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My typical stylesheet is set up like this. There's a comment at the top that has the client name, which stylesheet it is (screen, print, ie, & others where necessary), author: (our company name) and version: formatted as year.month. I tend to go single-line indented and separated into sections. My sections usually include "Layout Blocks", "Forms", "Homepage Specific" & "Reusables". On the reusable classes I skip the indentation and list them alphabetically. To the multi-line fans out there, I'm sure this looks pretty strange but I can work through stylesheets formatted this way lightning fast.
Lea Verou talks about CSS Animations at WDCNZ 2012
Photo by WE DO Photography and Design wedo.net.nz
A two car westbound CSS&SB passenger train accelerates from its station stop at Hegewisch, in September 1998.
André Lhuillier, CSS PhD student. André’s talk entitled “Why Little Samson Didn’t Defeat The Hedgehog: A Story Of Social Influence And The Relevance Of Distribution For Successful Information Goods"
Abstract: In 1992 during one of the fiercest battles of the so called ‘console wars’, a modest game was released in the mist of the industry frenzy. Although ‘Little Samson’ is recognized by those who know it as a great game, it remains unknown for most of the consumers today. On the other side of the battlefield, Sega’s thriving Hedgehog was convincing everyone that they have seized their main competitor ‘Mario Kart’. Despite this momentary victory in consumer’s memory and affection, the real winner was not in the center of the industry’s attention. Having less media presence, the sequel of Super Mario Land for the Game Boy was the most purchased game with almost 200% units of what ‘Sonic 2’ sold. This kind of unpredictable and divergent behavior is a unique characteristic of information goods markets. In this presentation I survey the last 30 years of the video game sector and show its particular composition and evolution. Following De Vany’s approach to Hollywood movie industry I dwell into an analysis of this industry with special emphasis in consumer behavior. Re-visiting De Vany’s proposal I make a simple ABM approach to model and show how placement or distribution properties may induce long tail distributions. Following the relevance of information diffusion and the development of hype in this industry another model is presented. In this case the relevance of a consumer social system and its dynamics. After an analysis of the industry history, consumer’s social influence, sales and distribution/access is reviewed; I present several findings and propose a model to understand them. A final discussion will be opened with the presentation of data on Valve Company digital platform Steam.
Testing Mr Clayson's wonderful IE CSS discovery, with some quick changes.
All browsers get the basic version. IE7 (above) and modern browsers get the full CSS after that, but IE6 gets it's own special stylesheet.
The CSS Hunley was a submarine of the Confederate States of America. The Hunley made her only attack against an enemy ship on a cold night in 1864 approximately 5 miles offshore. She successfully sank the USS Housatonic using a spar torpedo. The Hunley and her crew went missing and would not be seen again for over 100 years.
In 1995, a team led by New York Times bestselling author Clive Cussler discovered the Hunley in only 30 feet of water in Charleston Harbor. The submarine was raised and taken to the Warren Lasch Conservation Center, where she remains today, undergoing conservation.
Despite sinking three times previous and kiling twenty one of her own crew, including her designer and principle financier, Horace L. Hunley, the Hunley made history.
On February 17th, 1864, the H. L. Hunley became the world's first successful combat submarine.
André Lhuillier, CSS PhD student. André’s talk entitled “Why Little Samson Didn’t Defeat The Hedgehog: A Story Of Social Influence And The Relevance Of Distribution For Successful Information Goods"
Abstract: In 1992 during one of the fiercest battles of the so called ‘console wars’, a modest game was released in the mist of the industry frenzy. Although ‘Little Samson’ is recognized by those who know it as a great game, it remains unknown for most of the consumers today. On the other side of the battlefield, Sega’s thriving Hedgehog was convincing everyone that they have seized their main competitor ‘Mario Kart’. Despite this momentary victory in consumer’s memory and affection, the real winner was not in the center of the industry’s attention. Having less media presence, the sequel of Super Mario Land for the Game Boy was the most purchased game with almost 200% units of what ‘Sonic 2’ sold. This kind of unpredictable and divergent behavior is a unique characteristic of information goods markets. In this presentation I survey the last 30 years of the video game sector and show its particular composition and evolution. Following De Vany’s approach to Hollywood movie industry I dwell into an analysis of this industry with special emphasis in consumer behavior. Re-visiting De Vany’s proposal I make a simple ABM approach to model and show how placement or distribution properties may induce long tail distributions. Following the relevance of information diffusion and the development of hype in this industry another model is presented. In this case the relevance of a consumer social system and its dynamics. After an analysis of the industry history, consumer’s social influence, sales and distribution/access is reviewed; I present several findings and propose a model to understand them. A final discussion will be opened with the presentation of data on Valve Company digital platform Steam.
Live /Estragon @ Bologna.
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Acadia was designed in Canada for the Hydrographic Survey of Canada and built by Swan Hunter & Wigham Richardson at Newcastle-on-Tyne in England. She was launched in May 1913 and made her first voyage in July 1913.
Live /Estragon @ Bologna.
Questa immagine é protetta da copyright ©. Tutti i diritti sono riservati. Ne é pertanto vietata la riproduzione, l'adattamento e la diffusione senza preventivo ed espresso consenso dell'autore.
Visitate il nostro sito: www.rocklab.it