehicle ran into stiff opposition from the Catholic Legion of Decency, severely limiting its U.S. distribution. Bardot plays a nubile small-time thief named Yvette, who becomes the mistress of influential defence attorney Andre (Jean Gabin). Though Andre can shower Yvette with jewels and furs, he cannot "buy" her heart, and thus it is that it belongs to handsome young student Mazzetti (Franco Interlenghi). Alas, Yvette is no judge of human nature: attractive though Mazzetti can be, he has a dangerous and deadly side. En Cas de Malheur contains a nude scene that has since been reprinted in freeze-frame form innumerable times by both film-history books and girlie magazines." Photographer Sam Lévin's photos contributed considerably to her image of sensuality and slight immorality. One of Lévin's pictures shows Brigitte, dressed in a white corset. It is said that around 1960, postcards with this photograph outsold in Paris those of the Eiffel Tower.

 

Brigitte Bardot divorced Vadim in 195,7 and in 1959 she married actor Jacques Charrier, with whom she starred in Babette s'en va-t-en guerre / Babette Goes to War (Christian-Jaque, 1959). The paparazzi preyed upon her marriage, while she and her husband clashed over the direction of her career

Her films became more substantial, but this brought a heavy pressure of dual celebrity as she sought critical acclaim while remaining a glamour model for most of the world. Vie privée / Private Life (1962), directed by Louis Malle, has more than an element of autobiography in it. James Travers at French Films: "Brigitte Bardot hadn’t quite reached the high point of her career when she agreed to make this film with high-profile New Wave film director Louis Malle. Even so, the pressure of being a living icon was obviously beginning to get to France’s sex goddess, and Vie privée is as much an attempt by Bardot to come to terms with her celebrity as anything else. Malle is clearly fascinated by Bardot, and the documentary approach he adopts for this film reinforces the impression that it is more a biography of the actress than a work of fiction. Of course, it’s not entirely biographical, but the story is remarkably close to Bardot’s own life and comes pretty close to predicting how her career would end." The scene in which, returning to her apartment, Bardot's character is harangued in the elevator by a middle-aged cleaning lady calling her offensive names was based on an actual incident, and is a resonant image of celebrity in the mid-20th century. Soon afterwards, Bardot withdrew to the seclusion of Southern France.

 

Brigitte Bardot's other husbands were German millionaire Playboy Gunter Sachs and right-wing politician Bernard d'Ormale. She is reputed to have had relationships with many other men, including Samy Frey, her co-star in La Vérité / The Truth (Henri-Georges Clouzot, 1960), and musicians Serge Gainsbourg and Sacha Distel. In 1963, Brigitte Bardot starred in Jean-Luc Godard's critically acclaimed film Le Mépris / Contempt (Jean-Luc Godard, 1963) opposite Michel Piccoli. She was also featured along with such notable actors as Alain Delon in Amours célèbres / Famous Love Affairs (Michel Boisrond, 1961) and Histoires extraordinaires /Tales of Mystery (Louis Malle, 1968), Jeanne Moreau in Viva Maria! (Louis Malle, 1965), Sean Connery in Shalako (Edward Dmytryk, 1968), and Claudia Cardinale in Les Pétroleuses / Petroleum Girls (Christian-Jaque, 1971). She participated in various musical shows and recorded many popular songs in the 1960s and 1970s, mostly in collaboration with Serge Gainsbourg, Bob Zagury and Sacha Distel, including 'Harley Davidson', 'Le Soleil De Ma Vie' (the cover of Stevie Wonder's 'You Are the Sunshine of My Life') and the notorious 'Je t'aime... moi non plus'.

 

Brigitte Bardot’s film career showed a steady decline in the late 1960s and early 1970s. In 1973, just before her fortieth birthday, she announced her retirement. She chose to use her fame to promote animal rights. In 1976, she established the Brigitte Bardot Foundation for the Welfare and Protection of Animals. She became a vegetarian and raised three million French francs to fund the foundation by auctioning off jewellery and many personal belongings. For this work, she was awarded the Légion d’honneur in 1984. During the 1990s, she was also outspoken in her criticism of immigration, interracial relationships, Islam in France and homosexuality. Her husband Bernard d'Ormal was a former adviser of the far-right Front National party. Bardot has been convicted five times for 'inciting racial hatred'. More fun is that Bardot is recognised for popularising bikini swimwear, in such early films as Manina / Woman without a Veil (Willy Rozier, 1952), in her appearances at Cannes and in many photo shoots. Bardot also brought into fashion the 'choucroute' ('Sauerkraut') hairstyle (a sort of beehive hairstyle) and gingham clothes after wearing a checkered pink dress, designed by Jacques Esterel, at her wedding to Charrier. The fashions of the 1960s looked effortlessly right and spontaneous on her. Time Magazine: "She is the princess of pout, the countess of come hither. Brigitte Bardot exuded a carefree, naïve sexuality that brought a whole new audience to French films."

 

Sources: Denny Jackson (IMDb), Hal Erickson (AllMovie), Craig Butler (AllMovie), James Travers (French Films), French Films, Wikipedia and IMDb.

 

And please check out our blog European Film Star Postcards.

Nearly halfway through the month, and it's the weekend again, and the the good news is that the sore throat I had on Friday went and did not return.

 

Which is nice.

 

Jools's cough, however, which seemed like it was getting better, returned slightly on Friday evening, and would again on Saturday. We had tockets to see Public Service Bradcasting again, this time in Margate, but our hearts were not in it, if I'm honest, and in the end we decided not to go in light of her coughing, but also as I said, we saw them a month back, though this would be a different show.

 

And Norwich were on the tellybox, what could be better than watching that?

 

Anything, as it turned out.

 

But that was for later.

 

We went to Tesco, a little later than usual, as we had slept in rather, then back home for breakfast before the decision on what to do for the day. Jools decided to stay home to bead and read, I would go out.

 

There are three churches near to home that I feel I needed to revisit, St Margaret's itself I should be able to get the key from the village shop at any time, but St Mary in Dover hasn't been open the last few times I have been in town, and Barfrestone was closed most of the year due to vandalism.

 

But Saturday morning there is usually a coffee morning in St Mary, so I went down armed with camera and lenses to take more shots of the details, especially of the windows.

 

There was a small group with the Vicar, talking in one of the chapels, so I made busy getting my shots, just happy that the church was open. I left a fiver with the vicar, and walked back to the car, passing the old guy supping from a tin of cider sitting outside the church hall.

 

-------------------------------------------------

 

In the heart of the town with a prominent twelfth-century tower. From the outside it is obvious that much work was carried out in the nineteenth century. The church has major connections with the Lord Wardens of the Cinque Ports and is much used for ceremonial services. The western bays of the nave with their low semi-circular arches are contemporary with the tower, while the pointed arches to the east are entirely nineteenth century. The scale and choice of stone is entirely wrong, although the carving is very well done. However the east end, with its tall narrow lancet windows, is not so successful. The Royal Arms, of the reign of William and Mary, are of carved and painted wood, with a French motto - Jay Maintendray - instead of the more usual Dieu et Mon Droit. The church was badly damaged in the Second World War, but one of the survivors was the typical Norman font of square Purbeck marble construction. One of the more recent additions to the church is the Herald of Free Enterprise memorial window of 1989 designed by Frederick Cole.

 

www.kentchurches.info/church.asp?p=Dover+1

 

-------------------------------------------

 

THE TOWN AND PORT OF DOVER.

DOVER lies at the eastern extremity of Kent, adjoining to the sea, the great high London road towards France ending at it. It lies adjoining to the parish of Charlton last-described, eastward, in the lath of St. Augustine and eastern division of the county. It is within the liberty of the cinque ports, and the juristion of the corporation of the town and port of Dover.

 

DOVER, written in the Latin Itinerary of Antonine, Dubris. By the Saxons, Dorsa, and Dofris. By later historians, Doveria; and in the book of Domesday, Dovere; took its name most probably from the British words, Dufir, signifying water, or Dusirrha, high and steep, alluding to the cliffs adjoining to it. (fn. 1)

 

It is situated at the extremity of a wide and spacious valley, inclosed on each side by high and steep hills or cliffs, and making allowance for the sea's withdrawing itself from between them, answers well to the description given of it by Julius Cæfar in his Commentaries.

 

In the middle space, between this chain of high cliffs, in a break or opening, lies the town of Dover and its harbour, which latter, before the sea was shut out, so late as the Norman conquest, was situated much more within the land than it is at present, as will be further noticed hereafter.

 

ON THE SUMMIT of one of these cliffs, of sudden and stupendous height, close on the north side of the town and harbour, stands DOVER CASTLE, so famous and renowned in all the histories of former times. It is situated so exceeding high, that it is at most times plainly to be seen from the lowest lands on the coast of France, and as far beyond as the eye can discern. Its size, for it contains within it thirty five acres of ground, six of which are taken up by the antient buildings, gives it the appearance of a small city, having its citadel conspicuous in the midst of it, with extensive fortifications, around its walls. The hill, or rather rock, on which it stands, is ragged and steep towards the town and harbour; but towards the sea, it is a perpendicular precipice of a wonderful height, being more than three hundred and twenty feet high, from its basis on the shore.

 

Common tradition supposes, that Julius Cæfar was the builder of this castle, as well as others in this part of Britain, but surely without a probability of truth; for our brave countrymen found Cæfar sufficient employment of a far different sort, during his short stay in Britain, to give him any opportunity of erecting even this one fortress. Kilburne says, there was a tower here, called Cæsar's tower, afterwards the king's lodgings; but these, now called the king's keep, were built by king Henry II. as will be further mentioned hereafter; and he further says, there were to be seen here great pipes and casks bound with iron hoops, in which was liquor supposed to be wine, which by long lying had become as thick as treacle, and would cleave like birdlime; salt congealed together as hard as stone; cross and long bows and arrows, to which brass was fastened instead of feathers, and they were of such size, as not to be fit for the use of men of that or any late ages. These, Lambarde says, the inhabitants shewed as having belonged to Cæfar, and the wine and salt as part of the provision he had brought with him hither; and Camden relates, that he was shewn these arrows, which he thinks were such as the Romans used to shoot out of their engines, which were like to large crossbows. These last might, no doubt, though not Cæsar's, belong to the Romans of a later time; and the former might, perhaps, be part of the provisions and stores which king Henry VIII. laid in here, at a time when he passed from hence over sea to France. But for many years past it has not been known what is become of any of these things.

 

Others, averse to Cæsar's having built this castle, and yet willing to give the building of it to the empire of the Romans of a later time, suppose, and that perhaps with some probability, it was first erected by Arviragus, (or Arivog, as he is called on his coin) king of Britain, in the time of Claudius, the Roman emperor. (fn. 2)

 

That there was one built here, during the continuance of the Roman empire in Britain, must be supposed from the necessity of it, and the circumstances of those times; and the existence of one plainly appears, from the remains of the tower and other parts of the antient church within it, and the octagon tower at the west end, in which are quantities of Roman brick and tile. These towers are evidently the remains of Roman work, the former of much less antiquity than the latter, which may be well supposed to have been built as early as the emperor Claudius, whose expedition hither was about or immediately subsequent to the year of Christ 44. Of these towers, probably the latter was built for a speculum, or watch-tower, and was used, not only to watch the approach of enemies, but with another on the opposite hill, to point out the safe entrance into this port between them, by night as well as by day.

 

In this fortress, the Romans seem afterwards to have kept a garrison of veterans, as we learn from Pancirollus, who tells us that a company of soldiers under their chief, called Præpositus Militum Tungricanorum, was stationed within this fortess.

 

Out of the remains of part of the above-mentioned Roman buildings here, a Christian church was erected, as most historians write, by Lucius, king of Britain, about the year 161; but it is much to be doubted whether there ever was such a king in Britain; if there was, he was only a tributary chief to the Roman emperor, under whose peculiar government Britain was then accounted. This church was built, no doubt, for the use of that part of the garrison in particular, who were at that time believers of the gospel, and afterwards during the different changes of the Christian and Pagan religions in these parts, was made use of accordingly, till St. Augustine, soon after the year 597, at the request of king Ethelbert, reconsecrated it, and dedicated it anew, in honour of the blessed Virgin Mary.

 

¶His son and successor Eadbald, king of Kent, founded a college of secular canons and a provost in this church, whose habitations, undoubtedly near it, there are not the least traces of. These continued here till after the year 691; when Widred, king of Kent, having increated the fortifications, and finding the residence of the religious within them an incumbrance, removed them from hence into the town of Dover, to the antient church of St. Martin; in the description of which hereafter, a further account of them will be given.

  

DOVER does not seem to have been in much repute as a harbour, till some time after Cæsar's expedition hither; for the unfitness, as well as insecurity of the place, especially for a large fleet of shipping, added to the character which he had given of it, deterred the Romans from making a frequent use of it, so that from Boleyne, or Gessoriacum, their usual port in Gaul, they in general failed with their fleets to Richborough, or Portus Rutupinus, situated at the mouth of the Thames, in Britain, and thence back again; the latter being a most safe and commodious haven, with a large and extensive bay.

 

Notwithstanding which, Dover certainly was then made use of as a port for smaller vessels, and a nearer intercourse for passengers from the continent; and to render the entrance to it more safe, the Romans built two Specula, or watch-towers, here, on the two hills opposite to each other, to point out the approach to it, and one likewise on the opposite hill at Bologne, for the like purpose there; and it is mentioned as a port by Antoninus, in his Itinerary, in which, ITER III. is A Londinio ad Portum Dubris, i. e. from London to the port of Dover.

 

After the departure of the Romans from Britain, when the port of Bologne, as well as Richborough, fell into decay and disuse, and instead of the former a nearer port came into use, first at Whitsan, and when that was stopped up, a little higher at Calais, Dover quickly became the more usual and established port of passage between France and Britain, and it has continued so to the present time.

 

When the antient harbour of Dover was changed from its antient situation is not known; most probably by various occurrences of nature, the sea left it by degrees, till at last the farmer scite of it became entirely swallowed up by the beach. That the harbour was much further within land, even at the time of the conquest than it is at present, seems to be confirmed by Domesday, in which it is said, that at the entrance of it, there was a mill which damaged almost every ship that passed by it, on account of the great swell of the sea there. Where the scite of this mill was, is now totally unknown, though it is probable it was much within the land, and that by the still further accumulation of the beach, and other natural causes, this haven was in process of time so far filled up towards the inland part of it, as to change its situation still more to the south-west, towards the sea.

 

From the time of the Norman conquest this port continued the usual passage to the continent, and to confine the intercourse to this port only, there was a statute passed anno 4 Edward IV. that none should take shipping for Calais, but at Dover. (fn. 20) But in king Henry VII.'s time, which was almost the next reign, the harbour was become so swerved up, as to render it necessary for the king's immediate attention, to prevent its total ruin, and he expended great sums of money for its preservation. But it was found, that all that was done, would not answer the end proposed, without the building of a pier to seaward, which was determined on about the middle of Henry VIII.'s reign, and one was constructed, which was compiled of two rows of main posts, and great piles, which were let into holes hewn in the rock underneath, and some were shod with iron, and driven down into the main chalk, and fastened together with iron bands and bolts. The bottom being first filled up with great rocks of stone, and the remainder above with great chalk stones, beach, &c. During the whole of this work, the king greatly encouraged the undertaking, and came several times to view it; and in the whole is said to have expended near 63,000l. on it. But his absence afterwards abroad, his ill health, and at last his death, joined to the minority of his successor, king Edward VI. though some feeble efforts were made in his reign, towards the support of this pier, put a stop to, and in the end exposed this noble work to decay and ruin.

 

Queen Mary, indeed, attempted to carry it on again, but neither officers nor workmen being well paid, it came to nothing, so that in process of time the sea having brought up great quantities of beach again upon it, the harbour was choaked up, and the loss of Calais happening about the same time, threatened the entire destruction of it. Providentially the shelf of beach was of itself became a natural defence against the rage of the sea, insomuch, that if a passage could be made for ships to get safely within it, they might ride there securely.

 

To effect this, several projects were formed, and queen Elizabeth, to encourage it, gave to the town the free transportation of several thousand quarters of corn and tuns of beer; and in the 23d of her reign, an act passed for giving towards the repair of the harbour, a certain tonnage from every vessel above twenty tons burthen, passing by it, which amounted to 1000l. yearly income; and the lord Cobham, then lordwarden, and others, were appointed commissioners for this purpose; and in the end, after many different trials to effect it, a safe harbour was formed, with a pier, and different walls and sluices, at a great expence; during the time of which a universal diligence and public spirit appeared in every one concerned in this great and useful work. During the whole of the queen's reign, the improvement of this harbour continued without intermission, and several more acts passed for that purpose; but the future preservation of it was owing to the charter of incorporation of the governors of it, in the first year of king James I. by an act passed that year, by the name of the warden and assistants of the harbour of Dover, the warden being always the lord-warden of the cinque ports for the time being, and his assistants, his lieutenant, and the mayor of Dover, for the time being, and eight others, the warden and assistants only making a quorum; six to be present to make a session; at any of which, on a vacancy, the assistants to be elected; and the king granted to them his land or waste ground, or beach, commonly called the Pier, or Harbour ground, as it lay without Southgate, or Snargate, the rents of which are now of the yearly value of about three hundred pounds.

 

Under the direction of this corporation, the works and improvements of this harbour have been carried on, and acts of parliament have been passed in almost every reign since, to give the greater force to their proceedings.

 

From what has been said before, the reader will observe, that this harbour has always been a great national object, and that in the course of many ages, prodigious sums of money have been from time to time expended on it, and every endeavour used to keep it open, and render it commodious; but after all these repeated endeavours and expences, it still labours under such circumstances, as in a very great degree renders unsuccessful all that has ever been done for that purpose.

 

DOVER, as has been already mentioned, was of some estimation in the time of the Roman empire in Britain, on account of its haven, and afterwards for the castle, in which they kept a strong garrison of sol. diers, not only to guard the approach to it, but to keep the natives in subjection; and in proof of their residence here, the Rev. Mr. Lyon some years since discovered the remains of a Roman structure, which he apprehended to have been a bath, at the west end of the parish-church of St. Mary, in this town, which remains have since repeatedly been laid open when interments have taken place there.

 

This station of the Romans is mentioned by Antonine, in his Itinerary of the Roman roads in Britain, by the name of Dubris, as being situated from the station named Durovernum, or Canterbury, fourteen miles; which distance, compared with the miles as they are now numbered from Canterbury, shews the town, as well as the haven, for they were no doubt contiguous to each other, to have both been nearer within land than either of them are at present, the present distance from Canterbury being near sixteen miles as the road now goes, The sea, indeed, seems antiently to have occupied in great part the space where the present town of Dover, or at least the northwest part of it, now stands; but being shut out by the quantity of beach thrown up, and the harbour changed by that means to its present situation, left that place a dry ground, on which the town of Dover, the inhabitants following the traffic of the harbour, was afterwards built.

 

This town, called by the Saxons, Dofra, and Dofris; by later historians, Doveria; and in Domesday, Dovere; is agreed by all writers to have been privileged before the conquest; and by the survey of Domesday, appears to have been of ability in the time of king Edward the Confessor, to arm yearly twenty vessels for sea service. In consideration of which, that king granted to the inhabitants, not only to be free from the payment of thol and other privileges throughout the realm, but pardoned them all manner of suit and service to any of his courts whatsoever; and in those days, the town seems to have been under the protection and government of Godwin, earl of Kent, and governor of this castle.

 

Soon after the conquest, this town was so wasted by fire, that almost all the houses were reduced to ashes, as appears by the survey of Domesday, at the beginning of which is the following entry of it:

 

DOVERE, in the time of king Edward, paid eighteen pounds, of which money, king E had two parts, and earl Goduin the third. On the other hand, the canons of St. Martin had another moiety. The burgesses gave twenty ships to the king once in the year, for fifteen days; and in each ship were twenty and one men. This they did on the account that he had pardoned them sac and soc. When the messengers of the king came there, they gave for the passage of a horse three pence in winter, and two in summer. But the burgesses found a steerman, and one other assistant, and if there should be more necessary, they were provided at his cost. From the festival of St. Michael to the feast of St. Andrew, the king's peace was in the town. Sigerius had broke it, on which the king's bailiff had received the usual fine. Whoever resided constantly in the town paid custom to the king; he was free from thol throughout England. All these customs were there when king William came into England. On his first arrival in England, the town itself was burnt, and therefore its value could not be computed how much it was worth, when the bishop of Baieux received it. Now it is rated at forty pounds, and yet the bailiff pays from thence fifty-four pounds to the king; of which twenty-four pounds in money, which were twenty in an one, but thirty pounds to the earl by tale.

 

In Dovere there are twenty-nine plats of ground, of which the king had lost the custom. Of these Robert de Romenel has two. Ralph de Curbespine three. William, son of Tedald, one. William, son of Oger, one. William, son of Tedold, and Robert niger, six. William, son of Goisfrid, three, in which the guildhall of the burgesses was. Hugo de Montfort one house. Durand one. Rannulf de Colubels one. Wadard six. The son of Modbert one. And all these vouch the bishop of Baieux as the protector and giver of these houses. Of that plat of ground, which Rannulf de Colubels holds, which was a certain outlaw, they agree that the half of the land was the king's, and Rannulf himself has both parts. Humphry the lame man holds one plat of ground, of which half the forfeiture is the king's. Roger de Ostrabam made a certain house over the king's water, and held to this time the custom of the king; nor was a house there in the time of king Edward. In the entrance of the port of Dovere, there is one mill, which damages almost every ship, by the great swell of the sea, and does great damage to the king and his tenants; and it was not there in the time of king Edward. Concerning this, the grandson of Herbert says, that the bishop of Baieux granted it to his uncle Herbert, the son of Ivo.

 

And a little further, in the same record, under the bishop's possessions likewise:

 

In Estrei hundred, Wibertus holds half a yoke, which lies in the gild of Dover, and now is taxed with the land of Osbert, the son of Letard, and is worth per annum four shillings.

 

From the Norman conquest, the cities and towns of this realm appear to have been vested either in the crown, or else in the clergy or great men of the laity, and they were each, as such, immediately lords of the same. Thus, when the bishop of Baieux, to whom the king had, as may be seen by the above survey, granted this town, was disgraced. It returned into the king's hands by forfeiture, and king Richard I. afterwards granted it in ferme to Robt. Fitz-bernard. (fn. 21)

 

After the time of the taking of the survey of Domesday, the harbour of Dover still changing its situation more to the south-westward, the town seems to have altered its situation too, and to have been chiefly rebuilt along the sides of the new harbour, and as an encouragement to it, at the instance, and through favour especially to the prior of Dover, king Edward I. in corporated this town, the first that was so of any of the cinque ports, by the name of the mayor and commonalty. The mayor to be chosen out of the latter, from which body he was afterwards to chuse the assistants for his year, who were to be sworn for that purpose. At which time, the king had a mint for the coinage of money here; and by patent, anno 27 of that reign, the table of the exchequer of money was appointed to be held here, and at Yarmouth. (fn. 22) But the good effects of these marks of the royal favour were soon afterwards much lessened, by a dreadful disaster; for the French landed here in the night, in the 23d year of that reign, and burnt the greatest part of the town, and several of the religious houses, in it, and this was esteemed the more treacherousk, as it was done whilst the two cardinals were here, treating for a peace between England and France; which misfortune, however, does not seem to have totally impoverished it, for in the 17th year of the next reign of king Edward II it appears in some measure to have recovered its former state, and to have been rebuilt, as appears by the patent rolls of that year, in which the town of Dover is said to have then had in it twenty-one wards, each of which was charged with one ship for the king's use; in consideration of which, each ward had the privilege of a licensed packetboat, called a passenger, from Dover across the sea to Whitsan, in France, the usual port at that time of embarking from thence.

 

The state of this place in the reign of Henry VIII. is given by Leland, in his Itinerary, as follows:

 

"Dovar ys xii myles fro Canterbury and viii fro Sandwich. Ther hath bene a haven yn tyme past and yn taken ther of the ground that lyith up betwyxt the hilles is yet in digging found wosye. Ther hath bene found also peeces of cabelles and anchores and Itinerarium Antonini cawlyth hyt by the name of a haven. The towne on the front toward the se hath bene right strongly walled and embateled and almost al the residew; but now yt is parly fawlen downe and broken downe. The residew of the towne as far as I can perceyve was never waulled. The towne is devided into vi paroches. Wherof iii be under one rose at S. Martines yn the hart of the town. The other iii stand that yt hath be walled abowt but not dyked. The other iii stand abrode, of the which one is cawled S. James of Rudby or more likely Rodeby a statione navium. But this word ys not sufficient to prove that Dovar showld be that place, the which the Romaynes cawlled Portus Rutupi or Rutupinum. For I cannot yet se the contrary but Retesboro otherwise cawlled Richeboro by Sandwich, both ways corruptly, must neades be Rutupinum. The mayne strong and famose castel of Dovar stondeth on the loppe of a hille almost a quarter of a myle of fro the towne on the lyst side and withyn the castel ys a chapel, yn the sides wherof appere sum greate Briton brykes. In the town was a great priory of blacke monkes late suppressed. There is also an hospitalle cawlled the Meason dew. On the toppe of the hye clive betwene the towne and the peere remayneth yet abowt a slyte shot up ynto the land fro the very brymme of the se clysse as ruine of a towr, the which has bene as a pharos or a mark to shyppes on the se and therby was a place of templarys. As concerning the river of Dovar it hath no long cowrse from no spring or hedde notable that descendith to that botom. The principal hed, as they say is at a place cawled Ewelle and that is not past a iii or iiii myles fro Dovar. Ther be springes of frech waters also at a place cawled Rivers. Ther is also a great spring at a place cawled …… and that once in a vi or vii yeres brasted owt so abundantly that a great part of the water cummeth into Dovar streme, but als yt renneth yn to the se betwyxt Dovar and Folchestan, but nerer to Folchestan that is to say withyn a ii myles of yt. Surely the hedde standeth so that it might with no no great cost be brought to run alway into Dovar streame." (fn. 23)

Cougate Crosse-gate Bocheruy-gate stoode with toures toward the se. There is beside Beting-gate and Westegate.

Howbeyt MTuine tol me a late that yt hath be walled abowt but not dyked.

 

This was the state of Dover just before the time of the dissolution of religious houses, in Henry VIII.'s reign, when the abolition of private masses, obits, and such like services in churches, occasioned by the reformation, annillilated the greatest part of the income of the priests belonging to them, in this as well as in other towns, in consequence of which most of them were deserted, and falling to ruin, the parishes belonging to them were united to one or two of the principal ones of them. Thus, in this town, of the several churches in it, two only remained in use for divine service, viz. St. Mary's and St. James's, to which the parishes of the others were united.

 

After this, the haven continuting to decay more than ever, notwithstanding the national assistance afforded to it, the town itself seemed hastening to impoverishment. What the state of it was in the 8th year of queen Elizabeth, may be seen, by the certificate returned by the queen's order of the maritime places, in her 8th year, by which it appears that there were then in Dover, houses inhabited three hundred and fifty-eight; void, or lack of inhabiters, nineteen; a mayor, customer, comptroller of authorities, not joint but several; ships and crayers twenty, from four tons to one hundred and twenty.

 

¶This probable ruin of the town, however, most likely induced the queen, in her 20th year, to grant it a new charter of incorporation, in which the manner of chusing mayor, jurats, and commoners, and of making freemen, was new-modelled, and several surther liberties and privileges granted, and those of the charter of king Edward I. confirmed likewise by inspeximus. After which, king Charles II. in his 36th year, anno 1684, granted to it a new charter, which, however, was never inrolled in chancery, and in consequence of a writ of quo warranto was that same year surrendered, and another again granted next year; but this last, as well as another charter granted by king James II. and forced on the corporation, being made wholly subservient to the king's own purposes, were annulled by proclamation, made anno 1688, being the fourth and last year of his reign: but none of the above charters being at this time extant, (the charters of this corporation, as well as those of the other cinque ports, being in 1685, by the king's command, surrendered up to Col. Strode, then governor of Dover castle, and never returned again, nor is it known what became of them,) Dover is now held to be a corporation by prescription, by the stile of the mayor, jurats, and commonalty of the town and port of Dover. It consists at present of a mayor, twelve jurats, and thirty-six commoners, or freemen, together with a chamberlain, recorder, and town-clerk. The mayor, who is coroner by virtue of his office, is chosen on Sept. 8, yearly, in St. Mary's church, and together with the jurats, who are justices within this liberty, exclusive of all others, hold a court of general sessions of the peace and gaol delivery, together with a court of record, and it has other privileges, mostly the same as the other corporations, within the liberties of the cinque ports. It has the privilege of a mace. The election of mayor was antiently in the church of St. Peter, whence in 1581 it was removed to that of St. Mary, where it has been, as well as the elections of barons to serve in parliament, held ever since. These elections here, as well as elsewhere in churches, set apart for the worship of God, are certainly a scandal to decency and religion, and are the more inexcusable here, as there is a spacious court-hall, much more fit for the purposes. After this, there was another byelaw made, in June, 1706, for removing these elections into the court-hall; but why it was not put in execution does not appear, unless custom prevented it—for if a decree was of force to move them from one church to another, another decree was of equal force to remove them from the church to the courthall. Within these few years indeed, a motion was made in the house of commons, by the late alderman Sawbridge, a gentlemand not much addicted to speak in favour of the established church, to remove all such elections, through decency, from churches to other places not consecrated to divine worship; but though allowed to be highly proper, yet party resentment against the mover of it prevailed, and the motion was negatived by a great majority.

 

The mayor is chosen by the resident freemen. The jurats are nominated from the common-councilmen by the jurats, and appointed by the mayor, jurats, and common-councilmen, by ballot.

  

THE CHURCH OF ST. Mary stands at some distance from the entrance into this town from Canterbury, near the market-place. It is said to have been built by the prior and convent of St. Martin, (fn. 47) in the year 1216; but from what authority, I know not.—Certain it is, that it was in king John's reign, in the gift of the king, and was afterwards given by him to John de Burgh; but in the 8th year of Richard II.'s reign, anno 1384, it was become appropriated to the abbot of Pontiniac. After which, by what means, I cannot discover, this appropriation, as well as the advowson of the church, came into the possession of the master and brethren of the hospital of the Maison Dieu, who took care that the church should be daily served by a priest, who should officiate in it for the benefit of the parish. In which state it continued till the suppression of the hospital, in the 36th year of king Henry VIII.'s reign, when it came into the hands of the crown, at which time the parsonage was returned by John Thompson, master of the hospital, to be worth six pounds per annum.

 

Two years after which, the king being at Dover, at the humble entreaty of the inhabitants of this parish, gave to them, as it is said, this church, with the cemetery adjoining to it, to be used by them as a parochial church; at the same time he gave the pews of St. Martin's church for the use of it; and on the king's departure, in token of possession, they sealed up the church doors; since which, the patronage of it, which is now esteemed as a perpetual curacy, the minister of it being licensed by the archbishop, has been vested in the inhabitants of this parish. Every parishioner, paying scot and lot, having a vote in the chusing of the minister, whose maintenance had been from time to time, at their voluntary option, more or less. It is now fixed at eighty pounds per annum. Besides which he has the possession of a good house, where he resides, which was purchased by the inhabitants in 1754, for the perpetual use of the minister of it. It is exempt from the jurisdiction of the archdeacon. (fn. 48)

 

There is a piece of ground belonging, as it is said, to the glebe of this church, rented annually at ten pounds, which is done by vestry, without the minister being at all concerned in it. In 1588 here were eight hundred and twenty-one communicants. This parish contains more than five parts out of six of the whole town, and a greater proportion of the inhabitants.

