View allAll Photos Tagged creaturedesign
🚫💲🚫 1 New Freebie minimum Everyday 🚫💲🚫
◤ S P O N S O R S ◢
⋆❆『 BeSpoke 』❆⋆
BeSpoke - Satyr Pan
Fantasy Satyr mesh head + full body skins
Include :
Male & Female Mesh Head & Eyes
8 BOM eye colors
Male and female shapes
Male and female body skins
Available at BeSpoke Mainstore :
🚖 Taxi : maps.secondlife.com/secondlife/Honeydale/159/163/30
● MP : marketplace.secondlife.com/en-US/stores/227046
❆ Bespoke Infos : www.flickr.com/groups/14781784@N23/
⋆❆『 Aardvark 』❆⋆
Aardvark : Hexclaw Feline
Devil Kitty Animesh Companion & static decor version
6 fur colors, 9 eyes colors.
Available @ Aardvark mainstore :
🚖 Taxi : maps.secondlife.com/secondlife/Aardvark/123/120/38
● MP : marketplace.secondlife.com/en-US/stores/202440
❆ Info : www.flickr.com/photos/aardvarksl/
⋆❆『 QE Home 』❆⋆
[QE Home] Mystic Moon Cabinet
NEW Wooden Wall Cabinet, Exclusive For Mad Pea's Gacha Arcana - Vault Item
Touch to Texture Change
C/M/NT
🚖 Event Taxi : maps.secondlife.com/secondlife/MadPea%20Base/108/121/35
[QE Home] Mystic Gacha Full Set
NEW Mystic Deco Set Exclusive For Mad Pea's Gacha Arcana
Available gacha : Books, book stacks, plantes, wall and table magic moon lamp
Gacha Items so items are NC/M/T
🚖 Event Taxi : maps.secondlife.com/secondlife/MadPea%20Base/108/121/35
Aine x QE Aruna Gacha Full Set
NEW Exclusive Mystic Gacha deco set For Mad Pea's Gacha Arcana
Mesh By Aine, Textures By [QE]
Available gacha : Orb stands, Candle holder, holdable moons, Shelfs
Gacha Items so items are NC/M/T
🚖 Event Taxi : maps.secondlife.com/secondlife/MadPea%20Base/108/121/35
[QE Home] Luna Table Full Set
Coffee Table, console table & side table luna Set
Original Mesh
PBR & Legacy Versions Included
Touch to Texture Change
C/M/NT
Available at QE Home Mainstore :
🚖 Taxis : maps.secondlife.com/secondlife/Elmira/68/126/26
[QE Home] Wizard Decor Set Full Pack
2 Wall art & 2 cabinet set
Sold Separately Or As A Discounted Full Pack
Cabinet have 4 wood textures (change by touch)
Copy | Modify | No Transfer
Available at QE Home Mainstore :
🚖 Taxis : maps.secondlife.com/secondlife/Elmira/68/126/26
[QE Home] Arthur Plant Set -Sullivan-
3 plants in planter collection
Plant type : Bird's Nest Fern, Ficus, Money Plant
HUD driven texture change for leaf and planter
Copy | Modify | No Transfer
Available at QE Home Mainstore :
🚖 Taxis : maps.secondlife.com/secondlife/Elmira/68/126/26
● MP : marketplace.secondlife.com/stores/32435
❆ Info : www.flickr.com/photos/-emms-/
◤ Other Items ◢
Flippin' Coin anime : 🚫💲🚫Free (on store entry desk) 🚫💲🚫
Buttonjar - Flippin' Coin [Folder]
maps.secondlife.com/secondlife/Wavepaw/82/234/64
Backdrop / Tavern Building : 🚫💲🚫Freebie On marketplace🚫💲🚫
[HVW] Tavern
marketplace.secondlife.com/p/HVW-Tavern/15152922
Coin on desk, and chest : 🚫💲🚫Free On marketplace🚫💲🚫
Medieval Furniture Pack
marketplace.secondlife.com/p/Medieval-Furniture-Pack/1519...