 

The church of St. Mary is a large handsome building of three isles, having a high and south chancel, all covered with lead, and built of flints, with ashler windows and door cases, which are arched and ornamented. At the west end is the steeple, which is a spire covered with lead, in which are eight bells, a clock, and chimes. The pillars in the church are large and clumsy; the arches low and semicircular in the body, but eliptical in the chancel; but there is no separation between the body and chancel, and the pews are continued on to the east end of the church. In the high chancel, at the eastern extremity of it, beyond the altar, are the seats for the mayor and jurats; and here the mayor is now chosen, and the barons in parliament for this town and port constantly elected.

 

In 1683, there was a faculty granted to the churchwardens, to remove the magistrates seats from the east end of the church to the north side, or any other more convenient part of it, and for the more decent and commodious placing the communion table: in consequence of which, these seats were removed, and so placed, but they continued there no longer than 1689, when, by several orders of vestry, they were removed back again to where they remain at present.

 

The mayor was antiently chosen in St. Peter's church; but by a bye-law of the corporation, it was removed to this church in 1583, where it has ever since been held. In 1706, another bye law was made, to remove, for the sake of decency, all elections from this church to the court-hall, but it never took place. More of which has been mentioned before.

 

From the largeness, as well as the populousness of this parish, the church is far from being sufficient to contain the inhabitants who resort to it for public worship, notwithstanding there are four galleries in it, and it is otherwise well pewed. This church was paved in 1642, but it was not ceiled till 1706. In 1742, there was an organ erected in it. The two branches in it were given, one by subscription in 1738, and the other by the pilots in 1742.

 

Thomas Toke, of Dover, buried in the chapel of St. Katharine, in this church, by his will in 1484, gave seven acres of land at Dugate, under Windlass-down, to the wardens of this church, towards the repairs of it for ever.

 

¶The monuments and memorials in this church and church yard, are by far too numerous to mention here. Among them are the following: A small monument in the church for the celebrated Charles Churchill, who was buried in the old church-yard of St. Martin in this town, as has been noticed before; and a small stone, with a memorial for Samuel Foote, esq. the celebrated comedian, who died at the Ship inn, and had a grave dug for him in this church, but was afterwards carried to London, and buried there. A monument and several memorials for the family of Eaton; arms, Or, a sret, azure. A small tablet for John Ker, laird of Frogden, in Twit dale, in Scotland, who died suddenly at Dover, in his way to France, in 1730. Two monuments for Farbrace, arms, Azure, a bend, or, between two roses, argent, seeded, or, bearded vert. A monument in the middle isle, to the memory of the Minet family. In the north isle are several memorials for the Gunmans, of Dover; arms,. … a spread eagle, argent, gorged with a ducal coronet, or. There are others, to the memory of Broadley, Rouse, and others, of good account in this town.

 

www.british-history.ac.uk/survey-kent/vol9/pp475-548

This guy was the epitome of mindless ignorance of other people or common decency. A complete asshole.

 

As I'm pulling into the bank, he's stopped in the entrance, not going anywhere. He motions me around, which isn't easy in a little parking lot while driving a conversion van. I drive around, go through the drive-through, and make my deposit. I come out the other side and he's still sitting there on his cellphone.

 

Thinking maybe he's broken down, I ask him why he's sitting there instead of any of the many empty parking spots 12 feet in front of him. His reply, "what's your problem, there was still room for you to get by". A brief 'discussion' later and he decides he's not talking to me any more. It's funny though, you go back to the car and get out the big camera, and he was only too quick to move along.

 

If you see him, or if you know him, smack him up-side the head for me.

 

Check sattelite view of the geolocation map to see just where he decided to stop.

Evil has become commonplace in America and the Western Nations.

 

We have allowed decency to be buried by evil, due to our abandoning of Christianity, Judaism, and adherence to the Judeo-Christian basis of the moral standards which have formed the bedrock of our culture, largely due to the imposition of the Cult of Leftism upon our Western Nations.

 

Evil conquers a nation and becomes commonplace where God has been replaced by the false Gods of Hedonism, Moral Relativism, and Totalitarian Leftism.

 

Idiocy reigns, and such a nation rots from within, and allows internal and external enemies to overwhelm the nation, without resisting.

 

We allow foolishness to rule our nations, as the Leftist Elites, and other, amoral elites either deliberately work to destroy 'Americanism', the underlying philosophy of our nation for the past 400 years since the Pilgrims landed, or acquiesce in the Leftist Cult Movement's bulldozing our traditional culture, and imposing their own ever changing silliness.

 

Today, our mainly Leftist Elites in the Western Nations, allow the thoroughly alien culture of Islam to invade our Western Nations with millions of military age males, and unleash terror against our People, and barely take half measures to stop the carnage.

 

Who would have dreamed, 30 years ago, that the 'Transgender' agenda of the Leftist Cult would have emerged into our daily lives?

 

[you can enlarge the picture by clicking the >< in the lower right hand corner]

 

[You can share this picture by clicking the curved arrow in the lower right hand corner]

 

Police seized around £10,000 worth of illegal drugs, £5,000 cash and arrested 30 people following a series of early morning raids on addresses across Trafford.

 

The 22 raids were carried out by officers from Greater Manchester Police’s Trafford division alongside the Tactical Aid Unit Task Force over the two week period beginning Monday 16 January.

 

·One man was arrested on suspicion of burglary and handling stolen goods

·Two women and one man were arrested on suspicion of possessing class A drugs with intent to supply

·One man was arrested on suspicion of possessing class A and class B drugs

·Eleven men and three women were arrested on suspicion of possessing cannabis

·Two men were arrested on suspicion of cultivating cannabis

·Two men were arrested on suspicion of being concerned in the supply of cannabis

·Two men were arrested on suspicion of possessing cannabis with intent to supply

·Five men were arrested on suspicion of failing to appear in court

 

A dog, suspected of being a banned breed, was also seized by officers during one of the raids.

 

Officers also conducted Metrolink checks and visits to five licensed premises in Sale town centre on Friday 20 January. During the checks, 33 stop searches were carried out while 48 fines and 25 ticket warnings were issued.

 

The two week operation was carried out as part of the Trafford Partnership’s ‘100 Days’ campaign. The aim of the scheme, which was launched on Friday 13 December 2011, is to reinforce the high standards of respect, decency and responsibility demonstrated in Trafford and encourage people both young and old to get involved in their local areas.

 

A community pledge has been set up to outline a list of actions that the community and local organisations agree to, such as working together and sharing information, working together to eliminate unlawful behaviour and supporting communities to achieve their potential and ambitions.

 

Trafford Divisional Commander, Chief Superintendent Mark Roberts said: ““This operation builds on the successes we have been having over the last couple of years in driving down crime and boosting community confidence.”

 

It is, in part, thanks to positive action like this that we have managed to cut the number of victims of crime across the borough by 792 during the past year. We also work with partners to tackle issues in a variety of ways, aiming at prevention as well as enforcement.

 

“Recent surveys also showed that people in Trafford have less concerns about drug dealing and antisocial behaviour than anywhere else in Manchester and that overwhelmingly they think we are doing a good job. Just five per cent of those asked considered drugs or drug dealing to be a major problem in their area while 90 per cent of those asked thought we were doing a good or excellent job in the borough.

 

“I would continue to urge people to report criminal behaviour or suspicious activity to us by calling the single non-emergency number 101 or Crimestoppers anonymously on 0800 555 111. I can assure you that we will act on any genuine concerns.”

 

Chair of the Trafford Partnership, Cllr Matt Colledge, said: "The 100 day campaign not only celebrates the excellent work going on in Trafford's communities but also aims to encourage people to get involved to develop a greater sense of respect, decency and responsibility.

 

"By signing up to the pledge, we are giving people the opportunity to get involved if they haven't before and to demonstrate that the Trafford Partnership is prepared to support our communities both practically and by helping develop links between groups. I would encourage any residents or groups who have an activity for the 100 days campaign to get in touch so we can all pledge to get involved in our borough."

 

For information about Greater Manchester Police please visit our website.

www.gmp.police.uk

 

For more information on the 100 Days campaign, visit www.trafford.gov.uk

     

ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA 2022. Gualtieri finisce sul Nyt: L'eterna crisi dei rifiuti a Roma ha unito il declino urbano, con i cinghiali nel centro storico. Gualtieri poco o nessun progresso; in: NEW YORK TIMES & La Repubblica (29-30/08/2021) (testo integrale).Vedi anche: il sindaco Marino e il degrado di Roma; in: Nyt (22/07/2015). wp.me/pbMWvy-36x

 

________________

S.v.,

--- RARA 2022. Roberto Gualtieri - Sindaco di Roma / Er Monnezzaro = Disservizi + Immondizia + Degrado + Cinghiali + Incendio (21/10/2021 - 21/10/2022). Fonte: ROMATODAY (06/09/2022). www.romatoday.it/social/segnalazioni/degrado-urbano/

________________

 

Foto: LOCAL TEAM / YouTube (09/07/2022).

www.flickr.com/photos/imperial_fora_of_rome/52324893351

 

1). ROMA - Gualtieri finisce sul New York Times: "Mentre Roma brucia (o almeno i suoi rifiuti), un sindaco osa sognare."La Repubblica (30/08/2021).

 

Il quotiano statunitense dedica un articolo all'immondizia della capitale, all'Ama ma soprattutto al sindaco che vuole il termovalorizzatore, "sicuro che qualcosa cambierà"

 

Un sindaco a Roma "osa sognare". Così definisce gli incubi di Roberto Gualtieri un lungo articolo uscito New York Times di Jason Horowitz. Che pubblica online foto di e dei suoi cassonetti carbonizzati oltre alla foto del sindaco alla scrivania assorto a guardare i fogli del progetto sul termovalorizzatore.

 

Foto: Nyt (30/08/2022).

www.flickr.com/photos/imperial_fora_of_rome/52325323054

 

"Da anni ormai" si legge sul Nyt, "nulla simboleggia la caduta di Roma più della sua crisi dei rifiuti. Un serraglio di cinghiali, gabbiani violenti e ratti si riunisce per banchettare con i detriti della capitale". "E proprio quando sembrava che la puzza dei rifiuti di Roma non potesse peggiorare, una disputa sulla costruzione di un nuovo inceneritore per la città è emersa come motivo di un ammutinamento politico che ha fatto cadere il governo Draghi a luglio". Poche righe a riassumere l'effetto domino catastrofico.

 

Ma ecco che qui arriva Gualtieri: "Formalmente il motivo sono io", avrebbe dichiarato lasciando trapelare un tono sorpreso, ingenuo, al limite del compiaciuto.

 

Il quotidiano lo descrive come "un veterano della politica di sinistra", un uomo che "con l'autorità di accelerare la costruzione di un impianto di termovalorizzazione dei rifiuti per Roma da circa 600 milioni di euro, spera di avere successo dove altri hanno fallito". In fondo, avrebbe aggiunto il primo cittadino, "non si tratta di scienza missilistica. È solo spazzatura".

 

Foto: Nyt (30/08/2022).

www.flickr.com/photos/imperial_fora_of_rome/52325212963

 

Roma e New York svettano nella classifica delle città più sporche del mondo, un gemellaggio tossico. E se anche il Nyt dipinge il sindaco che osa sognare, lo fa su uno sfondo di rifiuti in fiamme, autobus che si auto-incendiano, buche "profonde come pozzi d'acqua, una "giungla dove mancano solo i boa costrittori" e una miriade di "altre indecenze". Come Malagrotta. Il sindaco, dice e non dice, che "c'è una cospirazione per fermare me" e il progetto.

 

L'articolo ricorda quindi che Gualtieri però "in qualità di ex ministro dell'Economia, ha contribuito personalmente a ottenere miliardi di euro di fondi dell'Unione Europea per l'Italia, con una fetta significativa per Roma. E ha già avuto successo nell'attrarre investitori privati per finanziare il nuovo inceneritore". Insomma, "il problema non è il denaro".

 

E mentre Roma è costretta a spedire i suoi rifiuti a costi elevati in impianti fuori città, "in quello che secondo Gualtieri è un salasso per le sue risorse, un contributo all'inquinamento e forse un favore agli interessi di elementi della malavita (...), la sfida più grande per ripulire Roma potrebbe essere la città stessa". Anche se i romani tendono ad avere "comportamenti non corretti" quando si tratta di buttare la spazzatura.

 

"I ristoranti spesso riempiono i bidoni riservati ai cittadini. I cittadini reagiscono mettendo in equilibrio i sacchetti dell'immondizia sopra i cassonetti come giocassero a Jenga".

 

Ed è qui che il sindaco sogna. Sogna una revisione dell'Ama e sogna che i rifiuti brucino in fiamme lecite. Sempre che i Cinque Stelle smettano di opporsi adducendo "motivi ambientali, e considerandolo un ipocrita". Perché "egli" sostiene che il termovalorizzatore "migliorerà Roma e sarà redditizio, un incentivo per gli investitori a entrare nel progetto. Una nuova età dell'oro". I sogni d'oro del sindaco di Roma.

 

Fonte / source:

--- La Repubblica (30/08/2021).

roma.repubblica.it/cronaca/2022/08/30/news/roma_rifiuti_n...

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Foto: Gianluca Ferrara / Facebook (27/03/2022).

www.flickr.com/photos/imperial_fora_of_rome/52324089937

 

2). ROME - As Rome Burns (or at Least Its Garbage), a Mayor Dares to Dream. Could a solution to Rome’s perpetual trash crisis really be in sight? Mayor Roberto Gualtieri would like to think so. NEW YORK TIMES (29/08/2021).

 

ROME — For years now, nothing has symbolized the fall of Rome more than its garbage crisis. A trash menagerie of wild boars, violent sea gulls and rats convene to feast on the capital’s overflowing debris. Early this summer, a spate of suspicious blazes at garbage plants and scrapyards — literal dumpster fires — darkened the skies, choked the air, and raised the specter of arson and organized crime.

 

Then, when it seemed the stench of Rome’s garbage troubles could get no worse, a dispute over building a new incinerator for the city emerged as the stated reason for a political mutiny that brought down the national unity government of Prime Minister Mario Draghi in July.

 

On the day of the revolt, as he monitored the unfolding political drama from his office overlooking the Roman forum, Rome’s mayor, Roberto Gualtieri, seemed bemused by the role he and his city’s garbage problem had played in the government’s unexpected collapse. “Formally, the reason is me,” he said.

 

Foto: Il Messaggero (22/06/2022).

www.flickr.com/photos/imperial_fora_of_rome/52325323139

 

At least Mr. Gualtieri, a veteran of leftist politics, emerged from the wreckage with the authority to fast track the building of a roughly 600 million euro, or about $601 million, waste-to-energy plant for Rome, which he hopes will allow him to succeed where others had failed.

 

“It is not rocket science,” he said. “It’s garbage.”

 

But garbage, and the degradation of Rome that it symbolizes, is a force not to be taken lightly. Even in an oft-sacked city that has seen it all over the centuries, where people have more recently grown accustomed to self-immolating buses, potholes as deep as water wells and myriad other indignities, the garbage — pervasive, pungent and unrelenting — has become the true metric of Rome’s decline.

 

Since Rome closed its sprawling Malagrotta landfill, among Europe’s largest, as an environmental disaster in 2013, trash has overwhelmed two mayors, including Mr. Gualtieri’s predecessor, Virginia Raggi of the Five Star Movement, the party that touched off the rebellion that brought down the national government.

 

In 2018, prosecutors sequestered the landfill — owned by a businessman dubbed “er monnezzaro,” or King of Garbage — for failing to contain its toxic spillage. No actual garbage has been dumped there for years, but its treatment plant was still being used to process up to 1,500 tons of garbage a day, before being shipped elsewhere.

 

Foto: La Repubblica (12/08/2022).

www.flickr.com/photos/imperial_fora_of_rome/52325212983

 

That is, before it went up in flames this summer.

 

“An enormous plume, gray,” Luigi Palumbo, the court-appointed manager of the landfill, said as he recalled the toxic blaze and cloud that closed nearby preschools and summer camps and laced parts of central Rome with an acrid odor.

 

“It’s unknown where it started,” he said as he approached the plant, its concrete scorched and its melted aluminum panels hanging over the building like carpets hung out to dry.

 

He turned to a burned heap of garbage that had been inside the plant. It was filled with thousands of scorched and bulging plastic bags, melted plastic fruit crates, stray cloths and tires and cans. It, too, has now been sequestered as evidence — but of what, no one seems quite sure.

 

The Malagrotta blaze was not an isolated incident, but one of a rash of trash fires that broke out around the city this summer.

 

Mayor Gualtieri sought to sidestep the theory that “there is a conspiracy to stop me,” and his incinerator, by preserving a system in which myriad players, some of them shadowy, profited from Rome’s garbage crisis. But, he added, “of course you consider this possibility, how was it possible this really is happening exactly when we are trying to …” Then he stopped himself.

 

He noted a well-established connection between waste management and criminal enterprises. Experts had determined it was “not self-combustion,” he said. “So that was man made.”

 

And it has exacerbated Rome’s already noxious disposal problem.

 

Rome now has to ship its garbage at high cost to plants outside the city, in what Mr. Gualtieri said was a drain on its resources, a contributor to pollution and possibly a favor to the interests of underworld elements who benefit from Rome’s sanitation paralysis.

 

But while prosecutors continue to investigate the fires, the greatest challenge to cleaning up Rome may be the city itself.

 

Rome had “little sense of responsibility for its own garbage, because it’s always thought that public things, being public, belong to no one,” said Paola Ficco, an environmental lawyer who edits Rifiuti, or Waste, a journal about laws regarding garbage. “And we forget that, being public, it’s all of ours.”

 

In the meantime, she added, Rome was a mess, with high grass and garbage everywhere. “It’s a jungle,” she said. “Only boa constrictors are missing. Then we’ll have it all.”

 

Mr. Gualtieri, himself a Roman, acknowledged that his city bred unique character traits. Romans tended to have “behaviors that we find that are not good,” he said, when it came to throwing out the garbage.

 

Restaurants often loaded up bins reserved for the public. The public had a tendency to respond to the packed bins by balancing trash bags on top of them, like a vile Jenga game, or throwing garbage at their sides, forming archipelagos of uncollected trash that attracted all sorts of interesting fauna.

 

But even while the burned plant remains out of commission, the mayor is confident that the new incinerator, on which construction is set to begin next year, and the introduction of tougher fines for a variety of infractions would create a more civilized Roman context. Within it, he said, Romans would become “more sensible about doing their part” and give “the best and not the worst.”

 

Foto: Amazing Walking Tours / YouTube (19/06/2022)

www.flickr.com/photos/imperial_fora_of_rome/52324893366

 

As a former economy minister, he had personally helped procure billions of euros in European Union funds for Italy, with a significant chunk for Rome and other plants in the city’s waste plan. He spoke of an additional 1.4 billion euros from the Italian government to help prepare for pilgrims visiting the city and the Vatican during the 2025 Holy Year as if it were a done deal. And he already had success in attracting private investors to finance the new incinerator.

 

“Money is not the problem,” he said.

 

The system is.

 

The mayor presented an organizational chart of AMA, a company that, among other things, manages collection of solid waste in Rome, and of which the city is the sole shareholder. He said that under previous administrations, AMA had changed chief executive officers five times in seven years, had become inflated with patronage jobs and had directed the majority of resources to garbage collection areas where it was not needed. Last winter, Rome paid bonuses to its workers just to show up for work during Christmas time.

 

“This is a joke,” he said. “This should be studied in university, what you should not do.” Overhauling AMA was a part of the mayor’s three-phase plan to clean up the city.

 

He said the city will have actually hired about 650 people by the end of the year to clean the streets while cracking down on an army of loafers. Officials had begun conducting thousands of checks on employees who perpetually present doctors’ notes certifying that they can only do desk work.

 

“You can see people heal,” the mayor said of the spot checks. “Miracles.”

 

In the second stage, within two years, the city would put new dumpsters on Rome’s streets, and a third phase would begin in 2025, toward the end of his five-year term, when the waste-to-energy incinerator is expected to come on line.

 

When he campaigned for the job, Mr. Gualtieri said he did not think such a plant would be necessary and that he would improve things by Christmas. He said that it was only when he took office that he understood the mind-boggling reality of Rome’s garbage. His critics, chief among them Five Star, which opposed the new incinerator on environmental grounds, consider him a hypocrite.

 

Foto: 7Colli (11/07/2022)

www.flickr.com/photos/imperial_fora_of_rome/52209791423

 

But, as summer vacation ends and the city fills back up with Romans and their trash, he argues the waste-to-energy incinerator will improve Rome’s environment and be profitable, an incentive he said for investors to get in on the ground floor.

 

All of Rome, he insisted, was on the brink of a new Golden Age.

 

“I can tell you why,” he said, anticipating the natural Roman skepticism and calling Rome an undervalued asset. “It has a lot of margin for improvements.”

 

Fonte / source:

--- NEW YORK TIMES (29/08/2021).

www.nytimes.com/2022/08/29/world/europe/rome-garbage-fire...

 

S.v.,

 

Foto: Nyt (22/07/2015).

www.flickr.com/photos/imperial_fora_of_rome/52325212978

 

--- ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA 2022: Il degrado di Roma sul New York Times: Marino più interessato ai ricchi stranieri che ai cittadini, THE NEW YORK TIMES (22|07|2015), p. A4; LA REPUBBLICA & Forexinfo.it (23|07|2015).

 

ROME — The grass in some public parks sways knee high. Disgruntled subway workers have slowed service to a crawl. Fire has rendered the city’s largest airport crammed and chaotic. The arrests of public officials pile up, revealing mob infiltration of the city government.

 

It all adds up to what Romans call “degrado” — the degradation of services, buildings and their standard of living — and the general sense that their ancient city, even more than usual, is falling apart.

 

Not all those troubles are necessarily the fault of Mayor Ignazio Marino, a former surgeon whose own integrity remains unblemished. But, strangely enough, in Rome, his decency is not necessarily seen as part of the solution, either.

 

Fonte/source:

--- THE NEW YORK TIMES (22|07|2015), p. A4.

 

rometheimperialfora19952010.wordpress.com/2015/07/24/roma...

drummer, Queens Of The Stone Age

 

* if you are going to post these images elsewhere on the web then please a> pay attention to the creative commons license b> have the decency to credit me with them *

NEW BERN NC: All decency has been abandoned on the Neuse River.

1088

Nearly halfway through the month, and it's the weekend again, and the the good news is that the sore throat I had on Friday went and did not return.

 

Which is nice.

 

Jools's cough, however, which seemed like it was getting better, returned slightly on Friday evening, and would again on Saturday. We had tockets to see Public Service Bradcasting again, this time in Margate, but our hearts were not in it, if I'm honest, and in the end we decided not to go in light of her coughing, but also as I said, we saw them a month back, though this would be a different show.

 

And Norwich were on the tellybox, what could be better than watching that?

 

Anything, as it turned out.

 

But that was for later.

 

We went to Tesco, a little later than usual, as we had slept in rather, then back home for breakfast before the decision on what to do for the day. Jools decided to stay home to bead and read, I would go out.

 

There are three churches near to home that I feel I needed to revisit, St Margaret's itself I should be able to get the key from the village shop at any time, but St Mary in Dover hasn't been open the last few times I have been in town, and Barfrestone was closed most of the year due to vandalism.

 

But Saturday morning there is usually a coffee morning in St Mary, so I went down armed with camera and lenses to take more shots of the details, especially of the windows.

 

There was a small group with the Vicar, talking in one of the chapels, so I made busy getting my shots, just happy that the church was open. I left a fiver with the vicar, and walked back to the car, passing the old guy supping from a tin of cider sitting outside the church hall.

 

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In the heart of the town with a prominent twelfth-century tower. From the outside it is obvious that much work was carried out in the nineteenth century. The church has major connections with the Lord Wardens of the Cinque Ports and is much used for ceremonial services. The western bays of the nave with their low semi-circular arches are contemporary with the tower, while the pointed arches to the east are entirely nineteenth century. The scale and choice of stone is entirely wrong, although the carving is very well done. However the east end, with its tall narrow lancet windows, is not so successful. The Royal Arms, of the reign of William and Mary, are of carved and painted wood, with a French motto - Jay Maintendray - instead of the more usual Dieu et Mon Droit. The church was badly damaged in the Second World War, but one of the survivors was the typical Norman font of square Purbeck marble construction. One of the more recent additions to the church is the Herald of Free Enterprise memorial window of 1989 designed by Frederick Cole.

 

www.kentchurches.info/church.asp?p=Dover+1

 

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THE TOWN AND PORT OF DOVER.

DOVER lies at the eastern extremity of Kent, adjoining to the sea, the great high London road towards France ending at it. It lies adjoining to the parish of Charlton last-described, eastward, in the lath of St. Augustine and eastern division of the county. It is within the liberty of the cinque ports, and the juristion of the corporation of the town and port of Dover.

 

DOVER, written in the Latin Itinerary of Antonine, Dubris. By the Saxons, Dorsa, and Dofris. By later historians, Doveria; and in the book of Domesday, Dovere; took its name most probably from the British words, Dufir, signifying water, or Dusirrha, high and steep, alluding to the cliffs adjoining to it. (fn. 1)

 

It is situated at the extremity of a wide and spacious valley, inclosed on each side by high and steep hills or cliffs, and making allowance for the sea's withdrawing itself from between them, answers well to the description given of it by Julius Cæfar in his Commentaries.

 

In the middle space, between this chain of high cliffs, in a break or opening, lies the town of Dover and its harbour, which latter, before the sea was shut out, so late as the Norman conquest, was situated much more within the land than it is at present, as will be further noticed hereafter.

 

ON THE SUMMIT of one of these cliffs, of sudden and stupendous height, close on the north side of the town and harbour, stands DOVER CASTLE, so famous and renowned in all the histories of former times. It is situated so exceeding high, that it is at most times plainly to be seen from the lowest lands on the coast of France, and as far beyond as the eye can discern. Its size, for it contains within it thirty five acres of ground, six of which are taken up by the antient buildings, gives it the appearance of a small city, having its citadel conspicuous in the midst of it, with extensive fortifications, around its walls. The hill, or rather rock, on which it stands, is ragged and steep towards the town and harbour; but towards the sea, it is a perpendicular precipice of a wonderful height, being more than three hundred and twenty feet high, from its basis on the shore.

 

Common tradition supposes, that Julius Cæfar was the builder of this castle, as well as others in this part of Britain, but surely without a probability of truth; for our brave countrymen found Cæfar sufficient employment of a far different sort, during his short stay in Britain, to give him any opportunity of erecting even this one fortress. Kilburne says, there was a tower here, called Cæsar's tower, afterwards the king's lodgings; but these, now called the king's keep, were built by king Henry II. as will be further mentioned hereafter; and he further says, there were to be seen here great pipes and casks bound with iron hoops, in which was liquor supposed to be wine, which by long lying had become as thick as treacle, and would cleave like birdlime; salt congealed together as hard as stone; cross and long bows and arrows, to which brass was fastened instead of feathers, and they were of such size, as not to be fit for the use of men of that or any late ages. These, Lambarde says, the inhabitants shewed as having belonged to Cæfar, and the wine and salt as part of the provision he had brought with him hither; and Camden relates, that he was shewn these arrows, which he thinks were such as the Romans used to shoot out of their engines, which were like to large crossbows. These last might, no doubt, though not Cæsar's, belong to the Romans of a later time; and the former might, perhaps, be part of the provisions and stores which king Henry VIII. laid in here, at a time when he passed from hence over sea to France. But for many years past it has not been known what is become of any of these things.

 

Others, averse to Cæsar's having built this castle, and yet willing to give the building of it to the empire of the Romans of a later time, suppose, and that perhaps with some probability, it was first erected by Arviragus, (or Arivog, as he is called on his coin) king of Britain, in the time of Claudius, the Roman emperor. (fn. 2)

 

That there was one built here, during the continuance of the Roman empire in Britain, must be supposed from the necessity of it, and the circumstances of those times; and the existence of one plainly appears, from the remains of the tower and other parts of the antient church within it, and the octagon tower at the west end, in which are quantities of Roman brick and tile. These towers are evidently the remains of Roman work, the former of much less antiquity than the latter, which may be well supposed to have been built as early as the emperor Claudius, whose expedition hither was about or immediately subsequent to the year of Christ 44. Of these towers, probably the latter was built for a speculum, or watch-tower, and was used, not only to watch the approach of enemies, but with another on the opposite hill, to point out the safe entrance into this port between them, by night as well as by day.

 

In this fortress, the Romans seem afterwards to have kept a garrison of veterans, as we learn from Pancirollus, who tells us that a company of soldiers under their chief, called Præpositus Militum Tungricanorum, was stationed within this fortess.

 

Out of the remains of part of the above-mentioned Roman buildings here, a Christian church was erected, as most historians write, by Lucius, king of Britain, about the year 161; but it is much to be doubted whether there ever was such a king in Britain; if there was, he was only a tributary chief to the Roman emperor, under whose peculiar government Britain was then accounted. This church was built, no doubt, for the use of that part of the garrison in particular, who were at that time believers of the gospel, and afterwards during the different changes of the Christian and Pagan religions in these parts, was made use of accordingly, till St. Augustine, soon after the year 597, at the request of king Ethelbert, reconsecrated it, and dedicated it anew, in honour of the blessed Virgin Mary.

 

¶His son and successor Eadbald, king of Kent, founded a college of secular canons and a provost in this church, whose habitations, undoubtedly near it, there are not the least traces of. These continued here till after the year 691; when Widred, king of Kent, having increated the fortifications, and finding the residence of the religious within them an incumbrance, removed them from hence into the town of Dover, to the antient church of St. Martin; in the description of which hereafter, a further account of them will be given.

  

DOVER does not seem to have been in much repute as a harbour, till some time after Cæsar's expedition hither; for the unfitness, as well as insecurity of the place, especially for a large fleet of shipping, added to the character which he had given of it, deterred the Romans from making a frequent use of it, so that from Boleyne, or Gessoriacum, their usual port in Gaul, they in general failed with their fleets to Richborough, or Portus Rutupinus, situated at the mouth of the Thames, in Britain, and thence back again; the latter being a most safe and commodious haven, with a large and extensive bay.

 

Notwithstanding which, Dover certainly was then made use of as a port for smaller vessels, and a nearer intercourse for passengers from the continent; and to render the entrance to it more safe, the Romans built two Specula, or watch-towers, here, on the two hills opposite to each other, to point out the approach to it, and one likewise on the opposite hill at Bologne, for the like purpose there; and it is mentioned as a port by Antoninus, in his Itinerary, in which, ITER III. is A Londinio ad Portum Dubris, i. e. from London to the port of Dover.

 

After the departure of the Romans from Britain, when the port of Bologne, as well as Richborough, fell into decay and disuse, and instead of the former a nearer port came into use, first at Whitsan, and when that was stopped up, a little higher at Calais, Dover quickly became the more usual and established port of passage between France and Britain, and it has continued so to the present time.

 

When the antient harbour of Dover was changed from its antient situation is not known; most probably by various occurrences of nature, the sea left it by degrees, till at last the farmer scite of it became entirely swallowed up by the beach. That the harbour was much further within land, even at the time of the conquest than it is at present, seems to be confirmed by Domesday, in which it is said, that at the entrance of it, there was a mill which damaged almost every ship that passed by it, on account of the great swell of the sea there. Where the scite of this mill was, is now totally unknown, though it is probable it was much within the land, and that by the still further accumulation of the beach, and other natural causes, this haven was in process of time so far filled up towards the inland part of it, as to change its situation still more to the south-west, towards the sea.

 

From the time of the Norman conquest this port continued the usual passage to the continent, and to confine the intercourse to this port only, there was a statute passed anno 4 Edward IV. that none should take shipping for Calais, but at Dover. (fn. 20) But in king Henry VII.'s time, which was almost the next reign, the harbour was become so swerved up, as to render it necessary for the king's immediate attention, to prevent its total ruin, and he expended great sums of money for its preservation. But it was found, that all that was done, would not answer the end proposed, without the building of a pier to seaward, which was determined on about the middle of Henry VIII.'s reign, and one was constructed, which was compiled of two rows of main posts, and great piles, which were let into holes hewn in the rock underneath, and some were shod with iron, and driven down into the main chalk, and fastened together with iron bands and bolts. The bottom being first filled up with great rocks of stone, and the remainder above with great chalk stones, beach, &c. During the whole of this work, the king greatly encouraged the undertaking, and came several times to view it; and in the whole is said to have expended near 63,000l. on it. But his absence afterwards abroad, his ill health, and at last his death, joined to the minority of his successor, king Edward VI. though some feeble efforts were made in his reign, towards the support of this pier, put a stop to, and in the end exposed this noble work to decay and ruin.

 

Queen Mary, indeed, attempted to carry it on again, but neither officers nor workmen being well paid, it came to nothing, so that in process of time the sea having brought up great quantities of beach again upon it, the harbour was choaked up, and the loss of Calais happening about the same time, threatened the entire destruction of it. Providentially the shelf of beach was of itself became a natural defence against the rage of the sea, insomuch, that if a passage could be made for ships to get safely within it, they might ride there securely.

 

To effect this, several projects were formed, and queen Elizabeth, to encourage it, gave to the town the free transportation of several thousand quarters of corn and tuns of beer; and in the 23d of her reign, an act passed for giving towards the repair of the harbour, a certain tonnage from every vessel above twenty tons burthen, passing by it, which amounted to 1000l. yearly income; and the lord Cobham, then lordwarden, and others, were appointed commissioners for this purpose; and in the end, after many different trials to effect it, a safe harbour was formed, with a pier, and different walls and sluices, at a great expence; during the time of which a universal diligence and public spirit appeared in every one concerned in this great and useful work. During the whole of the queen's reign, the improvement of this harbour continued without intermission, and several more acts passed for that purpose; but the future preservation of it was owing to the charter of incorporation of the governors of it, in the first year of king James I. by an act passed that year, by the name of the warden and assistants of the harbour of Dover, the warden being always the lord-warden of the cinque ports for the time being, and his assistants, his lieutenant, and the mayor of Dover, for the time being, and eight others, the warden and assistants only making a quorum; six to be present to make a session; at any of which, on a vacancy, the assistants to be elected; and the king granted to them his land or waste ground, or beach, commonly called the Pier, or Harbour ground, as it lay without Southgate, or Snargate, the rents of which are now of the yearly value of about three hundred pounds.

 

Under the direction of this corporation, the works and improvements of this harbour have been carried on, and acts of parliament have been passed in almost every reign since, to give the greater force to their proceedings.

 

From what has been said before, the reader will observe, that this harbour has always been a great national object, and that in the course of many ages, prodigious sums of money have been from time to time expended on it, and every endeavour used to keep it open, and render it commodious; but after all these repeated endeavours and expences, it still labours under such circumstances, as in a very great degree renders unsuccessful all that has ever been done for that purpose.

 

DOVER, as has been already mentioned, was of some estimation in the time of the Roman empire in Britain, on account of its haven, and afterwards for the castle, in which they kept a strong garrison of sol. diers, not only to guard the approach to it, but to keep the natives in subjection; and in proof of their residence here, the Rev. Mr. Lyon some years since discovered the remains of a Roman structure, which he apprehended to have been a bath, at the west end of the parish-church of St. Mary, in this town, which remains have since repeatedly been laid open when interments have taken place there.

 

This station of the Romans is mentioned by Antonine, in his Itinerary of the Roman roads in Britain, by the name of Dubris, as being situated from the station named Durovernum, or Canterbury, fourteen miles; which distance, compared with the miles as they are now numbered from Canterbury, shews the town, as well as the haven, for they were no doubt contiguous to each other, to have both been nearer within land than either of them are at present, the present distance from Canterbury being near sixteen miles as the road now goes, The sea, indeed, seems antiently to have occupied in great part the space where the present town of Dover, or at least the northwest part of it, now stands; but being shut out by the quantity of beach thrown up, and the harbour changed by that means to its present situation, left that place a dry ground, on which the town of Dover, the inhabitants following the traffic of the harbour, was afterwards built.

 

This town, called by the Saxons, Dofra, and Dofris; by later historians, Doveria; and in Domesday, Dovere; is agreed by all writers to have been privileged before the conquest; and by the survey of Domesday, appears to have been of ability in the time of king Edward the Confessor, to arm yearly twenty vessels for sea service. In consideration of which, that king granted to the inhabitants, not only to be free from the payment of thol and other privileges throughout the realm, but pardoned them all manner of suit and service to any of his courts whatsoever; and in those days, the town seems to have been under the protection and government of Godwin, earl of Kent, and governor of this castle.

 

Soon after the conquest, this town was so wasted by fire, that almost all the houses were reduced to ashes, as appears by the survey of Domesday, at the beginning of which is the following entry of it:

 

DOVERE, in the time of king Edward, paid eighteen pounds, of which money, king E had two parts, and earl Goduin the third. On the other hand, the canons of St. Martin had another moiety. The burgesses gave twenty ships to the king once in the year, for fifteen days; and in each ship were twenty and one men. This they did on the account that he had pardoned them sac and soc. When the messengers of the king came there, they gave for the passage of a horse three pence in winter, and two in summer. But the burgesses found a steerman, and one other assistant, and if there should be more necessary, they were provided at his cost. From the festival of St. Michael to the feast of St. Andrew, the king's peace was in the town. Sigerius had broke it, on which the king's bailiff had received the usual fine. Whoever resided constantly in the town paid custom to the king; he was free from thol throughout England. All these customs were there when king William came into England. On his first arrival in England, the town itself was burnt, and therefore its value could not be computed how much it was worth, when the bishop of Baieux received it. Now it is rated at forty pounds, and yet the bailiff pays from thence fifty-four pounds to the king; of which twenty-four pounds in money, which were twenty in an one, but thirty pounds to the earl by tale.

 

In Dovere there are twenty-nine plats of ground, of which the king had lost the custom. Of these Robert de Romenel has two. Ralph de Curbespine three. William, son of Tedald, one. William, son of Oger, one. William, son of Tedold, and Robert niger, six. William, son of Goisfrid, three, in which the guildhall of the burgesses was. Hugo de Montfort one house. Durand one. Rannulf de Colubels one. Wadard six. The son of Modbert one. And all these vouch the bishop of Baieux as the protector and giver of these houses. Of that plat of ground, which Rannulf de Colubels holds, which was a certain outlaw, they agree that the half of the land was the king's, and Rannulf himself has both parts. Humphry the lame man holds one plat of ground, of which half the forfeiture is the king's. Roger de Ostrabam made a certain house over the king's water, and held to this time the custom of the king; nor was a house there in the time of king Edward. In the entrance of the port of Dovere, there is one mill, which damages almost every ship, by the great swell of the sea, and does great damage to the king and his tenants; and it was not there in the time of king Edward. Concerning this, the grandson of Herbert says, that the bishop of Baieux granted it to his uncle Herbert, the son of Ivo.

 

And a little further, in the same record, under the bishop's possessions likewise:

 

In Estrei hundred, Wibertus holds half a yoke, which lies in the gild of Dover, and now is taxed with the land of Osbert, the son of Letard, and is worth per annum four shillings.

 

From the Norman conquest, the cities and towns of this realm appear to have been vested either in the crown, or else in the clergy or great men of the laity, and they were each, as such, immediately lords of the same. Thus, when the bishop of Baieux, to whom the king had, as may be seen by the above survey, granted this town, was disgraced. It returned into the king's hands by forfeiture, and king Richard I. afterwards granted it in ferme to Robt. Fitz-bernard. (fn. 21)

 

After the time of the taking of the survey of Domesday, the harbour of Dover still changing its situation more to the south-westward, the town seems to have altered its situation too, and to have been chiefly rebuilt along the sides of the new harbour, and as an encouragement to it, at the instance, and through favour especially to the prior of Dover, king Edward I. in corporated this town, the first that was so of any of the cinque ports, by the name of the mayor and commonalty. The mayor to be chosen out of the latter, from which body he was afterwards to chuse the assistants for his year, who were to be sworn for that purpose. At which time, the king had a mint for the coinage of money here; and by patent, anno 27 of that reign, the table of the exchequer of money was appointed to be held here, and at Yarmouth. (fn. 22) But the good effects of these marks of the royal favour were soon afterwards much lessened, by a dreadful disaster; for the French landed here in the night, in the 23d year of that reign, and burnt the greatest part of the town, and several of the religious houses, in it, and this was esteemed the more treacherousk, as it was done whilst the two cardinals were here, treating for a peace between England and France; which misfortune, however, does not seem to have totally impoverished it, for in the 17th year of the next reign of king Edward II it appears in some measure to have recovered its former state, and to have been rebuilt, as appears by the patent rolls of that year, in which the town of Dover is said to have then had in it twenty-one wards, each of which was charged with one ship for the king's use; in consideration of which, each ward had the privilege of a licensed packetboat, called a passenger, from Dover across the sea to Whitsan, in France, the usual port at that time of embarking from thence.

 

The state of this place in the reign of Henry VIII. is given by Leland, in his Itinerary, as follows:

 

"Dovar ys xii myles fro Canterbury and viii fro Sandwich. Ther hath bene a haven yn tyme past and yn taken ther of the ground that lyith up betwyxt the hilles is yet in digging found wosye. Ther hath bene found also peeces of cabelles and anchores and Itinerarium Antonini cawlyth hyt by the name of a haven. The towne on the front toward the se hath bene right strongly walled and embateled and almost al the residew; but now yt is parly fawlen downe and broken downe. The residew of the towne as far as I can perceyve was never waulled. The towne is devided into vi paroches. Wherof iii be under one rose at S. Martines yn the hart of the town. The other iii stand that yt hath be walled abowt but not dyked. The other iii stand abrode, of the which one is cawled S. James of Rudby or more likely Rodeby a statione navium. But this word ys not sufficient to prove that Dovar showld be that place, the which the Romaynes cawlled Portus Rutupi or Rutupinum. For I cannot yet se the contrary but Retesboro otherwise cawlled Richeboro by Sandwich, both ways corruptly, must neades be Rutupinum. The mayne strong and famose castel of Dovar stondeth on the loppe of a hille almost a quarter of a myle of fro the towne on the lyst side and withyn the castel ys a chapel, yn the sides wherof appere sum greate Briton brykes. In the town was a great priory of blacke monkes late suppressed. There is also an hospitalle cawlled the Meason dew. On the toppe of the hye clive betwene the towne and the peere remayneth yet abowt a slyte shot up ynto the land fro the very brymme of the se clysse as ruine of a towr, the which has bene as a pharos or a mark to shyppes on the se and therby was a place of templarys. As concerning the river of Dovar it hath no long cowrse from no spring or hedde notable that descendith to that botom. The principal hed, as they say is at a place cawled Ewelle and that is not past a iii or iiii myles fro Dovar. Ther be springes of frech waters also at a place cawled Rivers. Ther is also a great spring at a place cawled …… and that once in a vi or vii yeres brasted owt so abundantly that a great part of the water cummeth into Dovar streme, but als yt renneth yn to the se betwyxt Dovar and Folchestan, but nerer to Folchestan that is to say withyn a ii myles of yt. Surely the hedde standeth so that it might with no no great cost be brought to run alway into Dovar streame." (fn. 23)

Cougate Crosse-gate Bocheruy-gate stoode with toures toward the se. There is beside Beting-gate and Westegate.

Howbeyt MTuine tol me a late that yt hath be walled abowt but not dyked.

 

This was the state of Dover just before the time of the dissolution of religious houses, in Henry VIII.'s reign, when the abolition of private masses, obits, and such like services in churches, occasioned by the reformation, annillilated the greatest part of the income of the priests belonging to them, in this as well as in other towns, in consequence of which most of them were deserted, and falling to ruin, the parishes belonging to them were united to one or two of the principal ones of them. Thus, in this town, of the several churches in it, two only remained in use for divine service, viz. St. Mary's and St. James's, to which the parishes of the others were united.

 

After this, the haven continuting to decay more than ever, notwithstanding the national assistance afforded to it, the town itself seemed hastening to impoverishment. What the state of it was in the 8th year of queen Elizabeth, may be seen, by the certificate returned by the queen's order of the maritime places, in her 8th year, by which it appears that there were then in Dover, houses inhabited three hundred and fifty-eight; void, or lack of inhabiters, nineteen; a mayor, customer, comptroller of authorities, not joint but several; ships and crayers twenty, from four tons to one hundred and twenty.

 

¶This probable ruin of the town, however, most likely induced the queen, in her 20th year, to grant it a new charter of incorporation, in which the manner of chusing mayor, jurats, and commoners, and of making freemen, was new-modelled, and several surther liberties and privileges granted, and those of the charter of king Edward I. confirmed likewise by inspeximus. After which, king Charles II. in his 36th year, anno 1684, granted to it a new charter, which, however, was never inrolled in chancery, and in consequence of a writ of quo warranto was that same year surrendered, and another again granted next year; but this last, as well as another charter granted by king James II. and forced on the corporation, being made wholly subservient to the king's own purposes, were annulled by proclamation, made anno 1688, being the fourth and last year of his reign: but none of the above charters being at this time extant, (the charters of this corporation, as well as those of the other cinque ports, being in 1685, by the king's command, surrendered up to Col. Strode, then governor of Dover castle, and never returned again, nor is it known what became of them,) Dover is now held to be a corporation by prescription, by the stile of the mayor, jurats, and commonalty of the town and port of Dover. It consists at present of a mayor, twelve jurats, and thirty-six commoners, or freemen, together with a chamberlain, recorder, and town-clerk. The mayor, who is coroner by virtue of his office, is chosen on Sept. 8, yearly, in St. Mary's church, and together with the jurats, who are justices within this liberty, exclusive of all others, hold a court of general sessions of the peace and gaol delivery, together with a court of record, and it has other privileges, mostly the same as the other corporations, within the liberties of the cinque ports. It has the privilege of a mace. The election of mayor was antiently in the church of St. Peter, whence in 1581 it was removed to that of St. Mary, where it has been, as well as the elections of barons to serve in parliament, held ever since. These elections here, as well as elsewhere in churches, set apart for the worship of God, are certainly a scandal to decency and religion, and are the more inexcusable here, as there is a spacious court-hall, much more fit for the purposes. After this, there was another byelaw made, in June, 1706, for removing these elections into the court-hall; but why it was not put in execution does not appear, unless custom prevented it—for if a decree was of force to move them from one church to another, another decree was of equal force to remove them from the church to the courthall. Within these few years indeed, a motion was made in the house of commons, by the late alderman Sawbridge, a gentlemand not much addicted to speak in favour of the established church, to remove all such elections, through decency, from churches to other places not consecrated to divine worship; but though allowed to be highly proper, yet party resentment against the mover of it prevailed, and the motion was negatived by a great majority.

 

The mayor is chosen by the resident freemen. The jurats are nominated from the common-councilmen by the jurats, and appointed by the mayor, jurats, and common-councilmen, by ballot.

  

THE CHURCH OF ST. Mary stands at some distance from the entrance into this town from Canterbury, near the market-place. It is said to have been built by the prior and convent of St. Martin, (fn. 47) in the year 1216; but from what authority, I know not.—Certain it is, that it was in king John's reign, in the gift of the king, and was afterwards given by him to John de Burgh; but in the 8th year of Richard II.'s reign, anno 1384, it was become appropriated to the abbot of Pontiniac. After which, by what means, I cannot discover, this appropriation, as well as the advowson of the church, came into the possession of the master and brethren of the hospital of the Maison Dieu, who took care that the church should be daily served by a priest, who should officiate in it for the benefit of the parish. In which state it continued till the suppression of the hospital, in the 36th year of king Henry VIII.'s reign, when it came into the hands of the crown, at which time the parsonage was returned by John Thompson, master of the hospital, to be worth six pounds per annum.

 

Two years after which, the king being at Dover, at the humble entreaty of the inhabitants of this parish, gave to them, as it is said, this church, with the cemetery adjoining to it, to be used by them as a parochial church; at the same time he gave the pews of St. Martin's church for the use of it; and on the king's departure, in token of possession, they sealed up the church doors; since which, the patronage of it, which is now esteemed as a perpetual curacy, the minister of it being licensed by the archbishop, has been vested in the inhabitants of this parish. Every parishioner, paying scot and lot, having a vote in the chusing of the minister, whose maintenance had been from time to time, at their voluntary option, more or less. It is now fixed at eighty pounds per annum. Besides which he has the possession of a good house, where he resides, which was purchased by the inhabitants in 1754, for the perpetual use of the minister of it. It is exempt from the jurisdiction of the archdeacon. (fn. 48)

 

There is a piece of ground belonging, as it is said, to the glebe of this church, rented annually at ten pounds, which is done by vestry, without the minister being at all concerned in it. In 1588 here were eight hundred and twenty-one communicants. This parish contains more than five parts out of six of the whole town, and a greater proportion of the inhabitants.

 

The church of St. Mary is a large handsome building of three isles, having a high and south chancel, all covered with lead, and built of flints, with ashler windows and door cases, which are arched and ornamented. At the west end is the steeple, which is a spire covered with lead, in which are eight bells, a clock, and chimes. The pillars in the church are large and clumsy; the arches low and semicircular in the body, but eliptical in the chancel; but there is no separation between the body and chancel, and the pews are continued on to the east end of the church. In the high chancel, at the eastern extremity of it, beyond the altar, are the seats for the mayor and jurats; and here the mayor is now chosen, and the barons in parliament for this town and port constantly elected.

 

In 1683, there was a faculty granted to the churchwardens, to remove the magistrates seats from the east end of the church to the north side, or any other more convenient part of it, and for the more decent and commodious placing the communion table: in consequence of which, these seats were removed, and so placed, but they continued there no longer than 1689, when, by several orders of vestry, they were removed back again to where they remain at present.

 

The mayor was antiently chosen in St. Peter's church; but by a bye-law of the corporation, it was removed to this church in 1583, where it has ever since been held. In 1706, another bye law was made, to remove, for the sake of decency, all elections from this church to the court-hall, but it never took place. More of which has been mentioned before.

 

From the largeness, as well as the populousness of this parish, the church is far from being sufficient to contain the inhabitants who resort to it for public worship, notwithstanding there are four galleries in it, and it is otherwise well pewed. This church was paved in 1642, but it was not ceiled till 1706. In 1742, there was an organ erected in it. The two branches in it were given, one by subscription in 1738, and the other by the pilots in 1742.

 

Thomas Toke, of Dover, buried in the chapel of St. Katharine, in this church, by his will in 1484, gave seven acres of land at Dugate, under Windlass-down, to the wardens of this church, towards the repairs of it for ever.

 

¶The monuments and memorials in this church and church yard, are by far too numerous to mention here. Among them are the following: A small monument in the church for the celebrated Charles Churchill, who was buried in the old church-yard of St. Martin in this town, as has been noticed before; and a small stone, with a memorial for Samuel Foote, esq. the celebrated comedian, who died at the Ship inn, and had a grave dug for him in this church, but was afterwards carried to London, and buried there. A monument and several memorials for the family of Eaton; arms, Or, a sret, azure. A small tablet for John Ker, laird of Frogden, in Twit dale, in Scotland, who died suddenly at Dover, in his way to France, in 1730. Two monuments for Farbrace, arms, Azure, a bend, or, between two roses, argent, seeded, or, bearded vert. A monument in the middle isle, to the memory of the Minet family. In the north isle are several memorials for the Gunmans, of Dover; arms,. … a spread eagle, argent, gorged with a ducal coronet, or. There are others, to the memory of Broadley, Rouse, and others, of good account in this town.

 

www.british-history.ac.uk/survey-kent/vol9/pp475-548

Nearly halfway through the month, and it's the weekend again, and the the good news is that the sore throat I had on Friday went and did not return.

 

Which is nice.

 

Jools's cough, however, which seemed like it was getting better, returned slightly on Friday evening, and would again on Saturday. We had tockets to see Public Service Bradcasting again, this time in Margate, but our hearts were not in it, if I'm honest, and in the end we decided not to go in light of her coughing, but also as I said, we saw them a month back, though this would be a different show.

 

And Norwich were on the tellybox, what could be better than watching that?

 

Anything, as it turned out.

 

But that was for later.

 

We went to Tesco, a little later than usual, as we had slept in rather, then back home for breakfast before the decision on what to do for the day. Jools decided to stay home to bead and read, I would go out.

 

There are three churches near to home that I feel I needed to revisit, St Margaret's itself I should be able to get the key from the village shop at any time, but St Mary in Dover hasn't been open the last few times I have been in town, and Barfrestone was closed most of the year due to vandalism.

 

But Saturday morning there is usually a coffee morning in St Mary, so I went down armed with camera and lenses to take more shots of the details, especially of the windows.

 

There was a small group with the Vicar, talking in one of the chapels, so I made busy getting my shots, just happy that the church was open. I left a fiver with the vicar, and walked back to the car, passing the old guy supping from a tin of cider sitting outside the church hall.

 

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In the heart of the town with a prominent twelfth-century tower. From the outside it is obvious that much work was carried out in the nineteenth century. The church has major connections with the Lord Wardens of the Cinque Ports and is much used for ceremonial services. The western bays of the nave with their low semi-circular arches are contemporary with the tower, while the pointed arches to the east are entirely nineteenth century. The scale and choice of stone is entirely wrong, although the carving is very well done. However the east end, with its tall narrow lancet windows, is not so successful. The Royal Arms, of the reign of William and Mary, are of carved and painted wood, with a French motto - Jay Maintendray - instead of the more usual Dieu et Mon Droit. The church was badly damaged in the Second World War, but one of the survivors was the typical Norman font of square Purbeck marble construction. One of the more recent additions to the church is the Herald of Free Enterprise memorial window of 1989 designed by Frederick Cole.

 

www.kentchurches.info/church.asp?p=Dover+1

 

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THE TOWN AND PORT OF DOVER.

DOVER lies at the eastern extremity of Kent, adjoining to the sea, the great high London road towards France ending at it. It lies adjoining to the parish of Charlton last-described, eastward, in the lath of St. Augustine and eastern division of the county. It is within the liberty of the cinque ports, and the juristion of the corporation of the town and port of Dover.

 

DOVER, written in the Latin Itinerary of Antonine, Dubris. By the Saxons, Dorsa, and Dofris. By later historians, Doveria; and in the book of Domesday, Dovere; took its name most probably from the British words, Dufir, signifying water, or Dusirrha, high and steep, alluding to the cliffs adjoining to it. (fn. 1)

 

It is situated at the extremity of a wide and spacious valley, inclosed on each side by high and steep hills or cliffs, and making allowance for the sea's withdrawing itself from between them, answers well to the description given of it by Julius Cæfar in his Commentaries.

 

In the middle space, between this chain of high cliffs, in a break or opening, lies the town of Dover and its harbour, which latter, before the sea was shut out, so late as the Norman conquest, was situated much more within the land than it is at present, as will be further noticed hereafter.

 

ON THE SUMMIT of one of these cliffs, of sudden and stupendous height, close on the north side of the town and harbour, stands DOVER CASTLE, so famous and renowned in all the histories of former times. It is situated so exceeding high, that it is at most times plainly to be seen from the lowest lands on the coast of France, and as far beyond as the eye can discern. Its size, for it contains within it thirty five acres of ground, six of which are taken up by the antient buildings, gives it the appearance of a small city, having its citadel conspicuous in the midst of it, with extensive fortifications, around its walls. The hill, or rather rock, on which it stands, is ragged and steep towards the town and harbour; but towards the sea, it is a perpendicular precipice of a wonderful height, being more than three hundred and twenty feet high, from its basis on the shore.

 

Common tradition supposes, that Julius Cæfar was the builder of this castle, as well as others in this part of Britain, but surely without a probability of truth; for our brave countrymen found Cæfar sufficient employment of a far different sort, during his short stay in Britain, to give him any opportunity of erecting even this one fortress. Kilburne says, there was a tower here, called Cæsar's tower, afterwards the king's lodgings; but these, now called the king's keep, were built by king Henry II. as will be further mentioned hereafter; and he further says, there were to be seen here great pipes and casks bound with iron hoops, in which was liquor supposed to be wine, which by long lying had become as thick as treacle, and would cleave like birdlime; salt congealed together as hard as stone; cross and long bows and arrows, to which brass was fastened instead of feathers, and they were of such size, as not to be fit for the use of men of that or any late ages. These, Lambarde says, the inhabitants shewed as having belonged to Cæfar, and the wine and salt as part of the provision he had brought with him hither; and Camden relates, that he was shewn these arrows, which he thinks were such as the Romans used to shoot out of their engines, which were like to large crossbows. These last might, no doubt, though not Cæsar's, belong to the Romans of a later time; and the former might, perhaps, be part of the provisions and stores which king Henry VIII. laid in here, at a time when he passed from hence over sea to France. But for many years past it has not been known what is become of any of these things.

 

Others, averse to Cæsar's having built this castle, and yet willing to give the building of it to the empire of the Romans of a later time, suppose, and that perhaps with some probability, it was first erected by Arviragus, (or Arivog, as he is called on his coin) king of Britain, in the time of Claudius, the Roman emperor. (fn. 2)

 

That there was one built here, during the continuance of the Roman empire in Britain, must be supposed from the necessity of it, and the circumstances of those times; and the existence of one plainly appears, from the remains of the tower and other parts of the antient church within it, and the octagon tower at the west end, in which are quantities of Roman brick and tile. These towers are evidently the remains of Roman work, the former of much less antiquity than the latter, which may be well supposed to have been built as early as the emperor Claudius, whose expedition hither was about or immediately subsequent to the year of Christ 44. Of these towers, probably the latter was built for a speculum, or watch-tower, and was used, not only to watch the approach of enemies, but with another on the opposite hill, to point out the safe entrance into this port between them, by night as well as by day.

 

In this fortress, the Romans seem afterwards to have kept a garrison of veterans, as we learn from Pancirollus, who tells us that a company of soldiers under their chief, called Præpositus Militum Tungricanorum, was stationed within this fortess.

 

Out of the remains of part of the above-mentioned Roman buildings here, a Christian church was erected, as most historians write, by Lucius, king of Britain, about the year 161; but it is much to be doubted whether there ever was such a king in Britain; if there was, he was only a tributary chief to the Roman emperor, under whose peculiar government Britain was then accounted. This church was built, no doubt, for the use of that part of the garrison in particular, who were at that time believers of the gospel, and afterwards during the different changes of the Christian and Pagan religions in these parts, was made use of accordingly, till St. Augustine, soon after the year 597, at the request of king Ethelbert, reconsecrated it, and dedicated it anew, in honour of the blessed Virgin Mary.

 

¶His son and successor Eadbald, king of Kent, founded a college of secular canons and a provost in this church, whose habitations, undoubtedly near it, there are not the least traces of. These continued here till after the year 691; when Widred, king of Kent, having increated the fortifications, and finding the residence of the religious within them an incumbrance, removed them from hence into the town of Dover, to the antient church of St. Martin; in the description of which hereafter, a further account of them will be given.

  

DOVER does not seem to have been in much repute as a harbour, till some time after Cæsar's expedition hither; for the unfitness, as well as insecurity of the place, especially for a large fleet of shipping, added to the character which he had given of it, deterred the Romans from making a frequent use of it, so that from Boleyne, or Gessoriacum, their usual port in Gaul, they in general failed with their fleets to Richborough, or Portus Rutupinus, situated at the mouth of the Thames, in Britain, and thence back again; the latter being a most safe and commodious haven, with a large and extensive bay.

 

Notwithstanding which, Dover certainly was then made use of as a port for smaller vessels, and a nearer intercourse for passengers from the continent; and to render the entrance to it more safe, the Romans built two Specula, or watch-towers, here, on the two hills opposite to each other, to point out the approach to it, and one likewise on the opposite hill at Bologne, for the like purpose there; and it is mentioned as a port by Antoninus, in his Itinerary, in which, ITER III. is A Londinio ad Portum Dubris, i. e. from London to the port of Dover.

 

After the departure of the Romans from Britain, when the port of Bologne, as well as Richborough, fell into decay and disuse, and instead of the former a nearer port came into use, first at Whitsan, and when that was stopped up, a little higher at Calais, Dover quickly became the more usual and established port of passage between France and Britain, and it has continued so to the present time.

 

When the antient harbour of Dover was changed from its antient situation is not known; most probably by various occurrences of nature, the sea left it by degrees, till at last the farmer scite of it became entirely swallowed up by the beach. That the harbour was much further within land, even at the time of the conquest than it is at present, seems to be confirmed by Domesday, in which it is said, that at the entrance of it, there was a mill which damaged almost every ship that passed by it, on account of the great swell of the sea there. Where the scite of this mill was, is now totally unknown, though it is probable it was much within the land, and that by the still further accumulation of the beach, and other natural causes, this haven was in process of time so far filled up towards the inland part of it, as to change its situation still more to the south-west, towards the sea.

 

From the time of the Norman conquest this port continued the usual passage to the continent, and to confine the intercourse to this port only, there was a statute passed anno 4 Edward IV. that none should take shipping for Calais, but at Dover. (fn. 20) But in king Henry VII.'s time, which was almost the next reign, the harbour was become so swerved up, as to render it necessary for the king's immediate attention, to prevent its total ruin, and he expended great sums of money for its preservation. But it was found, that all that was done, would not answer the end proposed, without the building of a pier to seaward, which was determined on about the middle of Henry VIII.'s reign, and one was constructed, which was compiled of two rows of main posts, and great piles, which were let into holes hewn in the rock underneath, and some were shod with iron, and driven down into the main chalk, and fastened together with iron bands and bolts. The bottom being first filled up with great rocks of stone, and the remainder above with great chalk stones, beach, &c. During the whole of this work, the king greatly encouraged the undertaking, and came several times to view it; and in the whole is said to have expended near 63,000l. on it. But his absence afterwards abroad, his ill health, and at last his death, joined to the minority of his successor, king Edward VI. though some feeble efforts were made in his reign, towards the support of this pier, put a stop to, and in the end exposed this noble work to decay and ruin.

 

Queen Mary, indeed, attempted to carry it on again, but neither officers nor workmen being well paid, it came to nothing, so that in process of time the sea having brought up great quantities of beach again upon it, the harbour was choaked up, and the loss of Calais happening about the same time, threatened the entire destruction of it. Providentially the shelf of beach was of itself became a natural defence against the rage of the sea, insomuch, that if a passage could be made for ships to get safely within it, they might ride there securely.

 

To effect this, several projects were formed, and queen Elizabeth, to encourage it, gave to the town the free transportation of several thousand quarters of corn and tuns of beer; and in the 23d of her reign, an act passed for giving towards the repair of the harbour, a certain tonnage from every vessel above twenty tons burthen, passing by it, which amounted to 1000l. yearly income; and the lord Cobham, then lordwarden, and others, were appointed commissioners for this purpose; and in the end, after many different trials to effect it, a safe harbour was formed, with a pier, and different walls and sluices, at a great expence; during the time of which a universal diligence and public spirit appeared in every one concerned in this great and useful work. During the whole of the queen's reign, the improvement of this harbour continued without intermission, and several more acts passed for that purpose; but the future preservation of it was owing to the charter of incorporation of the governors of it, in the first year of king James I. by an act passed that year, by the name of the warden and assistants of the harbour of Dover, the warden being always the lord-warden of the cinque ports for the time being, and his assistants, his lieutenant, and the mayor of Dover, for the time being, and eight others, the warden and assistants only making a quorum; six to be present to make a session; at any of which, on a vacancy, the assistants to be elected; and the king granted to them his land or waste ground, or beach, commonly called the Pier, or Harbour ground, as it lay without Southgate, or Snargate, the rents of which are now of the yearly value of about three hundred pounds.