Complete Male Medieval Outfit :
C&N Medieval Warrior outfit Moises Red v1
maps.secondlife.com/secondlife/SESTOSENSO/136/142/1081
Mesh Hair :
Modulus - Kasper Hair
maps.secondlife.com/secondlife/Fruk/128/107/2001
Satyr mesh head : Check sponsors ↑
99% of the deco items and furnitures : Check sponsors ↑
Kitties : Check sponsors ↑
Body : [LEGACY] Meshbody (m) Special Edition (1.7.1)
Shape : by me
Pose : By me with anypose
🚫💲🚫 1 New Freebie minimum Everyday 🚫💲🚫
◤ S P O N S O R S ◢
⋆❆『 Faunus 』❆⋆
Faunus - Leopard
Leopard hybrid avatar (available as male & female version)
Includes : multiple Leopard fur skin Tattoo layer EVOX & SLUV (male & female in basic leopard & white leopard version), bento and animesh tail, bento ears.
Available @ Midnight Carnival: A Circus of Dreams Event :
🚖 Event Taxi : maps.secondlife.com/secondlife/Nymphai/245/89/3074
Faunus infos :
🚖 Taxi : maps.secondlife.com/secondlife/Dream%20Isles/116/156/3326
● Marketplace : marketplace.secondlife.com/stores/182518
❆ Info : www.flickr.com/photos/forest_fantasy/
⋆❆『 JIAN 』❆⋆
JIAN Leopard Collection
Animesh leopard pets and decor Set
Available as companions, wanderers & static (perfect to taking pics)
Also available, some platforms & animated branch rest
Available at JIAN Mainstore and Marcketplace :
●MP : marketplace.secondlife.com/p/JIAN-Pets-Leopard/23518221
🚖Taxi : maps.secondlife.com/secondlife/Jian/239/237/24
❆ Info : www.flickr.com/photos/kaliafirelyte
◤ Other Items ◢
Hair : 🚫💲🚫 Group gift 🚫💲🚫
no.match_ ~ NO_SURE ~ all COLORS
maps.secondlife.com/secondlife/VALHAL/124/134/24
Necklace : 👌💲👌 25L$ for 25l tuesday (still available until next monday) 👌💲👌
:AngelicUs: -Karla- Necklace UNPACKER (ADD)
maps.secondlife.com/secondlife/Brave%20New%20World/8/153/...
Pants :
ERSCH - Ghost Set -choco-
maps.secondlife.com/secondlife/Lyrics/22/74/33
Unisex Claws (hand and feet)
SOLIAC - Claws Hands
maps.secondlife.com/secondlife/Grey%20Gardens/234/28/3530
Mud on full body :
Landgraff - Muddy
maps.secondlife.com/secondlife/Neptune/53/27/2211
Leopard : Check sponsors ↑
hybride Feline-humanoid avi : Check sponsors ↑
Head : LeLutka - Kris head
Head Skin : f u o e y . Oliver Skin Medium / E 🚫💲🚫 GG 🚫💲🚫
Hairbase : Modulus - Lenny Hair Base Evo X - 🚫💲🚫 Free Gift 🚫💲🚫
Eyes : Basic Letutka Hud eyes
Free Face Freckles : C A T S Y - Gift Freckles (LeLutka Evo X) 🚫💲🚫 Dollarbie On marketplace 🚫💲🚫
marketplace.secondlife.com/p/C-A-T-S-Y-Free-Freckles-LeLu...
Face Moles & additionnal Freckles : (VOLGA) . Freckles and Moles
Body : [LEGACY] Meshbody (m) Special Edition (1.7.1)
Shape : by me
Body Skin : KOKOS-SKIN MARCUS
Pose : By Me with AnyPose
Backdrop :
mix of 2 backdrop (full modif by me) + land border jungle Cliff
Backdrop 1 : SYNNERGY.TAVIS//Forgotten Temple [360] Backdrop
maps.secondlife.com/secondlife/Dreamer/130/159/1112
Backdrop 2 : DtMF Jungle Backdrop PBR - The Bearded Guy
maps.secondlife.com/secondlife/Moonwall/191/114/33
RW - Tropical Jungle Green Cliff Vines & Shrubs *Pohaku* 2s cm
RIPPLIN' WATERS! marketplace :
marketplace.secondlife.com/p/RW-Tropical-Jungle-Green-Cli...
It doesn’t chase you…
it understands you.
A presence born from the depths, feeding on thoughts, fears, and hidden truths.
What do you think it would see in your mind?
Tell us below ↓
Una figura serpentina emerge con una presencia intensa y profundamente estructurada, donde lo biológico y lo energético se entrelazan en una forma única. Las venas luminosas recorren su anatomía como si fueran canales de una energía interna activa, revelando un sistema vital visible que transforma lo orgánico en algo casi tecnológico.