 

Under the direction of this corporation, the works and improvements of this harbour have been carried on, and acts of parliament have been passed in almost every reign since, to give the greater force to their proceedings.

 

From what has been said before, the reader will observe, that this harbour has always been a great national object, and that in the course of many ages, prodigious sums of money have been from time to time expended on it, and every endeavour used to keep it open, and render it commodious; but after all these repeated endeavours and expences, it still labours under such circumstances, as in a very great degree renders unsuccessful all that has ever been done for that purpose.

 

DOVER, as has been already mentioned, was of some estimation in the time of the Roman empire in Britain, on account of its haven, and afterwards for the castle, in which they kept a strong garrison of sol. diers, not only to guard the approach to it, but to keep the natives in subjection; and in proof of their residence here, the Rev. Mr. Lyon some years since discovered the remains of a Roman structure, which he apprehended to have been a bath, at the west end of the parish-church of St. Mary, in this town, which remains have since repeatedly been laid open when interments have taken place there.

 

This station of the Romans is mentioned by Antonine, in his Itinerary of the Roman roads in Britain, by the name of Dubris, as being situated from the station named Durovernum, or Canterbury, fourteen miles; which distance, compared with the miles as they are now numbered from Canterbury, shews the town, as well as the haven, for they were no doubt contiguous to each other, to have both been nearer within land than either of them are at present, the present distance from Canterbury being near sixteen miles as the road now goes, The sea, indeed, seems antiently to have occupied in great part the space where the present town of Dover, or at least the northwest part of it, now stands; but being shut out by the quantity of beach thrown up, and the harbour changed by that means to its present situation, left that place a dry ground, on which the town of Dover, the inhabitants following the traffic of the harbour, was afterwards built.

 

This town, called by the Saxons, Dofra, and Dofris; by later historians, Doveria; and in Domesday, Dovere; is agreed by all writers to have been privileged before the conquest; and by the survey of Domesday, appears to have been of ability in the time of king Edward the Confessor, to arm yearly twenty vessels for sea service. In consideration of which, that king granted to the inhabitants, not only to be free from the payment of thol and other privileges throughout the realm, but pardoned them all manner of suit and service to any of his courts whatsoever; and in those days, the town seems to have been under the protection and government of Godwin, earl of Kent, and governor of this castle.

 

Soon after the conquest, this town was so wasted by fire, that almost all the houses were reduced to ashes, as appears by the survey of Domesday, at the beginning of which is the following entry of it:

 

DOVERE, in the time of king Edward, paid eighteen pounds, of which money, king E had two parts, and earl Goduin the third. On the other hand, the canons of St. Martin had another moiety. The burgesses gave twenty ships to the king once in the year, for fifteen days; and in each ship were twenty and one men. This they did on the account that he had pardoned them sac and soc. When the messengers of the king came there, they gave for the passage of a horse three pence in winter, and two in summer. But the burgesses found a steerman, and one other assistant, and if there should be more necessary, they were provided at his cost. From the festival of St. Michael to the feast of St. Andrew, the king's peace was in the town. Sigerius had broke it, on which the king's bailiff had received the usual fine. Whoever resided constantly in the town paid custom to the king; he was free from thol throughout England. All these customs were there when king William came into England. On his first arrival in England, the town itself was burnt, and therefore its value could not be computed how much it was worth, when the bishop of Baieux received it. Now it is rated at forty pounds, and yet the bailiff pays from thence fifty-four pounds to the king; of which twenty-four pounds in money, which were twenty in an one, but thirty pounds to the earl by tale.

 

In Dovere there are twenty-nine plats of ground, of which the king had lost the custom. Of these Robert de Romenel has two. Ralph de Curbespine three. William, son of Tedald, one. William, son of Oger, one. William, son of Tedold, and Robert niger, six. William, son of Goisfrid, three, in which the guildhall of the burgesses was. Hugo de Montfort one house. Durand one. Rannulf de Colubels one. Wadard six. The son of Modbert one. And all these vouch the bishop of Baieux as the protector and giver of these houses. Of that plat of ground, which Rannulf de Colubels holds, which was a certain outlaw, they agree that the half of the land was the king's, and Rannulf himself has both parts. Humphry the lame man holds one plat of ground, of which half the forfeiture is the king's. Roger de Ostrabam made a certain house over the king's water, and held to this time the custom of the king; nor was a house there in the time of king Edward. In the entrance of the port of Dovere, there is one mill, which damages almost every ship, by the great swell of the sea, and does great damage to the king and his tenants; and it was not there in the time of king Edward. Concerning this, the grandson of Herbert says, that the bishop of Baieux granted it to his uncle Herbert, the son of Ivo.

 

And a little further, in the same record, under the bishop's possessions likewise:

 

In Estrei hundred, Wibertus holds half a yoke, which lies in the gild of Dover, and now is taxed with the land of Osbert, the son of Letard, and is worth per annum four shillings.

 

From the Norman conquest, the cities and towns of this realm appear to have been vested either in the crown, or else in the clergy or great men of the laity, and they were each, as such, immediately lords of the same. Thus, when the bishop of Baieux, to whom the king had, as may be seen by the above survey, granted this town, was disgraced. It returned into the king's hands by forfeiture, and king Richard I. afterwards granted it in ferme to Robt. Fitz-bernard. (fn. 21)

 

After the time of the taking of the survey of Domesday, the harbour of Dover still changing its situation more to the south-westward, the town seems to have altered its situation too, and to have been chiefly rebuilt along the sides of the new harbour, and as an encouragement to it, at the instance, and through favour especially to the prior of Dover, king Edward I. in corporated this town, the first that was so of any of the cinque ports, by the name of the mayor and commonalty. The mayor to be chosen out of the latter, from which body he was afterwards to chuse the assistants for his year, who were to be sworn for that purpose. At which time, the king had a mint for the coinage of money here; and by patent, anno 27 of that reign, the table of the exchequer of money was appointed to be held here, and at Yarmouth. (fn. 22) But the good effects of these marks of the royal favour were soon afterwards much lessened, by a dreadful disaster; for the French landed here in the night, in the 23d year of that reign, and burnt the greatest part of the town, and several of the religious houses, in it, and this was esteemed the more treacherousk, as it was done whilst the two cardinals were here, treating for a peace between England and France; which misfortune, however, does not seem to have totally impoverished it, for in the 17th year of the next reign of king Edward II it appears in some measure to have recovered its former state, and to have been rebuilt, as appears by the patent rolls of that year, in which the town of Dover is said to have then had in it twenty-one wards, each of which was charged with one ship for the king's use; in consideration of which, each ward had the privilege of a licensed packetboat, called a passenger, from Dover across the sea to Whitsan, in France, the usual port at that time of embarking from thence.

 

The state of this place in the reign of Henry VIII. is given by Leland, in his Itinerary, as follows:

 

"Dovar ys xii myles fro Canterbury and viii fro Sandwich. Ther hath bene a haven yn tyme past and yn taken ther of the ground that lyith up betwyxt the hilles is yet in digging found wosye. Ther hath bene found also peeces of cabelles and anchores and Itinerarium Antonini cawlyth hyt by the name of a haven. The towne on the front toward the se hath bene right strongly walled and embateled and almost al the residew; but now yt is parly fawlen downe and broken downe. The residew of the towne as far as I can perceyve was never waulled. The towne is devided into vi paroches. Wherof iii be under one rose at S. Martines yn the hart of the town. The other iii stand that yt hath be walled abowt but not dyked. The other iii stand abrode, of the which one is cawled S. James of Rudby or more likely Rodeby a statione navium. But this word ys not sufficient to prove that Dovar showld be that place, the which the Romaynes cawlled Portus Rutupi or Rutupinum. For I cannot yet se the contrary but Retesboro otherwise cawlled Richeboro by Sandwich, both ways corruptly, must neades be Rutupinum. The mayne strong and famose castel of Dovar stondeth on the loppe of a hille almost a quarter of a myle of fro the towne on the lyst side and withyn the castel ys a chapel, yn the sides wherof appere sum greate Briton brykes. In the town was a great priory of blacke monkes late suppressed. There is also an hospitalle cawlled the Meason dew. On the toppe of the hye clive betwene the towne and the peere remayneth yet abowt a slyte shot up ynto the land fro the very brymme of the se clysse as ruine of a towr, the which has bene as a pharos or a mark to shyppes on the se and therby was a place of templarys. As concerning the river of Dovar it hath no long cowrse from no spring or hedde notable that descendith to that botom. The principal hed, as they say is at a place cawled Ewelle and that is not past a iii or iiii myles fro Dovar. Ther be springes of frech waters also at a place cawled Rivers. Ther is also a great spring at a place cawled …… and that once in a vi or vii yeres brasted owt so abundantly that a great part of the water cummeth into Dovar streme, but als yt renneth yn to the se betwyxt Dovar and Folchestan, but nerer to Folchestan that is to say withyn a ii myles of yt. Surely the hedde standeth so that it might with no no great cost be brought to run alway into Dovar streame." (fn. 23)

Cougate Crosse-gate Bocheruy-gate stoode with toures toward the se. There is beside Beting-gate and Westegate.

Howbeyt MTuine tol me a late that yt hath be walled abowt but not dyked.

 

This was the state of Dover just before the time of the dissolution of religious houses, in Henry VIII.'s reign, when the abolition of private masses, obits, and such like services in churches, occasioned by the reformation, annillilated the greatest part of the income of the priests belonging to them, in this as well as in other towns, in consequence of which most of them were deserted, and falling to ruin, the parishes belonging to them were united to one or two of the principal ones of them. Thus, in this town, of the several churches in it, two only remained in use for divine service, viz. St. Mary's and St. James's, to which the parishes of the others were united.

 

After this, the haven continuting to decay more than ever, notwithstanding the national assistance afforded to it, the town itself seemed hastening to impoverishment. What the state of it was in the 8th year of queen Elizabeth, may be seen, by the certificate returned by the queen's order of the maritime places, in her 8th year, by which it appears that there were then in Dover, houses inhabited three hundred and fifty-eight; void, or lack of inhabiters, nineteen; a mayor, customer, comptroller of authorities, not joint but several; ships and crayers twenty, from four tons to one hundred and twenty.

 

¶This probable ruin of the town, however, most likely induced the queen, in her 20th year, to grant it a new charter of incorporation, in which the manner of chusing mayor, jurats, and commoners, and of making freemen, was new-modelled, and several surther liberties and privileges granted, and those of the charter of king Edward I. confirmed likewise by inspeximus. After which, king Charles II. in his 36th year, anno 1684, granted to it a new charter, which, however, was never inrolled in chancery, and in consequence of a writ of quo warranto was that same year surrendered, and another again granted next year; but this last, as well as another charter granted by king James II. and forced on the corporation, being made wholly subservient to the king's own purposes, were annulled by proclamation, made anno 1688, being the fourth and last year of his reign: but none of the above charters being at this time extant, (the charters of this corporation, as well as those of the other cinque ports, being in 1685, by the king's command, surrendered up to Col. Strode, then governor of Dover castle, and never returned again, nor is it known what became of them,) Dover is now held to be a corporation by prescription, by the stile of the mayor, jurats, and commonalty of the town and port of Dover. It consists at present of a mayor, twelve jurats, and thirty-six commoners, or freemen, together with a chamberlain, recorder, and town-clerk. The mayor, who is coroner by virtue of his office, is chosen on Sept. 8, yearly, in St. Mary's church, and together with the jurats, who are justices within this liberty, exclusive of all others, hold a court of general sessions of the peace and gaol delivery, together with a court of record, and it has other privileges, mostly the same as the other corporations, within the liberties of the cinque ports. It has the privilege of a mace. The election of mayor was antiently in the church of St. Peter, whence in 1581 it was removed to that of St. Mary, where it has been, as well as the elections of barons to serve in parliament, held ever since. These elections here, as well as elsewhere in churches, set apart for the worship of God, are certainly a scandal to decency and religion, and are the more inexcusable here, as there is a spacious court-hall, much more fit for the purposes. After this, there was another byelaw made, in June, 1706, for removing these elections into the court-hall; but why it was not put in execution does not appear, unless custom prevented it—for if a decree was of force to move them from one church to another, another decree was of equal force to remove them from the church to the courthall. Within these few years indeed, a motion was made in the house of commons, by the late alderman Sawbridge, a gentlemand not much addicted to speak in favour of the established church, to remove all such elections, through decency, from churches to other places not consecrated to divine worship; but though allowed to be highly proper, yet party resentment against the mover of it prevailed, and the motion was negatived by a great majority.

 

The mayor is chosen by the resident freemen. The jurats are nominated from the common-councilmen by the jurats, and appointed by the mayor, jurats, and common-councilmen, by ballot.

  

THE CHURCH OF ST. Mary stands at some distance from the entrance into this town from Canterbury, near the market-place. It is said to have been built by the prior and convent of St. Martin, (fn. 47) in the year 1216; but from what authority, I know not.—Certain it is, that it was in king John's reign, in the gift of the king, and was afterwards given by him to John de Burgh; but in the 8th year of Richard II.'s reign, anno 1384, it was become appropriated to the abbot of Pontiniac. After which, by what means, I cannot discover, this appropriation, as well as the advowson of the church, came into the possession of the master and brethren of the hospital of the Maison Dieu, who took care that the church should be daily served by a priest, who should officiate in it for the benefit of the parish. In which state it continued till the suppression of the hospital, in the 36th year of king Henry VIII.'s reign, when it came into the hands of the crown, at which time the parsonage was returned by John Thompson, master of the hospital, to be worth six pounds per annum.

 

Two years after which, the king being at Dover, at the humble entreaty of the inhabitants of this parish, gave to them, as it is said, this church, with the cemetery adjoining to it, to be used by them as a parochial church; at the same time he gave the pews of St. Martin's church for the use of it; and on the king's departure, in token of possession, they sealed up the church doors; since which, the patronage of it, which is now esteemed as a perpetual curacy, the minister of it being licensed by the archbishop, has been vested in the inhabitants of this parish. Every parishioner, paying scot and lot, having a vote in the chusing of the minister, whose maintenance had been from time to time, at their voluntary option, more or less. It is now fixed at eighty pounds per annum. Besides which he has the possession of a good house, where he resides, which was purchased by the inhabitants in 1754, for the perpetual use of the minister of it. It is exempt from the jurisdiction of the archdeacon. (fn. 48)

 

There is a piece of ground belonging, as it is said, to the glebe of this church, rented annually at ten pounds, which is done by vestry, without the minister being at all concerned in it. In 1588 here were eight hundred and twenty-one communicants. This parish contains more than five parts out of six of the whole town, and a greater proportion of the inhabitants.

 

The church of St. Mary is a large handsome building of three isles, having a high and south chancel, all covered with lead, and built of flints, with ashler windows and door cases, which are arched and ornamented. At the west end is the steeple, which is a spire covered with lead, in which are eight bells, a clock, and chimes. The pillars in the church are large and clumsy; the arches low and semicircular in the body, but eliptical in the chancel; but there is no separation between the body and chancel, and the pews are continued on to the east end of the church. In the high chancel, at the eastern extremity of it, beyond the altar, are the seats for the mayor and jurats; and here the mayor is now chosen, and the barons in parliament for this town and port constantly elected.

 

In 1683, there was a faculty granted to the churchwardens, to remove the magistrates seats from the east end of the church to the north side, or any other more convenient part of it, and for the more decent and commodious placing the communion table: in consequence of which, these seats were removed, and so placed, but they continued there no longer than 1689, when, by several orders of vestry, they were removed back again to where they remain at present.

 

The mayor was antiently chosen in St. Peter's church; but by a bye-law of the corporation, it was removed to this church in 1583, where it has ever since been held. In 1706, another bye law was made, to remove, for the sake of decency, all elections from this church to the court-hall, but it never took place. More of which has been mentioned before.

 

From the largeness, as well as the populousness of this parish, the church is far from being sufficient to contain the inhabitants who resort to it for public worship, notwithstanding there are four galleries in it, and it is otherwise well pewed. This church was paved in 1642, but it was not ceiled till 1706. In 1742, there was an organ erected in it. The two branches in it were given, one by subscription in 1738, and the other by the pilots in 1742.

 

Thomas Toke, of Dover, buried in the chapel of St. Katharine, in this church, by his will in 1484, gave seven acres of land at Dugate, under Windlass-down, to the wardens of this church, towards the repairs of it for ever.

 

¶The monuments and memorials in this church and church yard, are by far too numerous to mention here. Among them are the following: A small monument in the church for the celebrated Charles Churchill, who was buried in the old church-yard of St. Martin in this town, as has been noticed before; and a small stone, with a memorial for Samuel Foote, esq. the celebrated comedian, who died at the Ship inn, and had a grave dug for him in this church, but was afterwards carried to London, and buried there. A monument and several memorials for the family of Eaton; arms, Or, a sret, azure. A small tablet for John Ker, laird of Frogden, in Twit dale, in Scotland, who died suddenly at Dover, in his way to France, in 1730. Two monuments for Farbrace, arms, Azure, a bend, or, between two roses, argent, seeded, or, bearded vert. A monument in the middle isle, to the memory of the Minet family. In the north isle are several memorials for the Gunmans, of Dover; arms,. … a spread eagle, argent, gorged with a ducal coronet, or. There are others, to the memory of Broadley, Rouse, and others, of good account in this town.

 

www.british-history.ac.uk/survey-kent/vol9/pp475-548

Queens Of The Stone Age with John Garcia at the Wiltern Theater, Los Angeles, 20th Dec 2005

 

(replaced with much better version no idea how I screwed up the old one so badly)

 

* if you are going to ignore the copyright on these images and post them elsewhere on the web then at least have the decency to credit me with them *

What was initially billed as a "Sulzer Event" at the ELR in February 2004 ended up being tainted with GM filth when - at the 11th hour - Freightliner HeavyHaul decided they could not spare any Class 47s, instead sending a pair of 66's. Fortunately Crewe-based Riviera Trains had the decency to send flush-fronted 47853 in its lovely XP64 livery, pictured here thrashing up Broadfield Bank with a "Fred" on the rear providing 129 tonnes of dead-weight, proving they do have some uses...

 

21st February 2004.

Opened in 1859 by John Sabin, a young man who came from a family of publicans, he was already familiar with the pub business but unfortunately he didn't live long enough either to enjoy it or to make a go of it; he died at the early age of 31, leaving behind a young widow, Sarah. Moving in to help her run the pub, young Richard Welton was obviously on to a good thing and after a short delay for decency's sake the couple were married and Richard took over the license, which he held until his death. Beer was not the only commodity to be sold at the Oak at this time. Richard was also a butcher, killing beasts in a slaughterhouse at the back of the pub and selling the meat over the bar. In 1879 it had a beerhouse license.

 

Outliving Sarah by 7 years, Richard died in 1895 and the Oak then became the property of Northampton Brewery with William Mayo, a young Earlsdon lad born in Arden Street, as licensee. However, two years later it was taken over by Robinsons Brewery, Burton on Trent,in 1897 and again by Ind Coope in 1929 with Mayo still in charge. Over his 35 years at the Oak, his sturdy figure became a familiar sight to every Earlsdon resident.

 

He was followed for a short period by JF Taylor, whose successor, Leonard Lawless, was again to serve the Oak for over 30 years. He became just as familiar as Mayo to every Earlsdonite as was his daughters's piano playing audible to and enjoyed by passers-by as she practised in an upstairs room. In the 1950s Harry Lawless took over the tenancy from his father and over the years put together an interesting collection of memorabilia and many items were gifts from customers. There were wine bottles hanging from the ceiling, German bayonets and an old pipe about 2 feet long which hung on the wall. There was an unusual styled 'Laughing Cavalier' and a beautiful brass horse mounted on velvet which adorned the fireplace.

 

In 1961 it was an Ind Coope house and in 1982 was 'a pleasant local, the meeting place of Earlsdon Morris Men and clog dancers'. In August 2006 the pub was forced to close after storm water flooded the cellar following monsoon- like rainfall. There was damage to the cellar, floors, decoration and furniture. Repairs to the cellar alone cost £50,000 and it reopened in February 2007. In 2011 Ray Evetts left the Royal Oak for the Brooklands Grange Hotel, and Howard Grundy took over the lease.

 

Dutch postcard by Gebr. Spanjersberg N.V., Rotterdam (SPARO), no. b 78.

 

French actress Brigitte Bardot (1934) died on 28 December 2025, at the age of 91. In the 1950s, she was the sex kitten of the European film industry. BB starred in 48 films, performed in numerous musical shows, and recorded 80 songs. After her retirement in 1973, she became an animal rights activist. In the coming weeks, we will continue to post a BB postcard every day to remember her as she once was.

 

Brigitte Bardot was born in Paris in 1934. Her father, Louis Bardot, had an engineering degree and worked with his father in the family business. Her mother, Ann-Marie Mucel, was 14 years younger than Brigitte's father, and they married in 1933. Brigitte's mother encouraged her daughter to take up music and dance. At the age of 13, she entered the Conservatoire Nationale de Danse to study ballet. By the time she was 15, Brigitte was trying to launch a modelling career and found herself on the cover of the French magazine Elle in May 1949. Her incredible beauty was readily apparent, and Brigitte was noticed by Roger Vadim, then an assistant to the film director Marc Allegrét. Vadim was infatuated with Bardot and encouraged her to start working as a film actress. BB was 18 when she debuted in the comedy Le Trou Normand / Crazy for Love (Jean Boyer, 1952). In the same year, she married Vadim. Brigitte wanted to marry him when she was 17, but her parents quashed any marriage plans until she turned 18. In April 1953, she attended the Cannes Film Festival, where she received massive media attention. She soon was every man's idea of the girl he'd like to meet in Paris. From 1952 to 1956, she appeared in seventeen films. Her films were generally lightweight romantic dramas in which she was cast as an ingénue or siren, often with an element of undress. In 1953, she made her first US production, Un acte d'amour / Act of Love (Anatole Litvak, 1953) with Kirk Douglas, but she continued to make films in France.

 

Roger Vadim was not content with the light fare his wife was offered. He felt Brigitte Bardot was being undersold. Looking for something more like an art film to push her as a serious actress, he showcased her in Et Dieu créa la femme / ...And God Created Woman (Roger Vadim, 1956). This film, about an immoral teenager in a respectable small-town setting, was a smash success on both sides of the Atlantic. Craig Butler at AllMovie: "It's easy enough to say that ...And God Created Woman is much more important for its historical significance than for its actual quality as a film, and that's true to an extent. The immense popularity, due to its willingness to directly embrace an exploration of sex as well as its willingness to show a degree of nudity that was remarkably daring for its day, demonstrated that audiences were willing to view subject matter that was considered too racy for the average moviegoer. This had both positive (freedom to explore, especially for the French filmmakers of the time) and negative (freedom to exploit) consequences, but its impact is undeniable. It's also true that Woman is not a great work of art, not with a story that is ultimately rather thin, some painful dialogue, and an attitude toward its characters and their sexuality that is unclear and inconsistent. Yet Woman is still fascinating, due in no small part to the presence of Brigitte Bardot in the role that made her an international star and sex symbol. She's not demonstrating great acting here, although her performance is actually good and much better than necessary, and her legendary mambo scene at the climax is nothing short of sensational." During the filming of Et Dieu créa la femme / And God Created Woman (Roger Vadim, 1956), directed by her husband, Brigitte Bardot had an affair with her co-star, Jean-Louis Trintignant, who at the time was married to French actress Stéphane Audran. Her divorce from Vadim followed, but they remained friends and collaborated in later work.

 

Et Dieu créa la femme / ...And God Created Woman (Roger Vadim, 1956) helped Brigitte Bardot's international status. The film took the USA by storm, her explosive sexuality being unlike anything seen in the States since the days of the 'flapper' in the 1920s. It gave rise to the phrase 'sex kitten', and fascination with her in America consisted of magazine photographs and dubbed over French films - good, bad or indifferent, her films drew audiences - mainly men - into theatres like lemmings. BB appeared in light comedies like Doctor at Large (Ralph Thomas, 1957) - the third of the British 'Doctor' series starring Dirk Bogarde - and Une Parisienne / La Parisienne (Michel Boisrond, 1957), which suited her acting skills best. However, she was a sensation in the crime drama En cas de malheur / Love is My Profession (Claude Autant-Lara, 1958). Hal Erickson at AllMovie: "This Brigitte Bardot vehicle ran into stiff opposition from the Catholic Legion of Decency, severely limiting its U.S. distribution. Bardot plays a nubile small-time thief named Yvette, who becomes the mistress of influential defence attorney Andre (Jean Gabin). Though Andre can shower Yvette with jewels and furs, he cannot "buy" her heart, and thus it is that it belongs to handsome young student Mazzetti (Franco Interlenghi). Alas, Yvette is no judge of human nature: attractive though Mazzetti can be, he has a dangerous and deadly side. En Cas de Malheur contains a nude scene that has since been reprinted in freeze-frame form innumerable times by both film-history books and girlie magazines." Photographer Sam Lévin's photos contributed considerably to her image of sensuality and slight immorality. One of Lévin's pictures shows Brigitte, dressed in a white corset. It is said that around 1960, postcards with this photograph outsold in Paris those of the Eiffel Tower.

 

Brigitte Bardot divorced Vadim in 1957, and in 1959 she married actor Jacques Charrier, with whom she starred in Babette s'en va-t-en guerre / Babette Goes to War (Christian-Jaque, 1959). The paparazzi preyed upon her marriage, while she and her husband clashed over the direction of her career

Her films became more substantial, but this brought a heavy pressure of dual celebrity as she sought critical acclaim while remaining a glamour model for most of the world. Vie privée / Private Life (1962), directed by Louis Malle, has more than an element of autobiography in it. James Travers at French Films: "Brigitte Bardot hadn’t quite reached the high point of her career when she agreed to make this film with high-profile New Wave film director Louis Malle. Even so, the pressure of being a living icon was obviously beginning to get to France’s sex goddess, and Vie privée is as much an attempt by Bardot to come to terms with her celebrity as anything else. Malle is clearly fascinated by Bardot, and the documentary approach he adopts for this film reinforces the impression that it is more a biography of the actress than a work of fiction. Of course, it’s not entirely biographical, but the story is remarkably close to Bardot’s own life and comes pretty close to predicting how her career would end." The scene in which, returning to her apartment, Bardot's character is harangued in the elevator by a middle-aged cleaning lady calling her offensive names was based on an actual incident, and is a resonant image of celebrity in the mid-20th century. Soon afterwards, Bardot withdrew to the seclusion of Southern France.

 

Brigitte Bardot's other husbands were German millionaire Playboy Gunter Sachs and right-wing politician Bernard d'Ormale. She is reputed to have had relationships with many other men, including Samy Frey, her co-star in La Vérité / The Truth (Henri-Georges Clouzot, 1960), and musicians Serge Gainsbourg and Sacha Distel. In 1963, Brigitte Bardot starred in Jean-Luc Godard's critically acclaimed film Le Mépris / Contempt (Jean-Luc Godard, 1963) opposite Michel Piccoli. She was also featured along with such notable actors as Alain Delon in Amours célèbres / Famous Love Affairs (Michel Boisrond, 1961) and Histoires extraordinaires /Tales of Mystery (Louis Malle, 1968), Jeanne Moreau in Viva Maria! (Louis Malle, 1965), Sean Connery in Shalako (Edward Dmytryk, 1968), and Claudia Cardinale in Les Pétroleuses / Petroleum Girls (Christian-Jaque, 1971). She participated in various musical shows and recorded many popular songs in the 1960s and 1970s, mostly in collaboration with Serge Gainsbourg, Bob Zagury and Sacha Distel, including 'Harley Davidson', 'Le Soleil De Ma Vie' (the cover of Stevie Wonder's 'You Are the Sunshine of My Life') and the notorious 'Je t'aime... moi non plus'.

 

Brigitte Bardot’s film career showed a steady decline in the late 1960s and early 1970s. In 1973, just before her fortieth birthday, she announced her retirement. She chose to use her fame to promote animal rights. In 1976, she established the Brigitte Bardot Foundation for the Welfare and Protection of Animals. She became a vegetarian and raised three million French francs to fund the foundation by auctioning off jewellery and many personal belongings. For this work, she was awarded the Légion d’honneur in 1984. During the 1990s, she was also outspoken in her criticism of immigration, interracial relationships, Islam in France and homosexuality. Her husband Bernard d'Ormal was a former adviser of the far-right Front National party. Bardot has been convicted five times for 'inciting racial hatred'. More fun is that Bardot is recognised for popularising bikini swimwear, in such early films as Manina / Woman without a Veil (Willy Rozier, 1952), in her appearances at Cannes and in many photo shoots. Bardot also brought into fashion the 'choucroute' ('Sauerkraut') hairstyle (a sort of beehive hairstyle) and gingham clothes after wearing a checkered pink dress, designed by Jacques Esterel, at her wedding to Charrier. The fashions of the 1960s looked effortlessly right and spontaneous on her. Time Magazine: "She is the princess of pout, the countess of come hither. Brigitte Bardot exuded a carefree, naïve sexuality that brought a whole new audience to French films."

 

Sources: Denny Jackson (IMDb), Hal Erickson (AllMovie), Craig Butler (AllMovie), James Travers (French Films), French Films, Wikipedia and IMDb.

 

And please check out our blog European Film Star Postcards.

Dutch postcard by Uitg. Takken, Utrecht, no. AX 5022. Photo: Metro Goldwyn Mayer. Brigitte Bardot in Vie privée / Private Life (Louis Malle, 1962).

 

French actress Brigitte Bardot (1934) died on 28 December 2025, at the age of 91. In the 1950s, she was the sex kitten of the European film industry. BB starred in 48 films, performed in numerous musical shows, and recorded 80 songs. After her retirement in 1973, she became an animal rights activist. In the coming weeks, we will continue to post a BB postcard every day to remember her as she once was.

 

Brigitte Bardot was born in Paris in 1934. Her father, Louis Bardot, had an engineering degree and worked with his father in the family business. Her mother, Ann-Marie Mucel, was 14 years younger than Brigitte's father, and they married in 1933. Brigitte's mother encouraged her daughter to take up music and dance. At the age of 13, she entered the Conservatoire Nationale de Danse to study ballet. By the time she was 15, Brigitte was trying to launch a modelling career and found herself on the cover of the French magazine Elle in May 1949. Her incredible beauty was readily apparent, and Brigitte was noticed by Roger Vadim, then an assistant to the film director Marc Allegrét. Vadim was infatuated with Bardot and encouraged her to start working as a film actress. BB was 18 when she debuted in the comedy Le Trou Normand / Crazy for Love (Jean Boyer, 1952). In the same year, she married Vadim. Brigitte wanted to marry him when she was 17, but her parents quashed any marriage plans until she turned 18. In April 1953, she attended the Cannes Film Festival, where she received massive media attention. She soon was every man's idea of the girl he'd like to meet in Paris. From 1952 to 1956, she appeared in seventeen films. Her films were generally lightweight romantic dramas in which she was cast as an ingénue or siren, often with an element of undress. In 1953, she made her first US production, Un acte d'amour / Act of Love (Anatole Litvak, 1953) with Kirk Douglas, but she continued to make films in France.

 

Roger Vadim was not content with the light fare his wife was offered. He felt Brigitte Bardot was being undersold. Looking for something more like an art film to push her as a serious actress, he showcased her in Et Dieu créa la femme / ...And God Created Woman (Roger Vadim, 1956). This film, about an immoral teenager in a respectable small-town setting, was a smash success on both sides of the Atlantic. Craig Butler at AllMovie: "It's easy enough to say that ...And God Created Woman is much more important for its historical significance than for its actual quality as a film, and that's true to an extent. The immense popularity, due to its willingness to directly embrace an exploration of sex as well as its willingness to show a degree of nudity that was remarkably daring for its day, demonstrated that audiences were willing to view subject matter that was considered too racy for the average moviegoer. This had both positive (freedom to explore, especially for the French filmmakers of the time) and negative (freedom to exploit) consequences, but its impact is undeniable. It's also true that Woman is not a great work of art, not with a story that is ultimately rather thin, some painful dialogue, and an attitude toward its characters and their sexuality that is unclear and inconsistent. Yet Woman is still fascinating, due in no small part to the presence of Brigitte Bardot in the role that made her an international star and sex symbol. She's not demonstrating great acting here, although her performance is actually good and much better than necessary, and her legendary mambo scene at the climax is nothing short of sensational." During the filming of Et Dieu créa la femme / And God Created Woman (Roger Vadim, 1956), directed by her husband, Brigitte Bardot had an affair with her co-star, Jean-Louis Trintignant, who at the time was married to French actress Stéphane Audran. Her divorce from Vadim followed, but they remained friends and collaborated in later work.

 

Et Dieu créa la femme / ...And God Created Woman (Roger Vadim, 1956) helped elevate Brigitte Bardot's international status. The film took the USA by storm, her explosive sexuality being unlike anything seen in the States since the days of the 'flapper' in the 1920s. It gave rise to the phrase 'sex kitten', and fascination with her in America consisted of magazine photographs and dubbed over French films - good, bad or indifferent, her films drew audiences - mainly men - into theatres like lemmings. BB appeared in light comedies like Doctor at Large (Ralph Thomas, 1957) - the third of the British 'Doctor' series starring Dirk Bogarde - and Une Parisienne / La Parisienne (Michel Boisrond, 1957), which suited her acting skills best. However, she was a sensation in the crime drama En cas de malheur / Love is My Profession (Claude Autant-Lara, 1958). Hal Erickson at AllMovie: "This Brigitte Bardot vehicle ran into stiff opposition from the Catholic Legion of Decency, severely limiting its U.S. distribution. Bardot plays a nubile small-time thief named Yvette, who becomes the mistress of influential defence attorney Andre (Jean Gabin). Though Andre can shower Yvette with jewels and furs, he cannot "buy" her heart, and thus it is that it belongs to handsome young student Mazzetti (Franco Interlenghi). Alas, Yvette is no judge of human nature: attractive though Mazzetti can be, he has a dangerous and deadly side. En Cas de Malheur contains a nude scene that has since been reprinted in freeze-frame form innumerable times by both film-history books and girlie magazines." Photographer Sam Lévin's photos contributed considerably to her image of sensuality and slight immorality. One of Lévin's pictures shows Brigitte, dressed in a white corset. It is said that around 1960, postcards with this photograph outsold in Paris those of the Eiffel Tower.

 

Brigitte Bardot divorced Vadim in 1957, and in 1959 she married actor Jacques Charrier, with whom she starred in Babette s'en va-t-en guerre / Babette Goes to War (Christian-Jaque, 1959). The paparazzi preyed upon her marriage, while she and her husband clashed over the direction of her career

Her films became more substantial, but this brought a heavy pressure of dual celebrity as she sought critical acclaim while remaining a glamour model for most of the world. Vie privée / Private Life (1962), directed by Louis Malle, has more than an element of autobiography in it. James Travers at French Films: "Brigitte Bardot hadn’t quite reached the high point of her career when she agreed to make this film with high-profile New Wave film director Louis Malle. Even so, the pressure of being a living icon was obviously beginning to get to France’s sex goddess, and Vie privée is as much an attempt by Bardot to come to terms with her celebrity as anything else. Malle is clearly fascinated by Bardot, and the documentary approach he adopts for this film reinforces the impression that it is more a biography of the actress than a work of fiction. Of course, it’s not entirely biographical, but the story is remarkably close to Bardot’s own life and comes pretty close to predicting how her career would end." The scene in which, returning to her apartment, Bardot's character is harangued in the elevator by a middle-aged cleaning lady calling her offensive names was based on an actual incident, and is a resonant image of celebrity in the mid-20th century. Soon afterwards, Bardot withdrew to the seclusion of Southern France.

 

Brigitte Bardot's other husbands were German millionaire Playboy Gunter Sachs and right-wing politician Bernard d'Ormale. She is reputed to have had relationships with many other men, including Samy Frey, her co-star in La Vérité / The Truth (Henri-Georges Clouzot, 1960), and musicians Serge Gainsbourg and Sacha Distel. In 1963, Brigitte Bardot starred in Jean-Luc Godard's critically acclaimed film Le Mépris / Contempt (Jean-Luc Godard, 1963) opposite Michel Piccoli. She was also featured along with such notable actors as Alain Delon in Amours célèbres / Famous Love Affairs (Michel Boisrond, 1961) and Histoires extraordinaires /Tales of Mystery (Louis Malle, 1968), Jeanne Moreau in Viva Maria! (Louis Malle, 1965), Sean Connery in Shalako (Edward Dmytryk, 1968), and Claudia Cardinale in Les Pétroleuses / Petroleum Girls (Christian-Jaque, 1971). She participated in various musical shows and recorded many popular songs in the 1960s and 1970s, mostly in collaboration with Serge Gainsbourg, Bob Zagury and Sacha Distel, including 'Harley Davidson', 'Le Soleil De Ma Vie' (the cover of Stevie Wonder's 'You Are the Sunshine of My Life') and the notorious 'Je t'aime... moi non plus'.

 

Brigitte Bardot’s film career showed a steady decline in the late 1960s and early 1970s. In 1973, just before her fortieth birthday, she announced her retirement. She chose to use her fame to promote animal rights. In 1976, she established the Brigitte Bardot Foundation for the Welfare and Protection of Animals. She became a vegetarian and raised three million French francs to fund the foundation by auctioning off jewellery and many personal belongings. For this work, she was awarded the Légion d’honneur in 1984. During the 1990s, she was also outspoken in her criticism of immigration, interracial relationships, Islam in France and homosexuality. Her husband Bernard d'Ormal was a former adviser of the far-right Front National party. Bardot has been convicted five times for 'inciting racial hatred'. More fun is that Bardot is recognised for popularising bikini swimwear, in such early films as Manina / Woman without a Veil (Willy Rozier, 1952), in her appearances at Cannes and in many photo shoots. Bardot also brought into fashion the 'choucroute' ('Sauerkraut') hairstyle (a sort of beehive hairstyle) and gingham clothes after wearing a checkered pink dress, designed by Jacques Esterel, at her wedding to Charrier. The fashions of the 1960s looked effortlessly right and spontaneous on her. Time Magazine: "She is the princess of pout, the countess of come hither. Brigitte Bardot exuded a carefree, naïve sexuality that brought a whole new audience to French films."

 

Sources: Denny Jackson (IMDb), Hal Erickson (AllMovie), Craig Butler (AllMovie), James Travers (French Films), French Films, Wikipedia and IMDb.

 

And please check out our blog European Film Star Postcards.

ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA: Il degrado di Roma sul New York Times: Marino più interessato ai ricchi stranieri che ai cittadini, THE NEW YORK TIMES (22|07|2015), p. A4; LA REPUBBLICA & Forexinfo.it (23|07|2015).

 

1). ROMA, LA REP (23|07|2015) - Il degrado di Roma finisce sul New York Times: "Marino onesto, ma è anche capace?"

La foto apparsa sul New York Times.

 

Un reportage sull'incuria e l'abbandono della capitale sul quotidiano americano che sull'edizione newyorkese di oggi titola: "Il sindaco è senza macchia, ma questo è sufficiente per fermare il declino della città eterna?"

 

"Il declino di Roma, di nuovo?". Se lo chiede il New York Times che pubblica sulla prima pagina della versione internazionale del quotidiano americano un servizio, poi ripreso anche dall'edizione newyorkese, sulla capitale e il suo degrado. Accanto, la grande foto di un vicolo del rione Trastevere, in pieno centro, sommerso dai cartoni e dall'immondizia non raccolta. Più sotto due "pescatori" tra l'erba alta delle banchine del Tevere.

 

L'incuria e l'abbandono della città eterna rimbalzano dunque Oltreoceano. "Le sterpaglie in alcuni parchi sfiorano le ginocchia, i lavoratori della metropolitana, scontenti, hanno rallentano il servizio a passo d'uomo, un incendio ha reso il più importante scalo della città (Fiumicino), caotico e affollato, gli arresti di funzionari pubblici si accumulano rendendo evidenti le infiltrazioni criminali nel governo della città" scrive nella sua corrispondenza da Roma il Nyt che ricostruisce anche i passaggi principali dell'inchiesta di "Mafia Capitale". "Tutto questo - prosegue il reportage - si aggiunge a quello che i romani chiamano "degrado " - il degrado dei servizi, degli edifici, della qualità della vita - e alla sensazione generale che la loro antica città, ancora più del solito, stia cadendo a pezzi".

 

Tra i sentimenti diffusi tra i cittadini - racconta l'articolo - anche quello che il sindaco di Roma Ignazio Marino non sia la causa di tutti i mali che affliggono la città e sia, anzi, una persona senza macchia. Anche se, ricorda il quotidiano, un recente sondaggio di "Repubblica" ha rivelato che la maggioranza dei romani lo considera troppo debole e il 73% di coloro che lo hanno votato alle ultime elezioni non lo farebbe di nuovo. Interpellato, il primo cittadino si difende: "Sono stato aggressivo fin dall'inizio, in modo clinico. Abbiamo portato le regole: la cosa più importante per me a amministrare la città in modo trasparente". Ma, si chiede il New York Times, "il sindaco è onesto, lo sarà abbastanza per fermare il declino della città eterna?"

 

Il primo cittadino non ci sta: "E' un titolo tradotto male, io leggo: 'Un sindaco virtuoso contro i vizi di Roma'". L'intestazione, come la racconta Marino, campeggia infatti sull'edizione internazionale del Nyt. Nella versione online è scritto anche però che una versione dell'articolo sul degrado romano è apparsa nella stampa newyorkese di oggi sotto al titolo: "The Mayor’s honest, but is that enough to halt the eternal city’s decline?".

 

FONTE | SOURCE:

 

-- LA REPUBBLICA (23|07|2015).

 

roma.repubblica.it/cronaca/2015/07/23/news/il_degrado_di_...

 

2). ROMA - Forexinfo.it (23|07|2015). Il degrado di Roma sul New York Times: Marino più interessato ai ricchi stranieri che ai cittadini.

 

In un articolo del New York Times, il sindaco di Roma Ignazio Marino è sotto accusa per il continuo degrado e corruzione nella Capitale.

 

Roma è abituata al degrado. Dalla sua fondazione ad oggi la ‘città eterna’ ha assistito ad un continuo andirivieni di disastri ed abbandono. La capitale italiana ha sopportato invasioni, inondazioni, incendi, terremoti, bombardamenti, battaglie e di recente anche la paralisi politica del sindaco Marino.

 

Le iniquità del sindaco sono delineate in un articolo di ieri del New York Times, che ripercorre i fallimenti di Marino e lo scontento crescente nella Capitale.

 

L’articolo inizia parlando di ‘degrado’; un degrado a cui i romani sono fin troppo abituati.

 

È ironico che proprio il sindaco “Made in USA” - Marino ha infatti avuto la sua formazione negli States – sia ora l’oggetto della critica del giornale più popolare del Nord America.

 

“I media romani hanno spesso criticato il sindaco di essere più interessato in una audience straniera – corteggiando ricchi patroni per restaurare le antichità cittadine – piuttosto che ai problemi municipali”.

Lo scrive Gaia Pianigiani, nel suo articolo nel NYT e procede con l’analizzare il malcontento dei cittadini romani nei confronti della palesata mancanza di know how di Marino.

 

I romani avevano infatti sperato che la qualità ‘straniera’ del nuovo sindaco gli permettesse di non essere corrotto dal sistema politico romano e allo stesso tempo di mettere in atto rapidamente delle riforme per rimediare il declino cittadino.

 

Il NYT riporta un’intervista con Carlo Bonini de La Repubblica:

 

“La sua (di Marino) virtù è anche il suo principale difetto: non è legato a tutte le relazioni corrotte di Roma. Conosce troppo poco il mondo in cui opera”.

Infatti, dopo due anni dalla nomina di Marino, il comune di Roma rischia il default, il debito del trasporto pubblico aumenta vertiginosamente e la polizia arranca senza una guida precisa, senza fondi e con una criminalità in aumento.

 

Il New York Times cita dunque i giornali italiani che hanno definito il sindaco un ‘marziano’ e addirittura ‘Forrest Gump’.

 

Ma le critiche non sono finite qui, il colpo di grazia lo fornisce il disastro di “Mafia Capitale” di cui l’articolo offre un breve e schematico sommario.

 

“Anche per un paese abituato a scandali del genere, le rivelazioni sono arrivate come uno shock”.

I continui arresti e le rivelazioni riguardanti la vasta rete di corruzione e criminalità a Roma non hanno fatto altro che aumentare la frustrazione dei 2.8 milioni di abitanti romani.

 

Marino, che prima di cimentarsi nella politica faceva il chirurgo, si difende dalle accuse di inerzia affermando di essere stato “aggressivo in modo chirurgico fin dall’inizio”.

 

Sembrerebbe che il sindaco non ne combini una giusta. Anche la sua tanto pubblicizzata promessa di rendere i fori imperiali un’area pedonale gli si è ritorta contro causando le lamentele dei venditori, mercanti, autisti e anche di coloro che vanno in bicicletta.

 

L’articolo del New York Times continua riportando i dati rilevati da La Repubblica che rilevano che il 70% di coloro che hanno eletto Marino non lo voteranno alle prossime elezioni.

 

Ma non c’è da preoccuparsi. Roma è sopravvissuta a disastri ben peggiori di Marino.

 

FONTE | SOURCE:

 

-- ROMA - Forexinfo.it (23|07|2015).

 

www.forexinfo.it/Il-degrado-di-Roma-sul-New-York-Times-Ma...

 

3). ROME - Romans Put Little Faith in Mayor as Their Ancient City Degrades, THE NEW YORK TIMES (22|07|2015), p. A4.

 

ROME — The grass in some public parks sways knee high. Disgruntled subway workers have slowed service to a crawl. Fire has rendered the city’s largest airport crammed and chaotic. The arrests of public officials pile up, revealing mob infiltration of the city government.

 

It all adds up to what Romans call “degrado” — the degradation of services, buildings and their standard of living — and the general sense that their ancient city, even more than usual, is falling apart.

 

Not all those troubles are necessarily the fault of Mayor Ignazio Marino, a former surgeon whose own integrity remains unblemished. But, strangely enough, in Rome, his decency is not necessarily seen as part of the solution, either.

 

Today, Mr. Marino finds himself under political siege in the city he vowed to save from itself. Italy’s news media lampoons him as an honest man in over his head, or as one newspaper called him, a Forrest Gump.

 

“His virtue is also his main problem: He is not connected to all the rotten Roman relationships,” said Carlo Bonini, an investigative journalist with La Repubblica, a daily newspaper. “He knows the world he operates in too little.”

 

Romans are notorious for their cynicism about politics, their resignation in the face of antiquated services and sprawling bureaucracy, and their abundance of ways to complain about it. As the problems mount, residents are voicing more frustration with services inadequate to serve the city’s roughly 2.8 million people.

 

“At times I do wonder whether this is a first- or third-world service,” said Liliana Marelli, 64. She was sweating as she rode a city bus with no air-conditioning during a recent heat wave.

 

In recent months, the situation in the capital has grown so dire that Prime Minister Matteo Renzi, himself a reformer, has expressed concern, fueling speculation that the city cabinet will be disbanded or that the mayor might be prodded to step down.

 

Perhaps most damning for the mayor has been the slow-bleeding “Mafia Capitale” investigation, which has exposed tainted bidding for city contracts on a number of services, including refugee centers and sanitation. Even for a country more than accustomed to such scandal, the revelations have come as a shock.

 

In the south, as well as in some northern regions, investigations have revealed that organized crime groups such as the Camorra, the ’Ndrangheta and the Mafia still exert surreptitious influence and dominate public bidding.

 

But Rome was supposed to be different. The seat of power of the national government, it was believed to be free of mafia tentacles.

 

While the corruption revealed by the scandal predated Mr. Marino’s arrival in office, the mayor has been criticized as responding slowly and indecisively. “He has always been a step behind,” Mr. Bonini of La Repubblica said.

 

Police raids have set off a torrent of bad publicity as one powerful figure after another has been taken down. They include the former president of the City Council and top municipal officials responsible for housing and social policy.

 

It has not helped that some are former members of Mr. Marino’s own Democratic Party. In wiretaps, publicized in the national news media, calls for obedience can be heard.

 

“These city councilmen have to be at our orders,” Salvatore Buzzi, who ran a social cooperative that provided housing services for migrants, is heard telling a mob suspect, Massimo Carminati.

 

Both were jailed last year when the corruption revelations first emerged, and most of the public figures linked to the scandal are now under house arrest.

 

Facing fierce criticism, Mr. Marino published a response in a national newspaper last week and then sat down for an interview last Friday in his office in Rome’s City Hall to defend himself.

 

“I was surgically aggressive from the very beginning,” he said. “I am the first mayor that called the investigators of our I.R.S. inside our offices to check what had been done in the years before.”

 

“We bring rules here,” he added.

 

For the time being, though, his good intention to instill order has, it seems, ushered in still more disorder.

 

The corruption investigation of park maintenance contractors led the mayor to suspend their work, leaving public spaces overgrown. His order to stop sidewalk vendors from peddling near historical sites prompted protests from merchants.

 

Rome’s news media outlets have often criticized the mayor for being more interested in a foreign audience — courting wealthy patrons to restore the city’s antiquities — than in municipal troubles. As the crime scandal erupted, his popularity was already sinking as a result of problems more commonly encountered by mayors of larger cities.

 

A recent survey published in La Repubblica found that a majority of Romans consider the mayor to be too weak, while more than 70 percent of those who supported him in the last election said they would not do so again.

 

Once the scandal broke, critics said Mr. Marino was too naïve to grasp the vast illegal network that has long surrounded Rome’s administration, and too weak to respond.

 

“He personally remains honest, but that’s it, as the world around him falls apart,” Ernesto Galli della Loggia, columnist for the daily Corriere della Sera, wrote in a front-page editorial last week.

 

Mr. Marino argues that he has successfully shaken up the city’s entrenched networks, and that doing so has provoked much animosity. A few envelopes delivered in his mail contained spent bullets.

 

“I don’t give a damn about what the political agreements were before I arrived,” he said, adding that previous mayors made decisions in closed circles, often during lunches and dinners with famed entrepreneurs.

 

“The most important thing to me is to run the city in an honest and transparent way,” he added.

 

Others are backing his efforts. “Marino might be an earthenware vase among iron vases,” said Alfonso Sabella, a Sicilian anti-mafia magistrate whom the mayor brought to Rome’s administration last December, after the scandal broke. “But he has proved to be persistent and honest.”

 

He added: “I wonder where all those who are criticizing him were as the crimes were committed. He needs more time.”

 

The mayor notched a victory last week when a report by a government delegate exonerated him of any corruption.

 

And he maintains that he has started substituting cronyism with merit in Rome, as the rules for public bidding are streamlined and a website has been set up to allow whistle-blowers to report problems.

 

Many residents credit Mr. Marino for his honesty but are frustrated that he is not getting more done.

 

“Marino is a Martian in Rome, which is fascinating, but tiring,” said Marco Damilano, a political commentator and city resident.

 

“Rome is in ruins. If he starts acting, he and the city can come out of this stronger.”

 

FONTE | SOURCE:

 

-- THE NEW YORK TIMES (22|07|2015), p. A4.

 

www.nytimes.com/2015/07/23/world/europe/romans-put-little...

 

ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA 2022. Gualtieri finisce sul Nyt: L'eterna crisi dei rifiuti a Roma ha unito il declino urbano, con i cinghiali nel centro storico. Gualtieri poco o nessun progresso; in: NEW YORK TIMES & La Repubblica (29-30/08/2021) (testo integrale).Vedi anche: il sindaco Marino e il degrado di Roma; in: Nyt (22/07/2015). wp.me/pbMWvy-36x

 

________________

S.v.,

--- RARA 2022. Roberto Gualtieri - Sindaco di Roma / Er Monnezzaro = Disservizi + Immondizia + Degrado + Cinghiali + Incendio (21/10/2021 - 21/10/2022). Fonte: ROMATODAY (06/09/2022). www.romatoday.it/social/segnalazioni/degrado-urbano/

________________

 

Foto: LOCAL TEAM / YouTube (09/07/2022).

www.flickr.com/photos/imperial_fora_of_rome/52324893351

 

1). ROMA - Gualtieri finisce sul New York Times: "Mentre Roma brucia (o almeno i suoi rifiuti), un sindaco osa sognare."La Repubblica (30/08/2021).

 

Il quotiano statunitense dedica un articolo all'immondizia della capitale, all'Ama ma soprattutto al sindaco che vuole il termovalorizzatore, "sicuro che qualcosa cambierà"

 

Un sindaco a Roma "osa sognare". Così definisce gli incubi di Roberto Gualtieri un lungo articolo uscito New York Times di Jason Horowitz. Che pubblica online foto di e dei suoi cassonetti carbonizzati oltre alla foto del sindaco alla scrivania assorto a guardare i fogli del progetto sul termovalorizzatore.

 

Foto: Nyt (30/08/2022).

www.flickr.com/photos/imperial_fora_of_rome/52325323054

 

"Da anni ormai" si legge sul Nyt, "nulla simboleggia la caduta di Roma più della sua crisi dei rifiuti. Un serraglio di cinghiali, gabbiani violenti e ratti si riunisce per banchettare con i detriti della capitale". "E proprio quando sembrava che la puzza dei rifiuti di Roma non potesse peggiorare, una disputa sulla costruzione di un nuovo inceneritore per la città è emersa come motivo di un ammutinamento politico che ha fatto cadere il governo Draghi a luglio". Poche righe a riassumere l'effetto domino catastrofico.

 

Ma ecco che qui arriva Gualtieri: "Formalmente il motivo sono io", avrebbe dichiarato lasciando trapelare un tono sorpreso, ingenuo, al limite del compiaciuto.

 

Il quotidiano lo descrive come "un veterano della politica di sinistra", un uomo che "con l'autorità di accelerare la costruzione di un impianto di termovalorizzazione dei rifiuti per Roma da circa 600 milioni di euro, spera di avere successo dove altri hanno fallito". In fondo, avrebbe aggiunto il primo cittadino, "non si tratta di scienza missilistica. È solo spazzatura".

 

Foto: Nyt (30/08/2022).

www.flickr.com/photos/imperial_fora_of_rome/52325212963

 

Roma e New York svettano nella classifica delle città più sporche del mondo, un gemellaggio tossico. E se anche il Nyt dipinge il sindaco che osa sognare, lo fa su uno sfondo di rifiuti in fiamme, autobus che si auto-incendiano, buche "profonde come pozzi d'acqua, una "giungla dove mancano solo i boa costrittori" e una miriade di "altre indecenze". Come Malagrotta. Il sindaco, dice e non dice, che "c'è una cospirazione per fermare me" e il progetto.

 

L'articolo ricorda quindi che Gualtieri però "in qualità di ex ministro dell'Economia, ha contribuito personalmente a ottenere miliardi di euro di fondi dell'Unione Europea per l'Italia, con una fetta significativa per Roma. E ha già avuto successo nell'attrarre investitori privati per finanziare il nuovo inceneritore". Insomma, "il problema non è il denaro".

 

E mentre Roma è costretta a spedire i suoi rifiuti a costi elevati in impianti fuori città, "in quello che secondo Gualtieri è un salasso per le sue risorse, un contributo all'inquinamento e forse un favore agli interessi di elementi della malavita (...), la sfida più grande per ripulire Roma potrebbe essere la città stessa". Anche se i romani tendono ad avere "comportamenti non corretti" quando si tratta di buttare la spazzatura.

 

"I ristoranti spesso riempiono i bidoni riservati ai cittadini. I cittadini reagiscono mettendo in equilibrio i sacchetti dell'immondizia sopra i cassonetti come giocassero a Jenga".

 

Ed è qui che il sindaco sogna. Sogna una revisione dell'Ama e sogna che i rifiuti brucino in fiamme lecite. Sempre che i Cinque Stelle smettano di opporsi adducendo "motivi ambientali, e considerandolo un ipocrita". Perché "egli" sostiene che il termovalorizzatore "migliorerà Roma e sarà redditizio, un incentivo per gli investitori a entrare nel progetto. Una nuova età dell'oro". I sogni d'oro del sindaco di Roma.

 

Fonte / source:

--- La Repubblica (30/08/2021).

roma.repubblica.it/cronaca/2022/08/30/news/roma_rifiuti_n...

--------------

 

Foto: Gianluca Ferrara / Facebook (27/03/2022).

www.flickr.com/photos/imperial_fora_of_rome/52324089937

 

2). ROME - As Rome Burns (or at Least Its Garbage), a Mayor Dares to Dream. Could a solution to Rome’s perpetual trash crisis really be in sight? Mayor Roberto Gualtieri would like to think so. NEW YORK TIMES (29/08/2021).

 

ROME — For years now, nothing has symbolized the fall of Rome more than its garbage crisis. A trash menagerie of wild boars, violent sea gulls and rats convene to feast on the capital’s overflowing debris. Early this summer, a spate of suspicious blazes at garbage plants and scrapyards — literal dumpster fires — darkened the skies, choked the air, and raised the specter of arson and organized crime.

 

Then, when it seemed the stench of Rome’s garbage troubles could get no worse, a dispute over building a new incinerator for the city emerged as the stated reason for a political mutiny that brought down the national unity government of Prime Minister Mario Draghi in July.

 

On the day of the revolt, as he monitored the unfolding political drama from his office overlooking the Roman forum, Rome’s mayor, Roberto Gualtieri, seemed bemused by the role he and his city’s garbage problem had played in the government’s unexpected collapse. “Formally, the reason is me,” he said.

 

Foto: Il Messaggero (22/06/2022).

www.flickr.com/photos/imperial_fora_of_rome/52325323139

 

At least Mr. Gualtieri, a veteran of leftist politics, emerged from the wreckage with the authority to fast track the building of a roughly 600 million euro, or about $601 million, waste-to-energy plant for Rome, which he hopes will allow him to succeed where others had failed.

 

“It is not rocket science,” he said. “It’s garbage.”

 

But garbage, and the degradation of Rome that it symbolizes, is a force not to be taken lightly. Even in an oft-sacked city that has seen it all over the centuries, where people have more recently grown accustomed to self-immolating buses, potholes as deep as water wells and myriad other indignities, the garbage — pervasive, pungent and unrelenting — has become the true metric of Rome’s decline.

 

Since Rome closed its sprawling Malagrotta landfill, among Europe’s largest, as an environmental disaster in 2013, trash has overwhelmed two mayors, including Mr. Gualtieri’s predecessor, Virginia Raggi of the Five Star Movement, the party that touched off the rebellion that brought down the national government.

 

In 2018, prosecutors sequestered the landfill — owned by a businessman dubbed “er monnezzaro,” or King of Garbage — for failing to contain its toxic spillage. No actual garbage has been dumped there for years, but its treatment plant was still being used to process up to 1,500 tons of garbage a day, before being shipped elsewhere.

 

Foto: La Repubblica (12/08/2022).

www.flickr.com/photos/imperial_fora_of_rome/52325212983

 

That is, before it went up in flames this summer.

 

“An enormous plume, gray,” Luigi Palumbo, the court-appointed manager of the landfill, said as he recalled the toxic blaze and cloud that closed nearby preschools and summer camps and laced parts of central Rome with an acrid odor.

 

“It’s unknown where it started,” he said as he approached the plant, its concrete scorched and its melted aluminum panels hanging over the building like carpets hung out to dry.

 

He turned to a burned heap of garbage that had been inside the plant. It was filled with thousands of scorched and bulging plastic bags, melted plastic fruit crates, stray cloths and tires and cans. It, too, has now been sequestered as evidence — but of what, no one seems quite sure.

 

The Malagrotta blaze was not an isolated incident, but one of a rash of trash fires that broke out around the city this summer.

 

Mayor Gualtieri sought to sidestep the theory that “there is a conspiracy to stop me,” and his incinerator, by preserving a system in which myriad players, some of them shadowy, profited from Rome’s garbage crisis. But, he added, “of course you consider this possibility, how was it possible this really is happening exactly when we are trying to …” Then he stopped himself.

 

He noted a well-established connection between waste management and criminal enterprises. Experts had determined it was “not self-combustion,” he said. “So that was man made.”

 

And it has exacerbated Rome’s already noxious disposal problem.

 

Rome now has to ship its garbage at high cost to plants outside the city, in what Mr. Gualtieri said was a drain on its resources, a contributor to pollution and possibly a favor to the interests of underworld elements who benefit from Rome’s sanitation paralysis.

 

But while prosecutors continue to investigate the fires, the greatest challenge to cleaning up Rome may be the city itself.

 

Rome had “little sense of responsibility for its own garbage, because it’s always thought that public things, being public, belong to no one,” said Paola Ficco, an environmental lawyer who edits Rifiuti, or Waste, a journal about laws regarding garbage. “And we forget that, being public, it’s all of ours.”

 

In the meantime, she added, Rome was a mess, with high grass and garbage everywhere. “It’s a jungle,” she said. “Only boa constrictors are missing. Then we’ll have it all.”

 

Mr. Gualtieri, himself a Roman, acknowledged that his city bred unique character traits. Romans tended to have “behaviors that we find that are not good,” he said, when it came to throwing out the garbage.

 

Restaurants often loaded up bins reserved for the public. The public had a tendency to respond to the packed bins by balancing trash bags on top of them, like a vile Jenga game, or throwing garbage at their sides, forming archipelagos of uncollected trash that attracted all sorts of interesting fauna.

 

But even while the burned plant remains out of commission, the mayor is confident that the new incinerator, on which construction is set to begin next year, and the introduction of tougher fines for a variety of infractions would create a more civilized Roman context. Within it, he said, Romans would become “more sensible about doing their part” and give “the best and not the worst.”

 

Foto: Amazing Walking Tours / YouTube (19/06/2022)

www.flickr.com/photos/imperial_fora_of_rome/52324893366

 

As a former economy minister, he had personally helped procure billions of euros in European Union funds for Italy, with a significant chunk for Rome and other plants in the city’s waste plan. He spoke of an additional 1.4 billion euros from the Italian government to help prepare for pilgrims visiting the city and the Vatican during the 2025 Holy Year as if it were a done deal. And he already had success in attracting private investors to finance the new incinerator.

 

“Money is not the problem,” he said.

 

The system is.

 

The mayor presented an organizational chart of AMA, a company that, among other things, manages collection of solid waste in Rome, and of which the city is the sole shareholder. He said that under previous administrations, AMA had changed chief executive officers five times in seven years, had become inflated with patronage jobs and had directed the majority of resources to garbage collection areas where it was not needed. Last winter, Rome paid bonuses to its workers just to show up for work during Christmas time.