Lejos de representar solo una criatura amenazante, la imagen propone una exploración estética de la fuerza interior y la transformación. Su mirada penetrante y su estructura abierta exponen una complejidad que invita a observar más allá de lo evidente, convirtiendo el terror en un lenguaje visual cargado de detalle, ritmo y composición.
A serpentine figure emerges with an intense and deeply structured presence, where the biological and the energetic intertwine into a unique form. Glowing veins run across its anatomy like channels of active inner energy, revealing a visible vital system that transforms the organic into something almost technological.
Rather than representing only a threatening creature, the image explores inner strength and transformation through aesthetics. Its piercing gaze and exposed structure reveal a complexity that invites the viewer to look beyond the obvious, turning fear into a visual language rich in detail, rhythm, and composition.
A chimeric gryphon-wyvern at the Fontaine St- Michel, Paris.
This captivating bronze sculpture merges myth and artistry in a dramatic display of imagination. With the fierce head of a lion, the sweeping wings of a dragon, and the coiled tail of a serpent, the creature commands attention as water pours from its open mouth. Set within a fountain, its aged patina and intricate detailing evoke a sense of ancient grandeur. A stunning example of sculptural storytelling, this piece invites viewers to explore the fantastical and the historic in one powerful form.
"Nature has an order. A power to restore balance. I believe he is that power."
('Godzilla' by NECA)
Diorama by RK
A small sketch about the need to avoid unwanted consideration -------- ^(;,,;)^ -------- Un pequeño boceto sobre la necesidad de evitar atenciones no solicitadas.
No todo lo que evoluciona se vuelve humano.
Hay formas que avanzan en otra dirección, donde la conciencia no reemplaza al instinto… lo perfecciona. Esta entidad no duda, no interpreta, no cuestiona.
Percibe… y actúa.
Su estructura no es solo mecánica, es precisa. Cada segmento, cada articulación, cada luz interna responde a una lógica que no necesita explicación, solo ejecución.
No es agresión lo que transmite…
Es certeza.
Una forma de vida que no se ha separado de su naturaleza, sino que la ha llevado a su punto más alto.
Not everything that evolves becomes human.
Some forms move in another direction, where consciousness does not replace instinct… it refines it. This entity does not hesitate, interpret, or question.
It perceives… and acts.
Its structure is not merely mechanical, but precise. Every segment, every joint, every internal light responds to a logic that requires no explanation, only execution.
It does not convey aggression…
It conveys certainty.
A form of life that has not separated from its nature, but has elevated it to its highest point.
Ein Querschnitt aus der internationalen Character-Design-Szene. Bunt, urban, frech und schräg - auf jeden Fall leidenschaftlich und mit Attitüde präsentiert sich "A TASTE OF CHARACTERS" mit diesem Auftakt zu einer Ausstellungsreihe abseits gängiger Kunstkonventionen.
Wien, Galerie KANDINSKY, Lerchenfelder Straße 13,
23. – 27.Juni 2009
Lethal strabismus. A summer afternoon of pencils and some digital effects.
<(°~°)>
Estrabismo letal. Tarde estival de lápices y un poco de digital y cual.
Occoult Ocular Disclosure: Graphite sketch of an alternative anatomy.
------------- @(*?*)@ -------------
Revelación ocular oculta: Boceto a grafito de una anatomía alternativa.
Ein Querschnitt aus der internationalen Character-Design-Szene. Bunt, urban, frech und schräg - auf jeden Fall leidenschaftlich und mit Attitüde präsentiert sich "A TASTE OF CHARACTERS" mit diesem Auftakt zu einer Ausstellungsreihe abseits gängiger Kunstkonventionen.