 

“This is a joke,” he said. “This should be studied in university, what you should not do.” Overhauling AMA was a part of the mayor’s three-phase plan to clean up the city.

 

He said the city will have actually hired about 650 people by the end of the year to clean the streets while cracking down on an army of loafers. Officials had begun conducting thousands of checks on employees who perpetually present doctors’ notes certifying that they can only do desk work.

 

“You can see people heal,” the mayor said of the spot checks. “Miracles.”

 

In the second stage, within two years, the city would put new dumpsters on Rome’s streets, and a third phase would begin in 2025, toward the end of his five-year term, when the waste-to-energy incinerator is expected to come on line.

 

When he campaigned for the job, Mr. Gualtieri said he did not think such a plant would be necessary and that he would improve things by Christmas. He said that it was only when he took office that he understood the mind-boggling reality of Rome’s garbage. His critics, chief among them Five Star, which opposed the new incinerator on environmental grounds, consider him a hypocrite.

 

Foto: 7Colli (11/07/2022)

www.flickr.com/photos/imperial_fora_of_rome/52209791423

 

But, as summer vacation ends and the city fills back up with Romans and their trash, he argues the waste-to-energy incinerator will improve Rome’s environment and be profitable, an incentive he said for investors to get in on the ground floor.

 

All of Rome, he insisted, was on the brink of a new Golden Age.

 

“I can tell you why,” he said, anticipating the natural Roman skepticism and calling Rome an undervalued asset. “It has a lot of margin for improvements.”

 

Fonte / source:

--- NEW YORK TIMES (29/08/2021).

www.nytimes.com/2022/08/29/world/europe/rome-garbage-fire...

 

S.v.,

 

Foto: Nyt (22/07/2015).

www.flickr.com/photos/imperial_fora_of_rome/52325212978

 

--- ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA 2022: Il degrado di Roma sul New York Times: Marino più interessato ai ricchi stranieri che ai cittadini, THE NEW YORK TIMES (22|07|2015), p. A4; LA REPUBBLICA & Forexinfo.it (23|07|2015).

 

ROME — The grass in some public parks sways knee high. Disgruntled subway workers have slowed service to a crawl. Fire has rendered the city’s largest airport crammed and chaotic. The arrests of public officials pile up, revealing mob infiltration of the city government.

 

It all adds up to what Romans call “degrado” — the degradation of services, buildings and their standard of living — and the general sense that their ancient city, even more than usual, is falling apart.

 

Not all those troubles are necessarily the fault of Mayor Ignazio Marino, a former surgeon whose own integrity remains unblemished. But, strangely enough, in Rome, his decency is not necessarily seen as part of the solution, either.

 

Fonte/source:

--- THE NEW YORK TIMES (22|07|2015), p. A4.

 

rometheimperialfora19952010.wordpress.com/2015/07/24/roma...

 

S.v.,

--- RARA 2022. Roberto Gualtieri - Sindaco di Roma / Er Monnezzaro = Disservizi + Immondizia + Degrado + Cinghiali + Incendio (21/10/2021 - 21/10/2022). Fonte: ROMATODAY (06/09/2022). www.romatoday.it/social/segnalazioni/degrado-urbano/

Civil Rights Leaders Collage

Pictured are the leaders in the fight for human dignity like late soul singer Mr. James Brown, the late Dr. Martin Luther King, Jr. and his late wife Coretta Scott King, Muhammad Ali, Jesse Jackson, Grace Lee Boggs, Cesar Chavez and many others who fight the good fight in their neighborhoods every day.

The King Center Official website of the MLK Family and the late great Dr. Martin Luther King, Jr.:

www.thekingcenter.org

 

www.thekingcenter.org/drmlkingjr

King Center Facebook:

www.facebook.com/thekingcenter

Martin Luther King, Jr., Research and Education Institute:

mlk-kpp01.stanford.edu

 

King Center page for the late Coretta Scott King:

www.thekingcenter.org/MrsCSKing/

en.wikipedia.org/wiki/Coretta_Scott_King

www.npr.org/templates/story/story.php?storyId=5180053

 

Dr. Martin Luther King, Jr. and the Nobel Prize:

nobelprize.org/nobel_prizes/peace/laureates/1964/king-bio...

 

Dr. Martin Luther King, Jr. on Wikipedia

en.wikipedia.org/wiki/Martin_Luther_King,_Jr

 

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“Along Martin Luther King: Travels on Black America's Main Street” by author Jonathon Tilove and photographs by Michael Falco.

 

www.amazon.com/Along-Martin-Luther-King-Americas/dp/14000...

 

Official website of author Jonathon Tilove:

jonathantilove.com

jonathantilove.com/obama-along-ml

www.goodreads.com/book/show/1030774.Along_Martin_Luther_King

 

Books about Martin Luther King, Jr.:

www.martinlutherkingquotes.net/category/martin-luther-kin...

Quotes from Martin Luther King, Jr.:

“Injustice anywhere is a threat to justice everywhere”

Dr. Martin Luther King, Jr.

www.martinlutherkingquotes.net/

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Martin Luther King, Jr. Memorial Dedication

The dedication of the Martin Luther King, Jr. Memorial is at 11 a.m. on August 28th, 2011 - the 48th anniversary of the March on Washington and Dr. King’s famous “I Have a Dream” speech.

www.mlkmemorial.org/site/c.hkIUL9MVJxE/b.1286621/k.BD3C/H...

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James Brown:

Official myspace page for soul singer Mr. James Brown:

www.myspace.com/jbifc

Wikipedia page on Godfather of Soul Mr. James Brown:

en.wikipedia.org/wiki/James_Brown

en.wikiquote.org/wiki/James_Brown

James Brown Quells Riots in Augusta in 1970:

www.uga.edu/civilrights/cities/augusta/augusta_printable/...

 

Fannie Brown Burford, Godsister of Soul

Grace Promotions

619-241-4641

info@gracepromotions.com

Fannie@godsisterofsoul.com

www.godsisterofsoul.com

www.myspace.com/godsisterofsoul

Band of Mr. James Brown, show pilot:

www.rjandthejamesbrownband.com/

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Official projects of Rev. Jesse Jackson and his “Rainbow Coalition” and “Operation Push”:

Official Muhammad Ali site:

www.ali.com

en.wikipedia.org/wiki/Muhammad_Ali

Muhammad Ali Center

www.alicenter.org

alicenter.org/legacy

 

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Rev. Jesse Jackson - “Rainbow Coalition” and “Operation Push”

www.rainbowpush.org

www.keephopealiveradio.com/

en.wikipedia.org/wiki/Jesse_Jackson

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César Chávez Foundation:

www.cesarechavezfoundation.org

en.wikipedia.org/wiki/C%C3%A9sar_Ch%C3%A1vez

www.facebook.com/nationalchavezcenter

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Grace Lee Boggs Center:

boggscenter.org

en.wikipedia.org/wiki/Grace_Lee_Boggs

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French postcard by J.R.P.R., Paris, no. 429. Photo: Studio Lorelle.

 

French actor Georges Charlia (1894-1984) played in 22 silent and sound films. He worked with such famous directors of the French avant-garde cinema as Germaine Dulac, Jean Epstein, and Alberto Cavalcanti.

 

Georges Charlia was born as Georges Charliat in Paris, France in 1894. He made his film debut in Germaine Dulac’s silent film Gossette (1923) with Régine Bouet. Then followed a part in another classic of the silent cinema, La belle Nivernaise/The Beauty from Nivernais (1924, Jean Epstein) with Blanche Montel. He played the lead in Epstein’s La goutte de sang/The drop of blood (1924). The film was started by Jean Epstein, but Maurice Mariaud took it over and modified the project. In the Guy de Maupassant adaptation Pierre et Jean/Pierre and Jean (1924, Donatien), he appeared with Lucienne Legrand. Le train sans yeux/Train Without Eyes (1927, Alberto Cavalcanti) was a Louis Delluc adaptation in which he co-starred with Hans Mierendorf, Gina Manès, and Hanni Weisse. He also appeared in Cavalcanti’s drama En rade/Sea Fever (1928, Alberto Cavalcanti). At Rovi, Hal Erickson reviews: “Catherine Hessling, better known to film enthusiasts for her work in the early Jean Renoir silents, stars as a seaport barmaid who falls in love with sweet-natured sailor Georges Charlia. When Charlia unaccountably disappears one day, Hessling is plunged into the depths of melancholia. Her sad story is counterpointed with the bizarre behavior of the local laundress' lazy, near-moronic son (Philippe Heriat), who dreams of a life at sea. Although well photographed on genuine locations, Sea Fever proved confusing to many non-French filmgoers.” Charlia starred in a few German films, including Ritter der nacht/Knights of the Night (1928, Max Reichmann) co-starring La Jana. In that same year, he also played in the drama L'équipage/Last Flight (1928, Maurice Tourneur) starring Charles Vanel. One of his last silent films was Prix de beauté/Beauty Prize (1930, Augusto Genina) in which he was the lover and murderer of Louise Brooks.

 

George Charlia made the transition to sound film with Vacances (1931, Robert Boudrioz) with Florelle and Lucien Gallas. He reunited with Gina Manès to co-star in L'ensorcellement de Séville/The Charm of Seville (1931, Benito Perojo), Pax (1932, Francisco Elías) and L'amour qu'il faut aux femmes/The love which is necessary to women (1933, Adolf Trotz). In Germany, Charlia played a supporting part in the classic anti-war drama Kameradschaft/Comradeship (1931, Georg Wilhelm Pabst). Hal Erickson at Rovi: “Kameradschaft is set in a mining community on the French/German frontier, where several French miners are trapped in a cave-in. Their only hope for rescue lies in a long-abandoned underground tunnel, buried since the First World War. Ignoring the ethnic and political differences that have long separated the two countries, a group of German miners pick their way through the old tunnel to save the entombed Frenchmen. (…) Ironically, the German public, whose decency and humanity is celebrated in Kameradschaft, tended to avoid the film.” His last films were the Belgian-Dutch coproduction Jeunes filles en liberté/Young Girls in Freedom (1933, Fritz Kramp), and L'enfant de ma soeur/The Child of my Sister (1933, Henry Wulschleger). Why his film career stopped then after only ten years is not clear. Wasn’t his voice soundproof? Did he lose his interest in the cinema after the silent avant-garde cinema had dwindled away? We only know that Georges Charlia died in 1984, in his hometown Paris.

 

Sources: James Travers (Films de France), Wikipedia, and IMDb.

I spent the afternoon and evening discussing life, love and other catastrophes with my brother Robert at the Empress Hotel over a few ciders and beers respectively, and some enormous meals.

 

I blame my persistent tardiness not on my inability to leave the house on time due to distractions from the internet, poor judgement of travel time or of the time it will take for me to make a final decision on what to wear and finish drying my hair; it's an inherent genetic fault. It all started when I took my sweet time deciding to be conceived, resulting in Rob and I being born four years apart.

 

We went through the usual childhood sibling friendship. Rob let me hang out with him and his friends poking squashed cane toads on the road with sticks and nosing about the local creek for electric eels (were they an urban myth? I'm not sure these days). Though full of good intentions, to my parents' horror he tried to teach me to ride a bicycle. Their concerns were that being his bike it was of course far too big for me, and that we were to start the lesson outside our house which was at the crest of a small hill.

 

As we grew up and it was no longer cool to have his little sister following him around and I became more interested in playing the piano and reading anyway, the early teen torment of each other began. Fighting over whose turn it was to play King's Quest (I, II or III) or Leisure Suit Larry (all on 5 1/4" floppy disks, no less); or whose turn it was to wield the TV remote (our younger brother Peter also joined in on these altercations, it was a three-way street). Rob did however have the decency to make Pete and I killer mocha thickshakes and lime spiders afterward.

 

Then as I declared my "undying" love for NKOTB (yes, literally and in the presence of one of his friends who reminded me of it years later [note to self: don't leave any witnesses!]) and Rob's taste in music turned toward metal and punk, we grew further apart. He introduced me to The Cure and Dinosaur Jr at that time, so we still had some kinship through music; but mostly we just got together to watch series like 'Twin Peaks', 'Blackadder' and 'The Young Ones' and piles of B-grade horror flicks.

 

Rob started studying at university whilst the rest of our family moved to the country for a few years. By the time I returned to Melbourne, Rob had dropped out of uni, had cultivated a bright green mohawk, and was keen to take me out to gigs at The Arthouse and The GB where he would introduce me around to all his friends [I think, proudly] as "my little sister". Two days after my eighteenth birthday he helped my friend Nicole bleach my hair and dye it blue.

 

Over the years our lives took different turns, our circles of friends moved further apart and at one point we were not on speaking terms. Somewhere in there I moved to another country and he moved to another state. During the last couple of years we've become good friends again and now can talk to each other about our lives then and now. We find these days we tend to have similar views on love, and both envy the relationship our parents have with each other. We have both inherited our parents' inability to stay settled in one place for too long. Physically the three of us kids have very little resemblance to each other and our parents, though we all have definite resemblance to various ancestors.

 

Rob and I still have very different personalities, but after a time of us not being able to communicate civilly with each other I'm now constantly aware of how much I value that we can be friends again and talk to each other the way we now can.

Vintage postcard. Brigitte Bardot in La vérité / The Truth (Henri-Georges Clouzot, 1960).

 

French actress Brigitte Bardot (1934) died on 28 December 2025, at the age of 91. In the 1950s, she was the sex kitten of the European film industry. BB starred in 48 films, performed in numerous musical shows, and recorded 80 songs. After her retirement in 1973, she became an animal rights activist. In the coming weeks, we will continue to post a BB postcard every day to remember her as she once was.

 

Brigitte Bardot was born in Paris in 1934. Her father, Louis Bardot, had an engineering degree and worked with his father in the family business. Her mother, Ann-Marie Mucel, was 14 years younger than Brigitte's father, and they married in 1933. Brigitte's mother encouraged her daughter to take up music and dance. At the age of 13, she entered the Conservatoire Nationale de Danse to study ballet. By the time she was 15, Brigitte was trying to launch a modelling career and found herself on the cover of the French magazine Elle in May 1949. Her incredible beauty was readily apparent, and Brigitte was noticed by Roger Vadim, then an assistant to the film director Marc Allegrét. Vadim was infatuated with Bardot and encouraged her to start working as a film actress. BB was 18 when she debuted in the comedy Le Trou Normand / Crazy for Love (Jean Boyer, 1952). In the same year, she married Vadim. Brigitte wanted to marry him when she was 17, but her parents quashed any marriage plans until she turned 18. In April 1953, she attended the Cannes Film Festival, where she received massive media attention. She soon was every man's idea of the girl he'd like to meet in Paris. From 1952 to 1956, she appeared in seventeen films. Her films were generally lightweight romantic dramas in which she was cast as an ingénue or siren, often with an element of undress. In 1953, she made her first US production, Un acte d'amour / Act of Love (Anatole Litvak, 1953) with Kirk Douglas, but she continued to make films in France.

 

Roger Vadim was not content with the light fare his wife was offered. He felt Brigitte Bardot was being undersold. Looking for something more like an art film to push her as a serious actress, he showcased her in Et Dieu créa la femme / ...And God Created Woman (Roger Vadim, 1956). This film, about an immoral teenager in a respectable small-town setting, was a smash success on both sides of the Atlantic. Craig Butler at AllMovie: "It's easy enough to say that ...And God Created Woman is much more important for its historical significance than for its actual quality as a film, and that's true to an extent. The immense popularity, due to its willingness to directly embrace an exploration of sex as well as its willingness to show a degree of nudity that was remarkably daring for its day, demonstrated that audiences were willing to view subject matter that was considered too racy for the average moviegoer. This had both positive (freedom to explore, especially for the French filmmakers of the time) and negative (freedom to exploit) consequences, but its impact is undeniable. It's also true that Woman is not a great work of art, not with a story that is ultimately rather thin, some painful dialogue, and an attitude toward its characters and their sexuality that is unclear and inconsistent. Yet Woman is still fascinating, due in no small part to the presence of Brigitte Bardot in the role that made her an international star and sex symbol. She's not demonstrating great acting here, although her performance is actually good and much better than necessary, and her legendary mambo scene at the climax is nothing short of sensational." During the filming of Et Dieu créa la femme / And God Created Woman (Roger Vadim, 1956), directed by her husband, Brigitte Bardot had an affair with her co-star, Jean-Louis Trintignant, who at the time was married to French actress Stéphane Audran. Her divorce from Vadim followed, but they remained friends and collaborated in later work.

 

Et Dieu créa la femme / ...And God Created Woman (Roger Vadim, 1956) helped Brigitte Bardot's international status. The film took the USA by storm, her explosive sexuality being unlike anything seen in the States since the days of the 'flapper' in the 1920s. It gave rise to the phrase 'sex kitten', and fascination with her in America consisted of magazine photographs and dubbed over French films - good, bad or indifferent, her films drew audiences - mainly men - into theatres like lemmings. BB appeared in light comedies like Doctor at Large (Ralph Thomas, 1957) - the third of the British 'Doctor' series starring Dirk Bogarde - and Une Parisienne / La Parisienne (Michel Boisrond, 1957), which suited her acting skills best. However, she was a sensation in the crime drama En cas de malheur / Love is My Profession (Claude Autant-Lara, 1958). Hal Erickson at AllMovie: "This Brigitte Bardot vehicle ran into stiff opposition from the Catholic Legion of Decency, severely limiting its U.S. distribution. Bardot plays a nubile small-time thief named Yvette, who becomes the mistress of influential defence attorney Andre (Jean Gabin). Though Andre can shower Yvette with jewels and furs, he cannot "buy" her heart, and thus it is that it belongs to handsome young student Mazzetti (Franco Interlenghi). Alas, Yvette is no judge of human nature: attractive though Mazzetti can be, he has a dangerous and deadly side. En Cas de Malheur contains a nude scene that has since been reprinted in freeze-frame form innumerable times by both film-history books and girlie magazines." Photographer Sam Lévin's photos contributed considerably to her image of sensuality and slight immorality. One of Lévin's pictures shows Brigitte, dressed in a white corset. It is said that around 1960, postcards with this photograph outsold in Paris those of the Eiffel Tower.

 

Brigitte Bardot divorced Vadim in 1957, and in 1959 she married actor Jacques Charrier, with whom she starred in Babette s'en va-t-en guerre / Babette Goes to War (Christian-Jaque, 1959). The paparazzi preyed upon her marriage, while she and her husband clashed over the direction of her career

Her films became more substantial, but this brought a heavy pressure of dual celebrity as she sought critical acclaim while remaining a glamour model for most of the world. Vie privée / Private Life (1962), directed by Louis Malle, has more than an element of autobiography in it. James Travers at French Films: "Brigitte Bardot hadn’t quite reached the high point of her career when she agreed to make this film with high-profile New Wave film director Louis Malle. Even so, the pressure of being a living icon was obviously beginning to get to France’s sex goddess, and Vie privée is as much an attempt by Bardot to come to terms with her celebrity as anything else. Malle is clearly fascinated by Bardot, and the documentary approach he adopts for this film reinforces the impression that it is more a biography of the actress than a work of fiction. Of course, it’s not entirely biographical, but the story is remarkably close to Bardot’s own life and comes pretty close to predicting how her career would end." The scene in which, returning to her apartment, Bardot's character is harangued in the elevator by a middle-aged cleaning lady calling her offensive names was based on an actual incident, and is a resonant image of celebrity in the mid-20th century. Soon afterwards, Bardot withdrew to the seclusion of Southern France.

 

Brigitte Bardot's other husbands were German millionaire Playboy Gunter Sachs and right-wing politician Bernard d'Ormale. She is reputed to have had relationships with many other men, including Samy Frey, her co-star in La Vérité / The Truth (Henri-Georges Clouzot, 1960), and musicians Serge Gainsbourg and Sacha Distel. In 1963, Brigitte Bardot starred in Jean-Luc Godard's critically acclaimed film Le Mépris / Contempt (Jean-Luc Godard, 1963) opposite Michel Piccoli. She was also featured along with such notable actors as Alain Delon in Amours célèbres / Famous Love Affairs (Michel Boisrond, 1961) and Histoires extraordinaires /Tales of Mystery (Louis Malle, 1968), Jeanne Moreau in Viva Maria! (Louis Malle, 1965), Sean Connery in Shalako (Edward Dmytryk, 1968), and Claudia Cardinale in Les Pétroleuses / Petroleum Girls (Christian-Jaque, 1971). She participated in various musical shows and recorded many popular songs in the 1960s and 1970s, mostly in collaboration with Serge Gainsbourg, Bob Zagury and Sacha Distel, including 'Harley Davidson', 'Le Soleil De Ma Vie' (the cover of Stevie Wonder's 'You Are the Sunshine of My Life') and the notorious 'Je t'aime... moi non plus'.

 

Brigitte Bardot’s film career showed a steady decline in the late 1960s and early 1970s. In 1973, just before her fortieth birthday, she announced her retirement. She chose to use her fame to promote animal rights. In 1976, she established the Brigitte Bardot Foundation for the Welfare and Protection of Animals. She became a vegetarian and raised three million French francs to fund the foundation by auctioning off jewellery and many personal belongings. For this work, she was awarded the Légion d’honneur in 1984. During the 1990s, she was also outspoken in her criticism of immigration, interracial relationships, Islam in France and homosexuality. Her husband Bernard d'Ormal was a former adviser of the far-right Front National party. Bardot has been convicted five times for 'inciting racial hatred'. More fun is that Bardot is recognised for popularising bikini swimwear, in such early films as Manina / Woman without a Veil (Willy Rozier, 1952), in her appearances at Cannes and in many photo shoots. Bardot also brought into fashion the 'choucroute' ('Sauerkraut') hairstyle (a sort of beehive hairstyle) and gingham clothes after wearing a checkered pink dress, designed by Jacques Esterel, at her wedding to Charrier. The fashions of the 1960s looked effortlessly right and spontaneous on her. Time Magazine: "She is the princess of pout, the countess of come hither. Brigitte Bardot exuded a carefree, naïve sexuality that brought a whole new audience to French films."

 

Sources: Denny Jackson (IMDb), Hal Erickson (AllMovie), Craig Butler (AllMovie), James Travers (French Films), French Films, Wikipedia and IMDb.

 

And please check out our blog European Film Star Postcards.

Dutch postcard by Gebr. Spanjersberg, N.V., Rotterdam. Dutch licence holder for Universum-Film Aktiengesellschaft, Berlin-Tempelhof (Ufa), no. 1080. Photo: Ufa.

 

French actress Brigitte Bardot (1934) died on 28 December 2025, at the age of 91. In the 1950s, she was the sex kitten of the European film industry. BB starred in 48 films, performed in numerous musical shows, and recorded 80 songs. After her retirement in 1973, she became an animal rights activist. In the coming weeks, we will continue to post a BB postcard every day to remember her as she once was.

 

Brigitte Bardot was born in Paris in 1934. Her father, Louis Bardot, had an engineering degree and worked with his father in the family business. Her mother, Ann-Marie Mucel, was 14 years younger than Brigitte's father, and they married in 1933. Brigitte's mother encouraged her daughter to take up music and dance. At the age of 13, she entered the Conservatoire Nationale de Danse to study ballet. By the time she was 15, Brigitte was trying to launch a modelling career and found herself on the cover of the French magazine Elle in May 1949. Her incredible beauty was readily apparent, and Brigitte was noticed by Roger Vadim, then an assistant to the film director Marc Allegrét. Vadim was infatuated with Bardot and encouraged her to start working as a film actress. BB was 18 when she debuted in the comedy Le Trou Normand / Crazy for Love (Jean Boyer, 1952). In the same year, she married Vadim. Brigitte wanted to marry him when she was 17, but her parents quashed any marriage plans until she turned 18. In April 1953, she attended the Cannes Film Festival, where she received massive media attention. She soon was every man's idea of the girl he'd like to meet in Paris. From 1952 to 1956, she appeared in seventeen films. Her films were generally lightweight romantic dramas in which she was cast as an ingénue or siren, often with an element of undress. In 1953, she made her first US production, Un acte d'amour / Act of Love (Anatole Litvak, 1953) with Kirk Douglas, but she continued to make films in France.

 

Roger Vadim was not content with the light fare his wife was offered. He felt Brigitte Bardot was being undersold. Looking for something more like an art film to push her as a serious actress, he showcased her in Et Dieu créa la femme / ...And God Created Woman (Roger Vadim, 1956). This film, about an immoral teenager in a respectable small-town setting, was a smash success on both sides of the Atlantic. Craig Butler at AllMovie: "It's easy enough to say that ...And God Created Woman is much more important for its historical significance than for its actual quality as a film, and that's true to an extent. The immense popularity, due to its willingness to directly embrace an exploration of sex as well as its willingness to show a degree of nudity that was remarkably daring for its day, demonstrated that audiences were willing to view subject matter that was considered too racy for the average moviegoer. This had both positive (freedom to explore, especially for the French filmmakers of the time) and negative (freedom to exploit) consequences, but its impact is undeniable. It's also true that Woman is not a great work of art, not with a story that is ultimately rather thin, some painful dialogue, and an attitude toward its characters and their sexuality that is unclear and inconsistent. Yet Woman is still fascinating, due in no small part to the presence of Brigitte Bardot in the role that made her an international star and sex symbol. She's not demonstrating great acting here, although her performance is actually good and much better than necessary, and her legendary mambo scene at the climax is nothing short of sensational." During the filming of Et Dieu créa la femme / And God Created Woman (Roger Vadim, 1956), directed by her husband, Brigitte Bardot had an affair with her co-star, Jean-Louis Trintignant, who at the time was married to French actress Stéphane Audran. Her divorce from Vadim followed, but they remained friends and collaborated in later work.

 

Et Dieu créa la femme / ...And God Created Woman (Roger Vadim, 1956) helped elevate Brigitte Bardot's international status. The film took the USA by storm, her explosive sexuality being unlike anything seen in the States since the days of the 'flapper' in the 1920s. It gave rise to the phrase 'sex kitten', and fascination with her in America consisted of magazine photographs and dubbed over French films - good, bad or indifferent, her films drew audiences - mainly men - into theatres like lemmings. BB appeared in light comedies like Doctor at Large (Ralph Thomas, 1957) - the third of the British 'Doctor' series starring Dirk Bogarde - and Une Parisienne / La Parisienne (Michel Boisrond, 1957), which suited her acting skills best. However, she was a sensation in the crime drama En cas de malheur / Love is My Profession (Claude Autant-Lara, 1958). Hal Erickson at AllMovie: "This Brigitte Bardot vehicle ran into stiff opposition from the Catholic Legion of Decency, severely limiting its U.S. distribution. Bardot plays a nubile small-time thief named Yvette, who becomes the mistress of influential defence attorney Andre (Jean Gabin). Though Andre can shower Yvette with jewels and furs, he cannot "buy" her heart, and thus it is that it belongs to handsome young student Mazzetti (Franco Interlenghi). Alas, Yvette is no judge of human nature: attractive though Mazzetti can be, he has a dangerous and deadly side. En Cas de Malheur contains a nude scene that has since been reprinted in freeze-frame form innumerable times by both film-history books and girlie magazines." Photographer Sam Lévin's photos contributed considerably to her image of sensuality and slight immorality. One of Lévin's pictures shows Brigitte, dressed in a white corset. It is said that around 1960, postcards with this photograph outsold in Paris those of the Eiffel Tower.

 

Brigitte Bardot divorced Vadim in 1957, and in 1959 she married actor Jacques Charrier, with whom she starred in Babette s'en va-t-en guerre / Babette Goes to War (Christian-Jaque, 1959). The paparazzi preyed upon her marriage, while she and her husband clashed over the direction of her career

Her films became more substantial, but this brought a heavy pressure of dual celebrity as she sought critical acclaim while remaining a glamour model for most of the world. Vie privée / Private Life (1962), directed by Louis Malle, has more than an element of autobiography in it. James Travers at French Films: "Brigitte Bardot hadn’t quite reached the high point of her career when she agreed to make this film with high-profile New Wave film director Louis Malle. Even so, the pressure of being a living icon was obviously beginning to get to France’s sex goddess, and Vie privée is as much an attempt by Bardot to come to terms with her celebrity as anything else. Malle is clearly fascinated by Bardot, and the documentary approach he adopts for this film reinforces the impression that it is more a biography of the actress than a work of fiction. Of course, it’s not entirely biographical, but the story is remarkably close to Bardot’s own life and comes pretty close to predicting how her career would end." The scene in which, returning to her apartment, Bardot's character is harangued in the elevator by a middle-aged cleaning lady calling her offensive names was based on an actual incident, and is a resonant image of celebrity in the mid-20th century. Soon afterwards, Bardot withdrew to the seclusion of Southern France.

 

Brigitte Bardot's other husbands were German millionaire Playboy Gunter Sachs and right-wing politician Bernard d'Ormale. She is reputed to have had relationships with many other men, including Samy Frey, her co-star in La Vérité / The Truth (Henri-Georges Clouzot, 1960), and musicians Serge Gainsbourg and Sacha Distel. In 1963, Brigitte Bardot starred in Jean-Luc Godard's critically acclaimed film Le Mépris / Contempt (Jean-Luc Godard, 1963) opposite Michel Piccoli. She was also featured along with such notable actors as Alain Delon in Amours célèbres / Famous Love Affairs (Michel Boisrond, 1961) and Histoires extraordinaires /Tales of Mystery (Louis Malle, 1968), Jeanne Moreau in Viva Maria! (Louis Malle, 1965), Sean Connery in Shalako (Edward Dmytryk, 1968), and Claudia Cardinale in Les Pétroleuses / Petroleum Girls (Christian-Jaque, 1971). She participated in various musical shows and recorded many popular songs in the 1960s and 1970s, mostly in collaboration with Serge Gainsbourg, Bob Zagury and Sacha Distel, including 'Harley Davidson', 'Le Soleil De Ma Vie' (the cover of Stevie Wonder's 'You Are the Sunshine of My Life') and the notorious 'Je t'aime... moi non plus'.

 

Brigitte Bardot’s film career showed a steady decline in the late 1960s and early 1970s. In 1973, just before her fortieth birthday, she announced her retirement. She chose to use her fame to promote animal rights. In 1976, she established the Brigitte Bardot Foundation for the Welfare and Protection of Animals. She became a vegetarian and raised three million French francs to fund the foundation by auctioning off jewellery and many personal belongings. For this work, she was awarded the Légion d’honneur in 1984. During the 1990s, she was also outspoken in her criticism of immigration, interracial relationships, Islam in France and homosexuality. Her husband Bernard d'Ormal was a former adviser of the far-right Front National party. Bardot has been convicted five times for 'inciting racial hatred'. More fun is that Bardot is recognised for popularising bikini swimwear, in such early films as Manina / Woman without a Veil (Willy Rozier, 1952), in her appearances at Cannes and in many photo shoots. Bardot also brought into fashion the 'choucroute' ('Sauerkraut') hairstyle (a sort of beehive hairstyle) and gingham clothes after wearing a checkered pink dress, designed by Jacques Esterel, at her wedding to Charrier. The fashions of the 1960s looked effortlessly right and spontaneous on her. Time Magazine: "She is the princess of pout, the countess of come hither. Brigitte Bardot exuded a carefree, naïve sexuality that brought a whole new audience to French films."

 

Sources: Denny Jackson (IMDb), Hal Erickson (AllMovie), Craig Butler (AllMovie), James Travers (French Films), French Films, Wikipedia and IMDb.

 

And please check out our blog European Film Star Postcards.

Montagu, Earl of SANDWICH, Kent, Viscount Hinchinbroke, and Baron Montagu of St. Neots, both in Hunts. [Creation, 12 July, 1660. Residence, Hincbinbroke House, Hunts. Town House, 31, Dover Street] The same aims as the last.—Crest, a griffin's head, couped, or, beaked sa. wings endorsed of the last. Supporters, dexter, a triton, holding over the right shoulder a trident, all ppr. crowned with an eastern crown or; sinister, an eagle, wings endorsed, vert. Motto, Post tot naufragia portum.

  

The house of Hinchinbrook is most comfortable, and just what I like; old, spacious, irregular, yet not vast or forlorn. I believe much has been done since you saw it—it now only wants an apartment, for in no part of it are there above two chambers together. The furniture has much simplicity, not to say too much; some portraits tolerable, none I think fine. When this lord gave Blackwood the head of the Admiral1 that I have now, he left himself not one so good. The head he kept is very bad: the whole-length is fine, except the face of it. There is another of the Duke of Cumberland by Reynolds, the colours of which are as much changed as the original is to the proprietor. The garden is wondrous small, the park almost smaller, and no appearance of territory. The whole has a quiet decency that seems adapted to the Admiral after his retirement, or to Cromwell before his exaltation. I returned time enough for the opera; observing all the way I came the proof of the duration of this east wind, for on the west side the blossoms were so covered with dust one could not distinguish them; on the eastern hand the hedges were white in all the pride of May. Good-night!

Wednesday, June 1.

My letter is a perfect diary. There has been a sad alarm in the kingdom of white satin and muslin. The Duke of Richmond was seized last night with a sore throat and fever; and though he is much better to-day, the Masquerade of to-morrow night is put off till Monday. Many a Queen of Scots, from sixty to sixteen, has been ready to die of the fright. Adieu once more! I think I can have nothing more to say before the post goes out to-morrow.

855. TO SIR HORACE MANN.

Strawberry Hill, June 5, 1763.

I Am much concerned at the melancholy accounts you give me of both Lord and Lady Northampton.2 They are young, handsome, and happy, and life was very valuable to them. She has been consumptive some time; but he seemed healthy and strong.

The misery in the family of Molesworth is not yet closed. The

1 Admiral Sir Edward Montagu, first

  

JOHN-WILLIAM MONTAGUE, EARL of SANDWICH, Viscount Hinchinbrook, and Baron Montague, of St. Neot’s, born 8 Nov. 1811, succeeded his father, George-John, the late earl, 21 May 1818.

This family derives its descent from the same common ancestor as the late duke of , and the earl of HALIFAX, and the present duke of MANCHESTER. Sir SIDNEY MONTAGU (7th son of sir Edward Montagu, and youngest brother of Henry, 1st earl of Manchester) was elected Ill-P. for the co. Huntingdon, 1640, but was expelled the house of commons, 3 Sept. 1642, for refusing to take an oath which the house had framed for their members-_“ That they would live and die with their general, the earl of Essex.” He d. 25 Sept. 1644, having m. Paulina, da. of John Pepys, esq., and had issue,

EDWARD Montagu, lst earl of Sandwich, K.G., who ob. tained the sole command of the English navy, and had the address as well as the honour of bringing the whole fleet to submit to king Charles II., who, in consideration of that important service, was pleased to create him baron Montagu, viscount Hinchinbrook, and earl of Sandwich he was 10rd high-adml. of England, and was killed in the great seabattle against the Dutch, off Southwold Bay, 28 May 1672 ; m. Jemima, da. of John, lord Crewe, of Stone, and had, besides other issue,

l. EDWARD 2d earl.

2. Sidney, m. Anne, da. and sole heiress of sir Francis Wortley, and assumed the name of Won'rusr, and had Edward, m. Mary Pierrepoint, da. of Evelyn, duke of Kingston, and had issue by her, Edward, d. 1776, and Mary, who was created hardness Mountstuart, m. John, earl of Bute, father of John, 1st marquess of Bute. ‘

EDWARD, 2d earl, m. Anne, da. of Richard, earl of Burling.

ton, and by her bad EDWARD, 3d earl, and Richard, d. 1697. The earl d. Feb. 1689, and was succeeded by his son, . EDWARD, 3d earl, b. 1670, m. Elizabeth, 2d da. of John VVilmot, earl of Rochester, and sister and co-heiress of her brother, Charles, 3d earl of Rochester, and by her (who d. 2 July 1757) had issue,

 

Not strictly a Finsec event, but here's a few photos of the Service and Food Workers' Union Nga Ringa Tota rally in Wellington on International Cleaners Day.

The 'Fair Deal for Cleaners' campaign that this rally is part of aims to provide a voice to the low-waged largely immigrant female workforce, in cities across Australia and New Zealand, who are calling on big property owners to support decency in their workplaces.

Nearly halfway through the month, and it's the weekend again, and the the good news is that the sore throat I had on Friday went and did not return.

 

Which is nice.

 

Jools's cough, however, which seemed like it was getting better, returned slightly on Friday evening, and would again on Saturday. We had tockets to see Public Service Bradcasting again, this time in Margate, but our hearts were not in it, if I'm honest, and in the end we decided not to go in light of her coughing, but also as I said, we saw them a month back, though this would be a different show.

 

And Norwich were on the tellybox, what could be better than watching that?

 

Anything, as it turned out.

 

But that was for later.

 

We went to Tesco, a little later than usual, as we had slept in rather, then back home for breakfast before the decision on what to do for the day. Jools decided to stay home to bead and read, I would go out.

 

There are three churches near to home that I feel I needed to revisit, St Margaret's itself I should be able to get the key from the village shop at any time, but St Mary in Dover hasn't been open the last few times I have been in town, and Barfrestone was closed most of the year due to vandalism.

 

But Saturday morning there is usually a coffee morning in St Mary, so I went down armed with camera and lenses to take more shots of the details, especially of the windows.

 

There was a small group with the Vicar, talking in one of the chapels, so I made busy getting my shots, just happy that the church was open. I left a fiver with the vicar, and walked back to the car, passing the old guy supping from a tin of cider sitting outside the church hall.

 

-------------------------------------------------

 

In the heart of the town with a prominent twelfth-century tower. From the outside it is obvious that much work was carried out in the nineteenth century. The church has major connections with the Lord Wardens of the Cinque Ports and is much used for ceremonial services. The western bays of the nave with their low semi-circular arches are contemporary with the tower, while the pointed arches to the east are entirely nineteenth century. The scale and choice of stone is entirely wrong, although the carving is very well done. However the east end, with its tall narrow lancet windows, is not so successful. The Royal Arms, of the reign of William and Mary, are of carved and painted wood, with a French motto - Jay Maintendray - instead of the more usual Dieu et Mon Droit. The church was badly damaged in the Second World War, but one of the survivors was the typical Norman font of square Purbeck marble construction. One of the more recent additions to the church is the Herald of Free Enterprise memorial window of 1989 designed by Frederick Cole.

 

www.kentchurches.info/church.asp?p=Dover+1

 

-------------------------------------------

 

THE TOWN AND PORT OF DOVER.

DOVER lies at the eastern extremity of Kent, adjoining to the sea, the great high London road towards France ending at it. It lies adjoining to the parish of Charlton last-described, eastward, in the lath of St. Augustine and eastern division of the county. It is within the liberty of the cinque ports, and the juristion of the corporation of the town and port of Dover.

 

DOVER, written in the Latin Itinerary of Antonine, Dubris. By the Saxons, Dorsa, and Dofris. By later historians, Doveria; and in the book of Domesday, Dovere; took its name most probably from the British words, Dufir, signifying water, or Dusirrha, high and steep, alluding to the cliffs adjoining to it. (fn. 1)

 

It is situated at the extremity of a wide and spacious valley, inclosed on each side by high and steep hills or cliffs, and making allowance for the sea's withdrawing itself from between them, answers well to the description given of it by Julius Cæfar in his Commentaries.

 

In the middle space, between this chain of high cliffs, in a break or opening, lies the town of Dover and its harbour, which latter, before the sea was shut out, so late as the Norman conquest, was situated much more within the land than it is at present, as will be further noticed hereafter.

 

ON THE SUMMIT of one of these cliffs, of sudden and stupendous height, close on the north side of the town and harbour, stands DOVER CASTLE, so famous and renowned in all the histories of former times. It is situated so exceeding high, that it is at most times plainly to be seen from the lowest lands on the coast of France, and as far beyond as the eye can discern. Its size, for it contains within it thirty five acres of ground, six of which are taken up by the antient buildings, gives it the appearance of a small city, having its citadel conspicuous in the midst of it, with extensive fortifications, around its walls. The hill, or rather rock, on which it stands, is ragged and steep towards the town and harbour; but towards the sea, it is a perpendicular precipice of a wonderful height, being more than three hundred and twenty feet high, from its basis on the shore.

 

Common tradition supposes, that Julius Cæfar was the builder of this castle, as well as others in this part of Britain, but surely without a probability of truth; for our brave countrymen found Cæfar sufficient employment of a far different sort, during his short stay in Britain, to give him any opportunity of erecting even this one fortress. Kilburne says, there was a tower here, called Cæsar's tower, afterwards the king's lodgings; but these, now called the king's keep, were built by king Henry II. as will be further mentioned hereafter; and he further says, there were to be seen here great pipes and casks bound with iron hoops, in which was liquor supposed to be wine, which by long lying had become as thick as treacle, and would cleave like birdlime; salt congealed together as hard as stone; cross and long bows and arrows, to which brass was fastened instead of feathers, and they were of such size, as not to be fit for the use of men of that or any late ages. These, Lambarde says, the inhabitants shewed as having belonged to Cæfar, and the wine and salt as part of the provision he had brought with him hither; and Camden relates, that he was shewn these arrows, which he thinks were such as the Romans used to shoot out of their engines, which were like to large crossbows. These last might, no doubt, though not Cæsar's, belong to the Romans of a later time; and the former might, perhaps, be part of the provisions and stores which king Henry VIII. laid in here, at a time when he passed from hence over sea to France. But for many years past it has not been known what is become of any of these things.

 

Others, averse to Cæsar's having built this castle, and yet willing to give the building of it to the empire of the Romans of a later time, suppose, and that perhaps with some probability, it was first erected by Arviragus, (or Arivog, as he is called on his coin) king of Britain, in the time of Claudius, the Roman emperor. (fn. 2)

 

That there was one built here, during the continuance of the Roman empire in Britain, must be supposed from the necessity of it, and the circumstances of those times; and the existence of one plainly appears, from the remains of the tower and other parts of the antient church within it, and the octagon tower at the west end, in which are quantities of Roman brick and tile. These towers are evidently the remains of Roman work, the former of much less antiquity than the latter, which may be well supposed to have been built as early as the emperor Claudius, whose expedition hither was about or immediately subsequent to the year of Christ 44. Of these towers, probably the latter was built for a speculum, or watch-tower, and was used, not only to watch the approach of enemies, but with another on the opposite hill, to point out the safe entrance into this port between them, by night as well as by day.

 

In this fortress, the Romans seem afterwards to have kept a garrison of veterans, as we learn from Pancirollus, who tells us that a company of soldiers under their chief, called Præpositus Militum Tungricanorum, was stationed within this fortess.

 

Out of the remains of part of the above-mentioned Roman buildings here, a Christian church was erected, as most historians write, by Lucius, king of Britain, about the year 161; but it is much to be doubted whether there ever was such a king in Britain; if there was, he was only a tributary chief to the Roman emperor, under whose peculiar government Britain was then accounted. This church was built, no doubt, for the use of that part of the garrison in particular, who were at that time believers of the gospel, and afterwards during the different changes of the Christian and Pagan religions in these parts, was made use of accordingly, till St. Augustine, soon after the year 597, at the request of king Ethelbert, reconsecrated it, and dedicated it anew, in honour of the blessed Virgin Mary.

 

¶His son and successor Eadbald, king of Kent, founded a college of secular canons and a provost in this church, whose habitations, undoubtedly near it, there are not the least traces of. These continued here till after the year 691; when Widred, king of Kent, having increated the fortifications, and finding the residence of the religious within them an incumbrance, removed them from hence into the town of Dover, to the antient church of St. Martin; in the description of which hereafter, a further account of them will be given.

  

DOVER does not seem to have been in much repute as a harbour, till some time after Cæsar's expedition hither; for the unfitness, as well as insecurity of the place, especially for a large fleet of shipping, added to the character which he had given of it, deterred the Romans from making a frequent use of it, so that from Boleyne, or Gessoriacum, their usual port in Gaul, they in general failed with their fleets to Richborough, or Portus Rutupinus, situated at the mouth of the Thames, in Britain, and thence back again; the latter being a most safe and commodious haven, with a large and extensive bay.

 

Notwithstanding which, Dover certainly was then made use of as a port for smaller vessels, and a nearer intercourse for passengers from the continent; and to render the entrance to it more safe, the Romans built two Specula, or watch-towers, here, on the two hills opposite to each other, to point out the approach to it, and one likewise on the opposite hill at Bologne, for the like purpose there; and it is mentioned as a port by Antoninus, in his Itinerary, in which, ITER III. is A Londinio ad Portum Dubris, i. e. from London to the port of Dover.

 

After the departure of the Romans from Britain, when the port of Bologne, as well as Richborough, fell into decay and disuse, and instead of the former a nearer port came into use, first at Whitsan, and when that was stopped up, a little higher at Calais, Dover quickly became the more usual and established port of passage between France and Britain, and it has continued so to the present time.

 

When the antient harbour of Dover was changed from its antient situation is not known; most probably by various occurrences of nature, the sea left it by degrees, till at last the farmer scite of it became entirely swallowed up by the beach. That the harbour was much further within land, even at the time of the conquest than it is at present, seems to be confirmed by Domesday, in which it is said, that at the entrance of it, there was a mill which damaged almost every ship that passed by it, on account of the great swell of the sea there. Where the scite of this mill was, is now totally unknown, though it is probable it was much within the land, and that by the still further accumulation of the beach, and other natural causes, this haven was in process of time so far filled up towards the inland part of it, as to change its situation still more to the south-west, towards the sea.

 

From the time of the Norman conquest this port continued the usual passage to the continent, and to confine the intercourse to this port only, there was a statute passed anno 4 Edward IV. that none should take shipping for Calais, but at Dover. (fn. 20) But in king Henry VII.'s time, which was almost the next reign, the harbour was become so swerved up, as to render it necessary for the king's immediate attention, to prevent its total ruin, and he expended great sums of money for its preservation. But it was found, that all that was done, would not answer the end proposed, without the building of a pier to seaward, which was determined on about the middle of Henry VIII.'s reign, and one was constructed, which was compiled of two rows of main posts, and great piles, which were let into holes hewn in the rock underneath, and some were shod with iron, and driven down into the main chalk, and fastened together with iron bands and bolts. The bottom being first filled up with great rocks of stone, and the remainder above with great chalk stones, beach, &c. During the whole of this work, the king greatly encouraged the undertaking, and came several times to view it; and in the whole is said to have expended near 63,000l. on it. But his absence afterwards abroad, his ill health, and at last his death, joined to the minority of his successor, king Edward VI. though some feeble efforts were made in his reign, towards the support of this pier, put a stop to, and in the end exposed this noble work to decay and ruin.

 

Queen Mary, indeed, attempted to carry it on again, but neither officers nor workmen being well paid, it came to nothing, so that in process of time the sea having brought up great quantities of beach again upon it, the harbour was choaked up, and the loss of Calais happening about the same time, threatened the entire destruction of it. Providentially the shelf of beach was of itself became a natural defence against the rage of the sea, insomuch, that if a passage could be made for ships to get safely within it, they might ride there securely.

 

To effect this, several projects were formed, and queen Elizabeth, to encourage it, gave to the town the free transportation of several thousand quarters of corn and tuns of beer; and in the 23d of her reign, an act passed for giving towards the repair of the harbour, a certain tonnage from every vessel above twenty tons burthen, passing by it, which amounted to 1000l. yearly income; and the lord Cobham, then lordwarden, and others, were appointed commissioners for this purpose; and in the end, after many different trials to effect it, a safe harbour was formed, with a pier, and different walls and sluices, at a great expence; during the time of which a universal diligence and public spirit appeared in every one concerned in this great and useful work. During the whole of the queen's reign, the improvement of this harbour continued without intermission, and several more acts passed for that purpose; but the future preservation of it was owing to the charter of incorporation of the governors of it, in the first year of king James I. by an act passed that year, by the name of the warden and assistants of the harbour of Dover, the warden being always the lord-warden of the cinque ports for the time being, and his assistants, his lieutenant, and the mayor of Dover, for the time being, and eight others, the warden and assistants only making a quorum; six to be present to make a session; at any of which, on a vacancy, the assistants to be elected; and the king granted to them his land or waste ground, or beach, commonly called the Pier, or Harbour ground, as it lay without Southgate, or Snargate, the rents of which are now of the yearly value of about three hundred pounds.

 

Under the direction of this corporation, the works and improvements of this harbour have been carried on, and acts of parliament have been passed in almost every reign since, to give the greater force to their proceedings.

 

From what has been said before, the reader will observe, that this harbour has always been a great national object, and that in the course of many ages, prodigious sums of money have been from time to time expended on it, and every endeavour used to keep it open, and render it commodious; but after all these repeated endeavours and expences, it still labours under such circumstances, as in a very great degree renders unsuccessful all that has ever been done for that purpose.

 

DOVER, as has been already mentioned, was of some estimation in the time of the Roman empire in Britain, on account of its haven, and afterwards for the castle, in which they kept a strong garrison of sol. diers, not only to guard the approach to it, but to keep the natives in subjection; and in proof of their residence here, the Rev. Mr. Lyon some years since discovered the remains of a Roman structure, which he apprehended to have been a bath, at the west end of the parish-church of St. Mary, in this town, which remains have since repeatedly been laid open when interments have taken place there.

 

This station of the Romans is mentioned by Antonine, in his Itinerary of the Roman roads in Britain, by the name of Dubris, as being situated from the station named Durovernum, or Canterbury, fourteen miles; which distance, compared with the miles as they are now numbered from Canterbury, shews the town, as well as the haven, for they were no doubt contiguous to each other, to have both been nearer within land than either of them are at present, the present distance from Canterbury being near sixteen miles as the road now goes, The sea, indeed, seems antiently to have occupied in great part the space where the present town of Dover, or at least the northwest part of it, now stands; but being shut out by the quantity of beach thrown up, and the harbour changed by that means to its present situation, left that place a dry ground, on which the town of Dover, the inhabitants following the traffic of the harbour, was afterwards built.

 

This town, called by the Saxons, Dofra, and Dofris; by later historians, Doveria; and in Domesday, Dovere; is agreed by all writers to have been privileged before the conquest; and by the survey of Domesday, appears to have been of ability in the time of king Edward the Confessor, to arm yearly twenty vessels for sea service. In consideration of which, that king granted to the inhabitants, not only to be free from the payment of thol and other privileges throughout the realm, but pardoned them all manner of suit and service to any of his courts whatsoever; and in those days, the town seems to have been under the protection and government of Godwin, earl of Kent, and governor of this castle.

 

Soon after the conquest, this town was so wasted by fire, that almost all the houses were reduced to ashes, as appears by the survey of Domesday, at the beginning of which is the following entry of it:

 

DOVERE, in the time of king Edward, paid eighteen pounds, of which money, king E had two parts, and earl Goduin the third. On the other hand, the canons of St. Martin had another moiety. The burgesses gave twenty ships to the king once in the year, for fifteen days; and in each ship were twenty and one men. This they did on the account that he had pardoned them sac and soc. When the messengers of the king came there, they gave for the passage of a horse three pence in winter, and two in summer. But the burgesses found a steerman, and one other assistant, and if there should be more necessary, they were provided at his cost. From the festival of St. Michael to the feast of St. Andrew, the king's peace was in the town. Sigerius had broke it, on which the king's bailiff had received the usual fine. Whoever resided constantly in the town paid custom to the king; he was free from thol throughout England. All these customs were there when king William came into England. On his first arrival in England, the town itself was burnt, and therefore its value could not be computed how much it was worth, when the bishop of Baieux received it. Now it is rated at forty pounds, and yet the bailiff pays from thence fifty-four pounds to the king; of which twenty-four pounds in money, which were twenty in an one, but thirty pounds to the earl by tale.

 

In Dovere there are twenty-nine plats of ground, of which the king had lost the custom. Of these Robert de Romenel has two. Ralph de Curbespine three. William, son of Tedald, one. William, son of Oger, one. William, son of Tedold, and Robert niger, six. William, son of Goisfrid, three, in which the guildhall of the burgesses was. Hugo de Montfort one house. Durand one. Rannulf de Colubels one. Wadard six. The son of Modbert one. And all these vouch the bishop of Baieux as the protector and giver of these houses. Of that plat of ground, which Rannulf de Colubels holds, which was a certain outlaw, they agree that the half of the land was the king's, and Rannulf himself has both parts. Humphry the lame man holds one plat of ground, of which half the forfeiture is the king's. Roger de Ostrabam made a certain house over the king's water, and held to this time the custom of the king; nor was a house there in the time of king Edward. In the entrance of the port of Dovere, there is one mill, which damages almost every ship, by the great swell of the sea, and does great damage to the king and his tenants; and it was not there in the time of king Edward. Concerning this, the grandson of Herbert says, that the bishop of Baieux granted it to his uncle Herbert, the son of Ivo.

 

And a little further, in the same record, under the bishop's possessions likewise:

 

In Estrei hundred, Wibertus holds half a yoke, which lies in the gild of Dover, and now is taxed with the land of Osbert, the son of Letard, and is worth per annum four shillings.

 

From the Norman conquest, the cities and towns of this realm appear to have been vested either in the crown, or else in the clergy or great men of the laity, and they were each, as such, immediately lords of the same. Thus, when the bishop of Baieux, to whom the king had, as may be seen by the above survey, granted this town, was disgraced. It returned into the king's hands by forfeiture, and king Richard I. afterwards granted it in ferme to Robt. Fitz-bernard. (fn. 21)

 

After the time of the taking of the survey of Domesday, the harbour of Dover still changing its situation more to the south-westward, the town seems to have altered its situation too, and to have been chiefly rebuilt along the sides of the new harbour, and as an encouragement to it, at the instance, and through favour especially to the prior of Dover, king Edward I. in corporated this town, the first that was so of any of the cinque ports, by the name of the mayor and commonalty. The mayor to be chosen out of the latter, from which body he was afterwards to chuse the assistants for his year, who were to be sworn for that purpose. At which time, the king had a mint for the coinage of money here; and by patent, anno 27 of that reign, the table of the exchequer of money was appointed to be held here, and at Yarmouth. (fn. 22) But the good effects of these marks of the royal favour were soon afterwards much lessened, by a dreadful disaster; for the French landed here in the night, in the 23d year of that reign, and burnt the greatest part of the town, and several of the religious houses, in it, and this was esteemed the more treacherousk, as it was done whilst the two cardinals were here, treating for a peace between England and France; which misfortune, however, does not seem to have totally impoverished it, for in the 17th year of the next reign of king Edward II it appears in some measure to have recovered its former state, and to have been rebuilt, as appears by the patent rolls of that year, in which the town of Dover is said to have then had in it twenty-one wards, each of which was charged with one ship for the king's use; in consideration of which, each ward had the privilege of a licensed packetboat, called a passenger, from Dover across the sea to Whitsan, in France, the usual port at that time of embarking from thence.

 

The state of this place in the reign of Henry VIII. is given by Leland, in his Itinerary, as follows:

 

"Dovar ys xii myles fro Canterbury and viii fro Sandwich. Ther hath bene a haven yn tyme past and yn taken ther of the ground that lyith up betwyxt the hilles is yet in digging found wosye. Ther hath bene found also peeces of cabelles and anchores and Itinerarium Antonini cawlyth hyt by the name of a haven. The towne on the front toward the se hath bene right strongly walled and embateled and almost al the residew; but now yt is parly fawlen downe and broken downe. The residew of the towne as far as I can perceyve was never waulled. The towne is devided into vi paroches. Wherof iii be under one rose at S. Martines yn the hart of the town. The other iii stand that yt hath be walled abowt but not dyked. The other iii stand abrode, of the which one is cawled S. James of Rudby or more likely Rodeby a statione navium. But this word ys not sufficient to prove that Dovar showld be that place, the which the Romaynes cawlled Portus Rutupi or Rutupinum. For I cannot yet se the contrary but Retesboro otherwise cawlled Richeboro by Sandwich, both ways corruptly, must neades be Rutupinum. The mayne strong and famose castel of Dovar stondeth on the loppe of a hille almost a quarter of a myle of fro the towne on the lyst side and withyn the castel ys a chapel, yn the sides wherof appere sum greate Briton brykes. In the town was a great priory of blacke monkes late suppressed. There is also an hospitalle cawlled the Meason dew. On the toppe of the hye clive betwene the towne and the peere remayneth yet abowt a slyte shot up ynto the land fro the very brymme of the se clysse as ruine of a towr, the which has bene as a pharos or a mark to shyppes on the se and therby was a place of templarys. As concerning the river of Dovar it hath no long cowrse from no spring or hedde notable that descendith to that botom. The principal hed, as they say is at a place cawled Ewelle and that is not past a iii or iiii myles fro Dovar. Ther be springes of frech waters also at a place cawled Rivers. Ther is also a great spring at a place cawled …… and that once in a vi or vii yeres brasted owt so abundantly that a great part of the water cummeth into Dovar streme, but als yt renneth yn to the se betwyxt Dovar and Folchestan, but nerer to Folchestan that is to say withyn a ii myles of yt. Surely the hedde standeth so that it might with no no great cost be brought to run alway into Dovar streame." (fn. 23)

Cougate Crosse-gate Bocheruy-gate stoode with toures toward the se. There is beside Beting-gate and Westegate.

Howbeyt MTuine tol me a late that yt hath be walled abowt but not dyked.

 

This was the state of Dover just before the time of the dissolution of religious houses, in Henry VIII.'s reign, when the abolition of private masses, obits, and such like services in churches, occasioned by the reformation, annillilated the greatest part of the income of the priests belonging to them, in this as well as in other towns, in consequence of which most of them were deserted, and falling to ruin, the parishes belonging to them were united to one or two of the principal ones of them. Thus, in this town, of the several churches in it, two only remained in use for divine service, viz. St. Mary's and St. James's, to which the parishes of the others were united.

 

After this, the haven continuting to decay more than ever, notwithstanding the national assistance afforded to it, the town itself seemed hastening to impoverishment. What the state of it was in the 8th year of queen Elizabeth, may be seen, by the certificate returned by the queen's order of the maritime places, in her 8th year, by which it appears that there were then in Dover, houses inhabited three hundred and fifty-eight; void, or lack of inhabiters, nineteen; a mayor, customer, comptroller of authorities, not joint but several; ships and crayers twenty, from four tons to one hundred and twenty.

 

¶This probable ruin of the town, however, most likely induced the queen, in her 20th year, to grant it a new charter of incorporation, in which the manner of chusing mayor, jurats, and commoners, and of making freemen, was new-modelled, and several surther liberties and privileges granted, and those of the charter of king Edward I. confirmed likewise by inspeximus. After which, king Charles II. in his 36th year, anno 1684, granted to it a new charter, which, however, was never inrolled in chancery, and in consequence of a writ of quo warranto was that same year surrendered, and another again granted next year; but this last, as well as another charter granted by king James II. and forced on the corporation, being made wholly subservient to the king's own purposes, were annulled by proclamation, made anno 1688, being the fourth and last year of his reign: but none of the above charters being at this time extant, (the charters of this corporation, as well as those of the other cinque ports, being in 1685, by the king's command, surrendered up to Col. Strode, then governor of Dover castle, and never returned again, nor is it known what became of them,) Dover is now held to be a corporation by prescription, by the stile of the mayor, jurats, and commonalty of the town and port of Dover. It consists at present of a mayor, twelve jurats, and thirty-six commoners, or freemen, together with a chamberlain, recorder, and town-clerk. The mayor, who is coroner by virtue of his office, is chosen on Sept. 8, yearly, in St. Mary's church, and together with the jurats, who are justices within this liberty, exclusive of all others, hold a court of general sessions of the peace and gaol delivery, together with a court of record, and it has other privileges, mostly the same as the other corporations, within the liberties of the cinque ports. It has the privilege of a mace. The election of mayor was antiently in the church of St. Peter, whence in 1581 it was removed to that of St. Mary, where it has been, as well as the elections of barons to serve in parliament, held ever since. These elections here, as well as elsewhere in churches, set apart for the worship of God, are certainly a scandal to decency and religion, and are the more inexcusable here, as there is a spacious court-hall, much more fit for the purposes. After this, there was another byelaw made, in June, 1706, for removing these elections into the court-hall; but why it was not put in execution does not appear, unless custom prevented it—for if a decree was of force to move them from one church to another, another decree was of equal force to remove them from the church to the courthall. Within these few years indeed, a motion was made in the house of commons, by the late alderman Sawbridge, a gentlemand not much addicted to speak in favour of the established church, to remove all such elections, through decency, from churches to other places not consecrated to divine worship; but though allowed to be highly proper, yet party resentment against the mover of it prevailed, and the motion was negatived by a great majority.

 

The mayor is chosen by the resident freemen. The jurats are nominated from the common-councilmen by the jurats, and appointed by the mayor, jurats, and common-councilmen, by ballot.

  

THE CHURCH OF ST. Mary stands at some distance from the entrance into this town from Canterbury, near the market-place. It is said to have been built by the prior and convent of St. Martin, (fn. 47) in the year 1216; but from what authority, I know not.—Certain it is, that it was in king John's reign, in the gift of the king, and was afterwards given by him to John de Burgh; but in the 8th year of Richard II.'s reign, anno 1384, it was become appropriated to the abbot of Pontiniac. After which, by what means, I cannot discover, this appropriation, as well as the advowson of the church, came into the possession of the master and brethren of the hospital of the Maison Dieu, who took care that the church should be daily served by a priest, who should officiate in it for the benefit of the parish. In which state it continued till the suppression of the hospital, in the 36th year of king Henry VIII.'s reign, when it came into the hands of the crown, at which time the parsonage was returned by John Thompson, master of the hospital, to be worth six pounds per annum.

 

Two years after which, the king being at Dover, at the humble entreaty of the inhabitants of this parish, gave to them, as it is said, this church, with the cemetery adjoining to it, to be used by them as a parochial church; at the same time he gave the pews of St. Martin's church for the use of it; and on the king's departure, in token of possession, they sealed up the church doors; since which, the patronage of it, which is now esteemed as a perpetual curacy, the minister of it being licensed by the archbishop, has been vested in the inhabitants of this parish. Every parishioner, paying scot and lot, having a vote in the chusing of the minister, whose maintenance had been from time to time, at their voluntary option, more or less. It is now fixed at eighty pounds per annum. Besides which he has the possession of a good house, where he resides, which was purchased by the inhabitants in 1754, for the perpetual use of the minister of it. It is exempt from the jurisdiction of the archdeacon. (fn. 48)

 

There is a piece of ground belonging, as it is said, to the glebe of this church, rented annually at ten pounds, which is done by vestry, without the minister being at all concerned in it. In 1588 here were eight hundred and twenty-one communicants. This parish contains more than five parts out of six of the whole town, and a greater proportion of the inhabitants.

 

The church of St. Mary is a large handsome building of three isles, having a high and south chancel, all covered with lead, and built of flints, with ashler windows and door cases, which are arched and ornamented. At the west end is the steeple, which is a spire covered with lead, in which are eight bells, a clock, and chimes. The pillars in the church are large and clumsy; the arches low and semicircular in the body, but eliptical in the chancel; but there is no separation between the body and chancel, and the pews are continued on to the east end of the church. In the high chancel, at the eastern extremity of it, beyond the altar, are the seats for the mayor and jurats; and here the mayor is now chosen, and the barons in parliament for this town and port constantly elected.