Wien, Galerie KANDINSKY, Lerchenfelder Straße 13,
23. – 27.Juni 2009
The “Reaper Of Nar Shaddaa” was indited under serious murder charges across multiples systems to the republic. He was put in custody in a maximum security prison for the insane. In just two months he managed an escape. Word got out, after 3 Bith’s were murdered in cold blood in the lower levels of coruscant with a large machete. Now the reaper of Nar Shaddaa is navigating the streets of the underworld. The entire sector is under high alert. Every screen in the city has been instructed to inform civilians of this danger. How many valiant clones will face their ends at the hands of this phsyco murder addict? This is my 6th and final build for @rebellug ‘s #vignweek2020 . I pretty much built this all on the second day, minus the reaper himself. The whole thing took me about 9-10 hours. (Yes I printed little pictures for the signs, pls don’t disqualify me😭) The theme for this week was Star Wars + any theme you want. I chose to do a Star Wars/horror mashup. The contest has been really fun and I look forward to the next one. Gonna slow down with the builds for now😂
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#lego #starwars #it #horror #horrormovies #horrormovie #cool #blm #dope #creature #creaturedesign #moc #legomoc #legocreations #model #movies #coronavirus #themandalorian #photography #legoleaks #legophotography #legos #legoart
A triangular affair at a visceral soirée. Graphite and a little bit of Gimp software. Perhaps I may add more persons of interest, as long as they continue to appear under the pencil. Consider it as an ongoing WIP.
Anatomical study of the legs and claws of an unsettling creature. I'm looking for a mix of high heels, chicken thighs and manicure tongs. ~~~~~~ ^(;,,;)^ ~~~~~ Estudio anatómico de las patas y garras de una criatura desasosegante. Voy buscando una mezcla de zapatos de tacón, contramuslos de pollo y tenacillas de manicura.
"A horrible elder race of half-polypous, utterly alien entities which ... were only partly material–as we understand matter–and their type of consciousness and ... their senses did not include that of sight... They had the power of aerial motion, despite the absence of wings or any other visible means of levitation... There were veiled suggestions of a monstrous plasticity, and of temporary lapses of visibility, while other fragmentary whispers referred to their control and military use of great winds. Singular whistling noises, and colossal footprints made up of five circular toe marks, seemed also to be associated with them."
The Shadow out of Time. H.P. #Lovecraft
"We shall swim out to that brooding reef in the sea and dive down through black abysses to cyclopean and many-columned Y'ha-nthlei, and in that lair of the Deep Ones we shall dwell amidst wonder and glory for ever." The Shadow over Innsmouth. H.P. Lovecraft. Another graphite and digital retouching Friday night.
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"Nadaremos hasta el inquietante arrecife y nos sumergiremos a través de negros abismos hasta la ciclópea y porticada Y'ha-nthlei y en esa guarida de los Profundos moraremos entre maravillas y esplendor por siempre." La sombra sobre Innsmouth. H.P. Lovecraft. Viernes tarde de grafito, papel y retoques digitales.
Arboreal Demonio
I was inspired to make this guy because i wanted to challenge myself by using a lego piece that has a very specific purporse, and therefore, a very limited use, which is the lego minifigure hair piece.
I never really see these pieces being used in mocs and that's for good reason since it's so hard to impliment them into builds and make them look good at the same time. But i wanted to see if it was possible.
I made the head out of dark brown minifigure hair and beard pieces which i locked on to a 16cm bridle piece from the star wars dewback. I slotted the hair in place on the rubber rope by locking it shut with some lightsaber hilts (see on pic 4) which were extremely tricky to connect but worked out in the end.
The fire pieces that are used for the eyes are just slotted in place, and they stay in place because the rubber bridle locks it so it won't fall out from the ponytail hair piece (promise there's no glue involved in any way, just lego pieces)
This has to be one of the most innovative and complicated builds i have ever made and so i wanted to share it as my "debut build." Let me know what you think!
Long before the present Dream Realms existed, the great harbor city of Elyndra stood at the edge of the world. Airships from distant continents docked here, their holds filled with magic, spells, and forgotten knowledge. The sea surrounding the city was calm and clear, as if the waters itself protected the harbor.
But Elyndra did not grow rich from the trade of magic alone.
Beneath the harbor, deep within the rocks under the piers, lay an ancient shrine devoted to a forgotten Elder dragon god of magic. The priests of the city kept its existence secret and used its power to tame storms and calm the Waters and seas for their (air)ships.
For generations, the ritual worked.
Until one moonless night.
The chronicles speak of a black tidal wave, higher than the lighthouses of the air harbor. The sea first withdrew, and a heavy silence fell before the storm. Then it returned with a force that shattered the docks and hurled airships onto the rooftops of the city. When the sun rose, Elyndra had vanished beneath a veil of mist and broken stone.
Now only the crumbling piers and half-sunken towers remain, lost within a silent marsh.
3, 2, 1 — and it’s gone.
With unimaginable speed, this unmanned creature launches forward, almost invisible to the naked eye.
Speeds exceeding Mach 1 have been recorded, sonic booms tearing through the air in its wake.