 

In 1683, there was a faculty granted to the churchwardens, to remove the magistrates seats from the east end of the church to the north side, or any other more convenient part of it, and for the more decent and commodious placing the communion table: in consequence of which, these seats were removed, and so placed, but they continued there no longer than 1689, when, by several orders of vestry, they were removed back again to where they remain at present.

 

The mayor was antiently chosen in St. Peter's church; but by a bye-law of the corporation, it was removed to this church in 1583, where it has ever since been held. In 1706, another bye law was made, to remove, for the sake of decency, all elections from this church to the court-hall, but it never took place. More of which has been mentioned before.

 

From the largeness, as well as the populousness of this parish, the church is far from being sufficient to contain the inhabitants who resort to it for public worship, notwithstanding there are four galleries in it, and it is otherwise well pewed. This church was paved in 1642, but it was not ceiled till 1706. In 1742, there was an organ erected in it. The two branches in it were given, one by subscription in 1738, and the other by the pilots in 1742.

 

Thomas Toke, of Dover, buried in the chapel of St. Katharine, in this church, by his will in 1484, gave seven acres of land at Dugate, under Windlass-down, to the wardens of this church, towards the repairs of it for ever.

 

¶The monuments and memorials in this church and church yard, are by far too numerous to mention here. Among them are the following: A small monument in the church for the celebrated Charles Churchill, who was buried in the old church-yard of St. Martin in this town, as has been noticed before; and a small stone, with a memorial for Samuel Foote, esq. the celebrated comedian, who died at the Ship inn, and had a grave dug for him in this church, but was afterwards carried to London, and buried there. A monument and several memorials for the family of Eaton; arms, Or, a sret, azure. A small tablet for John Ker, laird of Frogden, in Twit dale, in Scotland, who died suddenly at Dover, in his way to France, in 1730. Two monuments for Farbrace, arms, Azure, a bend, or, between two roses, argent, seeded, or, bearded vert. A monument in the middle isle, to the memory of the Minet family. In the north isle are several memorials for the Gunmans, of Dover; arms,. … a spread eagle, argent, gorged with a ducal coronet, or. There are others, to the memory of Broadley, Rouse, and others, of good account in this town.

 

www.british-history.ac.uk/survey-kent/vol9/pp475-548

Nearly halfway through the month, and it's the weekend again, and the the good news is that the sore throat I had on Friday went and did not return.

 

Which is nice.

 

Jools's cough, however, which seemed like it was getting better, returned slightly on Friday evening, and would again on Saturday. We had tockets to see Public Service Bradcasting again, this time in Margate, but our hearts were not in it, if I'm honest, and in the end we decided not to go in light of her coughing, but also as I said, we saw them a month back, though this would be a different show.

 

And Norwich were on the tellybox, what could be better than watching that?

 

Anything, as it turned out.

 

But that was for later.

 

We went to Tesco, a little later than usual, as we had slept in rather, then back home for breakfast before the decision on what to do for the day. Jools decided to stay home to bead and read, I would go out.

 

There are three churches near to home that I feel I needed to revisit, St Margaret's itself I should be able to get the key from the village shop at any time, but St Mary in Dover hasn't been open the last few times I have been in town, and Barfrestone was closed most of the year due to vandalism.

 

But Saturday morning there is usually a coffee morning in St Mary, so I went down armed with camera and lenses to take more shots of the details, especially of the windows.

 

There was a small group with the Vicar, talking in one of the chapels, so I made busy getting my shots, just happy that the church was open. I left a fiver with the vicar, and walked back to the car, passing the old guy supping from a tin of cider sitting outside the church hall.

 

-------------------------------------------------

 

In the heart of the town with a prominent twelfth-century tower. From the outside it is obvious that much work was carried out in the nineteenth century. The church has major connections with the Lord Wardens of the Cinque Ports and is much used for ceremonial services. The western bays of the nave with their low semi-circular arches are contemporary with the tower, while the pointed arches to the east are entirely nineteenth century. The scale and choice of stone is entirely wrong, although the carving is very well done. However the east end, with its tall narrow lancet windows, is not so successful. The Royal Arms, of the reign of William and Mary, are of carved and painted wood, with a French motto - Jay Maintendray - instead of the more usual Dieu et Mon Droit. The church was badly damaged in the Second World War, but one of the survivors was the typical Norman font of square Purbeck marble construction. One of the more recent additions to the church is the Herald of Free Enterprise memorial window of 1989 designed by Frederick Cole.

 

www.kentchurches.info/church.asp?p=Dover+1

 

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THE TOWN AND PORT OF DOVER.

DOVER lies at the eastern extremity of Kent, adjoining to the sea, the great high London road towards France ending at it. It lies adjoining to the parish of Charlton last-described, eastward, in the lath of St. Augustine and eastern division of the county. It is within the liberty of the cinque ports, and the juristion of the corporation of the town and port of Dover.

 

DOVER, written in the Latin Itinerary of Antonine, Dubris. By the Saxons, Dorsa, and Dofris. By later historians, Doveria; and in the book of Domesday, Dovere; took its name most probably from the British words, Dufir, signifying water, or Dusirrha, high and steep, alluding to the cliffs adjoining to it. (fn. 1)

 

It is situated at the extremity of a wide and spacious valley, inclosed on each side by high and steep hills or cliffs, and making allowance for the sea's withdrawing itself from between them, answers well to the description given of it by Julius Cæfar in his Commentaries.

 

In the middle space, between this chain of high cliffs, in a break or opening, lies the town of Dover and its harbour, which latter, before the sea was shut out, so late as the Norman conquest, was situated much more within the land than it is at present, as will be further noticed hereafter.

 

ON THE SUMMIT of one of these cliffs, of sudden and stupendous height, close on the north side of the town and harbour, stands DOVER CASTLE, so famous and renowned in all the histories of former times. It is situated so exceeding high, that it is at most times plainly to be seen from the lowest lands on the coast of France, and as far beyond as the eye can discern. Its size, for it contains within it thirty five acres of ground, six of which are taken up by the antient buildings, gives it the appearance of a small city, having its citadel conspicuous in the midst of it, with extensive fortifications, around its walls. The hill, or rather rock, on which it stands, is ragged and steep towards the town and harbour; but towards the sea, it is a perpendicular precipice of a wonderful height, being more than three hundred and twenty feet high, from its basis on the shore.

 

Common tradition supposes, that Julius Cæfar was the builder of this castle, as well as others in this part of Britain, but surely without a probability of truth; for our brave countrymen found Cæfar sufficient employment of a far different sort, during his short stay in Britain, to give him any opportunity of erecting even this one fortress. Kilburne says, there was a tower here, called Cæsar's tower, afterwards the king's lodgings; but these, now called the king's keep, were built by king Henry II. as will be further mentioned hereafter; and he further says, there were to be seen here great pipes and casks bound with iron hoops, in which was liquor supposed to be wine, which by long lying had become as thick as treacle, and would cleave like birdlime; salt congealed together as hard as stone; cross and long bows and arrows, to which brass was fastened instead of feathers, and they were of such size, as not to be fit for the use of men of that or any late ages. These, Lambarde says, the inhabitants shewed as having belonged to Cæfar, and the wine and salt as part of the provision he had brought with him hither; and Camden relates, that he was shewn these arrows, which he thinks were such as the Romans used to shoot out of their engines, which were like to large crossbows. These last might, no doubt, though not Cæsar's, belong to the Romans of a later time; and the former might, perhaps, be part of the provisions and stores which king Henry VIII. laid in here, at a time when he passed from hence over sea to France. But for many years past it has not been known what is become of any of these things.

 

Others, averse to Cæsar's having built this castle, and yet willing to give the building of it to the empire of the Romans of a later time, suppose, and that perhaps with some probability, it was first erected by Arviragus, (or Arivog, as he is called on his coin) king of Britain, in the time of Claudius, the Roman emperor. (fn. 2)

 

That there was one built here, during the continuance of the Roman empire in Britain, must be supposed from the necessity of it, and the circumstances of those times; and the existence of one plainly appears, from the remains of the tower and other parts of the antient church within it, and the octagon tower at the west end, in which are quantities of Roman brick and tile. These towers are evidently the remains of Roman work, the former of much less antiquity than the latter, which may be well supposed to have been built as early as the emperor Claudius, whose expedition hither was about or immediately subsequent to the year of Christ 44. Of these towers, probably the latter was built for a speculum, or watch-tower, and was used, not only to watch the approach of enemies, but with another on the opposite hill, to point out the safe entrance into this port between them, by night as well as by day.

 

In this fortress, the Romans seem afterwards to have kept a garrison of veterans, as we learn from Pancirollus, who tells us that a company of soldiers under their chief, called Præpositus Militum Tungricanorum, was stationed within this fortess.

 

Out of the remains of part of the above-mentioned Roman buildings here, a Christian church was erected, as most historians write, by Lucius, king of Britain, about the year 161; but it is much to be doubted whether there ever was such a king in Britain; if there was, he was only a tributary chief to the Roman emperor, under whose peculiar government Britain was then accounted. This church was built, no doubt, for the use of that part of the garrison in particular, who were at that time believers of the gospel, and afterwards during the different changes of the Christian and Pagan religions in these parts, was made use of accordingly, till St. Augustine, soon after the year 597, at the request of king Ethelbert, reconsecrated it, and dedicated it anew, in honour of the blessed Virgin Mary.

 

¶His son and successor Eadbald, king of Kent, founded a college of secular canons and a provost in this church, whose habitations, undoubtedly near it, there are not the least traces of. These continued here till after the year 691; when Widred, king of Kent, having increated the fortifications, and finding the residence of the religious within them an incumbrance, removed them from hence into the town of Dover, to the antient church of St. Martin; in the description of which hereafter, a further account of them will be given.

  

DOVER does not seem to have been in much repute as a harbour, till some time after Cæsar's expedition hither; for the unfitness, as well as insecurity of the place, especially for a large fleet of shipping, added to the character which he had given of it, deterred the Romans from making a frequent use of it, so that from Boleyne, or Gessoriacum, their usual port in Gaul, they in general failed with their fleets to Richborough, or Portus Rutupinus, situated at the mouth of the Thames, in Britain, and thence back again; the latter being a most safe and commodious haven, with a large and extensive bay.

 

Notwithstanding which, Dover certainly was then made use of as a port for smaller vessels, and a nearer intercourse for passengers from the continent; and to render the entrance to it more safe, the Romans built two Specula, or watch-towers, here, on the two hills opposite to each other, to point out the approach to it, and one likewise on the opposite hill at Bologne, for the like purpose there; and it is mentioned as a port by Antoninus, in his Itinerary, in which, ITER III. is A Londinio ad Portum Dubris, i. e. from London to the port of Dover.

 

After the departure of the Romans from Britain, when the port of Bologne, as well as Richborough, fell into decay and disuse, and instead of the former a nearer port came into use, first at Whitsan, and when that was stopped up, a little higher at Calais, Dover quickly became the more usual and established port of passage between France and Britain, and it has continued so to the present time.

 

When the antient harbour of Dover was changed from its antient situation is not known; most probably by various occurrences of nature, the sea left it by degrees, till at last the farmer scite of it became entirely swallowed up by the beach. That the harbour was much further within land, even at the time of the conquest than it is at present, seems to be confirmed by Domesday, in which it is said, that at the entrance of it, there was a mill which damaged almost every ship that passed by it, on account of the great swell of the sea there. Where the scite of this mill was, is now totally unknown, though it is probable it was much within the land, and that by the still further accumulation of the beach, and other natural causes, this haven was in process of time so far filled up towards the inland part of it, as to change its situation still more to the south-west, towards the sea.

 

From the time of the Norman conquest this port continued the usual passage to the continent, and to confine the intercourse to this port only, there was a statute passed anno 4 Edward IV. that none should take shipping for Calais, but at Dover. (fn. 20) But in king Henry VII.'s time, which was almost the next reign, the harbour was become so swerved up, as to render it necessary for the king's immediate attention, to prevent its total ruin, and he expended great sums of money for its preservation. But it was found, that all that was done, would not answer the end proposed, without the building of a pier to seaward, which was determined on about the middle of Henry VIII.'s reign, and one was constructed, which was compiled of two rows of main posts, and great piles, which were let into holes hewn in the rock underneath, and some were shod with iron, and driven down into the main chalk, and fastened together with iron bands and bolts. The bottom being first filled up with great rocks of stone, and the remainder above with great chalk stones, beach, &c. During the whole of this work, the king greatly encouraged the undertaking, and came several times to view it; and in the whole is said to have expended near 63,000l. on it. But his absence afterwards abroad, his ill health, and at last his death, joined to the minority of his successor, king Edward VI. though some feeble efforts were made in his reign, towards the support of this pier, put a stop to, and in the end exposed this noble work to decay and ruin.

 

Queen Mary, indeed, attempted to carry it on again, but neither officers nor workmen being well paid, it came to nothing, so that in process of time the sea having brought up great quantities of beach again upon it, the harbour was choaked up, and the loss of Calais happening about the same time, threatened the entire destruction of it. Providentially the shelf of beach was of itself became a natural defence against the rage of the sea, insomuch, that if a passage could be made for ships to get safely within it, they might ride there securely.

 

To effect this, several projects were formed, and queen Elizabeth, to encourage it, gave to the town the free transportation of several thousand quarters of corn and tuns of beer; and in the 23d of her reign, an act passed for giving towards the repair of the harbour, a certain tonnage from every vessel above twenty tons burthen, passing by it, which amounted to 1000l. yearly income; and the lord Cobham, then lordwarden, and others, were appointed commissioners for this purpose; and in the end, after many different trials to effect it, a safe harbour was formed, with a pier, and different walls and sluices, at a great expence; during the time of which a universal diligence and public spirit appeared in every one concerned in this great and useful work. During the whole of the queen's reign, the improvement of this harbour continued without intermission, and several more acts passed for that purpose; but the future preservation of it was owing to the charter of incorporation of the governors of it, in the first year of king James I. by an act passed that year, by the name of the warden and assistants of the harbour of Dover, the warden being always the lord-warden of the cinque ports for the time being, and his assistants, his lieutenant, and the mayor of Dover, for the time being, and eight others, the warden and assistants only making a quorum; six to be present to make a session; at any of which, on a vacancy, the assistants to be elected; and the king granted to them his land or waste ground, or beach, commonly called the Pier, or Harbour ground, as it lay without Southgate, or Snargate, the rents of which are now of the yearly value of about three hundred pounds.

 

Under the direction of this corporation, the works and improvements of this harbour have been carried on, and acts of parliament have been passed in almost every reign since, to give the greater force to their proceedings.

 

From what has been said before, the reader will observe, that this harbour has always been a great national object, and that in the course of many ages, prodigious sums of money have been from time to time expended on it, and every endeavour used to keep it open, and render it commodious; but after all these repeated endeavours and expences, it still labours under such circumstances, as in a very great degree renders unsuccessful all that has ever been done for that purpose.

 

DOVER, as has been already mentioned, was of some estimation in the time of the Roman empire in Britain, on account of its haven, and afterwards for the castle, in which they kept a strong garrison of sol. diers, not only to guard the approach to it, but to keep the natives in subjection; and in proof of their residence here, the Rev. Mr. Lyon some years since discovered the remains of a Roman structure, which he apprehended to have been a bath, at the west end of the parish-church of St. Mary, in this town, which remains have since repeatedly been laid open when interments have taken place there.

 

This station of the Romans is mentioned by Antonine, in his Itinerary of the Roman roads in Britain, by the name of Dubris, as being situated from the station named Durovernum, or Canterbury, fourteen miles; which distance, compared with the miles as they are now numbered from Canterbury, shews the town, as well as the haven, for they were no doubt contiguous to each other, to have both been nearer within land than either of them are at present, the present distance from Canterbury being near sixteen miles as the road now goes, The sea, indeed, seems antiently to have occupied in great part the space where the present town of Dover, or at least the northwest part of it, now stands; but being shut out by the quantity of beach thrown up, and the harbour changed by that means to its present situation, left that place a dry ground, on which the town of Dover, the inhabitants following the traffic of the harbour, was afterwards built.

 

This town, called by the Saxons, Dofra, and Dofris; by later historians, Doveria; and in Domesday, Dovere; is agreed by all writers to have been privileged before the conquest; and by the survey of Domesday, appears to have been of ability in the time of king Edward the Confessor, to arm yearly twenty vessels for sea service. In consideration of which, that king granted to the inhabitants, not only to be free from the payment of thol and other privileges throughout the realm, but pardoned them all manner of suit and service to any of his courts whatsoever; and in those days, the town seems to have been under the protection and government of Godwin, earl of Kent, and governor of this castle.

 

Soon after the conquest, this town was so wasted by fire, that almost all the houses were reduced to ashes, as appears by the survey of Domesday, at the beginning of which is the following entry of it:

 

DOVERE, in the time of king Edward, paid eighteen pounds, of which money, king E had two parts, and earl Goduin the third. On the other hand, the canons of St. Martin had another moiety. The burgesses gave twenty ships to the king once in the year, for fifteen days; and in each ship were twenty and one men. This they did on the account that he had pardoned them sac and soc. When the messengers of the king came there, they gave for the passage of a horse three pence in winter, and two in summer. But the burgesses found a steerman, and one other assistant, and if there should be more necessary, they were provided at his cost. From the festival of St. Michael to the feast of St. Andrew, the king's peace was in the town. Sigerius had broke it, on which the king's bailiff had received the usual fine. Whoever resided constantly in the town paid custom to the king; he was free from thol throughout England. All these customs were there when king William came into England. On his first arrival in England, the town itself was burnt, and therefore its value could not be computed how much it was worth, when the bishop of Baieux received it. Now it is rated at forty pounds, and yet the bailiff pays from thence fifty-four pounds to the king; of which twenty-four pounds in money, which were twenty in an one, but thirty pounds to the earl by tale.

 

In Dovere there are twenty-nine plats of ground, of which the king had lost the custom. Of these Robert de Romenel has two. Ralph de Curbespine three. William, son of Tedald, one. William, son of Oger, one. William, son of Tedold, and Robert niger, six. William, son of Goisfrid, three, in which the guildhall of the burgesses was. Hugo de Montfort one house. Durand one. Rannulf de Colubels one. Wadard six. The son of Modbert one. And all these vouch the bishop of Baieux as the protector and giver of these houses. Of that plat of ground, which Rannulf de Colubels holds, which was a certain outlaw, they agree that the half of the land was the king's, and Rannulf himself has both parts. Humphry the lame man holds one plat of ground, of which half the forfeiture is the king's. Roger de Ostrabam made a certain house over the king's water, and held to this time the custom of the king; nor was a house there in the time of king Edward. In the entrance of the port of Dovere, there is one mill, which damages almost every ship, by the great swell of the sea, and does great damage to the king and his tenants; and it was not there in the time of king Edward. Concerning this, the grandson of Herbert says, that the bishop of Baieux granted it to his uncle Herbert, the son of Ivo.

 

And a little further, in the same record, under the bishop's possessions likewise:

 

In Estrei hundred, Wibertus holds half a yoke, which lies in the gild of Dover, and now is taxed with the land of Osbert, the son of Letard, and is worth per annum four shillings.

 

From the Norman conquest, the cities and towns of this realm appear to have been vested either in the crown, or else in the clergy or great men of the laity, and they were each, as such, immediately lords of the same. Thus, when the bishop of Baieux, to whom the king had, as may be seen by the above survey, granted this town, was disgraced. It returned into the king's hands by forfeiture, and king Richard I. afterwards granted it in ferme to Robt. Fitz-bernard. (fn. 21)

 

After the time of the taking of the survey of Domesday, the harbour of Dover still changing its situation more to the south-westward, the town seems to have altered its situation too, and to have been chiefly rebuilt along the sides of the new harbour, and as an encouragement to it, at the instance, and through favour especially to the prior of Dover, king Edward I. in corporated this town, the first that was so of any of the cinque ports, by the name of the mayor and commonalty. The mayor to be chosen out of the latter, from which body he was afterwards to chuse the assistants for his year, who were to be sworn for that purpose. At which time, the king had a mint for the coinage of money here; and by patent, anno 27 of that reign, the table of the exchequer of money was appointed to be held here, and at Yarmouth. (fn. 22) But the good effects of these marks of the royal favour were soon afterwards much lessened, by a dreadful disaster; for the French landed here in the night, in the 23d year of that reign, and burnt the greatest part of the town, and several of the religious houses, in it, and this was esteemed the more treacherousk, as it was done whilst the two cardinals were here, treating for a peace between England and France; which misfortune, however, does not seem to have totally impoverished it, for in the 17th year of the next reign of king Edward II it appears in some measure to have recovered its former state, and to have been rebuilt, as appears by the patent rolls of that year, in which the town of Dover is said to have then had in it twenty-one wards, each of which was charged with one ship for the king's use; in consideration of which, each ward had the privilege of a licensed packetboat, called a passenger, from Dover across the sea to Whitsan, in France, the usual port at that time of embarking from thence.

 

The state of this place in the reign of Henry VIII. is given by Leland, in his Itinerary, as follows:

 

"Dovar ys xii myles fro Canterbury and viii fro Sandwich. Ther hath bene a haven yn tyme past and yn taken ther of the ground that lyith up betwyxt the hilles is yet in digging found wosye. Ther hath bene found also peeces of cabelles and anchores and Itinerarium Antonini cawlyth hyt by the name of a haven. The towne on the front toward the se hath bene right strongly walled and embateled and almost al the residew; but now yt is parly fawlen downe and broken downe. The residew of the towne as far as I can perceyve was never waulled. The towne is devided into vi paroches. Wherof iii be under one rose at S. Martines yn the hart of the town. The other iii stand that yt hath be walled abowt but not dyked. The other iii stand abrode, of the which one is cawled S. James of Rudby or more likely Rodeby a statione navium. But this word ys not sufficient to prove that Dovar showld be that place, the which the Romaynes cawlled Portus Rutupi or Rutupinum. For I cannot yet se the contrary but Retesboro otherwise cawlled Richeboro by Sandwich, both ways corruptly, must neades be Rutupinum. The mayne strong and famose castel of Dovar stondeth on the loppe of a hille almost a quarter of a myle of fro the towne on the lyst side and withyn the castel ys a chapel, yn the sides wherof appere sum greate Briton brykes. In the town was a great priory of blacke monkes late suppressed. There is also an hospitalle cawlled the Meason dew. On the toppe of the hye clive betwene the towne and the peere remayneth yet abowt a slyte shot up ynto the land fro the very brymme of the se clysse as ruine of a towr, the which has bene as a pharos or a mark to shyppes on the se and therby was a place of templarys. As concerning the river of Dovar it hath no long cowrse from no spring or hedde notable that descendith to that botom. The principal hed, as they say is at a place cawled Ewelle and that is not past a iii or iiii myles fro Dovar. Ther be springes of frech waters also at a place cawled Rivers. Ther is also a great spring at a place cawled …… and that once in a vi or vii yeres brasted owt so abundantly that a great part of the water cummeth into Dovar streme, but als yt renneth yn to the se betwyxt Dovar and Folchestan, but nerer to Folchestan that is to say withyn a ii myles of yt. Surely the hedde standeth so that it might with no no great cost be brought to run alway into Dovar streame." (fn. 23)

Cougate Crosse-gate Bocheruy-gate stoode with toures toward the se. There is beside Beting-gate and Westegate.

Howbeyt MTuine tol me a late that yt hath be walled abowt but not dyked.

 

This was the state of Dover just before the time of the dissolution of religious houses, in Henry VIII.'s reign, when the abolition of private masses, obits, and such like services in churches, occasioned by the reformation, annillilated the greatest part of the income of the priests belonging to them, in this as well as in other towns, in consequence of which most of them were deserted, and falling to ruin, the parishes belonging to them were united to one or two of the principal ones of them. Thus, in this town, of the several churches in it, two only remained in use for divine service, viz. St. Mary's and St. James's, to which the parishes of the others were united.

 

After this, the haven continuting to decay more than ever, notwithstanding the national assistance afforded to it, the town itself seemed hastening to impoverishment. What the state of it was in the 8th year of queen Elizabeth, may be seen, by the certificate returned by the queen's order of the maritime places, in her 8th year, by which it appears that there were then in Dover, houses inhabited three hundred and fifty-eight; void, or lack of inhabiters, nineteen; a mayor, customer, comptroller of authorities, not joint but several; ships and crayers twenty, from four tons to one hundred and twenty.

 

¶This probable ruin of the town, however, most likely induced the queen, in her 20th year, to grant it a new charter of incorporation, in which the manner of chusing mayor, jurats, and commoners, and of making freemen, was new-modelled, and several surther liberties and privileges granted, and those of the charter of king Edward I. confirmed likewise by inspeximus. After which, king Charles II. in his 36th year, anno 1684, granted to it a new charter, which, however, was never inrolled in chancery, and in consequence of a writ of quo warranto was that same year surrendered, and another again granted next year; but this last, as well as another charter granted by king James II. and forced on the corporation, being made wholly subservient to the king's own purposes, were annulled by proclamation, made anno 1688, being the fourth and last year of his reign: but none of the above charters being at this time extant, (the charters of this corporation, as well as those of the other cinque ports, being in 1685, by the king's command, surrendered up to Col. Strode, then governor of Dover castle, and never returned again, nor is it known what became of them,) Dover is now held to be a corporation by prescription, by the stile of the mayor, jurats, and commonalty of the town and port of Dover. It consists at present of a mayor, twelve jurats, and thirty-six commoners, or freemen, together with a chamberlain, recorder, and town-clerk. The mayor, who is coroner by virtue of his office, is chosen on Sept. 8, yearly, in St. Mary's church, and together with the jurats, who are justices within this liberty, exclusive of all others, hold a court of general sessions of the peace and gaol delivery, together with a court of record, and it has other privileges, mostly the same as the other corporations, within the liberties of the cinque ports. It has the privilege of a mace. The election of mayor was antiently in the church of St. Peter, whence in 1581 it was removed to that of St. Mary, where it has been, as well as the elections of barons to serve in parliament, held ever since. These elections here, as well as elsewhere in churches, set apart for the worship of God, are certainly a scandal to decency and religion, and are the more inexcusable here, as there is a spacious court-hall, much more fit for the purposes. After this, there was another byelaw made, in June, 1706, for removing these elections into the court-hall; but why it was not put in execution does not appear, unless custom prevented it—for if a decree was of force to move them from one church to another, another decree was of equal force to remove them from the church to the courthall. Within these few years indeed, a motion was made in the house of commons, by the late alderman Sawbridge, a gentlemand not much addicted to speak in favour of the established church, to remove all such elections, through decency, from churches to other places not consecrated to divine worship; but though allowed to be highly proper, yet party resentment against the mover of it prevailed, and the motion was negatived by a great majority.

 

The mayor is chosen by the resident freemen. The jurats are nominated from the common-councilmen by the jurats, and appointed by the mayor, jurats, and common-councilmen, by ballot.

  

THE CHURCH OF ST. Mary stands at some distance from the entrance into this town from Canterbury, near the market-place. It is said to have been built by the prior and convent of St. Martin, (fn. 47) in the year 1216; but from what authority, I know not.—Certain it is, that it was in king John's reign, in the gift of the king, and was afterwards given by him to John de Burgh; but in the 8th year of Richard II.'s reign, anno 1384, it was become appropriated to the abbot of Pontiniac. After which, by what means, I cannot discover, this appropriation, as well as the advowson of the church, came into the possession of the master and brethren of the hospital of the Maison Dieu, who took care that the church should be daily served by a priest, who should officiate in it for the benefit of the parish. In which state it continued till the suppression of the hospital, in the 36th year of king Henry VIII.'s reign, when it came into the hands of the crown, at which time the parsonage was returned by John Thompson, master of the hospital, to be worth six pounds per annum.

 

Two years after which, the king being at Dover, at the humble entreaty of the inhabitants of this parish, gave to them, as it is said, this church, with the cemetery adjoining to it, to be used by them as a parochial church; at the same time he gave the pews of St. Martin's church for the use of it; and on the king's departure, in token of possession, they sealed up the church doors; since which, the patronage of it, which is now esteemed as a perpetual curacy, the minister of it being licensed by the archbishop, has been vested in the inhabitants of this parish. Every parishioner, paying scot and lot, having a vote in the chusing of the minister, whose maintenance had been from time to time, at their voluntary option, more or less. It is now fixed at eighty pounds per annum. Besides which he has the possession of a good house, where he resides, which was purchased by the inhabitants in 1754, for the perpetual use of the minister of it. It is exempt from the jurisdiction of the archdeacon. (fn. 48)

 

There is a piece of ground belonging, as it is said, to the glebe of this church, rented annually at ten pounds, which is done by vestry, without the minister being at all concerned in it. In 1588 here were eight hundred and twenty-one communicants. This parish contains more than five parts out of six of the whole town, and a greater proportion of the inhabitants.

 

The church of St. Mary is a large handsome building of three isles, having a high and south chancel, all covered with lead, and built of flints, with ashler windows and door cases, which are arched and ornamented. At the west end is the steeple, which is a spire covered with lead, in which are eight bells, a clock, and chimes. The pillars in the church are large and clumsy; the arches low and semicircular in the body, but eliptical in the chancel; but there is no separation between the body and chancel, and the pews are continued on to the east end of the church. In the high chancel, at the eastern extremity of it, beyond the altar, are the seats for the mayor and jurats; and here the mayor is now chosen, and the barons in parliament for this town and port constantly elected.

 

In 1683, there was a faculty granted to the churchwardens, to remove the magistrates seats from the east end of the church to the north side, or any other more convenient part of it, and for the more decent and commodious placing the communion table: in consequence of which, these seats were removed, and so placed, but they continued there no longer than 1689, when, by several orders of vestry, they were removed back again to where they remain at present.

 

The mayor was antiently chosen in St. Peter's church; but by a bye-law of the corporation, it was removed to this church in 1583, where it has ever since been held. In 1706, another bye law was made, to remove, for the sake of decency, all elections from this church to the court-hall, but it never took place. More of which has been mentioned before.

 

From the largeness, as well as the populousness of this parish, the church is far from being sufficient to contain the inhabitants who resort to it for public worship, notwithstanding there are four galleries in it, and it is otherwise well pewed. This church was paved in 1642, but it was not ceiled till 1706. In 1742, there was an organ erected in it. The two branches in it were given, one by subscription in 1738, and the other by the pilots in 1742.

 

Thomas Toke, of Dover, buried in the chapel of St. Katharine, in this church, by his will in 1484, gave seven acres of land at Dugate, under Windlass-down, to the wardens of this church, towards the repairs of it for ever.

 

¶The monuments and memorials in this church and church yard, are by far too numerous to mention here. Among them are the following: A small monument in the church for the celebrated Charles Churchill, who was buried in the old church-yard of St. Martin in this town, as has been noticed before; and a small stone, with a memorial for Samuel Foote, esq. the celebrated comedian, who died at the Ship inn, and had a grave dug for him in this church, but was afterwards carried to London, and buried there. A monument and several memorials for the family of Eaton; arms, Or, a sret, azure. A small tablet for John Ker, laird of Frogden, in Twit dale, in Scotland, who died suddenly at Dover, in his way to France, in 1730. Two monuments for Farbrace, arms, Azure, a bend, or, between two roses, argent, seeded, or, bearded vert. A monument in the middle isle, to the memory of the Minet family. In the north isle are several memorials for the Gunmans, of Dover; arms,. … a spread eagle, argent, gorged with a ducal coronet, or. There are others, to the memory of Broadley, Rouse, and others, of good account in this town.

 

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