Blink — and you miss it.
Almost nothing is known about this being.
That is why it bears the name: Defying Gravity.
No one knows where it comes from or where it is headed.
Communication is impossible.
Scholars and scientists have deployed vehicles and aircraft in attempts to keep pace with it — nothing works.
Every time they believe they are finally closing in, it accelerates once more and vanishes beyond reach.
The Vox Caelorum listens to the voices of heaven
and translates birdsong into insight and meaning.
At early dawn, it is already on its way,
seeking out the feathered beings,
listening as they sing and whisper,
analyzing their melodies and hushed voices.
All that they have to tell
caresses our ears—
conversations, beautiful in their own right,
speaking of how fair the world truly is.
A pure delight to listen to.
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I’Lander,
Oil on Canvas,
90x70cm,
www.schaap-art.nl/product/ilander/
There are beings in existence who do not wander as others do. They do not lift their feet, nor do they cross distances by will or stride. Instead, they move in a manner far older, far stranger—so slow that time itself seems to gather around them and wait.
They do not carry the world; they are carried by it, and yet, paradoxically, they carry it in return. Vast fragments of land travel with them—ancient soil, sleeping roots, forgotten stones—bound inseparably to their being. Wherever they go, a piece of the world goes with them, as though the earth itself refuses to let them depart alone.
For they are not merely inhabitants of their homeland. They are born of it in a deeper sense, shaped not only by its substance but entwined with its memory. Their forms are threaded with roots that reach into unseen depths, drinking from a past older than any sky they will ever pass beneath. The scent of their native ground clings to them like a quiet truth: they do not belong to the land—they belong as the land.
To leave is not a simple act. It is not a step, nor a choice made lightly. For how does one abandon what one fundamentally is? When they move, the earth does not release them willingly. It yields slowly, reluctantly, as if peeling away from itself. The ground trembles with a silent grief, and yet, it lets them go—piece by piece, root by root.
Their journey is not measured in miles, nor in days or years, but in ages. They drift across vast expanses—through skies that change their colors, beneath constellations that are born and fade long before their passage is complete. Winds race past them, stars wheel overhead, and still they continue, patient and inevitable.
And at last, when they come to rest in some distant place—far from the cradle of their origin—they do not simply arrive. They become.
The land they have carried with them unfolds, breathes, and settles into its new home. Roots stretch outward once more, seeking unfamiliar depths. Stones remember new skies. And from this quiet union, something wholly new emerges: a place infused with ancient memory, touched by distant worlds, and alive with stories that no voice has ever spoken.
Thus they move, these silent bearers of earth and time—not travelers upon the world, but travelers who are the world itself.
I think that graphic improvisation leads spontaneously to storytelling: Does an arm barely fit on the canvas? Rip it off. And what do we do with it? I don't know yet. Paint another robot or... we shall see on the fly.
iPad n Brushes. A farewell drawing for one of the guys at the studio ( where I work www.stormstudios.no)
The Surveyors are beings devoted to a task that borders on the impossible: they map the worlds.
Not a single world, nor a finite system, but countless expanses—continents without edges, silent steppes that stretch beyond sight, fractured moons, and drifting satellites that wander through dark and uncharted skies. Each attempt to define these places collapses under the sheer scale of them. Distances shift. Landmarks refuse permanence. What is recorded one cycle is already wrong in the next.
And still, the Surveyors continue.
No one knows where they came from, or who first gave them this purpose. Some claim they were created by an ancient intelligence that needed order imposed upon chaos. Others whisper that the Surveyors themselves no longer remember why they began—only that they cannot stop.
They travel with instruments that hum softly in the void, devices that measure not only space, but something deeper—distortions in reality, echoes of places that may have existed before, or have yet to exist at all. Their maps are not merely records, but layered palimpsests of overlapping truths, contradictions, and erasures.
Some Surveyors vanish.
Not suddenly, but gradually—first their paths become inconsistent, their markings indecipherable. Then their presence fades from the records they themselves created. Entire expeditions dissolve into annotations that lead nowhere, as if the worlds themselves have rejected being known.
There are rumors among the few who study their remnants: that the act of mapping these worlds changes them. That to observe too closely is to unravel something fundamental. That beyond a certain point, the Surveyors are no longer documenting reality—
—but creating it.
And perhaps that is why they persist.
Not because the worlds can be mapped, but because without them, nothing would remain defined at all.